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How to request:
Send your request featuring the character you want, the plot (+ANGST, FLUFF…) and anything I need to know about the reader. I write MALE READER only
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“The Savior Sessions” Part 18 of 33 - Negan x GN!Reader
IMAGE CREDIT: AMC
SERIES MASTERLIST
Summary: The fair is in full swing, but an unseen enemy still has her sights set on the ones that took her daughter from her. How will this play out when people go missing? And what happens when the reader is faced with a new kind of horror while Negan waits for them to come home to him?
Word Count: 7939
Warning: Swearing, Death of Major Characters, Angst, Graphic Description of Gore
Song I Wrote To: “You Are The Reason (Duet Version)” by Calum Scott and Leona Lewis
Note: I’m Sorry. This is where we get some canon divergence. I will be changing a few things. For one, I don’t think Aaron went to the fair in the show, but he’s there in this story with Gracie. As we move into season 10, I have changed quite a bit. Thanks for sticking with me so far! ALL OFFICIAL DIALOG IS PROPERTY OF AMC
—————
It had been a long time since you had seen the walls and roads of The Kingdom.
King Ezekiel had just given his big speech as he welcomed everyone to the first community fair. Aaron had run off with Gracie as soon as you had arrived. The two of you had left Alexandria before Michonne and Judith were about to head out. Michonne assured you that she would be fine even though you offered to go with her as a security escort.
It was so strange to see so many of your old friends in one place. Tara was there with her people from Hilltop, Alexandrians milled about, and you even spotted Rachel smiling with her women from Oceanside.
If you weren’t feeling the dread from what was waiting for you beyond the safety of the walls, you would have been smiling along with her. However, you couldn’t. The entire ride to The Kingdom, you had been on edge and you thought your reins were going to shred beneath your fingers.
Aaron had told you to relax. He figured Alpha wouldn’t be stupid enough to do anything on the main road. While you wanted to believe that, the sheer fact that you didn’t run into any of the Whisperers made you even more nervous.
Still, you tried for Aaron, for Ezekiel and Carol, and especially for yourself. Aaron had been right, you needed a break. Negan’s tired eyes and concerned smile were still fresh in your mind as you walked among the stalls. He said that you would have a lot to talk about when you got back and he was right. Perhaps then, you would be able to finally get words out that weren’t drenched in frustration.
Till then, you needed to learn to breathe again.
Enid walked next to you, smiling as she too, took in the joys of the celebration around you. You noticed her in the crowd with Alden as soon as you arrived and she had just gravitated towards you, chatting away about the stall she was going to be doing.
“Did you hear what I said?” Enid asked you and you turned to her.
“Sorry, what?” you asked. She gave you a sheepish smile.
“I was just asking if you thought about setting something up?”
“A stall for the fair?”
“Is that such an odd idea?” she asked.
“I just don’t know what I would do,” you said with a shrug.
“You’re a great shot,” Enid reminded you.
“With a gun,” you said. “Not many of those around these days.”
“Yeah, I guess not,” she said with a shrug of her own. As the two of you headed for the main gate, Enid peeled off to go find Alden and you pushed on to meet Carol.
You had briefly said hello when you had arrived, but she was doing her “Queenly” duties and you hadn’t had much of a chance to speak to her. Now, she looked to be gearing up. Ezekiel was next to her along with Kelly, Magna, Luke, and Yumiko.
“What’s going on?” you asked as you approached.
“Henry isn’t back yet,” Carol explained.
“He’s not? But they left last night. They should have beat us here,” you said with a furrowed brow.
“That’s what I thought,” Carol said and you could see a worried look in her eyes. A look you were all too familiar with. A weight settled on your chest as your hand rested on the pommel of Paul’s sword. “I have to go look for them.”
“I’ll go with you,” you promised. While Carol was worried about her child, you were suddenly very concerned for the other teen in the group.
Where was Lydia?
“You don’t have to,” Yumiko said as she pointed over your shoulder. You all turned to see the large doors open. Running ahead of a horse-pulled carriage was a familiar dog with its tail up in the air.
Michonne and Judith sat in the front of the carriage as Daryl walked alongside it. In the back were Connie, Henry, and Lydia. Dog began making circles around everyone as Henry hobbled out of the makeshift carriage and towards his parents.
Carol didn’t hesitate to pull him into her arms. Connie was doing the same thing with her sister and the rest of her family. As Ezekiel grabbed onto his wife and son, you went for Daryl.
“Ya showed,” he observed as you hugged him.
“Aaron suggested I needed a break,” you said and then stepped back so Carol could launch herself at her best friend. Henry was still hugging his dad and that’s when you noticed Lydia watching the interaction with an awkward stance.
You moved immediately to her side and slipped your arm around her shoulders. “Hey, kid,” you greeted and she gave you a closed-mouth smile.
“Hi,” Lydia said.
“Ya alright?” you asked, checking her over in case she was hurt. Lydia just nodded and fiddled with the wooden pendant around her neck.
“I’m glad you’re here,” Lydia whispered and you squeezed her shoulder, pulling her tighter against you.
“I figured it would be boring without my winning personality,” you teased and she laughed a bit at that. She then became very stiff next to you. “What’s wrong?” you asked, but she was staring at something ahead. Looking up, you saw Tara staring at Lydia with venom in her eyes.
“What is she doing here?” Tara said and you placed Lydia behind you protectively. Henry then moved to her side and took hold of her hand. Tara watched the movement with anger.
Michonne, who had been speaking with Ezekiel and Carol as they got acquainted with Judith turned to the King and Queen.
“Gather the leaders,” Michonne said and then nodded at you as an invitation, “We need to talk.”
—————
“I know I haven't always seen eye-to-eye with everyone in this room,” Michonne began, “but I never stopped caring about any of you. I was just trying to protect my family and do right by my people. Alexandria's future is here. Together, with you. And we lost sight of that for a while. But... I'm here now. We're here now.”
Michonne then turned to you and gestured for you to speak. “Michonne, Gabriel, and I have all spoke with the other council members at the fair, and we all agree. Alexandria is willing to grant asylum to Lydia. She's one of us now. We hope the rest of you can join us in doing the same.”
“Since when do you speak for Alexandria?” Tara asked.
“Since I asked them to,” Michonne defended. “(Y/N) has taken up a role that I had never expected. They are more than capable of not only speaking for us but defending us as well.” Tara was quiet after that and you couldn’t help but feel pride swell in your chest at her words. You had been so worried about how Michonne would see you after everything that had been going on with Negan, but she was still the woman you had met all those years.
“Thank you,” Lydia spoke up from her spot between Judith and Henry in the theater seats. “I'll do whatever I can to earn my keep and pay you back.” You sent her a wink and she gave you her signature closed-lip smile.
“If her mother retaliates, it's gonna be against Hilltop, not Alexandria. I have to do right by my people. I thought we were on the same page,” Tara said.
“We were,” you said.
“Look, when she came to my gates,” Michonne said, “I asked her to run away. And when she didn't, I was angry.”
“Then you know why I'm not okay with this,” Tara said.
“I do. I also know why Rick didn't trust me when I showed up at the gates of the prison. And how people didn't trust you after seeing you on the other side of the Governor's firing line,” Michonne said.
“Or how Daryl nearly took my head off when he met me,” you added and Daryl raised a brow at you, remembering the moment.
“I was gonna kill you on sight when you washed up on our shore,” Rachel added.
“Okay, okay,” Tara said. “That’s fair.”
“Lydia didn’t choose where she came from,” you said. “None of us did, but she deserves the chance to be apart of something. She deserves a family who will care about her.”
“Second chances don’t come around often,” Rachel added, supporting you. You thought that statement was ironic considering who was constantly living in your mind.
