#actor kangana ranaut

[lyricsolution-com]

Ready To Stand Our Ground To Protect Integrity Of 'Emergency': Kangana Ranaut On Cuts Suggested By CBFC | Movies News

Mumbai: Actor-filmmaker Kangana Ranaut on Friday said she has received requests from the censor board for cuts in her directorial “Emergency” but the suggestions “seem quite unreasonable” and her team is ready to stand its ground. In a statement following reports in a section of the media that the Central Board for Film Certification (CBFC) has asked for 13 cuts in the film, Ranaut said the team…

[hotloveromance97]

List of Actors who Joined Politics in 2024!

Want to know which Actors who Joined Politics in 2024? At this blog HLR shares all details you wana know, like List of Actors That Joined Politics in 2024 & Actors who Won in the Lok Sabha Elections. Arun Govil, Rupali Ganguly, Kangana Ranaut, Thalapathy Vijay, etc. More info, checkout the blog now!

[janetsnakehole02]

unfortunately i have seen pretty much all of animal through the reels on my instagram explore page so i have one thing to say - STOP. GLORIFYING. CHEATING. i do not give a flying FUCK that you don’t like rashmika mandanna, or that tripti dimri and ranbir kapoor have “better chemistry,” i really don’t. fact of the matter is vijay (ranbir) abused geetanjali (rashmika) and cheated on her with zoya (tripti), and instead of portraying it like the toxic act that it is, sandeep reddy vanga once again chose to glamorize and romanticize that toxicity under the umbrella of “sab kuch papa ke liye kiya, this is what true love is.” believe or not, NO, you actually DON’T have to hurt someone to show that you love them. and of course the movie takes no time in making things worse when vijay says that if he leaves, geetanjali isn’t allowed to remarry, or when she asks him how he’d feel if she cheated and asked for forgiveness to which he angrily responds that it’s unacceptable, as if he has any sort of standing to hand out those kinds of orders after the shit he pulled 🙄

this reeks of double standards and a lack of accountability and it reminds me of something kangana ranaut said in an interview way back when (back at a time when she actually made sense oop) about how there’s nothing wrong with exploring dark subjects in cinema, but the condition is that they have to be portrayed authentically and that means showing the consequences of those actions as well. in real life there are consequences to cheating, consequences to domestic violence, consequences to a lack of self control and anger issues. and if you make the choice to explore these sensitive topics you have taken on the social responsibility to show it as is. you cannot glorify it. cinema is a highly powerful and influential form of media, especially in india, a country where actors and films are worshipped like a religion, and it’s truly beyond me how sandeep reddy vanga has deluded himself and his audience into thinking that he doesn’t have that responsibility at all. then again what else can i expect from a director who thinks that love isn’t real if there’s no violence and you can’t “slap your woman or touch your woman whenever you want” 🤡

[blogsofadumdum]

Should nepotism be banned in Indian Cinema?

Nepotism has long been a very loaded word in the Indian Film Industry. From the Akhtars to the Bachchans, from the Bhatts to the Khers, everybody knows that, no matter how much one might protest against nepotism, the so-called “film families" have a stronghold on Indian Cinema. But what is wrong with nepotism, anyway?

Nepotism is simply defined as the practice of those with power and influence, favoring friends and relatives, especially by providing jobs. In the Indian film industry, one may see nepotism in how veteran actor Amitabh Bachchan's son Abhishek, is constantly mocked for subpar acting, or the daughter of film director Mahesh Bhatt, Alia, is belittled then and again for a perceived sub-average intelligence. And despite such ignominy, both continue to enjoy a variety of roles and jobs. However, a more somber look into the topic reveals much more.

Nepotism has often been blamed for the suicide of beloved actor Sushant Singh Rajput, who was found deceased in his home on June 14, 2020. Rajput had no familial connections in the film industry, and many substantial claims, most infamously by actress Kangana Ranaut, say he suffered due to it. It has opened a long-slumbering public's eye to the pains and griefs a newcomer might suffer through.

Moreover, looking at the general trends, one might even notice how much of a poor reception, the movies of big names in cinema have had since then. Lal Singh Chadha and Radhe primarily come to mind. It would not be farfetched to say that Bollywood is losing the public's faith and trust.

