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maxwell-grant · 4 years ago

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Can we talk about the Black Bat both in general, and and how he may have been an influence on two superheroes (Dr. Mid-Nite and Daredevil) and a supervillain (Two-Face), but was proven in a court of law to have no connection with the superhero who immediately comes to mind (Batman).

Having finally read a couple of his original stories and runs, yeah I got some thoughts on him.

While not the first bat-themed pulp character, nor the first fictional detective with a disability turned superpower (that would be Max Carrados, who actually was blind), Black Bat’s main claim to fame nowadays is his correlation to superheroes with the mixed traits he has that would all become massively popularized by characters who debuted afterwards. Regarding the Batman lawsuit, it wasn’t so much proven that they have no connection, as much as the publishers of both characters argued they did it first, and then agreed to stay out of each other’s territory, with Batman staying out of pulp magazines and The Black Bat staying out of comics (not that it would stop his publishers from rebranding him as “The Mask” and doing comics).

Black Bat actually couldn’t have inspired Batman, because Batman debuted 4 months prior. Plus, both were already ripping off the same guy, and both of them were far from the first bat-themed pulp characters at the time. And the idea that he inspired Daredevil I find too much of a reach. Dr Mid-Nite I can definitely see the resemblance, and while Two-Face doesn’t have much similarities to Tony Quinn past the origin and the anti-hero aspects, “handsome crusading District Attorney disfigured after getting splashed in the face by acid goes on a rampage” is not exactly vague enough of a concept to pass for coincidence. Two-Face debuted just 3 years after Black Bat, while Bat was still a pretty successful character (he managed to outlast nearly every other pulp hero), so it’s very possible that Kane and Finger had a look at Black Bat’s origin and used it as the basis for their Jekyll & Hyde-themed villain.

Okay so, that’s that for Black Bat, but what’s the character actually like? What’s there to him other than historical oddities? Does he have what it takes to survive and thrive again in a modern landscape?

The thing that sticks out to me about Black Bat is that he is a pulp character who feels like he was designed specifically with the arrival of the superheroes in mind, as when comic book superheroes began to carve a space for themselves, one of the responses the pulps had was to put out new heroes intended to be a part of both worlds, hybrids of pulp heroes and superheroes who could try to capture success in either format, characters like Ka-Zar and Black Hood who started in one and then jumped to the other.

Black Bat’s got a lot of the usual hallmarks of dark detective pulp heroes and his adventures are largely him battling ordinary criminal masterminds and gangsters, but he’s got an iconic costume, he’s got a super dramatic origin story that the stories keep coming back to (unlike most pulp heroes whose origin stories are not usually mentioned), and he’s got superpowers brought in the aftermath of a tragic accident. Not just skills anyone can have by training hard enough, actual superpowers, even if they don’t see as much usage as his pulp hero skillset.

To the world that knew about him, Anthony Quinn, once a virile, upstanding representative of law forces whose name had held terror for evil doers, was now an impotent blind man whose sight had been permanently destroyed by acid thrown at him in a crowded courtroom, and whose face was horribly scarred about the eyes. For a long time he had seemed to live in a world apart.

Such actually had been the case during the long months when Tony Quinn had lived in a sea of blackness. But Nature had been as kind as possible, giving him something in return for what had been taken from him. As a result he had since realized that his senses of feel, smell, and hearing were far more acute than formerly. Under his sensitive fingers whatever he touched had begun to tell strange new stories. His sense of smell had sharpened. His ears had become the ears of a hound, picking up with ease and sifting multitudinous sounds that once had been inaudible.

More months had gone by until, in the darkness of a lonely night, a girl with golden hair and blue eyes hadcome in through an open window like an angel out of nowhere to offer him hope where eye specialists had said there was no hope. Through a delicate operation by an unknown small town surgeon the corneas of the eyes of Carol Baldwin's policeman father - dying from paralysis brought on by a gangster bullet - had been given to him. An extraordinary thing had occurred. When at last Tony Quinn had been allowed to remove the bandages, he had been astounded by the miracle that had happened. His were the eyes of darkness as well as the eyes of day!

Interestingly also, Black Bat actually became one of the most prolific of pulp heroes when brought over to Germany. When German publishers Pabel decided to reprint a couple of Black Bat novels for the KRIMINAL-ROMAN serial, they discovered “Die Schwarzen Fledermaus” was somehow so popular that in 1962, they retitled it Fledermaus (Bat) and ran with it, reprinting all the original 60+ stories and then, when those ran out, creating 900 more at least. In fact, it seems like they are still publishing Black Bat stories even today, and now that he’s public domain it’s something just about anyone could get into.

Problem with that is, it’s not easy to conceive of The Black Bat having any kind of substantial popularity again, when he’s doomed by design to always be compared to Batman, to always just be seen as first glance as “oh it’s earless Batman with Daredevil’s shtick and Two-Face’s backstory”, and of course he doesn’t have a chance in hell of playing catch-up to the popularity of those characters (well, at least outside of Germany). Whatever niche he could have as an alternative to Batman is also null by the fact that said niche of Not-Batmen is already filled out quite extensively. He doesn’t have an incredibly strong personality the way Batman and The Shadow do, nor is he, despite being ostensibly a serial killer, enough of a trigger-happy anti-hero to latch on to the appeal of characters like The Spider or Punisher. The latest Black Bat comic run by Dynamite played up his ruthlessness, outlaw status and drew him on the covers perpetually holding guns and often with a big creepy smile. But smiling murder pulp Batman is already a niche that Midnighter fills considerably better than Black Bat ever could. So what’s left for him?

If I had to find a unique niche for Black Bat, I’d play his unique traits in ways that separate him from the super characters that ran with those later. I’d ditch the whole “oh woe is me I’m poor and helpless because I’m blind” shtick that’s terribly condescending to actually blind people, and make him at least truly blind in some form. Maybe he’s blind by day and by night he sees too much, or maybe his vision has some terrible secrets that go beyond mere enhanced eyesight. Maybe his powers are growing and expanding in ways he doesn’t know where they will lead him. But alongside that, one take on the character could be based on the fact that he really has nothing to lose. He is not Batman, he is not The Shadow, he isn’t Daredevil, he’s got little reputation to speak of, and he’s never going to be any of those characters.

He’s lost the position he’s coveted his whole life, he’s lost the respect of his peers, his former professional ethics don’t mean shit now, he’s had a long and painful brush with darkness that scarred him for life in ways both literal and metaphorical, and in the aftermath he’s begun spontaneously developing abilities that would be incredibly painful and uncomfortable for an average person to just develop without years of growing up with them. And then, a mysterious woman walked through his window one day, gave him the eyes of a dead man, and now he sees things in ways no person was ever supposed to, and now he goes around at night terrorizing and killing criminals in an animal-themed costume.

The most he has to lose currently is the life of his sidekicks who’ve worked very hard to help him heal and focus and find a new purpose, which only means that they are on the chopping block everytime you wanna give a gut punch to Tony Quinn. And no matter how famous, or even great, his adventures are, or how prolific and successful he is or even has been, he’s always going to be the Bat-themed superhero who couldn’t cut it. He’s Not-Batman, stripped of all the grand splendour and allmighty self righteousness and reputation and role as foundational figure of an entire genre and most popular bestest superhero of all time ever praise be thy Bat God, sharing more traits with one of Batman’s most personal and tragic villains than the titular character.

That’s not an indictment, that just means that Black Bat ultimately should have more narrative freedom, since he is unburdened by reputation and status. He is a public domain nobody best known by his association with characters who eclipse him in popularity, who’s always going to have that accursed Bat prefix and costume to damn him by association, so why not work with it? He could be the character you go into to tell stories that you couldn’t tell with Batman or other big name superheroes, the grimiest, sickest, even weirdest crime tales of all. What does the Black Bat have to lose?

Those who have nothing to lose stand everything to gain, after all.

Also, Masks 2 once presented an alternative version of the character called The Black Bats, who dresses like a baseball player and dual-wields baseball bats, which is nutty and I’d definitely prefer Black Bat to ditch the generic pulp hero guns and instead just go crazy batting everything in his way.

“I gotta tell ya, this is pretty terrific! Hahahahah, yeah!”

#replies tag #pulp heroes #pulp fiction #the black bat #tony quinn #batman #two-face

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multiverseforger · 4 years ago

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Black Bolt's first appearance established the character as being a member of the Inhuman ruling class.[4][5] The title Thor featured a back-up feature called "Tales of the Inhumans", which recounts the character's origin story. The son of King Agon and Queen Rynda, Black Bolt is exposed to the mutagenic Terrigen Mist while still an embryo, and eventually demonstrates the ability to manipulate electrons. To protect the Inhuman community from his devastating voice, Black Bolt is placed inside a sound-proof chamber and is tutored in the use of his powers. Reentering Inhuman society as a young man—having vowed never to speak—the character is attacked by his younger brother Maximus, who attempts, unsuccessfully, to goad him into speaking.[6]

Black Bolt proved popular, and decides to leave Attilan to explore the outside world.[7] The character reappears in a story focusing on his cousin Medusa,[8] drives off the Hulk after the monster defeats the entire Inhuman Royal Family (Medusa, Gorgon, Karnak, Triton, and Crystal),[9] and with the Fantastic Four, battles his brother Maximus and his own group of rogue Inhumans.[10]

1970sEdit

After being forced to intercede in the budding romance between his cousin Crystal and the Fantastic Four's Johnny Storm,[11] Black Bolt and the Inhumans feature in the title Amazing Adventures, and battle villains such as the Mandarin and Magneto.[12] A story in The Avengers, told in flashback, reveals how Black Bolt came to be ruler of the Inhumans and Maximus was driven mad. Black Bolt discovered his brother had secretly allied himself with the alien Kree—the race whose genetic experiments first created the Inhumans. In trying to stop an escaping Kree vessel, he overextended his sonic powers and caused the vessel to crash. The crash resulted in the deaths of several members of the Council of Genetics, including the brothers' parents, and Maximus was driven insane by his proximity to Black Bolt's use of his voice.[13] Black Bolt assumes the title of King but is haunted by the consequences of his actions.