“I left some of my best fighters at Hilltop, but if Daryl's right about these skin job numbers, it's not enough people,” Tara said.
“We should take a group to Hilltop to protect ‘em just in case,” Daryl said.
“I’ll take some from Kingdom,” added Carol.
“Oceanside can spare some,” Rachel said.
“Alexandria, too,” finished Gabriel.
“Nobody is going to fight this war alone,” you said. “The only reason we won the last one is that we were together. If Alpha does come after us, we can’t afford to be on different sides anymore.”
“So, we head out in the morning?” asked Rachel.
“Nah, we go today,” Daryl said. “Best not to give them any more time.” Michonne then spoke up again.
“In order to face this threat, the four communities have to present a united front. Which is why I'm proposing a mutual protection pact. An attack against one community is an attack against all of us. Together, we can make these people think twice before moving against the Hilltop,” Michonne said and you and Gabriel nodded, backing her up.
“The leadership of the Kingdom is very amenable to this idea,” Ezekiel said after looking to his Queen.
“Oceanside is in,” Rachel agreed.
“So, how do we seal it?” Tara asked. “Cause I’m not doin’ a blood oath with (Y/N).” You just smiled sweetly at her.
“I have just the thing…” Ezekiel said as he got up and walked into the wings of the stage. From a crate, he pulled out an old theater poster frame, and from it, he pulled the community charter.
“You’ve had that thing this whole time?” you asked, impressed.
“I’m a man of many surprises,” he said and you raised your hands in surrender.
“Fair enough.”
Ezekiel lay the charter on the table and one by one, the leaders of the communities signed. Rachel signed for Oceanside, Tara for Hilltop, Ezekiel and Carol for The Kingdom, and Gabriel for Alexandria. You looked at all the people in that room as you stood next to Daryl and you felt as something big had just happened.
Everything was finally coming together and your family was finally whole again.
--------
You and Judith began walking laps around the fair.
The young girl picked at a candy apple that she held in her hands. “Can I ask you something?” Judith asked, peering up at you from under her hat.
“Go for it,” you said.
“Did you talk to him before you left?” she asked.
“Subtle,” you said, flicking her hat.
“I’m just making sure you’re okay,” Judith said. “I don’t like it when you two fight.”
“When did you become such a matchmaker?” you asked.
“I’m not!” she said. “I can just see that he likes you a lot...maybe more than a lot.” You paused in your tracks.
“What do you know?” you asked, your eyes narrowed.
“Nothin’,” Judith said, but you weren’t buying it.
“Remember Jude, I watched you grow up. I can see through you,” you said.
“Nope, I’m a wall!” she announced as she bit into her apple again.
“Right,” you snorted.
“But are you okay?” she asked, this time her voice was a bit more serious. Well, as serious as a ten or eleven-year-old could be.
“Yeah, kid, I’m okay. I actually think I figured it all out,” you said. Which was true, you had figured it out, but now you were just trying to get the courage to do something about it. All in all, no matter how angry you were with him or how upset, what you felt for Negan was bigger than all of it.
“Good,” she said with a smile. As the two of you walked, you began to feel a chill in the air. You noticed Lydia and Henry up ahead walking hand in hand and as your breath became visible before you, you shivered. “I think a storm is coming,” Judith said.
“Yeah?”
“I can feel it,” she said.
“Where’d you learn that trick?”
“From Mom who learned it from Uncle Daryl,” Judith said. You couldn’t help but smile at her then.
“Smart,” you said and she laughed before grabbing your hand and dragging you further into the fray, her candy apple swinging alongside her.
---------
Back in Alexandria, Negan lay on the floor of his cell as he tossed a ball in his hands.
When the door to the cell opened, he had no idea who it could be and because he knew it wasn’t you, he didn’t care. However, when he heard the person clear their throat, he did sit up.
“What do I owe this pleasure?” he asked. Laura stepped further into the light and in her hands was a new winter coat.
“there’s a storm on the way,” she said. “I was asked to give you this.” Negan stood as she passed it through the bars.
“Thanks, Laura,” he said and she nodded. Negan hadn’t spoken to his former lieutenant since the fall of the Sanctuary, at least no more than a few words here and there.
“I’m sorry,” Laura suddenly said. Negan was confused as he braced a hand on the bars.
“What are you apologizing for? Isn’t that my job?” he asked.
“I’m sorry that your life ended up like...this,” she said, but Negan was already shaking his head.
“Don’t apologize for the shit that I did,” he said. “You know better than anyone that what I was doin’ was eventually gonna get me dead or locked up. I guess I can just be glad that Rick didn’t cut any further than he did.” Laura nodded, hearing him.
“Still, you were always fair to me and kind. I also wanted to thank you. While being a Savior wasn’t the most moral of things, if you hadn’t found me all those years ago and brought me to the Sanctuary, I’d be dead.”
“Silver lining, then?” he offered.
“A small one,” Laura said. Negan smiled softly at that.
“I’m proud of you, Kid. You managed to make a new life, one that I should have tried to give you years ago. Don’t screw it up.”
“I won’t if you won’t,” she said and then offered her fist to him. He bumped it with his own.
“I’ll take that deal,” Negan said. Laura smiled and then went to leave, but right before she left, she turned one last time.
“Oh and if you hurt (Y/N), I’ll castrate you with a rusty spoon,” she said with a grin before leaving. Negan stared after her and he was suddenly very aware of everything on his body.
“Fucking hell.”
-------
Eventually, it was time to head to Hilltop.
When you told Aaron you were going to help, he wasn’t surprised. “I knew you couldn’t sit still for long,” he had said. “Just be careful.”
You promised that you would and headed to the main gate to prepare to leave. Daryl was getting his bike off the trailer when you found him. You were tightening your sword’s scabbard when he looked up.
“Ready to go?” you asked.
“Yeah,” he said. “Lydia is gonna stay here and then Aaron and Gabriel will bring her to Alexandria.”
“Sounds good,” you said.
“Mmhmm,” he said. “Are you in any rush to get back there?”
“You and Judith spend too much time together,” you said with a knowing look.
“So, you and Negan…”
“We really don’t need to talk about it, D,” you said.
“Are ya sure?”
“I’m so over talking about it,” you admitted. “I just gotta do something.”
“When ya do, I don’t need the details,” he snarked.
“Asshole,” you muttered and he just smirked. “Where ya gonna go after we get to Hilltop? I heard Ezekiel offering you to make Kingdom your home.”
“Not sure if this place is gonna last much longer,” he said with a sigh.
“You know that Alexandria is always going to be your home, right? No matter how long it’s been.”
“I know,” he said.
“We can’t keep running, Daryl. Come home,” you said. He was quiet for a moment before he dropped his head.
“Alright,” he agreed, “but after we handle Hilltop.”
“Okay.”
Soon everyone was saying goodbye and assuring that they would all be safe. Tara was sending her people out first before following after. Ezekiel was trying to get her to stay for the rest of the fair, but she said that she needed to get home. So, Dianne was going to lead her soldiers home.
As you were securing Daryl’s bow to his bike, you noticed him with Dog as he spoke to Connie. It was subtle, but there was something about his body language that told you a lot. Perhaps Connie was more than just a friend. You watched on as he awkwardly waved to her and when he turned back to you, his eyes narrowed.
“Shut up,” he said as he went up to you.
“I didn’t say anything,” you said.
“Nah, but you were thinking it. I can see it on your face,” he said.
“She’s pretty,” you said.
“And yer annoyin’,” he countered.
“Hey, who am I to judge?” you said with your hands raised.
“Yeah, exactly.” With a roll of your eyes, you climbed onto the back of Daryl’s bike as he took the spot in front. Michonne waved to Judith as you and the others pulled out of Kingdom. You hadn’t seen Lydia before you left, but Ezekiel said that he would keep an eye on her for you.
