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fanfic-inator795 · 1 year ago

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WoY: A Decade Later (A personal retrospection)

Wander Over Yonder… for a time, it was - in my opinion - the best cartoon ever. It was my number one, and I wasn't sure that anything else could top it. While I don't necessarily feel the same way these days, it's still a cartoon that very much lives in my heart and I don't think I'll ever truly leave it behind.

From a personal perspective, it was probably the biggest and most active Fandom I had been in at that time. It wasn't my first fandom/hyperfixation - prior to WoY, there had been Cartoon Network's Chowder and Regular Show, as well as Disney's Phineas and Ferb. But Chowder was short-lived and RS and PnF were both shows I had lost interest in due to them beginning to dip in quality.

WoY, however, was new, fresh, exciting and growing rapidly. It inspired me to write probably at least a hundred fanfics. It was a blast live-reacting to new episodes with everyone and seeing all the art that would come afterwards. It brought me into the RP scene and, if not for that, I might have never met my best friend of 10 years (and counting! Love you, Tessa).

Looking back on it 10 years after the fact, I can't fully say that WoY is still my favorite cartoon (shows like Kid Cosmic, The Ghost and Molly McGee, Big City Greens and Craig of the Creek have all outshined it in one way or another), nor can I claim that it is/was a perfect show. But man… It sure was a hell of a ride.

(Keep reading for all my admittedly VERY LONG personal thoughts or opinions regarding this one of a kind show)

Humble Beginnings

Pretty sure I've mentioned this before, but I actually didn't care for WoY at first. It was the summer right before college, and I remember watching the sneak peek - The Picnic - early one morning after not being able to go back to sleep. I remember not really laughing much or even seeing the appeal… and yet the episode stuck in my mind, to the point that I ended up watching it again during a free moment I had from Freshman Orientation Week. I had a similar reaction to the show's proper pilot, The Greatest - not loving it, but not hating it either.

The fact that people/friends from my RS and PnF days were also posting about it helped keep the show in my mind (shoutout to Taylor, Erin and Darkwing). But it wasn't until two specific episodes - The Fugitives and The Good Deed - that I managed to finally start to connect with the characters myself.

I started to see the appeal in this little furry orange spoon who just wanted to do good and make others happy, even when it was a struggle. I really liked the show's core theme of not just optimism and positivity, but also just being kind. I also started to really enjoy the show's sci-fi and space aesthetic and grew to adore its animation and gorgeous backgrounds, as well as laugh at its wacky sense of humor (I still laugh at The Fugitives/Good Deed quite a bit, even though I probably have their entire scripts memorized at this point).

So, it was official. I was hooked. Whenever there were new eps, I'd either try to watch them on the basement TV in my college dorm or wait for a livestream or FreeCartoonsOnline upload. If we're being honest, the first half of season 1, while being much more low-key than the wackiness that the show would end up eventually shifting to, was probably when it was at its most consistent. Other eps later on would reach higher highs, but getting stuff like The Bad Guy, the Prisoner, the Troll, the Pet, the Box and The Little Guy back-to-back just made my love for the show grow more and more.

The Little Guy specifically is one that is just incredibly well-crafted in its dialogue, story-telling and pacing, being both enjoyable and heartfelt. (Also the last time I watched it the ending made me bawl so, there's that, lol). Shortly afterwards, The Hero was another ep that I distinctly remember sticking in my head for whatever reason (Dracor and Demurra are still adorable, ngl). Then we had another favorite of mine, The Nice Guy.

I know I may be in the minority on this one - I remember my parents being annoyed and frustrated when they watched it with me, haha - but I absolutely love this episode. I find the jokes funny enough - the cashier is one of my favorite minor characters tbh - and the space gas station appeals to my aesthetic. But what really sells this episode for me is how it handles and portrays its moral of "being nice isn't always easy, but it's still right and still worth doing". Its ending never fails to get an "awwww" out of me, and honestly I could probably go on for an hour about all the little details and things I like/appreciate. I've also grown to really like its sister episode, the Time Bomb.

But no show is perfect, and right around here is where the show, in my opinion, started having some misses. It was mostly just "meh" affairs like The Night, The Toddler and The Big Job (weird, since I usually like heist eps… though I haven't rewatched this one in a while so *shrugs*). Other eps like The Tourist and ESPECIALLY The Helper (which I consider to be the show's worst outing, the vibes are just SO WEIRD on this one) I just didn't care for at all.

Nothing terrible (save for the Helper), just cases of the jokes not landing or the stories being boring. This was also when the show really started leaning into the wackiness - which wasn't BAD persay, since it led to some really funny jokes and memorable moments when it was used well - it's just that looking back, I sorta miss the simplicity of early s1.

Thankfully, the season put out some real bangers by its end, with my personal faves being The Epic Quest (that ending will never not make me cackle. Again, it's a case of the wackiness actually working incredibly well), the Halloween/Christmas special, and the Rider, which is a great adventure to cap off the season and also the Horse from Horsin’ Around guest stars in it! (and does a pretty good job too. Will Arnett is def one of my favorite celeb VAs at this point, ngl)

So yeah, between the two seasons, s1 is easily my favorite. Call it nostalgia or personal taste, but for me it's all about that consistency. Adding in the fact that s2 has some pretty notable flaws and is thus a lot harder to look back on without noticing those flaws, and it's really no contest for me.

New season, New problems

I certainly remember the excitement - as well as the fandom's stir craziness - in the lead-up to s2. There were crackships that were invented, silly RP blogs were rampant, Craig McCracken and crew (back when they were still on Tumblr) kept us fed with cool behind the scenes info as well as sneak peeks of the new season, and while I can't recall when it specifically happened, I also vividly remember the 'Bad End to Episodes' phase that the fandom was in at one point. Ah, the joys of still being in your angst phase.

Come that year's Comic Con, and a new round of hype came from the reveal that our new villain of the season was going to be a girl! …yeahhh, it sorta sucks recalling how hyped we all were about Dominator now that we know that she didn't quite work out the way we were all hoping for…

But regardless, s2 had a very strong start. Outside of the premiere, my favorites of this first batch would easily be The Boy Wander and The It for both just being incredibly funny. Although, if you had asked me at the time though, I probably would have said the Skeleton Dance fueled eps that were The Big Day and the Fremergency Fronfract - and like, yeah those eps can still be funny and enjoyable, but I've definitely cooled on the Skeleton Dance ship since these eps first premiered. (Still love a lot of the cute fanon stuff though)

Skipping past the next tent-pole episode for right now, this season had two of my favorite episodes of the ENTIRE SERIES - these being The Cartoon and The Black Cube. The former is just hilarious while the latter has a unique visual presentation and feels like an early s1 ep, and I mean that in the best possible way. I also really enjoy the Eye on the Skullship as well as the Hole… 'Lotta Nuthin' (this one especially, as it's another instance where, for as good as the ep is as a whole, it's the heartwarming lesson and hilarious ending that makes it such a winner in my book).

But for as much as the show was still putting out hits, I'll admit that there were also quite a few meh or just okay eps, especially as the season goes on. Some eps I found funny when I first watched them, but that humor doesn't hit as well when I watch them now. I also feel like there were points where it tried to be TOO silly to the point where it inhibited the actual humor and made the characters flatter and a bit flanderized compared to how they were in s1 (Hater especially got hit bad with this, where it’s less about him ‘softening up’ to show that he has the potential to be a good guy, and more just him constantly leaning into him being a bratty teenager instead of having that mix of dumb/bratty teen boy and legit evil conqueror).

Other times, it was just another case of a story not being as good as it could have been - and by this point in the season, while there are still enjoyable eps with fun concepts/jokes in the latter half of the series, the only one to get near the peak of the show's typical high quality is the musical ep, and if we're being real, it's Andy Bean's impeccable songwriting that saves this ep and makes it so good to rewatch despite its connection to the season's flawed overall story.

And I think it's about time we talk about that…

Not Quite Ready for Serialization

Being a show that was made right after Gravity Falls but before stuff like Star VS, Amphibia, and Owl House, s2 of WoY felt like a show with one foot stuck in episodic stuff and one foot trying to step into serialization. Because of this, the season’s overarching plot feels incredibly underbaked.

Now… Am I saying that I’d want the show to be like ATLA where every episode had to relate back to either the overarching story or one of the side-arcs? No, absolutely not. We’d be missing out on some of my favorite one-shot episodes if they did that, and if I had to choose between the season we have now and the season we could have gotten had the WoY crew gotten more freedom and were allowed more serialization, I’m going with the former each and every time.

HOWEVER, I still have to acknowledge just how poorly done the structure of this season was when it came to the overarching story. Basically we got four tentpole episodes acting as the season’s beginning, arc shifts and ending. During the season’s second and third arcs, there would be certain episodes afterwards reacting to the change in the show’s status quo.

Now, I get what they were TRYING to do but in my opinion it just really didn’t work as well as it could have. I’ll talk more about this in a bit but the season’s second arc (the “romance” arc) definitely got tiring after a while, meanwhile the third “Stop Dominator” arc felt like it was sort of killing time given that it was mostly just the main 4 trying to find some sort of weapon/figure out some sort of plan that ultimately resulted in some ‘funny’ failures and some quick lessons, with the occasional character piece thrown in here or there.

Now, I didn’t hate these episodes. By this point, it should be evident that one of my favorite elements of WoY are its morals and lessons, so even if the episodes themselves didn’t amount to much in the grand scheme of things and were essentially filler, I can at least appreciate a message like “being sad doesn’t mean you’ve given up hope” or “allowing yourself to laugh even in the dark times can help a ton”. So yeah, not completely pointless.

Unfortunately, even with a few bright spots here and there, the overarching plot of s2 still feels underbaked somewhat - and that’s ultimately because of the new character its focused around.

Dominator’s Dilemma

Okay, fess up. Whose idea was it to completely exclude Dominator from the first six episodes of the season (after the s2 premiere)? Because WOW does this decision backfire a lot. I don’t even like Dom that much and I can still acknowledge that she needed much more screen time and focus than she got.

I don’t know if this was to build up the ‘mystery’ surrounding her or because they wanted to get back in the groove of writing the main 4, but this was the crew’s first crucial mistake. Hell, in the first two episodes she plays an active role in, she’s nearly silent in both of them, only having her little fangirl rant in The Greater Hater and a small handful of lines in The Battle Royals. (Which, if I’m being honest, is still a really fun episode for 90% of it, having both great action and absolutely hilarious jokes that still make me laugh, but I get the ending of it making people sour on the episode as a whole.)

Again, it felt like trying to build up this artificial mystery surrounding her when it really wasn’t necessary. Dominator was meant to be a MAIN MEMBER of the cast! Yet I’m pretty sure Emperor Awesome got more significant screen time than her in the end!

Things got a teeny bit better as the show went on, with Dom at the very least getting more lines and more moments to be both badass and totally villainous, but she still felt more like a goal/obstacle than an actual character. I’m not sure if the writers MEANT to do this persay, or if it was just an accident.

Ultimately, it wasn’t until The Night Out when Dom finally got a spotlight episode… which was a little over 3/4ths of the way through the season. You could argue that she also got a bit of characterization in the musical episode, but it was really more emphasizing what we already knew or could infer about her.

The Night Out, meanwhile, gives us something new - that she’s lonely - and we get a teeny hint of this again in The Robomechabotatron before being told outright in the series finale. Ultimately, it truly does feel like too little too late - especially when her secretly desiring friends just sorta feels like it’s aping off Hater’s secret motivations of wanting to be liked/admired and to have friends/people who love him for who he is.

So yeah, the crew completely dropped the ball on Dom’s characterization, using her as just a goal/threat/obstacle/etc. for nearly all of her appearances. Not only does it make Dom feel like a shallow character, but it also just feels unfair in general. Practically everything we know about Dom is for the sake of other characters.

She’s a test for Wander, an enemy/temporary love interest for Hater, an obstacle for our main four to overcome, and a threat to the characters we already love. Again, there’s nothing wrong with having a character that’s only meant to serve a purpose in the narrative, nor is there anything wrong with a character being shallowly evil… it’s just that the WoY crew hyped her up so much and claimed that she was a fifth main character (implying that she would get about as much development as the main four), so it just felt all the more disappointing when we didn’t get that. Add in her character design - a mix of goth/punk girl energy with Hartman Hips - and it does feel just a tad misogynistic.

