#alicia persson

[skidlandslaget]

National Team 2019/2020 — Team Svenska Spel

The National Team’s development team, Team Svenska Spel, consists of skiers between age 19-23. The team’s objective is to help those skiers who are between junior and senior, and who are not a part of A-laget.

Juniors at our skiing secondary schools get a lot of excellent training and support in their growth. However, the step from there, to taking a place in A-laget is often very large. For many there are no longer any natural training group to join and it can very easily be so that young skiers are lost after secondary school.

Team Svenska Spel’s purpose is to ease the transition from junior to senior by preparing the juniors for their future as seniors and support younger seniors with continuing excellent training and support after they have left our skiing secondary schools.

Sustainability and patience are key words when working with the team, where drafts are not only based on achievements. We also value growth potential, approach and attitude towards training in addition to results when we choose skiers for the team.

Women

Hanna Abrahamsson, born 2000 Eksjö SOK Tilde Bångman, born 2001 Offerdals SK Johanna Hagström, born 1998 Ulricehamns IF Moa Hansson, born 2001 Landsbro IF SK Louise Lindström, born 2000 Högbo GIF Moa Lundgren, born 1998 IFK Umeå Moa Olsson, born 1997 Falun-Borlänge SK Alicia Persson, born 1998 Stockviks SF Emma Ribom, born 1997 Piteå elit SK Linn Svahn, born 1999 IFK Umeå

Men

Axel Aflodal, born 1999 Offerdals SK Fredrik Andersson, born 1998 Sollefteå Skidor IF Gustaf Berglund, born 1998 IFK Mora SK Jonathan Edman, born 2001 IFK Umeå Anton Eriksson, born 2000 Sollefteå Skidor IF Jonas Eriksson, born 1997 IFK Mora SK Johan Herbert, born 1999 IFK Mora SK Hugo Jacobsson, born 1997 Falun-Borlänge SK Leo Johansson, born 1999 Falun-Borlänge SK Pål Jonsson, born 2001 Strömnäs GIF Simon Karlsson, born 1999 IFK Umeå Oscar Olsson, born 1999 Hudiksvalls IF William Poromaa, born 2000 Åsarna IK Eric Rosjö, born 1998 IFK Mora SK

*Missing in the picture are Louise Lindström, Johan Herbert, Leo Johansson and Eric Rosjö.

[skarsgaholic]

Bill Skarsgård as Richard Persson and Alicia Vikander as Fragrancia Fernandez

in The Crown Jewels [Kronjuvelerna] (2011)

[unit-1-marketing]

Coco Chanel 2

websites used - Slide 9 - https://www.youtube.com/watch?v=aRV-2_Un-kk Youtube, Chanel vogue COCO MADEMOISELLE, the film with Keira Knightley – CHANEL Fragrance Mar 8, 2011​

Slide 11 - https://www.whowhatwear.co.uk/best-chanel-shoes-and-handbags/slide2  OCT 2, 2019 WHO WHAT WEAR [IMAGE]​

HTTPS://HIGHXTAR.COM/THE-IMPORTANCE-OF-GIGI-HADID-BEING-THE-NEW-FACE-OF-CHANEL/?LANG=EN THE IMPORTANCE OF GIGI HADID BEING THE NEW FACE OF CHANEL NATALIA CANOA | 3 JULY, 2020​

Slide 13 - HTTPS://WWW.PRESTIGEONLINE.COM/HK/STYLE/FASHION/HOW-GABRIELLE-COCO-CHANEL-FORGED-MUCH-OF-MODERN-STYLES-DNA/ How Gabrielle “Coco” Chanel Forged Much of Modern Style’s DNA 06 OCT 2020​

HTTPS://WWW.MOMA.ORG/AUDIO/PLAYLIST/43/686 LITTLE BLACK DRESS. 1925-1968 ​

Slide 14 - HTTPS://WWW.DAZEDDIGITAL.COM/FASHION/ARTICLE/45787/1/KARL-LAGERFELD-FASHION-SPECIAL-PRIZE-LVMH-YOUNG-RISING-DESIGNERS-AWARDS-JURY 29AUGUST 2019 TEXT HABI DIALLO​

