#alanna of trebond

[morphmaker]

Protector of the Small No. 4: Neal

[nightmaskart]

Alanna the Lioness

[rowandriftwood]

In honor of 2023 being the 40th anniversary of Tamora Pierce’s Song of the Lioness quartet, these are the beloved and much-read paperbacks I bought with my allowance money in 1992, when I was 13.

[its-to-the-death]

Battle of the Gingers Bracket G Round 2

Alanna of Trebond (Tortall series by Tamora Pierce) vs ZombieCleo (MCYT)

[cursedcat]

reread these books a couple months ago, i still love my lady knight~

[specificpollsaboutbooks]

F/M Couples

Round 3

Alanna and George :

"I love that Alanna doesn't end up with the default choice (a prince), but instead chooses the man who is right for her and what she wants for her life."

Lord Peter and Harriet :

"The author wrote this ship into a book and then realized she was going to have to give Lord Peter a LOT of character development in order to make him worthy of Harriet. And then she did it, and it was beautiful. Placetne, magistra?"

[andhumanslovedstories]

I'll play the 500-word ask game! Your Tortall fanfic, please - I was thinking of this segment, but really anything you want to comment on in the fic! (Also thank you for writing it; the voice works very well and the text feels very true-to-source!)

Kel may never have forgiven the king for putting her through a probation period—a life’s first major disappointment cuts deep and leaves a scar—but her issues to him as a man did not blind her to his success as a king. “He’s formed alliances with the Bazhir, the Yamani, and Tusaine for the first time in our history. He controls the Dominion Jewel, the most powerful mage in the world is loyal to him, and our training school produces the finest knights in the world.”

Don’t forget our excellent spy operations,” Alanna added. “But people’s memories get short, especially in times of hardship. A short war unites a nation; a long one wearies it. And our war with Scanra has lasted far longer than we expected, even after your contribution.”

Kel grimaced. It was true. Even after Kel had slain the creator of the Scanran war machines, the forces of King Maggur fought bitterly for every inch of land. They had no reasonable hope of winning, not with Scanra’s weak harvest and weaker tribal alliances, but they were determined to make Tortall’s victory costly. They’d turned to guerilla tactics in the mountainous border region between the two nations, and they were willing to lay down their lives for every square inch.

Still, the gaudiness of the Midwinter’s Festival felt tasteless to Kel, a slap in the face to the soldiers who died and the ones who were still there fighting in the bleakest of conditions. “If everyone could put some trust in each other and go without the things they don’t need, we could redirect all this wealth to ending the war.”

“If people could trust each other and go without, we wouldn’t be fighting this war. We’d be living in some happy utopia that would be very boring for people like you and me.”

Oh my god, I wrote this Tortall fic in 2011. Sometimes the passage of time just hits. Especially because of the time I remember Kel has always been my favorite of Pierce's leads. It would be difficult to overstate the impact Kel as a character has had on me over the years. I wrote this fic in October 2011--that was during my first semester of college, when I was 18 years old. I'd brought The Protector of the Small books with me to college for emotional support. There was a hurricane on the east coast during our freshman orientation that knocked out the power in my dorm. I remember reading all four books by a window while it was raining like crazy, and then thinking ruefully that I should have saved them for later when I needed a pick me up.

That makes it an extra pleasant surprise when I reread it and really liked it! (I even had the very odd feeling of being inspired by my own ending.) I remembered the broad strokes of it--Kel and Alanna talking at a banquet while on the lookout for Tortall's second openly female page--and absolutely none of the details. I can't believe the only relationship tag I had in there was Kel/Dom. I'll be honest, I don't even really remember who Dom is. I went back and added Kel & Alanna as the main relationship because, like, duh. Yeah.

It's doubly weird to me I tagged the barely mentioned romantic pairing considering the story was written for a livejournal community challenge to specific write gen fic about women outside of the context of romance and shipping. This was a weird transition time in fandom where lj communities were still very prominent, but more and more fic was getting posted on AO3 instead of in a community or on a personal journal. I remember some debate about what female characters counted for femgenficathon (the community/challenge I wrote this for). It might have been a debate about trans women, but I remember more specifically discussions of whether genderswapped male characters counted.