It was odd that you had essentially become her advocate with Daryl as her main protector. You never imagined you would essentially become a parent to a messed up teen, but here you were.
Yumiko and Magna rode behind you, their weapons at the ready and you kept your head on a swivel as you all move through the woods. Walkers were around, but only a few at a time and were easily taken out by the archers. Still, any time one would make itself known, you could feel Daryl tense in front of you. It was going to be a long night.
You were well into the ride when you came across three men who flagged you down.
Carol seemed to know them as she walked up to meet them. “What’s wrong, Ozzy?” she asked.
“Ya gotta see this, Boss,” the man, Ozzy, said. He seemed very concerned as he gestured you all forward. Daryl shouldered his bow as he followed and you and Michonne were right behind him, both of your hands on your swords.
The Highway Men, as Carol referred to them, had been acting as security and watchers for The Kingdom. They were good trackers, fighters, and were the newest addition to the community. What they had found on their patrol, worried you a lot.
It looked as if a pack of wild animals had attacked a caravan. “We were clearing the roads. Spotted tracks leading here,” Ozzy said.
“It's from Hilltop,” Yumiko said, holding up one of the wooden pendants that were crafted there. The same one that Lydia wore around her neck.
“Walkers didn’t do this,” you said with a glance to Daryl “This was people.”
“Skins?” Michonne asked and then looked to the Highway Men. “You know about them?”
“We got the download,” Ozzy confirmed. “We would have seen any people out here with my patrols, but not if they were covered in Skins.”
“Fantastic,” you said, your nerves growing.
“(Y/N),” Daryl called, “look at this.” You met him down by the broken carriage and realized what he was seeing.
“They fought back,” you said. “They were dragged away. That way,” you said with a point.
���Come on,” Daryl said.
“We can’t all go,” Dianne said. “If this was the Whisperers, then they would have followed this from Hilltop. We need to get back.”
“Michonne and I will go with (Y/N) and Daryl,” Carol said. “Rest of you ride for Hilltop.”
“We can continue our patrols around here,” Ozzy said and Carol nodded.
“Alright,” said Michonne. “We’ll see if we can find them and bring them home.” You nodded to Michonne and then everyone was shaking hands and promising to meet up later. Yumiko then joined you, offering her bow.
“Stay close and if you see Walkers, don’t hesitate. They could be Whisperers,” you said.
“And if they are,” Michonne said, “go for the kill.”
—————
“I really don’t like this,” you said as you walked next to Yumiko. Carol and Daryl were in the front while Michonne was at the back, her Katana in her hand.
“Neither do I,” Yumiko said as she gripped her bow tighter. “Do you people do this a lot?”
“Only when it’s necessary,” you said. “We try not to get involved, but we usually end up doing just that.”
“I don’t know how you do it,” she said.
“We do it because nobody else will.”
“And your families, are they okay with this?”
“My family is right in front of me,” you said. “We’ve been fighting since day one, I don’t think any of that is going to change.”
“Then I’m glad that I have you on my side,” Yumiko said and you gave her a half-smile.
“Me too.”
Daryl was tracking the Hilltop members that were attacked. You kept back, but mirrored his steps, just in case he missed anything. He never did, but it was a force of habit. All you could think about was Alpha’s face and every shadow in the woods was keeping you on edge.
“Don’t give her an inch…” Negan had said. He had wanted you to be strong and you weren’t going to let him down. Whatever happened when you saw him again, it didn’t matter. You just needed to see his face again. That was what kept you going.
You had to get home to Negan.
“Magna is worried about me,” Yumiko said, trying to change the mood. You nodded, grateful for the distraction.
“That’s actually a good thing. It means she cares about you,” you said.
“Do you have one? A Magna?” Yumiko asked.
“Sort of,” you said with a sigh. “It’s complicated.”
“Word of advice,” Yumiko said. “Uncomplicate it because if you are lucky to have them, you better keep them.”
“Thanks, Yumiko,” you said and she knocked your shoulder with her own.
As you walked, Michonne and you both took down Walkers with your blades, taking their heads off their shoulders. It took you a few to get the hang of the new weapon, but it was beginning to feel natural. You would definitely need to do some proper training with Michonne when you got home though.
It was after dusk when Daryl told everyone to halt. Then, from out of the trees came Walkers that you instantly recognized.
“They’re from Hilltop!” you said as you went for the first one. In a long arc, you swung your sword at the Dead man who came at you. His head was cut from his body and you pierced the brain as it rolled to your feet.
From there on, more and more Dead converged as the sun set and darkness wrapped around the five of you. “I can’t see,” Yumiko said.
“Stay together!” Daryl shouted, placing you at his back as you and Michonne leveled your blades. The archers, all three of them, let go of their bows and drew their knives. Daryl held two blades in each of his hands as he prepared to strike.
“Watch their hands!” Michonne yelled as the Walkers fell upon you. You could feel the blood from the other Dead splashing on the back of your neck as you fought your own Walkers.
Your arms stung from the exertion, but you couldn’t slow down. Fear settled into your bones as you fought, but Negan’s voice returned to you.
“You are stronger than them and the only way they win is if you let them,” he had said and with those words being screamed in your head, you swung again, feeling your adrenaline spike.
“Back to the road!” Daryl yelled and everyone began running. “This way,” he grunted reaching for you, but before you could find him in the dark, the sound of a gun cocking had everyone freezing in their steps.
“Drop them,” a horrific whisper said and if you hadn't already been scared, that sound chilled you to your soul. More and more whispers came from around you and your grip loosened on your sword. “I won’t ask twice.”
“Beta…” Daryl sneered and you felt your heart fall into your heart. Beta was alive and you could feel the anger that echoed around him. One by one you all dropped your weapons and the Skins picked them up. Seeing the dirty hands of a Whisperer touch Paul’s sword made you sick.
“You just had to give me the girl,” Beta whispered. “No one else had to die. Now that deal...is done.” His words washed over you and no matter how many times you tried to focus on Negan’s face or his voice, all you heard was Beta’s horrifying voice.
“You touch the girl and I’ll tear your throat out with my teeth,” you snarled. Beta walked up to you and grabbed you by the throat, angling your face to meet his. You stared back with unwavering disgust.
“You make veiled threats,” he said.
“Come a little closer and we’ll see how veiled they are,” you said, pushing in closer. Beta shoved you back and you stumbled into Carol who quickly righted you.
“Take them,” Beta ordered and his people moved in.
One by one, you were tied up. The Skins tied your hands behind your back and pressed blades to your backs, forcing you to walk ahead, leading you somewhere. Your heart was trying to leap from your chest, but you took deep breaths as you tried to keep a level head.
You could still smell the rot that revolved around Beta and it made your stomach churn. You were forced to walk behind Yumiko whose hands were moving. In the moonlight, you could make out some of the shapes and realized she was signing.
“Stay calm,” she was signing over and over again. You were very grateful then that you knew ASL well enough to understand her.
You walked for a bit longer before you reached a clearing and suddenly, you were seven years younger. You half expected for headlights to light up the surrounding area. Daryl and Michonne must have felt it too as they were tense as well.
However, this time, Negan would not be there to just kill two of you. Beta could slaughter all of you for no reason and then turn his sights on Kingdom, Alexandria, and then Hilltop and Oceanside. This was it, you thought, you were going to die.
The Whisperers pushed you into a semicircle, making sure your hands were still secured. You were between Daryl and Michonne and tried to focus on their breathing, but it was difficult. Even if they were thinking of an escape plan, nobody could voice it and nobody was coming to save you.
From the darkness, Alpha finally made herself known. She crept through the night like a predator stalking her prey. Expect, Alpha didn’t kill for food, she killed for sport.