There were things I liked about Dom - her cool lava powers and gadgets, her excitable personality, her villain spotlight moments, and her fun vocal performance provided by Noel Wells were all excellent. But unfortunately, these were all surface-level elements, and the crew just didn’t put in enough time to give her much else, essentially saving all her deeper character stuff for the never-made season 3…

A love-hate relationship (leaning towards hate)

Of course you can’t talk about Dom without discussing the season’s second arc, which many see as both a tumor on the plot and the absolute low point of the season. Admittedly when I was watching the season for the first time, I didn’t mind the romance arc all that much. I didn’t care if Dom was getting short-changed, I was too busy laughing at Hater falling all over himself like a dork and thought all the ‘critics’ of the arc were just focusing on the wrong thing and didn’t know how to have fun with a silly cartoon.

Obviously, this was the wrong perspective to have about this sort of thing (I was in the mindset of “I don’t want to accidentally make myself hate this thing I love so I’m going to ignore all criticism of it”. Definitely not the right approach), one that I still apologize for because the critics were totally in the right. From both an objective and a storytelling standpoint, this arc was just the worst - and for several reasons.

Leaning into the overall problem with Dom herself as mentioned previously, this arc was focused solely on Hater and Wander (and to an extent Syl and Peeps as they tried to talk some sense into their respective friends). Whenever Dom was brought in, she either used Hater’s crush to mess with him or just ignored it entirely, being obviously annoyed - and that was the extent of focus that her feelings got.

Outside of those moments, however, Dom’s feelings are relegated to the background, deemed as ‘unimportant’. Sure, in the climax of the arc, she gets this big whole musical number about how she’s “not the damsel” and isn’t interested in Hater’s affections - but again, it’s at the VERY END of the arc and the moment is less about Dom standing up for herself and more about emphasizing just how cruel she can be, as instead of simply rejecting Hater’s advances, she laughs in his face, continuing to mess with him to try and make the rejection as painful as possible before ultimately trying to kill Hater.

But while the arc ends in a showy (and admittedly still kinda fun, thank you Andy Bean and your musical talents) way, the way it starts sorta proves why this idea was so rotten to the core. The ONLY reason why Wander tries to get Hater and Dom together is ONLY because he knows Hater wants a GF and believes that a ‘positive’ thing like love could only ever result in the two villains finding happiness and no longer being evil. Nevermind the fact that Wander is shown only really caring about Hater’s perspective, not once considering Dom’s feelings or even asking if she wants a BF or romantic partner in general.

We get Syl calling him out on this a couple of times, but it’s in that ‘oh that Wander, always with the crazy ideas’ way. You’d think Sylvia, the icon that she is, would be just a bit more blunt and maybe even a bit harsh about how Wander’s treating Dominator - it’s not just a matter of it being a dumb and dangerous plan, but it’s essentially objectifying Dom, treating her like Hater’s missing piece. But hey, it’s fiiiiine, because Wander learns his lesson in the end, right? Except, no not really.

Because even when Wander FINALLY realizes this and feels guilty about causing so much trouble, Syl is more concerned with comforting Wander about it, because he TRIED to do what he thought was right and that “acknowledging you messed up is the first step towards making things right”. Like… yeah I guess but you could have let Wander actually acknowledge what he did was wrong and super messed up, focusing more on the personal aspect of how his whole romance scheme affected Dom AS WELL AS Hater (not JUST Hater) instead of how his scheme broke Hater’s heart and inadvertently made Dom more powerful.

(Also we see Wander shipping and actively pairing up the little Pikmin things in “The Sky Guy” soooooo no I don’t think he fully learned his lesson)

I also have to bring up how there are fans who view Dominator and her whole anti-love thing as aphobic. As someone who only recently figured out she was almost definitely aromantic, I’m certainly not the authority on this, but I can certainly understand the critiques.

What I THINK the WoY Crew was trying to go for was a ‘strong female villain who don’t need no man’, but between Dom constantly being described as ‘heartless’ and Peeps saying that he “doesn’t think she likes anybody” and her cruelty being turned up to 11 whenever someone expressed romantic feelings towards her, it does sorta imply “She can’t love and THAT’S why she’s a villainous monster” rather than simply “she’s a villainous monster”. And because we don’t get any real development or strong characterization with Dom, it’s hard to say where exactly her cruelty comes from, so it’s hard to really argue against these implications without simply inserting headcanons like “Dom is a lesbian”.

Now to be fair, I have seen some aromantics see Dom as good representation - I recall a month or so back when I saw people praising her after she was included in one of those Tumblr polls, with this one being focused on aromantic characters, saying that they liked how she didn’t sugarcoat her rejections and seeing her as this strong, cool, badass villainous who didn’t need romance. So yeah, obviously not every person who shares an identity is going to agree on representation and whether or not it's good, but considering all of Dom’s baggage and the inability to determine whether or not her heartlessness is the cause of her evil or simply a by-product of it, I personally feel like she’s just too messy of an example of a potential aro character.

(Honestly, Syl feels like a better example of an aromantic character to me, given that she and Ryder seemed just as platonic as she and Wander are, as well as her multiple rejections of Awesome and general disinterest/discomfort with romance. Buuut given that those latter examples are specifically with villains and thus it makes sense why she’d reject them regardless of her orientation, it’s still just a vibe/headcanon).

Before I close off this section, I do wanna acknowledge that beyond the potentially aphobic nature of Dominator, WoY’s LGBTQ+ rep isn’t nearly as great as I thought it was once upon a time as a young shipper. Some parts are still pretty okay, like Wander being coded as genderfluid/agender, but overall it still feels more like an old Looney Tunes cartoon than an episode of “The Owl House”, if you get what I’m saying.

In Craig’s defense, the man has never been all too interested in romance in his shows nor has he claimed otherwise - he either uses it as a joke while portraying it as a negative (see Ms.KeenexProf.Utonium, BlooxBerry or, obviously, DomxHater) or it’s a wholesome relationship that ultimately still stays in the background because it’s not all that important (see DracorxDemurra or Ramona and Carlos Flores from “Kid Cosmic”).

BUT given that there were LGBTQ+ crew members working on the show in s2, such as N.D. Stevenson, as well as LGBTQ+ allies, it is a shame that no proper representation came of that. We got a whole episode where the joke was “oh, Wander and Hater are planning Wander’s execution like it’s a wedding”, an episode where Peeps and Hater essentially break up when Hater fires him, and an “I just can’t quit you” sort of moment from Peeps in the s2 finale when he goes all heart-eyed over Hater deciding to continue being a villain. That’s it, all jokes but nothing substantial. Even the show’s number one lesbian/wlw pairing of SylxDom got a quick Girls Night montage and one sweet moment between them, nothing else.

Again, it’s fine if you’re just looking for jokes, and yeah the WoY Crew never outright promised any romances… buuuut given how much they chose to lean into the Skeleton Dance and DeathGlare stuff while at the same time never outright confirming any of these characters as LGBTQ+ (they didn’t even have to make any ships canon, they just had to say whether or not Wander/Hater/Peeps were gay/bi/pan/etc), I’m not gonna invalidate people who feel just a bit queerbaited about the whole thing.

Bittersweet Goodbyes

As I said before, I was starting college when WoY first premiered. It’s the show that led me to my best friend and it’s the show that helped me through those first two years of college (easily the roughest part of college). It was a show that made me laugh and got me excited, even during the times where I was stressed out or worried. For all its flaws, it was one of the brightest lights in my life at that time.

So, needless to say, when I heard the show was canceled, I was devastated. I remember crying about it that night and even the day after, and I remember joining in as many online strategies as possible to try and get the show back, from letter writing to petition signing. Of course none of that worked, but as a bright side, going through this helped emotionally prepare me for the next time one of my favorite shows was suddenly canceled (looking at you Nickelodeon. Though considering how the RotTMNT movie turned out maaaaybe it was for the best…)

Honestly, for as much as I can look at the show through a critical lens nowadays and point out all the ways it could have been better, I think there will always be a small part of me that wishes we could have gotten some sort of continuation, whether it be through a special, a TV movie or a comic - or hell, I’d even take the plans for s3 leaking at this point. Now, given that the end of WoY brought about the creation of “Kid Cosmic”, I feel like this part has faded a bit, but I’m always gonna want closure on things like Hater’s arc as well as his origins given how much they were teased.

But that in itself is another critique I could give the show. Whether it be Wander facing a different type of threat that wasn’t just another villain, Hater’s transition into becoming a good guy, Peepers getting fed up with his boss and striking out on his own, or Dom’s true characterization that the crew kept insisting was there - the show simply saved a lot of it’s most interesting ideas for a potential Season 3. It was a gamble, and it was one they ultimately lost. It sucks, but it is what it is.

There’s a few more things I could critique about the show, such as its take on the idea of character redemption and Wander becoming a bit of a karma houdini that the show pretty much stopped calling out, and while these critiques are valid I feel like there are other fans who could do a better job talking about those points. But in the end, while season 2 was both a let down in some parts and a bit of a mess in others, I still feel like there were ultimately more good things to be found within the show than bad things.

It’s not a perfect show, far from it. Frankly, I don’t look down on anyone who fell out of love with this show or enjoyed s1 but hated s2. But for what it’s worth, the memories I got from the show are still ones I treasure, and episodes like “The Good Deed”, “The Little Guy”, “The Nice Guy”, “The Epic Quest”, “The Rider”, “The Boy Wander”, “The Black Cube”, “The Hole… Lotta’ Nuthin’” and “The Cartoon” are ones I still love to bits and will probably always love as I watch them over and over.

Disney Channel itself may not care all that much about this show these days save for an occasional rerun or a quick cameo in their Chibi-Verse shorts, but I’m always gonna remember it - for better and for worse. So here’s to 10 years, WoY. I may not always like you, but I still love you.

#wander over yonder #woy #long post #personal thoughts #personal opinions #fair warning this is VERY long hence the read more #wasn't tempted not to post it because of the length #but this show was such an important part of my life #and I wanted to get all my current thoughts out about it

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heloflor · 4 years ago

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Fun facts to notice about Cavendish and Dakota’s personalities

So most of this is probably stuff that a lot of people already noticed but I still wanted to compile it. And this list is way longer than I thought it would (did this post accidentally became a character analysis/deconstruction ? Maybe ?). One last thing : “fun” is a very loose term here.

- When he’s excited/very happy about something, Cavendish becomes touchy. For example, you have the last minute of “Time Out”, the scene with Professor Time near the end of the PnF crossover and the resolution of “Managing Murphy’s Law” (the episode where they discover the memory eraser machine). On the same vein as “Time Out”, there’s the beginning of “Abducting Murphy’s Law”.

He also seems to be touchy when he’s nervous, as we see in “Snow Way Out”, though he seems more to bite his nails or hold his hands a certain way when nervous. Also, Dakota never really reacts when Cavendish grabs him (which I find hilarious and adorable; it’s like it was a normal thing for him).

Finally, one could argue that he can get touchy when sad, given the last minute of “Snow Way Out” (Cavendish be like “Sir this is my emotional support husband” everytime he feels a strong emotion that isn’t anger/annoyance), but it only happens once, or Dakota is the one reaching out when Cavendish’s feeling down.

- On a related note to that first point; and though it goes without saying because everyone in the fandom already knows it : Cavendish and Dakota basically have no physical boundaries when it comes to each other. They constantly get into each other’s personal space without warning, with the other not being bothered in the slightest. Like their first physical contact is literally Dakota putting his hand over Cavendish’s (“Smooth Opera-tor”) and none of them seem to care about it, as if it was normal.

They also seem to be the characters who hug and get into each other’s arms the most and, if we were to put every character in pairs (and by pair I mean that for the main trio, it would be three pairs in total) and count how many physical contact every pair had, Dakota and Cavendish would either be the ones with the most contact or very close to the first (since they don’t show up in every episode but when they do appear, they touch at least once in almost every episode).

- Another thing that everybody already noticed but still : that whole gimmick with Dakota explaining something/a joke until he’s cut by Cavendish saying “I get it” (gimmick that they kind of lost in season 2).

- While Cavendish acts in a way that makes him seem very self-centered, every time he and Dakota find themselves in a dangerous situation, Cavendish’s thoughts are first and foremost on Dakota’s wellbeing. Examples : at the beginning of “The Island of Lost Dakotas”, when Cavendish sees the construction site thing fall, the first thing he says is “You [Dakota] could’ve been hurt !”; in “Fungus Among Us”, he calls out for Dakota when the latter tries to run away after eating the small pistachions; in the PnF crossover, he keeps saying “be careful” when Dakota tries to get a ‘time clock’ but most importantly he puts himself in front of Dakota when attacked by a Pistachion, with his facial expression clearly showing that he expects to die, and when Dakota scolds him for it, Cavendish defense shows that he would have no hesitation going back in time to protect Dakota. Finally, in “Disco Do-Over”, he shows concern when Dakota’s being beaten by the old lady; during this season he ghosts Dakota with the excuse of wishing to protect him; and in the last episode of season 2, right before the “I fall down” song, Milo comments on the team’s looks, which brings Cavendish to say “Prepared and Protected”. And as he says “protected”, Cavendish knocks on Dakota’s helmet, as if, when he says “protected”, he’s mostly thinking about Dakota being protected.

