#absolutely insane unhinged disgusting behaviour
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what i find absolutely insane with the drivers parade is that it's daniel's first parade of the year, he could catch up with any of the drivers that he hasn't spoken to as much over the last 7 months....but instead he beelines straight for max
#like boys you've been on the same team for months#you've spent time with each other#they're unhinged#absolutely insane unhinged disgusting behaviour#maxiel
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Aaron Warner: A Defanged Romantic Lead
Don’t get me wrong, I actually love Aaron Warner’s characterization in Shatter Me. I like his unhinged attitude and how at times he comes off as a little delusional with his fantasies of a fucked up future together with Juliette. He’s like an obsessed scientist who caught a mermaid and is both in love with her while also being fascinated with her supernatural qualities and wanting to exploit her for them…BUT.
There’s this trope I’ve noticed that I’ve thought about for a while, but I’ve never actually written about it. Have you ever noticed that in certain stories involving fantasy or dystopian elements, the story will begin with a dangerous and edgy male lead with dubious morals but as soon as the author considers them as a romantic interest for the female lead they are completely and utterly defanged?
What I’m referring to is the tendency to characterize a male lead as an unhinged individual who engages in violent and dangerous behaviours in the first book only to completely backtrack on that characteristic in the second book. These male leads are often extremely well-liked by readers and are involved in equally well-liked romantic sub plots in their respective series. However, there is a certain dissonance to these types of characters that I believe cannot be ignored and I have an unconfirmed hypothesis on why this trope has become so popular. Aaron Warner is a perfect example of this trope (among many) and to illustrate my point, I’ll use examples from Shatter Me and Ignite Me by Tahereh Mafi.
To make things clear, I do enjoy romances with darker themes, But, I absolutely cannot stand the lack of nerve in both of these narratives and their refusal to truly lean into the subjects they raise and how they cower at the implications of what they’ve written.
Anyways, here’s a page from my physical copy of Ignite Me from a few years ago.
I hate how Aaron’s explanation for his actions in Ignite Me amount to him getting huffy with Juliette for expressing her grievances with the way he handled things in Shatter Me. It’s just one justification after the other in rapid succession. Some of it it plausible, like his efforts to establish Juliette as an intimidating force in the Sector by making a public display of her abilities (albeit against her will) as well as belief that he was lifting her out of a poor situation. But, this is all marred by the final line: "I had no idea you hated me so much. That everything I tried to do to help you had come under such harsh scrutiny.” Because…really? You had no idea that Juliette harboured any negative feelings towards you after what you did? That your actions would come under “harsh scrutiny”?
Let’s go back to Shatter Me, shall we?
“We will always be enemies.” My voice is cracked into chips of ice. The words melt on my tongue. “I will never be what you want me to be.” (Shatter Me, Chapter 13)
I push him hard, slamming his back up against the door. “You disgust me.” I stare hard into his crystal-cold eyes. “You disgust me—” (Shatter Me, Chapter 18)
I meet Warner’s gaze. “If you ever put me in a position like that again, I will kill you. And I will enjoy it.” (Shatter Me, Chapter 25)
“You’re insane.” My hands are shaking but I hold the gun up to his face again. I need to get him out of my head. I need to remember what he’s done to me. “You want me to be a monster for you—” (Shatter Me, Chapter 27)
All of these lines are preceded or followed by Aaron insisting that he is helping Juliette or that she should appreciate the work he’s done to make her flourish. So it seems ridiculous that Aaron suddenly shocked and appalled that Juliette thinks of him as a bad person. While I do think that some of Aaron’s actions were justified given the circumstances, it is still laughable that the narrative expects me to buy into Aaron’s argument here. I imagine that this conversation is meant to recontextualise his actions and give him a chance to explain things from his side, but all it does is give him full permission to go on a self-righteous tangent.
This scene encapsulates my point about Aaron being defanged. It exists to portray him as a well-meaning but unaware benefactor to Juliette (unbeknownst to her) and seems to let him avoid taking responsibility for his actions. His claims that he was unaware of Juliette’s initial disgust and hatred towards him even though evidence suggests the complete opposite. How could you “have no idea” that Juliette felt that way about you when she was throwing it in your face in all of your interactions? The answer is that Mafi wanted to do the whole “I was hurting you to protect you” deal but muddles her continuity due to her need to make Aaron a “good” person at all costs. It’s an especially baffling character decision especially when Aaron claims to have an intimate knowledge of Juliette’s true feelings several times.
But that’s not the only thing. Aaron’s shock about Juliette thinking he was an unhinged creep suddenly frames Juliette in a negative light. Suddenly, she is at fault for being too judgmental and jumping to conclusions about his motives when he had deliberately misled her.
“Was that all a part of your plan, too? No wait, don’t tell me”—I hold up a hand—“that was just a simulation, right?”
Warner goes rigid.
He sits back; his jaw twitches. He looks at me with a mixture of sadness and rage in his eyes. “No,” he finally says, deathly soft. “That was not a simulation.”
“So you have no problem with that?” I ask him. “You have no regrets over killing a man for stealing a little extra food? For trying to survive, just like you?”
Warner bites down on his bottom lip for half a second. Clasps his hands in his lap. “Wow,” he says. “How quickly you jump to his defense.”
