#albhy galuten

[longliverockback]

Eric Clapton 461 Ocean Boulevard [Deluxe Edition] 2014 Polydor ————————————————— Tracks CD One: 461 Ocean Boulevard Remastered 01. Motherless Children 02. Give Me Strength 03. Willie and the Hand Jive 04. Get Ready 05. I Shot the Sheriff 06. I Can’t Hold Out 07. Please Be with Me 08. Let It Grow 09. Steady Rollin’ Man 10. Meainline Florida Session Out-Takes 11. Walkin’ down the Road 12. Ain’t That Lovin’ You 13. Meet Me (down at the Bottom) 14. Eric After Hours Blues 15. B Minor Jam

Tracks CD Two: Live at Hammersmith Odeon, London 01. Smile 02. Let It Grow 03. Can’t Find My Way Home 04. I Shot the Sheriff 05. Tell the Truth 06. The Sky Is Crying • Have You Ever Loved a Woman • Ramblin’ on My Mind 07. Little Wing 08. Singin’ the Blues 09. Badge 10. Layla 11. Let It Rain —————————————————

Eric Clapton

Jim Fox

Albhy Galuten

Al Jackson Jr.

Jamie Oldaker

Carl Radle

Dick Sims

George Terry

* Long Live Rock Archive

[mitjalovse]

Tim Renwick had a couple of different employers as one can notice from his huge discography, he somehow found himself in a variety of several sonically adventurous contexts, including those of Bee Gees. We already heard him playing on Andy Gibb's records, though you can also meet him on Heartbreaker by Dionne Warwick, Gibbs' assisted comeback for the singer. Yes, the LP could be basically seen as another Bee Gees album they've outsourced to someone else, because this was their modus operandi of the 80's thanks to their own work crashing commercially at the same time. Well, one ask oneself how – the pieces they did for the others became their collaborators' biggest successes. They still got the zeitgeist in their hands, but not under their name.

[mychameleondays]

Eric Clapton: 461 Ocean Boulevard

Polydor 811 697-1, 2???

Originally released: July 1974

[radiomaxmusic]

Wednesday, April 24, 2024: 5pm ET: Feature LP: Barbra Streisand - Guilty (1980)

Guilty is the twenty-second studio album by American singer Barbra Streisand released on September 23, 1980, by Columbia Records. It was produced by Barry Gibb of the Bee Gees and his group’s regular production team of Albhy Galuten and Karl Richardson. Streisand released a sequel to this album, Guilty Pleasures, in 2005, also produced and largely written by Gibb. Both albums can also be…

[chenelno1]

This was such an interesting read 🎶🎧🎶

https://www.musicradar.com/news/albhy-galuten-interview

[mrpsclassictelevision]

🎶Barbara Streisand | "One Voice" Live Concert (1986) | Vintage Music

The one and only Barbara Streisand performed live in the "One Voice" concert in 1986.  This is the full episode. The concert was produced as an HBO television special, broadcast on December 27, 1986. The One Voice album, VHS home video, and NTSC Laserdisc of the concert were released in April 1987. Songs "Somewhere" (Leonard Bernstein, Stephen Sondheim) "Evergreen" (Barbra Streisand, Paul Williams) "Something's Coming" (Leonard Bernstein, Stephen Sondheim) "People" (Bob Merrill, Jule Styne) "Send in the Clowns" (Stephen Sondheim) "Over the Rainbow" (Harold Arlen, Yip Harburg) – "Guilty" (Barry Gibb, Maurice Gibb, Robin Gibb) Duet with Barry Gibb "What Kind of Fool" (Barry Gibb, Albhy Galuten) Duet with Barry Gibb "Papa, Can You Hear Me? (Michel Legrand, Alan Bergman, Marilyn Bergman) "The Way We Were (Alan Bergman, Marilyn Bergman, Marvin Hamlisch) "It's a New World" (Harold Arlen, Ira Gershwin) "Happy Days Are Here Again" (Milton Ager, Jack Yellen) "America the Beautiful" Never Miss An Upload, Join the channel: cutt.ly/MrPsClassicTV