- Cavendish and Dakota act differently in public and in private. When in public, Cavendish has that ‘serious’ and ‘done with your shit’ attitude, almost acting all-mighty. But when in private, he’s shown to be much nicer but also drops the confident façade and shows his fears and insecurities. For example, his panic in “Snow Way Out”. As for him being nicer, there’s the fact that he calls Dakota a ‘meanie’ in the Halloween episode, which is an improvement over “We’re Going to the Zoo”. In general, it also feels like he sees Dakota as an equal, compared to how he treated him at the beginning of the show.

As for Dakota, he acts lazy and laid-back in public (to the point where he sometimes reminds me a bit of Sans. Seriously) but, in private, he’s grumpier and talks about what bothers him.

The best example for this dynamic is at the beginning of “Perchance to Sleepwalk”, with Dakota complaining about Block not believing them about the Pistachions and Cavendish actually trying to comfort Dakota.

You know, this difference of dynamic is actually pretty sweet. As I said, Cavendish has a tendency to act like some villain who bosses around his underdog, especially during the first episodes. But the way they act in private shows that their relationship is actually much healthier than that. Also, the way Cavendish expresses his insecurities and Dakota vents to him shows that there’s a lot of communication between them, which can explain how they were able to keep up such a strong relationship for so long. The two of them trust each other, care for each other and view each other as equals. Though, I have to admit, this difference in behavior also really fuel my headcanon that the two had been married for years but had to get used to hide their relationship due to travelling in the past (and the reason why they call each other by their last name is because Cavendish noticed that people used to do that in the 18th century with people who aren’t family, so he convinced Dakota that they should try doing that to hide their relationship better; because let’s be honest, if there’s something between them, they are really bad at keeping it a secret).

- A short one, but Cavendish softens as the first season progresses. At the beginning, he mostly has that ‘all-mighty know-it-all’ attitude and acts like Dakota was his underdog, though there were some signs that Dakota wasn’t letting himself being walked over, the best example being “Murphy’s Lard”.

Then, after “Time Out”, Cavendish starts being nicer, showing more appreciation for Dakota and even showing some amusement about the bet in “We’re Going to the Zoo”. Finally, after “Missing Milo”, Cavendish completely softens up and becomes the character we’re used to see.

- Dakota seems to act laid-back as a counter point to Cavendish’s irritation. When you think about it, the times when Dakota is the most laid back are the times when Cavendish is the most irritated. The best example for this has to be “Abducting Murphy’s Law”. At the beginning of the episode, Cavendish goes on a rant about their job and you can see Dakota, who was frustrated two seconds ago, close his eyes for a few seconds. And when he reopens them, he starts talking about eating lunch. Then, when Cavendish calls him out on his attitude, Dakota becomes serious again to give Cavendish a reality check, only to then ask Cavendish if he wants food. In a way, it feels like Dakota uses his laid-back personality as a way to soothe Cavendish, to try to make his less tense.

- Cavendish seems to have a pretty low self-esteem. This is something that I’m pretty sure everyone has already picked on, but I still feel the need to mention it for one reason. First off, for those who haven’t noticed, basically Cavendish is borderline obsessed with saving the world and being someone important, and the fact that Dakota seems to be a better time-traveler than him probably doesn’t help (“Time Out”). This would also explain his need to give Dakota orders while on mission.

But one thing I want to mention about Cavendish’s desperation to be important is the PnF crossover. Indeed, in this episode, there’s a moment when Cavendish is ready to get himself killed to save Dakota (as mentioned earlier). But thing is, Cavendish’s facial expression bothers me in this scene. He looks resigned, as if knowing that he’s going to die, but at the same time, I feel like his action is some kind of cry for help or cry for attention.

But why would he suddenly feel this way ? Simple : the island of lost Dakotas. As I said, Dakota is a better time agent than Cavendish, which is something Cavendish seemed to have learned to accept, probably helped by Dakota letting him be the boss. But when he discovered the island, Cavendish also discovered just how much of a better person Dakota was. And yes, Cavendish was genuinely touched by what Dakota did, it clearly made him happy. But at the same time, it could’ve created some strong insecurities. After all, he just discovered that Dakota was willing to sacrifice his life hundred of times for him, while all he did was being an ass while on the job. So with that in mind, it’s possible that Cavendish wanted to prove himself to be a protector too and prove it to/repay Dakota, using the first opportunity he could to try showing that; being willing to give his life to show he can be great as well.

But hey, all this is just speculation from someone who almost only writes angst so what do I know.

- Dakota’s a mess during the second half of season 2, but it’s pretty justified given the circumstances. First off, when I say that he’s a mess, I mean that for a guy who’s always chill and in a funny mood, he has no patience whatsoever when interacting with Heinz (though you could argue that he already found Heinz annoying; and there might still be some disappointment regarding the whole ‘Professor Time’ situation). There’s also the episode “Escape” in which Dakota keeps switching between being sad to angry to hopeful (the hope in his eyes when Heinz starts the clone machine…) to miserable/hopeless. We also see him get up quickly, accidentally knocking Cavenpuss in the process and not giving a single shit about it. But yeah, someone please give this poor man his husband back (and I could say “someone please give him a hug” but he does get one in the next episode so…).

I swear you could make a drinking game out of all the times Cavendish’s name is said in this episode alone.

As for the justification of him being a mess, reminder that Cavendish has a track record of dying and Dakota not only has no idea where the guy is but he can’t go back in time as well, meaning that, if Cavendish dies, it will be permanent.

- In “Picture Day”, there’s that scene with Cavendish and Dakota ‘cuddling’ for warmth after arriving in the wrong place. During this small moment, Dakota has a face as if he was chattering his teeth but his teeth doesn’t actually move, giving him a borderline panicked expression. Two interpretations here : 1. It’s an animation error. 2. It’s probably the first time the two are in a dangerous place since their lost their job. In other words, this might be the first time Cavendish could potentially die since they lost the ability to time travel. So what if Dakota’s expression is from realizing just how mortal Cavendish now is, and how powerless he is to stop death ?

- Dakota doesn’t seem to follow a dream or want much from his life. As said before, most of the time, Dakota is pretty laid-back and lazy. The only time he mentions a life goal is in “Time Out” with the Mississippi purchase. But overall, Dakota just acts like he was satisfied with his life, despite not liking his job in season 2 and despite the small ‘apartment’, and seems like he just wants to have fun and be with Cavendish. Heck, in “School Dance”, he admits that he has no idea what the plan is, he’s just following Cavendish around. On that note, he also seems lazy regarding his job as a time agent because he knows that what he does doesn’t really matters when you can just go back in time and fix it (the Sans vibes are coming back !). So yeah, Dakota feels like a guy who accomplished what he wanted to do with his life and is now just want to enjoy his time and be with his husband Cavendish.

- Finally, I know everyone already noticed this, but Dakota has that tendency to just stare at Cavendish with a smile or a smirk while Cavendish is ranting. I’m just mentioning it because it’s adorable.

#Milo Murphy's law #mml #mml spoilers #Milo Murphy's law spoilers #Dakavendish #Vinnie Dakota #Balthazar Cavendish #Flor talks #I might have overdone it #this post was supposed to be like 3 ideas #but then it turned into 5 pages #oh well #at least it's more precise #probably

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pikkish-moved · 6 years ago

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Best of Both Worlds ~ 9

In which plans are made

Chapter 9

Olimar’s Voyage Log - Day 1

Well, here I am again, inside a damaged spaceship, orbiting the Pikmin Planet. I suppose, at least, this time, I have good company, though I can’t say I don’t miss Louie.

At any rate, we’ve made it to PNF-404- the Koppaiates insist that I call it by it’s “official name”, but I think it’ll always be the Pikmin Planet to me. Regardless, the landing was, unsurprisingly, rough. I think that this planet has it out for me, though considering the Koppaiates had their fair share of trouble on their visit, maybe it just hates everyone. I can only hope this trip ends with the same success that my previous trips did; the thought of not making it home to my family is just as terrifying as every previous visit.

We crash landed on what Brittany and Charlie described as an enormous beach, and in fitting with this world’s gargantuan proportions, they also came across some giant tidepools. As the two who discovered the location, they decided to name it the Wavecrash Shoreline. A fitting name in my opinion, as not only is it the location where we crashed, but we barely managed to escape the crashing waves of the rising tide.

For as much as I hate to admit it, the thought of getting a chance to see the new creatures Brittany was describing does excite me. This world changes in incredibly vast ways in just the shortest amounts of time, and though I’m foremostly a pilot and mechanic by trade, I can’t deny my interests in the ever changing biology of the Pikmin Planet.

Speaking of biology, though, Brittany and Charlie didn’t manage to find the one type of creature we were hoping for. Though they spent the entire remainder of the day searching, the pikmin made no appearance. I… find this rather concerning. On every single previous visit to the planet, they have always been there to greet me almost as soon as I leave my ship. But not this time; the first day has come and gone and there were no signs of the pikmin. I wonder where they could be…?

Tomorrow, we will return to the Wavecrash Shoreline, and continue our search for the pikmin.

✿✿✿

When Olimar woke, it was to a stiff neck and a sore back. The events of the previous day had not been kind to the poor Hocotatian. The strain of the initial crash alone would’ve been enough to make his sleep uncomfortable, but then combined with the exertion required to lift the air filtration unit off Alph immediately after, then spending the rest of the day scrambling to get the ship repaired…

Olimar, in his forties, was the oldest of the crew members of the Drake, and his body was making sure he knew it. Of course, being stranded on a hostile alien planet certainly didn’t help.

With a groan, Olimar sat up on his bunk, trying to stretch out his aching back. He supposed, considering the kind of work he’d have to be doing from here on out, he’d once again have to get used to that constant dull ache in his muscles.

Grimacing just a bit, more in frustration than actual pain, he rolled off his bunk, and set about changing from the sweatpants and loose tee shirt he had been wearing into his spacesuit. First came the tighter, lightweight suit to prevent chafing, then the insulated layer to protect against temperature and other potential environmental hazards, then finally, the actual suit itself, and backpack life support unit. Not for the first time, Olimar could not deny that all this was made considerably easier by his new Koppaiate suit, rather than his own old suit.

Leaving his cabin and heading to the bridge, Olimar found that Charlie was the only other person up so far. The Koppaiate offered a friendly smile. “Sleep well?”

Olimar returned the smile, one hand still absentmindedly trying to rub his back through his suit. “Well enough, I suppose.” That was as much as Olimar could say for this place. He doubted he would ever truly sleep well, but except for about his first week here, he had usually managed to sleep well enough to function okay.

Charlie just laughed a little. “That’s the way it always is, isn’t it?”

That gave Olimar pause. Charlie was a young man- or, at least, relatively young compared to Olimar, and definitely not beyond his early thirties. What could have possibly been giving him trouble sleeping?

Well, he was a space ranger, Olimar realized after a moment. He’s probably faced a lot of the same difficulties I have, if in a different form.

Right about then, Brittany came in, followed by Alph, who was still rubbing the sleep out of his eyes. And after a quick exchange of “good morning,” the crew got down to business, and began to plan out their day.

“So we’re going to return to the shore,” Charlie began. “Do we have a safe landing spot?”

The question was mostly directed towards Alph, who had already stationed himself at the computer. “Well, I had the Drake’s planetary scanners set on the beach overnight. It looks like the tide’s high and low are roughly five and a half hours apart. So if we land about forty five minutes from now, it’ll be right when the high tide is starting to recede, so we should have around eleven hours to explore the tidepools.”

“And a landing spot?” Charlie prompted again.

“It looks like the tide never reaches that grass forest area. If we land closer to that…”

“But then,” Olimar countered, knowing well the habits of the hungry creatures, “we run the risk of attracting the attention of something in there that might try to eat us.”

“Well, we need to land somewhere.” If Olimar had to guess, he would’ve said Brittany was getting impatient.

And it seemed Alph had a solution. “As long as we’re back before the tide rises, we can land most anywhere on the beach.”

“Alright then,” Charlie gave a single, decisive nod. “Alph, we’ll need a bit of distance from the grass forest, but I’ll leave the actual location up to your discretion. In the meantime, we still have the chronometers we used last time, so we ought to synchronize them with the tide, to assure we’re back in time. How long did you say we have, Alph?”

“Well… technically, around eleven hours between maximum tide heights. But I’d say nine and a half, just to be on the safe side, not to mention we’ll have a little less time if we’re landing farther out on the beach.”

At that, the crew proceeded to set their watches.