Anyway, back to this fic specifically, it's funny the author's note is me talking about the difficulties of writing fanfic for a book because I want to match the author's style when that's something that I've been thinking about a lot lately writing for Scum Villain. What I remember most about this fic is specifically the work I put in studying Tamora Pierce's writing style so I could ape it. A sentence early--"Her closest tablemate, a small but sturdy red-headed woman Kel regarded with equal parts affection and awe, chuckled at Kel’s distress."--is the direct result of me studying Pierce's first paragraphs in her work to see how she reintroduces the reader to characters they have met before. There's also a simplicity and directness to the language that isn't my default. I can get pretty flowery. In my default state, I love a paragraph long metaphor.

These two women have this shared experience but also could not be more different. When I was a kid, I really wanted Alanna and Kel to be best friends, and I was disappointed when they weren't, but I understood why. They are very different people, almost in different genres. Alanna and Kel are two very different takes on the lady knight. Having to pretend to be a boy versus openly being a girl leads to such different dynamics. Alanna's story is so much about identity and self-definition, but also about being extraordinary. She's gifted with magic, she's touched by the goddess, she has a magic cat. She's a fantasy heroine. She's indisputably extraordinary.

Kel meanwhile has no magic. Her story emphasizes continual, endless practice, discipline, training. Her adventures are human-sized. Alanna's book one ends with defeating magical monsters in a cursed city. Kel's involves helping a bunch of other pages fight off bandits. She doesn't deal with gods; she gets put in charge of a refuge camp. Her story involves a lot of practical logistics in a way Alanna's doesn't. So she ends up being this character that's such a mix of realism and idealism, seeing the world the way it could and should be while also seeing the work and frustration of getting there. That was what made her such a huge inspiration to me as a kid--god, between her and Tiffany Aching, I have gotten so much from the tales of hard working girls.

That's why Kel in this fic looks to everyday and mundane examples of female fighters. Because she works so close to the ground, she appreciates the grassroots. I thought that hit a good balance of her faith in the future without making it sound like she thought gender equality would be easy. Actually, to be honest, I got...comforted, I guess, by my own ending. (Again, a very pleasant surprise.) Kel's hope always feels earned. That's what I was aiming for.

[drwho-ess]

10/10 best observation for Alanna is that she’s the ULTIMATE ‘Fake it till you make it’

Like girl was fully relying on her twin not only to be able to hold up on his end while thinking she had to also not lose her shit

[wondereads]

This is about the Bazhir, Daine and Numair, and the entirety of the Trickster’s Duology

[checkoutmybookshelf]

The Quartet That Started It All

As followers of this blog will note, this is not actually the quartet that started it all for me, but it DID launch author Tamora Pierce's career in the 1980s, and Alanna remains absolutely beloved among Pierce's heroines. Let's talk the Song of the Lioness Quartet.

In a classic case of "if I can't do this as a girl, then I'll do this as a boy and I have a handy twin brother to go full Twelfth Night with," Alanna of Trebond begins The First Adventure by dressing as a boy to train as a page in Tortall's royal court. This book introduces all our main characters and establishes Alan the page amongst his peers and Alanna as she finds herself and her place in chivalry.

One of the other amazing things about Alanna's story overall is that she begins it absolutely terrified of her own magical gift. Her arc includes learning to work with her magic rather than to fear it, and that's a twist on magic users that I really appreciated. We often get overly confident magic users--indeed, we'll get TWO of them later in the series--but it's rare that we get magic users who are fully aware of their powers and are still absolutely terrified of them. So of course, the story and the world and Pierce herself keep throwing Alanna into situations where she has no choice but to develop and use her gift. It's so, so good. This first book covers Alanna's page years, and we move into her squire years in book two.

