#adam mullaney

[project-rosewood-476]

^^The song this animatic is based on.

Featuring our beloved Adam and Jeff the Killer.

Story: A potential scene for book 2 of ERHIT. Adam goes over to Jeff's house to train and clean up. He finds him going on a bender, and he's trying to help. But some people are stubborn and don't want to be saved. Art was done by @xxxamerican-psychoxxx editing was done by me.

[ask-the-little-lamb]

Sally Williams and Adam Mullaney are two of Noah's best friends. Adam knows he's got a friend in both of them!

(Adam Mullaney belongs to @theshipmaker-blog)

[handeaux]

On Today’s Episode Of Cincinnati’s Most Wanted: The Notorious Nuttle Gang

Few motorists rumbling through the I-71 valley east of town give a thought to the long-lost lair of the notorious Nuttle Gang. For a good portion of the 1880s, however, travelers through that area at the base of Mount Adams lived in fear of the brigands. Alvin F. Harlow, in his “The Serene Cincinnatians,” sums up the legend:

“For several years in the 1880s a band of thugs, the Nuttle gang, harbored in an old railway tunnel, running from Deer Creek under Avondale, which had been years in building and was finally abandoned. A policeman chased one of the ruffians to the mouth of the tunnel one day, but dared not enter it. Not until some of them were caught outside their lair was the band broken up.”

The tunnel in which the Nuttle Gang sheltered from police interference was constructed during a pre-Civil War initiative to run a railroad line from downtown Cincinnati to Dayton. A significant portion of this tunnel was completed, from approximately Elsinore Place to just beyond Eden Park Drive. The line was never completed and the whole project forgotten after other railroads found cheaper routes into the city.

Abandoned tunnels are almost a cliché among outlaw gangs, but the Deer Creek cavern provided superb security for the local ruffians. It was capacious enough to store oodles of boodle, and any invaders peering into the subterranean darkness would be silhouetted against the bright opening, making easy targets. According to the Cincinnati Enquirer [27 July 1932]:

“In this era the most notorious of several group of local rowdies was the Deer Creek bunch, known as the Nuttle Gang. They made Dublin Street, or “Turn Back Avenue,” their hangout, but operated over a considerably wider area. Breweries sending wagon loads of beer to Walnut Hills put on an extra keg or two for the Nuttle Gang, nor did the drivers interfere when they took their toll. Wayfarers suffered at their hands and for several years they terrorized that neighborhood.”

One of the Nuttles – Dan, one of the family who gave the gang its name – complained that people blamed every petty crime or disturbance near Gilbert Avenue on the Nuttle Gang, identifying every bum or petty crook collared in that part of town as a member of the group. It cheapened the prestige of the gang, Dan huffed.

Ironically, for a gang that gained such a sordid reputation, the ringleaders – James “Cock” Nuttle and William “Billy” Nuttle – were sons of a policemen killed in the line of duty. The modus operandi of the Nuttles involved swarming a victim, making identification and apprehension difficult. When the gang beat up a grocer who refused to give them liquor on credit in 1879, police filled most of the cells in the Hammond Street station with James Flannery, John Smith, Patrick “Shad” Nuttle, Dan Nuttle, Tom Haydon, Billy Nuttle, Thomas Nuttle, Pat Frasey and Bridget (Yes, a woman.) Flannery.

The next year, according to the Cincinnati Gazette [3 March 1880], one of the Nuttles used the old railroad tunnel to escape from the police. Shad Nuttle and William Burke robbed a butcher on Gilbert Avenue and his cries brought two police officers, whistles blowing, onto the scene. Burke was captured quickly.

“Officer Butler chased Nuttle into the old tunnel at the upper end of Deer Creek, where he hid himself. A watch was placed at the mouth of the tunnel, and Nuttle will be arrested when he concludes to come out. Two of Nuttles brothers were sentenced to the penitentiary Saturday. Another Nuttle is in the Work House.”

The Nuttles’ domain extended so far as to create friction with a West End gang led by Buck Mullaney. After one scrap, Red Morris of the West End boys challenged Billy McGee of the Nuttles to a shotgun duel. Although both gangs showed up south of Covington for the showdown, the challenge devolved into a general free-for-all with numerous injuries. They were a rough bunch. In 1882, Billy Nuttle won a barroom brawl but was later sued by Allen Combs, who lost the tussle. Combs claimed Nuttle caused $2,100 in damages by biting off the end of his nose.

In addition to lawless mayhem, the Nuttles had a legitimate side hustle around election time. The local Democratic Party hired the thugs to maintain order (meaning to chase off any Republican voters) at a couple of East End polling sites. The chaotic and bloody 1884 election inspired a Congressional investigation that highlighted the Nuttles’ strong-arm tactics.

The beginning of the end for the Nuttles came, not from police arrests, but from internal dissension. In 1887, James “Cock” Nuttle was shot and killed by James “Jaydice” Kennedy after an argument about a woman. Even in death, Cock Nuttle caused trouble. As an undertaker’s wagon hauled his body home from Good Samaritan Hospital, the vehicle tumbled down a twenty-foot embankment near some railroad tracks. Nuttle’s coffin shattered and his body was thrown onto the ground. The coroner, called to the scene, ruled that the corpse was intact enough for burial.

In 1894, Billy Nuttle died from pneumonia in the city hospital and his obituary included the dreadful fates of a half-dozen Nuttle Gang members: “Dickety” Quinn succumbed to delirium tremens, “Yap” Skelly shot by the cops, Charley Keegan broke his neck falling from a train, Cocky Smith killed by a rival, George Fay a hunted fugitive, Dan Flannagan jailed in St. Louis.

Once the Nuttles were gone, the Deer Creek Valley was designated as the Hunt Street Dump, Hunt Street being the former name of Reading Road. By the early 1900s, the valley had been completely filled in with tons of garbage and refuse. The retired dump was graded and converted into a playground with six baseball fields. The old railroad tunnel slumbered under the detritus.

In 1951, the city looked into using the buried railroad tunnel as an air-raid shelter, but those plans led nowhere. A decade later, construction for I-71 burrowed through the old tunnel and brought back memories. Si Cornell, in the Cincinnati Post [22 March 1966], revived some of the old tales:

“I-71 construction workers who uncovered the pre-Civil War railway tunnel near Eden Park’s entrance have reported finding old beer bottles (particularly from the Bellevue Brewery) in the rubble. This isn’t particularly surprising. Maybe 80 years ago, when the Deer Creek Commons was an odiferous dump, the ‘Deer Creek Gang’ hung out in the tunnel, through which no train ever ran. Favorite stunt of these notorious loafers was to steal whatever possible from any brewery wagon that ventured anywhere near. This liquid loot was lugged into the tunnel for the gang’s consumption. Wonder is that the construction workers aren’t finding whole kegs, not mere bottles.”

[vanwolffen]

Here is the thing.

That's how US entertainment industry works.

Writers and comedians move to either New York or Los Angeles to work in the industry so they can learn directly from the people that are already working in the industry, that's also why the "Animation family tree" exists.

People that work in the same show have a higher chance to not only improve their writing/routines/acting/artwork, but they also have a higher chance of creating and producing a newer show themselves.

SNL alone has let loose most of the biggest comedians and inadvertently shaped pop culture over the last fifty years with stars like John Belushi, Dan Aykroyd, Bill Murray, Eddie Murphy, Jim Carrey, Adam Sandler andI can keep going on and on until we get all the way to nowadays with John Mullaney and Andy Samberg.

Same way you can get an easier chance of producing a show or movie if you already had a chance of working with say... Dan Harmon, or Alex Hirsch.

Saw the old like a boss music video on the timeline. Is that John Mulaney

[graphicpolicy]

Red Stylo's Cosmic Love Inspired by Florence + the Machine is Live on Kickstarter

Red Stylo's Cosmic Love Inspired by Florence + the Machine is Live on Kickstarter #comics

Red Stylo Media‘s all about love this February with Cosmic Love, an anthology inspired by Florence + the Machine.