Black Bolt settles a quarrel between Johnny Storm and the mutant Quicksilver for the affections of Crystal, and frees the slave caste of Inhuman society, the Alpha Primitives.[14] Black Bolt and the Royal Family aid the hero Spider-Man against the time-traveling villain Kang the Conqueror,[15] and is forced to again battle the Hulk,[16] teams with the Fantastic Four and the Avengers against the threat of the robot Ultron,[17] and again allies with the Fantastic Four against the fifth-dimensional villain Xemu.[18]

Black Bolt and the Inhumans feature in a self-titled bi-monthly series[19] battling threats such as the villain Blastaar and the Kree, who regard the Inhumans as abominations. The character encounters the immortal villain the Sphinx—who has defeated the Fantastic Four and the Royal Family blasting him into deep space,[20] aids Kree hero Captain Marvel in preventing a war between the Kree and Skrulls on Earth,[21] joins with Fantastic Four member the Thing to defeat the mutated villain Graviton,[22] and appears briefly during an announcement that Crystal is pregnant with Quicksilver's child.[23]

1980sEdit

Black Bolt revisits his origins when he, members of the Royal Family, and Fantastic Four members Mister Fantastic and the Thing battle the villain Maelstrom. Maelstrom is revealed to be the son of a rival of Black Bolt's father, and—after his minions are defeated—attempts to destroy Attilan with a guided missile. Black Bolt, however, manages to defuse the missile and Maelstrom is defeated.[24]

Black Bolt's search for a new site for the city of Attilan (eventually the Himalayas) is detailed in a back-up feature of the alternate universe title What If.[25] Another back-up feature in What If? details how Black Bolt worked with the Eternals to move the city of Attilan to the Himalayas.[26] Black Bolt also directed the eventual move of Attilan to the moon when the pollution on Earth became too much for the Inhumans.[27]

He is rated with other powerful Marvel characters by Spider-Man in an "out of universe" conversation with the reader.[28] He appears in a graphic novel detailing the eventual death of former ally Mar-Vell due to cancer,[29] He also appears in a one-shot publication featuring humorous parodies of the Marvel Universe - Fantastic Four Roast,[30] and aids superheroine Dazzler against the villain Absorbing Man.[31]

An alien device abandoned on the moon causes Black Bolt, the Royal Family, and the Fantastic Four to experience nightmares until destroyed by Triton.[32] Black Bolt is imprisoned by Maximus (who has also swapped their bodies), but he is freed by the Royal Family and the Avengers.[33] He appears in a one-shot title detailing several of Marvel's continuity mistakes.[34] He marries his cousin Medusa after an interrupting battle between a Kree and Skrull soldier.[35] He appears in another What If? issue[36] and a back-up tale in Marvel Fanfare.[37]

With the Royal Family, Black Bolt encounters Dazzler once again,[38] appears in flashbacks in two issues of The Avengers,[39] attempts to subdue an erratic Quicksilver (distraught over his wife's affair),[40] and aids the mutant team X-Factor in defeating Maximus.[41] The Inhumans then assist the Fantastic Four against the villain Diablo,[42] skirmish with a later version of the team during The Evolutionary War.[43] They also appear in the first issue of What If?'s second volume.[44]

Black Bolt clashes with Attilan's Genetic Council when they forbid the birth of the child he conceived with Medusa. She ends up fleeing to Earth to bear her son (Ahura).[45] Black Bolt destroys the alien symbiote that Spider-Man bonds with in another issue of What If?,[46] and with the Royal Family encounters the hero Daredevil.[47]

1990sEdit

After another appearance in a back-up feature in the title What If?[48] a story told in flashback reveals how Maximus, using a creation called the Trikon, forced Black Bolt from Attilan. Black Bolt, however, eventually defeats the Trikon and regains the throne.[49] After aiding the teen super group the New Warriors[50] the Royal Family joins forces with X-Factor to stop master villain Apocalypse.[51]

Black Bolt makes a series of brief guest appearances in several titles[52] and his child is threatened by rogue Inhumans. He and the Royal family break away from Attilan after rescuing his son from the corrupted Genetics Council.[53] After two more appearances in back-up features in the titles X-Factor[54] and Starblast,[55] Black Bolt appears in several panels in two titles[56] before starring in the one-shot publication Inhumans: The Great Refuge (May 1995), which details the Inhumans' ongoing battle with the Kree.

With the Royal Family, the Fantastic Four, and Doom's heir Kristoff Vernard, Black Bolt thwarts Morgan le Fay and Maximus again, battling Thor and Sub-Mariner in the process.[57][58] He appears with the Fantastic Four during the Onslaught crisis.[59] After appearing in the one-shot title Bug[60] Black Bolt and the Inhumans feature in the Heroes Reborn universe, where they worship the entity Galactus and his Heralds, as gods.[61]

The character encounters the noble savage Ka-Zar[62] and witnesses Quicksilver reunite with Crystal[63] before he and the Royal Family appear in a back-up feature in the Fantastic Four title.[64] Black Bolt and the Inhumans then feature in a self-titled limited series which deals with the "coming of age" of a new group of Inhumans and stopping Maximus, who with both human and Inhuman allies attempts to subvert his brother's rule.[65] After an appearance in the final issue of a Quicksilver limited series[66] Black Bolt and the Inhumans team with Canadian superteam Alpha Flight.[67]

2000sEdit

The character is featured—again with the Royal Family—in a third self-titled limited series that has major developments for the Inhumans. Ronan the Accuser leads the Kree in a surprise attack, capturing Attilan and forcing the Royal Family into service against Kree enemies the Shi'ar. Karnak, Gorgon, and Triton covertly join the Shi'ar Imperial Guard while Black Bolt and Medusa must attempt the assassination of the Shi'ar ruler Lilandra at a ceremony ratifying an alliance between the Shi'ar and the Spartoi. Although the attempt fails and Black Bolt manages to defeat Ronan in personal combat, the Inhuman people choose to leave with the Kree and pursue a new future. This leaves Black Bolt and the Royal Family alone to fend for themselves.[68]

Interdimensional adventurers the Exiles also encounter an alternate universe version of Black Bolt.[69] Black Bolt decides to attempt reintegration with Earth, and several younger Inhumans—recently exposed to the Terrigen Mists—explore Earth with mixed results, including at one stage the intervention of the Fantastic Four. The Inhumans resettle in the Blue Area of the Moon and begin to rebuild.[70] The character also appears briefly in the mutant title X-Statix[71] and a one-shot title, Inhumans 2099, speculates on the future of the Inhumans and their role on Earth.[72]

In the title New Avengers,[73] Black Bolt is revealed to be a member of a superhero council called the Illuminati. Via a retcon of Marvel continuity, the group form during the Kree-Skrull War[74] to deal with threats to Earth. During the "Son of M" storyline, the mutant Quicksilver steals a canister of Terrigen crystals from Attilan, with Black Bolt and the rest of the Royal Family attempting to retrieve it.[75]

Black Bolt also rejects the Superhuman Registration Act and refuses to become involved in the ensuing "Civil War." Courtesy of the hero Sentry, Black Bolt monitors the situation.[76] In the limited series Silent War, the US military attacks the Inhumans to prevent them from retrieving the crystals. Believing the stolen crystals should be returned to Attilan, Black Bolt issues a warning to the United States concerning further acts of aggression, and eventually launches an offensive against the nation. Gorgon and other Inhumans are captured during the attack, which prompts Black Bolt to personally head a team to rescue his subjects and retrieve the crystals. While the mission is successful, Maximus takes advantage of the situation and overthrows and temporarily incarcerates Black Bolt.[77]

The Illuminati also collect the Infinity Gems, and—to prevent the abuse of power by the Titan Thanos and others—split the gems between themselves, vowing that they never be used in unison again. Black Bolt is given the "Reality" gem.[78]

The character apparently suffers a setback when brutally beaten by the Hulk, on a rampage during the "World War Hulk" storyline and seeking revenge on Black Bolt for his role in the Hulk's exile from Earth.[79] During the events of the Secret Invasion limited series it is revealed that this was not in fact Black Bolt, but rather a Skrull, who is killed in battle by members of the Illuminati.[80][81] The true Black Bolt is captured by the Skrulls, who intended to use his voice as a weapon of mass destruction.[82] The character is rescued when the heroes of Earth defeat the Skrull army and discover the location of their captured teammates.[83]

Black Bolt, angered by the repercussions caused by the Skrull invasion, changes tactics and embarks on an aggressive campaign against all former persecutors of the Inhumans in the War of Kings limited series. At his command, the Inhumans attack the Kree and overthrow Ronan the Accuser, with Black Bolt declaring himself supreme ruler of the Kree Empire. This is followed by a preemptive strike from the Shi'ar empire, now controlled by the usurper Vulcan. Black Bolt intended to release the Terrigen Mist across the galaxy and end the war when, courtesy of the subsequent mutations, all are rendered equal, but the plan was interrupted by Vulcan, the two clashing as the bomb charged up. Although Vulcan was nearly killed by Black Bolt's voice, Black Bolt prepared to abandon his plan when Crystal pointed out that the powers produced by the explosion would only inspire more harm rather than good. However, an enraged Vulcan retained enough strength to stop Black Bolt from teleporting away with Crystal and Lockjaw, which resulted in Black Bolt and Vulcan apparently dying in the subsequent explosion of the Terrigen bomb, as Crystal only negated the Terrigen Mists within the bomb without shutting down its ability to explode.[84]