As Alph began to plot their descent to the planet, Olimar began, “So, since we’ve gotten that settled, how do we want to go about this?”

“Brittany and I didn’t get much exploring done yesterday,” Charlie said, rubbing his chin. “So that, in conjuncture with finding the pikmin, should be our top priority. And I doubt the planet’s any safer, so no one should go alone.”

Olimar didn’t miss the hopeful glance Charlie looked to Brittany with.

Brittany, however, appeared to be having none of that. “I really think I should stay behind at the Drake,” she said, and Olimar noticed too the way she pointedly avoided meeting Charlie’s gaze, giving him the cold shoulder. “I need to get started on researching the plants, considering that’s the entire reason we’re here.”

“But how will you do that if we can’t bring any fruit back? We need the pikmin’s help for that.” It seemed Charlie was rather determined, though.

But Brittany retained the fierce stubbornness that Olimar had come to expect of her. “It’ll take me a day at least to get all my equipment set up, since it’s all in the cargo bay still, and I can do that just fine without the pikmin.” Now Brittany turned to Charlie with a look in her eyes that Olimar was quite glad wasn’t aimed at him.

And going by the look on Charlie’s face, he was only about to dig his grave deeper. So Olimar decided to step in.

“I think she’s right, Charlie. That is the purpose of this expedition, after all. You, me, and Alph can go together while Brittany sets up, and she can join us tomorrow.” At the slight waver in Charlie’s expression, Olimar continued. “Besides, Brittany, even though I’m sure you’re entirely functional, after yesterday, I can’t imagine you’d be feeling your best, and you must still be feeling some of the effects of the oxygen poisoning. I think it would probably be pretty nice to do something a little… quieter, personally, were I in your place.”

As Charlie muttered something to the effects of “well, I guess…” Brittany looked to Olimar, confusion evident on her face. He just gave her a small smile and a nod. And as he turned to follow Charlie to check up on Alph and explain the plan, he heard Brittany say under her breath, “now why didn’t I think of that yesterday?”

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noddytheornithopod · 6 years ago

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More PnF/MML Crossover Teaser Analysis

You know the drill for this. New teasers came out, I get excited, I take screenshots and analyse them.

First thing’s first: before I show them under the cut, these two teasers showed a LOT and yet we still have no Isabella appearance. They’ve confirmed she’s appearing, but the fact we now have a good amount of B plot footage has me convinced she’s either a spoiler in some way or they neglected to mention her appearance is so miniscule it’s not worth showing in the promos. :V Anyway, time to look at these.

A promotional still akin to the teaser poster. Still stock images, still Isabella trolling us.

Confirmation that Candace and Melissa are going to be with Phineas, Ferb and Milo in that warehouse place. It probably does seem Phineas and Ferb are gonna make the tennis robot to rescue the others/escape with them and then meet Milo after the Perry thing if this is indeed the case. Wonder where Zack, Buford and Baljeet are in this scene then, and where do Candace and Melissa go when Phineas and ferb are experimenting with Milo?

Doofenshmirtz and Milo talking, probably about time travel.

Now here’s something interesting: Phineas and Ferb have a white board and Milo being near it sets it on fire. I wonder how Phineas is going to react to moments like this: is he going to be understanding of Milo, or will the dire situation end up with him losing his temper like in Mission Marvel? Ferb probably manages as well as he can as per usual.

This probably is the shot that interests me the most. First of all, “Evil Orton” is now revealed. Seems for whatever reason Derek likes wearing the Dr Zone costume, maybe it’s a pride thing since it’s what he used to basically take over the world.

However, it doesn’t end there. He’s in a pretty interesting location. One, there seems to be some kind of throne or pedestal Derek is on. Second, there also seems to be a screen behind him. I guess it’s to broadcast messages to everyone in Lard World or something?

What has my attention though is the plants and machine. Behind Derek and the machine is lots of grass, like an absurd amount. Is this decoration, or something more? The machine... it might be the thing from the board in We’re Gonna Do It Again (THAT MUSIC VIDEO I SWEAR): a machine that turns humans into plants. If this is indeed what this machine does, is he going to turn humans into more Pistachion type plant people, or is he just going to say... commit genocide by turning everyone into grass? Honestly, making more brainwashed minions or making everyone be stuck as plants are equally horrifying ideas.

Phineas, Ferb and Milo buckling up in this other machine they use that we haven’t seen yet. I had a feeling this was different to the tennis robot for a while, and I’m now certain this is the case. I wonder what it is though? It might be the weaponisation of Murphy’s Law that many have suggested. Though one wonders what Phineas and Ferb do in the robot, do they power it like Milo? Is this what we will discover “the Phineas and Ferb effect” actually is?

A clearer view of the scene where we see the gang cornered and the tennis robot jumps in.

A shot of the tennis robot falling apart, presumably before the moment they meet Milo. Maybe it’s not from battles, but it falls apart because of Milo being close by, being a signal that they’ve found him?

Another promotional still in the vein of the teaser poster.

A look inside the tennis robot with the gang presumably escaping and about to meet Milo. Most of them look okay but Zack looks nervous, and more notably Candace seems upset about something. Is she just worried about the situation, or did something happen with her that’s getting her down? Maybe she tried to save Jeremy or Stacy but failed or something, who knows.

Confirmation this is the time machine, and it indeed works. IDK why it looks like that but whatever.

A shot of out B plot cast... including Perry. I guess after he does his thing with Milo, he goes back to the time travellers and Doofenshmirtz to help on their mission in trying to fix the past.

Lastly, we have Diogee and Perry and Milo’s house. Diogee has something, I think it might be the clock Milo had elsewhere? Perry is also getting his jetpack and leaving. IDK if they’re parting ways or just splitting up, especially since Perry is in the shot where Milo returns with the clock.

But yeah, here we go. Now let’s just hope we see this soon.

#milo murphy's law #phineas and ferb

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blairaptor · 7 years ago

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Summer scheduling

Hey folks!

Yesterday I had my first day of my summer job after moving back home from school. It was super fun and I’m excited for this summer!

I just wanted to make a post laying out some of what I need to do - first thing is to unpack the rest of my stuff and get it organized in my room. But I’m hoping by Monday the 7th I’ll be on a fairly regular art schedule. Here’s what I’m thinking -

I’ll work on REM in the mornings, and in the evening I’ll work on other art and stream it for you guys! I also joined the PnF Reanimate project on Twitter so I gotta get going on my shot for that, and once it’s set up I can stream that as well.

I’m really hoping I can finish lining REM ch7 by the end of May, or even color that chapter as well. The finish line is close! I also paint a dilophosaurus every May, so be on the lookout for that too~

#blair speaks #delete later #maybe lol

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ickaimp · 8 years ago

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Hello! Sorry for ask this and reminding you of a series you wrote nearly 5 years ago, but I had recently been rewatching Phineas and Ferb and had stumbled in your sieze the summer series (which is probably my favorite pnf fics I've found). At this point I'm not asking you to continue it because I know that interest changes and you're into rotg now. I was just wondering what you had planned for it, if you did have any? I'll leave my ask as public just in case you wanted to answer privately :D

Glad to hear someone enjoyed the series! Always meant to write more for it, but didn’t getting a lot of feed back on it, and then RotG stole our brain. We had a lot planned. So… Highlights:- Ferb and Phineas end up getting a platypus army as their support unit, like how the Fireside Girls were. There’s also an Echidna, who thinks they’re a Platypus. They’re Ferb’s main assistant. - Phineas is Asexual Extrovert, Ferb is a Pansexual Introvert (inspiration) and at one point goes steady with an alien. - They have multiple bases world wide, in outer space, and the moon. Due to their inventions being stolen one too many times, their main headquarters is Atlantis - off the coast of Danville. It’s accessible through the warehouse via tubes that the tides twist and turn into a unique roller coaster ride every time you go through. Irving is in charge of security.- They have multiple businesses, depending on what they’re doing. The main company is ‘Endless Summer’. - They have amusement parks with ever shifting events, rides, and concerts everywhere they are. Admission is frequently free. One of them is the castle by Grandpa Reginald and Grandma Winnie’s place.- Isabella is their Pepper Potts, she takes care of the running of the company so that they can focus on inventing. Stacy eventually becomes the head of the legal department. - Perry continues to hide his secret agent persona from Phineas and Ferb, but mostly because he thinks it’s funny and he’s secretly a troll.- Doofenshmirtz is a part time substitute teacher. He gets along best with the weird kids and encourages them. - Fred from the future episode is actually Vanessa and Monty’s kid (he looks like a young Roger Doofenshmirtz) Was still trying to figure out how/why Candace eventually adopted him, think it came down to Vanessa being a double agent. -Vanessa is the Johnson kids’ cool Aunt Vanessa and is a large part of their lives.- At some point 20 years down the line have an accident resulting in mixing their dna together and creating twins which aren’t technically clones, royally confused the media, moral groups, and the scientific community. They didn’t care, loved their kids, and platypi are great nannies when it comes to curious toddlers around lasers. (I don’t know, the logistics of this makes me laugh)And they have one limitation they can’t cross. This was originally written for the Spook-Me Ficathon, but we couldn’t quite figure out the beginning or the end. Based off of ‘The Solider and Death’, the idea was that Isabella works with those ‘Make a Wish’ type of things, 2,450 words, mentions of death.

“Anyway, thanks Phineas.” Isabella watched the redhead collapse against the wall in the hallway, and slide down until he was sitting on the ground, spindly knees sticking up in the air. She’d known that they had been reluctant to come to the hospital, but they’d done it to help Kenny. And the holographic system they’d rigged for the kid to ‘visit’ outer space had been beyond comparison.

“I’m just sorry we couldn’t do more.” Phineas said tiredly, tilting his head back against the wall.

“You did all you could do.” She said soothingly. Seriously, the guys did more than twelve people put together sometimes. She gave a small laugh. “I mean, not even you can stop death.”

Phineas flinched.

Isabella stared. That wasn’t a normal flinch, that was a ‘Phineas is guilty of something and bad at hiding it’ flinch.

Her question died as Ferb stepped out of the ward, Phineas automatically turning to face his brother with an expression she couldn’t quite pin down. Guilt and relief, mostly.

“Never.” Ferb said with a tone that was both firm and profoundly sad at the same time as he approached them, pocket watch in his hand. “Ask that of us again.”

With that, he sat down on the floor next to Phineas, taking his brother’s hand in his, their fingers twined together as if they were anchoring each other against an incoming storm.

“But…” Isabella glanced between them and the room they had just left. Phineas had seemed so cheerful, excited to share the galaxy with the kid. Ferb didn’t tend to be quite as expressive, but he hadn’t seemed put out to be there either.

“Three.” Phineas said softly, looking at the pocket watch in Ferb’s hand. “Two… One… Zero.”

They lapsed into silence, staring resolutely at the floor. “Wha-” Isabella started to say, when from down the hall she heard an alarm go off. Code blue was called and people started to run in the direction of the room they’d just left. Someone began wailing in the background.

Kenny was dead.

She turned and stared at them with wide eyes. Her friends had pulled off some amazing marvels in their time, but to be able to predict the moment of a child’s death-?

“You knew when he was going to die.” She whispered, the realisation sinking in.

“Yeah.” Phineas agreed softly, his eyes half-lidded and shadowy.

“But… If you knew, why didn’t you do something?” Isabella asked. Time after time, she’d seen them do impossible things, pulling miracles out of thin air at the last second. And yet they’d played with the boy instead of even attempting to save his life. “You guys! You guys can do anything together! Why didn’t you-”

“We CAN’T!” Phineas snapped, his voice cracking as he turned and glared at her. “You think… You think we like knowing that we could probably be able to do something and not being allowed to? You think it’s easy to just… what? Sit here and do nothing? I, We hate it! But we can’t!”

“Why. Not?!” She demanded. All those outings, all that time that Kenny could have had. The years his parents, that she, could have spent with him. Gone. He was never going to grow up, ever actually go into outer space, never even date or have his first kiss. All that, gone.

Phineas glared down at the floor, a stubborn look on his face. Ferb turned towards his brother, squeezing Phineas’ hand. Phineas sighed, tilting sideways until he was leaning against Ferb, his head resting on Ferb’s broad shoulder.

“Remember when we 16 and Grandpa Reginald passed away?” Phineas asked, looking away from her, his eyes half-lidded again. “Ferb and I built a box that could hold anything. And we caught Death, and put Death in the box.”

“You… caught Death?” Isabella echoed, feeling like it was the start to a bad joke.

“Well, the metaphysical manifestation of Death anyway.” Phineas clarified with a small half-shrug of one shoulder. “Same thing, really. With Death trapped in the box, nothing could die. And Grandpa Reg wouldn’t die.”