“You ain’t getting her back,” Daryl said, facing down the Matron of the pack.
“You think this is about my daughter?” Alpha asked, tilting her head. “I ran into some trouble on the road,” she said, wiping blood from the knife in her hands on her pants. You struggled against your bonds, wanting to rip her eyes out with your nails. “It was unavoidable.”
“Bullshit,” you shot, but Alpha ignored you.
“Do you like my new camp?” she asked. “My people like to keep moving, keep roaming.”
“We’ve granted Lydia asylum,” you said. “You try to take her and we will fight back.”
“What is your name?” Alpha asked, stopping in front of you.
“...(Y/N),” you said.
“Do they speak for you?” Alpha asked the others.
“We speak for each other,” Daryl countered. Alpha sniffed, unaffected by Daryl’s attempt at camaraderie. Instead, she continued to pace in front of the five of you.
“My daughter isn’t a concern anymore. She was weak, she never lived up to expectations.”
“Was?” you asked as the worst-case scenario entered your mind. “What did you do to her!” Still, Alpha ignored you.
“To be clear,” she said, “your group is in no position to threaten me. That is a habit that needs to be broken.”
“Oh, I’ll break something,” you threatened and Alpha merely smiled at you as if you were some child she was humoring. Turning her attention back to Daryl she pointed at him.
“Come with me,” Alpha said. “Just you.” Beta cut Daryl’s bonds and then pushed him forward. You struggled to go after him, but you couldn’t move.
Daryl glanced back at you once more before following Alpha into the darkness of the trees.
-------
Daryl was gone for a while, and with every minute that ticked by, you grew more fearful that his body was somewhere being torn apart by the Dead.
You, Michonne, Carol, and Yumiko were sitting together by a fallen tree as you waited to be released. Beta was across from the four of you, watching the woods, waiting for his orders.
You began to think about Rick. What would he do right now? What would he say? You also began to think about the conversation you had once had with Negan about evil and humanity.
Alpha and Beta were evil and there was no doubt about it. Evil was around you and you could not find a shred of light to hold onto. Rick had wanted to build a new world, but if this is what it was going to look like, you didn’t want it.
“This is not how I’m dying,” you whispered.
“Nobody is going to die,” Michonne said. “I don’t think Alpha wants to kill us.”
“She said ‘no one else had to die’, meaning she already killed those Hilltop people and now she’s going to keep going. With us.”
“Just try to stay calm.”
“This is me calm. I’m calm and I’m pissed.”
“We’re going to get out of this,” Carol said who hadn’t taken her eyes off of Beta since she sat down.
“I left too much shit unfinished,” you admitted, unable to stop yourself.
“I know,” Michonne said and there was a bit of pity in the tone of her voice. “You know, I actually wish for his psycho ass right about now,” Michonne said and you couldn’t argue with that.
“Don’t we all,” you agreed.
“Who?” Carol asked and Michonne hesitated, but you just shrugged.
“Negan,” Michonne said.
“Who’s that?” Yumiko asked.
“Asshole who we have locked up back home,” said Michonne.
“You think he could take on Beta?” Carol asked, but you shook your head.
“I don’t think a bulldozer could take on Beta,” you said with a glare in the man’s direction.
“Negan would be a good distraction,” Michonne figured and then stopped speaking as she saw the look in your eyes. “Or not.” Carol looked at you in confusion.
You couldn’t imagine Negan going up against someone like Beta. Everyone you had seen him fight, he had been the bigger one. He had been the one in charge and the one with the edge. Negan fighting Beta would have been like a Mustang charging a Semi Truck. That was not something you wanted to see.
“Am I missing something?” Carol asked.
“No,” you and Michonne said at the same time. Carol narrowed her eyes but didn’t push it any further. Instead, you all sat there in silence as you waited for the fate you were sure you were about to meet.
You didn’t know how much time had passed when the sun began to rise again. Nobody spoke and nobody moved as the Whisperers began to disperse. Beta then gestured to you and your companions.
Slowly, his people approached and cut your bonds. Nobody dared to move as Beta watched over you. He then ordered his people to hand back your weapons.
“Go West,” he sneered. “You’ll find your man.”
“Come on,” Michonne said, moving Carol in front of her as Yumiko followed. You hesitated, glaring at Beta who leveled his knife at you in something that felt like a promise. Almost as if he was saying that the next time he saw you, he was going to kill you. In your mind, you made the same promise.
The sun rose quickly as you hiked through the woods, following Beta’s orders. “Something feels wrong,” you said as you fastened your sword to your side. Carol was holding Daryl’s bow and blades as you walked.
“We got out, that’s all that matters,” Michonne said, but you had a feeling something was very wrong.
It didn’t take long for you to find Daryl.
He seemed unharmed, but you could tell he was angry. Carol reached him first, handing him his bow and kissing him on the cheek. Michonne hugged him too and Yumiko clapped him on the shoulder. When he reached you, you hugged him tightly.
“I thought she was going to kill you,” you said.
“Nah, not yet,” he said and then nodded his head in another direction. “This way.”
You all followed Daryl who seemed to be on a mission. Whatever Alpha had told him had him set on a path and you were willing to go with him no matter what.
You walked until the sun was finally above you and then, Daryl picked up his speed. “Daryl?” you called, but he just kept running. Eventually, you saw what he was running towards. “Oh my god.”
“Siddiq!” Michonne yelled as she ran up the hill towards the Doctor who was leaning against a dead tree and behind him, was another.
“Enid!” you yelled as you saw her struggling as well. You slid to her side, using one of Daryl’s knife that he tossed to you to cut her bonds. As soon as she was free, she nearly crawled to you, gripping you tight. Enid was shaking and so was Siddiq who held onto Michonne. “Shh, it’s okay,” you assured her.
“What happened?” Michonne asked, but both of them could barely speak.
“I… I…,” Siddiq stuttered out as Enid pointed up the hill with tears in her eyes. Slowly, you pulled Enid into you and began the trek up the hill.
“No…” you whispered in horror as you saw what was ahead. It was too far to make out details, but the smell of fresh and Dead blood wafted towards you. Enid was trembling in your arms as tears fell down her face.
Nobody spoke as you crested the hill, but nobody needed to as you got closer. As soon as it became apparent what was before you, Yumiko fell to her knees and Michonne gasped in pain.
At the top of the hill were nine pikes and on each one, was the head of someone you knew.
You started at the beginning, your bones as cold as ice as milky white eyes stared at you. They hadn’t killed the brain and as you looked at the first pike, Ozzy, the Highway Man, was staring at you with vacant eyes and a gaping mouth. Next to him was Alek, and then, DJ.
Your heart sank as you saw who was next. Frankie, one of Negan’s former wives and a spitfire of a woman. Her red hair blew in the wind as blood and gore dripped from the flesh at the base of her severed neck.
Tammy was next and Enid cried harder as she saw the older woman. A woman you knew who had taken care of Enid at Hilltop. You struggled to keep the young woman upright, but it was difficult as you nearly collapsed when you saw the next two.
Rodney and Addy.
The teens that you knew from Hilltop were gasping with their breathless mouths as their gray skin dulled in the sunlight, but who was next made you crash to the ground.
“No!” you screamed as you saw Tara’s dark hair blowing in the wind.
Enid fell next to you as the woman who she saw as a sister stared at her with empty eyes. Sobs echoed out of you as you stared at her, but that wasn’t compared to Daryl who immediately began yelling.
“No, No!” he yelled as he ran for Carol “Just look at me, just look at me,” he said as he held onto his best friend. That’s when you finally looked at the final pike and everything around you broke.
It was Henry.
Enid was leaning all of her weight onto you just as Siddiq was doing to Michonne. Carol had fallen into Daryl and Yumiko was crying as she beheld the horror.