2010sEdit

He in fact survived the explosion. It was revealed that Black Bolt likely represents the anomaly of the Kree Inhuman genetics program that had been predicted hundreds of thousands of years ago. The genetic prophecy was that this anomaly would bring about the end of the Supreme Intelligence. To prevent this outcome, the Kree Supreme Intelligence had ordered the destruction of all the worlds where the genetic experiments took place. Only five colonies escaped, including Earth's: these were the Universal Inhumans. After his return to Attilan, Black Bolt joined the Universal Inhumans and was presented with four new brides, one from each of the other colonies.[85]

They returned to Earth to help defeat the last four Reeds of the Interdimensional Council.[86] They then faced the Kree Armada, who had been ordered by the resurrected Kree Supreme Intelligence to wipe out Earth and the Inhumans.[87][88] After the Kree fled in defeat, the Inhumans followed in pursuit.[89] Guided by Franklin Richards, Black Bolt confronted the Supreme Intelligence, surviving long enough to surrender and trigger protocols forcing terms of a truce. He convinced them that the prophecy has been broken, and that he was no longer a threat. They parted ways, but Black Bolt had to agree to Ronan (Crystal's husband) returning alone to the Kree domain.[90]

During the Infinity storyline, Black Bolt was visited by Thanos' Black Order in order to demand a tribute, the heads of Inhuman younglings between the ages of 16 and 22 or the annihilation of Earth's inhabitants. Using the Terrigen Codex, Black Bolt discovered Thanos used the tribute demand as a cover for his true mission: to kill his secret Inhuman-descendant son whose identity and location were unknown even by his father.[91] After the Inhumans denied the tribute to Corvus Glaive, Thanos personally visited Black Bolt in Attilan. Finding the Inhuman city empty with only Black Bolt left, Black Bolt unleashed a powerful scream which tore down Attilan itself and activated a Terrigen Bomb which spread the Mists across the Earth.[92] Thanos survived the attack and found Black Bolt still alive in the rubble. Thanos demanded to know the location of his son. Black Bolt refused and continued attacking Thanos with his voice until an enraged Thanos knocked him out.[93] Black Bolt was held captive for Thanos to use his power to activate the Illuminati's anti-matter bombs to destroy the Earth.[94] When the Illuminati arrived in the Necropolis, they found Thanos' general Supergiant, with Black Bolt under her control as she uses Black Bolt to defeat them. When Supergiant activated the bombs, Maximus appeared with the trigger. He triggered the bombs, but also used Lockjaw to transport the anti-matter bomb along with Supergiant to a distant uninhabited planet where she died in the explosion. Black Bolt was liberated and left the scene along with Maximus and Lockjaw. In the ancient location of Attilan in the Himalayas, Black Bolt hid the Terrigen Codex and made Maximus understand his survival and that of his brother were to be kept a secret. Maximus also deduced that Black Bolt was always going to activate the Terrigen Bomb irrespective of Thanos' arrival which was to herald a new age of the Inhumans.[95] After being examined by Maximus, Black Bolt discovered with his brother that the Terrigen Bomb had greatly diminished Black Bolt's powers. Black Bolt and Maximus agreed to keep this a secret.[96]

Using exogenetically charged waters, Maximus was able to help Black Bolt recover from the power loss he suffered after the detonation of the Terrigen Bomb.[97]

During the "Secret Wars" storyline, Black Bolt takes part in the incursion between Earth-616 and Earth-1610. He is taken out by the Children of Tomorrow.[98]

In the aftermath of the Secret Wars storyline, Medusa sends Nur and Auran to find Black Bolt who is forced by Maximus to use his voice against them, killing Auran.[99] Black Bolt and Medusa end up separating over his prolonged absence from Attilan.[100] Nonetheless, they team up to battle Kang the Conqueror for their son Ahura (Black Bolt had earlier given Ahura over to Kang for safe-keeping during the incursions). Unwelcome in Attilan, Black Bolt now runs the "Quiet Room," a nightclub that functions as a neutral zone for metahumans.[101] At one point, a resurrected Auran steals his voice, but it is restored with the help of Sterilon.[102]

During the "Death of X" storyline, Black Bolt is framed for the death of Cyclops.[103]

When the truce between the Inhumans and X-Men is broken during the Inhumans vs. X-Men storyline, Black Bolt is subsequently ambushed by Emma Frost and Dazzler in the Quiet Room. A disguised Dazzler is able to absorb the energy from his voice and counterattack him with it.[104] He is held captive by the X-Men in Forge's workshop in the dimension of Limbo until his rescue by Medusa and the Inhumans.[105] He helps Medusa neutralize Emma Frost. In the aftermath, there is hope of reconciliation between the Royal couple as she joins Black Bolt in the Quiet Room.[106]

Black Bolt and a group of Inhumans later tracked down Maximus and captured him for his trial. Black Bolt later spoke to Maximus privately.[107]

Marvel Boy later reveals that there is still hope to restore the Inhuman race on the remains of the Kree Homeworld, so the Royal family and a couple of new Inhumans journey to space to find the secret buried on Hala.[108]

However, they were soon confronted by two surprises: Medusa's affliction with a mysterious illness, and the revelation of Black Bolt as Maximus in disguise. Maximus had used his psychic powers and an image inducer to switch places with his brother before leaving Earth.[109] It was Black Bolt that was imprisoned in a deep space torture prison that was meant for Maximus. Upon defeating his fellow inmate Absorbing Man, Black Bolt confronted the as-yet-unidentified jailer. When his quasi-sonic no longer worked, Black Bolt was killed and revived.[110] Black Bolt later made acquaintances with Absorbing Man, Blinky, Metal Master, and Raava.[111] After discovering that the Jailer is an Inhuman who was incarcerated in the torture prison and has since taken over it, Black Bolt and his fellow inmates fight the Jailer. Absorbing Man sacrifices himself so that Black Bolt can kill the Jailer and enable his fellow inmates to escape.[112]

Black Bolt returns to Earth with Blinky. They inform Titania about her husband Crusher's heroic death.[113] At the funeral, Blinky is kidnapped by Lash.[114] He forces Black Bolt to surrender and injects him with a poison to prepare his blood to be used as part of a new Terrigen-type bomb that will produce new Inhumans. The pain of the process sends Black Bolt's mind towards Medusa's mind. They interact on a psychic plane and update each other. He finds out about Medusa's love for Gorgon and they determine that they cannot go back to their marriage. Instead, they will move forward and Medusa promises to find them as they get separated. Black Bolt breaks free only to succumb to the poison. Blinky tries to protect him, but turns into a monster channeling the Jailer.[115]

After an encounter with the Progenitors, Medusa and Black Bolt meet on the Astral Plane and agreed to continue as partners and not lovers. When Medusa takes the Primagen, it restores her hair and health while also causing a backlash in the attacking Progenitor to destroy the approaching Progenitors causing the Ordinator-Class Progenitors that saw the attack from the World Farm to spare Earth from their invasion.[116]

In the pages of "Death of the Inhumans," Black Bolt calls together the four Queens of the Universal Inhuman tribes to respond to this threat. However, the meeting goes far from as planned, as an Inhuman executioner named Vox, a Super-Inhuman created by the Kree, begins his bloody rampage across the place. When Black Bolt and his Royal Family reached the meeting place, they discover the bodies of Oola Udonta, Aladi Ko Eke, Onomi Whitemane and Goddess Ovoe, with the same three words written in their blood on a banner hanging about their corpses and eventually realized that they fell in to a trap as one of the dead Inhumans was wired with an explosive. While most of Black Bolt's group made it out alive, thanks to Lockjaw, Triton was not so lucky and was killed in the explosion. Black Bolt then sent Lockjaw to New Arctilan to retrieve his brother Maximus.[117] After Vox subdues Karnak, Black Bolt arrives where he walks through the halls of the Kree base speaking every name of the fallen Inhumans, making it a song about death. Eventually, it comes down to just Black Bolt and Vox who's holding Karnak as a shield. Black Bolt signs to Karnak to have Vox take him instead. Vox apparently accepts the change as he teleports himself behind Black Bolt. Before Karnak’s very eyes, Vox slits Black Bolt’s throat.[118] The Kree take Black Bolt prisoner and repair the damage done to his throat without using any sedatives or anesthesia to dull the pain which prompted them to think that Black Bolt's great power is gone when he doesn't scream and therefore the prophecy about the Midnight King is no longer a threat to the Kree. However while being transported, it turns out he still has his voice, but it's faint. After killing several Kree, Black Bolt secures a firearm and finds Ronan the Accuser alive. However, he is a prisoner of Vox and has been experimented on. At Ronan’s request, Black Bolt enables him a mercy killing.[119] The Inhuman Royal Family and Beta Ray Bill rescue Black Bolt from Vox. When Maximus was behind the mask of Vox, Black Bolt and the Inhuman Royal Family discover that Vox is not a Super-Inhuman and is just a Kree programming.[120] While recapping the deaths that Vox has caused, Black Bolt also recalls the prophecy of the Midnight King. Meeting up with the Inhuman Royal Family and Beta Ray Bill, Black Bolt is told by Karnak of Vox being a programming that transported his "victims" to the Kree. As Black Bolt has one more scream left, Karnak tells him to make it count. Using his sign language, Black Bolt addresses the others on how he has made mistakes in the past and apologizes to them. After holding a moment of silence, Black Bolt orders Gorgon to turn around. As Gorgon and Beta Ray Bill engage the Kree soldiers, Black Bolt, Medusa, and Lockjaw arrive at the laboratory where they find Vox-controlled Inhumans like Crystal and Lockjaw. Using a laser, Black Bolt clears the Vox-controlled Crystal and Lockjaw just because they were in his way. Entering one door, Black Bolt signs "I love you. I'm sorry" before whispering for them to run. As Medusa and Karnak fight the Vox-controlled Crystal and Lockjaw, Black Bolt confronts other Vox-controlled Inhumans like Triton. Knowing the truth about the prophecy, Black Bolt brings ruin to the Kree and unleashes his scream on the Vox-controlled Inhumans. This action frees Crystal and Lockjaw from Vox's control. Gorgon and Beta Ray Bill arrive stating that the Kree have fled and see Crystal and Lockjaw still alive. Black Bolt emerges from the room as Medusa orders Lockjaw to take them away from the Kree base. When Crystal asks where they should go, Black Bolt uses his sign language to say "home." Lockjaw then teleports them away.[121]