He trailed off, his eyes drifting shut. Ferb merely rested his head on Phineas’, offering silent comfort. Isabella remembered Ferb had been close to his grandfather, the only other grandparent who shared Ferb’s dare-devilish ways, his need for constant physical challenges.

“Grandma Winifred figured out what was going on and made us release Death from the box.” Phineas continued. “Not dying hurt Grandpa Reg more than the thought of leaving, his body ached and he was ready for the next adventure. But you can’t trap a metaphysical manifestation of a major cosmic force and expect to escape unscathed.”

Ferb pulled out the crystal glass he’d been holding earlier up for her to see. “We made a deal, and got this glass in exchange for the box.” Phineas lifted his head to look up at her. “We look through the glass when it’s full of water. If Death is at the foot of the person, we can do something. If Death is at their head, Death wants a new friend, and all we can do is ease their way. I never see it, but sometimes Ferb gets a glimpse of Death’s timer and we know how long they have.”

“-Like today.” Isabella murmured, remembering Ferb setting the timer after looking through the strange glass.

Phineas nodded. “If we break the deal, Death takes one of us away.” Their fingers clenched tight around each other, as if afraid the other would be torn from their grasp. “And never comes for the other. We’d never see each other again. Ever.”

Isabella had read enough Greek Mythology to know that ‘Eternal Life’ didn’t mean 'Eternal Youth’. Their body growing frailer and frailer, yet never being able to pass on.

But to have one brother left without the other, that would be an endless Hell on Earth.

“If we don’t, when Death comes for us, we go together.” Phineas turned and faced Ferb with a slight smile. “Neither is left behind.”

Ferb smiled back, leaning forward to press their foreheads together. For all the simplicity, it was a personal, intimate gesture.

The strength of their bond sometimes frightened Isabella, even as she craved it. She sometimes wished she had that she could have that sort of connection with someone, that closeness. But to be that much a part of someone, and have someone so a part of herself, it was a daunting prospect. It seemed like she’d lose a lot of who she was in the process and she wasn’t sure she was willing to give that up yet.

Their story seemed a little bit too fantastical too, like it was some sort of fairy tale or mythology. They’d done some pretty amazing things together, but trapping Death? That was stretching the limits, and she’d ridden in a space ship before.

Ferb made some sort of gesture and Phineas nodded, the two of them pulling their heads back. “Good idea, Ferb.”

“What?” She asked. Ferb held the crystal glass out to her.

“Fill the glass with water, any water will do, then stand the foot of someone’s bed and look.” Phineas instructed. “Then tell us what you see. We’ll be right here. Remember, head of the bed and foot of the bed.”

“I… Okay.” Isabella nodded. It couldn’t hurt to verify. She took the glass and with a small nod, walked down the hall to a side corridor where she knew a drinking fountain was, filling the glass with water. It sparkled prettily in the lights, throwing off rainbows, much like a diamond would. With a small smile, she walked back the other way, to a quiet wing she knew the critical patients were in.

Knowing that the nurses would probably want to know why she was there, she stopped at the foot of the first bed she saw, an elderly man with paper fine skin. She lifted the glass, peering through it.

At first, she saw nothing. Then she noticed a kind of shadow next to the bed, and shifted so she could look there.

Through the glass, she could see a pale thin woman with a head of hair that looked like messily spilt ink, dressed in a black tanktop and jeans sitting next to the man, watching him with a small smile on her face. The oddest things about the woman was a little spiral under one of her eyes, a large silver ankh necklace, and an umbrella in her hand. Isabella shook her head and moved her head to look at the spot without the glass.

Nothing.

She looked through the glass again. Even with all the black, the woman looked nice, like a friendly neighbour, or long forgotten friend. The woman seemed to notice Isabella and raised a hand, placing her finger in front of her lips in a gesture for silence. Isabella nodded and the woman winked before turning her attention back to the man, who seemed to be turning his head towards the woman, reaching one weak hand towards her.

Isabella lowered the glass and quickly walked away.

When she found Phineas and Ferb, they were leaning against each other, Phineas’ head tucked under Ferb’s chin, Phineas whispering softly and Ferb responding in his strange silent way. They pulled away when they saw her coming, their hands still locked together between them.

“Death is a woman.” Isabella reported, handing Ferb the glass.

“Sometimes.” Phineas agreed as Ferb made the glass disappear into a pocket, water and all. “Sometimes he’s a huge skeleton with booming voice and a white horse named 'Binky’. Other times, he’s an annoyed skeleton with a Jamaican accent. A few times, he’s looked kind of like a child wrapped in black. Death’s kind of a personal thing, it’s different for everybody.”

“Oh.” Isabella leaned against the wall, pressing a hand to her chest. She had just seen Death. And lived.

Phineas gave a small chuckle at her reaction, lifting his free hand and wrapping it around the wrist of the her arm closest to him. She turned her wrist, capturing his hand and holding on, their hands pressed palm to palm. His hand was warm and dry and she could feel his heartbeat against her skin.

“It seemed like the most amazing thing when we first got the glass.” Phineas said, his voice hushed. “We’d sneak into the hospital and check everyone we could. The ones Death wasn’t coming for yet, we did what we could. Those that we couldn’t… Well, this isn’t the first time we’ve set up the holographic projectors in a hospital.”

“The problem was when other people got an inkling as to what we were doing.” Phineas’ expression turned hunted. “And the shouting started, why would we save some people, but not others? Parents, siblings, close friends would offer their lives in exchange for a loved ones and there was nothing we could do. And we tried to explain it, but no one would listen.”

“Even worse was when they put our appearance together with someone dying, and started accusing us of killing people.” Phineas’ tone turned annoyed, the words picking up speed as he got more agitated about it.. “Like it was our fault that someone died when all we were trying to do was make them happy, even if it was just for a little while! People who were lonely, or scared, and even if we could help them, suddenly we weren’t allowed to do so and-”

“Oh, Phineas…” Isabella stopped him, kneeling down and putting a hand on his shoulder. He cut off with a hiccup, his face twisted up with emotion. She pulled him towards her, tucking her shoulder under his chin, then reaching out and doing the same to Ferb. Just because it didn’t show on the quiet man’s face, didn’t mean he didn’t feel it. “Ferb. I’m so sorry.” She whispered.

“Not your fault.” Phineas murmured back. Except it kind of was, she was the one to ask him here again, re-opening old wounds. The one who had started accusing of not caring enough, to save Kenny instead of making his last memories happy ones.

“The hard part is that we really can do anything.” Phineas whispered. “We’ve come up with thousands of cures, everything from the common cold to cancer, but we don’t know if that would inadvertently break the deal.” And Death would come for one of them.

“Is that why you won’t do anything with the bio-sciences?” She asked, pulling away to give them some space.

“Partly.” Phineas agreed. “That and we’re afraid someone would turn them into bio-weapons. Or limit the cures, which amounts to the same thing. Prosthetics have the same problem. Too simple, it doesn’t look right, too much and it’s the basis for super-powered exo-armour.”

She nodded. They’d had a problem a while back, someone attempting to break into the warehouse to steal blueprints for the Beak’s armour.

Balancing was the hardest part of her job. Not enough help and nothing changed. Too much assistance and it was like being a bully, forcing them to take it. People had to want the help, to accept and use it for it to actually work.

“Anyway.” Phineas leaned back against the wall, Ferb following. “We hid the glass away in our room for a while, I think it held change-” Ferb raised an eyebrow and Phineas nodded, accepting the correction as if it had been spoken out-loud. “Right, miscellaneous bolts and screws. We found it when we moved into the warehouse, but haven’t pulled it out for use until now.”

Because she’d asked them to come, to save Kenny if they could.

People always felt helpless in the face of Death, but how much worse would it be, to know that you had the ability to change things, but couldn’t without risking the person closest to you? How often had they broken their hearts over it? Because Phineas was incapable of not caring, and Ferb was right there with him.

“We can do anything, build anything, but there are some lines that we can’t cross.” Phineas murmured. “Even if we want to.”

Isabella nodded. “I’ll take care of anything else like this in the future.” She promised, making a few mental notes. Best to remove the temptation entirely.

Ferb had a silent communication with Phineas for a moment. “We don’t have any problems with the holographic projections being used to grant wishes like this.” Phineas said, obviously echoing Ferb’s thoughts. “Install them in every children’s hospital you want. Even bringing kids to the warehouse to build with us for a day is fine. Just no more hospitals.”

“Okay.” Isabella nodded. They could do that.They could do almost anything. It was going to take a while to wrap her brain around the idea that there was something they couldn’t do. “Thanks.” Phineas said, tilting his head back, resting it against the wall, the sounds of the hospital suddenly seeming to rush back in. Isabella moved to stand over them and guard them until they were ready to move. —-(Deaths mentioned are from Sandman, Diskworld, and The Grim Adventures of Billy and Mandy, it being personal is from Beetlejuice, and Kenny is from South Park )

#phineas and ferb #ask aunty icka #icka fic #seize the summer

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authenticcadence18 · 4 years ago

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I’m gonna hit lots of fandoms lol

ML: 7

PnF: 4

Tangled the Series: 8

Ducktales: 1

HIIIII sorry guys, I was going to answer these but then I ended up watching Shanghai instead😅. but I’m HERE!!! And I’ll answer at least one tonight and get to the rest soon!!!

7. Favorite Episode of Miraculous?

-Ooooooh. Ok, well, I love Oblivio! And I love Chat Blanc. (Super original favorite episode pics, I know🤣). I also love the season 2 finale!! AND!! Silencer is really really good too, the animation is sO GOOD in that one. I also really like Reverser because of how chaotic it is, lol!!

4. Favorite Phineas and Ferb quote?

-SKETCHY THIS IS HARD I QUOTE PHINEAS AND FERB AT LEAST ONCE A DAY🤣. I’ll just list a few. One of my favorite inspirational quotes is “The only thing that’s impossible is impossibility!!!” I also love “That’s too bad. I thought the two of you, you know: a boy, a girl, alone in the city of love...i thought romance was a foregone conclusion!!! ....Isabella, did you say something?” (That scene cracks me up EVERY TIME🤣). Also Isa’s entire inspirational speech in SBTY, like the “Well, that’s not the Phineas Flynn that I fell in...to...this...situation with?” SO GOOD SO GOOD SO GOOD.

8. Favorite Tangled the Series Song

COME ON SKETCHY (i guess i deserve this). I MEAN. UGH. I love pretty much all the music in that show, but I GUESS I’ve always had a soft spot for the Life After Happily Ever After reprise (and then the version of it in the finale). Musical parallels are my FAVORITE thing, so getting to see that song be brought back in the end, when Rapunzel had finally found herself, was so so cool. (But I also love “Waiting in the Wings” and “Crossing the Line” and “Nothing Left To Lose” and ALL THE SONGS I LOVE PRETTY MUCH ALL OF THEM)

1. Favorite thing about Ducktales?

AH ok like, it’s hard to say because i love everything😅. I love the humor, I love the animation, I love the worldbuilding, I love the characters, i love the voice acting.... More than anything, i think it’s just like, the sheer GOOD VIBES that show gives off. It’s an adventure, it’s exciting, but it’s also like, soft and comforting, in a way? Idk idk how to describe it there’s just something about Ducktales, it’s so so good.

#THANK YOU SKETCHY #cadence rambles #ask game

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physiocallgladstone · 6 years ago

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7th Day of the 12Days of Christmas by PhysioCall

🎅🎅

Day 7 of the 12 Days of Xmas.

Day 7 - If you don't know what to get a loved one for XMAS? How about a gift that keeps on giving.

Physio has the perception that it can only be accessed or used for injury or pain... but there are plenty of people who use our skills to to maintain the health they have.

Stay Super 12 Month (12 x 45 min) Maintenance Program is on SALE NOW for Xmas.

To activate your 12-month monthly maintenance program and save on your health/self care - simply sign up today and save immediately.

The membership offer is for our loyal customers. You are receiving a discount on each booked consult over a 12 month period (spaced out 4 weeks apart) and you are also given exclusive gifts, bonuses and consults as a result of being part of the 12-month program.

