#alex sounds a bit like efnisien sounds a bit like mosk

[not-poignant]

Your dialogue is incredible, do you have any advice on how to write like that? Like the actual process you use to arrive at what's on the page. Do you write a ton of dialogue and then cut it down to the gems? Or does it just come out like that when you write? The characterisation in the dialogue is superb, and somehow it never feels overwrought or unnatural. I guess I'm just hoping it's a carefully-honed craft you can give practical tips on, rather than something you can just innately 'do' 😂 xx

Hi anon,

So firstly, I'm so sorry anon because this will probably piss you off: I do find dialogue extremely easy to do, which is why all of my stories are so dialogue heavy. I don't sit there writing a ton of dialogue and then whittling it down, and it just comes out as I write. At most I sometimes just have to double check tone continuity on certain characters (i.e. 'would Augus / Dr Gary / the Raven Prince use this exact phrasing or would they use something else')

When I daydream about my stories, I daydream about the dialogue first. I 'listen' to my characters and the things they say. When I write it down, I don't sit and think 'what would they say' I just write what they'd say. But...I've been doing this for like a long time now, and I do believe there are things that can be done to build the skill.

I feel like throughout my life, I've done things that at least some other people don't do, which makes dialogue easier for me.

But firstly, down to mechanics, here's a link to a post I've made before on things to focus on re: honing dialogue as a skill.

What some folks don't realise is that constructing a vocabulary or tone for a character is like constructing a character. A character's voice says so much about them - how much money they make (or if they're nouveau riche in some cases), where they live, if they were popular or unpopular in school, if they're shy or extroverted or charismatic, if they care about how they come across, if they're a precise or messy thinker, etc. Each character you have, you need to be spending time just thinking about elements of their voice and dialogue if you're not used to doing this already.

The best place to start with this, honestly, is by rewatching some of your favourite shows or rereading some of your favourite books and noting down things about the dialogue that are unique to each character. (Ideally this will be in stories that have very unique dialogue patterns lol). This is actually fantastic for fanfic because you can end up with a cheat sheet (which I've also written about) that will instantly make your character's dialogue sound 'true to form' without having to overthink it.

And the rest I'm putting under a Read More because it's literally just me rambling:

Another place to research is simply by listening to conversations. Listen to the people around you talk, and write down the things that are specific to them. How do they agree or disagree with something? Are there sayings they're using particular or specific to where they live? Do they use a lot of slang? And if so, is it generational? Who are the overspeakers? The underspeakers? the ones who deflect? The ones who shut things down? When you're listening to people talk, think about the words they use, the pitch, if their voice is croaky or smooth, confident or shy, what makes it shy? Is it soft? Do they hesitate? If it's confident, what makes it confident? Is it loud? Do they almost never say 'um' or other words of hesitation?

Think about how these people's voices might differ from place to place. How do they talk to a waiter vs. customer service on the phone vs. a best friend vs. a family member vs. a teacher? Think about the changes you make in those circumstances.

Over time, this knowledge comes to you more instinctively. I've spent my entire life being very interested in the way people talk (I'm neurodivergent, and chameleon-like, and I will adopt other people's patterns of speaking unconsciously in order to 'blend in' - but it gave me a pretty good knack with dialogue! As did 'practising conversations' in my head growing up, lol.)

A really good place to look at character voice sometimes is also in actor interviews. Go and check out like... the Hot Ones interviews or something on YouTube, and you'll see a ton of extremely distinct character voices that are right there to research. How Jack Black talks vs. someone like Tom Hanks vs. someone like Nick Offerman vs. someone like Tom Holland shows huge variation in what makes dialogue unique from person to person.

Your characters don't need to sound like caricatures, ideally they will feel things and embody things strongly enough that this isn't really a problem (even Benoit Blanc sounds like a genuine person despite sounding like a cartoon character because of the emotion / feeling he can get into that voice). Your main goal, imho, is to make sure that all your characters don't end up sounding like carbon copies of yourself. I think this is a problem even people who write natural dialogue can stumble into (that I've been guilty of too), it flows naturally because they're just writing how they'd think/react to something, but it's 6 characters and you realise 'hang on, I'm just reading 6 versions of the author.'