[radiomax]

Monday 1/16/23 8pm ET: Feature LP: Dionne Warwick - Heartbreaker (1982)

Heartbreaker is a studio album by American singer Dionne Warwick. It was released by Arista Records on September 28, 1982 in the United States. Her fourth album with the label, it was largely written by the Bee Gees, and produced by band member Barry Gibb along with Karl Richardson and Albhy Galuten; Gibb and Galuten also served as musicians on the album. Warwick recorded the songs on…

[popentertainmentmusic]

THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART? (2020)

Featuring Barry Gibb, Peter Brown, Eric Clapton, Vince Melouney, Mark Ronson, Noel Gallagher, Mykaell Riley, Lulu, Nick Jonas, Linda Gibb, Alan Kendall, Yvonne Gibb, Bill Oakes, Dennis Byron, Blue Weaver, Karl Richardson, Chris Martin, Albhy Galuten, Justin Timberlake, Nicky Siano, Charlie Steiner, Vince Lawrence, Dwina Gibb,  and archival footage of Robin Gibb, Maurice Gibb, Hugh Gibb, Barbara Gibb, Robert Stigwood, Arif Mardin, Lindsey Buckingham, Alice Cooper, Mick Fleetwood, Steve Dahl, John Travolta, Ed Sheeran and Andy Gibb.

Directed by Frank Marshall.

Distributed by HBO Documentary Films. 111 minutes. Not Rated.

Screened from the 2020 Philadelphia Film Festival.

Although they don’t always get the respect of say Lennon/McCartney, Bob Dylan, Paul Simon or several others, the Gibb brothers – Barry, Robin and Maurice – should be right up at the top of the list of the great songwriters of the 20th Century. Not only that, they were amazing performers – natural singers with an uncanny sense of harmony. They created some of the most gorgeous ballads of the 1960s and early 1970s before reinventing themselves as a dance band, which led to one of the greatest hot streaks in music history. As pointed out in this film, from 1977 through 1979, it was not unusual to find songs that they either performed or wrote in four of the top five positions of the pop charts.

The songs speak for themselves. “Massachusetts.” “How Can You Mend a Broken Heart?” “Jive Talkin’.” “Staying Alive.” “Run to Me.” “Too Much Heaven.” “To Love Somebody.” “I Started a Joke.” “How Deep is Your Love?” “Nights on Broadway.” “You Should Be Dancing.” “Lonely Days.” That’s just scratching the surface of the Bee Gees’ hits. Most artists would give anything for half as many songs that became musical standards.

This is at least the third full documentary on The Bee Gees of the new millennium, each one exactly a decade apart. Previously, there was Bee Gees: This Is Where I Came In in 2000, which was released in conjunction with what turned out to be the band’s final original album of the same name. Then, in 2010 they released Bee Gees: In Our Own Time. And now, as timely as the census, we have our 2020 Bee Gees doc, Bee Gees: How Can You Mend a Broken Heart.

Unfortunately, since two of the brothers Gibb are now dead (three, if you count youngest brother Andy, who had a very successful solo career), the filmmakers had to use archival interview footage of everyone but Barry (and they even used some older footage of him). I can’t swear to it, because it has been a long time since I saw it, but I am almost certain that the interview footage from Robin and Maurice (and some of Barry, too) was the same footage used in This Is Where I Came In. Not only that, since Maurice died in 2003, I’m almost positive that they previously had resurrected some of this same interview footage from In Our Own Time.

However, there is new interview footage of Barry here, as well as from their producers, musical fans and members of their band, so this is not all just a repeat of previous films.

And, let’s face it, the Bee Gee’s life story and most importantly their music is endlessly entertaining, so if they are going to release a film on it every decade or so, even though the band has not released any new product in about 20 years, I’m on board.