Who is this maintenance program for:

This is for anyone already uses Physio for maintenance and pain relief from work, sport and play.

https://www.physiocall.com.au/offers/5CFoMNFK/checkout

Who already enjoy receiving the best treatments:

- deep and soft tissue massage

- chinese cupping

- gua sha

- spinal manipulation

- Neural glide treatment

- PnF mobilisation

- Physio education

- Exercise prescription

To address their:

- stress

- posture

- inflammation

- balance

- muscle tightness

- flexibility

- strength

*** If physio consults go up in 2019, your monthly membership secures your treatment at 2018 rate ***

Why do our loyal clients buy this:

- Because they know what they want and they plan their maintenance each month

- They save per consult

- They get more time than everyone

- This is their investment into themselves after a long month at work

- It's great for people who sit all week

- Those that play a lot of sport

What you will receive:

- 12 months of discounted 45-minute physio treatments (save $210)

- 1 x FREE 90 min hyperbaric session (save $75)

- 12 months access to Treat yourself @ Home self-care program (value $300)

https://www.physiocall.com.au/offers/5CFoMNFK/checkout

Bonus for anyone that completes their 12-month maintenance program and attends all 12 consults, you will receive an additional 60 min hyperbaric session - to be redeemed within 3 months after completing the 12-month program (Value $65)

We have reserved these memberships for current customers. There are only limited memberships available.

Secure your Stay Super 12 Month Maintenance Program today - Sign up online.

https://www.physiocall.com.au/offers/5CFoMNFK/checkout

🎅Happy Saturday!🎅

08.11.2018 is the 6th of 12 Days of Xmas.

THIS GIFT IS FOR ANYONE IN MY TRIBE/VIP group to give to a person that has never been to PhysioCall Gladstone to see me before.

It's been a big week for me and I've had a lot of new clients. Humans who have been to many health professionals in their lifetime. There have been few that are holding onto old injuries and illness. Those ailments have become part of their lives, it's been their identity and their life story.

FOR THOSE OF YOU THAT KNOW ME BEST IN CLINIC

Do you have a friend or family member that has an injury or illness that has made up most of their life story? Maybe they've been holding onto things that are holding them back from being their best.

Day 6 Gift is for the 5 people - who book in this week, online using the following link. Who are BRAND NEW to the clinic - never been here before. Your first 30mins are FREE - one on one with me.

https://www.physiocall.com.au/booknow

Look for DAY 6 - XMAS 30 Min

There's no catch. Except you must find a time that suits you this week.

You don't have to keep coming back. I just want you to tell me your story.

Once the 5 are booked I'll turn off the link to book. But for those that do get 30mins for FREE. Make sure you turn up. Make sure you are ready to change your story. If you want things to stay the same please, if you don't want to change the story moving forward DO NOT BOOK. I'm only interested in people who genuinely want to become the best version of themselves.

If you want things to CHANGE for the BETTER :)

I'm excited to meet you.

https://www.physiocall.com.au/p/booknow

Happy Day 6 of the 12 Days of XMAS 2019

Josh

🎅Happy FriYAY!🎅

It's the 5th day of Christmas Promo🎉 07.11.2018

Our gift 🎁to you is $10 off CUPPING! Enjoy cupping service for $10 off valid only until 2018. Get yours now before the holiday begins!To book;- Call 49620411 or,- Send us a message here and we will get back to you as soon as possible or, - click HERESee you in clinic!

For those who havent heard or joined our PhysioCall Gladstone VIP facebook group, we would like to invite you to follow us and to also join our 12 Days of Christmas Promo. We will be giving away gifts everyday for 12 days. It will be a first come first serve basis so watch out and stay tuned for Josh will go live everyday. There is NO specific time of day on when he will go live so make sure you have followed our page and joined the PhysioCall Gladstone VIP group on Facebook. We have a lot of surprising gifts to give away so join us in celebrating the true meaning of Christmas - the gift giving. So what are you waiting for?

On the 4th day Christmas 06.11.2018, PhysioCall gave to me

$10 off a 30 minute ULTIMATE MASSAGE consult!! This is valid for the rest of 2018.

🎁 HOW TO GET THIS OFFER?? 🎁➡ Call us @ 0749620411➡Press the Send Message Button and speak to someone online OR➡Book an appointment online:https://www.physiocall.com.au/p/booknow

Don't forget to mention our facebook post!

The 3rd day gift of the 12Days of Christmas from PhysioCall:

Have you tried Hyperbaric Chamber therapy? Try it and experience the wonders of oxygen therapy.

On the 3rd day of PhysioCall's 12days of Christmas promo we are giving $10 off hyperbaric chamber session for the rest of 2018. Call us @ 0749620411 or book online just click the picture on the right and you'll be routed to the booking screen.

Just comment on this post if you want to take advantage of the $10 off or send us a message. See you in clinic! - 05.11.2018

Tuesday, the 2nd day of Christmas Promo at PhysioCall:

Josh went live today and showed how you can access our FREE SELF-CARE COURSE. It's been an on going gift and is placed in our website for those who want to take care of themselves when they are too busy to visit the clinic. This is for those who wants to make sure that their body operates at its best even if they are at home or work. You may visit https://www.physiocall.com.au/ for more offers. - 04.11.2018

Monday, was the 1st Day of Christmas Promo:

Josh is giving away $40 worth of each vouchers. He has more than 20 vouchers left to be giving away so hurry and get yours now. You may send this to your friends or family who might need this. Vouchers are valid until this year only so make sure to use them before the clinic closes for Holiday. PhysioCall will be close starting 2:30PM on December 20, 2018 for the holidays. Clinic resumes on the 7th of January 2019. 03.11.2018

How to avail the 12 Days of Christmas Gifts from PhysioCall?

When Josh goes live, just comment if you want the free gift. You may also tag people like friends or family whom you think will be interested in having these items. Or you can call our clinic @ 0749620411 if you wish to avail and let Myrle know which gift you would like to get, if those gifts are still available, you can have them! We will be posting the names of the lucky winners via our page as well. Again, make sure to claim and avail the gifts before the holiday starts.

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heloflor · 4 years ago

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Rogue arc : An analysis of “Abducting Murphy’s law” ’s B plot

So, as I mentioned in one of my fics, I wanted to write a long ass thing about Cavendish’s arc in season 2. Well, here’s part one!

While I said that I wanted to talk about the arc, to be honest I mostly had this episode in mind. “Abducting Murphy’s Law” is not my favorite episode but it does have my favorite B plot (by B plot I mean Cavendish and Dakota). The reason why I love this plot so much is because there’s tons of stuff to talk about, hence this post. So yeah, when I said I wanted to talk about Cavendish’s arc, what I mostly meant was that I wanted to infodump about this episode. Although, I did make a second post about how the reconciliation didn’t feel earned, along with some comments about the arc in general, including how Dakota definitely has some dependance issues but, instead of addressing it, the show tends to validate his fears. I’ll make sure to post both parts around the same time so that, if anybody wants to add or talk about it, they already have all my arguments.

This first half will be in four parts : a short explanation of which scenes I will talk about, one small side note about Bob Block being the least trustable character in this show, one pretty long part about how Dakota is throughout the episode and finally another long part about Cavendish and his evolution during the episode. And yeah, I know I could’ve made the Bob Block part into its own post but for some reason my brain really wants to put it in this post so…

And because I don’t want people to scroll through such a long text to read a tl;dr , here it is now :

tl;dr : - Bob Block is an untrustworthy condescending creep.

- Dakota plays moral support and does seem to believe Cavendish but is mostly worried about what Cavendish is trying to do and is gently trying to get him to give up while trying to stay on his side, as if something like that happened before.

- Cavendish is desperate to prove himself and the world that he’s someone, so when nobody takes him seriously or believe him, he’s willing to take matter into his own hands to prove them wrong.

As for the full post (warning : it’s VERY long) :

So first off, I will talk about four scenes here : the scene on the parking lot, the three scenes at P.I.G. (warning Block, the computer room and the argument in the armory) and the scene with Cavendish leaving. So basically, every scene with the duo except for the dialogue between Dakota and Heinz, mostly because there isn’t really anything interesting to say about this scene, except maybe the fact that Dakota drowns his sorrows in food but that was pretty much expected given his personality and the fact that he literally says in “Missing Milo” that he eats when he’s stressed. Also, leave it to Doofenshmirtz to be vague about why Milo was missing, making it impossible for Dakota to know that there truly was an abduction; just like how in “The Last Day of Summer” in PnF, when he asks Candace if she saw his nemesis, he conveniently doesn’t describe Perry to her.

As for the small part about Bob Block : I don’t trust that guy in the slightest. Firstly, like basically everyone who watched the show already said, this guy gives off a very creepy vibe that makes him scream “villain”. And his design with his teeth + the voice actor’s former roles doesn’t help. Also, I recently re-watched the B plot of “Milo’s Shadow” and Cavendish calls P.I.G. a “clandestine government agency”, and I’m a bit curious about the “clandestine” part.

Secondly, I’ve seen a few people say that Block was hiding something darker because he was “too nice to be a good person” but like…he isn’t nice ??? Not in the slightest ??? Haven’t you heard him talk to Cavendish and Dakota in episodes like “Disco Do-Over”, “Lady Krillers” or “Field of Screams” ? He’s extremely condescending to them. Seriously, he talks to them like they were toddlers. Like, you know that “baby voice” you take to make kids feel excited about something ? He uses the exact same kind of voice with Cav and Vinnie. And the fact that he speaks slowly or him killing aliens while telling Cav that he’s doing the important job doesn’t help with the condescending aspect.

Another thing that I noticed about him is that he tends to be in control of every discussion he’s a part of. In particular, he has a tendency to cut off Dakota when the two are talking. I don’t know why Dakota specifically but in my rewatchs I didn’t notice him do the same with Cavendish. And since we’re on the topic of him being condescending and cutting off : first, in “Walker, Runner, Screamer”, he hangs up on Cavendish without listening to him and secondly and most importantly, in “Parks and Wreck”, not only does he cut Dakota again but he also goes from “I’m 100% listening to what you want to tell me” to “Sorry I’m too busy” in like 5 seconds. Bob Block doesn’t care about them. He isn’t being nice. He’s a condescending ass who borderline gaslight them by pretending to be nice.

Another thing that I’d like to discuss about him is the fact that I’m seriously doubting that he’s related to Mr. Block, which is not reassuring because it would mean that he somehow learned about time travel and time agents etc. But yeah, about the relation with Block : Thing is, Mr. Block is at the head of B.O.T.T. and one of the judges of whatever their court system is. So in other words, he knows about the rules better than anyone. And while he does seem a bit immature at times and in canon went back in time to watch a movie he missed, I don’t feel like going back to meet his ancestors is something he’ll do ? I mean, we know that “don’t cross your own timeline” is a pretty big rule for time agents, and in “A Christmas Peril”, Block seems genuinely surprised to see his future self, which makes me think that he doesn’t do this kind of time-travel much. Also, if he’s willing to go back in time to meet his ancestors, why doesn’t he go back to buy pistachios ? So yeah, I know this is all speculation and for all I know he could have gone back in the past but there’s just something about his character and the situation that makes me go “would he tho ?”.

Also, while I completely agree that it can be possible, I’m a bit surprised about the fact that the family managed to keep the same last name for over 120 years. Like, did every generation had sons ? I know it’s entirely possible but would it happen here ? Or were there daughters who kept their last name after getting married ? Did Block really go back in time to meet his ancestors, leading to them wishing to keep the last name ? As for the physical appearance, aside from the hair, they don’t really have anything in common but it’s expected given the number of years between the two.

One last thing about Bob Block : In “Abducting Murphy’s Law” (you know, the episode that’s supposed to be the main focus of this post), there’s that moment with the character “Toodles” and I genuinely wished I had something to say about this moment, especially with the “I need to look like I’m going somewhere” line but I have no idea how to interpret it (and it’s frustrating honestly). So yeah, this line is here and it’s weird but I don’t know what to do about it.

Now, onto the actual episode (this will be cut in different parts to make it easier on the read, especially for those who wish to read it but can’t take it all at once. So yes, this post is literally an actual essay) :

I. Dakota’s side

1. Emotional support

So in the first two scenes, Dakota does what he always does. I’ve mentioned it in this long-ass post but when Cavendish gets frustrated or angry, Dakota has a tendency to act more laid-back and chill as a counterpoint. I think a good example of that is at the end of “Walker, Runner, Screamer”.

During the entire episode, Dakota looks annoyed or unhappy and yet, in that scene, he’s suddenly smiling. And it’s something that he does throughout the entire show, as if it was his way of “soothing” Cav. And in “Abducting Murphy’s Law”, that’s what he does at first. If you notice, when Cavendish gets angry after Block’s call and throw that metallic pick-up thing on the ground, Dakota closes his eyes for a good second. And when he reopens them, he starts talking about his lunch, going back into his laid-back role as if to try calming Cav down. This is also what he does after his rant a few seconds later, when he immediately offers food to Cavendish after said rant.

And speaking of that rant, I have a few things to say about it. First off, I do believe that Cavendish needed to hear that. Yes, it hurt his feelings, but given what happens during the rest of the episode, it does feel like Cavendish needs a reality check. Also reminder that this is the man who spent years dying ever so often; and on the island, some Dakotas look older than the one we follow in the show. So you’d think that after knowing about all these deaths, he’ll try to be at least a bit more careful. So yeah, while Dakota could’ve phrased things differently, I feel like this is something Cavendish needed to hear at some point.