HTTPS://WWW.VOGUE.COM/ARTICLE/IN-VOGUE-THE-1990S-PODCAST-EPISODE-4-KARL-LAGERFELD-THE-CREATIVE-DIRECTOR  BY LAIRD BORRELLI-PERSSON OCTOBER 9, 2020 HOW KARL LAGERFELD REINVENTED CHANEL—AND THE ROLE OF THE CREATIVE DIRECTOR ON TODAY’S IN VOGUE: THE 1990S EPISODE​

Slide 15 - HAMISH BOWLES (2020) Meet Virginie Viard, The Woman Behind Chanel’s New Chapter [image] https://www.vogue.co.uk/fashion/article/virginie-viard-chanel ​

Slide 16 - https://www.vogue.com/fashion-shows/spring-1995-ready-to-wear/chanel BY LAIRD BORRELLI-PERSSO December 27, 2019 ​

BY ALICIA BRUNKER AND CHARLOTTE CHILTON FEB 11, 2020 HTTPS://WWW.ELLE.COM/FASHION/G8192/EVOLUTION-OF-THE-LITTLE-BLACK-DRESS/ ​

Slide 17 - https://smngalmoy.weebly.com/coco-chanel.html ​

[phgq]

CCC welcomes WFP’s PH climate, food security analysis initiative

#PHinfo: CCC welcomes WFP’s PH climate, food security analysis initiative

CALOOCAN CITY, Dec. 22 (PIA) -- The Climate Change Commission (CCC) today joined various government agencies, experts from different industries, advocates for climate resilience, and members of the academe to launch, “Climate Change and Food Security Analysis,” a research initiative created by the World Food Programme (WFP) to determine the impacts of climate change to food security, nutrition and livelihood in the Philippines and to identify the appropriate solutions.

The virtual event featured Mr. Mats Persson, officer-in-charge and Deputy Country Director, World Food Programme; Mr. Stephen Weise, Managing Director, Alliance of Biodiversity and International Center for Tropical Agriculture (CIAT); the Office of Cabinet Secretary Karlo Nograles, head of the Zero Hunger Task Force in the Office of the President; Director Alicia Ilagan, Department of Agriculture; Director Restituto Macuto, Sustainable Livelihood Program and National Program Manager of EPAHP NPMO, Department of Social Welfare and Development (DSWD); Dr. Azucena Dayanghirang, Executive Director, National Nutrition Council; and Mr. Jerome Ilagan, Chief of Policy Research and Development Division, CCC.

The virtual event was held to formally launch the Climate Change and Food Security Analysis, including the introduction of its objectives, time, and expected outputs. Likewise, the event aimed to generate interest in the study by making the argument for climate change and its impact on food security in vulnerable communities.

The report revealed that aside from conflict, climate change is one of the main drivers of global hunger. Climate change impacts are also undermining agricultural production. Particularly vulnerable are smallholder farmers living in the earth’s more fragile environments.

More than 80% of the world’s most food-insecure people are being hit by extreme weather such as drought and flooding, as well as by other stresses such as pest infestation and land degradation. Changes in climate are affecting the production of staple crops—wheat, rice and maize—in both tropical and temperate regions. This situation is set to worsen as temperature increases and becomes more extreme, and rainfall becomes more unpredictable.

In his opening statement, Mr. Persson said, “Climate variability and extreme weather events are among the key drivers behind the recent increase in global hunger and one of the leading causes of severe food crisis. To fill in the undeniable gap between climate change and food insecurity, WFP forged a partnership with the International Center for Tropical Agriculture and initiated a research study of the Philippines Climate and Food Security Analysis.”

Dr. Weise said, “It is evident that the climate is impacting food security in ways and in intensity we have not experienced before. Just this year, for example, the Philippines had to bear the brunt of multiple typhoons that took lives, and caused damage and losses worth billions of pesos in the agriculture sector. If anything, this is a signal for organizations like ours to work closely together along with national authorities and institutions to build greater resilience in the food systems of the Philippines.”

In 2020, President Rodrigo Roa Duterte signed Executive Order No. 101 which created the Inter-Agency Task Force on Zero Hunger (IATFZH). This aims to put an end to the hunger problem in the country by 2030. The WFP has extended its support of this Task Force and its initiatives to help the country achieve its goals.

Mr. Ilagan commended the Climate and Food Security Analysis as it is consistent with the country’s Nationally Determined Contributions under the Paris Agreement. On the promise of food security, he expects that the results of the analysis will lead to a complementary and anticipatory adaptation mechanism that is founded on scientific drivers presented in partnership with the Intergovernmental Panel on Climate Change (IPCC) and local experts.