Contributors were challenged to create original comic stories and vignettes inspired by songs from Florence + the Machine. The result is a collection of original stories celebrating love in all of its glorious forms.

The book features stories and art by:

Rachel Perciphone

Jenn…

[notesfromachair]

Happy Birthday America!

What do you say about someone – or something – on its 245th birthday?  I’ve been stumped other than to say – HAPPY BIRTHDAY AMERICA!!! Sure, OK, this. Which begs the question: what you get a 245 year-old?  Though it seems to me we actually gave the United States its birthday gift months ago by voting out #45 and installing as #46 someone who none other than Sen. Lindsey Graham (R-SC) once…

[groupieculture]

visually cousin greg is a crossover of john mullaney and adam from saw and that boy from charlie and the chocolate factory

[jail-pat]

Les Miserables - One Day More (2014 Olivier Awards)

Daniel Koek - Jean Valjean Tam Mutu - Javert Wendy Ferguson - Mme Thénardier Adam Linstead - Thénardier (u/s) Rob Houchen - Marius Carrie Fletcher - Eponine Samantha Dorsey - Cosette Oliver Savile - Enjolras (u/s)

Dougie Carter - Joly James Gant - Lesgles Dayle Hodge - Feuilly(Swing) Jonny Purchase - Combeferre Rhidian Marc - Courfeyrac

Lee Dillon-Stuart Simon Shorten Carl Mullaney Leo Roberts - waving the flag? Prouvaire? and ...

[wolfliving]

Thinking Through Interfaces, a syllabus

*That looks enlightening.

THINKING THROUGH INTERFACES

Co-taught by Zed Adams (Philosophy) and Shannon Mattern (Media Studies)

Tuesdays 4:00 - 5:50pm | 6 East 16th St #1003

Interfaces are everywhere and nowhere. They pervade our lives, mediating our interactions with one another, technology, and the world. But their very pervasiveness also makes them invisible. In this seminar, we expose the hidden lives of interfaces, illuminating not just what they are and how they work, but also how they shape our lives, for better and worse. We also discuss a number of pressing social and political issues, such as why we are quick to adopt some interfaces (e.g., smartphones and social media platforms), but reluctant to embrace others (e.g., new voting machines and Google Glass). 

(...)

RESOURCES

With a few exceptions, all readings will be made available on our class website, at http://www.wordsinspace.net/interfaces/2019/. We’ll provide everyone with a copy of Tom Mullaney’s The Chinese Typewriter and David Parisi’s Archaeologies of Touch.

SCHEDULE OF MEETINGS

WEEK 1: JANUARY 22: INTRODUCTIONS

What is an interface?

How are interfaces differentiated?

Can an interface become a part of our mind?

Do interfaces shape what we use them to do?

What are the limits of interfaces: what problems do they not help us solve?

WEEKS 2 AND 3: CONCEPTUALIZATION 

WEEK 2: JANUARY 29: CONCEPTUALIZATION I 

Nelson Goodman, “The Theory of Notation” (Chapter Four), Languages of Art (Hackett, 1976): 127-173.

Florian Cramer and Matthew Fuller, “Interface” in Software Studies, ed., Matthew Fuller (MIT Press, 2008): 149-53.

Johanna Drucker, “Interface and Interpretation” and “Designing Graphic Interpretation” in Graphesis: Visual Forms of Knowledge Production (Harvard University Press, 2014): 138-97.

WEEK 3: FEBRUARY 5: CONCEPTUALIZATION II

Shannon Mattern, “Mission Control: A History of the Urban Dashboard,” Places Journal (March 2015).

Shannon Mattern, “Things that Beep: A Brief History of Product Sound Design,” Avant (August 2018).

We encourage you to think, too, about how interfaces might embody different cultures and ideologies. Consider, for example, feminist interfaces or indigenous interfaces -- or interfaces that embody universal, accessible design. You'll find some relevant resources in the modules at the end of this syllabus, and we'll explore many of these themes as part of our case studies throughout the semester.

In-Class Workshop (second half of class): small-group interface critiques 

Supplemental: 

Christian Ulrich Andersen and Soren Bro Pold, eds., Interface Criticism: Aesthetics Beyond the Buttons (Aarhus University Press, 2011).

Martijn de Waal, The City as Interface: How New Media Are Changing the City (nai010, 2014).

Johanna Drucker, “Humanities Approach to Interface Theory,” Culture Machine 12 (2011).

Johanna Drucker, “Performative Materiality and Theoretical Approaches to Interface,” Digital Humanities Quarterly 7:1 (2013).

Florian Hadler and Joachim Haupt, “Towards a Critique of Interfaces” in Interface Critique, eds., Florian Hadler and Joachim Haupt (Berlin: Kulturverlag Kadmos, 2016): 7-16.

John Haugeland, “Representational Genera” in Having Thought: Essays in the Metaphysics of Mind, ed. Haugeland (Harvard Univ Press, 1992): 171-206.

Branden Hookway, Interface (MIT Press, 2014)

Interface Critique (journal).

Steven Johnson, Interface Culture (Basic Books, 1999)

Matthew Katz, “Analog Representations and Their Users,” Synthese 193: 3 (June 2015): 851-871.

Kimon Keramidas, The Interface Experience - A User’s Guide (Bard Graduate Center, 2015).

Shannon Mattern, “Interfacing Urban Intelligence,” Places Journal (April 2014).

Don Norman, The Design of Everyday Things (Basic Books, 2013).

Mitchell Whitelaw, “Generous Interfaces for Digital Cultural Collections,” Digital Humanities Quarterly 9:1 (2015).

Jeff Johnson, Designing with the Mind in Mind (Morgan Kauffmann, 2014).

WEEKS 4 AND 5: TYPEWRITER KEYBOARDS 

Our first case study is the QWERTY keyboard. This case raises fundamental questions about why interfaces are adopted in the first place, the extent to which their original designs constrain how they are subsequently used, and how particular linguistic politics and epistemologies are embodied in our interfaces. 

WEEK 4: FEBRUARY 12: KEYBOARDS & QWERTY

Andy Clark, Chapters One through Three, and Ten, Being There: Putting Brain, Body, and World Together Again (MIT Press, 1998): 11-69 and 193-218.

S. J. Liebowitz and Stephen E. Margolis, “The Fable of the Keys,” The Journal of Law & Economics 33:1 (1990): 1-25.

WEEK 5: FEBRUARY 19: OTHER KEYBOARDS

Thomas S. Mullaney, The Chinese Typewriter: A History (MIT Press, 2017): Chapter 1, 35-74; Chapter 4, 161-93; Chapter 6, 237-53 (up through “How Ancient China Missed…”; and Chapter 7, 283-8 (through “China’s First ‘Model Typist’”).

Kim Sterelny, “Minds: Extended or Scaffolded?” Phenomenology and the Cognitive Sciences 9:4 (2010): 465-481.

See Marcin Wichary’s forthcoming book about the global history of keyboards, as well as his research newsletters.

4-5pm: Skype TBD 

Supplemental: 

Louise Barrett, Beyond the Brain (Princeton University Press, 2015).

Andy Clark and David Chalmers, “The Extended Mind,” Analysis 58:1 (1998): 7-19.

Friedrich A. Kittler, Gramophone, Film, Typewriter, trans. Geoffrey Winthrop-Young and Michael Wutz (Stanford University Press, 1986).

Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era (Stanford University Press, 1999).

John Haugeland, “Mind Embodied and Embedded,” Having Thought (Harvard University Press, 1998): 207-237.

Richard Heersmink, "A taxonomy of cognitive artifacts: function, information, and categories." Review of philosophy and psychology 4.3 (2013): 465-481.

Richard Heersmink, "The Metaphysics of Cognitive Artefacts," Philosophical Explorations 19.1 (2016): 78-93.

Neil M. Kay, “Rerun the Tape of History and QWERTY Always Wins,” Research Policy 42:6-7 (2013): 1175-85.

