#actually meant to write a post for this when the last ch got uploaded but I got distracted and also didn’t want to have to think

[obstinaterixatrix]

An unforeseen love between a precognizant university student and a self-proclaimed unlucky lone wolf.

He can see the future of anyone he touches... University student Mahiro has skillfully navigated his way through life using the powers of premonition he was born with. The newcomer at his part-time job, Kurosawa, has looks to his liking, but blatantly refuses any attempts to be touched even the slightest. On top of that, for some reason trouble occurs more frequently at work...?! One day, already brimming with questions, Mahiro sees a future where he kisses Kurosawa! And though he attempts to change the future by putting some distance between himself and Kurosawa, Kurosawa claims, “You can change my unlucky predisposition,” and is inevitably drawn to him...!

A pure love story.

mc is a guy who can see the future, li is a guy who’s mega lucky but as a result everyone around him is mega unlucky. I thought this was a fun one because 1) when the precognition guy hears about the other guy’s luck he’s like ‘that sounds silly and fake (<-guy who can literally see the future)’, 2) the unlucky guy is extremely moe through helplessness

the li looks stoic but has the disposition of a trembling chihuahua

imo the art’s nice and the character writing’s entertaining but I feel like the overall writing’s a little unpolished—there are times the relationship development/plot could’ve used more coherence. but sometimes the artist really sticks the landing on that weird morose ambiguity, I really liked this part

I can see this series being a hit or miss, but I like the concept and the characters enough to carry whatever I didn’t like

[ttomatoez]

Wounded (ItaSaku) Ch. 1

Link (chapters 1-4): https://www.fanfiction.net/s/13101412/1/Wounded

Summary: Sakura has trouble coming to terms with the direction her life is going when she is forced into the company of Uchiha Itachi who needs his eyes fixed in order to resume his own way of life. Their two paths converge and then diverge, creating an attachment that Sakura would have never expected. 

Pairing: ItaSaku, Non-Mass

Rating: T

A/N: I’m uploading this story from my ff account in case there are people who only read tumblr. The rest of the chapters will be in the link provided (I’m currently working on chapter 5)

CH. 1 - House Call

Two years post-war. Non-Mass.

Sakura flushed the bathroom toilet and went to the sink to wash up before returning to the hospital floor. She pumped some soap into her hands and scrubbed it into her skin, purposefully avoiding her reflection in the mirror above.

Miss Sakura! I drew you a picture!

She clenched her jaw, scrubbing the milky lather harder into her skin.

The little girl's mother beamed happily as she handed her a beautifully scribbled drawing that consisted of three stick figures holding hands in a field of flowers. Three different people. Three distinct hair colors. Naruto with his characteristic whiskers was right in the middle, her and Sasuke positioned on their respective sides.

It's very beautiful, Yuka! I love Sasuke-kun's spiky hair!

That carefree smile was still imprinted in her mind over a month later. How it had quivered, pressing innocently into a frown as she was read her diagnosis.

She turned the water off, lingering there with her hand on the knob, making no attempt to fix her hair as it fell over her face.

For the past few weeks, she'd been trying her best to steer clear of the inpatient unit, instead spending most of her time in and out of the lab and research departments where she could veil her insecurities in the privacy of an empty chamber surrounded by nothing but test strips and petri dishes. Tsunade advised her not to get too comfortable with it; her skills were obviously needed in the more public parts of the hospital, but she didn't see too much harm in it given it was only for a short period of time.

Sakura hadn't pressed the subject much after that. She enjoyed interacting with patients, being a part of their before and after, even healing her own comrades whenever they returned exhausted and dizzy from strenuous missions. So much time had passed since she'd seen battle that this had become her new reality, but at the end of the day, there was just no substitute for the cold comfort of the lab. At least, not in her current state of mind.

"Sakura-chan, do you have a minute?"

Sakura had been bent over one of the tables, a pair of blood cultures in one hand and a pen in the other, signing labels to stick on them. She hopped a bit in surprise, turning to find one of her coworkers leaning over by the door.

"Risa-chan?"

While she was used to seeing her downstairs in inpatient, sometimes the two of them went out for drinks after work. Sakura usually enjoyed herself after the effects of a few beers, but it had been several months since they'd last gone.

"What's wrong?" she said without thinking, her worried expression spreading from Risa's face to the cultures in her hand as she remembered to keep shaking them, hoping they hadn't already started to congeal.