He added that, “The National Panel of Technical Experts from the Climate Change Commission can also share their views on how to do multi-scenario, multi-hazard impact projections; inasmuch as the productivity of the sector lies not only on the natural hazards but the complementary implications of other growth drivers such as land use, land industry optimization and incentives, green jobs creation, and the building of people's movements so that they could start investing consistently with the Agriculture and Fisheries Modernization Act.”

Although the launch of the Philippines Climate and Food Security Analysis was delayed due to the COVID-19 crisis, attendees of the virtual event have stated that this should not impact the goal of the study.

Likewise, they hope that the pandemic will provide additional aspects for critical analysis on food security and climate change.

This virtual event was organized by WFP in partnership with the CIAT, with the participation of the Zero Hunger Task Force. (PIA) 

***

References:

* Philippine Information Agency. "CCC welcomes WFP’s PH climate, food security analysis initiative." Philippine Information Agency. https://pia.gov.ph/news/articles/1062321 (accessed December 22, 2020 at 01:11PM UTC+08).

* Philippine Infornation Agency. "CCC welcomes WFP’s PH climate, food security analysis initiative." Archive Today. https://archive.ph/?run=1&url=https://pia.gov.ph/news/articles/1062321 (archived).

[homepictures]

Seven Great Elle Decor Editorial Calendar 26 Ideas That You Can Share With Your Friends | elle decor editorial calendar 26

Design-minded Millennials — who ability be in the bazaar to bead $50,000 on a coffee table — accept a new online destination, The Scope.

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Launching today from freelance fashion/design announcer Alicia Brunker, the armpit is self-described as a “shoppable beat belvedere showcasing architectonics from accustomed and arising talent” that is both an e-commerce armpit bond the cast of 1stdibs and The Line, and a associates club for designers with an off-line, IRL component.

Brunker, who has accounting for T Magazine, Architectural Digest, Elle and, yes, WWD, begin herself transitioning somewhat artlessly into architectonics belief over the advance of her freelance career.

“More than fashion, I feel like it has a bit added actuality and it’s added everlasting, area the appearance cycle, it aloof goes so fast,” Brunker says. “I’ve been audition this a lot from my designers: one of them acclimated to assignment in appearance and it’s like, you put out a product, and in a six-month aeon it’s already over. With design, it lasts for decades; bodies are still application Hans Wegner chairs that are from the mid-century. That allotment absolutely absorbed me: the history, and again the around-the-clock quality.”

She additionally sees home architectonics as a added claimed anatomy of self-expression.

“With fashion, you can acutely accurate yourself with what you wear, but I feel that your home is so abundant added personal, because you’re active with these altar every day,” Brunker says. “You’re not aloof alteration in and out.”

Download Elle Decor – April 2012 – PDF Magazine – elle decor editorial calendar 2012 | elle decor editorial calendar 2012

The Scope’s armpit is advised as a amalgam amid an e-commerce armpit and a shoppable magazine. “When I’m account Architectural Digest or Elle Décor, you can’t anon go and buy what’s in the story,” she says. “I feel like the Editorialist has done this with fashion, Into the Gloss has done it with adorableness and makeup, but there’s annihilation that absolutely exists for the home market.”

The armpit launches with eight designers, a mostly New York-based aggregation admitting Brunker hopes to aggrandize into Europe in the advancing months. Designers get a able contour on the armpit as able-bodied as diffuse descriptions for their appurtenances — all archetype is accounting by Brunker, done in the appearance of a affection she ability do for AD — and in addition, the designers are again associates of The Scope’s in-person network, which bureau they accept admission to altered talks, events, banquet parties and pop-up shops that The Scope will curate.

The contest will abide of bodies both aural the architectonics association and those in adjoining industries, like appearance and art. “People who are in appearance accept admirable homes and able ability about architectonics and design,” Brunker says. “[The ambition is] creating a association and added of a allocution about what constitutes luxury. Looking above aesthetics is what I appetite to do with the products, which is why we accept the beat descriptions for the products.”

Her ambition customer is addition in their 30s who has able a faculty of claimed appearance and wants to advance in appliance or lighting but is put off by the adorned exhibit experience.