Prince McLean, “Inside the Multitouch FingerWorks Tech in Apple’s Tablet,” Apple Insider (January 23, 2010).

Jan Noyes, “QWERTY - The Immoral Keyboard,” Computing & Control Engineering Journal 9:3 (1998): 117-22.

Kim Sterelny, The Evolved Apprentice: How Evolution Made Humans Unique (MIT Press, 2012).

Cassie Werber, “The Future of Typing Doesn’t Involve a Keyboard,” Quartz (November 23, 2018).

Darren Wershler-Henry, The Iron Whim: A Fragmented History of Typewriting (Cornell University Press, 2007).

WEEKS 6 AND 7: HAPTICS 

WEEK 6: FEBRUARY 26: PUSHING BUTTONS 

H. P. Grice, “Some Remarks About the Senses,” in Analytical Philosophy, First Series, ed. R. J. Butler (OUP Press, 1962): 248-268. Reprinted in F. MacPherson (ed), The Senses (OUP Press, 2011): 83-101.

Matthew Fulkerson, “Rethinking the Senses and Their Interactions: The Case for Sensory Pluralism,” Frontiers in Psychology (December 10, 2014).

Rachel Plotnick, “Setting the Stage,” in Power Button: A History of Pleasure, Panic, and the Politics of Pushing (MIT Press, 2018): 3-16.

Rachel Plotnick, “Force, Flatness, and Touch Without Feeling: Thinking Historically About Haptics and Buttons,” New Media and Society 19:10 (2017): 1632-52.

WEEK 7: MARCH 5: HAPTICS II 

David Parisi, Archaeologies of Touch: Interfacing with Haptics from Electricity to Computing (University of Minnesota Press, 2017): Introduction, 1-40; Chapter 3, 151-212; and Chapter 4, 213-264.

4-5pm: Skype with Dave Parisi 

Supplemental: 

Sandy Isenstadt, “At the Flip of a Switch,” Places Journal (September 2018).

Mathias Fuchs, Moisés Mañas, and Georg Russegger, “Ludic Interfaces,” in Exploring Videogames: Culture, Design and Identity, eds., Nick Webber and Daniel Riha (Interdisciplinary-Net Press): 31-40.  

Matthew Fulkerson, The First Sense: A Philosophical Study of Human Touch (MIT Press, 2013).

Gerard Goggin, “Disability and Haptic Mobile Media,” New Media & Society 19:10 (2017): 1563-80.

Kim Knight, “Wearable Interfaces, Networked Bodies, and Feminist Interfaces,” MLA Commons (2018).

Brian Merchant, The One Device: The Secret History of the iPhone (Little, Brown, 2017).

Stephen Monteiro, The Fabric of Interface: Mobile Media, Design, and Gender (MIT Press, 2017).

David Parisi, “Games Interfaces as Bodily Techniques,” Handbook of Research on Effective Electronic Gaming in Education, ed. Richard Ferdig (IGI Global): 111-126.

David Parisi, Mark Paterson, and Jason Edward Arches, eds., “Haptic Media” Special Issue, New Media & Society 19:10 (October 2017).

Rachel Plotnick, “At the Interface: The Case of the Electric Push Button, 1880-1923,” Technology and Culture 53:4 (October 2012): 815-45.

MARCH 11 @ NOON 

Share your final project and presentation proposal with Zed and Shannon. See “Assignments” for more detail. 

WEEK 8: MARCH 12 

Individual meetings to discuss presentations and final projects

MARCH 19: NO CLASS: SPRING BREAK

WEEKS 9-10: VOICE 

WEEK 9: MARCH 26: History of Vocal Interfaces (Zed away)

Mara Mills, “Media and Prosthesis: The Vocoder, the Artificial Larynx, and the History of Signal Processing,” Qui Parle 21:1 (Fall/Winter 2012): 107-49.

Danielle Van Jaarsveld and Winifred Poster, “Call Centers: Emotional Labor Over the Phone,” in Emotional Labor in the 21st Century: Diverse Perspectives on Emotion Regulation at Work, ed. Alicia Grandey, Jim Diefendorff, and Deborah Rupp (LEA Press, 2012): 153-73.

Confirm the assigned text for your presentation: send to Shannon and Zed a complete Chicago-style citation and either a high-quality pdf or a link to the online resource before class today, so we can update our class website with everyone’s material.

WEEK 10: APRIL 2: Contemporary Vocal Interfaces 

Adelheid Voshkul, “Humans, Machines, and Conversations: An Ethnographic Study of the Making of Automatic Speech Recognition Technologies,” Social Studies of Science 34:3 (2004).

Andrea L. Guzman, “Voices in and of the Machine: Source Orientation Toward Mobile Virtual Assistants,” Computers in Human Behavior (2018).

Halcyon M. Lawrence and Lauren Neefe, “When I Talk to Siri,” Flash Readings 4 (September 6, 2017) {podcast: 10:14}.

Halcyon M. Lawrence, “Inauthentically Speaking: Speech Technology, Accent Bias and Digital Imperialism,” SIGCIS, Computer History Museum, March 2017 {video: 1:26 > 17:16}

Lauren McCarthy, LAUREN. A human smart home intelligence (review press, too).

4-5pm: Skype with Halcyon M. Lawrence

Supplemental: 

Meryl Alper, Giving Voice: Mobile Communication, Disability, and Inequality (MIT Press, 2017).

Michel Chion, Sound: An Acoulogical Treatise (Duke, 2016).

Karin Bijsterveld, “Dissecting Sound: Speaker Identification at the Stasi and Sonic Ways of Knowing,” Hearing Modernity (2018).

Trevor Cox, Now You’re Talking: The Story of Human Communication from the Neanderthals to Artificial Intelligence (Counterpoint, 2018).

Brian Dumaine, “It Might Get Loud: Inside Silicon Valley’s Battle to Own Voice Tech,” Fortune (October 24, 2018).

Larry Greenemeier, “Alexa, How Do We Take Our Relationship to the Next Level?” Scientific American (April 26, 2018).

Jason Kincaid, “A Brief History of ASR,” descript (July 12, 2018).

Halcyon M. Lawrence, “Siri Disciplines,” in Your Computer is on Fire, eds., Marie Hicks, Ben Peters, Kavita Philips and Tom Mullaney (MIT Press, forthcoming 2019).

Halcyon Lawrence and Lauren Neefe, “Siri’s Progeny: Voice and the Future of Interaction Design,” Georgia Tech, Fall 2016.

Xiaochang Li and Mara Mills, “Vocal Features: From Voice Identification to Speech Recognition by Machine,” Technology and Culture (forthcoming 2019).

Luke Munn, “Alexa and the Intersectional Interface,” _Angles (June 2018).

Quynh N. Nguyen, Ahn Ta, and Victor Prybutok, “An Integrated Model of Voice-User Interface Continuance Intention: The Gender Effect,” International Journal of Human-Computer Interaction (2018).

Winifred Poster, “Sound Bites, Sentiments, and Accents: Digitizing Communicative Labor in the Era of Global Outsourcing,” in digitalSTS: A Field Guide for Science & Technology Studies, eds., David Ribes and Janet Vertesi (Princeton University Press, forthcoming April 2019).

Winifred Poster, “The Virtual Receptionist with a Human Touch: Opposing Pressures of Digital Automation and Outsourcing in Interactive Services” in Invisible Labor: Hidden Work in the Contemporary World, eds. Marion G. Crain, Winifred R. Poster, and Miriam A. Cherry (University of California Press, 2016): 87-111.

Thom Scott-Phillips, Speaking our Minds: Why Human Communication is Different, and How Language Evolved to Make it Special (Palgrave Macmillan, 2015).

Craig S. Smith, “Alexa and Siri Can Hear This Hidden Command. You Can’t,” New York Times (May 10, 2018).

Dave Tompkins, How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks (Stop Smiling Books, 2011).

Mickey Vallee, “Biometrics, Affect, Autoaffection and the Phenomenological Voice,” Subjectivity 11:2 (2018): 161-76.