Alpha had done this. She had taken these people from you, but left two alive as witnesses. She had killed children, friends, leaders, and left you feeling empty.
You had been through so much, lost so much, and, yet this felt as if someone had torn your soul from your body. As the wind continued to blow, all you could hear were Enid’s screams and Carol’s sobs as yet another child was stolen from her.
---------
“We were there,” Siddiq began as he stood on the stage in The Kingdom.
You stood next to Daryl and Lydia was in front of you both as you listened. Enid was across from you in the protective arms of Alden who hadn’t let her go since you returned.
“Enid and I were taken with the others. And I saw... We were supposed to die with them and I was ready to.” Siddiq went on, speaking for both him and Enid considering she could barely say a word. Aaron was sure she was in shock.
Siddiq went on, “Then, Alpha whispered in our faces as she knelt before us, ‘Tell them’, she said… she then said that two sets of eyes were better than one. Then, something hit me, and everything went black.”
Lydia leaned back into you and you gripped her tight. You noticed that Daryl was holding onto the other side of her. You knew that you needed to protect her now more than ever.
“And when I woke up, it was just the two of us,” Siddiq said with a look to Enid who stared back with red-rimmed eyes. “What happened was evil. It was evil. And I think she left us alive to tell you that story. To scare you and to drive us all apart again. But I want to tell you a different story.” Siddiq then looked at you and you could see that he was struggling. You gave him a nod of encouragement.
“See,” he went on, “before the end... Ozzy, Alek, and DJ found us and they gave us an opening. And everyone fought back. They fought like hell. And what they did was more than brave. 'Cause they defended each other. And they sacrificed for each other... And some of them... they didn't even know each other, but they still fought like they did. Like they were family. 'Till the very end.”
Tears were flowing from his eyes and your own, but you tried to put on a brave face for him, for Enid.
“And in the end, they... Their time was cut short, but ours keeps going. So we have to keep going. For them and for all of us. We need to honor them. We need to honor them, and we need to remember these friends, our family, died as heroes. That's the story that I want to tell you. That's the story that I want us all to remember.”
In the quiet of the fair as Ezekiel and Carol cried in silence, you swore that you would remember and when it came down to it, you would avenge them.
—————
Once the pikes were taken care of and the tears stopped, for the time being, people began to move out.
However, as winter moved in, The Kingdom was no longer capable to house the members of the community. They would need to move and Michonne was going to stay to help them do that.
While you wanted nothing more to help, you needed to be somewhere else, with someone else. As you stood by the main building of The Kingdom’s square, Michonne approached you.
“There’s a storm coming,” she said quietly, her voice a bit hoarse from crying. You were sure that yours sounded the same.
“I know.”
“We need to move these people to Hilltop and Alexandria,” she said and you nodded in agreement. “(Y/N),” she said, “can you get her home, please?”
Turning to look at her, you were surprised to hear the desperation in her tone. “Michonne?” you asked.
“Please, get Judith home and protect her. Protect my daughter,” she said, once again on the verge of tears. You pulled her into your arms and clutched at your friend. You hadn’t been the closest with Michonne since she arrived at the gates of the prison, but you had a feeling that was about to change.
When you pulled back, you held her by the shoulders and looked her in the eyes. “I will,” you said. “I will protect her with my life.”
“They were brave,” Michonne whispered and you knew who she meant.
“Yes, they were,” you agreed. “And we will not let their deaths be in vain.” Michonne nodded, gripping your arms.
“Go to him,” she said.
“Michonne…”
“No, you listen to me,” she said as it was her turn to be serious. “I do not care what people think about him. Don’t worry about that. He could have lost you and as much as I have my demons when it comes to Negan, you have to go. Trust me when I say that Death does not discriminate when it comes to the man someone loves. Even if that man is...unconventional.”
“But…”
“No,” she cut you off. “Take Judith and go home. Stop overthinking it, (Y/N). You said you had left things unfinished, right?”
“Right.”
“Then, finish them.”
—————-
The ride to Alexandria was very different than the departure.
You rode on a horse alongside the carriage that held Gabriel, Aaron, Gracie, Judith, Eugene, and others. Nobody spoke and nobody relaxed until the comforting gates of Alexandria were in view.
For the kids’ sake you put on a brave face, but as soon as your horse came to a stop and the gates slid closed, you could barely keep it together. “Scott!” you called as you dismounted. He ran up to you as you helped Judith down from the makeshift carriage. “Take her,” you begged the man. He nodded as he gathered his bag. You then turned to Judith. “You need to go to your brother,” you said.
“What?” she asked.
“Go find RJ and give him the biggest hug he can handle, okay?” Judith nodded at your words.
“Are you going to be okay?”
“Not for a while,” you admitted, and then she was wrapping her small arms around you and you let a tear slide down your cheek. “I’m going to come over later and we’ll have dinner, okay?”
“Okay,” she whispered and with a final squeeze, you let her go as she ran after Scott who was waiting for her. Ignoring Aaron, Eugene, and the others, you turned your back on the stables and began to run.
You didn’t slow as you ran towards the main street. Your boots slid on the slick spots of ice that littered the ground, but you kept going. Stopping before the Grimes house, you searched your pockets for your key ring.
You couldn’t get your hands to stop shaking as you found the right one and jogged down the steps towards the jail. Slipping the key in the lock, you shoved the door open.
The loud noise alerted Negan to your presence. He was laying on his cot, but when he saw the tears that flowed down your cheeks and coated your collar, he launched to his feet.
“(Y/N)?” he asked, staring at you in shock. You kept moving, switching the key on the ring and inserting it into the lock of the cell itself. You wrenched it open and faced him, taking him all in. “What happened?” he asked, staring at you with concern.
You didn’t answer him right away. Instead, you took your time to memorize his face, the set of his jaw, how his shoulders were settled on his torso, and especially that wonderful light that was in his eyes. You choked back another sob as you moved into his space.
“(Y/N)?” Negan asked you again. Reaching up, you placed your hands on his face, feeling the warmth of life beneath his skin. With a deep breath, you got your voice back.
“Don’t make me lose you, too,” you whispered and then, you gripped him by the back of his neck and pulled his lips to yours.
Negan immediately wrapped his arms around you, holding you closer to him as he kissed you back without hesitation. It was as if a dam broke inside you as light burst behind your eyes. Negan kissed you tenderly, but it was full of urgency as well.
Pulling yourself tighter against him, you were worried that he would be pulled away at any moment. He didn’t seem to be ready to let go either as he lifted you up, tilting his head back to get a better angle.
Your tears dripped down onto his face, wetting the stubble on his jaw, but he didn’t care. Negan didn’t care about anything else at that moment. All he cared about was you in his arms as he finally got to show much you meant to him.
When you pulled back to get some air, he set you down. Negan looked at you in awe and while you knew you had to explain what had happened, there was something you had to say first. Something that you had felt for a long time.
“I love you, Negan,” you said, your voice soft as it mingled with his own breath. He looked in your eyes and you watched as the words resonated with him. His eyes grew softer and all the tension in his body dissolved. Negan reached up and placed his hand against your face.
“I love you, too,” he said and then pulled your lips back to his.
You clutched at the man in your arms, your new reason for living. You knew that war was finally coming and that Death was not done with any of you yet, but in that small cell, in the arms of the man you loved, you let it all become whispers on the wind as the first snowflakes began to fall.