“It’s a blessed average because you’re not aloof blindly putting article in your bag, in your arcade barrow online. You accept some context, and it replaces the chat that you would accept in a exhibit with a salesperson,” she says. “For me especially, back I aboriginal started activity into architectonics I capital to apperceive every little detail, and I anticipate they do, too. Back they accept article in their home, if addition comments on it, you accept article bookish to say, and it gives it added of a story, like a allotment of art that’s blind on the wall.”

elle decor – Press – Fromental – elle decor editorial calendar 2012 | elle decor editorial calendar 2012

Her accomplishments as an editor comes into comedy as to how she selects the designers and which articles end up on the site.

“I appetite article that’s aloof not run-of-the-mill, accumulation produced,” she says. Associates is offered at three altered levels, alpha at $5,000 annually and ascent to $22,000. The top-tier associates accept The Scope’s advice at planning an accident committed to their brand, with columnist and high-profile buyers in attendance, but all associates accept a contour on the site, invites to the events, and adjustment in The Scope’s newsletter. It in aftereffect fills the role of a arranger for these arising designers, who ability not be able to pay accommodation fees for a big agency.

“It’s not a advertisement fee; this is aloof upfront, this is what you’re paying, everything’s inclusive,” Brunker says.

The capital action for Brunker, though, is acceptance added alcove designers she has collapsed for to accept their assignment broadly seen.

“No one knows about these amazing designers, and I anticipate cogent their adventure and assuming their articles and the adorableness is absolutely important,” she says.

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thescopenyc.com 

More from the Eye:

Alison Sudol Wants to Allocution to You About Anxiety

Gigi Hadid Shows Love for Eva Chen’s New Children’s Book, Clothing Capsule

Priyanka Chopra on Her Marchesa Bridal Shower Dress: ‘It Made Me Feel Like a Princess’

slide calendar – Muco.kiessling.co – elle decor editorial calendar 2012 | elle decor editorial calendar 2012

Holy Ghost Revives West End Records With New Single and Album

Kiernan Shipka, From Frustrated Actor to Teenage Witch

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[alltomtrav]

New Post has been published on http://www.alltomtrav.info/v64-tungt-tryck-pa-gasen-vi-spikar/?Allt+Om+Trav

V64: ”Tungt tryck på gasen – vi spikar”

Expertens V64-tips – torsdag 12 oktober

TRAV12 oktober 2017 11:03

Här är Sportbladets tips till kvällens V64-lopp på Åby, torsdag 12 oktober. ✓ Spelstopp V64 19.25 ✓ DD 20.53 ✓ TV4 Sport 21.30 ✓ ATG Live 18.00

Foto: MALIN ALBINSSON/KANAL75

Nobel Amok spikas på V64-kupongen.

✓ V64-1

2 140 m auto

1 Thewayiam Ås – Eklundh A d 4 d 6 0 11,1a

2 Sylvester D.K. – Söderkvist S 3 2 0 5 0 11,0a

3 Conny Sisu – Heiskanen V 0 0 4 2 3 11,4a

4 Lillaxel – Zackrisson A 4 3 1 5 5 11,6a

5 Offshore Man – Jensen F 3 4 2 1 3 11,5a

6 Tooltime* – Hamre F 0 0 3 3 1 11,8a

7 Nobel Amok – Bergh R d 1 3 0 1 10,5a

8 Nobel Southwind – Untersteiner P 1 0 2 1 0 11,7a

9 Unrestricted – Untersteiner J 3 1 2 2 0 12,6a

Rankning: 7–6–5–8–3–9–2–4–1.

Kommentar: Ännu en bra uppgift för Nobel Amok. Senast vann han på V86 genom att köra sig till ledningen efter 300 meter. Sedan bestämde han därifrån och gick lätt undan till slut i en snabb avslutning. Mot bland andra Moni to Spare. Visst kunde spårlottningen ha fallit bättre ut för Berghs häst men jag tror inte att Robert bryr sig särskilt mycket om det. Det blir ett tungt tryck på gasen från start ändå. Jag vet inte vem av de övriga som skulle ha stake nog att svara. Särskilt på Åby som har open stretch. Varför riskera att inte få någonting alls med sig, som sönderpressad av favoriten, i stället för att kunna ta chansen invändigt och få en fin del av kakan?