Black Bolt and other heroes die helping Dr. Strange fight Galactus, but all are resurrected after the battle is won.[122]

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softgrungeprophet · 5 years ago

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have now read (almost) all of wyatt wingfoot’s actual comic appearances, can say with great confidence: a lot of them are pretty bad

only one was so bad i stopped reading after like, one issue (that was earth X, an alternate timeline) though to be fair i also have not even bothered to read the most recent issue of slott’s run because that’s also bad, but i know generally what happens and my verdict is: it sucks

anyway my personally most-enjoyed wyatt appearances in chronological order:

-OG meet-cute in 1966 aka Fantastic Four #50 thru #61 which includes their first meeting, and wyatt’s adventure with johnny in africa... this is also the first appearance of black panther i think. it’s definitely dated but surprisingly tame compared to the 70s-80s comics and there are some real good moments... wyatt is immediately ready to throw the fuck down for johnny and he is tall and handsome.

Prefacing this with: I’m white, but I wanna point out some shit before I actually continue the list.

Here i have to note that anything from 1970-2000 has a 50/50 chance of coloring wyatt real badly, even in the digital recolors, with only a few exceptions. The worst offender is in the early 90s in Sensational She-Hulk but that is NOT on my list because it’s bad. Most of the comics on this list, especially as we get into later and better-done comics, do not have red skin because there seems to be a correlation between bad art and bad story, but there are a few sprinkled in here with questionable pink-to-red coloring choices, particularly around the issue 200-somethings of Fantastic Four, and in general around the 70s and 80s.

I also wanna add here that around 1973, after stan lee had stopped writing fantastic four, after repeated statements to do with wyatt’s Comanche heritage (aka a real tribe in OK), gerry conway introduced “Keewazi,” a completely fake made-up tribe which then completely supplanted all but a few mentions of wyatt being Comanche (that being like, a brief comment implying his dead ancestors were comanche but that he is “keewazi”) with only one exception for an errant “Konohoti” (also made-up and in a bad comic that i won’t be recommending anyway) Said conway comic is not on my recommended list, either, but it has a notable line in which wyatt says he feels like he’s known johnny since before he ever met him, which i think about constantly...

Also, (and this is from me googling things to get better understandings of IRL stuff, as i read my way through f4 comics, so it’s by no means an expert’s words and i am still just a white person trying to get context) there are many mentions of Wyatt being on the reservation, of his family living on the reservation, teaching on the reservation, the tribe’s land being taken by oil companies, etc. but Oklahoma does not have reservations the way other states do and has not for decades. It also sounds like Wyatt becoming chief based only on being the previous chief’s grandson is pretty unlikely, but that’s a thing in the comics too.

There are a lot of inaccuracies and stereotypes in almost all of Wyatt’s appearances that are pretty blatant even to white-ass people like me, but some are better about this than others, for sure. So, keep that in mind even with the ones I list as enjoyable.

OKAY

the rest of the list

i’m just kinda doing a semi chrono order rather than “best to worst” order

-there’s SOME stuff from Fantastic Four #269 thru #280 that i liked but i really could not tell you specific issues and the way wyatt and jen meet is really not well done. i remember kinda liking the arc about central city being transported to the future, in which wyatt has a pretty brief appearance... but overall I just really don’t like John Byrne’s writing so ehh can’t really recommend but some of it’s like, fine

-Marvel Fanfare (1982) #37 [B Story] is pretty cute and brief. involves a double date between reed/sue and jen/wyatt with johnny as the fifth wheel, and also time travel. and arm wrestling. It’s not heavy on Wyatt but it’s cute in general.

-Marvel Graphic Novel #18 (the Sensational She-Hulk) is like............. i’m VERY torn on this. i think overall it has a lot of fun elements but as always with john byrne there’s plenty of bad mixed in, both in terms of sexualizing shulkie, byrne thinking he’s funnier than he actually is, and a bad scene w/ wyatt but it has some really cute moments too. it’s a real mixed bag, man. the infamous “she-hulk carries wyatt under her arm” scene is from this one... long and short is “shield captures she-hulk and wyatt, and they bust out.” Less racist than wyatt’s appearances in the following sensational she-hulk run john byrne did after this, which is NOT SAYING A LOT because wyatt’s appearances in that comic run were pretty fucking offensive. if you like jenwyatt i guess read this, like, it’s fine, but... eh...

-She-Hulk: Ceremony (only 2 jumbo issues long) is another one I’m veeeerrryyyy torn on but RIGHT off the bat i will say it is worth more than the weight of all john byrne’s wyatt scenes combined. The pacing is kind of really weird, it’s got a lot of odd mystical native stereotypes in it... but it’s got really nice art though and mcduffie gives wyatt i think some of the most depth/nuance of any of these comics... he and jen are both equally important and treated as complex characters from the very first page to the very last... it’s one of those comics where i can’t say, “read it despite its flaws” because I just... don’t know. and it’s a comic which has had almost no impact on the works that followed, but at the same time it does have some really nice stuff for both jen and wyatt’s characters. this is the one where wyatt and jen almost get married and wyatt almost goes to law school. anyway I personally really liked it despite its flaws and it seems more researched than some other things but it’s definitely still lacking in some of its approach to indigenous stuff. dwayne mcduffie being black i think does give it a little something that it would otherwise lack, if it had been written by a white dude like all the other things.

-Marvel Graphic Novel #62 (Ka-zar: Guns of the Savage Land) based on the synopsis I read, I expected this to be bad but it was actually alright? I liked the art, wyatt’s handsome... BUT there’s a lot of weird condescending paternalism to it, wrt the indigenous groups and how they’re depicted, and i think that’s a pretty big, glaring flaw along with some of the usual caveats that come with anything relating to the savage land (including, you know, the name itself), but the rest of it is not half bad. ka-zar’s a jackass though. it’s one of the MANY stories wyatt appears in which feature an oil company as the bad guys (Roxxon in this case) but it’s one of the only ones that’s actually halfway decent.

-Marvel Super-Heroes vol 2 #5 (Treasure) short and sweet, features a sea monster, jen and wyatt on a little getaway together, and wyatt wearing heart-patterned swim trunks. almost forgot this one cause it’s easy to miss, but it’s really cute.

-Fantastic Four #394 was okay if i recall. this is when wyatt, johnny, jen, and some others go out to an archaeology dig and lyja stalks johnny. johnny telling wyatt he ought to bottle his charm and sell it... is good. everything with lyja... less good. jen, wyatt and johnny palling around... great. everything with lyja.... not great. a real mixed bag for me.

-Strange Tales vol 3 #1 i did not hate. if i remember correctly it has the same artist as guns of the savage land. it’s about the power of storytelling. i enjoyed this in particular because it shows wyatt’s grandfather as like... a human with interests beyond just being a Wise Old Man--he reads monster magazines! i liked that a lot. it’s still kinda... iffy in spots, especially with doctor strange involved, but it was still fun and i like when wyatt and his family get treated like human beings.

-Fantastic Force was actually pretty fun, I think. Wyatt is only in issues #12-16 so that’s all I bothered to read but it has this very amusing moment of wyatt saying how it’s unfortunate his and jen’s relationship wasn’t meant to work out but he treasures her friendship... while holding her hand after a date. starting on issue 12 there was some context missing but i didn’t really... care.... my reading style is plowing through random issues without ever reading the context and then going: idk what’s going on

-Fantastic Four vol 2 Listen. I know this comic is not “good” but I liked it and that’s what matters here. This is Franklin’s pocket dimension of the heroes reborn alternate universe... it’s definitely flawed, and i think it tries to cram a lot in for the sake of including classic characters, but i honestly really enjoyed it a lot and wyatt is not insignificant, though he’s not like, majorly important either. reading order gets a little fucking weird around issue 12 at which point you gotta also read issue 12 of the heroes reborn versions of avengers, iron man, and captain america. there are reading guides though, thank god. it’s fun, it’s a different take on the four that nonetheless has lots of small nods to the classic comics... a lot of people think it’s bad and like. i get why. but i think it was enjoyable and engaging minus the parts where i was forced to read avengers comics. wyatt’s actually only in issues 4-6 but i wound up starting from the beginning and reading the whole thing except the final issue cause that continued some new plot i didn’t care about from some other comic--it really breaks up in the end there lmao.... Relatedly, i don’t think heroes reborn: ashema is much worth the read; it’s like, fine, but wyatt’s five second appearance is kind of random and features tomazooma which means i immediately dislike it. like CONCEPTUALLY, wyatt piloting a mech is great. but... not that mech.