How Can You Mend A Broken Heart? actually adds a touch of tragic pathos to the story. Barry Gibb – the oldest of the brothers and probably the most recognizable – is now alone. As he states towards the end of the film, he still misses every single one of them and still feels like they should be performing together, even though they are long gone. Andy died soon after his 30th birthday in 1988, of a heart attack due to a previous drug problem. (He had just been announced as an official member of the Bee Gees soon before his death.) Maurice died in 2003, due to a surprise complication on what was supposed to be a fairly standard surgery. Robin succumbed to cancer in 2012.

The film occasionally plays fast and loose with their history. During Robin’s early 1970s break with his brothers, the film says that the band was completely broken up for a year and a half, but Barry and Maurice released the Bee Gees’ Cucumber Castle album and telefilm as a duo, while Robin tried his hand as a solo artist – which was shown here. (However, the film ignores Barry and Robin’s solo attempts in the mid-80s.)

Also, as far as the disco backlash that finally knocked the band from the top reaches of the charts, the film blames the – granted stupid – novelty song “Disco Duck” for the death of disco. But they forget to acknowledge that song came out a year and a half before Saturday Night Fever – in fact, it was even used mockingly in the film (though not on the soundtrack album) during a scene of middle-aged squares learning how to disco dance.

However, it is nice that as a talking head, house musician Vince Lawrence, who was working as an usher at Chicago’s Comiskey Park on the day of Steve Dahl’s infamous “Disco Demolition” stunt, which did essentially kill disco, called it out for what it was – a racist and homophobic book burning.

However, calling the Bee Gees a disco band would be way, way underestimating them. They were one of the great pop groups of their time, and Bee Gees: How Can You Mend a Broken Heart is almost two hours of sheer bliss.

(Ed. Note: Due to the coronavirus pandemic, the 2020 annual Philadelphia Film Festival has been changed to a virtual festival. All films and Q&As will be available for streaming. You can get information on the festival at their website target="_blank"http://filmadelphia.org/festival/)

Jay S. Jacobs

Copyright ©2020 PopEntertainment.com. All rights reserved. Posted: October 28, 2020.

[myrecordcollections]

Samantha Sang

Emotion

@ 1978 HK Pressing

****

If "Light Soul" was a category, it would be perfect for this record from Samantha Sang. "Emotion" was the big platinum hit from January of 1978, but there is much more to this artist and this album than a popular title track. There are three Bee Gees compositions here, "The Love Of A Woman," "Charade" and "Emotion." The Bee Gees would put a version of "Charade" on their boxed set, but it appears here first. She covers the Lai/Evans/Wells tune "When Love Is Gone," and that title gets the same production help from producers Barry Gibb, Albhy Galuten and Karl Richardson that brought "Emotion" so high up the charts. In between there is a version of Bruce Roberts and Carole Bayer Sager's "I Don't Wanna Go" - a song that The Moments included in their repertoire - and containing that same ethereal vocal as what The Bee Gees producers gave her. Producer Nick DeCaro, who recorded the bulk of the album, took few chances here copying pretty much the amazing sound that worked so well for Yvonne Elliman, Dionne Warwick, Kenny Rogers with Dolly Parton and others touched by the Bee Gee's 70's and 80's magic. The interesting thing is that these productions don't have the depth that Galuten, Richardson and Gibb gave to the songs they created - the alleged 96 tracks (sure sounds like it!), but Sang is more than competent, and the album is highly listenable. Denny Randell and Sandy Linzer wrote for Barbara Harris and The Toys, so opening this album with their "You Keep Me Dancing seems to answer the Bee Gees admonition that "You Should Be Dancing. Samantha Sang's unique voice does wonders with material that The Toys, The Moments and Dionne Warwick all could have covered easily. A wonderful version of The Delfonics "La La La - I Love You, that brilliant Thom Bell/William Hart tune, shows the direction of this "light soul" album. Eric Carmen's "Change Of Heart" hit 10 months after this in October of 1978, and Samantha Sang provided back up vocals on his hit version, but what Sang does with it here is dramatically different, and exciting. Amazingly sad that a record this good did not generate more hits, or more attention for a valid singer.

