#after i took the screenshot i went to the artist page

[mizugucci]

Obsessed with the Spotify glitch that shows some of the old MASC songs as SEVENUS lmaoo

[hazz-a-bear]

so even though i mainly post about seventeen on here, you guys know that one direction is one of the most important things in my life. I've already talked about liam multiple times but I wanted to share what I posted on wattpad here - I have absolutely no one to talk about this irl so I'm projecting a bit.

yesterday morning I woke up around seven like usual, drank my tea and lounged around. and then I remembered my phone had been charging since midnight so I went and took it from under my pillow to a single message from one of my friends. 'what the fuck?' with a screenshot of the google news page attached. obviously wanting to see it myself, I googled 'liam payne' right away and everything came to a fucking stop.

the only thing I remember before fucking disassociating is going to my mom and saying 'liam is dead'

this whole thing might seem a little dramatic to you. if you're not on the same page as the majority right now you might think, 'eh, esa is it that serious?'

yes it is. yes it is. yes it is.

and if you're reading this, you know it as well as me.

i spent the entire day yesterday in my head, just disassociating and replaying everything one direction in my mind like one of those youtube compilations. i couldn't even cry as much as I wanted to. i was so so numb, it was this weird kind of emptiness that made me feel so drained. for almost thirty minutes after i'd seen the news, I was shaking. my entire being was shaking so badly because it was so shocking. i knew that one day we would have to say bye to the boys but never in my entire life had I thought that day would come so soon. I didn't have anyone to talk to about this because none of my friends are one direction fans nor do they want to hear me yap about them.

one direction was always more than just a band for me - I don't have to tell you guys that twice.

i was first introduced to them by one of my closest family friends. back then I was in primary school and she was a teenager. today, she's a working adult and I'm in university. it reminded me of just how much we've grown up alongside them and their music.

'i'm so shocked. i'm trying to process everything' is what she texted me yesterday.

'he's gone' is what a girl I met at a science class four years back tested me.

please check on your friends who you think is affected by this, because it's not easy to be okay with the passing of your childhood. reach out and ask if everyone is okay.

most of the relationships in my life were made because of one direction. I've found a lot of friends because of them and I've also lost a lot of friends because of them. and yesterday I thought about each and every one of them, just hoping they took the news well.

mourning liam isn't just mourning his life and his legacy as an artist - I'm mourning the teenager that's inside of me who was trying so hard to remember their names, the teenager who was learning every single song lyrics, the teenager who watched 'one direction being crackheads' almost every night, the teenager who went to lengths to get the one direction movie copied to a DVD, the teenager who started writing because of the love she had for them, and the teenager who was dedicated to work hard so she could see ot5 live one day.

and just thinking about the fact that we've now lost one-fifth of the boys who gave life to our childhood, our teenage years is heart-shattering. 

i know that a lot of you guys are feeling confused about what to do and how you should mourn. i've seen a lot of people hesitating and feeling like he shouldn't be grieved. this was a result of what went down the past two weeks and I get it, I understand the hesitancy and I understand why. but, a man is dead and I believe he should be remembered for the good things he's done and mourned because, at some point in our lives, he was a part of something that meant everything to us.

I also want to mention that nobody should invalidate your feelings and nobody should tell you how to feel at all. you're allowed to mourn him while holding him accountable for the things he did. I'm not going to sugarcoat the fact that he wasn't a good person during the latter part of his life, but it doesn't mean that he deserved to pass away without getting the help and closure he desperately needed. he had his own traumas yet it didn't give him the freedom to continue that cycle of abuse. however, this should not be the topic that should be talked about right now. a mother lost his son, a father lost his son, two sisters lost their brother, four boys lost their brother, a woman lost their partner, another woman lost the father of her child, a seven-year-old boy lost his father. this is not the time for some people to pick up their gut and talk shit about his life. this is not the time nor the place. keep that in mind.

and on an important note, nobody should point fingers at anyone who should be at fault for his death. if it's published as an accident, I'm not believing it as anything else other than an accident. don't be that person who put the blame on maya. she was brave for coming forward with it, as well as the other victims. all she did was give us a view of what went behind the curtains and the cameras, the timing was unfortunate. we simply have no right to point fingers and call out anyone as we know nothing about what truly happened. this isn't what anyone would have wanted, don't do that. what we should do is mourn his passing, stay strong and wish his family and loved ones well. because if we, as fans, are going through this much pain, I can't imagine the pain they're going through at all.

when I saw louis, zayn and harry's post today morning I sobbed for the first time. it suddenly felt too real, I couldn't believe that liam was truly gone. every second up to that moment I read louis' caption, I was trying to convince myself that it was not real. but seeing them - seeing all three of them - remember liam in such a lovely way was like a knife to my heart. we can clearly see that they all love him very much and want him to be remembered as the kind soul he was. so let's remember him as such, the sweet boy who gave most of us a purpose at some point in our lives.

I'm typing this without any direction whatsoever but I hope you guys understand everything I'm saying. never in my entire life did I think I would be writing such a thing.

one direction was what led me to wattpad, I'm not sure if you know this. i found a book about louis and harry which landed me on a strange little orange website. and then, you guys know the rest.

I'm so incredibly thankful for everything one direction has done for me. liam was a part of something I loved more than myself and I'll forever love him for that. I'm so sad that he wasn't able to get the help he needed and redeem himself but I hope he's at peace now. he was so talented and kind but the industry was so cruel to him, the world was cruel to him and I hope, in another life, he'll be able to live up to his happiest moments and cherish them for eternity. i have so much more stuff to say but I'm going to stop here for now because I'm feeling so much in the moment and it's awful.

my heart goes out to liam's family, his friends, bear, everyone he's ever worked with and everyone's who has crossed paths with him. my heart goes out to all of you, all of us who has stood by him for so long. it's valid if you feel confused right now but remember, keep a dead man's name out of your mouth if you don't have good to say about him.

if you see strangers on the internet cursing him out, invalidating what you're feeling - stay out of it. you don't have to waste your energy to prove them wrong, it's the feeling in your heart that matters. if you feel like you need someone to talk to, reach out. just remember that you're not alone and your feelings are valid.

let's all get together and grieve the boy that once gave life to all of us, he should be remembered for everything good he's done.

liam james payne, rest in peace 🤍

[molagboop]

Something I neglected to show during my first post about Experiment Z-57 is the concept art for its environmental body double in Dairon. I couldn't fit it into the post due to Tumblr's image limit only being 10 pictures per post, but here it is: Pages 114 and 115 from the Metroid Mission Logs.

While I'm here, I'd like to share a few frames from Z-57's animation set that I took screenshots of for reference purposes. Now that Tumblr allows us to put 30 images into one post, I can make posts as long as I want! More images for everyone!

Z-57 is firing a beam in these shots.

Here are some extra screenshots of the Dissected Corpse for good measure. This particular view of the creature's face never made it into the original post because of the old image limit.

Ever notice how Z-57's eyes are smaller and rounder than Corpius'? Corpius has these sort of elongated, oblong-form eyes (perhaps indicating that it's a wild type or unaltered specimen?), while the Experiment looks… domesticated somehow? Corpius' eyes look like they've grown into those uneven, craggy grooves it has for a skull-face, but the Experiment gives me different vibes. Round, calculated eyes that look like the face was carved specifically for them. Corpius' eyes bulge from its face in a particular way, and they're arranged unevenly.

If these two met face-to-face, would Corpius mistake the Experiment for a different animal altogether? Or if it were capable of sapient thought, would it consider the Experiment some ghoulish freak of nature, like a simulacrum of its kind? Like "I don't know when that thing went into that big building, but whatever it is, it came back wrong".

Maybe round eyes are a characteristic of younger specimens, who knows: I'm just spitballing here. I'm not sure I ever got around to talking about the eyes in the original set of posts, but they were featured in my venn diagram.

More Z-57 under the cut! I took all these screenshots, why not share them with other artists?

It's roaring in this set.

Best quality: its wiggles.

Experiment Z-57 is preparing to fire a counterable beam in this next round of screenshots.

When I made the original posts, I had to combine a few images to save space: There's one image that combines two in-game screenshots of the Dissected Corpse's room before and after the X are released with a shot of the boss, showing that they're the same monster. I'll deliver them here separately. As a treat.

Bonus: Corpius T-pose

I'm gonna go back to taking screenshots now: have a nice day.

[minerwarfare-suzuya]

Miles ownership drama timeline, part 4

Part 1:

Part 2:

Part 3:

This is the last screenshot I have of him sharing his interactions on Amino from his deleted post. I did try doing more research of Miles on Amino but so far the only thing to know is that he's literally in a majority of Mobox87 amino communities just to hound users over his ownership under the account named "AJ Afton".

So, after going through all that about him. I wanted to approach this issue and speak out about it because I didn't find it okay for someone to be a prick to artists or Mobox87 fans over his ownership. So, I started off with posting these at the peak of this page being a rant blog.

I wasn't going to stop there since Miles took his discourse onto the @moboxcritique blog. He was going off about blocking accounts for making him feel unsafe despite the fact he would be the one harassing minors with no self control on Amino and making a target for people to criticize him or get harassed back for being an asshole. So, I went off on him over his comments.

What I find so disrespectful about this person is that he excuses his actions and acts like he is the victim by saying he has certain conditions that make him react the way he does to entitle himself.

@justcagney responded saying this to his comment. Obviously pointing out that he's playing the victim for sympathy.

Miles is just making the people who have autism or any mental health condition get a bad reputation for his actions online. So I practically had enough of hearing about the dude being a complete scum into an already toxic fanbase having to put up with him.

Now due to the amount of pressure Miles was getting about his ownership and rules. He decided to publicly say that he didn't want Mobox87 to announce him buying OCs from her.

Like I get that you don't want to be announced for supporting her with your money when she sells an original character but doesn't help that you have strict rules about not allowing people to draw OCs you buy especially the fact that now you make your ownership private.

Like all your doing is making it more complicated since what if someone drew that OC and you complained but that person didn't know about it. Wanna know why that would happen?

Cause you fucken decide to be even more petty and privately buy OCs that people won't know about!

So, at this point on i just had enough and made a new approach on how to get the term "fair use" in his fucken head since he was going around complaining that drawing a character he bought is an act against his permission.

I took that shit into consideration against him by bringing section 107 on the copyright law. So, I teased what I was going to be doing on the Moboxcritique blog anonymously but I would go into details with Kevonica about how I was going to call out Miles.

That's when I dropped a mini comic calling out Miles on the Moboxcritique blog's submission box.

This is the original post by me.

This sparked a couple good laughs and everyone agreed to the fact but it did spark an angry response from Miles. I ended up getting the most outrageous and hysterical conversation from him that literally doesn't make any sense for him to "lash" out at me all except that I drew eyelashes on a character that has them already to begin with.

But this argument wouldn't end here. Oh no! This would later go onto another dm argument with him on Instagram.

This argument that kept going would also ignite the rumor that Mobox87 accused me of asking her to be my girlfriend. The reason that is the case is because Miles got in contact with Mobox on Twitter over my mini comic just to spread a lie against me as humiliation and that lie would eventually get SonicCrash (Mobox87 brother) to respond to me in his own mini comic.

Full conversation of that argument posted here🔗

Eventually after this whole issue went down. It ended really quick and people were still very skeptical about Miles apology towards me and were still upset at him since despite all of his efforts of wanting no one to draw his paid OCs. The dude would sell those OCs that he kept bitching about to not have others draw and it's like...

What the actual fuck was the point of complaining you fucken idiot?

It's so baffling that he quickly switches up like that after just selling something that he just bought months or weeks ago prior.

Why in the fuck did you make it such a big deal over it to people who just wanted to draw them?!

You buy so many characters off of Mobox87 and sell them after having a literal break down over slightest thing that is completely harmless.

Just to prove that he buys literally most of Mobox87 OCs. You can check out the faces of nothing blog and his name is brought up the most with whatever OC is on sell.

Part 5

[notcorrect-persona5]

In Defense of Yosuke’s Parents

I’ve seen so many posts about Yosuke having bad parents which really surprised me because I didn’t get that impression at all. I’ve been meaning to make a post in defense of his parents, but I’ve been working on a Yu analysis. After I saw @personuhh​’s post I thought I’d offer an alternative perspective. I’ll be addressing some of the things they brought up first, and then I’ll get into additional evidence. I have edited this post since I originally posted it because I I wanted to elaborate and reword some things.

My Response

You’re right, Yosuke does take on way more responsibility than a part-timer should. However, I don’t think that’s his parents doing. It seems like Junes is extremely understaffed. In his social link, Yosuke says his dad was “bugging him to find helpers.” I volunteer at a small location of a large church (much like the Inaba branch of Junes), and I have been asked to find more volunteers over and over again because they’re desperate for more help. It’s a lot of work and not enough people. Additionally, both Yu and Chie come in to help due to the lack of staff. I wouldn’t be surprised if Mrs. Hanamura helped out too as Teddie’s under the impression that Yosuke’s parents are always together (which I’ll talk about later). 

On top of that, Yosuke mentions part-timers ditching work and slacking off. When an employee doesn’t show up, Yosuke (and Teddie) are often called in because their managers know they’ll show up. People who are reliable are given more responsibility, period. It sucks, but if someone needs help they aren’t going to ask someone who they don’t see as dependable. I volunteer at church every week, and I have been asked countless times if that’s okay because they don’t want to overwork me. Every time I say I don’t mind, and I assume Yosuke would have the same reaction if asked. Not only is it Yosuke’s natural instinct to help people, but he was kind of a pushover before the events of (and at the start of) Persona 4. In his third awakening, Yosuke says he was overworked and taken for granted. That’s not okay, and it’s a huge problem, but Mr. Hanamura isn't the cause of that. Mr. Hanamura is the general manager; his job isn’t to create the part-timer’s schedules. 

It’s true that Yosuke tries to work out the problems of other employees and listens to their complaints. There is no indication that Yosuke was told to do this, and I don’t know why he would be. In his social link, there are two girls who act as if he has more power than he does. They demand a raise, ask him to give them the day off, and assume he has knowledge about another employee’s schedule. Yosuke says he doesn't have the power to help them, and in a manga page he says “I may be the manager’s son, but I’m still just an employee.” Yosuke is doing much more than the average part-timer, but he isn’t being given the responsibilities of a manager.

As for the Junes concert, Mr. Hanamura did not tell Yosuke he was going to be fired. Yosuke came to that conclusion himself. Mr. Hanumura did not ask Yosuke to find a solution or ask Rise for help. Yosuke only asked Rise for help because he was scared of moving again. I understand how the phrase “awfully nice for some reason” could come across as odd, but I don’t think he meant his dad isn’t usually nice. In the Persona 4 Manga that scene is translated as “My Dad’s been extra nice to me” meaning his dad is nice, he’s just being extra nice, and I’m not surprised. Yosuke was extremely unhappy when he moved to Inaba. Despite trying to hide his feelings, you can see in The Magician that he didn’t do a very good job of it. And now that Yosuke is finally happy, they might be forced to move again. Of course, Mr. Hanamura would feel guilty. Oftentimes, when people feel guilty, they start acting nicer - unnaturally so - to make themselves feel better. Chie (who is already very kind) even does it after she and Yukiko spend Yosuke’s money on clothes for Teddie. Yosuke notices the shift in her attitude and tells her that he’s worried. It’s the same reaction he had toward his dad’s behavior.

