#adelphi my beloved <3< /div>
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harrowscore · 4 months ago
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i must admit that the italian translator for the gormenghast books did a wonderful job. the translation maintains peake's richness and sophistication in his descriptions and metaphors, but it also flows very well. i knew i could trust adelphi to do something right
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noorxkhalaf · 6 years ago
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hi, i am riina & it’s so good to be back! i used to be a part of this group for months before my life to a bit mad and i unfortunately had to disappear. i missed you all so much during my absence and i am so happy to bring noor back and get to interacting with all the old and new members! there’s a bit of info on her under the cut!
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noor was born in queens but spent a significant amount of her childhood in her father’s native saudi arabia, mainly in the city of jeddah. her mother is a native new yorker from a largely irish american family and was born and raised in astoria.
she’s the eldest of four siblings & super close with her brother hassan who’s only fourteen months younger than her. she used to have a fairly complicated relationship with her sister zahra but they’ve recently started to reconnect after some hard times. noor’s youngest brother karim lives in california and is undoubtedly the coolest of the khalaf children.
was bit of an overachiever and people-pleaser as a child. it took her ages to learn how to live for herself instead of those around her. she now has absolutely no trouble saying no.
she got her bachelor’s degree in nursing from adelphi university. this is also where she met her now ex-husband. noor got married when she was twenty-one but the marriage only lasted for three years. she was pregnant with her daughter hana during the separation and is now a single mother. noor absolutely adores her daughter and will gladly sing her praises whenever people are willing to listen. hana’s father returned to the united arab emirates after the divorce and isn’t really in the picture.
noor moved in with her parents after her marriage fell apart. however! she and hana have recently moved out, although they still live in the same apartment complex. noor’s a massive family person, okay.
she can be incredibly bossy at times & finds it difficult to keep her mouth shut if she believes there’s a better way to go about doing something.
would like to get her master’s in nursing in the near-ish future as she hopes to become a clinical nurse specialist.
noor played soccer between the ages of five and twenty-one and dreams of picking up her beloved hobby once again.
she doesn’t drink and has probably never set foot in a nightclub but she will gladly accompany her friends to more chill bars. would most likely be the designated driver if she didn’t absolutely despise driving.
will mother absolutely everyone, especially when tired after her night shifts. don’t you dare to do anything even remotely risky in her company.
i have to head to bed soon but i can’t wait to write each and every one of you! please let me know if you’d like to plot anything at all <3 
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charlicpace · 5 years ago
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I know David H is pretty beloved but I find his Pomatter too OTT & imo he tries to make the actor of Jenna laugh not Jenna if that makes sense. Bryan Fenkart played a funny Pomatter. I really want to see Lucie with a different Pomatter cause I think I would like her more. I’m a bit in different to her Jenna but damn she sings the hell out of the songs. 3/6
Oooh, valid! I see what you mean! David’s actually my favourite, but I definitely get you! I’ve never seen a Bad Idea reprise with David and Lucie that didn’t involve them breaking, and I’ve seen them together thrice. Although… Gavin did intentionally make Sara laugh during It Only Takes A Taste when I saw it, but Sara actually hid it/recovered better than I’ve known Lucie to. I believe there’s a boot of Lucie with Mike, so that might be one to look to trade for when it’s past its date! I think she and Piers would be suuuuper interesting to see together, so if Piers wants to be on when I got in March… No complaints from me! 
Interestingly, me and my sister were talking about how we’re both happy for David to stay until closing (speaking of which, will you be there?) before we saw the show with Gavin, as we both love him. We were literally walking across the street from the Adelphi after taking pictures talking about it. However, my sister’s only other perception of Pomatter is Mark Evans, who she didn’t like, but then after we saw Gavin, she was practically ready to kick David out the door, and was saying she loved how… tender (?) Gavin was in comparison, and that David’s delivery now seems a little too cheesy. I think David balances the humour out with the tenderness really well, but that’s just me! And that’s why I love hearing other people’s perspectives! 