So, all there can be said, in conclusion, is that stagnation is fatal. Encouraging new, fresh blood is the only way to revive public trust and restore the glory of Indian film industry.

[denimbex1986]

In the midst of the controversy surrounding a scene in Oppenheimer, where the titular character is depicted engaging in sexual activity while reciting verses from an ancient Sanskrit scripture, purportedly the Bhagavad Gita, Bollywood actor Kangana Ranaut has stepped forward to praise Christopher Nolan’s biographical thriller film.

Taking to social media on Monday, Kangana lauded the movie as “Christopher Nolan’s best work so far” and expressed her admiration for the part in the film referencing Bhagavad Gita and Lord Vishnu. “Most important film of our time… I am so excited I just didn’t want it to end… It has everything I deeply love, I am passionate about physics and politics… For me, this was like a cinematic orgasm… beyond wonderful,” she noted while sharing a selfie video.

“The theme of the film is that when your nationalism rises, it precedes your religion; but when your humanity rises, it precedes your nationalism and you become a problem for the system. And the system that built you, starts disintegrating you. My favourite part is the reference to Srimad Bhagavad Gita and Lord Vishnu when he channelises his inner Vishnu. Go watch it… it’s a lovely film,” the Queen actor said in the video.

J Robert Oppenheimer, regarded as ‘the father of the atom bomb’, had learnt Sanskrit and was said to be influenced by the Bhagavad Gita. In the film, Oppenheimer, played by Cillian Murphy, is shown having sex with psychologist Jean Tatler (Florence Pugh) as she asks him to read a verse from what appears to be a Sanskrit book, whose title or cover is not visible.

The scene involving Gita in Oppenheimer had irked a section of social media users, who demanded the removal of the sequence from Christopher Nolan’s latest film.

Uday Mahurkar, information commissioner, Government of India, wrote an open letter to Nolan, terming the scene a “disturbing attack on Hinduism” and appealed to the director to remove the scene worldwide.

“We urge, on behalf of billion Hindus and the timeless tradition of lives being transformed by revered Geeta, to do all that is needed to uphold the dignity of their revered book and remove this scene from your film across the world. Should you choose to ignore this appeal it would be deemed as a deliberate assault on Indian civilisation. Eagerly await needful action (sic)” Mahurkar, founder of Save Culture Save India Foundation, wrote.

Union Information and Broadcasting Minister Anurag Thakur has sought an explanation from the Central Board of Film Certification (CBFC) on why it cleared the movie in its present form. According to sources, Thakur has demanded accountability from the CBFC, which functions under the aegis of the I&B Ministry, regarding clearing the movie with the controversial scene, which has hurt the sentiments of a section of the Hindu community.

The Dhaakad actor’s comments come a day after she locked horns with former Rajya Sabha MP Subramanian Swamy after the latter questioned her Y-plus security status. He tweeted, “The SPG knows, and has kept a register of her movements. I wonder why since it is no business of SPG to track Bollywood stars. In her case, on a special dispensation, she has a high level of security provided.”

Kangana replied, “I am not just a Bollywood star sir, I am also a very vocal and concerned citizen, I was the target of political malice in Maharashtra, at my expense nationalists could make a government here. I also spoke about tukde gang and strongly condemned Khalistani groups. I am also a filmmaker, writer and producer and my next production Emergency involves operation Bluestar… there is evident treat to my life hence I requested for extended security… Is there something wrong in this Sir?”'

[playermagic23]

Will Do Patti be the game-changer for actresses who turn producers?

While we wish Kriti Sanon the best of luck with her debut film, Do Patti, which will be available on Netflix on October 25, we can only hope that it will be the first of many game changers: a huge success among actress productions!

We say this because, thus far, there has been an alarmingly high rate of flops when women become film producers. Even the few actresses who have turned filmmakers have had a dismal track record at the box office (Simi Garewal's Rukhsat, Hema Malini's Dil Aashna Hai and Tell Me O Kkhuda, as well as the telefilm Mohini and five films directed by Pooja Bhatt from Paap to Jism 2).