Secondly, I can understand why Dakota would rant like that. Ever since the beginning of season 2, Cavendish has been complaining about his new job, ever more than the pistachios mission (for which Dakota also didn’t seem really satisfied, given how he easily follows through with Cavendish in “Time Out” and how he complains at the beginning of “Perchance to Sleepwalk”.). And when Cavendish complains, there are a few times like in “Disco Do-Over” or “Walker, Runner, Screamer” in which Dakota doesn’t seem to be very happy having to deal with Cavendish’s mood. Also, keep in mind that we see the duo like every three episodes and that just because they aren’t on screen doesn’t mean that they aren’t working. So for at least a month, given how each “show season” takes place during an “earth season” (if that makes sense), Dakota had to deal with working a shit job with someone who’s constantly complaining about it.

I’d also like to point out that, in “Backwards to School Night”, the line about Dakota not wearing much on Sundays and Cavendish not knowing about it hints that they don’t live together in the future. So that “constant roommates” situation could be new to them; and given how little they probably earn, it’s understandable that they’d rather keep this small “apartment” and share rent rather than splitting to go live in a different place each. In other words, Dakota doesn’t really have much choice but to live with Cavendish and hear him talk about saving the world everyday. Given all that, I’m honestly not that surprised that Dakota ended up snapping and giving Cav a piece of his mind. His patience was bound to run out at one point.

Side note : I’m not saying that Dakota is an easy person to live with compared to Cavendish. Honestly, they probably argued about money at some point due to Dakota’s eating habits and the fact that neither of them seems to know how to cook, so they have to eat out every day. I’m just saying that Cavendish is seen always complaining about his job and Dakota most likely hears him complain much more than we do. And no matter how much you like someone, hearing them say the same things over and over again get tiring. And besides, the argument could work in the opposite direction too. Maybe Cav is tired of Dakota never taking everything seriously; but much like Dakota, he can’t just buy his own place and live alone easily.

Thirdly, I’d like to comment on this face :

Two things to say about this face. First, the most obvious, he’s sad for Cavendish. If the whole “being chill when Cav is angry” is any indicator, Dakota doesn’t like seeing Cavendish be sad or miserable. Besides, this guy didn’t spend years saving Cavendish and trying to always be by his side just to destroy his self-esteem later on.

Secondly, I can’t help but feel like Dakota is also thinking of his own emotions here. As said before, Dakota isn’t very happy with his new job either, as we clearly see in “Walker, Runner, Screamer” (I swear mentioning this episode is turning into a drinking game). While he’s still cheerful from time to time, he went from having a lazy smile as a resting face in season 1 to having a more neutral or tired expression.

But at the same time, Dakota doesn’t really express his frustrations, most likely because Cavendish is much more vocal than him and he’d rather help Cavendish with his emotions than work on his own, like a “you have enough frustration for the both of us” kind of way. After all, we see in season 1 that he tends to shut down and keep to himself, which led to all his frustration in the argument of “A Christmas Peril”, since he wasn’t able to tell Cav why his lack of consideration was making him so angry, especially when Cavendish calls him selfish.

So here, it feels like Dakota isn’t just feeling shitty because Cavendish feels shitty but he’s also dropping his mask and showing more of his emotions, here the fact that he isn’t happy about his current life either. But unlike Cavendish, he’s able to go with the flow and find some contentment in the smaller things.

Now, about the scene at P.I.G.’s office : For the “support” part, there isn’t that much to say. When Block turns Cavendish down and the guy starts feeling bad, Dakota goes back to his supporting role. In a way, he’s acting like in season 1. Except that this isn’t season 1 and he can’t time-travel anymore. So when Cav starts talking about breaking the rules and risking their jobs, Dakota immediately considers his words a mistake and try to stop Cavendish from thinking too much about it.

2. Opposition

So I’m going to cover a part of the last two scenes at P.I.G. . First off, the scene in the computer room. At the beginning, Dakota seems still pretty encouraging with how he reminds Cavendish of what he said about what the ship looks like. But quickly, he starts to make Cavendish doubt himself.

What’s really interesting though is Dakota’s phrasing. When he starts talking to Cav, he says “Maaayybe I suppose but are you really sure you saw what you saw ? I mean…” and then goes on with the reasons why Cavendish might have imagined it. But about that quote, what I find interesting is the amount of incertitude he puts there with the “maybe”, “I suppose”, “are you sure”. It really feels like Dakota is trying to discourage Cavendish from looking for the ship while at the same time trying to stay on his good side by doubting him but not too much. This actually makes me wonder if such a situation happened before, hence why Dakota tries to stay on Cav’s good side.

Side note : “This isn’t my running tracksuit, this is my eating tracksuit!”, he says as if his tracksuits weren’t all eating tracksuits.

Then there’s the scene in the armory. First off, this face :

He keeps that same expression throughout the entire moment, both when watching Cavendish and the guard, and I don’t know how to interpret it, which is frustrating. My best guess is that Cavendish seems in better spirits, which reassures him or something like that. Or maybe the fact that Cavendish still wants to hang out with him to try finding the ship makes him think that Cavendish won’t ghost him. Really, I don’t see why he would smile like that only to start being frustrated again ten seconds later.

As for the argument in the armory; here I’m not going to talk about the main parts of the argument but a few things that Dakota says. Firstly, he again seems to try being on Cavendish’s good side with him saying “I believe that you believe”, though this isn’t enough to convince Cavendish. He also says “maybe we shouldn’t touch those” (not a direct quote) instead of just saying “we can’t touch those” or something like that. So again, he’s more into the “maybe you’re right maybe you’re wrong” area of the argument.

Secondly, I find the line “We’re stuck here. We live here now” really interesting. Like for at the beginning of the episode, this seems like Dakota showing more of his feelings. The way he says “we’re stuck here” first before catching himself and saying “we live here” shows again that he’s not happy with his current situation. Heck, it also means that he’s not just unhappy about the job but also being forced to live in a different time period than his, given that he says “stuck”. So yeah, he’s not happy about the situation and tries to hide it to make Balth his priority.

Thirdly, there’s this expression when he leaves the room and tries to follow Cavendish :

(He looks like a kicked puppy I’m-)

So, when Cavendish leaves the room, he leaves behind an angry Dakota. And yet, barely a few seconds later, we see Dakota trying to follow Cav and his expression is filled with worry. This again makes me think that such a situation happened before, which would be why Dakota is so worried about not being at Cavendish’s side. Like, maybe at some point they had a mission that resulted in a terrible argument and Cavendish ended up trying to solve things alone, only to get injured or even die or something like that. And if something like that happened, that could explain why Dakota is now trying to convince Cavendish to stop looking for the ship without putting Cavendish against him and why he would look so worried when he realizes that he’s losing the battle; especially given how he can’t time-travel now. But again, this is all a complete speculation here. We have no concrete proof that such a thing happened before.

And since we’re on the topic of Dakota trying to be gentle in his approach : I’d argue that Dakota actually believes Cavendish when he says that he saw a ship. This is due to four reasons :

- They’ve been time-travelers for a while and probably saw a lot (just the “milk to death line”. Whatever this is, Dakota saw some shit.); the same way they met aliens a few episodes before this one. So seeing a spaceship wouldn’t be the most surprising thing in the world (Heck, P.I.G. literally has a computer showing all kind of ships they discovered; also the duo once went on the moon given the montage in “Island of the Lost Dakotas”).

- When they’re talking to Bob Block, the boss asks Dakota if he saw the abduction, and while Dakota says no, he starts saying “But if he says he saw it” before getting interrupted by Block.

- In the armory, when Dakota says “I didn’t saw what you saw but I believe that you believe and that’s” before getting interrupted. This line kind of gives off the impression that he does believe in Cavendish and so believe that Cav saw a ship. Though the “I believe that you believe” can definitely be seen as him not really believing him, just like with Cavendish saying “it’s like saying ‘I believe you’re hallucinating’ “

- In the scene when Cavendish leaves, Dakota says “I’m sorry I didn’t believe you in the way that you wanted me to.”. The fact that he adds the “in the way that you wanted me to” again gives the impression that he does think that Cavendish saw a spaceship. It’s just that Cav expects more than just a “I believe that you saw it”.

So overall, there’s the possibility that Dakota does believe in Cavendish. Honestly, the only thing that seems odd is the fact that Dakota doesn’t want to go and try to save the abductee. Though, given the fact that they’re risking their jobs and given the possibility of such a situation happening before, paired with Dakota’s fears for Cavendish’s life and the fact that he can’t time travel anymore, meaning that all of his actions have consequences; I guess it does make sense to some extent that Dakota doesn’t want to save the abductee. He worries more about Cavendish being alive and safe, especially now that he can’t go back. However, I’ll admit that the way Dakota just brushes off the possibility of someone being abducted and in danger does feel out of character. Although, watching “The Substitute” again, the two did leave the classroom without trying to do anything to help the kids against the blob; so honestly I don’t know.

This all leads us to the last part for Dakota :

3. The evolution throughout the scenes

So as I said, Dakota starts off trying to be supportive of Cavendish by being reassuring, but as Cav starts to be more and more absorbed by the idea of proving the ship exists, Dakota starts to distance himself from him by trying to convince him to stop looking. And then comes the last scene, in which all Dakota can do is try to convince Cavendish to stay with him.

Honestly, thinking about this scene, it feels like Dakota already knows that he lost the fight. When he asks “you say that sarcastically ?”, he just sounds tired. Also, there’s how his way of talking changes in the episode. At first, in the computer room, he tries to use facts to convince Cav to stop looking for the ship, talking about how there was some sunlight or how Cavendish got worked up. Then, during the argument on the armory, it’s kind of the same, although the facts that he gives are much more personal this time around with how he mentions that it’s a question of how their actions now have consequences and he can’t just fool around anymore.

Then, during the last scene at the “apartment”, he doesn’t even try to argue about the ship aside from his apology. Instead, he mentions his partnership with Cav and how they’re always able to talk things through, which actually reminds me of how in the scenes when they’re in private they act differently than in public, making it seem like they do communicate quite a lot by dropping their defenses around each other and vent to each other. Heck, the way Dakota says in this episode “We talk it out, we’re a team” really gives off the impression that yes, Cavendish and Dakota do talk things out when they have a big argument. And that’s what Dakota wants to do in this scene. He just wants the two of them to sit down and talk it out; no more running away, no more argument.

But yeah, in this scene, it’s not about the ship. It’s about Cavendish staying with him. And honestly, it feels like something that can be applied to how Dakota is throughout the entire episode. All he seems to care about is if Cavendish is going to stay with him or ghost him. Again, it kinds of falls into the idea that a similar situation happened before.

One last thing that I’ve written down is the fact that Dakota sutters while trying to convince Cav to stay in that last scene. But after watching a few of the previous episodes, Dakota actually has a tendency to sutter when he gets anxious or nervous. As a few examples : the ending of “A World Without Milo” at the beginning of his talk with Elliot, the crossover episode when Cav learns about the island, several scenes in “Escape” (Dakota’s such a mess in this episode).

So that’s all for my breakthrough of Dakota’s part in this episode. Overall, he seems like he just wants to be with Cavendish, and for some reason seems to believe him while at the same time not trying anything to help the abductee. He’s protective, most likely due to the trauma of seeing Cavendish die over and over again for years. In short, that man has some issues that the show should really consider mentioning if season 3 comes around. But I will discuss more about these issues in my second post on the topic.

Now, onto Cavendish :

II. Cavendish’s side

1. Insecurities and evolution before this episode

So let me get this out of the way first : Cavendish is a very insecure guy, and what happened in “Abducting Murphy’s Law” was bound to happen at some point. We see glimpses of it in “Time Out” and “Abducting Murphy’s Law” seems to revolve around it : Cavendish is a guy who seems to have a pretty low self-esteem and who tries to hide it in his way to act all professional and “know-it-all/all-mighty”. We see it in how easily he gets sad in “Time Out” when realizing that his job barely matters, and we also see it when he’s in private with how soft he becomes. Just look at how, at the beginning of the Halloween special, he very easily agrees to follow Dakota’s plan and only calls Dakota a “meanie” for steaking stuff, which contrasts with his “Doughty snackhound” from “We’re Going to the Zoo”. He also shows his anxiety in “Snow Way Out” and is very soft and calming in “Perchance to Sleepwalk”.

So yeah, his attitude outside is more of an act than anything, though I’m not denying that he also gets grumpy because that’s a side of his personality (I wish I had any artistic talent so I could draw Cavendish with John Mulaney’s “When I walk down the street, I need everybody, all day long, to like me so much. It’s exhausting !”, including John talking about his wife after this line).

