#after viewing it about a year later

[memen18-m5r3]

hello surviving centricide fandom...I bring you some wacky food

(i'm also animating a small portion of Centricide 3.5 but since I can't tell how much more time it's gonna take I'll show you some sneak peeks! :3)

((since I'm a certified yapper, I added some additional info + translations to all the images descriptions! not sure if it qualifies as ID so feel free to add upon it if necessary))

[fatehbaz]

.

[peony-pearl]

yeah I’ll say it again: there was no reason for Azula to be put in an asylum for a year and still be going through it that bad all for a breakdown that took, what, less than a month? If we take Zuko’s betrayal, then Mai and Ty Lee swapping sides(? we never really see them “turning good” they just prevent Azula from hurting Zuko and the Gaang but that’s a different discussion) and then her father’s denial of her joining him to the Earth Kingdom (then feeling like she’s being treated like Zuko - thus she’s suddenly lesser in his eyes) followed by Zuko defeating her (which, in her mind, is a whole new failure and she probably feels like she failed her Nation)... yeah that’s stuff that, if given proper therapy, she could have just stayed in a hospital, and within a year, possibly even be living back in the palace with a whole new outlook on life. The writers make it sound like Zuko just wanted her out of his hair which is not how you want to write your hero whose arc is based around growth and wanting acceptance and is forgiven by a family elder after he hurts him. Yes he’s a new Fire Lord and he’s got a lot on his plate, but to just handwave his sister away after he knows the pain of being denied by his family is... bleh (also you all know how much I hate Iroh's canonical endgame)

And I know that there were talks of a fourth season in which she got her healing arc (which would have been really great to see); but it’s such a mess that the comics just kind of decided ‘nahh let the teenager who’s been locked up for a year keep her antagonist role, that’s fresh right?’ Not the girl who was put on a pedestal until suddenly everything she did was wrong (which... yeah, she WAS doing wrong; but she’s been raised to believe everything she was doing was for a greater good for HER nation and the world. She believes she’s a hero because she’s doing what she was raised to do, and to them she IS a hero. She has daddy’s ‘love’ so long as she’s perfect and amazing - and then suddenly all of that gets absolutely obliterated right in front of her one at a time as she realizes everything she’s been doing to maintain her power is also driving people away. Being 'the good kid' until suddenly you aren'twill unravel you.). Zuko knows how that feels, to feel like everything he did was wrong. He knows how it feels to have to break away from realizing he’s been hurting people; to learn from that and how he needs to change his ways.

And not only that but the way they write Azula as a villain in The Search is just AWFUL like it’s boring af. They recycle the same beats over and over and no one gets the bright idea to stop the cycle it’s AWFUL everyone in that comic is a raging idiot.

idk I could keep going in circles and we already know the comics are awful but there’s my extra 2 cents on the matter. They took a character that was already entertaining and fascinating and denied her a really great potential arc to make her one of the best allies the Gaang could have (and Zuko could have some FAMILY) but nope. Let's retread the show but instead let's make it bad.

[isalabells]

„Wenn man mal zurückschaut – Titel sind das eine, das ist die Belohnung, ist natürlich das, was man vorzeigen kann. Aber wenn ihr später mal aufhört und zurückblickt, sind's eigentlich die Menschen, die Momente, die bei euch hängen bleiben werden. Uns hat's 'ne Riesenfreude gemacht zu sehen, was aus dieser Mannschaft geworden ist. Wie sie zusammengewachsen ist, wie jeder an das Ziel geglaubt hat, wie ihr alles dafür getan habt. Und ich glaube, das ist ein wahnsinnig wichtiger Prozess für euch. Für jeden von euch, vor allem für die jungen Spieler. Ihr werdet das später sehen, dass diese Weltmeisterschaft euch wahnsinnig viel gebracht hat. Egal, ob das jetzt Weltmeister ist oder Dritter oder Vierter.“

Deutschland. Ein Sommermärchen (2006), dir. Sönke Wortmann

[mariocki]

Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)

"And they didn't make much mess?"

"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."

"Ah. Big mistake."

"What is?"

"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."

"I'll remember."

[butterflieswhisper]

hhelp wait this is so funny. didnt you follow me forever ago after a scott themed october song analysis . sorry if you dont remember that and this ask doesnt make sense but this is still funny to me

hi!!!! yeah. it was the cherri crane lives art i think and also where you made your flower husbands tag! I have never really interacted with fh outside of you (and like, seeing pretty fanart) but i am nonetheless deeply invested in your interpretation specifically!!! I honestly haven't watched jimmy outside of rats and the beginning of empires2 either i genuinely have no clue what they get up to you just seem to have a lot of fun with it

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[paunchsalazar]

Oppenheimer made me laugh….

