#alice mizrachi

[houseshoesandtallboys]

Alice Mizrachi for PRHBTN 2018, finished mural details. Lexington KY.

[thedustyrebel]

Roses For Rosendale

Some serious legend action going on as part of Lady Pink curated Roses for Rosendale mural project. Famed photographer Martha Cooper documenting walls by Queen Andrea, Alice Mizrachi, Stef Skills and Shiro.

More photos: Roses for Rosendale

[girlactionfigure]

Wow what an absolutely touching moment as this lady named Alice Cohen invited Bibi Netanyahu to her 100th birthday celebration and gave him a blessing called Birkat Kohanim (Blessing of the Kohanim). Old Mizrachi women always give the best blessings :)

Mazal tov to you Alice!!

The words & translation of the blessing below:

Yevarechecha Adonai, V'Yishmerecha

Ya'er Adonai Panav Eleycha, ViChoneka

Yisa Adonai Panav Eleycha, V'Yasem Lecha Shalom

May the Lord bless you and keep you.

May the Lord shine His face toward you and be gracious unto you.

May the Lord lift His face toward you and give you peace

Uri Gobey

[lessbeatenpaths]

PRHBTN 2018: Five More Murals Now Decorate Lexington

PRHBTN 2018: Five More Murals Now Decorate Lexington

Chalk up another successful year of artwork for John and Jessica Winters and the PRHBTN team of volunteers and donors.  This year brought in four artists from diverse places to add more color and variety to ever-growing mural collection in Lexington, Kentucky.  In fact, this year had some huge and lovely works completed.

More than most years, I was able to follow some of the artists and track…

[jordanhughesham]

Postmodern Approach: Mixing Codes. “From Concrete to Canvas”. Code Mixing presents the work of latina street artists at the intersection of art, politics, and gender. Alice Mizrachi. August 2016 

[peytonconner]

Postmodern Approach: layering

“Dolly” wire and hanging materials. By Michael Murphy, 2019

Postmodern Approach: mixing codes

“Code mixing” presents the work of latina street artists at the intersection of art, politics, and gender. Featuring. By Alice Mizrachi, 2016

[vickybarranguet]

March 3rd ‘THEN SHE DID’ curated by Melissa McCaig-Welles & Lori Zimmer #detail #contemporaryart #groupshow #abstractpainting #lookingforward #licarts #lic #plaxallgallery lgallery A mixed media group exhibition featuring works by Alexandra Momin, Alice Mizrachi, Alison Mosshart, Allison Sommers, Audrey Wildfire Dimola, Caitlin Harris, Chinon Maria, Elizabeth Winnel, Indie 184, Janette Beckman, Joanne Leah, Karen Dimit, Kathryn Rose, Katrina del Mar, Kendra Heisler, Lady Pink, Marne Lucas, Paola Martinez, Queen Andrea, Rebecca Reeve, Swoon, Vahge and Vicky Barranguet Curated by Lori Zimmer and Melissa McCaig-Welles The Plaxall Gallery 5-25 46th AVE LIC, NY 11101 (917) 287-3093 Opening Reception: Saturday, March 3, 2018 6pm- 10pm Exhibition dates: March 3rd - April 7, 2018 Gallery Hours: Thursdays 6pm- 10pm Saturday and Sundays 11am- 6pm PRESS RELEASE FOLLOWS: February 20, 2018, NEW YORK, NY - Curators Lori Zimmer and Melissa McCaig-Welles are pleased to present "Then She Did", a mixed media group exhibition featuring works by Alexandra Momin, Alice Mizrachi, Alison Mosshart, Allison Sommers, Audrey Dimola, Caitlin Harris, Chinon Maria, Elizabeth Winnel, Indie 184, Janette Beckman, Joanne Leah, Karen Dimit, Kathryn Rose, Katrina del Mar, Kendra Heisler, Lady Pink, Marne Lucas, Paola Martinez, Queen Andrea, Rebecca Reeve, Swoon, Vahge and Vicky Barranguet Now her paints are dry... And I looked outside... At the corner boys, yeah... Ayh, oh, where did you go? I don't know. -Jane's Addiction Then She Did is a story, a moment, a change, a reflection, a movement forward; a space full of words, images, objects, people and their voices. Then She Did is a personal step of reckoning. It is the scream that is the loudest but often the most silent. It is the ugly and it is the most beautiful. Then She Did is the ordinary person who did something small that changed the entire world. Then She Did is an exhibition of artists who tell us her story. Curators' note: The artists from Then She Did not only choose who they want to be but also how they want to think and how they want to influence others. They take us on a journey... (at Plaxall Inc.)