In the Hand of the Goddess really expands on Alanna's key relationship with Prince Jon on Conte, Duke Roger of Conte, and Geroge Cooper. Alanna moves into a wider world of adult politics and stakes in this book. From being able to defeat an older, stronger, and more experienced opponent in a duel to developing her healing skills when a wound puts her out of commission during a war, Alanna cements her skills, connections, and position in society. This culminates with unmasking Roger as an attempting regicide and the accidental reveal of her gender.

This book is really, really good, and extends Alanna's childhood fear of magic to her fear of Roger specifically in a really natural, logical way. I could say more about the details, but these two books have an episodic vibe to them, so I won't spend too much time exploring every single key plot event.

The Woman Who Rides Like a Man sees Alanna spending her first year as a knight in the desert, with a Bazhir tribe. She becomes their shaman by way of self-defense; she murders their first shaman when he tries to murder her for "being unnatural." Then it falls to Alanna to train three magic users for the tribe, and this is where we see more nuance into how different magic users relate to their powers, from sheer hubris to fear to "this is just part of me, let's do this." It's a phenomenal experience for Alanna, and she learns as much from her students as they do

Book three also sees Jonathan bitching to hell and back about having to be king, which is not a great look, and it's one Alanna calls him on. He spends most of the book alternating between pitching a hissy fit, begging Alanna to marry him, and training to take over as Voice of the Tribes. The interesting thing here is that Alanna refuses to marry Jon. He is trying to fit Alanna into his own fairy tale, and she very much goes "That isn't our relationship, I can't do that. We aren't meant to be like that, and that's ok." If I could inject that lesson into humanity's collective head, I would. It's well done and it's great.

Lioness Rampant picks up on Alanna's travels after she leaves the Bazhir, and eventually sees her return to Corus with a magical artifact to help secure Jonathan's position as king.

There's also the teeny tiny complication that Alanna's twin brother, Thom, has resurrected Duke Roger. Absolute chaos ensues, and Roger almost manages to take out the entire court during Jonathan's coronation. Nobody should have to kill an evil sorceror twice, but Alanna did.

If you want to dive into Tamora Pierce's Tortall Universe, starting with Alanna is absolutely a good choice. These books hold a very soft spot in my heart, and they're never not engaging.

[booktineus]

What childhood favourite book would you love to get the special edition treatment?

Illumicrate has done Percy Jackson. Fairyloot has done Howl’s Moving Castle. Litjoy has done Ella Enchanted.

I am desperate for someone to do The Song of the Lioness quartet by Tamora Pierce! I love these 40th anniversary editions, but I want extra pretty ones with sprayed edges, foiling, and character art endpapers.

[morphmaker]

Protector of the Small No. 5: main character energy

[katriniac]

Ahhhhh!!!! *happy screaming*

Tamora Pierce's 'Song of the Lioness' Quartet is getting new cover art for its 40th Anniversary printing!

And it's gorgeous:

[dontmixpaintinyourcoffee]

Ok there's a lot to be said about the Song of the Lioness Quartet (even as a kid I had issues with it, even though I loved those books) but you know what didn't age poorly or start out as problematic???

These goddamn covers

HELLO???? DO YOU UNDERSTAND WHAT THIS DID TO MY ELEVEN YEAR OLD MIND?????? THIS WAS STANDARD SETTING, EVERY OTHER COVER OF EVERY FANTASY BOOK GETS SUBCONSCIOUSLY COMPARED TO THIS ONE IN MY MIND

DO YOU UNDERSTAND WHAT THIS DID TO ME????????? TO MY DEVELOPING LESBIAN MIND????????? I WANTED TO BE HER SO BAD YOU DON'T UNDERSTAND

[its-to-the-death]

Battle of the Gingers Bracket G Round 1

Pippi Longstocking/Pippi Långstrump (Pippi Longstocking) vs Alanna of Trebond (Tortall series by Tamora Pierce)

[queershippingpolls]

Do you ship them?