TAGS:
@lucillethings @stark-dreams @amaroho @thanossexual
@yes-sir-hotchner @boom-bunny @delusionalteenagewhispers
@scootankle @ritajammer21 @writteriguess @tea-atfive @jennydehavilland @waspyyy @yespleasejayhalstead @fmunegan @hoemadegrace @writingdeadangel
@pulplorrd
#the walking dead#walkerwords#the savior sessions#twd imagines#negan imagines#negan imagine#negan x gn reader#negan x reader#angst#the walking dead fanfics#whisperers#canon divergence#twd#twd fanfiction#negan x you#negan x y/n
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WHAT I CURRENTLY WRITE AND DON’T WRITE
PAYMENT - COMMENTS EQUALS NEW CONTENT (PLEASE READ)
(Characters and fandoms for which requests are open are below the cut so if you don’t want to read the guidelines, you can just scroll down there. However, I do recommend you to at least skim through the “I don’t write”-section to make it easier for both of us!)
(IF YOU WANT TO REQUEST ME TO GIVE YOU A SHIP, SEE THIS SEPARATE POST)
MY ONLY RULE:
If you make a request, anonymous or not, you have to leave a comment on your fic. (Read more about why here.) Even better would be if you reblogged it to help get my work out to more readers!, but I will settle with a comment if you, for some reason, don’t want to reblog.
This means there should always be a minimum of one comment under every requested fic I post - if I see that this isn’t being followed, I’m going to stop writing requests. Simple as that.
With that said, don’t bother requesting if you’re not ready to make this exchange because that’s just unpaid work.
I DON’T WRITE:
Smut.
Songfics.
Headcanons.
Specified and inappropriate/illegal age gaps. Example, an underage student and an adult teacher.
Specified body types.
Body image issues & ED’s.
Male reader.
POC reader.
Specified physical features. (Hair colors, eye colors, etc.)
I try to stay as neutral to physical appearance as I possibly can so that everyone gets an equal chance at emerging themselves into the role, no matter the reader’s ethnicity, height, build, and so on.
Writing plus size!reader and writing about eating disorders and body immage issues is too triggering for me as I, myself, struggle with body dysmorphia on a daily basis.
TO THINK ABOUT WHEN REQUESTING:
Don’t be too vague with your request. For example, a request asking for a fic where “the reader is a character x’s sister”, or "the reader is shy” or”sassy”, is not enough for me to go on. I need a scenario, a plot, an action, an endgame, or a dialogue prompt.
Contrary to the previous point; don’t make requests with too much detail or too long of a timeline, either. I don’t have the energy nor time to write requests that are spread out over eternity and that would end up being as long as a novel.
When requesting prompts from my prompt-lists, ALWAYS include the number and name of the list, not just the quote. The lists you can request for are the following:
Fluff Angst Smut Kiss Hug Common tropes
Don’t get pissy if you request something and I kindly tell you that I don’t write that kind of thing, whatever it may be. I’ve had to deal with this a lot lately and it’s really annoying. All writers have their own, individual preferences, and that’s their right.
Keep in mind all that is written above, and feel free to send several requests if you want to guarantee that you get at least one of them done - some things are easier to write than others and I always appreciate having requests to pick from depending on my mood and current motivation.
Requests are currently open for the following fandoms and characters. Please send in requests!
CRIMINAL MINDS
Spencer Reid
Aaron Hotchner
Derek Morgan
Luke Alvez
Emily Prentiss
Penelope Garcia
Matt Simmons
Will LaMontagne
Clyde Easter
MARVEL
Tony Stark
Steve Rogers
Peter Parker (Tom Holland & Andrew Garfield)
Loki Laufeyson
Scott Lang
Bucky Barnes
Stephen Strange
Jack Thompson
Bruce Banner
Eddie Brock
Helmut Zemo
Darcy Lewis
Daniel Sousa
Logan Howlett
Natasha Romanoff
Sam Wilson
Nathan Summers
Pietro Maximoff (Aaron Taylor-Johnson)
TWILIGHT
Paul Lahote
Leah Clearwater
Edward Cullen
Charlie Swan
Mike Newton
TEEN WOLF
Derek Hale
Jordan Parrish
Peter Hale
STAR WARS
Obi-Wan Kenobi
Kylo Ren
Ben Solo
Armitage Hux
Anakin Skywalker
Poe Dameron
Padmé Amidala
Young Han Solo
STRANGER THINGS
Steve Harrington
Billy Hargrove
Jim Hopper
REIGN
Sebastian “Bash” de Poitiers
Leith Bayard
Louis Condé
James Stewart
Darnley
Prince Henri
Claude
Mary Stuart
THE WITCHER
Geralt of Rivia
Jaskier
PRISON BREAK
Lincoln Burrows
Alexander Mahone
KONG: SKULL ISLAND
James Conrad
Reg Slivko
Earl Cole
TRANSFORMERS
William Lennox
Sam Witwicky
Robert Epps
DIVERGENT
Eric Coulter
Peter Hayes
Tobias Eaton
HARRY POTTER
Fred Weasley
Draco Malfoy
George Weasley
Cedric Diggory
Remus Lupin (young & adult)
Hermione Granger
Bill Weasley
Ron Weasley
Neville Longbottom
Severus Snape
GAME OF THRONES
Sandor Clegane
Jorah Mormont
Edd Tollett
Jon Snow
Gendry Baratheon
Jaime Lannister
Sansa Stark
TRIPLE FRONTIER
Ben Miller
William “Ironhead” Miller
Francisco “Catfish” Morales
Santiago “Pope” Garcia
Tom “Redfly” Davis
PEAKY BLINDERS
Tommy Shelby
Arthur Shelby
John Shelby
Finn Shelby
Alfie Solomons
Ada Shelby
PIRATES OF THE CARIBBEAN
James Norrington
Will Turner
Jack Sparrow
THE HAUNTING OF HILL HOUSE
Luke Crain
Steve Crain
Theo Crain
MISCELLANEOUS
Dan Torrence (Doctor Sleep)
Detective David Loki (Prisoners)
Floyd Lawton (Arrow)
Smitty Ryker (Hacksaw Ridge)
Captain James Nicholls (War Horse)
Sam Drake (Uncharted)
Daryl Dixon (The Walking Dead)
Rick Flag (Suicide Squad)
Nathan Prescott (Life Is Strange)
Sweet Pea (Riverdale - first season only)
Jace Wayland (The Mortal Instruments, 2013)
Murtagh Morzansson (Eragon)
Jason Lee Scott (Power Rangers, 2017)
Jesse Zeklos (Vampire Academy)
Matt Campbell (The Haunting in Connecticut)
Nick Jones (House of Wax)
Ludovica Storti (Baby)
Reid Garwin (The Covenant)
Tyler Simms (The Covenant)
Fezco (Euphoria)
Feel free to reblog this to spread the word!
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How'd you like the new Death Metal special (and, more broadly, this week's comics)?
pretenderoftheeast said: Comics this week (12/9/2020)?
Batman: Black and White #1: The first of a platter of anthologies today:
* The Tynion/Moore story is predictably fire.
* JHIII is JHIII. Also he does a really nice surprising story about how Batman’s relating to this moment of the time, but let’s be real, you’re here because JHIII, and be assured he is JHIII as helllll here and it’s great.
* Dini/Kubert plays as the former building a story around accommodating requests by the latter, but that’s not a bad thing, and glad to see Kubert’s kept up the pace since his DK3/Up In The Sky creative rejuvenation.
* Ok I’m a philistine who has no idea what that Emma Rios thing was about but it was certainly pretty.
* Wilson doing Batman is surprisingly disappointing, but Smallwood doing Batman definitely isn’t.
DC’s Very Merry Multiverse: Not a very merry time! I hate to say it given this should be so geared to my interests, but this is the weakest overall effort we’ve gotten from one of DC’s quarterly anthologies in a good long while, at least among those I’ve picked up. Not to say it’s a dud, there are several nifty little stories in here including the much-hyped first appearance of Kid Quick (destined to become the Flash of Future State) and really almost everything here reaches ‘pretty okay’. But for $10, and a creative space that should reach so much more than ‘pretty okay’, I don’t know that this is a justifiable recommendation unless you’re understandably desperate for all the President Superman content you can get your hands on.