This is where researching the distinctness of character voice is really important, and making a cheat sheet to check when you're going back through a chapter can be invaluable.

There are little things I do fairly naturally these days, to use Underline the Black (or Underline the Rainbow more generally) as an example. Temsen says things like 'Goodness!' instead of 'oh my god.' He can still do the latter, but he's far more likely to be quite sort of formal when he's surprised or shocked by something (and Kent has picked that up, so he does it too, lol, which makes sense - because they work together and people adopt each other's speech patterns when they get along).

Efnisien is very comfortable with swearing, he's got 'juvenile alpha who had to fight with Gwyn all his life' throughout his dialogue. Gary is quite formal and talks in complete sentences almost always. He very rarely hedges or restarts his sentences, and as Efnisien observes: He speaks like someone who's about to go onto a podium and confidently deliver a lecture. He's very self-assured. Efnisien on the other hand hedges a lot, shuts himself down, doesn't finish sentences, and bites back some of his words. Dr Gary doesn't use endearments in general, and can be extremely sarcastic. His humour veers towards deadpan.

Caleb is very forward, bold and confident. He uses endearments like 'baby' and 'sweetheart.' He's flirtatious, and he doesn't talk too much. His voice when he says something tends to fill the space - he has the respect and attention of the people around him. He speaks in complete sentences that are generally quite short (but not short-tempered) and to the point. He comes across as someone who's looking for a good time, but he's not obviously emotionally available when he speaks.

Nate (in Underline the Blue) is people pleasing and generally obsequious (but his inner dialogue indicates there's a snarky voice waiting to get out). He hedges, but ultimately tries to be pleasing. A lot of 'what do you like best? What do you want?' He redirects with questions and tries to avoid talking about his personal life. His voice is quiet in tone, and also quite lacking. He sounds like someone who hasn't had the opportunity to enjoy conversation for its own sake. He shuts conversations down rather than opening them up. He almost never initiates any dialogue at all.

I can do this across all my characters because I have their mental cheat sheets relatively memorised. Whatever book or story you're focusing on, it's a good habit to be able to just mentally know a paragraph or two about your character's voice. Checking in with that mental knowledge (or cheat sheet until you learn it) before starting writing any chapter can help guide you.

The way a character talks determines how the story flows. Nate doesn't start conversations, so he needs to be paired with someone who does. This means if Nate starts a conversation - he's going to be more anxious than usual most times, which creates many opportunities for angsty scenes.

Efnisien is hostile and combative, especially when he's afraid or upset, which creates a lot of opportunities - simply through the way he talks - for increased chemistry with a more calm but still incisive opponent like Gary. Once you start to get a handle on dialogue, how your characters speak alone will create flow through the plot, and also create ways to get through a plot or reach certain points. I know for example that Efnisien's verbal response to the directives softens Gary towards him. Or I know that Gary's softer coaxing voice when he's soothing Efnisien will genuinely soothe Efnisien - even against his will. That's a powerful thing to know about my character's voices!

You're gonna pick this up in no time, anon. You might even have really good dialogue instincts and just be over-thinking it. But I do think in general, sit down with whoever you like to listen to - your fave YouTubers, people on TikTok, your favourite shows etc. and then just...listen to the dialogue. Be wary of subtitles in this case, because they can sometimes erase or hide the actual unique details of a person's voice to make it more 'generic.' Some are better than others.

And then just write down the things that feel unique to those people. Especially notice turns of phrase that you don't use yourself. (Which also means thinking about the kind of cheat sheet you'd write for yourself! Tbh that's probably a good place to start lmao).

Definitely click on the links I've put in this post, the first one in particular breaks down all the details of dialogue more specifically. And doesn't take like 4000 words to not actually make much of a point, like in this post sdlkfjas

If I'd posted it as dialogue we wouldn't have been here for so long but anyway tl;dr I find dialogue stupid easy but that's because I've been observing dialogue and what makes it unique all my life and there's no real short-cut for that but if you start doing it now you'll find writing dialogue way easier really soon.