[paulodebargelove]

Diana Ross - Chain Reaction (Official Music Video)   November 30, 1985 - 34 Years Ago Today: Diana Ross debuted at No. 95 on the Billboard Hot 100 Chart with her single, "Chain Reaction." This Barry, Maurice & Robin Gibb-penned song was the 2nd single release from her Barry Gibb-Albhy Galuten-Karl Richardson-produced album, "Eaten Alive." The lead single and title track peaked at No. 77. "Chain Reaction" didn't rise any higher than its No. 95 debut and remained on the chart for a dismal 3 weeks. Ironically, it was a huge smash hit in the U.K. where it soared all the way to No. 1. It also reached No. 1 in Australia where it became the No. 1 single of 1986. After its impressive showing overseas, RCA reissued a remixed single in the U.S., just 4 months later, but it only climbed as high as No. 66 on May 24, 1986. Unfortunately, it was Ross's final single to chart on the Hot 100 Chart. It had a much better reception on the Hot Disco/Dance Chart where it peaked at No. 7 and reached No. 25 on the Billboard AC Chart. Diana Ross was the recipient of the Grammy Lifetime Achievement Award in 2012 and the Presidential Medal of Freedom in 2016.

[longliverockback]

Eric Clapton 461 Ocean Boulevard 1974 RSO ————————————————— Tracks: 01. Motherless Children 02. Give Me Strength 03. Willie and the Hand Jive 04. Get Ready 05. I Shot the Sheriff 06. I Can’t Hold Out 07. Please Be with Me 08. Let It Grow 09. Steady Rollin’ Man 10. Meainline Florida —————————————————

Eric Clapton

Jim Fox

Albhy Galuten

Al Jackson Jr.

Jamie Oldaker

Carl Radle

Dick Sims

George Terry

* Long Live Rock Archive

[mitjalovse]

Tim Renwick might seem like a hidden figure, yet he can manage to be pretty much everywhere as we've seen. For example, He found himself on the records by Andy Gibb, which aren't given a fair shake, I fear. Look, Andy Gibb was probably on his way to become a honorary Bee Gee, but set aside all the hype he had and consider the fact he equipped himself quite well for the tunes. Sure, his brothers give him their immense quality songwriting, yet the fact he didn't stumble in here showed he had a promise. Who knows where he could've gone later on. I mean, I assume he would've survived the 80's much better than Bee Gees, though this can only be our guess as he still remains underappreciated thanks to the popularity he had.

[mychameleondays]

Derek & The Dominos: Layla and other assorted lovesongs

double

Polydor 2658 109, 19??

Originally released: November 9, 1970

[pandachansblog]

The executive producer of the Saturday Night Fever motion picture soundtrack and future Bee Gees manager Robert Stigwood asked the band to write a few disco songs for the soundtrack. Band wrote "Stayin' Alive" over the course of a few days. Over the years, the brothers have had mixed feelings about the song. On one hand, they admit it brought them tremendous fame; on the other, it led to their being pigeonholed as a disco act, despite a long and varied career before and after.

Due to the death of backing drummer Dennis Bryon's mother in the middle of the song's sessions, the group first looked for a replacement. So the group and producer Albhy Galuten after some experiments took two bars from track "Night Fever" , rerecorded them as a recurrent loop on a separate tape, and proceeded with sessions for "Stayin' Alive". This accounts for the unchanging rhythm throughout the song. As a joke, the group listed the drummer as "Bernard Lupe" (a takeoff on session drummer Bernard Purdie). Mr. Lupe became a highly sought-after drummer—until it was discovered that he did not exist.

[lyrics2world]

More Than a Woman Lyrics - Bee Gees

More Than a Woman Lyrics – Bee Gees

More Than a Woman Lyrics by Bee Gees is the latest English song lyrics written by Robin Gibb, Maurice Gibb, Barry Gibb and produced by Bee Gees, Karl Richardson, Albhy Galuten. More Than a Woman Song Details Song: More Than a Woman Singer: Bee Gees Written: Robin Gibb, Maurice Gibb, Barry Gibb Producer: Bee Gees, Karl Richardson, Albhy Galuten More Than a Woman Lyrics Oh, girl I’ve known…