There are some exceptions. The exceptions in this list are insignificant, as we will see. Reena Roy's home productions, Muqabla (1979) and Sanam Teri Kasam (1982), were both hero-driven films, whereas Juhi Chawla's co-production, Chalte Chalte, was co-produced with an actor—Shah Rukh Khan—and directed by Aziz Mirza. Yes, Kangana Ranaut's Manikarnika performed similarly. Priyanka Chopra Jonas' regional films, beginning with her smash-hit Marathi début, Ventilator, were profitable, while her Hindi film, The Sky is Pink, was not.

And the Rule! The list of flops is indeed voluminous, extending from Shashikala's Karodpati way back in 1961 (which, according to the late actress, "turned us into kangalpatis or broke!"), Nargis' Raat Aur Din and Sharmila Tagore's Tyaag to the aforementioned films as well as Neetu Singh's Chorni, Raakhee's Pugli, Taaqat (1982) and Zindagani, the Madhuri Dixit home productions, Dil Tera Aashiq (despite Salman Khan!), Yaraana (1996), Mohabbat (1997) and Padmini Kolhapure productions, Dav Pech and Rockford, and (according to rumor) the Zeenat Aman-backed Baat Ban Jaye are also examples.

As is customary, many of these films were "officially" produced by frontmen such as family members, relatives, or secretaries. "But the money obviously came from the star concerned!" says one industry source.

In the millenium, Lara Dutta's Chalo Dilli (albeit a wonderful film), Raveena Tandon Thadani's Stumped!, Manisha Koirala's Paisa Vasool, and Preity Zinta's Ishqk In Paris joined the list of flops. Shilpa Shetty's Dishkiyaoon, Anushka Sharma's highly anticipated NH10, Phillauri, and Pari (after which she chose the safe, OTT route with Bbulbul and Qala), Deepika Padukone's Chhapaak, and Taapsee Pannu's Blurr and Dhak Dhak (all excellent films). As evidenced by some of the examples above, it was not necessarily necessary for the actresses to appear in all of their productions. But that didn't change the situation!

Alia Bhatt made a spectacular debut with Darlings last year, which, like Do Patti, was streamed on Netflix, raising expectations for her next (this time theatrical) co-production, Jigra. However, that film, along with Kareena Kapoor Khan's The Buckingham Murders, collapsed like a house of cards.

The Trade View According to veteran distributor-exhibitor Raj Bansal, "Actresses are not as familiar with the commercial aspects as they should be." Filmmaking is about bringing something positive to the table, and they have their own perspectives on this."

He stated that there will always be stories that no one else wants to produce, but actresses believe they can create the best film for them! "It is always content that will hold, and if that does not, no film is going to work, however big the star," stated the director.

However, Bansal emphasizes the importance of budgeting. "A film like The Buckingham Murders has recovered its investment before the release through non-theatrical avenues and so it does not really matter if collections are not good!" He makes the case. "However, the terrain should be evaluated, and the target audience should not be limited to metropolitan areas. Also, if we look closely, directors such as Hansal Mehta (The Buckingham Murders) and Vasan Bala (Alia Bhatt's Jigra) do not cater to the masses."

[news365timesindia]