A look of surprise came over Risa's face, settling into a sheepish laugh. "Wow, you caught me," she said defeatedly. "I didn't think it looked that obvious."

Sakura tilted her head, releasing a light chuckle of her own. Maybe she should have been a little less vocal about it. "Just a little," she replied, bagging up the vials and sealing it closed. "Believe me, it happens to the best of us. Is there something wrong?"

"As much as I would like to say no," she trailed off. Sakura kept her eyes on her as she spoke, breaking eye contact only when she reached the opposite corner of the room where the air tube was to send off the samples. "Yesterday, I received a house call from Uchiha Fugaku. I feel responsible for following through with it, but if I'm honest, I don't think that what they're asking for is within my scope of expertise."

At that moment, she was thankful that her back had been turned as it concealed the look of distress that consumed her face when she heard the word 'Uchiha'.

"I couldn't stop thinking about it for the entire day."

She released her finger from the button, sending the bag of cultures up the pipe that led to the testing center, her heavy gaze revealing an intense desire to follow it through the ceiling and dismiss herself from the conversation.

"Sakura-chan?"

Ever since team seven had returned from the war, her name had become synonymous with Naruto and Sasuke - bound to them like cement. It came with it's own ups and downs, but Sakura enjoyed spending time with them as she always had when they were children. The differences between them sort of just crept into frame at some point. Naturally, they were bound to have separate adventures going forward. Everyone around them were getting married and starting families of their own, including Ino who had vowed she wouldn't become a housewife until at least thirty-five. That obviously didn't happen.

Naruto began training immediately to become the next hokage, much to Kakashi's relief. Sakura always knew he'd make it there at some point. If it wasn't for that she wasn't sure Sasuke would have ended up leaving the village again, but those two lived to be on opposite ends of the spectrum, which meant that as long as Naruto stayed, he was destined to find his purpose somewhere far away.

Looking back, she should have known it was a waste of time to wait on him. Nowadays she couldn't decide whether it tortured her more to see him gone or have him here…

"Have you talked to Tsunade-sama about this?" she asked. It was her turn to attempt to mask her feelings.. "It sounds like you might have to have someone else take the assignment."

The room fell eerily silent, dense with some invisible emotion.

Part of her didn't even want to know what the details of the assignment were. If she could maneuver through the rest of her life without seeing another Uchiha, she'd probably be much healthier herself.

"I..did-"

"She'll do it."

Behind the door panel, a pair of heels clacked their way to the doorway as Tsunade revealed herself. The look on her face could only be described as 'perturbed'. Sakura knew it very well since like now, she was often on the receiving end of it.

"My office," she said, only stopping long enough to shoot her a glare. "Now."

"Shut the door behind you, Sakura."

Tsunade had made it a point not to answer any of her questions until they made it up the stairs and into her office on the leftmost wing of the hospital. Sakura stared at the piece of paper in her hand as they walked, hoping to get an idea of what this was all about. It looked familiar, but she wasn't able to make out exactly what it said until the door clicked closed, and it was violently slapped onto the face of the desk.

"What is this?" Tsunade shoved her finger on it. "Some kind of joke?"

Sakura's eyes fell on it, instantly coming to recognize the delicate lines composed of her own handwriting, the feelings she had while writing it rushing back to her with force.

"That was two weeks ago," she said.

"And that changes what?" The hinge of her chair squeaked as she dropped into it, crossing her legs. "After all the medical training we've done. All the fighting. Is that what you really want? To stay in the lab with the students and new grads?"

Sakura couldn't look at it anymore, cutting her gaze towards the tile flooring that matched the rest of the building's interior. If she had an answer to that question she would have just said it, but she couldn't help the bitter taste of confliction at her tongue, impairing her ability to make a decision.

Unfortunately, she didn't need to. The hesitation was itself an answer; It made her want to puke.

Tsunade sighed heavily. "I taught you to be stronger than this.. You act as if you've never seen death or suffering first hand before when you're one of the few people left in this building that has! How many years did it take you to master the Hundred Seals?!"

"Shishou,"

"And if it's Sasuke again-" She started to say something, but decided not to finish the sentence. "You need to pick yourself up, Sakura. You've been dragged through much dirtier mud and you know it."

"The last thing I wanted to do was disrespect you and the time we spent together.." Tsunade was no longer looking at her. She had taken a large red 'declined' stamp and began marking the whole page with it.