The only reason I bring up Chie is to show an in-game example of someone being overly nice due to guilt. What Chie did was wrong, that’s why she feels guilty. The reason Mr. Hanamura would feel guilty is his job may have to move his entire family again. The cause of their guilt is different, but they are responding the same way.

I don’t think Mrs. Hanamura not wanting her son to own porn is unreasonable. My mom doesn’t like magic, so I wasn’t allowed to read or watch Harry Potter growing up. Similarly, a friend of mine wasn’t allowed to watch iCarly. As for Mrs. Hanamura burning Yosuke’s porn in Arena, that’s the third time (that we know of) that she’s seen his porn. I assume she’s told him she doesn’t want him looking at pornography, but he continues to do so anyway. Burning his magazines may seem dramatic, but she was likely just frustrated that he kept disobeying her. 

I don’t think Yosuke’s parents are the reason why Yosuke wants to be seen as manly. I haven’t seen anything that implies that. I think Yosuke’s desperation to be seen as a man comes from Japanese society and his fears regarding his sexuality.

Mr. Hanamura came up with this slogan because they were selling jinbei's which are traditionally worn by men. It’s a play on words. This isn’t the first time Mr. Hanamura has come up with a cringey slogan.

It seems Mr. Hanamura has that stereotypically “dad humor” which is typically associated with positive father figures (it’s not always). Yosuke saying his dad is still saying the “MANsoon” slogan gave me reminds of kids being like “Dad, that’s a bad joke, stop”, but the dad continuing to make his bad jokes regardless. It’s very Disney Channel and sit-com like.

I don’t remember Teddie saying he watches violent war movies with Mr. Hanamura, but I don’t see how that connects to the idea of Mr. Hanamura pushing Yosuke to be a “more masculine, traditional, unshakable, unemotional man.” The idea that only those types of men watch war movies is the type of thinking Kanji’s and Naoto’s shadows were trying to address. I don’t think Mr. Hanamura cares about being that type of stereotypical/traditional man because of his relationship with Teddie. Teddie is not very masculine (he even says so in Persona Q, screenshot will be later), and he isn’t hiding it. 

This exchange is from Kanji’s Persona 4 Club Profile. Teddie went to the store to buy female clothing, and he asked Kanji to make him a dress (the one from the cross dressing pageant). He already owned his “Alice dress” before the cross dressing competition, and I assume he’s worn it. In Arena, you can see the dress is hung out in the open in their bedroom. He also wears hair clips. 

This is not “masculine behavior” yet the Hanamuras don’t seem to have a problem with it. If anything, I’d say they’re pretty open-minded. If they disliked that way Teddie behaved, Teddie would change himself to fit the way they want him to be. I mean, the kid literally grew two new bodies in effort to get people to like him. Due to Teddie’s low self-esteem and need to be loved, he takes any sort of criticism to heart and does his best to act the way others want him too. In Persona Q, Yukari says he’d be cute if he was quiet, so Teddie stops talking. 

In Persona Q, Teddie says he’s realized that to steal hearts he needs to be manly. He gets this realization from Koromaru. He did not think this prior. 

Teddie saying Koromaru gave him this realization means the Hanmuras never said anything to him about his less masculine behavior. 

As for the song lyrics you posted, I don’t really think that means anything. Yeah, people often relate to the music they listen to, but they don’t have to relate to every lyric or even song. My favorite artist is Taylor Swift, but I don’t really like romance. I don’t relate to most of her songs, but I still jam out to them. I could be super wrong about the song thing though because I’m not a huge music person.

My Own Additional Analysis (with some elements of response)

In this section I’m going to talk about Mr. and Mrs. Hanamura’s character and personality, their relationship with each other, Teddie, and Yosuke.

Let’s start off by talking about their personality. They seem to be very carefree people. Yosuke has less than average grades. In the Persona 4 Animation, he didn’t even show up to one of the exam days. Academics is extremely important in Japanese society, yet his parents don’t seem to be pushing him to get better grades. Considering how carefree Yosuke can be, it makes sense that he may have gotten that trait from his parents. 

Yosuke’s family is pretty wealthy. It’s mentioned more than once. They also live in a pretty big house (you can see it in The Magician), Yosuke’s cell phone seems to be a newer model, and he has a large, flatscreen TV in his bedroom which wouldn’t be very common when the game took place. Despite this, Yosuke works for his own money. He complains about being broke and needing save up. I think the reason why Yosuke has a job despite being well-off is because his parents want him to have work experience and grow up to be a hardworking person, so he can succeed in life. It makes me think that hardwork is important to them.

Due to this conversation, I think Mr. Hanamura is a very honest man. Yosuke says he was surprised his dad was against selling gas masks, likely because from a business standpoint, that’s a really big missed opportunity. I think it’s also worth noting that ATLUS talks a lot about how people naturally fit into the masses, including the main characters. That’s why it’s surprising that his father is going against the masses. Although he’s losing money and has faced many hardships running Junes, Mr. Hanamura refused to do something that was against his moral compass.

In Persona 4 Drama CD #1, Junes is closing down half of the electronics section due to a lack of sales. Despite this taking place in March, Teddie panics and hopes to sell a TV set in a month in exchange for keeping the TV they enter the TV World through where it is. 

Yosuke isn’t afraid to ask his dad two huge favors with a not very good reason (side note: Yosuke had to lie because the truth is that’s the TV he and his friends used to go into the TV world and fight shadows). Despite Yosuke’s best efforts, his father says no. He doesn’t really have any choice but to close part of the electronics floor. Junes is losing money by keeping it open. I think Mr. Hanamura gave him the vouchers because that’s the only other way he can help. Teddie made a deal that if he sells one TV set by the end of the month, they’ll keep the TV that leads to the TV world. He’s trying to advertise the TV set by promising other surprise items coming with it. These Junes vouchers are part of those surprise items. 

It’s no secret that many of the shopping district families despise Junes and the Hanamuras. Many horrible things have been said about their family, yet Junes still teams up with the shopping district in the YasoInaba Case File to help keep them afloat. Whether or not this was Mr. Hanamura’s idea, he’s the one who has to approve it, and he does. Despite being treated horribly by them, he still wants to help the shopping district. Junes teaming up with shopping district might be a good business move, but they didn’t really need to do that. The problem is that Junes is taking away the shopping district’s business. Junes doesn’t need to team up with the shopping district to do well. The two of the teaming up benefits the shopping district way more than Junes. It doesn’t do much for Junes other than the shopping district maybe not hating them. At the end of the day, the shopping district families would still shop at the shopping district to keep their businesses afloat, so Junes isn’t getting a lot more business.

When Teddie came to the real world, Yosuke offered to take Teddie home with no hesitation. He didn’t think it would be a problem with his parents or show any concern about how he would convince them. I think this goes along with them being pretty carefree as well as showing that they’re kind and generous people. Not everyone is willing to take others in like that. Yosuke’s also comfortable with asking his parents such a huge favor.

Teddie talks about Yosuke’s parents in a really positive light, and I would say they treat him like their own son. For example, on January second Teddie says, “I got New Year’s gifts! Yosuke’s mom and dad gave them to me!” (edit: Someone said “notice how Yosuke doesn’t say the same thing.” He doesn’t need to. It’s Japense culture to give younger family members gifts for new Year’s. Yosuke saying something would be the equivalent of, “omg my parents gave me a birthday present!!” It would have been weirder if he did say something then. Teddie is excited because because this is his first New Year’s. He’s never experienced this before. Also, Yosuke did get New Year’s money. He talks about saving it on 1/10 when walking to school).

I think I remember Teddie saying he watches movies with Mrs. Hanamura, but I have no idea where he says that. There’s a 50/50 chance I made that up and convinced myself it was canon, so don’t take my word on that one. 

Teddie breaks A LOT of rules at Junes. He steals topsicles, rode a handi mover through the store, slept on both a display bed and the floor of electronics department, been yelled at for eating samples, been chased by store security, and Yosuke had to monitor Teddie during his late night shift because they didn’t trust him to work alone. Teddie’s a terrible employee, yet he hasn’t been fired. I think the reason for this is he’s basically the manager’s son. I do want to say that just because they consider Teddie as their own child doesn’t mean they treat Yosuke as anything less. I haven’t seen a single thing that has implied that there is favoritism going on.

Yosuke and Teddie act a lot like brothers (Naoki even suspects that they're related), and Yosuke’s parents seem to treat Teddie like their own son. He even wears their family crest in offical art. I looks like ATLUS wnted the four of them to be a family. And If that’s the case, it wouldn’t make any sense for Mr. and Mrs. Hanamura to be bad parents.

Additionally, if Mr. and Mrs. Hanamura treated Yosuke badly, and Teddie noticed, I think Teddie would say something.

The second Yukari said something slightly mean about Yosuke, Teddie defended him. He doesn’t like when other people say mean things about Yosuke. Not to mention conflict really stresses him out. If Yosuke’s parents treated him badly, I there’s a chance Teddie might see the problem.

I think it’s also worth noting that Yosuke’s parents have a really healthy marriage.

This quote implies that they’re rarely apart and get along really well. A happy marriage doesn’t automatically equal a healthy household or good parents, but it really increases the likelihood. 

For context, Yosuke is talking about Teddie in this picture. I’m not from Japan, so I don’t know if most families there eat breakfast together, but my family - despite being very close - does not. We all eat and start our day at different times. In my mind, eating breakfast together is a very domestic thing to do. Even the phrase “Hanamura family breakfast” screams domestic to me.

This conversation gives me the sense that Mr. Hanamura has a great deal of trust and respect for Yosuke. I mean, I don’t think he would accept Yosuke’s idea if he didn’t. Adding a kid’s menu would be pretty exspensive. Not only do they have to print the kid’s menu, but they have to design them, create new menu items, and depedning on what’s on the menu buy more food or ingredients. That adds up, and if it isn’t successful then they’ll lose money. Mr. Hanamura has to approve that idea, and he’s putting in trust that it’s going to be successful. Also, Yosuke is comfortable enough to “push really hard” for his idea.

All in all, it is my personal opinion that the Hanamurs are a really close family. It would make sense for ATLUS to go in that direction to create a contrast to the Narukami’s, after all. That being said, neither headcanon is wrong. It just comes down to how we interpret the very little information we’re given.

[deniigi]

my supervisor fucked me over with all my other coworkers present. can I request a one shot from you to cheer me up featuring Sammy?

Did I give y’all the fic about the hotpot?

Well if I didn’t, I’m giving it to you now.

Title: hotpot

Summary: Ganke checks the comments for the Blindspot comic daily and there’s this one asshole anon who keeps talking shit about BT.

--

The Blindspot comic went live in the fall and Ganke couldn’t stop checking the hit count every five seconds. All night there had only been ten hits.

He told himself not to be disappointed. The only person who really mattered had read and loved the comic.

Miles said that BT had even forced everyone on the team to read an abridged version of Journey to the West, and had gone as far as to make a quiz to determine everyone’s character.

Miles refused to disclose who he’d gotten.

BT had clearly rigged the game to make himself Sun Wukong and Ganke was proud of him.

That kind of enthusiasm was exactly what he’d been hoping for, anything else now was just icing on the cake.

Even though it would be cool if it wasn’t just BT reading his own comics.

That would be pretty cool, right? Like. If people online all started reading BT’s comic. That would be sort of amazing.

Kind of excellent.

Definitely worthy of an A+ and double pats on the back.

Right?

The hit counter didn’t think so. But hey, five more people had opened the page since last night. That was something, wasn’t it?

 MM: dude why not just ask Sam to tweet out the link?

 How dare you, Miles Morales.

How dare you waltz into this place with logical thought.

GL: I can’t do that. That’s like. Idk. Inflating the views.

MM: okay yeah explain to me how appealing to the person in control of the largest part of his own fandom is inflating the views

GL: I see your logic and I’m banishing it

MM: I’m messaging him

GL: DON’T

MM: too late

MM: he says ‘gimme link’

GL: asdksjsjdks

--

 @blindspot: hi I know y’all can’t get enough of me to the point of asking shockingly invasive questions and for you I say good news! Some amazing folks have gone through the trouble of making a Blindspot comic. it’s good guys check it out [link]

--

 It helped.

A lot.

It helped a lot.

--

 People, on the whole, had great things to say. The panels were screenshotted and tagged and sent all over social media and even though Miles was pretending to be chill and aloof about the whole thing, Ganke could imagine him smiling big and bright and white at his phone non-stop.

Mom and Auntie saw a few of the bits on Twitter and tittered over them in the kitchen like pigeons.

The pride rose like a wave. Ganke kept waiting for the crash.

--

 It came two days later in the form of a comment that read ‘Christ, look at all this fuss. BT is fine. I hate his brother.’

It felt like someone punching the wind out of Ganke’s lungs.

He took comfort in the handful of people who leapt in to shout down the commenter. They emphasized that if the anonymous commenter didn’t like the story or the characters, then they didn’t have to read it and they, especially, didn’t have to say anything about it.

Ganke appreciated those guys. He got the feeling that a lot of the people on there knew that the whole thing had been done but a couple of kids.

Not that Anon cared.

Anon replied to all these comments ‘No, I’m gonna keep reading, thanks. Anyways, the brother is lame. The smart part is cool, but why’s it always gotta be a guy?’

The part that haunted Ganke even after he’d shut his laptop and had gone to stick his head out the window for some big breaths of cleansing air was that Anon was kind of right.

--

 GL: should we have made Guotin’s brother a sister?

MM: no

GL: why not?

MM: cause BT’s always wanted a brother

 Oh.

Okay. Then it was fine?

 MM: yeah man ignore them. it’s chill.

GL: k thanks my ego is huge and fragile

MM: trust me I know

 Asshole. Fine, moving right along.

--

 It didn’t stop. Anon commented on every page. Every. Single. Page.

Ganke didn’t know what to do or say. On the one hand, clearly this person was dedicated and deeply engaged with the comic, on the other hand, they needed a Rude Alert button. Ganke wondered if Ned could code one for them and them only.

The latest of their fury was directed at the big reveal in the second issue—BT’s face.

Having now met Sam, BT, Blindspot, Ganke’s whole image of him had changed.

He was not conventionally attractive as far as like, K-Pop idols and famous Chinese dudes went. His eyes were puffy and narrow and his face was round everywhere but the jaw. He leaned more towards ‘cute’ than ‘sexy,’ which Ganke sort of loved about him.

He was friendly. Stressed and grumpy and feisty as hell, yeah, but first and foremost friendly.

Miles claimed that he called it his ��number one asset in employability.’ Which was wild because hello, Blindspot.

Obviously, BT couldn’t help his face. But Miles and Ganke could help Guotin’s.

Ganke had sent Miles about fifteen different images of Chinese celebrities and had told him to do his worst. They’d reviewed the final few drafts and had picked one that was most like a young Chen Kun. His face was more oval-shaped than BT’s. His chin and lips were slimmer but more defined. He was pretty, but not so pretty as to be called ‘feminine,’ which Ganke thought was a solid compromise between ‘handsome as sin’ and ‘looks like he’s got a quirky sense of humor.’

Anon hated him.

Anon thought that he looked like an idol, and they were not here for it.

They told ‘the artist’ to give him a mole or something, anything to make him look ‘less pristine. God, I can smell him from here and he smells like Dior and staph habitat.’