[ad_1] Somy Ali, who was previously in a relationship with Salman Khan, had recently written a post dedicated to gangster Lawrence Bishnoi, inviting him for a Zoom call. The actor, however, deleted the post later. In an interview with Hindustan Times, Somy speaks about initiating peace with Lawrence, her newly launched film production company and safety of women in theentertainment industry and more. Somy Ali on initiating peace talks with Lawrence Bishnoi When asked about her recent post on inviting Lawrence Bishnoi for a Zoom call, Somy states, “The death threats to Salman were truly concerning, and when I addressed Lawrence Bishnoi, my intention was to encourage peace and dialogue, not fuel animosity. Today’s film industry is a completely different landscape compared to the 90s, but safety was always an underlying concern, particularly for women. I never faced direct threats, but there were moments that left me uneasy.” She adds, “One such moment occurred in March ’93, when both Sridevi and I were staying in the SeaRock Hotel in Mumbai, and we were quickly moved out. A week later, the hotel was targeted, which sent a shockwave through me. Moments like these remind us of the fragility of our safety in the industry.” Somy Ali on playing inspiring and empowering characters The actor had recently announced about acting in films produced under Somy Ali Productions apart from launching newcomers. When asked whether she has any boundaries or apprehensions about the kind of characters or scripts she would portray on-screen, Somy points out, “I’m genuinely excited about Somy Ali Productions, and the ability to use film as a vehicle to tell stories that matter. Beyond giving newcomers a platform, I am drawn to roles highlighting strong, complex characters—especially women, transgender individuals, and LGBTQ+ stories. I’ve also become deeply interested in telling the stories of men who’ve been wrongfully accused. My work with No More Tears has deeply shaped the narratives I want to explore—ones that show survival, resilience, and justice.” Somy Ali on receiving support from India for her NGO Somy’s social media posts have gained much attention, especially from India in the last two years. When questioned if that contributed to bringing more light to her work, she says, “Yes, social media has been transformative in raising awareness for No More Tears. The support I’ve received from India has been overwhelming, allowing us to reach a broader global audience. This increased visibility has helped us connect with more survivors of domestic violence and human trafficking who need our support while also raising much-needed funds to continue our work. I’m incredibly grateful for this platform, as it has enabled us to spread awareness and create a compassionate community dedicated to making real change.” Somy Ali on unity among women in film industry The actor has often backed Deepika Padukone, Kangana Ranaut, and Zeenat Aman in her social media posts. When quizzed about the supposed lack of support for women in Bollywood by their female colleagues, Somy states, “There’s a slow but positive shift in how women support one another in Bollywood, but it’s still not where it should be. The competitive environment and societal pressures on women to uphold specific images often make it difficult for genuine solidarity to thrive. I supported Kangana, Deepika, and Zeenat because they each demonstrated strength in standing up for what they believed in, even when it wasn’t easy. More unity among women in the industry is crucial if we want lasting change—not just for ourselves but for future generations of actresses and women behind the camera.” Somy Ali opens up on Raj Kiran missing case Somy has posted about Hindi film actor Raj Karan going missing on social media and raised concerns about him in several interviews. When asked if she got any support or help from her Bollywood colleagues or friends, she says, “Raj Kiran was an incredible actor; his unexplained disappearance has always weighed heavily on me.

I’ve brought up this issue many times because his story deserves closure, not just for his family but for his fans, too. Sadly, I haven’t received much support from Bollywood in my efforts, which has been quite disheartening. But I will continue my pursuit because I believe he deserves justice. I often reflect on how my final Bollywood film, Agnichakra, had him as a co-star playing a police inspector—it’s something I hold close, even though that film is not the one I recommend.” Somy Ali on thesafety of women in theentertainment industry Somy works closely with survivors of domestic violence and human trafficking. When asked if she feels the condition of women in the media and entertainment industry in the US has improved after the #MeToo movement and Harvey Weinstein case, she states, “The Harvey Weinstein case was a watershed moment for the industry, and while it did spark change, we still have a lot of work ahead. The #MeToo movement has empowered many women, but exploitation and discrimination remain prevalent. The entertainment industry is responsible for ensuring women’s safety and dignity in both the US and India.” [ad_2] Source link

[news365times]