-Fantastic Four: The End. this comic... is... weird? it’s fine? i don’t know, i don’t think i’d go out of my way to recommend it but at the same time i didn’t hate it? so i’ll include it here. it’s an alternate future featuring some wild robo doom as the villain. wyatt runs an asteroid mining company for some reason. peter has a goatee. ben has like three kids with alicia. johnny rides the silver surfer’s board. it was... definitely interesting. and one of the comics in which sue has short hair, which is always a bonus for me.

-She-Hulks: (yes, with the plural) It’s a mini. I REALLY liked this. wyatt’s in like, two issues but I genuinely recommend the whole thing (it’s only 4 issues total) I really liked this comic, I thought it was a lot of fun and wyatt and jen’s interactions were really sweet. My biggest crits are that the author falls into the same “failing to write teenage girls” pitfalls as many, many marvel writers, and that stegman draws wyatt literally an entire foot too short. but i prefer this old stegman art vastly to his grungy current art. INTERESTING NOTE HERE is that wyatt’s appearances in this comic were published riiight around the same time johnny straight-up died in hickman’s fantastic four run, which is honestly fascinating to contemplate and also extra heartbreaking that i never got to see how wyatt found out considering he was almost definitely in the city when it happened. anyway. good, bittersweet as all hell on the she-hulk front, really enjoyable for me. i did not bother to read any of the hulk comics preceding it for context and i don’t think you need to, to understand it.

-Captain America Corps --This comic is.... something. wyatt is only in the last two issues in a minor role but the whole series is again only 5 issues and I honestly really enjoyed it? Though I think it tripped over itself in a few places. It involves time travel, captain america, an alternate 21st century which would be heavy-handed if it weren’t for trump. I think it gets its message a little tangled up in parts, especially near the end with the femazon whatever bullshit (so close to talking about white women’s privileges), but overall it was a fun little AU mini-series, with some flaws. it also implies that wyatt goes on to become the president which is the funniest thing i’ve ever read. he would hate that so much, man

-FF vol 2. not fantastic four. FF. just the initials. WITH A CAVEAT. Okay. Wyatt is in issues #3-4, 8, and 16. This one is a tough one, though. This series. I like the art mostly. I like Wyatt’s scenes (tho i will pick a bone with mr fraction about wyatt’s supposed inability to pronounce french or know what to order at a french restaurant when he is multilingual and has gone to several french restaurants before) ANYWAY. Wyatt is really great in these appearances I think, charming, handsome, etc. The issues focusing on the kids, on interpersonal relationships, etc... i really like. But the rest. I do not like at all. The entire doom plot, I hated. Issue 16? Skip to the barbecue on the moon. I mean it. The bulk of issue 16 is a vastly uncomfortable, drawn-out fight scene between ant-man and doctor doom that just made me feel gross to read and just happens to be one of the only comics Victor has ever spoken Romani. So that’s... not great. The plot as a whole--I did not like it, especially not the stuff written by Allred, and I cannot recommend it unless you fucking hate doctor doom and want to watch him get beaten up for like literally 10 pages. That being said... again, the stuff with the kids? with bentley, and the moloids, and tong coming out, and the stuff with she-hulk and wyatt? I really really liked, and I thought was really sweet and fun. Oh also Wyatt looking at old man johnny and just knowing it’s him? chef kiss. So. definitely just. skip around. It’s a REAL mixed bag but there is some good stuff in there amidst the like...burnt peanuts.

-She-Hulk volume 3: wyatt is only in #5-6 and #12, really, with brief shots of his photo in some earlier issues BUT. I read the whole thing. It’s 12 issues total, and I really enjoyed it. The plot you think gets dropped does not get dropped, wyatt punches some demons in the face in the background, patsy is there... I really liked it. The art is a bit all over the place, and is not for everyone--it features Javier Pulido’s work for the majority, and I honestly... really like his work for its style and expressiveness but it REALLY is not for everyone, visually. Obviously Kevin Wada’s covers are gorgeous. The other artist who I forget the name of draws wyatt like... nigh unrecognizably, it’s really weird, and I don’t like his work as much but he does have some good spreads here and there. Colors are fantastic throughout. Again, really liked it. A little iffy on the secretary with the monkey.

-Fantastic Four vol 5 #11-12. These are the issues in which Wyatt gets shot by “hawkeye” and he and spidey hold an intervention for Johnny. I actually started with issue... 9 I think to just read the whole story, and I did enjoy that, though I will pick a fight over the idea that wyatt is a womanizer and would just toy with sharon who prior to this there was never any evidence they were romantically involved ANYWAY. I liked it. I felt feelings about Wyatt and Johnny, as well as the rest of the family. It switches to legacy numbering at one point and goes into:

-Fantastic Four #643-645 which is the rest of the story. I THINK 9-12 + 642-645 is everything.... Either way, I liked it a lot despite the fact that I’m really not a fan of Jesus Aburtov’s color work. Features the Heroes Reborn versions of the Avengers but like, empty, which was a fun nod.

-Hulk vol 4 #11 okay. wyatt’s not actually in this aside from jen reminiscing about her love life and showing like, two flashback panels of him. but. i really liked it a lot and i read the whole run based on the One (1) issue containing those panels. mariko tamaki has a great sense of humor and i found her fourth wall breaking to be actually funny sometimes instead of, like byrne’s, nigh intolerable. she also does some really solid character work for jen (which was later, of course, mangled by the avengers writers 🙄) the following she hulk series is a little less solid but i can imagine it was rushed because of the avengers comic, so, really, i’ll just blame everything on the avengers.

don’t read dan slott’s f4. i’ve read bad comics. i’ve read bad f4 comics. i’ve read bad wyatts. his run pings all of these. how do you write wyatt wingfoot out of character?! ask dan slott. oh, except #5′s bachelor party issue which I do think is fun and has wyatt in the background in a snazzy red tuxedo. #5 is actually my favorite issue of the whole run, which, to be fair, is not saying much. the first like, 2 issues and then issue 5 are really the most solid in there, and it just goes downhill from there.

cool.

anyway.

those are the comics featuring wyatt that i’ve enjoyed the most and coincidentally also the fantastic four and she-hulk comics i’ve read that i’ve enjoyed the most because the venn diagram of “fantastic four comics i have read” and “comics including wyatt wingfoot in some capacity” is a circle.

#nadia reads comics #this post is a bit of a long one but if you are curious...#comics #wyatt wingfoot

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biggoonie · 5 years ago

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X-MEN: CHILDREN OF THE ATOM BOX SET SLIPCASE

Written by STAN LEE, ROY THOMAS, ARNOLD DRAKE, CHRIS CLAREMONT & MORE Penciled by JACK KIRBY, WERNER ROTH, NEAL ADAMS, DAVE COCKRUM, JOHN BYRNE & MORE Cover by VARIOUS The X-Men’s complete 1960s-1970s adventures — from their first clash with Magneto through the nightmarish Days of Future Past! Witness Professor X train the original X-Men — Cyclops, Marvel Girl, Beast, Angel and Iceman — to protect a world that hates and fears them! Meet classic foes, including the Brotherhood of Evil Mutants, the Juggernaut, the Sentinels and more — as well as new recruits Havok and Polaris! Then, the all-new, all-different X-Men arrive to change comics forever! Storm, Colossus, Nightcrawler, Banshee, Sunfire, Thunderbird and Wolverine propel the X-Men to greatness — even if not all of them survive the experience! Watch as Jean Grey is reborn as the Phoenix, the X-Men traverse the globe, Kitty Pryde debuts and mutantkind faces a frightful future as years of epic stories from an array of legendary creators are collected in one truly uncanny box set! Collecting X-MEN: SILVER AGE VOL. 1 — GIFTED YOUNGSTERS PREMIERE HC, X-MEN: SILVER AGE VOL. 2 — DIVIDED WE FALL PREMIERE HC, X-MEN: SILVER AGE VOL. 3 — THE TORCH IS PASSED PREMIERE HC, X-MEN: SILVER AGE VOL. 4 — TWILIGHT OF THE MUTANTS PREMIERE HC, X-MEN: THE LOST YEARS PREMIERE HC, X-MEN: BRONZE AGE VOL. 1 — ALL-NEW & ALL-DIFFERENT PREMIERE HC, X-MEN: BRONZE AGE VOL. 2 — MAGNETO TRIUMPHANT PREMIERE HC, X-MEN: BRONZE AGE VOL. 3 — THE FATE OF THE PHOENIX PREMIERE HC, X-MEN COMPANION PREMIERE HC and X-MEN: CHILDREN OF THE ATOM BOX SET SLIPCASE POSTER. 3600 PGS./Rated T …$500.00 ISBN: 978-1-302-92402-7 Trim size: standard

X-MEN: SILVER AGE VOL. 1 — GIFTED YOUNGSTERS PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #1-13, FANTASTIC FOUR (1961) #28 and ANNUAL #3 and material from TALES OF SUSPENSE (1959) #49, STRANGE TALES (1951) #120 and JOURNEY INTO MYSTERY (1952) #109. 400 PGS.

X-MEN: SILVER AGE VOL. 2 — DIVIDED WE FALL PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #14-31. 384 PGS.

X-MEN: SILVER AGE VOL. 3 — THE TORCH IS PASSED PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #32-48 and AVENGERS (1963) #53. 384 PGS.

X-MEN: SILVER AGE VOL. 4 — TWILIGHT OF THE MUTANTS PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #49-66, KA-ZAR (1970) #2-3 and MARVEL TALES (1964) #30. 416 PGS.