Ganke had to look up what a staph infection was. He regretted it. He asked Miles if they should censor Anon.

Miles said ‘mmmmm, idk it’s not like they aren’t saying anything that isn’t true.’

Ganke resented that. Clearly this was defamation of BT. This person hated him and was taking their feeling out on the comic.

 MM: I mean yeah but it’s not like they’re talking about the comic, man. They’re talking about the style and like, thinking about it, a mole or smth to help you tell him apart from other folks would kind of be helpful. Like, especially if we ever put him in a crowd, you know?

 HHHHHH.

Fine.

Anon could stay. But they were on thin ice.

--

 It was hard not to be bitter about Anon’s comments, especially when they arrived daily, as though Anon knew exactly what they were doing and which page they’d left off at. They couldn’t possibly be reading the comic one page at a time, this was intentional.

Ganke’s jaw hurt from all the tooth grinding he’d endured as of late.

This latest one read ‘yo, has BT ever mentioned fighting with a sword? I don’t recall him mentioning. Someone should take that thing away from him before someone loses an eye—or maybe even two.’

That felt like a pointed jibe.

That turned the churning irritation in Ganke’s gut into something much, much colder.

Did Anon know about BT’s black and blue eyes? How could they know? Was it a coincidence? It seemed to be more than a coincidence.

The pile of critiques was growing bigger and bigger, and now that Ganke thought about it, they all seemed to take issue with things that didn’t match the real Blindspot’s personality.

It was as if they knew him.

 GL: miles did you read the new comment from AnonTheAsshole?

MM: lol yeah

GL: tell me if I’m talking out my ass or whatever but like

GL: you don’t think they could be Muse, could they?

 Silence.

 MM: oh no

 Yeah. Fuck.

 MM: chances are low.

GL: they know so much tho??

MM: might be stalker? Maybe someone who’s over-invested in BT’s social media pages?

GL: maybe.

MM: hold on let me ask Spidey to screen it

GL: does he know Muse?

MM: no, but he’s paranoid and he’ll get Wade to be paranoid with him, and then they can decide whether its worth giving to DD for verification. He knows Muse.

 Ganke’s head was spinning. His fingers shook with guilt and the thought of Muse’s pale body hunched over a secret, cracked cell phone in a high security prison who knew where.

In Ganke’s head, he smiled wider and wider, until the skin on his cheeks cracked. He dug out scraps of paper and redrew Blindspot—Sam—with gaping holes for eyes and a screaming mouth and he drew dismembered corpses in black lakes and he laughed.

He just kept laughing.

 MM: hey ganke

MM: it’s going to be okay. It’s just a comic. I’m sure AnonTheAsshole is a stalker. They’re not threatening anyone.

MM: Sam can deal with a stalker. And we can too, okay?

 There was a reason that Miles was a hero. Ganke wiped at his eyes and swallowed.

 GL: okay. Thanks for doing that.

MM: 👍🏾

--

 It took a few hours because Spidey and Deadpool had lives outside of being Spidey and Deadpool, but not so long that Ganke ran out of nails to chew.

Miles messaged him back and said that Spidey had read through everything and ‘escalated it.’ This meant that whatever he’d seen had caused him enough concern to take it to DP.

Miles said that he’d get back to Ganke with DP’s verdict as soon as he had it. In the meantime, he’d run the comments by the other Spideypeople and they thought that it most likely wasn’t malevolent but was maybe something to keep an eye on in the meantime. He tacked onto all, somewhat stiltedly, that he had a weird feeling all of the sudden. The pink Spidey’s tone had changed. She’d shut down and gone cagey, which allegedly wasn’t like her at all. Then she’d told the taller guy to DM her and they’d vanished from the chat. Miles wasn’t sure what was going on there or if maybe they knew something about stuff going on that he didn’t, but he wasn’t super comfortable with it.

 GL: crossing my fingers its nothing?

MM: same man, same.

--

 DP escalated it.

Ganke couldn’t stay still in his room. There was no comfortable place to sit or stand or lay. There was nothing to do that would make him stop thinking about everything.

 MM: It’s gonna be fine, man, DD always knows what to do.

 Miles kept saying that for every step of the way, and yet here they were. Double escalated. Ganke wasn’t so sure he even knew what was happening anymore.

That was scary. Miles was supposed to be part of the in-crowd.

 MM: Wade doesn’t think it’s anything that can’t be nipped in the bud.

 That was easy for a contract assassin to say, wasn’t it?

 MM: he says that you and I are fine. Doesn’t see any links there. Waiting on DD for confirmation of tone.

 Hurry up, Daredevil. Your apprentice’s life might be about to take a nosedive into a heap of trash.

--

 Two hours. One text.

 MM: >:/

 Ganke couldn’t contain the bubble of laughter.

 GL: good news?

MM: [image]

 He opened it.

 SC: HANNAH YOU FUCKING ASSHOLE. STOP BEING A BITCH ON MAIN

HC: You can’t tell me what to do

SC: I CAN

HC: Mom he’s being MEAN

SC: Mom she’s scaring children online

HC: I scare children everywhere I go why are these ones special???

SC: Because I said so

HC: that doesn’t fucking work Samuel you’re not her

SC: I am your older brother

SC: your ELDEST brother

HC: YOU AINT SHIT

SC: THEY DON’T COUNT

SC: HALFSIES COUNT

 What.

 MM: so.

MM: she’s not Muse.

MM: Red’s laughing his ass off at all of us for taking this to a level three

GL: wait I don’t understand

MM: Hannah is Sam’s little sister. She’s found a new hobby in our website.

 Blindspot’s little sister was reading the comic??? Holy shit.

 GL: she hates him?

MM: no I’ve been informed that they would literally commit murder for each other but this is how they express love.

 No way. Siblings were wild.

 GL: so we’re good?

MM: [image]

  SC: apologize 🔪

HC: eat my ass

SC: apologize or else

HC: or else what? You gonna come in here and sit on me? Huh? Huh????

SC: I know your email password. All 3 you cycle through. What was his name? Uuuuuuuuuh Jing?

HC: you fucking bastard

SC: Hi Jing, it’s me, Hannah. I’ve been in mad crush with you since sophomore year. Please notice me senpai 😖

HC: Die

SC: kill me

HC: I will.

 The giggles that came this time were a mix of relief and genuine intrigue. This lady read the comic every day. She took the time to scroll through pictures of her brother being an absolute lunatic and fighting with a huge monkey. Then she hopped into that comment box and took him—not Miles, not Ganke, specifically Blindspot--down a peg.

She must miss him a lot. Ganke wondered if this was her way of keeping him in her thoughts.

 MM: I don’t think we’re getting a sorry, man. DD says Sam’s been at this all morning and has been tricked into apologizing himself twice

GL: so you’re saying that she’s an evil genius

MM: idk but she’s def Sam’s main nemesis. I always thought that older siblings got like, rights or something over younger ones, but idk anymore. Angel says this is normal.

GL: do you think she misses him?

 Miles took a long time to respond.

 MM: yeah

 Yeah, Ganke thought so, too.

 GL: should we change Guo tin’s brother’s name to ‘hamish?’

MM: ASDLDSDSFKdsjf

MM: one moment.

MM: sam says yes. Hannah says that she thinks our comic is shit and we need to draw everything uglier

GL: she’s kind of funny

MM: 👀perhaps she would like to be a consultant?

GL: 👀👀👀👀

MM: brb asking

MM: sam says no. Hannah says she’s got better things to do than proofread comics on the internet. She’s also not sorry. She wants that to be clear. DD says that the conversation has moved from English to Chinese and to maybe duck and cover for now. He says all is good tho. Thanks for checking in.

MM: Muse doesn’t use punctuation and talks in riddles, so if we get any of that, we’re supposed to send it to DP right away.

 Oh, nice. That was a relief.

 MM: oh

MM: sam wants to put us in a chat. Can I give him your number?

 Uh, only if he wanted Ganke to hyperventilate.

 GL: sure

 --

  [GL has been added to a Secure Chat]

 It was a page of characters and emojis that were somehow more menacing than Ganke had ever seen them before. Miles popped a little waving hand into the fray, as though testing the waters, but the characters just carried on scrawling around it.

Ganke wasn’t quite sure what to do.

 GL: hi? Are y’all okay?

 There was finally a pause. Then a few shorter lines of characters. And then finally, Blindspot switched from Chinese to English.

 SC: yes we’re FINE. We’re GREAT. Aren’t we, sibling from hell?

HC: who’re you? Why are you in our family chat? This is a family only zone, can’t you read?

SC: God Hannah he’s Korean don’t be a dick

HC: I can’t not be I learned it from you

SC: fair but pretend in the face of company

HC: okay fine. Hello losers.

MM: adksadfadsdfldfsldf

MM: hi

GL: hi?

SC: go on

HC: UGH

HC: fine

HC: I didn’t mean to shit talk your creation. Only my brother.

SC: also a sin, we’ll get to that later

HC: no one cares about you Samuel, stop spreading lies

SC: you first. We both know this is no lie, my white dad cares about me a whole lot

HC: well we can’t all have white dads now can we

SC: don’t be jealous

MM: lol you really call Matt your white dad??

HC: who is this person and how do they know our mutual parent’s name?

SC: this is not a mutual parent situation how many times have we been through this. He’s mine. Get your own.

MM: hi! 👋🏾I’m Bitsy! Spidey no. 4

GL: I’m his friend. He draws the comic. I write it.

HC: oh. nerd children x2

HC: anyways yeah Matt is our dad

SC: ffs

MM: he’s sort of dadly ig.

HC: ?? oho

SC: mind your face. Think about your face. Think about how much you like your face.

HC: little spider, did you not hear?

SC: kay everyone out. We’re done here

MM: hear what?

HC: lol Sammy you didn’t tell them about how Matthew Mcconaughey adopted you in all ways but paperwork?

 Ganke held his phone away from his face as far as it would go.

 MM: …wait are you for real?

SC: no. okay out.

HC: awwww Sammy so shy now. What are you embarrassed about? It’s cute.

SC: Hannah literally shut up I’m not playing

HC: damn okay sorry

MM: can I be honest?

SC: no

MM: I’m going to be anyways: I think we all sorta knew.

SC: …

HC: right?

SC: what does that even mean?

MM: idk, it just felt right, you know? You two are always fussing at each other and red lost his shit that time you got shot. He doesn’t treat you the way he treats the rest of us and we’re his teammates. He doesn’t even treat spidey like he treats you. So like, yeah. It fits.

MM: I’m really happy for you guys.

MM: is there a reason it’s a secret?

 Ganke eased himself back down onto the mattress. This was real. This was like, actual, real information. Something that he and like, four other people in the world now knew.

He kind of wanted to forget it. It didn’t feel right to know.

 SC: I dunno.

HC: if sam has an honest emotion towards anything he has to calculate its weight so he can make space for it in his collection of satellites.

MM: wh

SC: you’re so not funny.

HC: it’s called emotional repression, darling. It’s all the rage in this family.  

MM: oh

MM: so that’s why you and Red get on so well

SC: HHHHHHH

HC: HA

SC: okay but listen his is different, I’ve only seen him cry at his wedding. I cry at least 4 times a week. Obviously under the bed, but that can’t be emotional repression. That’s expression. That’s clearly expression

HC: I can make the old man cry watch me

SC: please don’t I’ll die

MM: awwwww

SC: shut up it doesn’t even matter.

MM: AWWWWWW

SC: LEAVE ALREADY

MM: no I like it here. I want to hear you talk about how much you love your white dad

SC: I don’t. He loves me. I’m fine with this because it results in food, shelter, and continued employment.

HC: uh huh

SC: I’m using him

HC: yeah because you’re like the most manipulative person I know.

SC: thank you

HC: /sarcasm

SC: I know I ignored it.

MM: so wait why do you actually pretend like you hate him tho?

SC: wh

SC: what the fuck am I supposed to do? Just go on up for a cuddle? Have you met Matt? The second someone starts crying, he finds trash to take out to the bins. Hell no. Life is easier for everyone if I stab him with a stick and he kicks my ass in training. It’s fine.

HC: Sam is learning how to be a Manly Man. This is step one.

SC: I’m plenty manly

HC: you’re what mom imagined as manly

SC: which is perfect. That’s all I need.

HC: mama’s boy

SC: must suck to suck, no one’s kid.

 Wow. Ganke had never been more glad that he didn’t have a sister.

 GL: That’s kind of cool, though.

GL: that you and DD are close like that I mean.

GL: Its different from all the other mentor/mentee superheroes we see who like, sort of hate each other.

SC: wh

SC: OH. you mean Peter and Kate. Peter doesn’t actually hate Stark, fyi. And Kate calls Hawkeye the Old bi-weekly to make sure he’s still breathing. It’s actually pretty normal.

MM: he doesn’t mean like that Sam. I mean, like those guys don’t associate with their Olds now that they’re grown up and stuff, but you and DD stick together. It’s like you’re family.

MM: and that’s super cool. Idk if Spidey would ever consider me family. I don’t think he wants that for us.

SC: I?

SC: oh shit

HC: CLARITY ON THIS FINE DAY. What was your name again, tiny spider?

MM: miles

HC: PRAISE BE TO MILES

HC: AN EMOTION WAS HAD

SC: get fucked

HC: An epiphany was obtained!

SC: would you shut up

HC: Something has finally permeated that non-porous, two-inch thick skull of my esteemed eldest brother

SC: I’m your only brother

HC: you’re not

SC: they don’t fucking count

HC: now will you FINALLY invite our mutual dad to hotpot?

SC: Hannah he doesn’t want to come to hot pot we’ve talked about this. it’s too spicy for him.

HC: I’ll make it 1/3 less spicy

SC: that’s still too spicy

HC: I’ll make it 2/5 less spicy

SC: 3/5

HC: listen

HC: I have all this fucking equipment that SOMEONE left here callously

MM: what’s hotpot?

SC: 👀

HC: 👀

GL: 👀

SC: well fuck

HC: EYYYYYYYYYYYYYYYYYY

GL: have we never taken you with us for hotpot???

MM: no?? is this the sticks?

HC: can be. Where do you live?

SC: Hannah no

HC: Hannah yes. We’ll make one here. You’ll make one there.

SC: do you know how much shit I’ll have to buy? Where are we gonna put it?

HC: this wouldn’t be a problem if you’d taken your goddamn inheritance with you to SF

SC: HHHHHH

MM: you guys are actually being serious?

HC: I am. I am here all on my lonesome. Abandoned by my only kin. I require enrichment.

SC: try doing your fucking homework

HC: did anyone hear something?

MM: lololololol I like you

HC: 😊

SC: wh

SC: oh no. No no no.

SC: you two don’t get to be friends

HC: come here bb pspspspspspsps

MM: I’m here

HC: got ‘im. Let’s have hotpot. Sammy send me resippy. We’ll do it together over video so I don’t fuck it up.

SC: I’ve got to go. This has been traumatizing.

HC: byeeeeeeeeeeee

HC: is he gone? Hell yeah, he’s gone.

HC: hey thanks for making that comic thing. It’s hella rad. He loves it. Mom used to call him Monkey when he was little.

GL: omg aw

HC: ikr? P cute. He misses her a lot so I think it brought back good memories. Anyways, I’m actually going to make hotpot. Come over and have some with me, it’s more fun with more people.