✓ V64-2

2 140 m auto

1 She’s a Freak – Heiskanen V 0 5 3 0 0 15,5a

2 Toxic Trix Macay – Marais M 7 0 0 3 6 16,2a

3 Alicia Rich – Halme H d d k k 4 16,4

4 Kakan Gertorp – Eklundh A 8 8 2 8 0 16,2a

5 Miss Senorita – Thorson O 5 7 3 5 1 13,5a

6 Ourangel U.R. – Ingves P 3 0 7 6 2 14,0a

7 Shakira Broline – Untersteiner P 0 0 0 1 4 14,9a

8 Faridah Sting – Stolt K 7 2 0 0 2 15,4a

9 Eg a Lif – Oscarsson K 7 2 3 2 0 14,6a

10 Cosmorita – Söderkvist S p k 1 d 3 14,0a

11 So Keck* – Untersteiner J d d 3 d 1 15,7a

12 Danseuse d’Am – Bergh R 5 0 3 6 2 14,4a

Rankning: 11–12–5–1–7–6–10–9–3–8–2–4.

Kommentar: Tidigare har inte So Keck varit något att lita på. Men det började onekligen bra i första starten för Peter Untersteiner. Tog över ledningen efter 550 meter och gick undan säkert till slut efter att ha kört i ett jämnt bra, tempo. Det börjar närma sig en fullträff för Danseuse d’Am och den kan mycket väl komma här. Spetsseger senast för Miss Senorita och taktiken blir så klart samma nu. Kan gå. Snart får She’s a Freak också till det. Nu? Med hjälp av spåret?

✓ V64-3

1 640 m auto

1 Jack Bowler – Zackrisson T 4 d 2 0 3 13,1a

2 Travolta Treb* – Söderkvist S 0 3 1 2 0 11,5a

3 Get Lucky Pellini – Ingves P 2 1 6 5 0 12,6a

4 Elegant Ås – Untersteiner J 4 2 6 0 0 12,0a

5 Granat Graff – Lubrano G 1 0 7 5 d 14,1a

6 Askhults Sigvard – Karlstedt T 4 d 4 1 4 13,7a

7 Kid Vacation – Heiskanen V STARTAR EJ

8 Pacific W.F. – Bergh R 4 5 3 5 0 12,0a

9 Fabriz Boko – Lugauer C 4 0 2 2 0 12,3a

10 Oli Follo – Zackrisson A 2 0 0 5 0 12,4a

11 Karlsberg – Johansson J E d 4 d 4 0 12,0a

12 Uno Piccolino – Jensen F d 1 0 0 0 11,1a

Rankning: 2–3–1–9–8–4–12–6–5–10–11.

Kommentar: Jag tycker att mycket talar för Travolta Treb den här gången. Bra spår. Lämpligt, och hanterbart, motstånd. Hade precis allting kvar senast när han aldrig fick chansen. De krafterna kommer väl till pass nu när Stefan Söderkvist med allra största sannolikhet siktar på ledningen. Där hästen dessutom trivs bra. Kan gå en bra tid och då blir det så klart svårt för de andra att ta sig förbi. Mitt första motbud, om jag hade garderat, är Get Lucky Pellini. Får resan nu?

✓ V64-4

2 140 m auto

1 Tasja Baunehöj* – Oscarsson K 2 0 1 2 5 12,6a

2 Brown Baron – Persson E 7 4 2 1 4 14,0a

3 Coolkindacrazed – Ingves P 0 0 2 1 4 13,2a

4 Gert Oleg – Untersteiner P 3 d 3 0 3 13,0a

5 Ulk Delle Selve* – Hamre F 5 2 1 1 3 14,6a

6 Pacific Face – Lubrano G d 2 d 3 k 14,6a

7 Ingi Nalan – Cracchiolo C 2 2 6 7 0 13,7a

8 Giresse Boko – Untersteiner J 4 2 0 5 5 13,6a

9 Aayla T.Dream – Falsig B d 0 4 10 13,7a

10 Cobra Vici – Bergh R 0 7 0 2 1 14,5a

11 Lajos Fawör – Eklundh A 0 0 0 2 2 14,4a

12 Seal Kronos – Söderkvist S d 0 k 1 1 13,5a

Rankning: 12–5–10–11–1–8–3–6–2–4–9–7.

Kommentar: Två starter i år har gett Seal Kronos två segercheckar. Enkla seger på bra sätt. Tuffare nu från tolfte men ska ändå ha segertipset. Frode Hamre reser inte hit om han inte tror på chans och -villkoren blev lockande för Ulk Delle Selve. Siktar på spets? Bergh verkar ha fått ordning på Cobra Vici. Blandar sig i toppstriden. Vågar inte heller ta bort Lajos Fawör eller Tasja Baunehöj.