X-MEN: THE LOST YEARS PREMIERE HC (SLIPCASE EDITION)

Collecting AMAZING SPIDER-MAN (1963) #92; INCREDIBLE HULK (1968) #150, #161, #172 and #180-181; AMAZING ADVENTURES (1970) #11-17; MARVEL TEAM-UP (1972) #4 and #23; AVENGERS (1963) #110-111; CAPTAIN AMERICA (1968) #172-175; DEFENDERS (1972) #15-16; and GIANT-SIZE FANTASTIC FOUR #4. 480 PGS.

X-MEN: BRONZE AGE VOL. 1 — ALL-NEW & ALL-DIFFERENT PREMIERE HC (SLIPCASE EDITION)

Collecting GIANT-SIZE X-MEN #1, X-MEN (1963) #94-108, AMAZING SPIDER-MAN (1963) #161-162, MARVEL TEAM-UP (1972) #53 and ANNUAL #1 and IRON FIST (1975) #15. 424 PGS.

X-MEN: BRONZE AGE VOL. 2 — MAGNETO TRIUMPHANT PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #109-124, X-MEN ANNUAL (1970) #3, MARVEL TEAM-UP (1972) #69-70 and #89, INCREDIBLE HULK ANNUAL #7 and POWER MAN AND IRON FIST (1978) #57. 440 PGS.

X-MEN: BRONZE AGE VOL. 3 — THE FATE OF THE PHOENIX PREMIERE HC (SLIPCASE EDITION)

Collecting X-MEN (1963) #125-141, UNCANNY X-MEN (1981) #142-143, X-MEN ANNUAL (1970) #4, MARVEL TWO-IN-ONE (1974) #68 and material from MARVEL TREASURY EDITION #26-27 and MARVEL TEAM-UP (1972) #100. 472 PGS.

X-MEN COMPANION PREMIERE HC (SLIPCASE EDITION)

Collecting PHOENIX: THE UNTOLD STORY and material from F.O.O.M. #10 and NOT BRAND ECHH #4 and #8. 200 PGS. X-MEN: CHILDREN OF THE ATOM BOX SET SLIPCASE POSTER (SLIPCASE EDITION)

#XMen

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comicstimeline · 3 years ago

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August 31st, 1939: Release of the first Marvel Comic

Martin Goldman founded the company Timely Publications (later known as Marvel comics) in 1939.

It told the stories of The Human Torch, The Sub-Mariner and Adventures of Ka-zar the great.

#Marvel #Marvel Comics #marvel Universe #Marvel 1939 #Martin Goodman

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why-i-love-comics · 7 years ago

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Marvel Mystery Comics #3 - "Adventures of Ka-Zar the Great III" (1940)

art by Ben Thompson

#ka zar #kazar #kevin plunder #marvel #vintage comics

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evilhorse · 2 years ago

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You should die!

#marvel mystery comics #adventures of ka zar the great #ka-zar #airplane #punch to the face #fight #die #jungle comics #Ben Thompson #timely comics #marvel comics #comics #40s comics #golden age comics

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m-4-gp-13 · 3 months ago

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reading all marvel comics in order of release day 2

Marvel Mystery Comics #3

human torch - why are we involving martians???

the angel - getting into cult sacrifice but all i can think of is the fact that the angel drives around in a car while wearing a cape

sub mariner - switching up the entire narrative so namor can fight nazis

the masked raider - shorter one, standard plot of this dude wants everyones land and thats bad

american ace - omfg i cannot muster up any interest

siegfried suicide - the american wartime superiority complex/propaganda

adventures of ka zar the great - felt suuper racist in its illustrations. anti zoo sentiment appreciated.

this issue seems to be embracing the cliffhanger type thing, getting comfortable w the guarantee of another issue after it.

#sry this is short im super tired #marvel #marvel mystery comics #human torch #the angel #sub mariner #namor the sub mariner #the masked raider #american ace #adventures of ka zar the great #wooo i think the next publication breaks from this series into daring mystery comics instead so maybe some new characters???

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inhumansforever · 7 years ago

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Lockjaw #3 Review

spoilers spoilers spoilers spoilers spoilers spoilers spoilers spoilers spoilers

Lockjaw and D-Man’s adventures continue and we learn the source of the mysterious signal that has set this all in motion in this third in a four issue series from the creative team of Daniel Kibbelsmith, Carlos Villa, Roberto Poggi and Chris O’Halloran. Quick recap and review following the jump.

The story so far has seen Lockjaw stirred by a mysterious signal that alerted him to the fact that his siblings may be in trouble. He teleported into action, checking in on his brothers and sisters to make sure they were okay. First he traveled to Brooklyn to see Bixby, a long-lived bulldog cared for by a kooky old woman. And it just so turned out that this woman is the neighbor of the retired super hero and one-time Avenger known as D-Man.

D-Man had lost his super powers some time ago and it has left him adrift, feeling depressed and purposeless… trying to find some new sense of meaning in life. Yet being a hero is in his nature and, powers or not, D-Man jumped into action and assisted Lockjaw when a swarm of hamster-piloted flying saucers attacked.

Together, Lockjaw and D-Man were able to fend off these hamsters and, once Lockjaw was sure Bixby was safe, he teleported off to his next sibling. D-Man accidentally tagged along and the two had another adventure in the prehistoric Savage Land. There they encountered Ka-Zar and Zabu and battled a pack of giant wolves. The fight was cut short, however, when it was revealed the pack was lead by ‘The Great Beast’ whom it just so turned out is Lockjaw’s sister. The Beast herself had been also attacked by hamster in flying saucers yet she and her pack where able to defeat them without aid. Seeing his sister was doing fine and needed to protection, Lockjaw teleported off taking a very confused D-Man with him.

This most recent teleportation was a much more significant jump… Lockjaw transported to an entirely new dimension. This is Earth 8311, the anthropomorphic universe populated be cartoon animal versions of the various heroes and villains of the Marvel 616 Universe.

D-Man had no idea such a dimension existed and is quite confused by it. He has little time to bend his mind around the matter before he and Lockjaw are attacked by The Wisker and his Wrecking Zoo (an anthropomorphic version of The Wrecker and the Wrecking Crew). Fortunately, the Spectacular Spider-Ham swings in to lend a hand and the villains are defeated.

Teleporting to a whole new dimension has taken a lot out of Lockjaw and Spider-Ham leads them to a safe location and it is here that they meet Lockjaw’s other sister, Doc Jaw. This sibling had been brought tot he 8311 Universe when she was just a puppy and the anthropomorphic filed surrounding he world impacted her development, changing her into an anthropomorphized version of herself. She was discovered by Mooseter Fantastic, who took her in. Under Mooseter Fantastic’s tutelage, Doc Jaw would gone on to become a great scientist.

It is here that D-Man is finally offered some answers as Doc Jaw explains to him (and to us the readers) what exactly has been going on. It is a bit of jarring information dump, but the exposition is appreciated in that it was nice to discover what exactly has been going on.

Here’s the deal… Some thirty years back Lockaw’s mother was a regular dog who was experimented on by an unscrupulous Inhuman scientist (has there ever been an Inhuman scientist who wasn’t unscrupulous?). Lockjaw’s mom was exposed to a version of the mutagenic Terrigen Mist whist she was pregnant and she gave birth to a litter of puppies, each of whom had been altered by the mists. The most powerful of the puppies was Lockjaw, who was imbued with enhanced size and strength, cosmic awareness and the ability to teleport himself and others through dimensional portals. Lockjaw was gifted to the infant prince, Black Bolt, and would go on to be an important member of the Inhuman Royal Family.

Some time thereafter, Lockjaw used his newfound powers for teleportation to transport each of his siblings to new homes. Bixby was transported to Brooklyn, The Beast to The Savage Land; Doc Jaw was teleported to Earth 8311… and so on.

Although Lockjaw’s intentions were good, he was just a puppy and, well, a dog. And in his efforts to transport his siblings to safe places, he accidentally happened upon The Negative Zone. This is a violent realm lorded over by the powerful Annihilus.

Annihilus is a terrible being whose only aim is to destroy everything possible and he has been bent over trying to find access to the multiverse so to spread his nihilistic right of terror and destruction. This being sensed Lockjaw stumbling into the Negative Zone. He sought out the sibling Lockjaw had left there (a brother) and captured him.

Again, Annihilus is intent on accessing the multiverse so to spread his terror. Yet he can only create small, temporary portal to access it. His plan, it would seem, is to seek out Lockjaw and use his genetic material to obtain the ability to teleport between dimensions. To this end, Annihilus has sent out hi minions to capture Lockjaw’s sibling, hoping to lure out Lockjaw and capture him. With her enhanced intellect, Doc Jaw was able to discern Annihilus’ scheme and she sent out a beacon to him hoping that she could get to Lockjaw first and warn him of Annihilus’s plan.

If ll of this wasn’t complicated enough, there is the additional wrinkle that Lockjaw no longer remembers how to teleport to the Negative Zone. He had made the trip once before, but it was by accident when he was just a puppy. He needs to somehow remember how to make the jump to The Negative Zone so that he can rescue his brother and put an end to Annihilus’s scheme. In order to access this memory, Doc Jaw has created a machine that will allow D-Man to enter into his unconscious dream-scape where hopefully the hidden memory might be found. Or something like that. It’s a bit confusing.

In any case, D-Man is rather reluctant to travel into Lockjaw’s dreams. Doc Jaw convinces him it is a challenge he must step up to. Fate has put him and Lockjaw together. She can sense D-Man’s heroic nature and appeals to his sense of needing to do the right thing. D-Man ultimately concedes and agrees to put on the apparatus that links his and Lockjaw’s minds.