Bruce N. Walker and Michael A. Nees, “Theory of Sonification” in The Sonification Handbook, eds. Thomas Hermann, Andy Hunt, and John G. Neuhoff (Logos Publishing, 2011).

[thestageyshelf]

SOLD 🎭 Les Misérables @ Queen's Theatre 2014 (#91)

Title: Les Misérables

Venue: Queen's Theatre

Year: 2014

Condition: Creasing

Author: Based on the Novel by Victor Hugo. Music by Claude-Michel Schonberg. Lyrics by Herbert Kretzmer. Original Text by Alain Boublil and Jean-Marc Natel. Additional Material by James Fenton

Director: Adapted and Directed by Trevor Nunn and John Caird

Cast: Koko Basigara, Rosanna Bates, Cameron Blakely, Ethan Bradshaw, Melanie Bright, Josie Brightwell, Dougie Carter, Jade Davies, Lee Dillon-Stuart, Samantha Dorsey, Wendy Ferguson, Carrie Hope Fletcher, James Gant, Katy Hanna, Dayle Hodge, Chris Holland, Rob Houchen, Na-Young Jeon, Daniel Koek, Sarah Lark, Adam Linstead, Rhidian Marc, George Miller, Carl Mullaney, Tam Mutu, Jenny O'Leary, Helen Owen, Jonny Purchase, Leo Roberts, Oliver Savile, Simon Shorten, Nicky Swift, Anton Zetterholm, Matilda Shapland, Lucy Simmonds, Eva Trodd, Scarlett Evans, Matilda Hopkins, Darcy Snares

FIND ON EBAY HERE

[project-rosewood-476]

Adam: I made you a friendship bracelet

Jeff: I'm not much of a jewelry person

Adam: ohhh... you don't have to wear it if you don't want to...

Jeff: *snatching it out of his hands and putting it on* no back off I'm keeping this forever.

[smashpages]

Nominees for the 2018 Eisner Awards announced

Comic-Con International has announced the nominees for the 2018 Eisner Awards, presented annually in San Diego at the convention.

Monstress by Marjorie Liu and Sana Takeda and My Favorite Thing Is Monsters by Emil Ferris each received five nominations across various categories; other comics with multiple nominations included Mister Miracle, Black Hammer, The Flintstones, Grass Kings, Eartha and Hawkeye.

Check out the complete list of nominees below.

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix) “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!) ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), https://ift.tt/2I41VPy “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant) “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox) Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse) Pope Hats #5, by Ethan Rilly (AdHouse Books) The Spotted Stone, by Rick Veitch (Sun Comics) What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse) Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box) Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel) Monstress, by Marjorie Liu and Sana Takeda (Image) The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel) Extremity, by Daniel Warren Johnson (Image/Skybound) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Mister Miracle, by Tom King and Mitch Gerads (DC) X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel) Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios) Maestros, by Steve Skroce (Image) Redlands, by Jordie Belaire and Vanesa Del Rey (Image) Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books) Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow) Egg, by Kevin Henkes (Greenwillow Books) Good Night, Planet, by Liniers (Toon Books) Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia) Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf) Nightlights, by Lorena Alvarez (Nobrow) The Tea Dragon Society, by Katie O’Neill (Oni) Wallace the Brave, by Will Henry (Andrews McMeel) Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House) Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia) Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi) Monstress, by Marjorie Liu and Sana Takeda (Image) Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly) Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Rock Candy Mountain, by Kyle Starks (Image) Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press) A Castle in England, by Jamie Rhodes et al. (Nobrow) Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press) Now #1, edited by Eric Reynolds (Fantagraphics) The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) The Best We Could Do, by Thi Bui (Abrams ComicArts) Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW) Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW) Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press) Eartha, by Cathy Malkasian (Fantagraphics) My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics) Stages of Rot, by Linnea Sterte (Peow) The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly) Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics) Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence) Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly) Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image) H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse) Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse) Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW) FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero) Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic) The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics) Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon) Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media) My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon) Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics) Shiver: Junji Ito Selected Stories, by Junji Ito translated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel) Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press) Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books) Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press) Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha) Behaving MADly, edited by Craig Yoe (Yoe Books/IDW) The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum) Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC) Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant) Jeff Lemire, Black Hammer (Dark Horse); Descender (Image) Marjorie Liu, Monstress (Image) Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow) Chabouté, Moby Dick (Dark Horse); Alone, Park Bench (Gallery 13/Simon & Schuster) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Cathy Malkasian, Eartha (Fantagraphics) Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Mitch Gerads, Mister Miracle (DC) Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse) Ramón K. Perez, Jane (Archaia) David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic) EFA, Monet: Itinerant of Light (NBM) Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW) Cyril Pedrosa, Portugal (NBM) Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image) Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal) Brian Stelfreeze, Black Panther (Marvel) Sana Takeda, Monstress (Image) Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Mitch Gerads, Mister Miracle (DC) Ed Piskor, X-Men: Grand Design (Marvel) David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image) Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image) Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse) John Workman, Mother Panic (DC Young Animal); Ragnorok (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows) The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics) Hogan’s Alley, edited by Tom Heintjes Jack Kirby Collector, edited by John Morrow (TwoMorrows) PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids) How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group) How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics) Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk) Monograph, by Chris Ware (Rizzoli) To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi) Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press) Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press) Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press) Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha) Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel) Monograph, designed by Chris Ware (Rizzoli) My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate) The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant) Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm) Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideon Kendall (comiXology Originals/Kitchen, Lind & Associates) Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital) Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon) Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib) The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com (Oni Press) Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

[starwarsnewsit]

Eisner Awards 2018: poco "Star Wars" tra le nomination

New Post has been published on http://www.starwarsnews.it/2018/04/27/eisner-awards-2018-star-wars/

Eisner Awards 2018: poco "Star Wars" tra le nomination

Eisner Awards 2018. Verrà assegnato a breve uno dei premi più importanti del panorama fumettistico. Quest’anno tra le varie nomination c’è anche qualcosa legata a Star Wars, ma veramente poco…

Eisner Awards 2018 – Tutte le nomination

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)

“Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)

”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), http://magazine.columbia.edu/features/summer-2017/life-comics?page=0,0

“Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)

“Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox)

Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)

Pope Hats #5, by Ethan Rilly (AdHouse Books)

The Spotted Stone, by Rick Veitch (Sun Comics)

What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)

Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)

Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)

Monstress, by Marjorie Liu and Sana Takeda (Image)

The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)

Extremity, by Daniel Warren Johnson (Image/Skybound)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)

Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)

Maestros, by Steve Skroce (Image)

Redlands, by Jordie Belaire and Vanesa Del Rey (Image)

Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)

Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)

Egg, by Kevin Henkes (Greenwillow Books)

Good Night, Planet, by Liniers (Toon Books)

Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia)

Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)

Nightlights, by Lorena Alvarez (Nobrow)

The Tea Dragon Society, by Katie O’Neill (Oni)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)

Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)

Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)

Monstress, by Marjorie Liu and Sana Takeda (Image)

Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly)

Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Rock Candy Mountain, by Kyle Starks (Image)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)

A Castle in England, by Jamie Rhodes et al. (Nobrow)

Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)

Now #1, edited by Eric Reynolds (Fantagraphics)

The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

The Best We Could Do, by Thi Bui (Abrams ComicArts)

Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)

Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)

Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press)

Eartha, by Cathy Malkasian (Fantagraphics)

My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Stages of Rot, by Linnea Sterte (Peow)

The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly)

Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)

Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)

Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)

Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image)

H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)

Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)

Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)

FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)

Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)

The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)

Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)

Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)

My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)

Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)

Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)

Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)

Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)

Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)

Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)

Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)

The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)

Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)

Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)

Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)

Marjorie Liu, Monstress (Image)

Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow)

Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Cathy Malkasian, Eartha (Fantagraphics)

Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Mitch Gerads, Mister Miracle (DC)

Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)

Ramón K. Perez, Jane (Archaia)

David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)

EFA, Monet: Itinerant of Light (NBM)

Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)

Cyril Pedrosa, Portugal (NBM)

Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image)

Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)