[eurovision-del]

We’ve had 24 national finals this year – over the past few months I’ve ranked at least the final of every single one, and I’m finishing tonight by looking at the Melodifestivalen finalists!

Smash Into Pieces – Six Feet Under

Loreen – Tattoo

Nordman – Släpp alla sorger

Jon Henrik Fjällgren, Arc North ft. Adam Woods – Where You Are (Sávežan)

Marcus & Martinus – Air

Panetoz – On My Way

Tone Sekelius – Rhythm of my Show

THEOZ – Mer av dig

Mariette – One Day

Maria Sur – Never Give Up

Kiana – Where Did You Go

Paul Rey – Royals

After all the semi-finals I really wasn’t feeling impressed with Melfest this year, but I actually quite like the final in general. Six of my personal DTFs are here, with one (Now I Know) staying in Andra Chansen, and only one (Länge leve livet) failing to make it through a semi. Being Sweden, it’s a given that all these songs are well put together – well produced and very polished.

Two songs in particular stand out to me from this line-up. The first is unsurprisingly the rock track Six Feet Under, which I was very excited by when I heard it! If there’s a rock track at Melfest there’s a solid chance it will be my favourite entry. The stuff that makes it here is generally rather formulaic, never anything experimental, but it’s always decent quality. I found the chorus of Six Feet Under very memorable, and the singer has a fantastic rock vocal – I loved when he belted that top note at the start of the final chorus! I also really enjoyed the cyberpunk aesthetic of the staging.

Then there’s Tattoo. I first want to say that I love how this was staged, it was easily the most exciting and interesting performance to watch. I do also really enjoy it as a song. It’s a catchy piece of dance pop, very well produced even by Sweden’s standards, impactful yet accessible with it’s familiar sounding beat. Loreen elevates it further live, with her powerful, distinct voice, and artistic performance. I don’t enjoy it as much as I love Statements, but it’s a very good entry nonetheless.

Tattoo should win easily tomorrow, it stands head and shoulders above anything else in the contest. I struggle with this one a little, however, because I think if I heard this from someone other than Loreen I’d definitely consider it a notably good pop song, but wouldn’t see it as a potential winner. However, it’s also very hard to separate her from it – her calibre as an artist is undeniable. I don’t know if this is winning Eurovision, but I think it’s fair to consider it. Of course, until tomorrow we don’t know for certain that she’s going, I’d be very intrigued if someone else did manage to beat her and get the ticket to Liverpool instead, but it’s a conversation I expect we’re going to be having for the next couple of months.

[milfdarthrevan]

#reblogging my own posts#free to use#everyone should check out the notes on this post yall have great ideas#silmarillion#elves#valinor#bonus points: no one ever officially cancelled the decree making Formenos and its surroundings the lands of Feanor and his kin#Caranthir ir Amrod or whoever is now the liege lord of several thousand people he never met#they mostly think it's cool - a real Ancient Kinslayer in the ruined city! how Authentic (tm)!#they don't really listen to his orders but will help clean out a house for him and pay some taxes/admittance fees to the theme park#and sure he can represent them in council in Tirion if he wants; they've all been ignoring the city and will continue to do so

Elves born in the Second and Third Ages are used to having the ruins of earlier eras scattered around the landscape being Aesthetic, and are disappointed that there aren’t any in Valinor.

So they deliberately build cities, attack them with siege weaponry, and abandon them. It only takes around two hundred years to get that Haunted Vibe!

[froody]

when I was like 15, a drunk woman I didn’t know at a party who was smoking a cigarette on the porch started randomly opening up to me about her infertility journey and I told her how I was my parents rainbow baby after multiple miscarriages and fertility treatments said not to lose hope. she comforted me about being a strange kid without many friends my age (hence why I was at a party full of adults thrown by my uncle) and told me everything would work out eventually. the next time I saw her like 2 years later (small town, mutual friends) she was carrying her newborn. I think about that a lot. it’s easy to feel disconnected from people and but sometimes just talking to them and hearing their point of view and relating makes you feel less alone. even if you’re only each other’s company for a few moments.

[cuteniaarts]

Post-recovery Summiya concept sketch :)

[anothermonikan]

Man high school was fucked up. You ever think about that. Thank fucking god I'm not in high school anymore

[longagoitwastuesday]

I know Mai is sort of like the typical "kind of a bitch" female character that often has a lot of sexist tropes playing around, but for some reason... I actually like her?

[deadsprout]

At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!

Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.

How many subscriptions did we bring you? Netflix won’t say.

So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.

Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.

What were the numbers? How many people watched our show? Netflix doesn’t say.

Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.

Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!

Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.

Support #WGA Support #SAGAFTRA

[violet-dragongirl]

>_>