✓ V64–5, DD-1

Rankning: 2–6–5–10–1–8–11–3–9–7–4.

Kommentar: I år har inte Pense Kloster fått till det men hon har kapacitet för bättre resultat. Såg lovande ut senast i comeback efter lite andhämtning. Tournado Dream har bra spår och är fint i ordning nu med ett lopp i kroppen. Ska vara klart på gång. Lill Hugo gör det bra varje gång och belönades med en seger senast. Kanske får till det maximalt igen?

✓ V64–6, DD-2

Rankning: 1–5–2–9–12–3–8–10–13–11–4–6.

Kommentar: Johan valde att köra Vegas Am och de tar hjälp av spårfördelen. Det kan räcka. För hästen har kunnande och form för att segerstrida. Så det är bara att glömma raden – hon är så mycket bättre, men humöret? Julia af Solnäs är också bättre än raden. Hoppade bort sig direkt senast men blir definitivt farlig om hon sköter sig. Tipsettans stall­kompis Party Lane är i stort sett lika bra. Det skiljer inte mycket dem emellan. Siktar antagligen på ett snällare upplägg på innerspåret nu. I rygg på stallkompisen? Se upp för Julia Pellini också. Är bra om hon är bra. Tillräckligt bra.

✓ V64-systemet – 300 rader

V64-1: 7 Nobel Amok (6–5)

V64-2: 11–12–5–1–7 (6–10)

V64-3: 2 Travolta Treb (3–1)

V64-4: 12–5–10–11–1 (8–3)

V64-5: 2–6–5 (10–1)

V64-6: 1–5–2–9 (12–3)

12 oktober 2017 11:03

Läs mer om trav hos Trav 365 på Aftonbladet

[thesinglesjukebox]

CLEAN BANDIT FT. ZARA LARSSON - SYMPHONY [5.88] Whenever you're near, I hear a symphonyyy...

Claire Biddles: Aiming for the simple rhapsody of their masterpiece "Rather Be," "Symphony" is a thing of joy that leaves both Clean Bandit's electronic and classical elements room to breathe. The central love-as-music metaphor has been done a thousand times before of course -- most notably in Kelis' ode to motherhood "Acapella" -- but it feels appropriate for Clean Bandit, so much so that I'm surprised they haven't used it before. There's always been a tongue-in-cheek knowing to their use of classical themes, and the extension to meta lyrics suits them. It's especially cute when (exceptionally well chosen) guest singer Zara Larsson's confession that "I was solo singing on my own / now I can't find the key without you" acts as a cue for the strings to swell behind her. I was an unabashed fan of weirdo number one hit "Rockabye," but it's equally as delightful to hear something uncomplicated and effervescent from Clean Bandit. [8]

Rebecca A. Gowns: It's a pet peeve of mine when pop songs refer to more complex musical forms in an offhand way, like it all means the same thing. A song is not equal to a melody, which is not equal to a symphony or an orchestra or anything else like that. (My father is a music professor and he passed this pedantry on to me.) It would also be less of a jarring comparison if the song sounded more full, orchestral, had four movements, whatever -- as it is, it's tissue-paper-thin. BUT if I don't pay attention to the words -- which is hard, since the arrangement is so scant that you can hear every word as if it was written in bold -- I can still enjoy the ephemeral little bip-bop music that Clean Bandit is so good at putting together. [6]

Will Adams: I'm always amused by songs that use extended music metaphors because I start thinking of how to take them even further ("You're my perfect authentic cadence"; "Before you my chord was unresolved"; "Life was flat but you sharpened everything"). As it stands, "Symphony" is both "Acapella"-lite and "Rather Be"-lite, failing to recapture either song's effusive devotion and opting for inoffensive prettiness. [6]

Joshua Copperman: All of Clean Bandit's songs sound the same, to the point where I was convinced I had an older song of theirs on at the beginning. Nonetheless, there's nothing wrong with that, because their sound almost always works well. Zara's still trying to find her identity, but she's a surprisingly good match, even as her heavier voice would theoretically be a contrast to Clean Bandit's peppy music. [6]

Katherine St Asaph: I like this when the melodies start to sound like something Nina Persson would sing. So only for about 10% its runlength. [3]