Sakura let out a gentle sigh of her own. It had been a while since she'd mustered the balls to admit these things to herself. "I guess I did let it get to me, more than I thought," she said. "When he came back."

She threw her arms in the air, letting them fall back down as if they were dead. "And now he's gone again. And Naruto's gone too.." Shaking her head, she pinned her gaze on one of the windows.

"It feels like I'm going nowhere with my life."

"And at what point are you actually going to start living for yourself?" Tsunade seemed to have cooled off well enough to carry on with her work. In fact, she seemed pretty satisfied with the answer she got. Or was it just the fact that she got to deny the hell out of Sakura's transfer request?

She finished her signature at the bottom of another document that she slid towards Sakura alongside the first. "First thing - For the record, I wasn't going to allow you to transfer in the first place. Ask again, and I'll fire you."

Sakura softened, her lips curving into a small smile. 

As if she should've expected anything less in the first place...

"I'll try," she teased, earning a low glare in return.

"Second - I'm giving you this signed order to take with you to the Uchiha compound. Tell Itachi that the one his father requested is not skilled enough to use the techniques required to fix his eyes. I mean, that part is pretty self-explanatory. Just do the job - "

"Shishou!"

The instant they locked eyes, Sakura could tell that her next words might be her last. If she wasn't careful, Tsunade was bound to lose her composure again, and then she might actually be out of the only job she knew how to do.. Not really, but there was a devilish glint in Tsunade's eyes that screamed 'please, try something'. Her fists probably still itched from Jiraiya being gone for the past few months.

"I - Aren't there others that can do the job just as well? I do have other projects I'm working on right now, and the others need the experience anyway."

"No, Sakura," she said seriously. "There's no one else I trust with this job other than you. Your projects can wait a few weeks."

"What if I -"

"10 AM tomorrow. Now take the paper and leave before I kick you out myself."

The rain came down in droves the entire night, and at around eleven o'clock, Sakura realized that if she didn't take a sleeping pill she wasn't going to sleep at all, which would inevitably end up impairing her work in some way the next morning. The pills had been her saving grace over the past few months. Even though she knew at some point she'd have to stop taking them, tonight was probably not the night to start. Fugaku was even more no-nonsense than Tsunade was as a former Hokage and that's saying a lot.

As for Itachi, she didn't know what to expect from him. He was Sasuke's older brother, he was an ANBU officer, and he must have helped in the war in some way. She'd only met him twice in her entire life and they weren't rememberable at all. Perhaps that was a good thing when she really thought about it. She'd had enough of Uchihas and their stubborn arrogance.

If you've met one, you've met them all. 

Someone told her that once, but she couldn't remember who..

At around midnight the sleeping pills finally began to take effect, eyelids drooping heavily over her irises despite her will to stay awake. She wanted to think and prepare more and continue to watch the rain splash itself over the rails of her balcony.

It wasn't enough to keep her conscious. Within minutes, she was fast asleep under a mountain of blankets that she would probably end up kicking off of her at some point during the night, the rain only starting to subside in the wee hours of the morning as the sun slowly popped its head over the distant treeline.

It was bound to be an interesting day...

[hypeathon]

RWBY - Volume 6, Chapter 7 Production Analysis

Vol 6, Ch 1 Production Analysis

Vol 6, Ch 2 Production Analysis

Vol 6, Ch 3 Production Analysis

Vol 6, Ch 4 Production Analysis

Vol 6, Ch 5 Production Analysis

Vol 6, Ch 6 Production Analysis

With Brunswick farms behind us, it’s time to move on to a series of different settings and a few surprises in this chapter that mark the halfway point for volume 6. With interesting story beats this episode, there are as always equally interesting aspects of the production to add to the discussion.

Before actually getting into the production analysis itself, I wanted to take a moment to briefly highlight on Gen:Lock. I’m unsure if or when I want to get around to throwing my two cents on the upcoming mecha show, but with this preview and the last one prefacing the latest episodes of RWBY, it’s intriguing seeing how this show has been building up attention between interviews and announcements about it’s cast and production. It’s also a bit concerning the kind of feedback from viewers and what they’ve been approving of and expressed being bothered with. Again, whether or not I’ll touch on its production is up in the air right now, but I wanted to put forth my quick thoughts on the matter.