So all this to say that Cavendish is insecure. And because of those insecurities, he feels the need to prove himself. He wants to be a hero, he wants to feel like a hero, but he also wants others to see him as a hero. Again, “Time Out” shows it well with how quickly he gets obsessed at the possibility of a counter-agent working against him, nevermind the fact that it’s a literal child.

And we see it even more in season 2. Every episode, he complains about how shitty his life became and how unfair it is. In particular, there’s the episode “Free Fall”, his last appearance before “Abducting Murphy’s Law”. In “Free Fall”, he seems even more fed up than usual about his job, and when a drone attacks him, he’s immediately happy that someone, anyone, noticed him. The ending of this episode actually makes me feel sad for him. He’s just so desperate for something good to finally happen to him; and he does deserve better than that. It’s just sad.

It also feels like he’s starting to distance himself from Dakota during the first half of season 2. By that, I mean that they don’t have as much interactions as they did in season 1, which was full of their banter (which is what made them so entertaining to watch). Heck, in “Milo’s Shadow”, Cavendish is shown alone, without Dakota. And in this episode, Cav tries to tell others about the aliens and get some people concerned about it.

Also, he clearly tries to impress the others when telling his story, even if he doesn’t consider them much. As for the other episodes, Cavendish and Dakota are mostly concerned over their mission and as such aren’t seen interact much, aside from like the beginning of “Lady Krillers”; which is a bit of a shame considering how their interactions are the best thing about their plot (but I already have another post ready that talks about season 2 and its issues so I won’t rant about it here).

So in short, Cavendish is desperate for good things to happen to him. He’s desperate to prove himself, he’s desperate to have other people take him seriously for once, he’s desperate to have a better life than that. During the first half of the season, it feels like this is what they were trying to show. And it all culminates in “Abducting Murphy’s Law”.

2. His evolution throughout the episode

So I’m going to do one big part here, going scene by scene.

Parking-lot scene :

So, in the first scene, Cavendish is the same as in previous episodes. He’s not satisfied with his job and wishes for more, in particular recognition for his previous actions in season 1. He’s (rightfully honestly) having a hard time accepting that this is all he gets, and when Dakota gives him a reality check, it only makes him feel worse.

Then there’s the encounter with Scott. This one’s pretty interesting. Alright so first off, it seems that Cavendish considered what both Dakota and Scott told him and decided to try and stop sulking, trying to see a more positive side of his situation. Though, it’s very interesting how he says “but how ?” right before seeing the UFO. In a way, it also really shows the difference of mentality between him and Dakota. Dakota has accepted that this is all he’ll get, and while he’s not happy about it, he decides to try seeing the good in smaller things. Cavendish on the other hand doesn’t seem to be able to do the same. Heck, when Dakota does it at the beginning of the episode, Cavendish sees it as Dakota lacking ambition; which in itself isn’t actually wrong since Dakota really doesn’t seem to want much from life aside from having fun and being with Cav.

Then, there’s also the line “Loss can lead to new adventures”. What I love about this is how, when we start the episode, the “loss” is more about how Cav is feeling. I mean, even Cavendish says that he needs to stop sulking after hearing this sentence. But then we watch the end of the episode and suddenly “Loss can lead to new adventures” has a brand-new meaning. And ouch. Don’t get me wrong, I absolutely love it, but still, ouch. Though, to be honest, I do wonder if at some point during the episode, Cavendish realized that “loss” could also mean leaving Dakota behind. Honestly tho if Cavendish repeated the sentence during the separation it would have been some amazing angst. But I’m getting off-topic.

Afterwards, there’s the abduction. When Cav sees it, he reacts exactly like he did at the end of “Time Out” and “Free Fall” : he gets excited and touchy, ignoring what Dakota says as he’s too taken from seeing this as a new opportunity to prove himself worthy of a better life. Thinking about it, it’s actually both funny and sad how he seems to care more about people seeing the ship and promoting him than the fact that someone was straight-up kidnapped by aliens (what’s up with Cavendish and Dakota not caring about people’s lives in this episode ? Though, given how they were in early season 1, I guess they just don’t care for the people they don’t know, do they ?).

Though, Cavendish mostly thinking about a promotion does fit his character. Again, he’s now desperate for recognition. In the spun of the moment, it isn’t about someone getting abducted, it’s about him being a hero again.

One last thing that I want to mention, mostly because I don’t really know where to put it otherwise : some scenery regarding Cavendish and Dakota at the end of the scenes. Every single scene with the two of them in this episode ends with Cavendish leaving the frame without Dakota, with Dakota trying to follow him in the first and second scene. Then, starting with the computer room scene, Dakota is left behind, the first time by his own volition as he’s starting to be less and less able to follow with Cavendish’s mindset and get angry about it, then left behind because Cavendish is too far gone into his ideas and prevents Dakota to stay with him, no matter how much Dakota tries to follow him, desperate to set things right. That’s all I have to say about how the characters move into the frames, but I found that to be a very interesting detail.

The P.I.G. desks + the computer room scenes :

Like for Dakota, I don’t have much to say about the second scene. Bob Block doesn’t believe Cavendish in the slightest (and is being a condescending smartass about it; god I hate this guy. He’s great as a character but my god I hate him as a person) and it leaves Cavendish sad and disappointed. But then, Dakota tries to cheer him up, which only prompts Cavendish to try acting against his boss’ wishes. It’s like I said earlier : they have the same mentality as in season 1 in which ignoring the rules had little to no consequences aside from a slap on the wrist, leading them to do what they wanted.

But here, this isn’t season 1 and their actions have consequences. Dakota had realized that and tries to call Cavendish off his goal, but Cavendish is too excited to listen to him. This is the same structure as “School Dance” or “The Little Engine that Couldn’t” in which Cavendish gets his mind set on something. And in these two episodes, Dakota simply follows him without complaining. Heck, in “School Dance”, when the kids confront them about the whole “vampire” business and say “We know what you’re up to”, Dakota replies “Really ? Cause I barely know” which shows that, in this episode, he basically blindly follows Cavendish around, not caring enough about his job to object when Cav wants to do something that goes against what their boss want.

So, because of how they were in season 1, Cavendish is used to act when his mind is set on something. And he’s also used to have Dakota follow him, which might explain why he sounds like he’s taking Dakota’s objections in this scene like a joke. After all, Dakota always let him have his way, even when he disagreed with it. So why should it be different this time around ?

In a way, Cavendish has a certain disconnect, not really realizing the consequences of his actions. I guess that may be due to his previous job or the fact that, with Dakota secretly protecting him all the time, it never occurred to him how badly things can turn out.

One last thing for this scene, about the dialogue with Block and Cav mentioning the need to save the abductee : it’s again a bit unclear whether Cavendish wants to save them because they’re a person in danger or if he’s only thinking about people discovering that he was right and making him a hero. Though, looking back at his facial expression, he does seem genuinely concerned for the person (and I’m actually starting to wonder how he would’ve reacted had he known that the abductee was Milo).

As for the computer scene, again, not much to say. It’s Cavendish focusing on the task he wants to accomplish while Dakota’s just there to be there. Again, we see Cavendish be too obsessed with his task to pay mind to Dakota’s objections. We also see him get irritated when Dakota objects, though not as much as later on, as if he could tell that Dakota wasn’t truly believing him but at the same time thinks that Dakota will keep following and supporting him.

Side note : Seeing Cavendish knowing how to use a computer feels really weird. Like, I know he’s from the future so obviously he knows how technology works without any problem, but this is a guy who walks around with an 1850s outfit and who keeps using outdated expressions. So seeing him use a computer just doesn’t feel right.

The armory scene :

Now we get into the juicy part.

Alright so first off, a side note : “I am a naughty boy !” Cavendish, buddy, please don’t ever say something like that again ! Although it’s pretty adorable to see that dork feeling like such a gangster after “breaking” one rule (I mean, he was allowed in by the guard so it’s not really breaking the rules).

Secondly, like in the first scene at the beginning of the episode, when talking about saving the abductee, he seems more focused on the fact that he’s a hero who needs to save the world. It really gives off the impression that he doesn’t care that much about what happened to this person. He just wants validation and uses the current circumstances to do so. Again, this is just sad (I swear making this analysis is starting to make me feel really bad for Balth).

Thirdly, the line “Come on, partner !”. At first, I thought Cavendish was trying to convince Dakota to help him by reminding him of how close they are. But thinking about it again, I can’t help but see it as Cavendish trying to convince himself that Dakota will help him. I mean, he definitely noticed that Dakota wasn’t ok with what he was doing, no matter how oblivious he seems to be to Dakota’s objections. But up until now, Dakota had a tendency to just shrug it off and follow. So seeing him be so insistent now may have made Cav realize that maybe Dakota won’t follow through this time. So he tries to convince himself that Dakota will come through for him, because they’re partners.

Fourthly, the argument itself. When Dakota starts to interject more seriously, Cavendish reminds him of the obvious : that, when they were time-travelers, Dakota couldn’t care less about the rules. But things are different for them now, actions have consequences, and Cavendish doesn’t seem to truly grasp that. Heck, after Dakota argues that they have responsibilities to keep, Cavendish immediately points the finger at him with the “You don’t believe me” line, which completely changes the direction of the argument. Seriously, Dakota was talking about how they needed to follow the rules to survive in this new time-period and Cavendish starts talking about something that has nothing to do with what Dakota just said. Although, given that these two have known each other for at least like 10 years or so, given how much Cav changed from his design in “First Impressions”, I guess him changing the topic like that might be due to him knowing Dakota well enough to understand that, when Dakota objects to him like that, it’s because there’s a lack of trust there.

As for the rest of the argument, I guess this is mostly Cavendish’s desperation and obsession that are speaking. I mean, Cavendish is never taken seriously by anyone aside from Dakota. So here, when Dakota doesn’t support him like he expected him to, this is probably the last straw for him. He isn’t willing to listen to Dakota’s excuses, cutting him mid-sentence. And if Dakota’s face is any indicator, he can clearly tell that Cav doesn’t want to listen and that he’s losing the battle.

Cavendish has made up his mind. He knows what he saw, he knows that aliens are on earth, kidnapping people; and if nobody, not even Dakota, is willing to listen to him, then he’ll have to prove them all himself, no matter the cost.

The ‘leaving’ scene :

Then comes the last scene, with Cavendish packing his bags. Again, he isn’t willing to listen to Dakota. He made up his mind and he’s determined to find the UFO. As he says it himself when Dakota tries to apologize : “It’s too late for that”.

Though, as I’ve seen mentioned in a fic that was basically an analysis of that last scene, we do have Cavendish leave a teddy bear behind. The bear wasn’t on the couch when he was packing, so it’s likely that he felt genuinely bad for ditching Dakota and decided to leave a plush behind to keep him company.

Also, a thing that I keep bringing up in my fics : I truly don’t think that Cavendish wanted to leave forever. I mean, he probably only took the essentials in the bag he used; he probably has much more than that stuff. Also, I highly doubt that he would wish to never see Dakota again. Heck, in “Escape”, when they reunite, Cavendish is pretty nonchalant about the whole thing, as if he expected to see Dakota again. Overall, it’s more that he thinks that Dakota’s going to try to stop him or slow him down since he doesn’t really believe in him, so he wants to do this rescue alone.

And one last thing regarding Dakota : the whole “It’s safer for you to stay here”. I find this line really interesting. Because thing is, no it’s not safer. Cavendish doesn’t go alone to protect Dakota, he does it to prove a point, to prove that he’s right and everyone else is wrong. But thing is, Cav already has some pretty low self-esteem, and accepting the fact that he’s being selfish by leaving wouldn’t help with it. Also, as I’ve mentioned in my long-ass “fun facts about these two” post, when Cavendish is in a situation that’s possibly dangerous, his first reflex is almost always to worry about Dakota’s well-being. So, in my interpretation, Cavendish knows that he’s being selfish by leaving like that and ghosting Dakota, so he tries to tell himself to leave by convincing himself that he’s leaving the guy behind to protect him; because there’s nothing more important to him than Dakota’s safety, so it’s much easier on the mind to tell himself that he’s doing it for Dakota.

Aaaand that’s pretty much all for this analysis, which is already a lot to take in (12 pages. This entire post is 12 pages long. 11 without the pictures).

Thanks for reading !

#Milo Murphy's Law #mml #Abducting Murphy's Law #Vinnie Dakota #Balthazar Cavendish #mml spoilers #season 2 spoilers #Flor talks #aka infodump #A LOT #I wish I was good at montages #or didn't have a monotone voice #that way I could've made a video #instead of a wall of text #long post #VERY LONG POST #rogue arc

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