Tales of the Dark Multiverse: Flashpoint: I’m surprised I got it too, but the preview grabbed me and in practice it was a fun, mean little high-concept adventure of Reverse Flash being a total cock.
Wonder Woman #768: Credit where it is due, this has been getting a bit better in its closing stretch.
Dark Nights: Death Metal: The Last Stories of the DC Universe: This ruled. Obviously there was the one story folks are most interested in, but almost all of the tales in here lived up to being a ‘final’ story of sorts for their leads.
* The Titans bookenders were pretty nice even if it’s hilarious that their big rallying cry basically amounts to “by god, our book may be shit, but we’re valuable IP so we’ll never be cancelled!”
* Green Lantern is basically an epilogue to Johns’ run sans the baggage of bringing back Johns (that we get in two weeks with Secret Origin and god forgive me I’m so looking forward to that), and definitely one of my favorite efforts from Lemire.
* Wonder Woman’s the stinker in what’s nominally her own event. I can parse the roots of most bad Superman stories one way or another, but I just can’t understand what’s behind most bad Wonder Woman stories beyond that the people handling it simply don’t give a shit.
* Astonishingly, the Green Arrow and Black Canary chapter in here might be my favorite of the bunch? Simone at her best, a really sweet slice of playful, sincere romance about two characters I’m not by default invested in but ended up quite caring for here.
* This Aquaman story is everything I generally hate in Aquaman stuff, a big long maudlin speech about the weight of the world as he swims through a black featureless ocean, except here between the real heart Sebela brings to the script and the mood artist Christopher Mooneyham manages to evoke, it all clicks together.
* The Batman Family story feels like it can’t quite make its pacing work, but it’s still a heartfelt little ode to the theoretical power of the concept.
* Hey, that Mark Waid guy? Turns out he can write him some Superman. It’s not perhaps the total barnburner you might have expected - I imagine he’s saving his biggest hits for later - but it’s a very solid execution of a gangbusters concept, and Manapul steals the show with absolutely sensational, gorgeous scenic Superman imagery. I’mma say 60/40 in favor of them doing a Superman project together on either a main book or Black Label (I know Manapul was supposed to be locked into a creator-owned thing with Scott Snyder but that was ages ago), because this is a paring that’s yielded some immediate results and I imagine everyone knows it. And given my upbringing, nice to see a big, iconic, beautiful Superman story with him rocking the mullet.
Anonymous said: Haha holy shit Crossover is literally Cates taking that page where Spawn meets all the corporate heroes locked up and spinning it out into a series
Anonymous said: Does Crossover #2 hold the crown for the funniest, dumbest, most baffling opening page ever?
Crossover #2: Readers I’m not too big to admit I laughed my ass off at the first page, and at least a little bit for the actual reasons intended. The sense of homaging that Spawn scene in the context of a book about “Gosh, isn’t IP the best folks?”, or Cates’ dialogue...(shall we say) proving why he likes the concept of ellipses enough to name a character after them aside though? That it’s already crossed the line with its central metaphor from “indefensibly insensitive in its ridiculous self-centeredness” to “out-and-out cartoonishly offensive” somehow actually makes it more rather than less palatable; there’s no longer the secondhand embarrassment of waiting to see how bad Cates is going to handle this, it simply is the worst it could possibly be and readers have to accept and perhaps revel in the sight of him stepping on rake after rake. I cannot wait for him to finally give an interview on this book where he explains what the hell he thinks this looks like, and I hope my dad keeps somehow enjoying it forever because I totally wanna see what pit this descends to next.
Penultiman #3: This is absolutely agonizing and probably the most relatable take on a ‘superman’ ever.
Home Sick Pilots #1: A new creator-owned book from Dan Watters (whose big two credits include the stupendous “Afraid of America” with John Paul Leon in the last Batman Secret Files, and the upcoming Future State: Superman/Wonder Woman) and Peter Cannon’s Caspar Wijngaard, this new book set against the backdrop of a Californian high school’s punk scene in 1994 describes itself as “Power Rangers meets The Shining (yes, really)”. The former influence isn’t much in play yet, but thus far this is a book that merges building tension and freewheeling dopey teen bullshit to an extent that’s subtly impressive as hell, and seems likely to proudly take a place among the current horror comic renaissance.
Warhammer 40,000: Marneus Calgar #3: Ok again I don’t have any experience with this franchise but you’d better believe that cultural osmosis was enough that I popped for BLOOD FOR THE BLOOD GOD! SKULLS FOR THE SKULL THRONE!
King in Black: Namor #1: Kurt Busiek’s return to Marvel...sucks? Such is the power of Knull I guess even if he doesn’t manifest within the actual story here, this is a complete nothing of a comic and I’m not tuning in for issue #2.
Avengers #39: Eh, I’m not liking Aaron Avengers when it gets remotely serious nearly as much as when he’s doing stuff like having them finally help Blade with all those vampires or Captain America assisting with the delivery of an exploding space-baby in the back of a muscle car.
Anonymous said: That new Guardians of the Galaxy was something else. What do you think the odds are that Comic Books, with a decade or two of hindsight, recognizes Ewing as one of the best to ever do it?
Guardians of the Galaxy #9: I lack much context here beyond recalling from an interview that this is Ewing’s way of grappling with the ideas from Steve Englehart’s original unrealized vision of Star-Lord’s character arc, but wherever it stems from this is a hell of a comic.
S.W.O.R.D. #1: This is everything I’ve wanted from the non-Hickman X-books since the moment HoXPoX ended, and so much more, and also it is basically hilarious that Ewing is all but explicitly using his clout to force Marvel to let him to Ultimates3 under a currently cancellation-proof banner. Most importantly of all, Ewing has already mastered the subtle art of writing not merely Magneto, but the infinitely superior Jonathan Hickman Magneto. And good lord Schiti and Gracia, I already knew they were top-tier but these pages’d make a grown man cry.
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For the week of 17 September 2018
Quick Bits:
Amazing Spider-Man Annual #1 gives us an “untold tale” of Spider-Man shortly after Secret Wars while he still had the black costume from Saladin Ahmed, Gerry Brown, Lee Loughridge, and Joe Caramagna. It’s a nice bit of embellishment, giving us a look more at the reactions from the people around Peter and what the Venom symbiote was doing while he slept. The dark, moody art from Brown and Loughridge is perfect for this.
| Published by Marvel
Avengers #8 is a bit of a housekeeping issue from Jason Aaron, taking stock of what’s changed for this new incarnation of the team, putting together the status of the various members, and setting up the new status quo. It’s nice to see David Marquez and Justin Ponsor aboard for this arc, continuing the very high bar this volume is setting for art.
| Published by Marvel
Black Hammer: Age of Doom #5 answers all of the questions, with Jeff Lemire and Dean Ormston filling in all of the details in Lucy’s quest to find the missing heroes. It’s an interesting, and satisfying, revelation that sets up an even bigger picture and possible looming threat.
| Published by Dark Horse
Bloodborne #5 begins a new arc, returning to the city, and focusing on a scientific and religious inquiry into the nature of the affliction besetting the world. Wonderful art from Piotr Kowalski and Brad Simpson.
| Published by Titan
Burnouts #1 isn’t a bad start from Dennis Culver, Geoffo, Dave Dwonch, and Lauren Perry, riffing on the teen alien invasion vibe of things like The Faculty. The premise of needing to be high or otherwise intoxicated to see the true threat is an interesting one, leaving an obvious out as to whether or not it’s real, but this issue largely takes it at face value.