With that out of the way, let’s start the analysis proper by touching briefly on the Haven Academy vault scene. Not a whole lot to say other than the character acting, which I suspect may be Hannah Novotny. The way mouths are seen as either puckered or with teeth shown clenching are the supposedly calling cards, though beyond that, I’m not really sure whether it’s Hannah or it’s someone else. Regardless helps sell the kind of interpretive facial expressions for a character like Neo and the little gestures of Cinder casually forging different knives add to her overall character in a manner similar to what Kim Newman and Millivette Gonzalez did with Pyrrha in the skit they animated during episode 8 of RWBY Chibi season 1.

Speaking of RWBY Chibi, now would be a good time to move on to the next scene highlighting Maria Calavera’s younger self and the behind-the-scenes story behind her being called “the Grimm Reaper”. Tom Alvarado, a writer brought for RWBY Chibi since season 2 who had a small prior experience in the American animation industry writing the “Metalhead” episode of the 2012 Teenage Mutant Ninja Turtles series was inspired by Miles Luna’s thread of tweets about the Apathy Grimm to share his own anecdote. Although presented in a more comical tone, the fascinating piece of information to take away was that he thought of calling Jaune’s superhero alter ego, “The Grimm Reaper” before it changed to “The Hunts-Man.” Although Miles and Kerry Shawcross didn’t specify why at the time, they apparently already had the former title planned for something else. What’s also worth noting is how back during the CRWBY Reddit “Ask Me Anything” event back in February of 2018, Kerry answered a question mentioning that during the writing process, a certain character and sub-plot had to be cut out of volume 5′s script and pushed for a later, yet to be tangible point in the story. Between that and Tom’s tweets, it’s very likely that Maria was suppose to be that character.

Just a theory worth sharing based on scattered pieces of information about the behind-the-scenes of the story’s creative process. Moving on to analyzing Maria’s scene itself which the first minute of it was uploaded via Rooster Teeth on Youtube prior to the episode proper, the choice of camera shots and overall setting display an array of callbacks from certain scenes in past installments of the show. The way we see Maria walk across the bridge and responds to the incoming Nevermore Grimm is definitely reminiscent of both the Red trailer and the volume 4 character short and the overall setting and the is akin to that of of the setting against the Nevermore Team RWBY fought in chapter 8 of volume 1. What makes this work so well is how instinctively recognizable the callbacks themselves feel. This is also not the first instance of callbacks being made instinctive through the cinematography. As stated in the production analysis for chapter 2, the reveal of Salem in her past is very similar to that of Salem’s first proper reveal in the end of chapter 12. Another example was when Weiss got stabbed by Cinder’s spear at the end of chapter 11, where storyboard/camera layout artists, Rachel Doda and former lead producer, Koen Wooten, both stated in episode 11 of RWBY Rewind that Kerry was very deliberate about having that shot be a callback to both Amber and Pyrrha being shot at by Cinder. These are just things worth keeping in mind when watching the show going forward.

At the risk of being a broken record, choreography has its place in a fight scene, but so does staging for both the physical aspect and the story being told. In this case, the choice of camera shots help sell what kind of character Maria was as The Grimm Reaper and what her reputation meant for characters like Qrow and Ruby and how they made their weapons and have fought. With all that being said, the similarities between Maria’s scene and the other scenes with Ruby mentioned end there as the rest of the visual direction from here on gives Maria her own identity. Speaking of which, from the start of her bout with the Nevermore onward, most of the scenes were animated by Megan Pellino, Joe Vick, John Yang and Matt Drury with assistant lead animator, Melanie Stern providing the Maria vs Tock segment in particular. If these names sound familiar, that’s because with the exception of John Yang, this is the same set of people involved with the Cinder vs Neo fight. Since volume 3, the process animating fight scenes changed from Monty Oum and Shane Newville doing individual fights by themselves to having fights be done in groups of 2-4, if not more. The names of people involved with fights may have varied from volume-to-volume, but the approach has remained the same.