Brian Stelfreeze, Black Panther (Marvel)

Sana Takeda, Monstress (Image)

Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Mitch Gerads, Mister Miracle (DC)

Ed Piskor, X-Men: Grand Design (Marvel)

David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)

Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)

Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)

John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)

The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes

Jack Kirby Collector, edited by John Morrow (TwoMorrows)

PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)

How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)

How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)

Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)

Monograph, by Chris Ware (Rizzoli)

To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)

Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)

Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)

Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)

Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)

Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)

Monograph, designed by Chris Ware (Rizzoli)

My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)

Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)

The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)

Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)

Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)

Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital)

Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon)

Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib)

The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com

Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

[mhsn033]

Bob Willis Trophy: Jonny Bairstow makes 75 as Yorkshire lead Nottinghamshire

Jonny Bairstow returned to the Yorkshire facet after taking half in for England in one-dayers in opposition to Eire

Bob Willis Trophy, Trent Bridge (day three): Yorkshire 264 & 259-7: Bairstow 75, Lyth 50; Chappell 3-49 Nottinghamshire 355: Moores 106, Mullaney 50 Yorkshire (5 pts) lead Nottinghamshire (7 pts) by 168 runs with 3 wickets left Scorecard

Jonny Bairstow’s 75 helped push Yorkshire staunch into a space of power on the third day of their Bob Willis Trophy match in opposition to Nottinghamshire at Trent Bridge.

England World Cup winner Bairstow, taking half in his first crimson-ball match for his county in two years, conducted the predominant hand because the White Rose reached the close on 259-7, a lead of 168.

Adam Lyth made precisely 50, scoring his runs from 124 balls with six fours, and Jonny Tattersall will toddle into the closing day unbeaten on 41 having confronted 155 deliveries.

Bairstow batted for fair about three hours and hit 14 fours in his 140-ball pause and his most productive moment of perfect fortune came early on in his innings when he nicked Matt Carter’s off race between wicketkeeper Tom Moores and Steven Mullaney originally high-tail.

Relive Monday’s motion within the Bob Willis Trophy

From that level he exuded self perception and carve Zak Chappell for a succession of boundaries but his eventual dismissal came at some stage in an sudden spell in mid-afternoon when three wickets rapid fell.

The step forward came from Samit Patel, having Lyth caught at high-tail by Mullaney, almost right now after bringing up his half of century from 117 balls.

Matt Carter then accounted for every Bairstow and Dawid Malan in identical vogue, with every caught at rapid leg by Haseeb Hameed.

The first – an athletic factual-handed snatch – turned into out of the very top drawer, the 2nd a delicate lob up from Malan’s bat and pad as he departed for perfect a single.

With the scoreboard showing Notts to have an over rate of plus 18, they came upon themselves ready to build up the 2nd unique ball by 5.20pm, with the allocation of 90 overs already surpassed.

Lacking Jake Ball, who had left the motion with a facet strain after bowling three overs on the initiate of the day, the hosts turned into motivate to Chappell to strive to cease the day as he had started it and he duly delivered.

Having eliminated opener Tom Kohler-Cadmore for a golden duck on the initiate of the play, Chappell closed it by selecting up the wickets of Jordan Thompson for 33, then captain Steven Patterson.

Tattersall stood firm, with Duanne Olivier his partner at stumps on eight and all outcomes dwell that you just may maybe maybe also imagine heading into the closing day, with Yorkshire bidding for motivate-to-motivate wins.

Nottinghamshire, though, dwell hopeful of breaking a chain of 24 first class matches without victory stretching motivate to June 2018.

Nottinghamshire tempo bowler Zak Chappell:

“It turned into an very perfect day of four-day cricket, a sport of attrition in actual fact.

“Peter Moores continually says you may maybe maybe also scuttle any person. For in some unspecified time in the future they may be able to stand it but after four they win niggly and crack.

“This morning to win Tom Kohler-Cadmore first up turned into a dreamy initiate and I’d have loved to have bought Jonny again but he battled thru it. Credit score to them for that partnership.

“I’m peaceable discovering my procedure in county cricket but I enjoyed it for my section currently and verbalize all of us save an very perfect shift in.”

Yorkshire head coach Andrew Gale:

“On the initiate of the day I requested for fight, character, resilience and persistence and I possess we’ve considered that currently.

“We dug in, it wasn’t easy. Or now not it’s a long way a day seven pitch, so that you just could be peaceable batting on the cease of it’s very pleasing.

“We’ll compare to position a few more on within the morning after which if we are able to win them 20 for 2, who’s aware of?”

Match chronicle by PA Media.

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[psl5]

PSL 2020 Gold Category International Players

International Players who are in Glod Category:

In PSL 5 from 14 countries 144 Players was in Gold Category Here is the List of International Players who are Playing in PSL 2020.

IN Gold Category, 48 England Players, 40 West Indies, 19 Players from Sri Lanka, 10 From Bangladesh, 6 From Afghanistan, 4 Australia, 4 New Zealand, 3 from Ireland and 3 From South Africa, 3 From Zimbabwe, and 1 each from Canada, Netherlands, Scotland and the United States of America have Registered.

International Players list of Gold Category:

West Indies (40):  Jahmar Hamilton,Shamar Springer, Shane Dowrich, Sheldon Cottrell, Shermon Lewis, Trevon Griffith and Veerasammy Permaul, Andre Fletcher, Ashley Nurse, Bhaskar Yadram, Chadwick Walton, Christopher Barnwell, Danza Hyatt, Devendra Bishoo, Dominic Drakes, Dwayne Smith, Hayden Walsh Jr, Jeavon Searles, Jeremiah Louis, Jerome Taylor, John Campbell, Jonathan Carter, Joshua Bishop, Kennar Lewis, Keron Cottoy, Khary Pierre, Kieran Powell, Kjorn Yohance, Krishmar Santokie, Kyle Mayers, Leniko Boucher, Mark Deyal, Obed McCoy, Ravi Rampaul, Ray Reifer, Rayad Emrit, Roland Cato, Romario Shepherd, Ronsford Beaton, Rovman Powell.

England (48): David Payne, Dom Sibley, George Garton, Hamidullah Qadri, Hassan Azad, Jack Taylor, Dan Lawrence, Danny Briggs, Rikki Clarke, Ross Whiteley, Ryan Higgins, Sam Hain, Samit Patel, Saqib Mahmood, Stephen Mullaney, Steven Croft, Tom Abell, Wayne Madsen, Will Jacks and Zak Chappell,  Luis Reece, Jade Dernbach, James Fuller, Jamie Overton, Joe Clarke, John Simpson, Jordan Clark, Josh Cobb, Josh Davey, Josh Poysden, Adam Lyth, Alex Davies, Arron Lilley, Ben Duckett, Benny Howell, Callum Parkinson, Chris Wood, Colin Ackermann, Craig Meschede, D Bell-Drummond, Max Holden, Nathan Sowter Ollie Robinson, Paul Coughlin, Peter Trego, Reece Topley, Richard Gleeson, Riki Wessels.

Sri Lanka (19):  Lahiru Thirimanne, Lakshan Sandakan, Malinda Pushpakumara, Minod Banuka, Suranga Lakmal, Upul Tharanga and Wanindu Hasaranga, Angelo Perera, Asela Gunaratne, Avishka Fernando, Bhanuka Rajapaksa, Chaturanga de Silva, Nuwan Pradeep, Seekkuge Prasanna, Seekugge Prasanna, Dinesh Chandimal, Dushmantha Chameera, Jeevan Mendis, Kasun Rajitha, Lahiru Kumara.

Bangladesh (10): Aminul Islam, Litton Das, Mehdy Hasan Miraz, Mohammad Mithun,  Abul Hasan Raju, Afif Hossain, Al Amin Hossain, Alok Kapali, Mosaddek Hossain and Taskin Ahmed.

Afghanistan (6):  Rahmanullah Gurbaz, Waqar Salamkheil , Gulbadin Naib, Hazratullah Zazai, Mohammad Shahzad and Zahir Khan.