Thomas Inskeep: Formula turns formulaic, on both parts. [3]

Peter Ryan: The soft bits don't signify restraint so much as provide contrast for the eruption of a chorus, by now Clean Bandit's stock-and-trade. I wonder how long they've been sitting on the song title, but at least they saved it for their very biggest, corniest single to date. It also makes the best case yet for their project's existence. For once nearly every exuberant sonic trinket locks into place -- only the second half-time feels awkward -- and for all the grandiosity there's a bracingly intimate core, such that Larsson's overtures don't feel the least bit glib. It's the sound of their vision coming together. [8]

William John: The introductory twinkles allude to the understated grace of Alicia Keys' overlooked "In Common"; the reality is, as the song's title suggests, far more grandiose. The principal issue here is that the central metaphor is confused. Following up a brazen declaration of "Symphony!" with the words "like a love song on the radio" seems peculiarly incongruent. More to the point, a symphony is work of many movements and components, which doesn't align with the conceit of two lovers destined to be together forever. Then again, a cry of something like "Duet!" wouldn't carry half the required bombast, and Zara Larsson has the kind of malleable, amenable voice to make even the mundane or muddled sound exuberantly sublime. [7]

[Read, comment and vote on The Singles Jukebox ]

[londontheatre]

Haydn Oakley, centre, with the cast of An American in Paris at the Dominion Theatre CREDIT Johan Persson

Production photography and footage has been released today for the highly anticipated West End musical An American in Paris. The critically acclaimed and multi award-winning new musical has its official London premiere tonight, Tuesday 21 March at the beautifully restored Dominion Theatre.

Christopher Wheeldon’s stunning reinvention of the Oscar® winning film features the sublime music and lyrics of George Gershwin and Ira Gershwin and a new book by Craig Lucas.

The cast is headed by the original, award-winning Broadway stars Robert Fairchild (as Jerry Mulligan) and Leanne Cope (as Lise Dassin), together with Haydn Oakley as Henri Baurel, Zoë Rainey as Milo Davenport, David Seadon-Young as Adam Hochberg and Jane Asher as Madame Baurel. Ashley Day is the alternate Jerry Mulligan (and he will assume the role from Monday 19 June 2017). The company also features Julian Forsyth and Ashley Andrews, Sophie Apollonia, Zoe Arshamian, Sarah Bakker, James Barton, Alicia Beck, Chrissy Brooke, James Butcher, Jonathan Caguioa, Jennifer Davison, Katie Deacon, Rebecca Fennelly, Sebastian Goffin, Alyn Hawke, Nicky Henshall, Genevieve Heron, Amy Hollins, Frankie Jenna, Justin-Lee Jones, Robin Kent, Kristen McGarrity, Julia J. Nagle, Daniela Norman, Pippa Raine, Aaron Smyth, Todd Talbot, Max Westwell, Jack Wilcox, Carrie Willis, Stuart Winter and Liam Wrate.

An American In Paris London Dominion Theatre – Trailer

The new musical An American in Paris premiered in 2014 at the Théâtre du Châtelet in Paris to ecstatic reviews before transferring to the Palace Theatre on Broadway, where it became the most awarded musical of the 2015/16 season, including four Tony® Awards. A major North American tour is currently playing.

An American in Paris features many of George and Ira Gershwin’s most iconic songs including I Got Rhythm, ‘S Wonderful, I’ll Build a Stairway To Paradise and They Can’t Take That Away from Me, together with George Gershwin’s sweeping compositions including ‘Concerto in F’ and ‘An American in Paris’.

An American In Paris Production Photos London Dominion Theatre

Jerry Mulligan is an American GI pursuing his dream to make it as painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war…

“A dazzling, transporting musical that turns Paris into a kaleidoscope of romance.” The New York Times

An American in Paris is directed and choreographed by the internationally renowned, British-born Christopher Wheeldon. An Artistic Associate of the Royal Ballet, Wheeldon received an OBE in the 2016 New Year’s Honours ‘for services to promoting the interests and reputation of British classical and theatrical dance worldwide’. He is the recipient of a Tony® Award and two Olivier Awards. The set and costumes are designed by the multi Tony® Award-winning West End and Broadway designer Bob Crowley (The Audience; Mary Poppins and Christopher Wheeldon’s productions of Alice’s Adventures in Wonderland and The Winter’s Tale) with projections by the celebrated British designers 59 Productions (War Horse; London 2012 Olympic Games Opening Ceremony).