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londontheatre · 7 years ago
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Royal Shakespeare Companys Matilda The Musical. Credit Manuel Harlan
Today, the Royal Shakespeare Company announces the adult casting for the first five venues of the Matilda The Musical 2018/19 UK and Ireland Tour. Craige Els will reprise the role of Miss Trunchbull, having played her in the West End for three years between 2014 and 2017. He will be joined by Carly Thoms as Miss Honey and Sebastien Torkia as Mr Wormwood as well as former West End cast-mate Rebecca Thornhill as Mrs Wormwood.
Winner of over 85 international awards, including 16 for Best Musical, Matilda The Musical will open at Leicester Curve (5 – 24 March) and will then tour to the Dublin Bord Gáis Energy Theatre (4 – 28 April), Sunderland Empire (8 May – 2 June), Milton Keynes Theatre (5 June – 30 June), Birmingham Hippodrome (3 July – 8 September), Manchester Palace (18 September – 24 November) and Cardiff Wales Millennium Centre (4 December – 12 January 2019). Further dates and venues are to be announced in due course. The West End production will continue to play at the Cambridge Theatre, where it is currently booking until 27 May 2018.
The full adult cast includes Joe Atkinson, Peter Bindloss, Oliver Bingham, Emily Bull, Matthew Caputo, Samara Casteallo, Craige Els, Matt Gillett, Michelle Chantelle Hopewell, Sam Lathwood, Steffan Lloyd-Evans, Charlie Martin, Anu Ogunmefun, Carly Thoms, Rebecca Thornhill, Sebastien Torkia, Taylor Walker, Adam Vaughan and Dawn Williams. The children’s cast will be announced in due course.
Craige Els (Miss Trunchbull) has previously appeared on stage in Timon of Athens, Antigone and The Cherry Orchard (National Theatre) and on screen in Ripper Street, The Bletchley Circle and Call The Midwife. Further theatre credits include Victoria Wood’s That Day We Sang (Royal Exchange, Manchester), Mamma Mia! (Novello), Oklahoma! (Chichester Festival Theatre), The New Yorkers (Sadler’s Wells), Never Forget (West End and tour) and Spamalot (West End). Craige has also appeared on the big screen in films such as The Imitation Game, Joe Wright’s Anna Karenina and Simon Connelly’s Hamlet.
Carly Thoms (Miss Honey) most recently starred as Natella/Ludvica in The Caucasian Chalk Circle (Greenwich Theatre). Other stage roles include LV in The Rise and Fall of Little Voice (The Union Theatre), Miss Dorothy in Thoroughly Modern Millie (Adelphi), the title role in Cinderella (Hackney Empire and De Montfort Hall), Lucy in Ushers (The Charing Cross Theatre) and Liesl in The Sound of Music UK Tour.
Rebecca Thornhill (Mrs Wormwood) is an Olivier Award-nominated actress with an illustrious musical theatre background. Rebecca’s previous stage credits include lead roles in From Here To Eternity (Shaftesbury), Mary Poppins (Prince Edward and USA tour), Chicago (Adelphi), Ragtime (Piccadilly), Witches of Eastwick (Prince of Wales and UK tour), South Pacific (UK tour), Beauty and the Beast (Dominion) and Les Misérables (Palace and Denmark). In addition to her credits in the West End, Rebecca has appeared at the National Theatre in Singin’ in the Rain (for which she was nominated for an Olivier Award) and played Gertie in Trevor Nunn’s production of Oklahoma! opposite Hugh Jackman and Maureen Lipman.
Sebastien Torkia (Mr Wormwood) has a wide range of theatre credits which include the original West End casts of La Cage Aux Folles, Guys and Dolls, Saturday Night Fever, Martin Guerre and Grease. Other roles include Sweeney Todd (West Yorkshire Playhouse and Royal Exchange, Manchester), Ed in The Lion King (Lyceum), A Streetcar Named Desire (Bolton Octagon),Women Beware Women (National Theatre), Eddie Ryan in Funny Girl (Chichester Festival Theatre), Greg Gardner in A Chorus Line (Sheffield Crucible), Maugrim/Giant Rumblebuffin in The Lion, the Witch and the Wardrobe (West Yorkshire Playhouse), Steve in Singin’ in the Rain (national tour), and Rodgers and Hammerstein’s Cinderella in Japan.