[robbiedaus40]

Somewhere in the City. New York City Street Art Street Culture Street Photography Graffiti Art Mural Painting by @am_nyc alice mizrachi Lower East Side East Village Photos By Me

[gitanarosa]

#wcw From a recent studio visit with Alice Mizrachi @am_nyc in her new place @bellans1897 Looking forward to getting to work with this incredibly talented and inspirational soul. . . #alicemizrachi #gitanarosa #gitanarosagallery #artcurator #curator #artdealer #artconsultant #artadvisory #artadvisor #painter #streetart #mural #newyorkartist #contemporaryart #feminist #feministart #womenempowerment #womensupportingwomen #womeninspiringwomen #womanpreneur #supportlocalartists #artlife #artsy #1stdibsdealer #ny (at New York metropolitan area) https://www.instagram.com/p/CAsWbonl1BC/?igshid=190c954frj8gs

[youralbrightknox]

Get outside and explore #AKPublicArt! Alice Mizrachi's "Dream Keepers," 2016, at 1221 Main Street, was developed and created by the artist and students from @bufcat716. [📷 @buffalovemuralproject] @am_nyc #albrightknox #art #mural #museum #artmuseum #LDW #BCAT #buffalo #buffalony https://ift.tt/2MNPooQ

[houseshoesandtallboys]

Alice Mizrachi working on her mural for PRHBTN 2018 on the side of CycleYou in Lexington KY.

[mundo259]

Our little Island known as Staten isn't always know for its art, much less its street art but we've done ourselves proud with this gorgeous mural from Alice Mizrachi and Venture House. #WeAreAConnectedCommunity #AliceMizrachi #VentureHouse #MentalHealth #PS22 #StreetArt #StreetArtNYC #StatenIslandStreetArt #NYCStreetArt — view on Instagram https://ift.tt/2xL5INJ

[venusinorbit]

#WomanWednesday 💃|| “Don’t forget to love yourself first.” ~ Alice Mizrachi. Sharing the love from @am_nyc at @wtc 💕💝💕 . . . . . #alicemizrachi #worldtradecenter #love #goddesskamala #instalove #streetartnyc #rsa_streetview #rsa_graffiti #tv_streetart #royalsnappingartists #streetphotography #urbanart #arteurbano #artederua #arturbain #instagraff #instagrafite #cracknificent #loveyourself #vibratelove #wtcmemorial #thankful #graffiti #graffitiporn #artporn #iloveyou #venusinorbit (at 911 WTC Memorial) https://www.instagram.com/p/BxgQw7ZpDLS/?igshid=o2jglswxsusf

[gilfnyc]

As Tourists and Terrorists I'm really excited to show this and one other work in the show Fem•is•In. It's the beginning of a new series focusing on the power of the contemporary feminine energy, leadership, and community. I am combining my skills of photography, collage, and painting to honor the beauty and strength that emanates from my fierce female subjects. Fem•is•in: Women Artists Reimagine the Future, is a group show curated by @am_nyc located @fatfreeart alongside @streetartdirect including artists: Alice Mizrachi, Diana McClure, Jane Dickson, Janette Beckman, Lady Aiko, Lady Pink, Martha Cooper, SWOON, and Queen Andrea. Fem•is•in features some of the world’s top artists and photographers working at the intersections of graffiti, street art, photography, and fine art. I am so honored to be among these powerful and talented women. This show opens to the public Thursday March 15th at 6pm at @fatfreeart in the LES. #femisin #feminism #feministart #activistart #annlewis #gilfnyc #collage #nyc

[biofunmy]

In Praise of Jennifer Nettles’s Equal Play Pants

Back in January 2018, the Golden Globes’ all-black fashion moment in support of the Time’s Up movement briefly seemed to hold so much promise as a flexion point in red carpet dressing.

It seemed possible that the night would stand in history as the moment when celebrities ceased to use their entrance-making power to market fashion brands and started to use it to stand up for what they believed.

But it was not to be. The pendulum has not thus far swung meaningfully away from the old dress-up-for-advertising’s-sake mark — and maybe it was always too much to ask.

Nevertheless the moment does seem to have started a drip-drip-drip of change that may ultimately work to reshape expectations and erode old conventions.