[ad_1] Somy Ali, who was previously in a relationship with Salman Khan, had recently written a post dedicated to gangster Lawrence Bishnoi, inviting him for a Zoom call. The actor, however, deleted the post later. In an interview with Hindustan Times, Somy speaks about initiating peace with Lawrence, her newly launched film production company and safety of women in theentertainment industry and more. Somy Ali on initiating peace talks with Lawrence Bishnoi When asked about her recent post on inviting Lawrence Bishnoi for a Zoom call, Somy states, “The death threats to Salman were truly concerning, and when I addressed Lawrence Bishnoi, my intention was to encourage peace and dialogue, not fuel animosity. Today’s film industry is a completely different landscape compared to the 90s, but safety was always an underlying concern, particularly for women. I never faced direct threats, but there were moments that left me uneasy.” She adds, “One such moment occurred in March ’93, when both Sridevi and I were staying in the SeaRock Hotel in Mumbai, and we were quickly moved out. A week later, the hotel was targeted, which sent a shockwave through me. Moments like these remind us of the fragility of our safety in the industry.” Somy Ali on playing inspiring and empowering characters The actor had recently announced about acting in films produced under Somy Ali Productions apart from launching newcomers. When asked whether she has any boundaries or apprehensions about the kind of characters or scripts she would portray on-screen, Somy points out, “I’m genuinely excited about Somy Ali Productions, and the ability to use film as a vehicle to tell stories that matter. Beyond giving newcomers a platform, I am drawn to roles highlighting strong, complex characters—especially women, transgender individuals, and LGBTQ+ stories. I’ve also become deeply interested in telling the stories of men who’ve been wrongfully accused. My work with No More Tears has deeply shaped the narratives I want to explore—ones that show survival, resilience, and justice.” Somy Ali on receiving support from India for her NGO Somy’s social media posts have gained much attention, especially from India in the last two years. When questioned if that contributed to bringing more light to her work, she says, “Yes, social media has been transformative in raising awareness for No More Tears. The support I’ve received from India has been overwhelming, allowing us to reach a broader global audience. This increased visibility has helped us connect with more survivors of domestic violence and human trafficking who need our support while also raising much-needed funds to continue our work. I’m incredibly grateful for this platform, as it has enabled us to spread awareness and create a compassionate community dedicated to making real change.” Somy Ali on unity among women in film industry The actor has often backed Deepika Padukone, Kangana Ranaut, and Zeenat Aman in her social media posts. When quizzed about the supposed lack of support for women in Bollywood by their female colleagues, Somy states, “There’s a slow but positive shift in how women support one another in Bollywood, but it’s still not where it should be. The competitive environment and societal pressures on women to uphold specific images often make it difficult for genuine solidarity to thrive. I supported Kangana, Deepika, and Zeenat because they each demonstrated strength in standing up for what they believed in, even when it wasn’t easy. More unity among women in the industry is crucial if we want lasting change—not just for ourselves but for future generations of actresses and women behind the camera.” Somy Ali opens up on Raj Kiran missing case Somy has posted about Hindi film actor Raj Karan going missing on social media and raised concerns about him in several interviews. When asked if she got any support or help from her Bollywood colleagues or friends, she says, “Raj Kiran was an incredible actor; his unexplained disappearance has always weighed heavily on me.

I’ve brought up this issue many times because his story deserves closure, not just for his family but for his fans, too. Sadly, I haven’t received much support from Bollywood in my efforts, which has been quite disheartening. But I will continue my pursuit because I believe he deserves justice. I often reflect on how my final Bollywood film, Agnichakra, had him as a co-star playing a police inspector—it’s something I hold close, even though that film is not the one I recommend.” Somy Ali on thesafety of women in theentertainment industry Somy works closely with survivors of domestic violence and human trafficking. When asked if she feels the condition of women in the media and entertainment industry in the US has improved after the #MeToo movement and Harvey Weinstein case, she states, “The Harvey Weinstein case was a watershed moment for the industry, and while it did spark change, we still have a lot of work ahead. The #MeToo movement has empowered many women, but exploitation and discrimination remain prevalent. The entertainment industry is responsible for ensuring women’s safety and dignity in both the US and India.” [ad_2] Source link

[tfgadgets]

Shreyas Talpade on delay on his film Emergency: ‘It was really sad and led to losses’ | Bollywood

It has been over a month since Shreyas Talpade’s film Emergency, directed and led by Kangana Ranaut, was postponed from its planned release. And the film is yet to get a new release date. The actor admits the delay came with a lot of disappointment and wonders why people passed judgment before watching the film. Also read: Kangana Ranaut agrees to cuts suggested in her film Emergency Emergency…

[lyricsolution-com]

Certificate For Kangana's 'Emergency' Possible After Required Edits Are Done: Censor Board To HC | Movies News

Mumbai: The Central Board of Film Certification on Thursday told the Bombay High Court that a certificate would be issued to Kangana Ranuat’s film “Emergency” if certain cuts are made, as recommended by its revising committee. The movie, which was initially slated for a September 6 release, has been embroiled in a battle with the censor board for non-issuance of certificate for release of the…

[stichistore]

Hypocrisy and Nepotism: A Toxic Brew Fueling Bollywood Controversies

Bollywood, India's glamorous film industry, has always been a subject of fascination and scrutiny. In recent years, however, the industry has been rocked by a series of controversies that have exposed the deep-rooted problems of hypocrisy and nepotism that plague it.