The production will be accompanied by Change My Story, a new education programme inspired by Matilda The Musical which will engage young people in towns and cities across the UK and Ireland. With a travelling library of stories led by Mrs Phelps and whole school takeovers, the RSC aims to reach over 15,000 children, in collaboration with touring theatre partners. Further details can be found at http://ift.tt/2p38eZM.
Matilda The Musical is the longest-running production at the Cambridge Theatre and will enter its seventh year in London’s West End on 25 October 2017.
Inspired by the incomparable Roald Dahl’s beloved book, Matilda The Musical was commissioned by the Royal Shakespeare Company and premiered at the RSC’s The Courtyard Theatre in Stratford-upon-Avon in November 2010, before transferring to London’s West End in October 2011, where it opened to rave reviews.
The New York production of Matilda The Musical opened in April 2013 at Broadway’s Shubert Theatre and was celebrated on 10 “Top Ten” lists for 2013, including TIME Magazine’s #1 Show of the Year.
[See image gallery at http://ift.tt/1FpwFUw]
  Matilda The Musical has now been seen by more than 7 million people worldwide. Having swept the board at the 2012 Olivier Awards, with a record-breaking seven awards, and winning four Tony Awards and a Tony Honor for Excellence in the Theater for the four girls sharing the title role on Broadway, Matilda The Musical has now played in over 60 cities and has played more than 5500 performances worldwide.
After winning a Sydney Theatre Award for Best Musical in 2015, the Australian and New Zealand tour has now played sold-out seasons in Melbourne, Brisbane, Perth and Adelaide. In July 2016, Matilda The Musical broke further records by winning all 13 Helpmann Awards for which it was nominated. The Australian and New Zealand production concludes its tour on 22 October, where it is playing at the Civic Theatre in Auckland.
Matilda The Musical is produced by the Royal Shakespeare Company with André Ptaszynski and Denise Wood as Executive Producers. The production was developed with the support of Jeanie O’Hare and the RSC Literary Department.
Matilda The Musical is written by Dennis Kelly, with music and lyrics by Tim Minchin, and direction by Matthew Warchus. The production is designed by Rob Howell, with choreography by Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Hugh Vanstone, sound by Simon Baker and the special effects and illusions are by Paul Kieve.
TOUR LISTINGS Leicester Curve Monday 5 – Saturday 24 March 2018 Box Office: 0116 242 3595 http://ift.tt/165GdBd
Dublin Bord Gáis Energy Theatre Wednesday 4 – Saturday 28 April 2018 Box Office: +353 (1) 677 7999 http://ift.tt/RbxcU5
Sunderland Empire Theatre Tuesday 8 May – Saturday 2 June 2018 Box Office: 0844 871 3022* http://ift.tt/2oUi1ot
Milton Keynes Theatre Tuesday 5 – Saturday 30 June 2018 Box Office: 0844 871 7652* http://ift.tt/2fbdpE6
Birmingham Hippodrome Tuesday 3 July – Saturday 8 September 2018 Box Office: 0844 338 5000** http://ift.tt/14iJTzX
Manchester Palace Theatre Tuesday 18 September – Saturday 24 November 2018 Box Office: 0844 871 3019* http://ift.tt/2omjl08
Wales Millennium Centre, Cardiff / Canolfan Mileniwm Cymru Tuesday 4 December 2018 – Saturday 12 January 2019 Box Office: 029 2063 6464 www.wmc.org.uk
WEST END LISTING MATILDA THE MUSICAL Cambridge Theatre, Earlham Street, WC2H 9HU
http://ift.tt/2yvd7lx London Theatre 1
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