New Zealand (4): George Worker, Seth Rance Anton Devcich and Jeetan Patel.

Australia (4): Jonathan Wells, Lalor, Ben Dunk, Nathan Rimmington.

Ireland (3): Kevin O’ Brien, Paul Stirling, and George Dockrell.

Zimbabwe (3): Brendan Taylor, Sikandar Raza, and Kyle Jarvis.

South Africa (3): Vernon Philander, Wayne Parnell, and Dwaine Pretorious.

Canada (1): Nikhil Dutta

Scotland (1): George Munsey

Netherlands (1) : Tobias Vissee

USA (1): Ali Khan

[thehouseonsunset]

Updates

1. I have updated my email it is now thegr8ststarofall@gmail.com which is on my site http://sunsetblvdtrades.weebly.com 2. I am still open for trades and Sales 3. These are my latest new videos: Videos:(All Les Miserables) Royal Albert Hall 10th Anniversary October 1995 Colm Wilkinson (Jean Valjean), Philip Quast (Javert), Ruthie Henshall (Fantine), Michael Ball (Marius), Lea Salonga (Eponine), Jenny Galloway (Madame Thenardier), Alun Armstrong (Thenardier) Type: MP4 Quality: A+ Notes: Proshot DVD rip of the concert. Broadway April 22, 2003 Andrew Valera (Jean Valjean), Terrence Mann (Javert), Jayne Patterson (Fantine), Sandra Turley (Cosette), Kevin Kern (Marius), Diana Kaarina (Eponine), Christopher Mark Peterson (Enjolras), Nick Wyman Type: VOB, no smalls Quality: A- Broadway May 18, 2003 *HIGHLIGHTS ONLY* Randal Keith (Jean Valjean), Michael McCarthy (Javert), Jayne Paterson (Fantine), Sandra Turley (Cosette), Diana Kaarina (Eponine), Kevin Kern (Marius), Christopher Mark Peterson (Enjolras), Nick Jonas (Gavroche) Type: VOB+smalls Quality: B+ Notes: Highlights of act two. Includes some of the speeches and special performances by former cast members. UK Tour May 6, 2005 Kerry Ellis (Fantine) Type: VOB, no smalls Quality: A- Broadway November 11, 2006 Victor Hawks (u/s Jean Valjean), Norm Lewis (Javert), Daphne Rubin-Vega (Fantine), Adam Jacobs (Marius), Ali Ewoldt (Cosette), Celia Keenan Bolger (Eponine), Aaron Lazar (Enjolras), Gary Beach (Thenardier), Jenny Galloway (Madame Thenardier), Drew Sarich (Grantaire), Jacob Levine (Gavroche) Type: VOB+smalls Quality: A- Broadway February 17, 2007 Alexander Gemignani (Jean Valjean), Norm Lewis (Javert), Daphne Rubin-Vega (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Celia Kennan Bolger (Eponine), Drew Sarich (Enjolras), Gary Beach (Thenardier), Jenny Galloway (Madame Thenardier) Type: VOB, no smalls Quality: A Broadway May 12, 2007 Alexander Gemignani (Jean Valjean), Drew Sarich (u/s Javert), Lea Salonga (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Mandy Bruno (Eponine), Max von Essen (Enjolras), Gary Beach (Thenardier), Ann Harada (Madame Thenardier), Stephen Trafton (u/s Grantaire) Type: WMV Quality: A- Broadway June 1, 2007 Alexander Gemignani (Jean Valjean), Ben Davis (Javert), Lea Salonga (Fantine), Ali Ewoldt (Cosette), Adam Jacob (Marius), Marissa McGowan (Eponine), Max Von Essen (Enjolras), Gary Beach (Thenardier), Ann Harada (Madame Thenarider) Type: VOB+smalls Quality: A- Broadway August 24, 2007 Drew Sarich (Jean Valjean), Robert Hunt (Javert), Nikki Renee Daniels (u/s Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Megan McGinnis (Eponine), Max von Essen (Enjolras), Becca Ayers (u/s Madame Thenardier), Chip Zien (Thenardier) Type: VOB+smalls Quality: A North Shore Music Theatre October 23, 2007 Fred Inkley (Jean Valjean), Devin Richards (Javert), Jacquelyn Piro (Fantine), Renee Brna (Cosette), Charles Hagerty (Marius), Joanne Javien (Eponine), Charley Brady (Enjolras), Inga Ballard (Madame Thenardier), Ron Winski (Thenardier), Joanna Rosen (Young Cosette) Type: VOB+smalls Quality: A+ Note: Proshot from the dress rehearsal. Walnut Street Theatre May 17, 2008 Hugh Panaro (Jean Valjean), Paul Schoeffler (Javert), Jessica Bogart (Fantine), Julie Craig (Cosette), Christina DeCicco (Eponine), Jeffrey Coon (Enjolras), Scott Greer (Thenardier), Dawn Spence (Madame Thenardier), Gianna Bruzzese/Laurel Gwynne Yaros (Young Cosette), Danielle Rosenthal/Maggie Fitzgerald (Young Eponine), Brandon O'Rourke/Dante Mignucci (Gavroche), Peter Schmitz (The Bishop), Ben Dibble, Kelley Faulkner, Constantine Germanacos, Darren Michael Hengst, Danielle Herbert, Joe Jackson, Mary Martello, Michael Philip O'Brien, Katie O'Shaughnessey, Steve Pacek, Jennifer Page, Fran Prisco, Ilona Rubenstien, Nicholas F. Saverine, Abigail Sparrow, Denise Whelan Type: VOB+smalls Quality: A Notes: Non replica production. Hollywood Bowl August 9, 2008 J. Mark McVey (Jean Valjean), Brian Stokes Mitchell (Javert), Melora Hardin (Fantine), Michele Maike (Cosette), John Lloyd Young (Marius), Lea Michele (Eponine), Tom Lowe (Enjolras) Type: VOB+smalls Quality: A- West End September 2008 Drew Sarich (Jean Valjean), Richard Woodford (Javert), Allyson Brown (Fantine), Leanne Dobinson (Cosette), Jon Robyns (Marius), Nancy Sullivan (Eponine), David Thaxton (Enjolras), Jackie Marks (Madame Thernadier), Jimmy Johnstone (Thernadier) Type: VOB+smalls Quality: B+ Notes: Nice video with clear sound and good picture; camera gets lost sometimes as it is very dark and a railing blocks the bottom of the screen at times. Also includes highlights from another performance with Jonathan Williams, Earl Carpenter, Mark Dugdale, Greg Castiglioni. UK Tour Paris, France, June 20, 2010 John Owen-Jones (Jean Valjean), Earl Carpenter (Javert), Madalena Alberto (Fantine), Katie Hall (Cosette), Luke Kempner (u/s Marius), Rosalind James (Eponine), Jon Robyns (Enjolras), Ashley Artus (Thenardier), Lynne Wilmot (Madame Thenardier) Type: VOB+smalls Quality: A- Notes: The second act starts at "Drink with Me." Really shaky thorughout, spotlight washout, good zooms, blurry at times. Includes curtain call. UK Tour, London, Barbican theatre September 17, 2010 Christopher Jacobsen (Jean Valjean), Earl Carpenter (Javert), Madalena Alberto (Fantine), Katie Hall (Cosette), Gareth Gates (Marius), Rosalind James (Eponine), Ashely Artus (Thenardier), Lynne Wilmot (Madame Thenardier), Jon Robyns (Enjorlras) Type: VOB+smalls Quality: A National Tour Papermill Playhouse December 12, 2010 Ron Sharpe (alt. Jean Valjean), Andrew Varela (Javert), Betsy Morgan (Fantine), Jenny Latimer (Cosette), Justin Scott Brown (Marius), Chasten Harmon (Eponine), Jeremy Hays (Enjolras), John Rapson (u/s Thénardier), Shawna M. Hamic (Madame Thénardier), Josh Caggiano (Gavroche), Joseph Spieldenner (Grantaire), Benjamin Magnuson (Bishop of Digne/Babet), Richard Todd Adams (Foreman/Lesgles), Lucia