MM: you’re not joking

HC: nope, it’s been ages since your whole team has gotten together, right? Ask them to do it. I’m a shit cook, but Sam’ll show us how not to screw it up. And he’s playin’, he’s totally down to hang out with us. We never had more than three people. It’ll be new. Exciting. Enriching even.

MM: are you secretly a nice person, Hannah?

HC: the fuck do you mean ‘secret’??? I’m a delight.

MM: Okay I’ll ask the team and my mom

MM: ganke?

HC: 👀

 That—

Sounded kind of nice?

 GL: I’ll ask my mom.

HC: nice. You can tell them that it’s a friends dinner or whatever. Idc. I promise I’m not going to kidnap and murder you. I’ve got like, class and work and shit. I don’t have time for that.

MM: 👍🏾

GL: 👍🏼

HC: great here I’ll message you my number. This is legit our sibs chat so Sam’ll freak if you’re still here when he gets back.

MM: thank you! And sorry for thinking you were muse!!

GL: yeah that too

HC: lol np ttyl                                    

 That…had really just happened, hadn’t it?

Ganke needed to sit down even though he was already sitting down.

 GL: they’re so nice???

MM: ikr?

GL: are you actually going to ask your mom?

MM: Im gonna ask BT if its cool first. Then yeah. Why not? Our team really hasn’t gotten together in a minute. Everyone’s been super busy. It would be a nice change of pace, and if everyone brings smth then Hannah doesn’t have to pay for anything.

MM: ah, Sam says it’s okay. He says sorry his sister is weird and that he’ll make sure she doesn’t poison us.

GL: I kind of love her

MM: same

MM: okay will check in with the others. Talk to you later.

GL: yeah see you later

 Damn, at this rate, Ganke’s family was going to triple in size, and all thanks to a comic.

Before he left for downstairs, he made a note to make Guo tin’s brother snarkier.

[sageinacage]

Why I am leaving this blog

This is the truth as of why I'm abandoning my tumblr, @/sageinacage.

CW: swearing/harsher language; mentions of breaking boundaries, sexualization, bondage, non-con/tickle torture, kinks, toxicity, overall rly uncomfortable topics

TLDR at the bottom.

Before I start, I want to say that I’m not talking about everyone in this community. Not everyone is like this, but still a lot of people are, and unfortunately the negatives are louder than the positives.

Having this blog was quite an adventure. It definitely had its ups and downs, but I was quick to notice that it had a majority of downs instead of ups. As of now, I'm dreading being on this page.

I don't feel comfortable here anymore and it's incredibly hard for me to feel any sense of safety in this community, and I honestly feel personally ashamed to be in the MCYT tickle community with the bullshit me and others have seen and experienced.

People go around on anonymous and practically harass creators, I've seen so many rude anons get sent to myself, my friends, and people on my dash. People are also breaking CC's boundaries left and right, and no one will listen to anyone when it's spoken up about. I remember making a post stating that if you send anon hate then DNI, and I lost 4 followers. So disappointing. Actually after I took a screenshot of my boundary/trigger list and posted it, someone sent me an ask and did EXACTLY what was listed in my triggers. It went fully against my boundaries, and it caused me to feel scared whenever I get a notification in my inbox, because I’m scared that somebody is trying to purposely trigger me again; and I shouldn’t have to be on Tumblr with such paranoia as I’m experiencing.

Going onto the topic of the more weird and uncomfortable side of the community, I also remember I made a post a while ago saying "if you support putting minors in heavy bondage, then unfollow," and I lost 5+ followers. To put it bluntly, that’s fucking disgusting. For those people to admit for putting minors in a borderline NSFW situation, since heavy bondage is quite literally something that only happens in the kink world and there’s nothing wholesome or cute about it, and for them to admit to doing it, is fucking weird. Though, I’m thankful those people got off my blog.

I have literally seen someone post art of c!Ranboo in heavy restraints and it didn’t even look remotely fun or consensual. It was pictured, or at least my friends and I interpreted it, that he was being tickle tortured and it was non-con. Though, it’s to be expected when the art is a dark-lit room with an intense tickle machine with heavy bondage, with a blindfold and what looks he is genuinely struggling. What made me even more uncomfortable is that an adult drew it. Another person wrote a fic of c!Ranboo in a lot of bondage with the sign “tickle toy” attached to him. That’s fucking weird. That’s practically something that never gets condoned in a strictly SFW sense. The sad part is that others and I have seen a lot of this happening around.

I was actually informed that an artist the other day on another MCYT tickle server drew literal non-con tickle art of Technoblade (/srs). I was revolted. The worst part is, some people didn't even have an issue with it and reacted to the image with heart emojis. For someone to draw non-con in a completely SFW server filled with a bunch of minors is creepy and weird. Non-con isn't a fun thing, and so many people, including me, have horrible experiences related to it; and for someone to turn it into a "heehee fun tickle" situation is fucked up. For someone to even fantasize non-con as a tickle fantasy just makes me feel sick. There are a few fics like this I've seen as well, unfortunately.

Related to non-con things, I've actually gotten a request before asking me to write Schlatt literally tickle torturing Tubbo, and multiple asks that are similar to that; even when on my request rules it stated not to ask for things related to that. Anything with the word "torture" in it is not consensual, especially in the context it was in. I’ve probably had to delete around 5–8 asks in total from my inbox that were related to non-con or torturous things, even after I already stated in my rules I do not write that stuff.

Another thing I've seen is romantic-esque things written with CCs and then the creator slaps a "/p" onto it, and all of a sudden it's okay? Ranboo has even stated in a stream that he is uncomfortable with his IRL self being written/drawn cuddling his friends, and I see so many fics and concepts of IRL Ranboo cuddling in some way (which I've spoken out about before, but again, no one listened).

Moving on, I've probably met the most toxic people in this community than any others I've been apart of- and I've been apart of a lot, I've been on Tumblr on different blogs since I was 11. For some reason, so many people love to guilt trip here (both my friends and I have noticed and experienced a bunch of people doing it in this community), and the people who get called out for it avoid apologizing like the plague. A person in this community made me and a few others literally scared to say no and scared to advocate for our boundaries, because of how much we got guilt tripped. And no, no one received an apology. But still, people DEFENDED this person, even though me and other people spoke out and explained how this person hurt us. That’s so fucking upsetting. I automatically don’t feel safe in a community where people willingly associate with a literal manipulator and someone who hurt probably over 10 people in total (/srs).

Another thing I've noticed is that so many people seem entitled to something. For example, when I got practically harassed by anons for my discomforts/triggers, basically trying to squeeze out reasoning. No one needs to explain their boundaries/discomforts to you, and this community doesn't understand that from what I've experienced; after being harassed by multiple people on anonymous multiple times, all of which were because of personal reasons I was not obligated to share. No one should be able to say that they got harassed by people on anon for their OWN BOUNDARIES. ON 3 DIFFERENT OCCASIONS AS WELL.

Long story short, I can’t help my triggers. Each of my triggers has developed from trauma I’ve gone through or a bad experience, and I shouldn’t even have to defend myself for my triggers/discomforts if people were respectful and weren’t so fucking entitled for an explanation. So many people in this community can’t mind their own business, and I unfortunately had to learn that the hard way.

I've also seen people project onto IRL CCs. Those are real and breathing people. I understand doing it for comfort, but, the CCs have a literal character that people can project onto, but for some reason, people have to push their things onto real life people. I’ve seen someone headcannon IRL Tommy as trans. That's like the same as your friend "headcannoning" you, a real person, as a different sexuality that isn't what you identify with, and one you may not even be OK with being seen as, and without knowing if you're comfortable with it or not. It's weird.

There are more points I could bring up and more specific things I could state, but I think you got the gist of why I'm leaving. I don't feel comfortable being a member in a community which a lot of its members condone in this stuff.

This is the reason why I'm only active in the MCYT tickle community on Discord, because my server, "Mcytickles," actually respects CCs boundaries and is truly an SFW server, and people are respectful towards each other. It's the only safe space I have in this community anymore, so please do not join it if you exhibit any of these things on this post.

No, I will not be coming back, so please do not try to convince me to stay. I’ve been wanting to leave for about a month now, so this isn’t some impulsive decision. I’ve been in the MCYT tickle community since April, and these problems have always existed but have just gotten worse and more extreme, so I’m leaving for my own mental health and to protect myself from further harm than what I’ve already received.

TLDR: I am leaving this blog and the MCYT tickle community on Tumblr due to the many boundary breaking and unacceptable behaviors I've seen be exhibited, and it makes me not feel safe and comfortable to be here anymore.

I want to thank my mutuals, though. You were all awesome and such kind and loving people, and I’m happy to be your guys’ mutual. I want to thank those who were always so nice to me and hyping up my work, and those who were respectful to everyone and advocated for boundaries. Thank you so much for everything, moots <3 (/gen)

[tepperz]

sorry it took me a bit to reply, this weekend went by so fast!

So in a way you already do have references organized and at hand! You must remember where certain significant scenes are in a series so you can flip there and find it quickly :3c  It’d be very cool to see an examination of comics from an art perspective since most reviews focus on the story and characters… Ah but yeah, it’s a looot of work making videos! @@

You know, thats true!! 8U

Haha that’s fair, especially regarding Sugisaki’s writing. Plus it drives me up a wall how inconsistent her locations and left/right hand placements are from panel-to-panel! Right beside each other!!! Even so, reading the pages does feel so… smooth. It all flows impressively well. I don’t even know how one begins capturing that. I’ll have to look now and see how infrequently she draws feet and shoes because I do have trouble thinking of more than a couple moments loool

Very true. I've analyzed her panels and she just has such a grasp on page flow that makes things feel so natural and fun to read. A lot of varied panels and artwork that points to the next spot to read. She's also very good at page cliffhangers, which is a thing where there is the question at the end of the page that makes you want to turn it to get an answer. It can be a dialogue stated question or an unsaid question that raises a mystery or intrigue. She might not answer a lot of questions but she sure asks them a lot in her story! But yeah feet and backgrounds are not her favorite thigs. If she can replace her backgrounds with screentones or effects then she will xD Still, it does take a certain mastery in order to put so many screentones and still have them fit so well. She does randomly place characters wherever and mixes up the left and right a lot from panel to panel, but I'd also say that's usually intentional to help with her flow. I wonder who she studied under? Hmmmm. Sorry if this rambeling doesn't make sense, i have a bit of brain fog!

Ey if others’ artworks have unique value then yours do as well~

Pikachu face. I guess thats true, but its hard to see it for yourself!

agree that sharing processes are interesting too~ The “history” adds more depth in a way! (And I’m curious how other artists make their stuff~)

That's true, I'd love to see other processes too. I watch speeddraws and stuff but that's not really the same as knowing about their decision making process!

I wish I had more processes to share. I’ll try to take a screenshot of my references all together while I’m working on my next pieces!

I'd like that! :D Its cool to see inside your brain ooooh 👻

I swear the strong winds are a coincidence in this case because I drew the lines long before I had a color scheme in mind…! They look extra similar though, can’t deny. xD

How interesting!! I wonder if part of the reason you subliminally chose the reference picture is because of that vibrant wind feeling?

It’s pretty hard to get the right colors yeah, so a lot of my pieces turn out lighter than I wanted.

Ohhhh that makes sense. Yeah, that's the rough thing with watercolors... do you ever color correct on the computer after? I end up sometimes make my digital pieces lighter then I intend and end up color correcting myself. I think this is a good example

The left is the before and the right is the after darkening it a bit. It's a subtle thing but it adds something. Luckily I've been getting better at picking what color I want the first time but I'm still happy that I can turn to color corrections if I need to.

Like you showed in your blue gouache below, when I try to do darker washes, there’s a huuuge risk of it looking streaky too (and that’s why I ended up covering one of my paintings in gouache because the dark watercolors just did not work out orz)  But I’ve been trying to incorporate them more anyway. Paper quality definitely affects watercolor’s forgiveness ;;;;  BUT I’ve been going wild with dark pieces digitally and it’s so much fun!

I think that's great! It's cool to hear about the struggles of the medium from someone so experienced with watercolors. Dark colored pieces can be so satisfying, right? Man, paper quality... yeah. What sort of paper do you like to use? Lately Ive just been using canson mixed media sketchbooks because I like that they can take a beating. My third eye opened recently because I realized that I could probably paint the top of my sketchbook if I wanted. Ive never done anything like that before :0

Right right, I feel the same about his videos! It’s like I need to just digest or put that one lesson into practice before I can even think about what he’s going to cover next. I love his passion for the subject. He drew yugioh cards?? Good taste, OP. :3c I honestly didn’t know anything about his career so it’s cool to learn he has all this experience! He’s brilliant anyway but still~

Yes! I wish I could put him on in the background as I draw more but since he speaks japanese I have to really pay attention and watch the subtitles when I enjoy his videos. Did you see his channel take-down a while ago? I feel so bad for him, having to start up his channel all over again. All that lost knowledge, too. ): But I'm so glad he still had a few essential videos of his ready for reupload! And he's still going strong too with creating for his new channel. What a determined guy! And he still tries to be so cheerful for his audience. I look up to him.

Yes, thank you!! I can always use more color theory tutorials. I need to read things worded several different ways before it sticks, apparently orz  Oh dang too bad about the creator… But yeah, that doesn’t change whether the lesson itself is helpful. So that’s what’s in the psd file! I’ll have to open that up ASAP. Kwacy has a gorgeous style so I’ll love seeing it broken down. Phew, I’m glad I added the book after all. And I hope the rest can be useful somehow too! Thanks for sharing even your  paywall materials. ;v; I feel the same about artists lifting each other up. I have Fowkes’ “How to Paint Landscapes Quickly and Beautifully in Watercolor and Gouache” and “Artists’ Master Series: Color and Light”. The first has process shots on his paintings and how he works from and alters his references/plein air views. It’s also a pretty artbook lol. The second was a collaboration with several other artists and is basically a textbook. A heavy, colorful textbook that has lots of light science in it~ I like to flip through it when I feel like I’m missing something but not sure what.

I have gratefully downloaded all of your tutorial files! Thank you so much again for sending them my way, there is SO much good information, and I haven't seen the bulk of it anywhere before! Really great for references. Ohhh those books you have sound amazing. I will have to look into trying to get those myself. An artbook that is also sort of a textbook sounds SUPER useful. And yeah np if i run into any other cool tutorial stuff i will send them my way, let me know if anything was especially useful to you and Ill see if I can find anything similar.

As much as I fight with gouache sometimes I also adore it. Love those flat, solid colors so much. I think the hardest part is getting used to the long “ugly stage” my gouache pieces have because watercolor doesn’t really do that (not that it can’t look ugly too, but it’s so transparent that the plot is never lost along the way, I guess?) Right, I feel you there. And once water’s added to gouache, it can look like it’s going down smooth but when it dries… betrayal. It’s a delicate balance of wet vs. dry orz Ooh your gouache pieces are nice with it watered down like that! Ye, a a single color can look quite different from one end of the gradient to the other. (Love the dancing cat things btw. They have so much personality~)

Yeah, no, i get you with that. Even if watercolor goes down messily or there is a mistake, the texture of watercolor still tends to make something look beautiful, I think. Plus a few dabs of water and you're a lot further on correcting it! Do you always seal your paintings ad sketches when you're done? I don't really do that as much as I should. I think out of all my sketchbooks I've only properly sealed maybe one. Apparently good hairspray can do sealing well too. (!?)