Hypocrisy: The Double Standards of Bollywood

Bollywood has often been accused of hypocrisy, where celebrities preach one thing but practice another. Recent events have only served to highlight this issue.

Sushant Singh Rajput's Death and the Mental Health Debate: The tragic death of actor Sushant Singh Rajput in 2020 sparked a nationwide debate about mental health in the industry. Many celebrities expressed their condolences and spoke about the importance of mental well-being. However, critics pointed out the hypocrisy of the industry, which often subjects its artists to immense pressure and unrealistic expectations, contributing to their mental health struggles.

The #MeToo Movement and the Silence of the Stars: The #MeToo movement in India brought to light the pervasive issue of sexual harassment in Bollywood. While some celebrities bravely shared their stories, many others remained silent, raising questions about their commitment to the cause. The industry's selective outrage and the protection of powerful predators further exposed its hypocritical nature.

Nepotism: The Favored Children of Bollywood

Nepotism, the practice of favoring relatives or friends, has long been a contentious issue in Bollywood. The industry is often criticized for being a closed club where opportunities are primarily reserved for those with family connections.

The Rise of the 'Star Kids': The recent success of several "star kids," children of established Bollywood actors, has reignited the debate about nepotism. Critics argue that these individuals are often given preferential treatment, while talented outsiders struggle to get a foothold in the industry.

The Kangana Ranaut vs. Karan Johar Feud: The public feud between actress Kangana Ranaut and filmmaker Karan Johar has brought the issue of nepotism to the forefront. Ranaut has been vocal about her struggles as an outsider in the industry and has accused Johar of promoting nepotism.

The Impact of Hypocrisy and Nepotism

The prevalence of hypocrisy and nepotism in Bollywood has several negative consequences.

Stifling Talent: By favoring those with connections, the industry stifles the growth of talented outsiders who may never get the opportunity to showcase their skills.

Promoting Unfairness: Nepotism creates an unfair playing field where success is often determined by family background rather than merit.

Eroding Trust: The hypocrisy of celebrities and the industry's protection of powerful individuals erodes public trust and diminishes its credibility.

The Way Forward

Bollywood needs to address the issues of hypocrisy and nepotism if it wants to regain its credibility and foster a healthy and inclusive environment.

Transparency and Accountability: The industry needs to be more transparent in its operations and hold individuals accountable for their actions, regardless of their status or connections.

Equal Opportunities: Talent should be the primary criteria for success in Bollywood. The industry needs to create a level playing field where everyone has an equal opportunity to succeed.

Promoting Mental Health: The industry needs to prioritize the mental well-being of its artists and create a supportive environment where they feel safe to speak up about their struggles.

The recent controversies have exposed the dark underbelly of Bollywood, highlighting the urgent need for change. By addressing the issues of hypocrisy and nepotism, Bollywood can create a more just and equitable industry that truly celebrates talent and creativity.

[bollytollykolly]

BJP Schools Actor-MP Kangana Ranaut Over Controversial Farmer Remarks - NDTV

https://news.google.com/rss/articles/CBMiqgFBVV95cUxOTVFFTXZpV25haTlqcDR2cS04RlAxX3NtWWhiWlRWdlZNc0FZYjJHR0VQRWw2dV9heFpZQ19VTlp4NlpLd2llYVBoWVZFNU9sY3dnNGJzcFNLLUd2dks1MmFzM2NfRXE2VVpKYmhQTkJTVzRORzMzRzFFMHFpSGM1ek9TemNESTNzVUtjaDA0RkpfV2xnRXFNVTNRVXRuSV9QdjlabjBJeEd0UdIBsgFBVV95cUxQZ3ppQnhmVE5tb0hQNzR1UTZzOWx4dU8tQThnWWg0MTU4SUxzblNCRGwxaUt6c25Kd3VmV3dLcmNJd1Flek5mWW1lb19aRzhSNzI5T0V6UEtFWXlwRnNaeGpZd1RWM19Jb1RGVDhJd3pwWUxIOWZUXzBlbWRMWWJMVDVPcDJ4OExOalZKVVZvdHNObEhsaG9pMjd2bHVPaS0wSFlteUJpejJtcDhJeG8zWUJB?oc=5&utm_source=dlvr.it&utm_medium=tumblr

[playermagic23]

Shreyas Talpade denounces death hoax and expresses daughter's concern for his health: "Don't joke around at the cost of others"

Shreyas Talpade, a Bollywood actor, was the victim of a death hoax, a distressing experience that has had a lasting impact on him and his family. The actor, who recently attended the trailer presentation for Kangana Ranaut's Emergency, took to Instagram to clarify the incorrect and destructive notion.