Sleep is induced and D-Man and Lockjaw find themselves wondering through the dreamscape. There the two are attacked by nightmare entities drawn from each of their unconsciouses. These nightmare creatures are destroyed by the timely arrival of a new ally, the mysterious being known as Sleepwalker. And it is here that the issue confused with the promise of continuation in the next issue.

Oh kay… A rather wacky issue with a complicated plot, but still a lot of fun. The Marvel Anthropomorphic Universe is a pretty silly place, with cartoon animal analogs of familiar characters each offered their own pun-based animal names (some better than others. Thunderb -owl?).

It was kind of tough bending my head around Doc Jaw’s exposition of the plot points. I’m still not sure I have everything figured out… are the hamsters in flying saucers Annihilus’s agents? Still, I suppose some degree of confusion is to be expected when you get an information dump from a talking dog. And I can certainly relate to D-Man’s feelings of befuddlement.

In that the two previous issues were a good deal lighter on plot, it offered up more room for exploration of D-Man’s character. Conversely, this issue was much heavier on plot and, as such, D-Man didn’t receive as much character development.

Sleepwalker showing up at the end was surprising. He’s a character I know very little about… although he certainly fits right in alongside D-Man, Ka-Zar and Spider-Ham. I’m loving how Mr. Kibblesmith is drawing from such random corners of the extended Marvel Universe.

I’ve know idea how this nutty story is going to wrap up nor how it is all going to conclude in just one last issue. But I sure am looking forward to finding out. The art by Villa, Poggi and O’Halloran is once again terrific. It fits perfectly with the tenor of the tale and I especially liked the way the over arching style has shifted from one bizarre location to another.

Definitely recommended. Four out of five Lockjaws.

#Lockjaw #Inhumans #Daniel Kibbelsmith #Carlos Villa #Roberto Poggi #Chris O’Halloran #review #spoilers

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furederiko · 7 years ago

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9 MARVEL CHARACTERS I WANT TO SEE IN THE CINEMATIC UNIVERSE

Just spitballing for fun here!

To celebrate September 9th, here are 9 Marvel Heroes I would like to see making their debut in the next phase of Marvel Cinematic Universe. By MCU, that means for the movies... NOT for TV. I'm not saying because the TV side is... bad (even if I do lean towards that conclusion, it would be a subjective opinion), but I just don't think TV would be able to do justice with these characters due to various constraints (budget, VFX quality, etc).

It's already widely reported that the 2019 "UNTITLED Avengers" will serve as the culmination of MCU since 2008. That means, the door to welcome new characters and IPs would be wide open. So these are the names I would like to see getting the spotlight, and perhaps, assemble into a new set of Avengers. One might easily notice that the names I'm including here are characters from the animated "Avengers Assemble" series. That's actually... INTENTIONAL. One, because that means Marvel Studios obviously has the rights to use them (or at least partially, like the Spider-Man characters). And two, because I want this post to have a similar look and feel. But I'm NOT leaving behind other characters who have yet to show up in that series. That's why there's a special 'Bonus' section afterwards... (^^)v

Now that the explanation is out of the way, let's start right away! Here they are, in alphabetical order:

Agent Venom

Coincidentally, the first one is already a tricky situation. Eugene "Flash" Thompson is a Spider-Man character, so the rights to him is owned by SONY. That company is already working on a "Venom" movie that might not (or might?) be part of the MCU, with Tom Hardy as the lead. On the other hand, a modern-bully version of Flash has already debuted in the MCU via this year's "Spider-Man: Homecoming", as brought to life by Tony Revolori. Of course, the prospect of seeing a talented actor like Revolori becoming a headlining hero, is just too good to ignore. Mind you, it might take him a very long time (until after the high school characters graduate?) before arriving in a possible bittersweet situation (in the comics, Flash had to lose his legs first). But overall, Marvel Studios has already sown the seed for Agent Venom's debut. I can only hope this idea will be realized somewhere in the future...

Hercules

Odd choice, huh? But hear me out. We haven't had a great Hercules movie for a long time (my favorite was still Disney's animated-musical version, and it differed massively from the mythology). So why not leave it to Marvel Studios to do justice for the figure, and make a HUGE name out of him? The comic version of Hercules Panhellenios is a struggling, washed-out, unemployed hero, who spends his time slacking around and being a disappointment to others. True to his metaphorical title as a fierce male lion, huh? This situation and condition would carry massive potentials to explore in the movies. He can also take over Thor Odinson's position to expand the MCU towards more Greek-based mythological stories. Would you like to see Herc fighting Cerberus or Hydra (the monster, not the NAZI organization) in live action? I sure do. Good ol' Herc has seen a return to spotlight recently, with his own solo comic series. So what an excellent time to promote him for his own movie too! Since Chris Hemsworth and Pratt are already in the MCU (IMO, both are giving off a strong Hercules vibe!), perhaps Marvel Studios can hire... I don't know, Joe Manganiello as the lead actor?

Hyperion

Another mythological-esque hero! Unlike Hercules though, Marcus Milton has a completely different origin, being descendant of... the Eternals. Yes, the "Guardians of the Galaxy" movie series have already introduced this powerful race, which means, the route to Hyperion's debut is more or less smooth sailing. Interestingly, Hyperion is well known as part of the superhero team "Squadron Supreme". That means, if ever Marvel Studios needs a 'replacement' for the Avengers, this group is a good candidate. Just like Herc, Hyperion has returned to the limelight with a new comic series lately, eventhough it was cancelled after a few volumes. I admit, being a copy/parody of a certain DC hero, the character doesn't really have deep potentials. But that's why I trust Marvel Studios to give him the push he needed! As for the actor, for some reason, I would love to see John Krasinski in the role. Dude was considered to be Captain America before, right? And he's not another Chris. LOL.

Inferno

We're back to another tricky business. Dante Pertuz is a relatively new character, a modern version of Human Torch that FOX doesn't own. LOL. He's introduced in the recent years with the NuHumans storyline, which exactly leads to THE tricky situation. Yes, he's an Inhuman, and his origin story is deeply connected to the Inhumans Royal Family (specifically Gorgon). We all know that Marvel TV had taken over the Inhumans IP and turn it into a TV series (complete with bad writing, bad design, bad reviews *smh*). I'm VERY concerned the division would also want to capitalize on Inferno to boost the show's appeal, and I personally don't think that's a wise decision. Visual-effect wise, Mark Kolpack has admitted that creating Robbie Reyes' Ghost Rider's flaming head and chains for the 4th season of "Agents of S.H.I.E.L.D." was taxing and demanding. It's basically a movie-level VFX that required extra hours and patience, not something that can usually be rushed in a TV deadline. Now imagine doing that with Inferno, who emits flame from all over his body! But there's a bigger stake, here. You see, Dante's clearly a latino hero, and we haven't had one headlining an MCU movie until now. With his visual powers and relatable storyline (struggling with being Inhumans, a minority, rock star, and all), a movie would privilege Dante with the justice he deserve. I'm aware that highly likely Marvel Studios will be going with a cosmic Sam Alexander's Nova instead, and that's okay. But Inferno would be more current, if not more likeable choice.

Ka-Zar

Kevin Plunder came in to this list, with the same reason to Hercules. Because he's Marvel version of Tarzan! Hollywood has been trying to create a good Tarzan movie over and over again, and they're either an okay hit or a sad miss. As far as I know, none of them were ever able to please every audience, not even Disney's animated version. But Ka-Zar is different, because he carries more 'fantasy' than just trying to ape the King of the Jungle. The setting of his adventures, the "Savage Land" that's hidden deep in Antarctica, would be something magnificent to feature in the big screen. We've got Asgard, Kamar-Taj, Wakanda, why not add Savage Land too! Don't forget Zabu, his saber-toothed best friend, which would require massive CGI work. Suffice to say, the things I'm reading and hearing about Ka-Zar only leads to one conclusion: I want to see him in a live action movie! Now, who can portray him? Hmmm... a natural blond Brit like Charlie Hunnam, perhaps?

Ms. Marvel

All concerns I had for Dante, goes for Kamala Khan as well. Being a fellow Inhumans, there's been a rampant rumor recently that she'll be getting a TV series (supposedly the one John Ridley is working on). For me, that's a HUUUGE NOOOO. And due to THREE major reasons. ONE, similar to Inferno, TV budget won't be able to handle the VFX required to showcase her Inhuman ability with the right look and feel. Look no further than that underwhelming looking "Inhumans" series as example! Would you like to see an iconic figure like Kamala being reduced to a 'disaster' with the excuse of making her 'grounded'? You know, like what Marvel TV have already done to Medusa? I certainly DON'T. Kamala is basically the modern version of Mr. Fantastic, and we all know that even FOX have tried to do Reed Richards right in the movies several times, but still couldn't perfectly nail it. Downgrading this situation to a TV level would only make it worse. TWO, Kamala is a genuinely likeable and well-beloved character that easily captures the heart and attention of many readers throughout the world. If the 60s-90s had Peter Parker, Kamala's the youth representative for the modern world. Hip, cool, and current (being a social media freak and all), but also kind and caring... eventhough she's a triple-decker minority (Female, South Asian heritage, and Moslem) living in a racist country. Which leads me to the final reason. THREE, her story will have a MUCH BIGGER impact to the world as a movie. Releasing a Marvel Studios movie with her as the lead in an international market (including countries with Moslem as majority), would not only bank a great amount of money, but also sends the right messages: one, unlike its current government, Hollywood is NOT racist; two, that everyone can be a hero, regardless of their gender, race, and religion! Relegating a character this HUGE to a small-scoped TV series that not everyone can gain access to, would be a massive disservice. Kamala is the hero the world currently needs, so please don't undermine her into disappointments.

