#air movie

[gaydramedy]

ben affleck and matt damon on set over the years

[cinelestial]

Happy Birthday to the talented Jason Bateman 💫

[lovepollution]

Hamish Linklater attends the world premiere of Air - 27th March 2023

[wedgeantill]

Blue Shelby in Air Jordan (2023)

[rootsandbranches86]

So I’m knitting while Air was on in the background, and I hear Matthew Maher’s voice. Which makes sense, people are in different projects, until someone calls his character Peter, and I’m baffled to look up and see this guy:

Instead of this one:

[sahind]

AIR (2023) Directed by Ben Affleck

[palaceofmyhead]

Viola Davis at the "AIR" World Premiere, 03.27.2023

📸 more pictures: ( x )

[wwprice1]

Friday Feeling.

[angelwings-crossbowstrings]

I'm going to work on Blood Ties this evening but right now, Bauer is just so fun to write and is making my day a little more fun lol.

[gaydramedy]

matt damon and ben affleck on the sets of

GOOD WILL HUNTING 1997 and AIR 2023

[cinelestial]

Barack Obama shares his list of his Favorite Movies of 2023:

[lovepollution]

Hamish Linklater and Lily Rabe attend the world premiere of Air - 27th March 2023

[aniviki]

Just watched Air movie. The movie just works, a feel good sports drama.

Absolutely loved the cast and pretty inspiring❤️

[moorheadthanyoucanhandle]

'23 SKIDOO

Before rattling off a list of my top ten movies for the year, I should offer a disclaimer. As with most years, it's based on incomplete information. There are still quite a few significant movies I haven't yet seen. But here, based on what I've seen and how I'm feeling at this writing, is my Top Ten List for 2023.

Killers of the Flower Moon--Martin Scorsese's epic yet intimate nightmare about the Osage murders in Oklahoma in the 1920s is a masterpiece; one of his best works and probably the best movie of the year.

Oppenheimer--Half of the midyear smash duo, this chronicle of the atom smasher of White Sands is a dazzling directorial performance by Christopher Nolan, fracturing his narrative yet keeping us focused. Possibly a hair overlong and anticlimactic, it's riveting at its best.

Barbie--The other half of "Barbenheimer." Greta Gerwig's brightly-colored take on the Mattel icon is crazy, imaginative and deeply goofy, yet in its own way no less serious in its ambitions. Margot Robbie is improbably touching in the title role.

American Fiction--Jeffrey Wright is quietly marvelous as an African-American novelist who so resents being expected to pander to white ideas about the black experience that he does so with a vengeance and becomes a smash. Cord Jefferson's adaptation of the Percival Everett novel Erasure is both rueful and hilarious, often at the same time, and beautifully acted by Sterling K. Brown, Tracee Ellis Ross, Leslie Uggams, Myra Lucretia Taylor, Issa Rae, Miriam Shor and the criminally underutilized Erika Alexander.

Maestro--It's not so much a biopic in the usual sense as a portrait of the marriage of Leonard Bernstein and Felicia Montealegre. Bradley Cooper is luminous as Bernstein, and his reserved directorial style balances Bernstein's grand self-dramatizing manner beautifully. Yet it's Carey Mulligan's Felicia who emerges as the movie's guiding spirit.

Godzilla Minus One--The Lizard King stands in for postwar despondency in this one-off, one-of-a-kind monster spectacle that's also a surprisingly moving portrait of a nation coming to terms with utter defeat, and gradually starting to rise from its own ruins.

Are You There God? It's Me, Margaret--Judy Blume's classic for adolescent girls was a long time coming to the screen, but under the direction of Kathleen Fremon Craig it struck just the right note; sweet and lighthearted.

Air--Sneakers have become such a cultural touchstone that it's probably inevitable that we'd get an origin story for athletic footwear. Ben Affleck's account of the development of the Air Jordan line and the issues around it is absorbing and amusing.

The Holdovers--Alexander Payne's '70s-period comedy, set at a private school in Massachusetts, is essentially a vehicle for the performances of Paul Giamatti as a splenetic ancient history teacher, Da'Vine Joy Randolph as a bereaved cafeteria manager and Dominic Sessa as the kid they're stuck with for the holidays. But what performances they are.

Saltburn--After her stunning debut with Promising Young Woman, Emerald Fennel's second feature, a neo-gothic take on class, is by comparison a little overwrought and sour. But it's no less brilliant, and it comes together joltingly at the end.

A few others that I found to be worth my time: The Blackening, A Haunting in Venice, Dumb Money, Jules, Theater Camp, Indiana Jones and the Dial of Destiny, Thanksgiving, Somewhere in Queens, Cocaine Bear, Renfield, Dungeons and Dragons: Honor Among Thieves, Napoleon and The Boys in the Boat.

A superb 2024 to us all!

[spotlight-report]

'Air' Movie Review

"The impressive film @BenAffleck has created focuses on some very core characters drawing you into the beginnings of a legendary company and how they got there." Check our #AirMovie Review @trvllngjwllr :)

In the wonderful year of 1984 the competitive sneaker market was dominated by the German brand Adidas, followed closely by the American Converse; whilst other US brand Nike were trailing well behind multiple competitors. AIR, focuses on the characters who were behind Nike’s rise to popularity by gambling on, at the time, basketball rookie Michael Jordan. Director, actor Ben Affleck has made a…