  Unfortunately, despite being familiar with these names, it’s still difficult to entirely tell the difference between all the animators and how they go about fight sequences, particularly Megan Pellino and Joe Vick. However, as an educated guess, it’s likely that they animated the beginning segment with Maria and the Nevermore while the latter sequence between Maria and Tock’s group were done by John Yang, Matt Drury and Melanie Stern. There are confirmations of previous sequences done by John and Matt, making it easier to tell their styles apart. In the past, John did a bit of the Blake vs Ilia fight (likely right before Kim Newman’s sequence), Oscar vs Lionheart, and part of Ozpin vs Hazel. In Matt’s case, he animated Ghira vs the Albain twins in chapter 9 of volume 5 (might’ve been his first action sequence) and much of Adam’s fight segments in his character short. Based on these confirmations and comparing those scenes to Maria vs Tock and the bandits, John may have animated the segment from the start of the fight up until Maria’s aura broke while Matt animated the next sequence after. John seems to have this way of how before or after certain swings, strikes and other attacks, a character will maintain a pose for a split-second before striking again, kind of similar to how the animation director of volume 6, Joel Mann has animated scenes. His sequence also tends to have the camera move a bit wildly but still steadily-enough follow each character’s actions, though how much of that is due to John or whoever provided the final camera layout is unclear. Matt on the other hand does not seem to emphasize as much on the poses leaving a dynamic impression and has the animations feel a bit more continuous. Also unlike John, he’s more conservative with the camera shots being more steady, to the point where it feels like watching a side-scrolling fighting game like Tekken or Street Fighter. Again though, how much of that aspect is the animator as oppose to who does final camera layout is uncertain.

At the end of the day, this is all guesswork so it’s totally possible that I may have mixed-up who did which segments. But it’s still fun to estimate none-the-less. At the very least, it’s definitely confirmed that Melanie Stern animated Maria’s eyes being slashed and quite possibly Tock getting the upper hand on her right before and the rest of the scene right after. What’s more interesting is that since her position as assistant lead animator, this is the first episode where she helped lead a fight in a manner similar to how Kim Newman led the newer animators when she was assistant lead back in chapter 10 of volume 5. Hopefully, this serves as another reminder of how it’s important to pay mind to newer talents working on the show, as I’ve stated in previous posts, even when comparing to some anime productions. Before moving on to the next scene, the choice of having the ticking clock sound incorporated into the action sequence also deserves a mention. It’s amazing how intentionally well-timed it came off right down to the timing being precisely 60-seconds, which I imagine was no easy feat to pull off with director, Kerry Shawcross and co-director/lead editor, Connor Pickens having to coordinate between the storyboard, editing, animation and audio departments. 

With that out of the way, let’s shift focus from Maria’s flashback to the next scene in the present. There’s honestly not a whole lot to say about the scene between elder Maria and the others other than that there were some great facial expressions between Qrow and certain other characters to expressed how flabbergasted they were about the former Grimm Reaper’s reputation. There was also a bit of neat choice of angling the camera to highlight both Maria’s praise to team RWBY while having Yang’s self-doubting reaction be made clear. Where the visual direction really picks up though is once Ruby answers Jaune’s call and she holds her scroll towards the path towards Argus. Given the earnestly melancholic discussion about whether to follow the foot steps of one who deemed herself poorly and whether one of the older generation could still contribute something to the newer one, seeing an old throwback to character nicknames via Ruby’s caller id for Jaune provided quite an appropriate change of tone for the scene. From here on, things get uplifting, through the piano instrumentation of this volume’s opening theme, the shift of lighting to create warmer color schemes as a result of likely the art and lighting departments and having the camera get closer towards with each invisible wipe transition of the trees as they travel uphill until the payoff of the city in their site is shown.

Next is the reunion scene between the two teams and while there’s again, not a whole lot to add, there are a couple of interesting notes. First, when Nora is first seen, there’s a moment where the camera suddenly zooms towards Nora. This is to serve as another reminder that choice of camera direction between different characters is indeed a thing as mentioned previous posts and in Nora’s case, shots can sometimes have zippy panning or zooms to compliment her very enthusiastic nature. The second thing is a little mention from Asha Bishi about how another animator did the moment where Jaune and Ruby hugged. She didn’t say who it was exactly, but it’s just something I wanted to acknowledge.

Then there’s the scene establishing Argus which has definitely been a highlight for fans. In volume 5, a lot of fans were especially critical due to how what little of Mistral was shown at the time was partially via the composited still art of residents in one of the market. The backlash, though not immediate, was very understandable and it does seem like a bit of a waste to not have enough on-screen interactions between the main cast and whatever new settings they set foot on given Monty Oum’s intention from the beginning. However, if I were to speculate as to why Argus was provided more premium treatment in its production instead, it may be because the main cast are expected to interact and traverse more within the setting. Knowing this, Kerry Shawcross and Miles Luna wanted to make sure more time was allotted specifically for however many episodes would take place. Combine that with a shift in software to model and animate crowds from Autodesk Maya’s Golemn Crowd plugin to Side FX’s Houdini and the creative process behind the color aesthetic and architecture from the art department and here is the end result. As breathtaking as the setting is, it shouldn’t be dismissed how time-consuming it must have been making this setting as fleshed out as it is.