“He was an innocent man,” I tell him. “He didn’t deserve to die. Not for that. Not like that.”
“Seamus Fletcher,” Warner says calmly, staring into his open palms, “was a drunken bastard who was beating his wife and children. He hadn’t fed them in two weeks. He’d punched his nine-year-old daughter in the mouth, breaking her two front teeth and fracturing her jaw. He beat his pregnant wife so hard she lost the child. He had two other children, too,” he says. “A seven-year-old boy and a five- year-old girl.” A pause. “He broke both their arms.”
Judge me,” he says, “all you like. But I have no tolerance,” he says sharply, “for a man who beats his wife. No tolerance,” he says, “for a man who beats his children.” He’s breathing hard now. “Seamus Fletcher was murdering his family,” he says to me. “And you can call it whatever the hell you want to call it, but I will never regret killing a man who would bash his wife’s face into a wall. I will never regret killing a man who would punch his nine-year-old daughter in the mouth. I am not sorry,” he says. “And I will not apologize.” (Ignite Me, Chapter 7)
What a sick joke.
“GOD Juliette! I can’t believe that you’d view me as the kind of person who would kill an innocent man in cold blood! It’s not like I deliberately misled you and lied about my motives for killing him. It’s not as if I manufactured a scenario where I came off as a dangerous and cold-blooded psychopath and did nothing to make you think otherwise. Wow can’t believe that you’d be so judgmental.”
You know? It’s not lost on me that Aaron doesn’t even address the fact that Juliette was fed false information about Fletcher and gets so indignant about her assessments of him. I hate this part even more than the last. Take a look at the scene from Shatter Me they’re referring to and you’ll see what I mean.
I’m sorry but this is just stupid beyond words. It irritates me to my core that the narrative cannot commit to Aaron’s previous characterization and follow-through on it. It cheapens his development later on and it almost borders on gaslighting with how it tries to cast judgment on Juliette for questioning Aaron’s morality in the first place. And for what? All to make Aaron into a technical good guy who has all the aesthetics of a dark romantic lead, but none of the edge to match. He is dulled by this contradictory scene and made into this schlub who was just doing his best to help while implicitly accusing Juliette of jumping to conclusions and being too “harsh”.
Because this passage from Shatter Me proves that Juliette isn’t just pulling these accusations out of thin air, she has a legitimate reason to believe that Aaron is morally bankrupt, but the narrative doesn’t let her dwell in those conflicting emotions. Instead, it goes out of its way to make Aaron as noble and misunderstood as possible while shaming Juliette for buying into the LIES THAT HE HIMSELF TOLD HER!! The cherry on top of this scene is that she apologizes to him as he storms off in a huff.
It’s such an emotional cop out and it tries way too hard to soften Aaron’s actions to make him more digestible as a romantic lead.
#aaron warner#tbh the same can be said about ACOTAR and ACOMAF#shatter me#ignite me#ya fiction#tahereh mafi#warnette#juliette ferrars#bookish#booktok#bookblr#acomaf
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youre absolutely fucking insane if you think she faked those screenshots. i think you're just afraid to take accountability for the fact that you're being malicious, but you'd rather blame someone else for shit you've said. honestly your behaviour is disgusting and you have no reason to be putting yourself into this when it didnt involve you in the first place. you're acting like you're a child. you and kingsnack are the same kind of person; you're both unable to actual sit down and see how you've fucked up. also posting her screenshots from the call out just proves you're stalking her. and you both have these sheep who mindlessly believe anything you say and will defend you to the grave. it's really sad NEITHER of you can stand your ground without other people.
grow up. maybe talk to her about shit before you start acting like this. you both never spoke to her about a single thing. you jumped the gun and started perpetuating drama. i can already IMAGINE you're gonna 'clown' this because you're fucking 'doing something'.
Firstly, lets be real here if you think the two weird ass american as fuck written comments came from me you're the insane one. they're faked, badly so, they're not even the same font as tumblr, but whatever. you believe whatever you want to believe, and tbh you know they're faked since you made them. The only one comment i made about the whole thing was on your friend Nik's post, and granted yeah, it was petty of me, I will admit that, but i am a virgo, petty is what we do.
As far as 'me and kingsnack being the same kind of person' yeah we are, we're both done with this fuckery and wish y'all would move on to the next drama you'll inevitably create. I don't have mindless sheep that mindlessly believe me, I'm not in high school babe, I don't need a 'clique' I will happily and have always happily stood my ground again bullies (newflash, that's what y'all are) you talk about a 'smear campaing' while faking screenshots of things i didn't say. it's pathetic and childish and a level on unhinged i have never encountered my entire tumblr career. I have been on this hellsite since 2010 and have never been involved in drama in all that time, so i think that speaks for itself about who i am as a person. you have a DNI longer than my reading list, and call out post circulating every news cycle.
i suggest you go outside, get some fresh air and maybe call your therapist.
p.s. i don't call people 'nasty bitches' if i wanted to insult you i'd call you a cunt babe, i'm scottish.
don't bother sending anymore nonsence, or do, i really don't care. but this is the only anon i will be answering on the topic. if you wanna wear your big girl pants and stop hiding behind a grey face, go ahead, but i doubt that since you're a coward.
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