That’s how it seems, anyway, judging from the Country Music Awards on Wednesday night. Jennifer Nettles of Sugarland stole the step-and-repeat parade with a cool white crepe-satin tuxedo suit (nipped at the waist, slightly flared at the leg), complete with a hot pink silk faille train etched with a line drawing of a woman’s face and the Venus symbol under the words “Equal Play.”

Scrawled inside was graffiti: “Play our Records” (punctated with an expletive) and “Please & Thank You.”

According to Women of Music Action Network in Nashville, an organization founded to fight gender discrimination in the music business, “in 2018 solo women received approximately 13 percent of the overall airplay on country radio.” Ms. Nettles decided to use her paparazzi soapbox to highlight the issue.

Her pantsuit was made by Christian Siriano, who also worked with the singer on the Sugarland reunion tour in 2018, and who has developed a reputation as a runway/red carpet activist ever since Leslie Jones spoke out against designers not being willing to dress her because of her size, and he stepped up.

The painting was by Alice Mizrachi, an artist known for using female archetypes to address social ills. In other words, there was purpose even behind the people involved in the creation of Ms. Nettles’s look.

As a statement, it was not exactly subtle, but it was very elegantly made. (Some viewers still managed to confuse the text message with “equal pay.”)

And it was probably the most memorable style of the night, even though Ms. Nettles, after appearing in pictures that could go around the world, removed the train and simply wore the pantsuit for the rest of the evening and to take the stage.

“What better and more womanly way to invite such conversation than with fashion that sends a message?!,” she wrote in an Instagram post featuring her look. By Thursday morning it had more than 17,000 likes.

According to Mr. Siriano, the look was Ms. Nettles’s idea. “She said, ‘I want to use this to make a statement that will force people to take notice and listen,’” he said in a phone call.

Ms. Nettles’s train is another step in getting past the red carpet as usual. It follows in the tradition of the Carolina Herrera rainbow cape worn by Lena Waithe to the Met Gala in 2018, and the pinstripe Pyer Moss message suit she wore in 2019 (on the back it read, “Black Drag Queens Invented Camp”).

Add to them the various gowns, some by Mr. Siriano, that Billy Porter has been sporting on the red carpet to “flip the question of what it means to be a man,” as he told The New York Times. All of these shrug in the face of the status quo — both the status quo of gender prejudice and of the thriving business that is the celebrity/fashion industrial complex.

You know, the one in which fashion brands sign up celebrities to wear their designs and talk them up when asked that notorious question, “What are you wearing?” (There are varying degrees of payment involved, from free clothes to multiyear payouts.)

Thus far the arrangement has been a very profitable, you-scratch-my-back-I’ll-scratch-yours one, not just for the celebs and brands, but for the whole extended system: agents, managers and the like.

There’s pressure to not rock the boat by getting issues involved, especially issues that could alienate the viewing or listening or buying public.

But judging by the reception of Ms. Nettles’s look, a shift may be underway. The impact, after all, is so much stronger when the fashion statement being made is not just about beauty or functionality, but also a belief system, and justice.

As Mr. Siriano said, “This is a time when no one really listens to anything anymore, there is so much noise. But if you make your statement visually, no one can get away from it. There’s a sense you have to just do it.” Or wear it.

It doesn’t deny the conversation on the red carpet, but rather exploits it, turns the tables so that clothes as a talking point actually make a point. The E! system and our obsessive fascination with what famous people wear may have created a monster, so why shouldn’t the celebrities make it their own monster? That way maybe everybody wins.

This is especially true in a time when report after report say that consumers — the same consumers about to head to the stores to do their holiday shopping — want to buy brands that stand for something, that flash their values on their sleeves. Or, in Ms. Nettles’s case, back and leg.

As we enter awards season yet again, let us hope that she is not an anomaly, but a harbinger.

Sahred From Source link Fashion and Style

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[digitallyunpluggedmagazine]

Singer Jennifer Nettles and Artist Alice Mizrachi Rock 53rd Country Music Award Red Carpet

Singer Jennifer Nettles and Artist Alice Mizrachi Rock 53rd Country Music Award Red Carpet

The finished Christian Siriano jacket and train with Mizrachi design

Christian Siriano pants suit sporting Mizrachi art the talk of Country Music Awards Red Carpet

This is a beautiful case of women supporting women across industries, she in the country music world, and I’m in the visual arts world.”

— Alice Mizrachi

BROOKLYN, NEW YORK, UNITED STATES, November 14, 2019 /EINPresswire.com/ — The…