Grandmas have all these hidden talents that they just whip out of nowhere like “okay quick before you go let me just impart 60 years of rug-making secrets onto you”~ But yeah, I enjoyed learning from her. And exactly! Oil’s drying time, the solvents, the smell, the CLEANUP– I absolutely get the appeal because mixing them is something special but I’ll leave that to someone with more patience~ An oil painting of Kirby sounds so fancy! Good use of the medium =v=

Haha so true! The wisdom! The good vibes!! Oh yeah, oils are not only messy, but the cleanup.... oi vey. Yeah. Not to mention getting oils out of brushes just feel like such a chore... I like just being able to run my brush under water and being done!! gap! You like mixing them???? I absolutely do not like that part at all xDDD I feel like it's never mixed properly!! But I love seeing people mix oils, because it can be satisfying to watch. But yeah they take SOOOO long to dry. I will share my kirby once it's dry!!!! In a million years xD Pus not only are oils stink though, and messy, but if you have animals it's a disaster. I have to hide away kirby inside a ice cooler in order for my cats not to walk on him!

Uh oh talking watercolors could make this long message actually endless~ I use a bunch of different brands nowadays but I started out with Sakura Koi and White Nights.

thats ok i really like hearing about your experiences. Oh, I have some sakura koi! I have not tried them yet though. I haven't heard of white nights! ohhh but they look so pretty on amazon.

Still have a lot left from the latter though if I need a new color I usually get M. Graham (honey-based so it’s gentle on my brushes but also messy) and Holbein (super smooth, not much granulation).

HONEY BASED??????? Omg i want some that sounds awesome. (looking them up) They look so VIBRANT. Ohh and ive seen holbein around but i wasn't sure about them! Good to know they have your approval. I know whats going on my christmas wish list xD

Tubes aren’t cheap, very true… they last forever at least!! I pour mine into little pans and let them dry so they’re portable.

that. is. adorable. Handy! Makes sense! But so cute. You can just whip it out!!! Makes sense!

OH one more: from May to August I only used my Meiliang watercolors… They’re a student grade of the Paul Rubens brand so they’re cheap yet very good quality.

ohhhhhhh.... tbh those look exactly up my ally. I don't know what it is about student grade high quality watercolors that makes me wag my tail, but those look great. I will for sure try those once I get a chance. What do you find is the difference between student grade and professional grade when it comes to application, for you?

Do you like Winsor and Newton even if you prefer the ovals? I only have a couple colors from them but they seem like a solid brand. (And props to you for having the patience for the super super cheap paints because they’re another challenge altogether!)

Okay so I was wrong! Apparently what I've been using recently IS the koi! But I also used a bit of winsor newton too. And, you know... I have no idea if what I'm about to say is controversial or not (because my experience with talking to watercolor enthusiasts are limited) but so far the professional grade watercolors seem... lighter? I don't know if its because the little half pans I use for the professional grade, I use less paint because I'm scared of using them up, or....? You know, now that im thinking about it, maybe its because I don't use the tubes? I buy pans and half pans and maybe that has something to do with it. Regardless my prang ovals really do it for me for some reason. Heres what i mean

These are some sketches from the zoo of a monkey. I did tree different watercolors at the bottom, and the bottom is the prang. Reusing them again made me really remember how much i love them. I put about the same amount of time into all of the colors. So weird xD I wonder how you'd find the derpy prang paints!

How did you learn to draw so well? Like was it from classes or a book on fundamentals or just trial and error?

//// thanks for the kind question!

I guarantee you I would have improved faster if I’d taken a class, but I hope some of the materials I’ve used over the years can be of use to you too:

Andrew Loomis’ books - I never made it past the first chapters, but those had some great advice.

Youtube - Proko’s bean method. Figure drawing references will greatly improve anatomy and “drawing what you see”. It’s boring imo, so doing just 5-10 minutes a day can keep one from burning out while still seeing improvement. Speed painting videos are a nice way to relax and study.

Will Terrell’s People Drawing series - He’s a humble man with personal advice for artists. I watch his videos when I feel discouraged or lost.

Art, art, art - Whenever I see an artwork that I like, I figure out exactly what pleases me: line thickness, nose shape, finger positions, composition, the way the hair bends in the wind, etc. Then I try to incorporate that specific characteristic into my own art.

I have growing folders of (I’m a bit embarrassed) almost 8,000 pictures, organized by characteristics, for the sole purpose of studying their prettiness. Sometimes we don’t need a tutorial to spell everything out, just an example can help us envision our own works’ potential. Also, staring at pictures is a relaxing way to study too!

And of course, trial and error~ I don’t post my sad, failed paintings or all the weird sketches I make, but they exist and teach a lot!

[lady-bugginette]

Rose Painted Glasses (A Lila Exposed Fic)

First Next

Inspired by @chatonbean post. 

The first part is by another lovely user by the name of @time-is-a-pain. This is their original post here.

The part after this one, that I will make sure is indicated, is by another amazing user @lenoreofraven. Their original post is also here. Their entry is after the cut.

I want to quickly thank both of the amazing people above for letting me use their additions for setting up this fic. It is very much a collaborative effort between many talented writers, I cannot take entire credit for this. 😏

time-is-a-pain’s entry:

Nathaniel had noticed lately that a bunch of the art Lila claimed as hers were in wildly different styles. At first he tried to rationalize it, maybe she’d been branching out style-wise? Maybe she hadn’t actually found her own style yet? 

It got much harder to rationalize away the differences when he caught a glimpse of an oddly colored part of a background. Only a shade or two off, but it was there. And it looked like it might cover a signature? Now that he was thinking about it, only a few of the art Lila had shown the class had a signature.

It was harder, but it was Lila. They’d talked a lot about how horrible it felt to have your hard work stolen like that. She wouldn’t steal from anyone. Right?

Nathaniel shuddered, he hated the idea that someone would try claiming his work as their own. He made extra sure that his signature was on the picture, and would be hard to cover when he posted it to insta. H was proud of it, and no art thief would stop that.

And he was right to be proud. It quickly became one of his most popular posts. So when he got to school on Monday. and saw Lila showing off his work, he snapped at her.

Of course, most of the class took Lila’s side. But when Alix and Marinette got there, and saw what was happening, they took his side immediately.

“How can you prove it’s yours?” Kim asked. 

A chorus of agreement swept through the room. Nathaniel took a deep breath, his hands were trembling, and pulled out his sketchbook. Flipping to the right page, he stalked over to Lila’s desk, and slammed the book down in front of her.

There it was. The original sketch. Clear in view of the whole class. Nathaniel’s work.

Lila peeked out from behind her fingers when the class went deathly silent, and Alya pulled away from her. 

“How many others?” Nathaniel asked quietly, watching the panic appear, and get locked behind Lila’s mask. “Were any of them actually yours?” 

lenoreofraven’s entry:

“How could you say that? How could you do this? After all the conversations we had about art theft.” Lila exclaimed back, trying to extinguish the doubt in the eyes of  those that watched her. Not everyone was convinced. Alix stood by Nathaniel, trying her best to offer support. While Adrien gently touched Marinette’s wrist, as if signaling for her to stay back.

It was obvious Lila couldn’t win these artists over, artists who have had their work stolen. Instead her eyes settled to Ivan, Rose and Juleka. After the situation with XY, they were fuming the moment the accusation touched the air. It was their weak spot really. Took any logic they may have away.

“You said you wanted me to do a quick sketch, and lent me your notebook as I had left my tablet at home. Then you do this to me?” 

“Lila just stop it.” Marinette growled, but she wasn’t the audience for this little stunt. Lila could claim they were in France, and Marinette would check google maps to make sure they hadn’t moved. This was about everyone. 

Even Adrien, who glared at her from Marinette’s side, was part of the intended audience. As he could make, or break, her reputation if he so desired. Considering how Ivan responded to the demand. perhaps, just possibly, she could deal with two birds at once. Use this as Marinette was an expert on plagiarism, and if she picked the wrong side it could be ruin for her.

“Stop what? Trying to take credit for my own work? I know you don’t like me much, but do you honestly condone this? I thought you would be the first person to support the victim of art theft.” Marinette just looked back with a blank stare, not even humoring the accusation with a response.

All eyes were still on Lila and Nathaniel. Not ideal, but it could be managed. It was the wrong time for crocodile tears. Her eyes scanned the work again. When she had erased the signature from the upload she had been careful, after this she would start adding her own sign. For now she just needed proof. This was a draft, not the official upload. She just needed something.

“Maybe I have been experimenting with styles a bit, but this is mine. See, there’s an L, as in Lila. I made it subtle so it couldn’t be erased, like how you stitch your name into designs in clever ways, Marinette.” Lila explained, pointing at something that could be an L, but was just as likely to be miscellaneous lines. Alya, Sabrina, and a few others that were still on the fence squinted at it, tilting their heads to try and see it. The members of Kitty Section instantly took it as fact. Max, Alix and a few doubters all shook their heads, realizing the stretch.

Nathaniel glared back at her.

“That’s not an L. That’s just lines. I don’t erase signatures like some people because if you look on my insta it clearly had my signature, matches all my other work, and is clearly mine!”

“Then you must have added it. We all know how disrespectful you can be of other’s art.” Lila remarked, as she flinched away from Nathaniel. She made it as dramatic as possible, acting as if the artist would hit her. 

“LILA!” Snapped Alix, not sparing any notice for Ivan, who now stood as a shield for Lila.

Lila simply sighed with a shake of her head, moving slightly to the side so she could be seen, but Ivan still acted like a bodyguard.

“I know Marc didn’t want to mention it, but that couldn’t have been easy to witness. I don’t know what happened, I wasn’t here for it, but I do know you tore apart someone’s journal. I can’t imagine anyone doing that. It’s cruel. Sure you’re friends and have made up, now working on the comic, but doing that to someone’s notebook? I’d rather eat glass than have my precious sketchpads or notebooks damaged in anyway. I’m just saying, someone who does that may be the type of person to disrespect other people’s art.”

My entry:

Nathaniel flinched back, looking at the others in class. Rose and Juleka glared at him while Ivan stood in front of Lila, unmoving.

“How dare you!” Alix started toward Lila only to be held back by Kim. Max frowned at Lila while adjusting his glasses, he looked at the drawing again, and looked between Lila and Nathaniel.

“Don’t you dare talk about something you have no idea about- You Snake!”

Lila smiled her condescending smile at her opposers.

“It’s not my fault he caused an akuma because of his jealousy. I know he was angry with-”

Alix made another lunge for her, Kim had to quickly catch her body from the air before she could attack the other girl.

Marinette was fuming, she was burning with rage. Her face was slowly turning red, before she suddenly took out her phone. 

Adrien looked concerned. He could feel the heat coming off of her body. He looked to the windows, and the classroom door, fro any akumas. He knew it needed to be resolved, and fast. Rose and Juleka were yelling in defense of Lila, while Alix was screaming in defense of Nathaniel. Lila was still ‘cowering’ behind Ivan, and Nathaniel looked like he was on the verge of becoming another akuma. Adrien was about to speak up when someone else did.

“Actually-” A voice broke through the yells of the classroom. Alya looked uncomfortable, with Nino standing, just as uncomfortable, next to her.

Lila looked triumphant, she knew Alya would be on her side. She sent a smug look at the oposing group, one that earned a glare from Nathaniel, a growl from Marinette, and a lunge from Alix, again. 

Nino stepped forward, his expression placating.

“All we have to do is see where Nathaniel says his signature is, and see if the spot was altered on the photo posted to both accounts.”

The request seemed reasonable, if the nodding heads of the other classmates were anything to go by, if it weren’t all a lie.

Lila started crying her crocodile tears, lip wobbling at the pair closest to the door.

“Y-You don’t believe me?” She sniffed as Rose comforted her, and Juleka glared at them.

“Not at all!” Alya walked up, her hands waving in front of her.

“We’re not accusing anyone.” Nino clarified. 

“We’re just comparing the pictures, that’s all!” Alya hastened to add.

Lila didn’t look happy at all, but Rose was already pulling up the picture on Lila’s instagram. Marinette doing the same on her phone of Nathaniel’s instagram.

They both laid out their phones on a desk for everyone to compare. Max was looking at the two closely, as well as his own phone.

“Oh Marinette, that’s a screenshot.” Max pointed out. 

Lila smiled through her tears, sure that she could convince the class that she edited the photo for Nathaniel, because he accused her that one time too. 

“Oh, my bad” She said in a falsely sweet voice, something was up.

“Here. Oh!” She made it look like she was backing out of her photo gallery, when she just swiped over, and let the class see another piece of art work.

“Hey! That looks like one of Lila’s pictures!” Rose, oh so helpfully, pointed out. And it was, one of the ones she posted to her instagram anyway. 

“Oh but that’s from this artist. See? I screenshoted it when they posted it, two weeks ago. See?”

They looked closer, and sure enough the artist posted it two weeks before, They looked at the same picture on Lila’s instagram that she claimed she finished two days prior. With a suspicious bloch where the other artists signature was was on their post.

Max pulled back, pushed his glasses back up, and nodded.

“Yup. That picture is the original, you can see the watermark. And the convenient spot that covered the watermark from the original picture, right there on Lila’s instagram.” Rose and Juleka looked at her, confused. Ivan turned around, looking for answers as well. Before Lila could get a word in Marinette took that moment to completely pounce.

“Oh, but what about these pictures? Do they also have erased watermarks, because they look an awful like the other artists I follow that have had their work stolen from them too.”

Alya and Max descended on the photos like vultures on a carcass, picking apart every screenshot in Marinette’s phone, and every post Lila had made on her instagram with Rose’s phone.

Rose didn’t protest as the hovered over her phone, she looked at Lila with tears in her eyes.

“Is it true? Did-Did you s-steal them?” Juleka wrapped her arm around her shoulder, but gave a hesitant glance to Lila. Ivan looked lost, Mylene currently being out sick, he didn’t know who to side with.

Kim didn’t have to hold Alix back, she stood back on her won. Her arms crossed, and a smug look on her face, she knew Lila had been caught. She gave a smile to Marinette, who gave a thumbs up in return. Nathaniel looked relieved, he also gave Marinette a grateful smile that she returned.

Lila knew she was losing her hold. She looked to Adrien, but he was busy looking (out for akumas) around the room.

She had to play her ace in the hole.

She burst into tears, sobbing.

“I-I’m so sick of this lying disease!” 

The others looked at her confused.

Alix snorted.

“Yeah, you are lying, and you are a disease.” Kim elbowed her for that, but he didn’t say anything. 

Lila had to move fast.

“I w-was going to take them down. B-But I really do like the pictures. I h-had no idea they had b-been stolen b-by those artists-”

“That doesn’t explain the watermarks!” Alix cut across.

“I didn’t steal them! Someone else did! I-I got permission f-from whoever stole the art f-first. A-and-” She hastened to add when she saw that Alix and Marinette were about to interrupt her.

“A-and I couldn’t help but put that I drew them, because of my lying disease! R-Remember?” Marinette looked enraged, Alix and Nathaniel looked at her in disbelief. Max also looked skeptical. 

“L-lying disease?” Rose asked tentatively. Lila nodded.