Giannetta (Factory Girl), Jon Fletcher (Montparnasse), Joe Tokarz (Brujon), Cooper Grodin (Combeferre), Jason Forbach (Feuilly), Cole Burden (Courfeyrac), Alan Shaw (Joly), Ian Patrick Gibb (Jean Prouvaire), Heather Jane Rolff (Old Crone), Cornelia Luna (Wig Maker), Richard Barth/Cole Burden (u/s Bamatabois/Claquesous), Katherine Forrester (Young Cosette), Anastasia Korbal (Young Eponine), Cathryn Basile, Julie Benko, Casey Erin Clark, Briana Carlson-Goodman, Sarah Shahinian, Aliya Victoriya Type: VOB, no smalls Quality: A National Tour Chicago, IL February 3, 2011 Lawrence Clayton (Jean Valjean), Andrew Varela (Javert), Betsy Morgan (Fantine), Jenny Latimer (Cosette), Chasten Harmon (Eponine), Justin Scott Brown (Enjolras), Michael Kostroff (Thenardier), Shawna M. Hamic (Madame Thenardier) Type: VOB+smalls Quality: A West End 2011 Jonathan Williams (u/s Jean Valjean), Norm Lewis (Javert), Rebecca Seale (Fantine), AJ Callaghan (Cosette), Gareth Gates (Marius), Samantha Barks (Eponine), Killian Donnelly (Enjolras) Type: MP4 Quality: A West End 2012 *HIGHLIGHTS ONLY* Ramin Karimloo (Jean Valjean), Hadley Fraser (Javert) Type: MP4 Quality: B+ Notes: Valjean's Revenge and Javert's Suicide only. West End June 30, 2012 *HIGHLIGHTS ONLY* Geronimo Rauch (Jean Valjean), Tam Mutu (Javert), Sierra Boggess (Fantine), Samantha Dorsey (Cosette), Jonny Purchase (Marius), Danielle Hope (Eponine), Liam Tamne (Enjolras) Type: MP4 Quality: A- Notes: "Valjean's Soliloquy", "Fantine's Death", "Confrontation", "Stars", "Bring Him Home", and "Epilogue". National Tour Chicago, IL November 15, 2012 Peter Lockyer (Jean Valjean), Andrew Varela (Javert), Betsy Morgan (Fantine), Lauren Wiley (Cosette), Briana Carlson-Goodman (Eponine), Jason Forbach (Enjolras), Timothy Gulan (Thenardier), Shawna M. Hamic (Madame Thenardier), Jordan Nichols (u/s Marius), Joseph Spieldenner (Grantaire), Erin Cearlock (Little Cosette), Joshua Colley (Gavroche), Ben Gunderson (swing Montparnasse), Heather Jane Rolff (u/s Factory Girl) Type: VOB+smalls Quailty: A Notes: ACT ONE ONLY! West End 2013 Chris Holland (u/s Jean Valjean), Tam Mutu (Javert), AJ Callaghan (u/s Fantine), Samantha Dorsey (Cosette), Jamie Ward (Marius), Danielle Hope (Eponine), Christopher Jacobsen (Enjolras), Vicky Entwistle (Madame Thénardier), Cameron Blakely (Thénardier) Type: VOB+smalls Quality: A+ West End April 15, 2013 Chris Holland (u/s Jean Valjean), Shaun Dalton (u/s Javert), Celinde Schoenmaker (Fantine), Phoebe Street (u/s Cosette), Jamie Ward (Marius), Sarah O'Connor (u/s Eponine), Christopher Jacobsen (Enjolras), Cameron Blakely (Thenardier), Vicky Entwistle (Madame Thenardier) Type: VOB+smalls Quality: A The Muny July 19, 2013 Hugh Panaro (Jean Valjean), Norm Lewis (Javert), Charlotte Maltby, Alex Prakken, Lindsey Mader, Katie Travis, Bobby Conte Thornton, Michael McCormick, Tiffany Green, Ryan Vasquez Type: MPG Quality: A- Notes: Starts at "Who am I?". Act 2 starts at "On My Own". West End September 19, 2013 Daniel Koek (Jean Valjean), James Grant (u/s Javert), Na-Young Jeong (Fantine), Samantha Dorsey (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Eponine), Anton Zetterholm (Enjolras), Wendy Ferguson (Madame Thenardier), Cameron Blakely (Thenarider) Type: VOB+smalls Quality: A- West End December 18, 2013 Daniel Koek (Jean Valjean), Tam Mutu (Javert), Na-Young Jeong (Fantine), Samantha Dorsey (Cosette), Dougie Carter (u/s Marius), Carrie Hope Fletcher (Eponine), Anton Zetterholm (Enjolras), Carl Mullaney (u/s Grantaire) Type: VOB, no smalls Quality: A Toronto January 11, 2014 Evening *HIGHLIGHTS ONLY* Ramin Karimloo (Jean Valjean), Andrew Love (u/s Javert), Genevieve Leclerc (Fantine), Samantha Hill (Cosette), Perry Sherman (Marius), Melissa O'Neil (Eponine), Mark Uhre (Enjolras), Cliff Saunders (Thenardier), Lisa Horner (Madame Thenardier), Colm Wilkinson (special guest The Bishop), Saara Chaudry (Little Cosette), Madison Oldroyd (Young Eponine), David Gregory Black (Gavroche), Chris Zonneville (Montparnasse/Labourer), Tyler Murree (Babet/Farmer), Aaron Walpole (Brujon/Chapmanthieu/Loud Hailer), Ashley Wright (Claquesous/Innkeeper/Factory Foreman), David Silvestri (Combeferre), Matt McMahan (Feuilly), Jonathan Winsby (Courfeyrac/Constable), Alan Shaw (Joly/Constable/Fauchelevent), John Rapson (Grantaire/Bamatabois/Major Domo), Jason Ostrowski (swing Lesgles), Matt Rosell (Jean Prouvaire), Caroline Colantonio (Innkeeper's Wife), Kristen Peace (Factory Girl/Old Woman), Cornelia Luna (Wigmaker), Richard Barth (swing), Katie Beetham, Andreane Bouladier, Brittney Johnson (Ensemble) *whereisyourredscaaahf's master* Type: MOV Quality: A- Notes: About an hour and thirty minutes of highlights from the Toronto production with special guest Colm Wilkinson as The Bishop. Include the encore performance of "Bring Him Home." Broadway March 1, 2014 *HIGHLIGHTS ONLY* Ramin Karimloo (Jean Valjean), Will Swenson (Javert), Caissie Levy (Faintine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M. James (Eponine), Kyle Scatiliffe (Enjolras), Cliff Saunders (Thenardier), Keala Settle (Madame Thenardier), Gaten Matarazzo (Gavroche) Type: MP4 Quality: A *where is your red schaaaf's master* Notes: First preview. It includes most of the show. Loud excited audience. Blind shot from stage right third row, with no zooms. Keala Settle sprained her ankle at some point between The Robbery and One Day More, resulting in her not being in One Day More and using a cane during Wedding Chorale/Beggars at the Feast. Broadway March 8, 2014 Ramin Karimloo (Jean Valjean), Will Swenson (Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M. James (Eponine), Kyle Scatliffe (Enjolras), Cliff Saunders (Thenardier), Keala Settle (Madame Thenardier), Angeli Negron (Little Cosette) Type: VOB+smalls Quality: A Notes: Audience was full of excitement! The last 20 seconds are missing from the very end due to battery issues. Broadway May 13, 2014 Nathaniel Hackmann (u/s Jean Valjean), Will Swenson (Javert), Caissie Levy (Fantine), Nikki M. James (Eponine), Kyle Scatiffle (Enjolras), Cliff Saunders (Thenardier), Keala Settle (Madame Thenardier) *Turn of the scorpion's master* Type: MP4 Quality: A+ West End June 14, 2014 Daniel Koek (Jean Valjean), Tam Mutu (Javert), Na-Young Jeon (Fantine), Samantha Dorsey (Cosette), Rob Huchen (Marius), Carrie Hope Fletcher (Eponine), Anton Zetterholm (Enjolras), Cameron Blakely (Thenardier), Wendy Ferguson (Madame Thenardier), Adam Linstead (Grantaire) Type: VOB+smalls Quality: A+ Notes: Last performance for the 2013-2014 cast. La Mirada, CA June 22, 2014 James Barbour, Randall Dodge, Cassandra Murphy, Kimberly Hessler, Nathaniel Irvin, Anthony Fedorov, Valerie Rose Curiel, Jeff Skowron, Meeghan Holaway Type: VOB+smalls Quality: A Dallas, Texas August 5, 2014 *HIGHLIGHTS ONLY* Nehal Joshi (Jean Valjean), Edward Watts (Javert), Allison Blackwell (Fantine), Dorcas Leung (Cosette), Justin Keyes (Marius), Elizabeth Judd (Eponine), John Campione (Enjolras), Steven Michael Walters (Thenardier), Christia Mantzke (Madame Thenardier), Alex Organ (Grantaire), Salma Salinas (Little Cosette), Mark Hancock (Gavroche) *where is your red scaaf's master* Type: MP4 Quality: A Broadway August 21, 2014 Nathaniel Hackman (u/s Jean Valjean), Earl Carpenter (Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M. James (Eponine), Kyle Scatiffle (Enjolras), Cliff Saunders (Thenardier), Keala Settle (Madame Thenardier) Type: VOB, no smalls Quality: A Notes: Only video of Earl as Javert on Broadway. One of my personal favorite videos of Earl. Broadway November 6, 2014 Ramin Karimloo (Jean Valjean), John Rapson (u/s Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Matt Rosell (u/s Marius), Melissa O'Neil (u/s Eponine), Jason Forbach (u/s Enjolras),Cliff Saunders (Thénardier), Keala Settle (Madame Thénardier), Adam Monley (u/s Grantaire), McKayla Twiggs (Little Cosette), Joshua Colley (Gavroche), Weston Wells Olson (u/s Combeferre), Andrew Kober (u/s Foreman) Type: VOB+smalls Quality: A- Notes: ACT TWO ONLY! Starts after "On My Own". Heads in the way. Includes BC/EFA speech by John. Video mostly centered around John. Broadway July 23, 2015 *HIGHLIGHTS ONLY* Kyle Jean-Baptiste (u/s Jean Valjean), Erika Henningsen (Fantine), Samantha Hill (Cosette), Chris McCarrell (Marius), Brennyn Lark (Eponine) Type: MP4 Quality: A Notes: Kyle's first performance as Valjean. Includes Valjean’s Soliloquy, Bring Him Home, and Finale. Broadway August 5, 2015 *HIGHLIGHTS ONLY* Kyle Jean-Baptiste (u/s Jean Valjean), Erika Henningsen (Fantine), Samantha Hill (Cosette), Chris McCarrell (Marius), Brennyn Lark (Eponine) Type: MOV Quality: A+ Notes: Act 2 highlights. Includes On My Own, Bring Him Home, Empty Chairs, and Finale. Shot vertically. West End April 11, 2015 Matinee Peter Lockyer (Jean Valjean), David Thaxton (Javert), Celinde Schoenmaker (Fantine), Emilie Fleming (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Eponine), Michael Colbourne (Enjolras), Tom Edden (Thenardier), Helen Walsh (u/s Madame Thenardier), Sophia Rickett (Little Cosette), Molly Hall (Little Eponine), Sonny Kirby (Gavroche) Type: MP4 Quality: C Notes: This was the children's last performance. The quality of the video is really bad. The master was seated in the restricted view and there are more blackouts then views. The remainder of act 1 is a video file, but the screen is black. Act 2 is an audio file. West End July 9, 2015 *HIGHLIGHTS ONLY* Peter Lockyer (Jean Valjean), Jeremy Secomb (Javert), Rachelle Ann Go (Fantine), Zoe Doano (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Eponine), Bradley Jaden (Enjolras), Phil Daniels (Thenardier), Katy Secombe (Madame Thenardier) Type: MP4 Quality: A+ Notes: Shot from the front row. Most of Act 1 and first 20 minutes of Act 2. West End October 8, 2015 Peter Lockyer (Jean Valjean), Jeremy Secombe (Javert), Rachelle Ann Go (Fantine), Zoe Doano (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Eponine), Bradley Jaden (Enjolras), Phil Daniels (Thenardier), Katy Secombe (Madame Thenardier) Type: MP4 Quality: A+ Notes: Proshot. NOT THE FULL SHOW. Encore performances only. 30th anniversary gala performance. Guests: Colm Wilkinson, Geronimo Rauch, John Owen Jones, Frances Ruffelle, Patti LuPone, Roger Allam and others. World Tour Manila April 23, 2016 Evening *HIGHLIGHTS ONLY* Simon Gleeson (Jean Valjean), Earl Carpenter (Javert), Rachelle Ann Go (Fantine), Emily Langridge (Cosette), Paul Wilkins (Marius), Kerrie Anne Greenland (Eponine), Chris Durling (Enjolras), Cameron Blakely (Thenardier), Helen Walsh (Madame Thenardier) Type: MP4 Quality: A- Notes: Includes Death of Gavroche/Final Battle, Drink With Me/Bring Him Home, Javert's Arrival/Little People, and On My Own. World Tour Singapore June 2, 2016 *HIGHLIGHTS ONLY* Simon Gleeson (Jean Valjean), Earl Carpenter (Javert), Patrice Tipoki (Fantine), Emily Langridge (Cosette), Paul Wilkins (Marius), Kerrie Anne Greenland (Eponine), Chris Durling (Enjolras), Cameron Blakely (Thenardier), Helen Walsh (Madame Thenardier) Type: MP4 Quality: A Notes: Includes On My Own, Upon these Stones, Bring Him Home, two versions of the same One Day More shot from different angles. Broadway June 15, 2016 Evening John Owen-Jones (Jean Valjean), Hayden Tee (Javert), Alison Luff (Fantine), Alex Finke (Cosette), Chris McCarrell (Marius), Brennyn Lark (Eponine), Mark Uhre (Enjolras), David Rossmer (Thénardier), Rachel Izen (Madame Thénardier), Marcus D’Angelo (Gavroche), Eleanor Koski (Young Cosette), Mia Sinclair Jenness (Young Eponine) *SJ Bernly's master* Type: VOB+smalls Quality: A Notes: The first 30 minutes of the show are missing; the video starts toward the end of Fantine’s Arrest. After that, the show is fully captured with no blackouts. There is some minor head obstruction on the left, but it really only affects a few seconds of the show when Valjean cuts Javert loose after The First Attack. There is also a little more washout than in most of my videos, especially in the full stage shots. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. Audio: The Little Mermaid (Alabama Shakespeare Festival) - July 26, 2015 Cast: Ariel - Michelle Pruiett, Prince Eric - Jeff Sears, Sebastian - J. Cameron Barnett, Triton - Kevyn Morrow, Ursula - Donna Migliaccio, Flounder - Henry Hodges, Grimsby - Rodney Clark, Scuttle - Billy Sharpe, Jetsam - Brandon Curry, Flotsam - Jeremy Pasha, Pilot/Chef Louis - Paul Hebron, Ensemble - Sari Alexander, Jennifer Molly Bell, Krystina M. Burton, Erin Chupinsky (u/s Ursula), Dean De Luna, Andrew Eckert (u/s Eric), Isabel Garcia (u/s Mersisters), Danielle Marie Gregoire, Jordan Fife Hunt, Alexis Marquardt, Emma C. Martin (u/s Ariel), Terrance Martin (u/s Sebastian), Narco Antonio Santiago, Tommy Scrivens (Dance Captain), Robbie Smith (u/s Flotsam and Jetsam), Clay Stefanki (us Flouder and Scuttle)