She-Hulk

Another tricky situation, though in this case, due to the confusing copyrights. Actor Mark Ruffalo has repeatedly said, that a Hulk solo movie won't be coming along the road because Universal has the distribution rights. What about his super-powered cousin, Jennifer Walters? It's unclear, but I can only assume that she has the same legal limitation. Thankfully, it also doesn't mean that she can't be used in a Marvel Studios movies. She just need to be included as part of an ensemble, that's all. The great thing about Jen, is that she's a lawyer and later a judge. Not only she's strong physically, but also academically. Won't that be a strong role model for young women and girls all around the world? We haven't really had a law angle in the superhero movies until now, with Daredevil occupying the Netflix universe. So bringing Jen into the light would be fresh and promising. As for who should play him, I don't have a particular choice, but someone with Award prestige like Emily Blunt, Charlize Theron, and/or Jennifer Lawrence would be a great get...

Songbird

Former villain turned Avengers? Yep, that premise alone would make a great story. Melissa Gold started off as a troubled woman, with broken family and harsh situation. Giving in to the world of crime (known as Screaming Mimi) was clearly her way to stay alive. Eventually she stumbled into the road of heroism with the Songbird moniker, and ended up becoming a full-time member of the Avengers. Just like the other characters I've included here, Melissa would be a great role model, especially for troubled teenagers. Her path of redemption proves that anyone, regardless of their past and issues, can be a hero too. An inspiring message that Marvel Studios need to share to the world. She doesn't sell enough as a solo movie? Well, then debuting her as part of the "Thunderbolts" would be equally okay for me. All the ingredients are already in the MCU anyway (Thunderbolt Ross, Helmut Zemo?). As for the actress, for some reason, I want to see Anna Kendrick in this role. Yeah, basically I just want to see her in a Marvel Studios movie, but I believe she would really bring justice to the gorgeous-designed Songbird.

White Tiger

We've already gotten an African "Black Panther", now it's time for a hispanic White Tiger! Her powers come from the mystical side, and since "Doctor Strange" has opened up the gateway to supernatural, we can have more heroes with this kind of origin story! I'm personally going with Ava Ayala, and not Angela del Toro, eventhough either of them would be wonderful. Why White Tiger? Same reason to Dante, and in a way, Kamala. Sure, the MCU have included numerous Latino actors who either got lost in the background (Jonathan Pangborn?), or turned out to be a scene stealer (looking at you Luis!!!), but we haven't really had a major hispanic hero in the MCU until now. More importantly, a female one! Debuting Ava in the MCU would also, once again, sends off a great message. The US government have been really discriminative about immigrants lately, including the hispanics. Putting Ava in the spotlight would remind everyone that South Americans CAN be heroes, and not criminals like what they're being wrongfully accused for. We truly need characters like this right away! As for who should play her, I'm currently setting my eyes on Gina Rodriquez of the hit series "Jane the Virgin".

Honorable Ment... SPECIAL ADDITIONS

The next characters are those who (as far as my memory serves) haven't made their debut in the "Avengers Assemble" series. So they sort of... didn't fulfill the basic requirement for my initial list. But it'd be unfair leaving them behind like that, right? That's why they are special 'Bonus' additions. Without further ado, in alphabetical order:

Brother Voodoo

For the record, I'm not being racist by sidelining the only black character to this section. The reason I put him here, is because his debut in the MCU movies is pretty much confirmed. Daniel Drumm, big brother to Jericho Drumm, has already made his appearance in "Doctor Strange" as the original protector of New York Sanctum Santorum. And director Scott Derrickson has already hinted that his death would lead to consequences, including the arrival of Jericho. Debuting Jericho as a sort of sidekick to Stephen Strange would be nice, but it would be much better if he gets his own movie too. Yes, there's an issue regarding his name, because using Voodoo might... well, attract criticsm. But titles can be tweaked, right? Considering Jericho ends up becoming a Sorcerer Supreme too, I believe he'll be perfect as the next black hero to headline his own movie.

Shang-Chi

I've already repeatedly mentioned that Marvel Studios NEED a major hero representing minorities, and this is another great candidate. Marvel Studios have brought several prominent Asian characters into the MCU, like Wong, Mantis (eventhough she's an alien), and Helen Cho. Yet they all share similar characteristic: they are all supporting cast. If Marvel Studios want to play it 'safe' and headline an East Asian lead character, then Shang-Chi is the go-to-guy. Nope, I'm not undermining him, but just pointing out how easy he would appeal to the audience. Shang-Chi is in a way, Marvel Comics' response to Bruce Lee. We all know that the world LOVES some Bruce Lee. And Shang is more than just a Bruce Lee copy, he's also a master of espionage who's determined to take down his own father's criminal empire. Pretty much a solid recipe for a James Bond-styled wuxia blockbuster hit, am I right! "Doctor Strange" has teased the use of martial arts to support magic, a hero like Shang would put it upfront as the star of the party. Marvel TV might have taken the stamp on Iron Fist (with mixed response), so Shang is the opportunity for Marvel Studios to do it RIGHT! Jon Woo, Ang Lee, or Jacky Chan can direct this, and as for the actor, Godfrey Gao is my top pick. But Ludi Lin, Philip Ng (star of the fictional Bruce Lee biopic "Birth of the Dragon"), or even Yoshi Sudarso (who is Chinese-Indonesian) would be fantastic nonetheless.

Spider-Woman

The last tricky affair of the day! Jessica Drew is called Spider-Woman, but she uses the 'Spider' moniker by name only, and unrelated to Spider-Man. That's why until now, it's currently unclear whether her movie rights is owned by SONY or not. She's actually one of the superheroine I've been itching to see in the MCU, but admittedly, these questions surrounding her place always put me on a weird crossroad. Drew is connected to Hydra, the High Evolutionary, and has always been a full-blown Avengers. And all of those screams MCU. She's also the best friend of Carol Danvers, so I honestly want to see her show up in "Captain Marvel". Her comic origin story sort of fits with "Captain Marvel" 90s setting too. Have Jessica encounter Carol when she was a child, then Jessica was put into stasis for years, only to wake up as a superpowered woman in the present day. And then she meets Carol again, and team up as the new Avengers. All's well ends well! I personally want to see Tatiana Maslany of the famous "Orphan Black" for this character, but Marvel Studios can always cast an Asian actress (like Constance Wu or Celina Jade) due to Drew's ambiguous background.

Young Avengers

This one initially started off with just William "Billy" Kaplan and partner Theodore "Teddy" Altman. A sweet pairing more famously known as Wiccan and Hulkling. My way of thinking was, it'd be rude and unfair to name just one of them, right? If Marvel Studios wants to go ahead and feature an LGBT representation, these guys are the one they should use. Is it possible? There's a hint that we'll be seeing Vision and Wanda Maximoff's relationship evolve in "Avengers: Infinity War". Perhaps somehow they end up bending reality, and Billy is magically conceived? Meanwhile, "Captain Marvel" confirmed that the alien race Skrull CAN be used in the MCU, so a half Kree-Skrull (his biological father is the original/male Captain Marvel) like Teddy is more than just possible. Basically, that movie is the only gateway needed for his debut in the MCU.

But then I began thinking. Why am I leaving behind Billy's twin brother Thomas "Tommy" Shepherd? Poor Pietro Maximoff was killed off in just one movie, why am I sidelining another Speed-ster? That's NOT right. Then the more I think of it, the bigger the scope gets. We have a Hawkeye and Ant-Man who are both fathers in the MCU. Why not include their protege/child? Katherine "Kate" Bishop might not be Clint Barton's daughter, but the two shared a special connection that would be great to depict on the big screen. And then there's Cassandra "Cassie" Lang who looks up to her father Scott, and aspires to be a size-shifting heroine of her own. Cassie has already debuted in the MCU as played by Abby Ryder Fortson, why not promote her into a hero too? And how could I miss out the lesbian latina America Chavez? Fitting in comfortably to all the diversity talk I've stated above, America is not only female, latina, she's also an LGBT representative. Another triple-decker like Kamala. JACKPOT!

So yeah, that's how I ended up with Young Avengers instead. If Marvel TV has "The Runaways", then Marvel Studios can have these equally (if not more prospective) young heroes! If we assume that we will no longer see the Avengers following the 2019 movie, then introducing the Young Avengers would be the most logical continuation. This movie doesn't even to take place in the present time, but a bit further in the future, or even in an alternate reality. That's the function of Reality Stone and Multi-verse, right? This team represents youth, fun, and diversity, sending all the right messages to the world. And at the same, enabling older actors like Jeremy Renner, Paul Rudd, Benedict Cumberbatch and others to serve briefly as mentor figures. There's also one other reason why this special team ends up being the last entry on this post (which is unintentional, to be honest): because I REALLY want them to show up in the MCU! \(*v*)/

So there you have it, the 9 (plus 4+) Marvel Heroes I want to see coming to the big screen. In the end though, this is nothing more than a personal opinion. It's obviously a very subjective thinkpiece, so anyone else might not have the same idea (if you do have your take, then do post them, I'd gladly read it!). I do however, hope that someone, anyone from Marvel Studios would somehow stumble upon this, read it, and put these names into considerations. I sincerely feel they will bring something NEW to the MCU, while continue conveying message of hope, inspiration, kindness, and good. After all, that's what Marvel Studios movies are for, right? Thanks for reading... enjoy your September 9th! Even if it might be just a regular day for most of us... XD

#Just for Fun #movie #random #marvel #Marvel Studios

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