“Yes! R-Remember? W-When I accidentally got Marinette expelled.” At the memory being brought up, Marinette’s face darkened further, Adrien looked uncomfortable, and Alix and Nathaniel shared a look of realization.

“I didn’t mean to get her expelled! It was my disease! It acts up during times of stress! And with all of the charities I help with, and my disabilities, I get too stressed out and start lying again!” She looked to Alya, who looked like she was almost convinced. Nino was looking to Alya. Rose, Juleka, and Ivam were firmly back on her side again.

She just needed to convince Alya, and the majority would follow, or join Marinette in exile.

“I-I’ve been getting so stressed out lately! And I can’t control the urge when it happens! I am so sorry you guys! I didn’t mean-”

“That still doesn’t explain why you accused Nathaniel of stealing your supposed artwork.” Marinette pointed out.

“Or the fact that you brought up something that you have no idea about and threw it in his face!” Alix added.

Lila schooled her face to guilt.

“I’m sorry that I offended you Nathaniel. I didn’t mean to.” She let a few tears come to the surface of her eyes, but never let them fall. 

It was all Juleka and Rose needed to flock to her and comfort her. She looked to Alya, who looked on the verge of joining her. She just needed a little more.

“I can understand what made you want to draw that picture you posted, it looks a lot like mine. You drew inspirations from that, I get that!” Nathaniel looked livid, and Alix was ready to blow.

But Lila only worried about the two that were in front of her that weren’t at her side yet. She needed them to keep her hold of the class.

“I can understand drawing inspiration from what’s around you, Marinette does that all the time no?” Said girl glared at her. Adrien had finally stopped his tour of the room with his eyes, and looked at the group. He glared at Lila, but she could deal with that later. As long as he kept his arm out in front of Marinette, and out of her way, she could deal with him later.

She just needed Alya and Nino.

“I don’t blame you for being inspired! Not at all! I just want an apology for accusing me of stealing.” At the start of the protests from Marinette, Alix and Nathaniel, she looked to Nino and Alya.

“Right Alya? Nino?”

Alya hesitantly nodded. Nino didn’t react one way or the other, Hmm...

“See? It;s alright! We just needed to communicate!” Rose cheerfully added.

At that convenient time, Madam Bustier entered the room.

“Alright class! We have a busy day ahead of us! Finish up your chat and get to your seats!”

Lila looked to Nathaniel, an expectant look on her face that made his stomach turn.

Was this how Marinette felt?

Rose, Juleka, and Ivan looked at him expectantly too.

 Madam Bustier looked back at the group, waiting. Kim slapped him on the back.

“Hey! It’s resolved now! Just apologize and it’s all good man!” 

Alix glared at him, but Nathaniel just sighed.

“I’m... Sorry Lila.”

She smiled her condescending smile once again, that Nathaniel was beginning to realize was the one she always gave to Marinette.

“I accept your apology.”

And everyone started to go back to their seats.

Nathaniel didn’t missed the way Marinette opened her mouth again, but stopped when Adrien touched her arm with his hand. He whispered something to her and shook his head. Alix noticed this too.

She looked angry, and gave him a look of disgust before she subtly tore her arm away from his. He looked sad, but retreated back to his seat anyway. Marinette looked back at Nathaniel and Alix, to see them already looking at her.

She gave them a sad smile and looked to her desk, to see Lila already seated there. She let out a quiet sigh, and made her way to the back of the classroom.

“Hey Marinette?” Nathaniel asked quietly. She looked between him and Alix, who was toeing the floor.

“Do you want to sit in the back with us?” She was about to ask why Alix would sit at the back when she saw her bookbag in her hand.

She smiled at them and nodded. They made their way to the back, not noticing Adrien’s frown of sadness or Lila’s frown of annoyance.

She didn’t like reminding them of her ‘lying disease’. It might give them a reason to not totally believe her,though it was a great skeleton key to get her out of any situation because of her lies.

She turned back around in her seat, plotting her next move for the two new people that joined her exiled list.

Oh well, looks like she’d be adjusting her plans to fit two more.

What she didn’t know, was that there was another person that was beginning to catch on to all of her little lies. He just had to catalog them all on his phone first, before bringing the evidence to light.

Tag List:

@bean2342 @chris-pixie @pirats-pizzacanninibles @multifacetedfangirl @might-as-well-happen @legallyspawned @firesong323 @kuroko26 @runestarchild @mariae2900 @laadychat

[ayuuria]

Yashahime Translation: Animage December 2020 Issue (Part 2)

Please do not repost this translation without my consent! This includes screenshots of any type or amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

This month’s Animage article was quite loaded with 6 pages of content. It consisted of an illustration with Kohaku and Hisui (2 pages), an interview with Kimura Ryōhei and Urao Takehiro (2 pages), and an interview with Uru (2 pages). That being said, this translation has been split into two parts.

Part 1: Interview with Kimura Ryōhei and Urao Takehiro Part 2: Interview with Uru

Click here to read Part 1

The Light of Recollection The Cool First Ending Theme “Break”

Song, Lyrics, and Composition by Uru

An ending video broadcast full of suggestiveness, tied together with a clear singing voice and wonderous imagery. We unravel the charm through an interview and image cuts.

The ending theme for “Hanyō no Yashahime” is “Break” by Uru, an artist who mainly puts her work on Youtube. It is an impressive song with a pleasant beat and a singing voice that holds a mix of transparency and strength at its core. This is a song that Uru wrote after reading the script of the main story. The lyrics are based off the regret that Towa has long held towards Setsuna and confronting that anguish stemming from her kindness. Also, not only is the setting of the work and the characters feelings diversely woven in, but universal themes of modern society are woven in as well. The ending cinematic that unfolds from “Break” uses soft colors. There are Japanese motifs scattered everywhere and creates a sense of being in a dream. You can feel a story telling nature at the end as the three of them walk together in the same direction after searching for something separately. In accordance with the change of their relationship in the main story, the way one sees the ending cinematic may change as well.

Towa’s Emotions and Regret as She Anguishes from Her Kindness

— Did you previously watch “Inuyasha”?

Uru: I watched anime when I was a child. I remember my heart skipping a beat when I watched the exchanges between Inuyasha and Kagome, even as a child. This time, when discussions of “Hanyō no Yashahime” was presented to me; I went back and rewatched “Inuyasha” but I thought “Was there this much decapitation (of demons) before…?”. I love horror works, so I still found it fun even when I rewatched it. Not only is “Inuyasha” very popular overseas but “Hanyō no Yashahime”, which is continuing that world, seems like an anime that will be loved by many people. I feel nervous to be singing the ending theme for such a work.

— How did you go about creating the new song based on what you knew about the story of “Hanyō no Yashahime?”

Uru: I read the entire completed script (translator’s note: completed at the time). Since the story’s protagonist is a girl this time, I was excited to see how the story would unfold but as I continued to read, it left quite an impression that while the protagonist, Towa, is a strong girl, she is very kind at her core. There were scenes where she suffered in battle because of that kindness, so I thought up the lyrics using that as a base.

— The regret that Towa has is certainly expressed in the starting lyrics.

Uru: Yes, I imagined the scene where Towa became separated from Setsuna in the forest fire. The part where the story unfolds as Towa drags those emotions from that time is, what I feel, an essential point to this work. The regret of letting go of that hand despite having an existence she wanted to protect. Plus, the feeling of wanting to return to those peaceful days they spent living together. For that reason, I think that is what drives Towa’s actions.

— In part 2 of the song, there is the phrase “Piling a number of fake guises”

Uru: There are scenes where Towa is unable to inflict the finishing blow upon the enemy during battle and Setsuna chides her for it. Also, while she can fight those who come at her, she can’t make a preemptive attack on someone who seems likely to attack her. Somewhere inside her, there’s something that can’t Break free from its shell. It’s a part that I wrote imagining something like “There are a number of selves within her carrying all different emotions.” Basically, it’s like even though she has something she wants to protect, there’s a part of her that can’t seem to get stronger.

— Not only can you think that part 1 is Towa’s and part 2 is Setsuna’s song, but you can also feel that it pertains to Sesshōmaru and Inuyasha.

Uru: I think that kind of interpretation is viable. They are lyrics drawn from different angles… You see, at the time I was writing the lyrics, there was some sad news which involved social media. You could say that for me, I linked this work to that timely situation. Social media feels like a bunch of lined up icons but there is always someone existing on the other side, you know. You can say things you can’t say in real life and easily hurt someone when you create an anonymous account and hide your face and name.

— I see, hence “Piling a number of fake guises”.

Uru: That is what sprouted from the story of “Hanyō no Yashahime” coupled with the feeling of wanting to say, “Right now, the one who is here is you.” Also, in the D melody, there’s a lyric that says “To foster strength in order to protect someone”; Even if Towa can’t initiate the offensive, she’s willing to risk her life to protect those who ought to be protected. When I felt that is what fosters her strength, I realized that she had the same thoughts as me.

— It is like Tessaiga in that you can begin to wield it when you have a heart that cares for people. The universality of “Inuyasha” and “Hanyō no Yashahime” have linked well with Uru-san’s feelings.

A Song That Gets Closer to the Work as the Story Progresses

— Next, please tell us about the composition of the music

Uru: This is a story about going between the feudal and modern eras, so I wanted to make the music mysterious. The part that starts from “In the corner of my memory”, there’s an independent melody that’s only found in that part; I imagined an introduction that felt like opening the door of time. In the part after that, in order to connect to the vigorousness of the hook (translator’s note: the high point of a song), I expressed the determination in oneself.

— Did you ever give instructions to song arranger, Yaffle?

Uru: It connects to what we’re talking about right now, but I wanted the low tone of the first half to feel like a coolness that held back temperature, so there’s not much of a chord. However, I did request things like a hook with a rhythm that could go well with fight scenes or that I wanted a chord that was easy to become familiar with. Yaffle-san is someone who always makes wonderful arrangements, so that’s all I really told him. Actually, I think he made it really fancy. In order to match the base that Yaffle-san created, I really held back and suppressed my voice until the hook. Then I sang the hook as though letting everything out at once.

— After seeing it, what did you think of the ending cinematic that was broadcasted?

Uru: I’m always nervous the first time the song plays. I wonder if my song truly fits the work. However, it was very lovely so that made me happy. The traditional Japanese designs were especially impressionable. I liked how they made it into bands instead of the whole screen. The atmosphere of the entire screen used gentle colors instead of snapping (from one thing to another) (translator’s note: not confident on the translation of this sentence). Also, I was inspired by the figure of the three’s back sides together at the “Right now, we’re all right here” part. It a had a different touch from the rest (of the song) and it had a kind of recollective feel to it.

— Lastly, please give a message to our readers.

Uru: I’m deeply honored to have sung the ending theme for “Hanyō no Yashahime” this time. I created “Break” hoping that it would get closer to the story as it progressed. I would love for you to be able to enjoy the song as you listen to it.

Creating images “Within a Dream”

Ending Storyboard – production direction: Lim Kahee

— What sort of impression did you get when you first heard the ending song, “Break”?

Lim: It’s difficult to put the shock at that time into words. I thought it was a song that had a lot of depth, gentleness, and strength. Like… waking from an important dream that you mustn’t forget. I felt a lot of pressure like “I have to create a cinematic that won’t lose to this song…!” (laughs).

— Based on the story and the composition of the music, what sort of cinematic theme did you think of? In terms of the image, I felt as though it was a story of “The three who were searching for something separately, come together at the end and walk in the same direction.”

Lim: For the most part, I organized the storyline as you said so I’m a little relieved that it came through. I wanted to entrust the interpretation to the various people watching, so rather than a cinematic that conforms perfectly to the lyrics, it took its shape from mixing together everything and reconstructing it: the direction of the story, the lyrics, and the melody. This time, I wanted the song to really be felt, so I threw away unnecessary information from the screen and created something that’s close to the “image”. Creating plenty of white space on the screen, I focused on creating a picture that wasn’t lonely. Using white so boldly was personally challenging for me. I was so scared like “What’ll I do if it comes across as incomplete” (laughs)

— Uru-san told us “Why did you think of Japanese style from this song? It’s very lovely.” What do you think?

Lim: Thank you very much. You see, director Satō Teruo-san gave me this order at the time of the ending’s ordering, “Please put in Japanese style things into the cinematic”. Conversely, that was the only order I received from the director, so I was free to do whatever for the rest. I was at a loss as to what direction to take prior to the ending order meeting, but a single requirement was created which made thinking easy after that. It’s just that I was a little unsure as to how to “incorporate Japanese things”. Rather than using Japanese goods as is, I focused on inserting the designs into the screen so that it would balance with the three’s clothes.

— Additionally, I felt a lot of devices being used such as instead of the outlines of the three girls being black, they were sliver, gold, and red, or that the back sides of the three girls was drawn with a color penciled touch.

Lim: First, after respectfully listening to the song, I wanted to create images “Within a dream”, so I thought I would create an unrealistic space. I thought drawing the three girls in a way that you wouldn’t seen much in the main story would be fun for the ending, so I challenged myself in different aspects. In terms of colors, the song was fairytale-like so I made a request to color designer, Satō Miyuki-san, saying that I would like the cinematic to have a pale image, and made adjustments. There was a lot of trial and error to get the image we were aiming for, so being told this makes me happy.

1) Towa opens her eyes in a white space. The silver outline and use of pale colors brings a fairytale-like atmosphere to the screen.

2) Also in this white space is Setsuna, laying down. To her side, the gold rainbow pearl in her possession rolls past.

3) Moroha opens her eyes in the same way. The movement of making a small frown is just like her. Japanese motifs like the Japanese umbrella appear and continue into the next cut.

4) The three of them start walking; Each slowly looking around as though searching for something. The gorgeous bands (translator’s note: the kanji translates to the obi found on kimonos) draws the eye.

5) On the band behind Setsuna, a sparrow motif that seems to associate with her technique (translator’s note: aka attack move) is also inlayed.

6) Moroha opens her eyes and starts running as though she has found something. The action of her sniffing out a scent resembles that of her father, Inuyasha.

7) The sliding doors that appear in the backdrop open, the tune goes to its hook (high point of the song). The paper doors that quickly open and appear many times makes the climax of the song prominent.

8) At the hook of the song, the stirring poses of the three of them holding their weapons appears. With the outline becoming black, there is a greater sense of strength.

9) The impressionable color penciled touch of their back sides. The sense of roughness that the three of them have in the main story is undeniable but, will they walk onward in the same direction like in this illustration?

10) In the last cut are the rainbow pearls that the three girls possess. The brilliant high-quality goods surrounded by Japanese motifs finishes off the ending video.