Moving on, we get the first introduction of a character teased for the longest time since chapter 7 of volume 2, one of Jaune’s seven sisters, Saphron Cotta-Arc, fully voiced, modeled, animated and everything! There’s a lot to cover about the Cotta-Arc family scene in general, first and foremost being Saphron’s voice actress, Lindsay Sheppard, who has previously done some voice acting work, most notably Aria from the Pokemon XY anime. Second thing to mention is that seeing team RWBY meet Saphron was actually animated by Nyle Pierson, who you may remember for first contributing to volume 6 through his animation of Yang and Blake walking through the blizzard in chapter 5. Seeing someone new to the show’s production do facial expressions and the right combination of surprise and eagerness from Ruby is delivered very effectively, all while making sure to show the other characters in the background express finding the behavior awkward in response. It’s unclear if the next set of animated cuts are also from Nyle or not due to the similarly exaggerated nature of the expressions and body language of the characters, but kudos to him either way. This is also a good opportunity to talk about the storyboards for the Cotta-Arc living room scene which were done by Cassidy Stone. This is the same storyboard artist that provided the scene of the main cast eating the ramen hot pot in chapter 7 of volume 5 and it was actually Cassidy’s first work on the show. Between that, the scene of Ruby and Weiss in the storage room and now this, it’s clear that her forte is providing lively banter between characters in a way that rekindled some of the aspect more prominent in RWBY’s earlier volumes. The camera layout also deserves some credit, namely for that bit where Jaune firmly points at Adrian and the camera is timed to shake at that moment to sell his annoyance. One more thing to note was Jaune and Saphron’s family photo which may have been drawn by art director, Patrick Rodriguez.

Next is the introduction of Terra Cotta-Arc, Saphron’s wife which has undoubtedly invoked the fan base into a fervor of positivity over a visible representation of a married lesbian couple. As significant as these characters are for adding another log to the fire of making a minority feel more inclusive through fictional media, what especially works here is that in the short screen time, we get an inkling of what kind of relationship they have. Between the expressions, gestures, choice of dialogue and types of voices from Lindsay Sheppard as Saphron and Rooster Teeth layout coordinator and associate producer, Jamie Smith as Terra, we can tell that one is slightly more free-spirited and easy-going while the other is a bit more grounded, stressed and concerned with ethics (i.e: whether students helping professional huntsmen is “legal” or not). Both clearly have a strong rapport at the end of the day, but it’s the small bits of information in-between that gives that insight. Straight or gay, romantic or otherwise, that’s important to depict in any relationship between characters.

That small tangent aside, one more thing to add about the scene was the cast eating sandwiches. This moment was at least partially animated by Collin McAtee who funnily enough, did the scene while eating a Jimmy John’s club lulu sandwich. The animation was nicely done, especially with Ruby’s eagerness to chow down as well as Blake’s subtle reaction through her cat ears. Though what I wanted to note in particular are the modeled sandwiches. Since it was confirmed that the modeling team handled the ramen food in chapter 7 of volume 5, I assume that they also handled the models for the sandwiches by providing different ones for certain characters depending on how much was bitten off. There’s nothing inherently wrong with that, though I felt with Ruby eating her sandwiches in particular, there could’ve been different models of the sandwiches not being bitten off as much to make the animation of her eating them feel more seamless. But it’s all really minor.

There’s one more shot at the end of the episode of the gang at the Atlessian base, though given the preview for next week’s chapter on RWBY Rewind, it’s best to put a pin on that until the next production analysis. Speaking of which, that marks in end of this episode’s analysis. Definitely a variety of scenes that all provided different purposes and different tones, all done very effectively. To go from Cinder and Neo to Maria’s backstory to the present to reuniting with team Jaune, Ren & Nora to meeting Saphron and her family, all in roughly 15-16 minutes, was done very effectively and never felt jarring. We’re now officially at the halfway point with what seems to be an overall more well-received volume thus far and it’s pretty exciting to see what else will be in store from here on.