“An American In Paris instantly catapults Christopher Wheeldon into the ranks of top-tier director-choreographers, by which I mean Jerome Robbins and Bob Fosse.” The Wall Street Journal

With music and lyrics by George Gershwin and Ira Gershwin and a new book by Craig Lucas, the new musical An American in Paris is directed and choreographed by Christopher Wheeldon with set and costumes designs by Bob Crowley, lighting by Natasha Katz, sound by Jon Weston and projection designs by 59 Productions. The musical score is adapted, arranged and supervised by Rob Fisher with orchestrations by Christopher Austin and Bill Elliott, dance arrangements by Sam Davis and musical supervision by Todd Ellison. The UK Musical Director is John Rigby.

An American in Paris is produced in London by Stuart Oken, Van Kaplan, Roy Furman, Michael McCabe and Joshua Andrews.

Robert Fairchild is appearing with the support of UK Equity, incorporating the Variety Artistes’ Federation, pursuant to an exchange program between American Equity and UK Equity.

Dominion Theatre 268-269 Tottenham Court Road, London, W1T 7AQ Book Tickets for An American In Paris

http://ift.tt/2mRfrdZ LondonTheatre1.com

[skarsgaholic]

When the jealousy trick does not work

Kronjuvelerna / The Crown Jewels (2011)

[skidlandslaget]

National Team for Falun, February 8-9th 2020

Program Falun

Saturday February 8th: Sprint, Classic Sunday February 9th: 10/15 km Freestyle Mst

Women, sprint

Maja Dahlqvist, Falun-Borlänge SK Johanna Hagström, Ulricehamns IF Moa Lundgren, IFK Umeå Emma Ribom, Piteå elit Jonna Sundling, Piteå elit Linn Svahn, Östersunds SK

National squad* Anna Dyvik, IFK Mora SK Tilde Bångman, Offerdals SK Maria Nordström, Borås SK Moa Olsson, Falun-Borlänge SK Alicia Persson, Stockviks SF Elina Rönnlund, IFK Umeå Evelina Settlin, Hudiksvalls IF Linn Sömskar, IFK Umeå Jennie Öberg, Kalix skidklubb

Women, distance

Ebba Andersson, Sollefteå skidor IF Charlotte Kalla, Piteå elit Moa Lundgren, IFK Umeå Emma Ribom, Piteå elit Elina Rönnlund, IFK Umeå Jonna Sundling, Piteå elit

National squad* Maja Dahlqvist, Falun-Borlänge SK Anna Dyvik, IFK Mora SK Johanna Hagström, Ulricehamns IF Frida Karlsson, Sollefteå skidor IF Moa Molander Kristiansen, Falun-Borlänge SK Maria Nordström, Borås SK Moa Olsson, Falun-Borlänge SK Evelina Settlin, Hudiksvalls IF Linn Sömskar, IFK Umeå

Men, sprint

Marcus Grate, IFK Umeå Calle Halfvarsson, Sågmyra SK Johan Häggström, Piteå elit Teodor Peterson, Sågmyra SK Oskar Svensson, Falun-Borlänge SK Viktor Thorn, Ulricehamns IF

National squad* Gustaf Aflodal, Offerdals SK Jens Andersson, Kalix SK Martin Bergström, Piteå elit Gustav Eriksson, IFK Mora SK Pontus Hermansson, SK Bore Hugo Jacobsson, Falun-Borlänge SK Olof Jonsson, Trillevallen SK Anton Persson, SK Bore Karl-Johan Westberg, Borås SK

Men, distance

Calle Halfvarsson, Sågmyra SK Johan Häggström, Piteå elit Daniel Richardsson, Hudiksvalls IF Oskar Svensson, Falun-Borlänge SK Viktor Thorn, Ulricehamns IF Karl-Johan Westberg, Borås SK

National squad* Fredrik Andersson, Sollefteå skidor IF Simon Andersson, Falun-Borlänge SK Martin Bergström, Piteå elit Filip Danielsson, SK Bore Axel Ekström, IFK Mora SK Jonas Eriksson, IFK Mora SK Fredrik Jonsson, Hudiksvalls IF Marcus Ruus, Åsarna IK Björn Sandström, Piteå elit

*Since the competitions are held in Sweden, the team gets an additional quota of nine skiers for each race.