[bryan360]

My screenshots taken: August 23rd, 2021

Hey guys. Just wanted to bring my own screenshots that I took with my iPad last week. While Ihaven’t gotten some more deviations in the works through this month; not after the lastest one was for Nickelodeon All-Star Brawl back in August 26th, 2021. Link Here

However before that, I went into my DeviantArt page by reworking my own profile bio already. You probably seen it before from last time post that I’ve gotten into in January 1st, 2019. Link Here #2

Although just a little bit; nothing to completely changing or anything, but it was still the same profile bio and writing I’ve been kept it during the original DeviantArt site days or what I said. However, I may have to remove “Interested Artists from DeviantArt/Tumblr” part because it’s best that I can accept/trust some artists who had good relationships to me as friends. Still, I’m sorry that it was my suggestion to make while during my reworking my DA profile. At least knowing there’s one artist/friend I’ve added who’s originally my interested was “FTFTheAdvanceToonist” He’s the guy who’s been drawing art from cartoons very well and had his favorite of Felix the Cat stuff. I happened to check on his works through DeviantArt from months ago and it really looks good when it comes to be a cartoonist. Here’s the link if you’ll gonna have break time to visit his page, although he’s moving into his other sites that someday I can go there to meet him again. If I’ll be ready to do so that is. ^^* Link Here #3

Anyways, hope you guys that you’ll be okay with this lastest update I did to my DA profile from last week. It’s still the same thing from last time I checked, but looks alright to me. If there’s a current someone would to copy this though....

(DON'T YOU EVER COPY MY WORK, CHARACTERS, AND STUFF IF ONE OF YOU ARE IMPOSTERS WHO HAD HABITS OF PLAGIARISM! I WILL BLOCK YOU FROM MY BLOG IF I SEE YOUR POST WITH MY ORIGINAL WORK BEING EDITED ALL OVER! I'LL EVEN SHARE IT ONTO MY BLOG SO IF EVERYONE WILL SEE THAT YOU TRYING TO COPY MY THINGS FOR NO GOOD REASON WHATSOEVER! That will be all....I mean it.)

[solesurvivorpaigeargot]

Artist Commentary: Yankee Doodle Burned It Down, Pages 1-3

Popping a read-more on this cause MAN I had a lot to say about these fuckers.

HOLY HELLO friends and followers, this project took from July 19th to September 4th of 2020, and with that much time spent I, of course, wanted to do an artist’s comments on it where I scream about everything that went into these pages... buuuut it was also more picture than Tumblr would let me put into a single post. Granted, I could have gotten clever in a number of ways, but I decided my specific flavor of clever would be with gifs! So now we have transforming pictures that go from rough sketch, to refined, to linework, to flat colors, to finals.

As mentioned on previous occasions, this entire comic happened because of some goofing around on discord.

And after making a dumb joke about Hancock whistling Yankee Doodle Dandy, my brain decided to go Picard on my ass and said make it so. 

Rough sketches came easily enough; first two in a single night, the third a couple days after. It was at that point that I realized if I really wanted to do this right [and I’m a perfectionist, of course I want to do it right] I was gonna need like... all the screenshots of the various guns. Not just some of the screen shots. All of the screenshots. Thankfully my buddy @lunafermosa​ runs Fo4 on their PC and was able to grab upwards of 25 screencaps of every gun in both Paige and Hancock’s regular loadout for me, at various angles, because she’s amazing. 

Refined sketches is where things started getting... fun. Namely that I spent multiple days on the bottom left panel of page 2, figuring out the guts of that flamer. That one panel saw many hours of work, as did the bottom right panel with the front view. And then? Refining the third page, oh hey, I can just sketch this from memory now! Funny how that works. 

Linework was easily the biggest hump in this project. It’s where all the mistakes from the refined sketches come to light, it’s where everything has to be fixed into it’s final positions... it’s also where my brain suddenly decided to go MAXIMUM DETAIL on John’s face, as well as the fence around the raider compound in the third page... despite the fact that all the wood structures in the third page are on fire and you can barely see all the detail work I did [sob]. 

Flat colors presented a number of challenges, specifically in getting everything structured for optimal shading. Generally one wants to structure their layers so that objects in the foreground can save you work on the background, and so that background objects can be shaded broadly without to much fussing about fine detailing in the foreground. Deciding which objects ended up in which folder was a... thing. Paige in her little hiding spot at the top of page 2 is actually shaded with the background... and I still wonder how many people actually noticed her on that page XD Or the fact that the barrel of her rifle is in the bottom right corner of page 1 XD

Getting into final effects, shading was done in steps for each page. First thing was deciding my bright and shadow tones, which in general was a near white yellow and an almost fully saturated navy blue, respectively. This changes when we get into the reveal of the flamer, and the scenes that are on fire, where we adopt an orange tone for bright and a dark-ass red for shadow, as well as a bright white-yellow for where things are really shiny. This introduces some contrast in the last page, reinforcing Paige’s position as being at a remove despite still being very much part of the action, taking out distant raiders that aren’t engaging with John directly on the ground [you can actually see the guy in her crosshairs on the third page getting popped in the BG of the next panel, beyond the smoke]. 

I LOVE, LOVE, LOVED making this comic, and it was a great little test run for what’s going to be my production pipeline as I continue making stuff like this. I’d like to regularly produce comics from Paige’s story, as well as memories that are mentioned in the fic but don’t factor into the plot enough to warrant full flashbacks. And everyone’s response has been SO FUCKING FANTASTIC I can’t even. 

Thanks everyone, see you on the next one.

It’s uh... there might be feels. XD

-The Artist

[theoriesontheory]

Can Your Heart Be on Your Sleeve while Your Tongue is In Your Cheek?

Irony, Sincerity and the Internet

In their video essay “David Foster Wallace – The Problem with Irony” Schoder breaks down David Foster Wallace’s views on the downfall of entertainment, namely tv due to a saturation of irony. (2016) After introducing the problem of an overly ironic, snake devouring itself, media landscape, the solution seems to be proposed, a tonal shift towards sincerity. (ibid) Shows like The Office and Community and Parks and Recreation in some cases maintain post-modern traits in order to subvert them but more and more, mainstream media is focusing less on the deconstruction of the meta narrative and more focused on the micro-relationships. (ibid.)

In August of 2017 Kirin J. Callinan uploaded the music video for his latest single “Big Enough” featuring Alex Cameron, Molly Lewis and Jimmy Barnes. In September of 2017 a tumblr page posted a clip from the video, which was later uploaded to youtube and went viral as “Screaming Cowboy” (knowyourmeme, 2018)

The remixes and overdubs spread like wildfire and to this day, through apps like tik tok and Instagram the song and meme is heard around the world by listeners who potentially could never have heard anything else the artists have done or anything beyond the 43 second clip. In interviews on the piece featured artist Alex Cameron explains that the piece came out of the idea that people would constantly compare himself and Callinan in the relatively small Sydney Pop scene and thinking about how the world is so often divided. They wanted to remind people that everything wasn’t all about conflict but there can be unity. (Fluffy, 2018) Callinan himself describes the song as “sincere.” (Gaca, 2017) Beyond being a song about unity, represented by the two artists coming together but it also represents a deconstruction of genre boundaries for the artist. When first experimenting with making EDM, a genre he did not care for Callinan describes making something “aesthetically displeasing and pretty unexciting as an idea,” with “a euphoria that’s just infectious.” (ibid.) He continues, detailing how after hearing Sweedish House Mafia’s ‘Don’t You Worry Child’ that he was able to get past his own preconceived and taught notions of genre and boundaries between high and low art and understand that the heart of the work was important. (ibid.) This is immediately shown in this piece, bringing together the unique blend of two underground pop artists from Sydney, a world famous whistler and an Australian Rock icon. This song is the perfect representation of the idea of synthesis, it feels like a creative artist having fun while telling a sincere and genuine story about unity, not only in the lyrics but in the production of the song and the incorporation of a diverse range of cultural touchstones, the work is an intellectual masterpiece!

… But it’s still a meme and I didn’t actually listen to the whole song until around two years after it came out when I finally heard it through a bad Bluetooth speaker in a backyard somewhere. The question then stands, does the fact that something is a meme make it any less valuable as art? Looking back at the Schoder video, the first wave thinking of post modern media, the thinking that spawned shows like Seinfeld and Always Sunny, (2016) would say that this song was brilliant and funny. It’s a deconstruction of the notions of pop and using all kinds of semiotic messages that are understood by the knowledgeable and reference soaked internet generation, it did exactly what it was meant to do clearly, it’s making fun of the entertainment industry. And while it is all of those things I don’t think that is all the song is. I think this song is an example of an Office type TV show as described by Schoder. (2016) this song and the video does all of those things but still feels very human and genuine. It doesn’t stop at the deconstruction but also works on focusing to the right thing, connection and community.

Despite this wholesome message at the song’s core, some argue that the last refrain takes the song into parody

Image: Screenshot of Lyrics to ‘Big Enough’ from Genius.com

But if you think about songs that have called for peace and unity before,

Image: Screenshot of Lyrics to ‘Imagine’ from Genius.com

 I think that ‘gen z’ who was raised in cynicism would see both sentiments as equally as realistic. Meaning the only differences between the two songs are the choice of instrumentation and who’s singing it. Toward the end of the Gaca interview Callinan says, “I’d like to write more songs that are emotional and real and not full of so much fucking bullshit. But at the same time, it’s the bullshit that makes it fun. No one’s interested in listening to an acoustic singer-songwriter.” And I think that this song is a move in that direction for him.

To insert some of my own romantic thinking, in a way the fact that this song is being shared to so many different people in so many different contexts as humour, shows that the message of unity is being spread through comedy.

While the internet took this song and video and gave them a life of their own, at their core still stands an artist with a message. While a majority of people might know the song as humour, Callinan was able to achieve his artistic goal and make a song that he enjoys, as well as collaborating with a friend in Alex Cameron, an interesting and unique person in Molly Lewis and a childhood hero in Jimmy Barnes. It was funny, it was serious, it was entertaining, it is art.  

References:

Gaca, A. (2017, November 8). What Exactly Is Going On With Kirin J. Callinan? Spin. https://www.spin.com/featured/kirin-j-callinan-bravado-interview/

Fluffy. (2018, January 18). Interview: Alex Cameron Talks Style and Substance. Under the Radar. https://www.undertheradar.co.nz/news/13758/Interview-Alex-Cameron-Talks-Style-And-Substance.utr

Knowyourmeme, (2018). Big Enough. https://knowyourmeme.com/memes/big-enough

Schoder, W. [Will Schoder]. (2016 October 7). David Foster Wallace – The Problem With Irony [Video]. YouTube. https://www.youtube.com/watch?v=2doZROwdte4

Other media in order:

Kirin J Callinan. (2017 August 17). Kirin J Callinan - Big Enough (Official Video) ft. Alex Cameron, Molly Lewis, Jimmy Barnes [Video]. YouTube. https://www.youtube.com/watch?v=rvrZJ5C_Nwg

CarrierBK (2017 September 9) AHHHHH [Video]. YouTube. https://www.youtube.com/watch?v=yBLdQ1a4-JI

Image: Screenshot of Lyrics to ‘Big Enough’ from Genius.com Captured 07/07/2021 https://genius.com/Kirin-j-callinan-big-enough-lyrics

Image: Screenshot of Lyrics to ‘Imagine’ from Genius.com Captured 07/07/21 https://genius.com/John-lennon-imagine-lyrics

Red Lama (2017 October 5) Dank Meme Compilation – Big Enough [Video]. YouTube. https://www.youtube.com/watch?v=RWc-7Q8NbVA

[thisweekingundamwing]

This Week in Gundam Wing July 26 - 01 August 2020

Here’s this week’s roundup!

Remember to give your content creators some love! And join in on the events at the bottom!

~Mod Hel

Fanfiction/Snippets/AU Ideas:

@bobo-is-tha-bomb​

Unraveled https://archiveofourown.org/works/25379161

F/M, Trowa Barton/Reader

Trowa Barton, Reader

Romance, Fluff, Reader-Insert, Bathing/Washing, ritual bathing

His little witch, he mused with a slight tilt of lips. Even after years of being with you, he still couldn’t get enough of watching you.

Tonight, he vowed, he would keep you company while you bathed.

Lazy Day https://archiveofourown.org/works/25379695

F/M, Heero Yuy/Reader

Heero Yuy, Reader

Romance, Lemon, Lime, Reader-Insert

You would enjoy this day. Every minute of it. And, you vowed, you would have a repeat of it in New York.

Twenty Kisses (Ch. 6 & 7) https://archiveofourown.org/works/24038704/chapters/61620076

F/M, Heero Yuy/Reader

Heero Yuy, Reader

Romance, Kissing, Drabble Collection, Reader-Insert

Kissing Heero is something special.

Deadly Intent https://archiveofourown.org/works/25576657/chapters/62069890

Mature

F/M, Heero/Reader, ???/Reader

Heero Yuy, Duo Maxwell, Wufei Chang, Lady Une, Relena Peacecraft, Reader

Reader Insert, Graphic Depictions Of Violence, Drama, Angst, Romance, Violence, Lime

Eleven years is a long time for a ghost to come back and haunt him. But Heero Yuy finds himself unable to dodge or outrun it. It’s the start of a dangerous cat and mouse game between one of the most powerful organizations in the world and a loner who has every intention of dragging him down with her. After all, she has come with deadly intent.

@coffeetailor​

Emergence (Ch. 12) https://archiveofourown.org/works/13322880/chapters/62023231

Duo Maxwell/Heero Yuy

Duo Maxwell, Heero Yuy, Quatre Raberba Winner, Trowa Barton, Chang Wufei, Sally Po

Crossovers & Fandom Fusions, borrowers fusion but don't call them borrowers, disturbing themes like people trafficking from the bad guys, Size Difference, Will probably be a series, alternate canon events, Macro/Micro

Series: Part 1 of Emergence Series

When the war ended, things went a little strange. First, Duo vanished after never having let them see him in person. Then, years later, a tiny race of people are discovered. And that's just the start of things.

@lifeaftermeteor​

LAM!Verse https://lifeaftermeteor.tumblr.com/post/625293600094355456/private-island-location-redacted-fiji-south

Private Island [location redacted]

Fiji, South Pacific

14 August 211

Une and Sally arrived on-island to blue skies, a functioning jeep, and a personal escort by Lucrezia Noin.

perryvic & Zaganthi (Caffiends)

All Go Unto Once Place https://archiveofourown.org/works/25520368

M/M, Chang Wufei/Treize Khushrenada

Treize Khushrenada, Quatre Raberba Winner,  Change Wufei

Cameos, Anxiety, Mental Health Issues, Aftermath of Torture, ZERO System (Gundam Wing), Alternate Universe - Stargate Atlantis Fusion

He chose the study because it was formal and the least used room in the house, and brought in coffee and water because he needed something to do with his hands. "I'm sorry to request the house call. I haven't been in a reliable enough state to leave the house."

"I quite understand," Bedelia murmured. "Is this the place you feel most comfortable talking?"

He took the coffee and sat in one of the low overstuffed reading chairs rather than at the desk. "Yes. I, what we discussed a couple of weeks ago, you know. Surprising only to me, apparently, it went terribly." He cradled the coffee, watching her select where to sit, posture and movement impeccable as ever.

@simulacraryn​

Higurashi https://archiveofourown.org/works/25592344#main

Heero Yuy 

Higurashi = Mundane life, living hand-to-mouth. This is a VERY old fic of my (from 2008...), about what life might have been like for Heero after the war.

The Manwell

The Silencer and the Sicarian (Ch. 1 & 2) https://archiveofourown.org/works/25478938/chapters/61805053

Rating: Explicit

Warnings: Graphic Depictions Of Violence

Relationships: Trowa Barton/Duo Maxwell, Chang Wufei/Solo

Characters: Duo Maxwell, Trowa Barton, Chang Wufei, Solo (Gundam Wing), Hilde Schbeiker, Catherine Bloom, Kyouju H | Instructor H

Additional Tags: Wufei POV, Duo POV, Trowa POV, Solo POV

Series: Part 4 of The Brothers Maxwell

It was just one vow. A simple but necessary promise to respect life -- both human and fey -- but can Duo hold to it when his resolve is put to the ultimate test?