In a passionate statement, Talpade voiced his regret and displeasure at the spread of such disinformation. He underlined the real-world ramifications of the fraud, notably for his young daughter. After dealing with the fear of his father's heart attack in 2023, the child's concerns have grown as a result of this harsh and irresponsible behavior.

Talpade's post states, "My small daughter, who attends school every day, is already concerned about my well-being, always asking questions and seeking reassurance. This erroneous news just exacerbates her worries, pushing her to face additional questions from her friends and teachers, eliciting emotions that we've been attempting to manage as a family."

The actor also emphasized the greater implications of such hoaxes, saying, "To those who promote this content, I implore you to pause and ponder the consequences. Many individuals have sincerely prayed for my well-being, and it's distressing to see humor utilized in ways that can harm feelings, cause distress in my loved ones, and disturb our lives."

The actor ended his tweet with a forceful message to the trolls, asking them to stop spreading such damaging trash. "Don't joke around at the cost of others, and don't do this to anyone else," his letter read.

Shreyas Talpade's upcoming film, Emergency, will star former Prime Minister Atal Bihari Vajpayee and is expected to be released on September 6.

[amongxylophonesandglockenspiels]

Bollywood Movies Part CCXIV: Not Bollywood, that's for sure

J. Jayalithaa (Kangana Ranaut) becomes fellow actor M. J. Ramachandran's (Arvid Swamy) political protege, ultimately replacing him as Tamil Nadu Chief Minister after his death.

Thalaivii is a biopic about J. Jayalithaa that fictionalizes some details. It is similar to the second half of Iruvar, as that is also based on M. G. Ramachandran and Jayalithaa's relationship. I watched it in Tamil, even though it was also simultaneously filmed in Hindi. It was an interesting version of that period of Tamil Nadu politics, but it definitely leans into the melodrama. Favorite songs are Unthan Kangalil Ennadiyo, Tugalai Tugalai, and Kannum Kannum Pesa Pesa. None of the songs have subtitles.

Pianist Ray (Prithviraj Sukumaran) witnesses the murder of former actor Uday Kumar (Shankar) but is unable to testify against those involved, Uday’s wife Simi (Mamta Mohandas) and her lover Inspector Dinesh (Unni Mukundan), without revealing that he isn’t actually blind.

Bhramam is the Malayalam remake of Andhadhun. As a remake, it's decent. The actors are all fantastic in their roles and the script is well localized. However, it is lackluster in the music, which was a huge part of the original. Favorite songs are Munthiripoovo and Lokam - Who Wants it? Neither song has subtitles.

Veer Sooryavanshi (Akshay Kumar) chases down a terrorist plot while having angst about trying to reconcile with his estranged wife Ria (Katrina Kaif).

Sooryavanshi is big on the action and explosions, less so on the plot. This is part of the Rohit Shetty Cop Universe (as it's called on wikipedia) and both Ajay Devgn and Ranveer Singh appear as Singham and Simmba in the long end fight sequence. Honestly that was the best part of the movie as they brought some well deserved comic relief to the film which was sorely lacking in the rest of it. Favorite songs are Mere Yaraa and Hum Hindustani. Neither song has subtitles.

[bhaskarlive]

Kangana Ranaut slapgate: CISF constable transferred to B’luru, but ‘remains under suspension’

Amid speculation about the reinstatement of Central Industrial Security Force (CISF) constable Kulwinder Kaur, who allegedly slapped actor-turned-politician and BJP MP Kangana Ranaut at the Chandigarh Airport last month, media reports quoting the CISF said on Wednesday that she has been transferred to Bengaluru but “remains under suspension”.

“Constable Kulwinder Kaur is still suspended and a department inquiry is underway,” the reports quoting a CISF statement said.

Source: bhaskarlive.in