@tziganecaffiends & Zaganthi (Caffiends)

Dust to Dust https://archiveofourown.org/works/25519633/chapters/61915789

M/M, Chang Wufei/Treize Khushrenada

Treize Khushrenada, Chang Wufei, Mariemaia Khushrenada, Duo Maxwell

Domestic Fluff, Bondage, bottom Treize, Mental Instability, Mental Health Issues, Aftermath of Violence, Aftermath of Torture, Rape Aftermath, Attempted Rape/Non-Con, Kidnapping, Subspace, Subdrop, Diplomacy, Alternate Universe - Stargate Atlantis Fusion, ZERO System (Gundam Wing), Graphic Dipictions of Violence

It was unbearable, it was too much, and his heart was trying its best to jump out of his chest. Treize managed to get his knees pulled up, and pressed his forehead against them, struggling to breathe as the anxiety crawled up from his gut and clenched around his heart. Not there, anywhere but there, and he'd been fine seeing it in ZERO, not fine, but okay, livable, but being there, smelling the familiar antiseptic hell and must of the place, took his legs out from under him.

He could play forward on all of the other scenarios he hadn't wanted to explore, and he knew when that door opened it wasn't going to be Wufei. It was never going to be what he'd wanted, no matter hard he'd played at it back home with Wufei.

Fanart/Crafts/Photo Manips:

@2pcbiscuit​

https://2pcb.tumblr.com/post/625195682010120192/am-i-a-furry-artist-now-quatre-is-supposed-to-be

Raccoon!Trowa, and other cute surprises.

@antarespromise​

https://antarespromise.tumblr.com/post/625175674322305024

WuFei Chang

https://antarespromise.tumblr.com/post/625274951362117632

Duo Maxwell

@bobo-is-tha-bomb​

https://bobo-is-tha-bomb.tumblr.com/post/625096842616717312/having-waaaay-too-much-fun-rediscovering-art

Trowa Barton

@grey-sentry​

https://grey-sentry.tumblr.com/post/624917334680829952/next-batch-of-artwork-for-the-gw-art-discord

Heero & Doktor S

https://grey-sentry.tumblr.com/post/624917124777951232/art-made-for-the-gw-art-discord-i-tried-to-follow

Relena & Catherine

@gundayum​

https://gundayum.tumblr.com/post/625232214658056192/i-relish-in-being-a-terrible-human-being

Relena & Heero

@oekakimemo​

https://oekakimemo.tumblr.com/post/625242524130361345/20200728-digital

Relena Darlian/Peacecraft

@tatakaumono​

https://tatakaumono.tumblr.com/post/625240776436252672/its-evens-propaganda-month-dont-tag-as

Quatre/Duo

Photosets/Gifsets/Screenshots/Manga Pages:

@bobo-is-tha-bomb​

https://bobo-is-tha-bomb.tumblr.com/post/625161359751036928/im-so-lucky-to-have-awesome-friends-thank-you

GW T-shirts

@cynthiaandsamus​

https://cynthiaandsamus.tumblr.com/post/625268346914586624/like-everyone-in-gundam-wing-is-a-ridiculously

Zechs Merquise

@janaverse​

https://janaverse.tumblr.com/post/625277358889451521/aannnnndddd-theyre-done-3-the-process-was-a

Heero & Duo silhouettes

https://janaverse.tumblr.com/post/625280260361093120/for-scale-btw-they-are-perfectly-framed-from

For scale - Heero & Duo silhouettes

Head Canons:

@disturbed02girl​

https://disturbed02girl.tumblr.com/post/625254324341194752/gw-fashion-mix-day-off

GW Fashion Mix - Day Off : Duo, Heero, Trowa, WuFei, Quatre

Fandom Discourse:

@lifeaftermeteor​

https://lifeaftermeteor.tumblr.com/post/625289823670927360/whats-all-this-then-although-the-gw-discord

Discord Meet-up! 0900 EST on both Saturday (August 29) and Sunday (August 30)

Quotes:

@incorrectgundamwingquotes​

https://incorrectgundamwingquotes.tumblr.com/post/625002948624318464/iria-father-quatre-youre-family-you-shouldnt

Iria & Rashid

https://incorrectgundamwingquotes.tumblr.com/post/625184158043570177/duo-to-trowa-are-you-trying-to-hurt-my-feelings

Duo at Trowa

Calendar Events:

@gwcocktailfriday​

Cocktail Fridays!

Post responses on Friday, during Happy Hour between 3 & 5 pm in your own timezone.

Here’s the prompt for Friday, August 7th! https://gwcocktailfriday.tumblr.com/post/625255859848642560/cocktail-friday-post-responses-on-friday-august

In need of SUMMER & FALL/AUTUMN prompts!

@gwoc-october​

GW OC October 2020!

Help pick out prompts! https://gwoc-october.tumblr.com/post/621130082429337600/hello-gundam-wing-folks-thats-right-gw-oc

@seasons-of-gundamwing​

Summer of Hilde!

Check the page today! The full prompt list was set to post at 10AM!

We also have an AO3 collection now! Come check it out. https://seasons-of-gundamwing.tumblr.com/post/624191236146855936/seasons-of-gundam-wing-archive

@thisweekingundamevents​

Events Calendar

https://thisweekingundamevents.tumblr.com/post/624053314842230784/event-calendar-update

If you are hosting an event currently, or are planning on one, hit us up with links and dates! We’ll add them to the Calendar and reblog your notices to get the word out!

[5secondsofdrama]

Sierra Getting Signed

This was something I knew would eventually happen. One way or another, despite the massive screwup that happened in 2018, I felt like she would still get signed somehow. Back in 2018 when she tried to release music as a solo artist that for me is what really solidified my belief that this whole “relationship” was just a setup to get her noticed more. That none of it was real. 

Looking at the IG post that Unknown Music posted there’s a lot about the caption that just feels fabricated to me. I’ll use screenshots to show my point. And we will break the post down by paragraph as well seeing as she got two paragraphs. And out of all the posts made on August 14, 2020 she was one of 5 that actually got two paragraphs. Makes you wonder why she’s so special? Because personally, I don’t think she is.

We will start with the first paragraph and basically go sentence by sentence. The first sentence is pretty basic. We all know she grew up in Florida, but she was actually born in Philadelphia. Remember this for later, because there is a sentence within the second paragraph that is vastly misleading. We also know that she and Alex did move to Los Angeles after winning the X-Factor show in 2013. Most people don’t even know who Sierra is to begin with, let alone that she was a winner of the X-Factor US Show. Simple Google searches cover that if someone were really that curious. Basically, I am saying she is an unknown artist. So, maybe being signed to a label titled Unknown Music could potentially be beneficial. I don’t know. 

Moving on to sentence three where it talks about her touring. According to concertarchives.org she and Alex did a whopping total of FOURTEEN concerts. That doesn’t really equate to four plus years of touring in my personal opinion. But you can all be the judge of that. But if you look at songkick.com at their past shows it states that they had tours going as far as a February 2017 and started in 2012 before they even won The X-Factor US season 3. However, some of these dates don’t even seem to be plausible with how extensive being part of a national televised contest like the X-Factor really is. 

The final sentence claims she wants to pursue writing songs for other artists under a multi-award winning, multi-platinum selling American Songwriter named Ross Golan. Who, by the way if you simply look at his song writing credits on his Wikipedia page states that he wrote a song for the self-titled album 5SOS released. That’s right, he wrote the song Mrs. All American for 5SOS. So, it’s quite interesting that she would be signed under this guy. But not really. She can’t do anything without it being connected to 5SOS in some way.

Above, you’ll notice the second paragraph. It starts off with yet again mentioning her stint on The X-Factor US. Bringing it back to something that was done 7 years ago. However, looking at past episodes of their season Alex and Sierra didn’t even win on their talent. They simply won because they were “a cute couple”. Each and every performance they ever did all the judges could do was mention “how cute they were”. Not a single judge ever mentioned their vocal range or their “talent”. 

We all know that Alex is the reason they even won because he basically carried them both through the whole show. He’s the one with the natural talent. He’s the one who has successfully released EP’s for his solo career post Alex&Sierra Era. 

The second and third sentences go hand in hand because they both talk about her song writing abilities. Personally, I don’t think she’s that talented at it. She’s mediocre at best. She doesn't know how to write those smashing hits. It’s basic stuff. “Little Do You Know” is a song that I highly doubt would make anyone shed a tear.  Now, I did have Red look up the song on Spotify, and for whatever reason it really does have slightly over 400 million streams. How or why? I don’t know.

“She’s a Vietnamese woman” is an honest to god lie. And no, I am not erasing the fact that she is a Woman of Color/Person of Color. Sierra IS NOT a straight up Vietnamese woman. She was NOT born in Vietnam. She was born in America. Which makes her heritage HALF Vietnamese. It honestly seems like she’s trying to erase the fact that she was born in the US. This should have been written like this: “She’s of British and Vietnamese decent, because I do believe her dad was born in England and not America, but I could be wrong. However, she is American because she was born in America. 

Moving on to her “College” experience. Whether she was actually going to college with the intent to be a doctor is uncertain. From everything I have seen about her “college” experience she went into college for Public Relations and not to be a doctor at first. I get the feeling this was added in to maybe bring up the fact that her older sister happens to be a nurse.

Finally, the final sentence. She grows her own food and plays too much video games. Sierra has never once ever expressed ANY interest in video games or growing her own food until quarantine happened. So, this whole thing feels like a fabrication to me. Just to make her sound “relatable” or “well-rounded” I guess. Maybe I’m being too harsh. Maybe I’m not. I know interests change and people change. But overall, she’s never struck me as the type to ever be interested in those things. 

And finally, we’ll take a look at the publishing partner Kobalt Music because honestly, I found this to be very interesting indeed. Recently, I took a look at the 5 Seconds of Summer BMI page again. And I looked at all the songs from the CALM album. 7 out of 12 songs from that album were published under Kobalt Music. It’s a bit strange to me that 5 Seconds of Summer would be affiliated with Cobalt right around the same time that Sierra gets signed. Again, it brings me to the conclusion that she can’t do anything on her own. She’s been handed opportunity after opportunity since being associated with the band and essentially squandered it all until now. 

She can’t do anything on her own merit. She can’t do any heavy lifting on her own. Something or basically EVERYTHING has to have some kind of affiliation to 5 Seconds of Summer somehow. I mean Unknown Music Publishing was founded just this year by Ross Golan, again someone who wrote a song for 5 Seconds of Summer in their early careers. Not a coincidence in my opinion. Overall, this just seems a little convenient but definitely something that was in the making from the moment she started becoming more known within the 5SOS “circle”.

[jorjathomas]

Process of rendering physical work

This post involves some screengrabs of the process of samples I have currently made. 

As you can see above, I have began to edit the original image of the paint. Threshold has been used to segment the image into sections. As I wanted the image to be binary, I did this process twice but at different levels. On the left I set the threshold level to 122 however the other image I placed it at 124. This brings out different shaded areas. Before I began the duotone process I had to flatten the image using grayscale so I am able to see the threshold better.

I then used duotone with the two layers I had made with the threshold and set them to the original colours of the picture I took. This was because I wanted to see the difference between the two. Above are the results. This was the most enjoyable process by far as the fact that the paint gave a marble effect so I was able to create to outcomes with the duotone and threshold combination.

This was a screenshot of the art which I had created on the opposite side of the print sample. This was a font which I had downloaded of adobe fonts as I wanted to find the best block like text. This enabled me to liquify it better using the smudge and expand tool. I had done this process already however I loved this outcome more as I began to become more familiar with the technique and the result I wanted.

Here is another outcome of the process above. Again, I went through the combined techniques twice to get different colours within the duotone image. My final outcome is pink and orange however this was originally created with different shaded of pink because I thought it would be beneficial to use in my zine.

Moving away from the digital comparison samples, I began to look at my aesthetic post where I looked at artists work which had inspired me. I had yet to make many physical samples so I began to look through magazines for any imagery I liked and could cut out. I knew I wanted to make some ‘abnormal’ collages. This means combining multiple objects which aren't normally combined to create this new sense of reality. I wanted this kind of escapism in my work ,with the help of landscapes, to portray the abnormality of stressing over tiny problems. I want the readers to remind themselves of who they are and where they are which I hope eases their worries because its easy to get lost in your own world without acknowledging your the world your living in with others.

 Above was the process of working into the collage once I had scanned it in. I removed its white background, which is formed after scanning, using ‘colour range’ then, I used one of my mixed media art pieces to create its background. I made this using acrylic paint and my fingers. I would normally use a brush to be precise but I didn't want this outcome. I then began to adjust the image using the ‘saturation tool’ to make it appear brighter almost like the collage was spiralling into the page. My previous samples have been looking flat against the backgrounds which is why I created another layer of the background and erased certain areas of the brushstrokes. I then layered this on top of the collage to make the two blend together. I liked this outcome because not only does the collage reflect the common saying ‘ It’s raining cats and dogs outside’, but the outcome doesn't look flat against the page. Keeping the binding of the book I painted on helped bring in the personal elements of the samples aswell. Overall I hope the sample has reflected the meaning behind the saying in visual form to highlight the silliness of life's problems sometimes. This sample is humorous and uplifts me so I am interested in including this style in my work to create the same emotion for the readers.

This was the process of another collage sample. This time I wanted to add more personal imagery alongside the magazine cutouts to help portray my story. At first, this collage only had the road in the centre of the pencils, and I was going to edit out the man walking along it as I didn't need it however not only was this difficult to do, but I thought the sample looks empty so it was harmless to leave him in. Luckily, I didn't throw away my cut outs so I found the head of the model to attach back to the body. This didn't look right either. I tried to create a new layer with the man selected and adjusted the image to make it look smooth however this didn't work very well. I think this was because of the angle I scanned in the second cut out. The first collage was scanned in on my printer at home however the second was scanned in through my phone instead. Nevertheless, I worked around this dilemma by adding loads of flowers on the models head. This helps the abnormality become present in the centre of the sample. I also believe this helps portray my message of growth. For example, the pencils in the back symbolises a playground and all aspects of what the noun is associated with which is why I am playing on it as a child with my mom (image on the near left). The road coming out the the pencil mountain portrays the aging of life and abandonment of childhood as you have to grow up. The man in the centre also helps this interpretation with him walking on the road with flower blossoms on his head symbolising the growth of the mind and soul within a person. Aka character development. This is also one of my favourite samples as it holds its message well and feels more personal with my childhood images. It has helped me understand the exact message I want to give to my audience visually.

This final screengrab is of the process of the poster sample I had made digitally. Although the collage was made digitally, the background wasn't. The image above is actually a picture of one of the screen prints I made using a stripped generic screen. Originally, it was purple but as you can see above, I changed it’s saturation and hue to create new colours. I loved this outcome because you can see the different textures of the screen print especially since its on paper. When screen printing, the paper obviously got wet so it caused the paper to crimple which is why there are different tons in this adjusted image. This process was before I liquified it and I think I were to do it again, I might have left it like the image before to make the outcome look more authentic.(scrapbook/journal)