| Published by Image
Captain America Annual #1 is very well done. Tini Howard, Chris Sprouse, Ron Lim, Karl Story, Walden Wong, Scott Hanna, Jesus Aburtov, Erick Arciniega, Israel Silva, and Joe Caramagna give us a story set deep into World War 2 of Cap and Bucky behind German lines, helping a group of civilians who escaped from Stutthof.
| Published by Marvel
Death or Glory #5 sets fire to Glory’s life quite literally. This entire series so far has been damned good, moving at a breakneck pace pushing the characters harder and further with each subsequent issue. Rick Remender, Bengal, and Rus Wooton continue to deliver.
| Published by Image / Giant Generator
Dick Tracy: Dead or Alive #1 is a curious thing, embracing the odd stylistic choices of Chester Gould’s characters with Rich Tommaso and Mike Allred’s art, and the kind of throwback tone of Lee & Mike Allred’s script, but through the use of a cellphone it doesn’t seem to be a period piece. Still, it’s an entertaining beginning to this mini.
| Published by IDW
Ether: The Copper Golems #5 is the bittersweet end to this mini, setting up a new problem for Boone and co. to face in the third series, but in doing so putting him in an even more tragic situation, both in the present and in the flashback back-up. Matt Kindt & David Rubín have bottled magic with this series and I can’t recommend it highly enough.
| Published by Dark Horse
GI Joe: A Real American Hero - Silent Option #1 begins a new limited series following Bombstrike and her team’s investigation of the missing Helix. It’s a bit bloodier and more brutal than the mothership series, but given the subject of human trafficking, it’s kind of understandable. Larry Hama, Netho Diaz, Alisson Rodrigues, Jagdish Kumar, Vinicius Townsend, and Neil Uyetake put together a decent start here. There’s also a great back-up filling us in on Helix’s past from Ryan Ferrier & Kenneth Loh.
| Published by IDW
Hack/Slash: Resurrection #11 is the conclusion to the “Return to Haverhill” arc and it continues with the usual offbeat humour that Tini Howard has brought to the title. Mixing the horror with wacky hijinks.
| Published by Image
Ice Cream Man #7 might be one of the more horrifying issues of the series, telling the tale of a young girl coming to terms with the death of her best friend. That story alone is enough to pick up the issue, but it also brings back more of the ongoing story of the Ice Cream Man’s trials as well, giving us a bit more interconnectivity of what are otherwise mostly standalone tales.
| Published by Image
Immortal Hulk #6 sees Al Ewing working to put the disparate pieces of the run so far together, along with revealing at least one group of antagonists dogging Banner’s heels, and working Hulk back into the broader world of the Marvel Universe to deal with the ramifications that have been hovering since Civil War 2. Surprisingly, none of it is particularly confusing, which is a testament to how Ewing is laying this out. Also, really nice guest art from Lee Garbett (with colours from Paul Mounts).
| Published by Marvel
Impossible Incorporated #1 is a new all ages mini from JM DeMatteis and Mike Cavallaro. I have fond memories of their previous collaboration The Life & Times of Savior 28, so came into this with some fairly high expectations. They were exceeded. The premise for this series taps into the same family of adventurers dynamic of the Fantastic Four and Challengers of the Unknown, and it yields some interesting characters, weird landscapes, and phenomenal art.
| Published by IDW
Infinity Wars: Soldier Supreme #1 is the first of these Infinity Warps tie-in minis to the overarching Infinity Wars saga, blending together two of Marvel’s heroes in this new reality. In this case, Captain America and Doctor Strange. I’m not sure how much impact these will ultimately have on the event, but it’s a fun diversion. Gerry Duggan, Adam Kubert, Matthew Wilson, and Clayton Cowles deliver an entertaining beginning to this story, laying out Stephen Rogers’ origin and showcasing a number of other amalgamated heroes and a rather interesting villain. Kubert and Wilson’s art is definitely more than worth the price of admission.
| Published by Marvel
The Life of Captain Marvel #3 delivers more heartfelt and strange complications for Carol Danvers. I’m really enjoying the drama that Margaret Stohl is creating in this series, it’s really been injecting a real element of humanity in Carol that’s been missing for years.
| Published by Marvel
Mr. & Mrs. X #3 gives us an explanation for the egg that everybody and their bird-brained aunt are fighting over. This development is definitely very interesting for the cosmic side of things.
| Published by Marvel
Olivia Twist #1 is an updating of Charles Dickens’ Oliver Twist, gender-bent and worked into the future, by Darin Strauss, Adam Dalva, Emma Vieceli, Lee Loughridge, and Sal Cipriano. The premise works quite well adapted to a dystopian future, with the protections of society broken down and oppression at an all time high. Although this is set in a future Britain, it’s easy to see similar conditions in America today. What really brings the book together is the artwork from Vieceli and Loughridge.
| Published by Dark Horse / Berger Books
Patience! Conviction! Revenge! #1 is the beginning to what looks to be another beautiful sci-fi epic, starting out with a bit of a western feel, before moving on to the city. I quite like the voice that Patrick Kindlon gives to the protagonist, Renny, as he doesn’t seem to shut up. Also, the artwork from Marco Ferrari and Patrizia Comino is wonderful. Ferrari has a style that reminds me of Sean Gordon Murphy and Devmalya Pramanik and it perfectly suits a lived-in future.
| Published by AfterShock
Return of Wolverine #1 is not a terrible comic. In fact the artwork from Steve McNiven, Jay Leisten, and Laura Martin is very, very good. McNiven seems to be channelling Barry Windsor-Smith for the artwork and it’s perfect. The action and page compositions are wonderful. I can also say that the story, dialogue and such, from Charles Soule is not bad. I’m not sure if I like the implied idea of pulling Wolverine’s history from him, putting the memory genie back in the bottle when we already know his Origin, is a good idea, but his issues with Persephone and Soteira are at least interesting.
What ruins this comic, however, like the Hunt for Wolverine: Dead Ends issue, is that it renders the entire Hunt for Wolverine event superfluous. It doesn’t respect the readers’ time or money, showing that Hunt for Wolverine didn’t build to anything. There’s absolutely nothing in this comic that necessitates having read anything before it. That’s good for new readers, but it’s a crappy ploy from Marvel that manufactured an empty event that seems like its sole purpose was to bilk the customer. I feel terrible saying that, since for the most part the mini-series weren’t bad in isolation, but as a whole, it just seems like a marketing stunt. When it comes to a character like Wolverine, who has previously been associated with the idea of market oversaturation, it’s just worse.
From Marvel Legacy through to now, it doesn’t feel like there’s been any guiding hand. It doesn’t feel like there’s been any coherence between any of the appearances. It just feels like Marvel turning to some of their worst tendencies in making this past year or so a marketing ploy, tarnishing something that possibly could have been special, and ruining the return of Wolverine. Wolverine’s still dead, Marvel’s just pimping a corpse.
| Published by Marvel
Seven to Eternity #11 checks in on Adam’s family at the farm while he’s hanging around with the Mud King. Like every issue, beautiful, stunning artwork from Jerome Opeña and Matt Hollingsworth, somehow outdoing themselves with the brilliant colour schemes and impressive character designs. Also, I love the biting, almost subtle, humour that Rick Remender employs for the Mud King’s dialogue.
| Published by Image / Giant Generator
Teenage Mutant Ninja Turtles #86 begins the Earth Protection Force’s assault on Burnow Island, the new home to the Triceratons and Utroms. The action depicted by a returning Dave Wachter (with colours by Ronda Pattison) is very nice, even as we get some interesting moral and ethical hemming and hawing from both the Turtles and Burnow’s defenders as they choose whether or not to release their war criminals to help fight against the EPF. This feels like the beginning of something very heavy.
| Published by IDW
Thor #5 resumes the King Thor story from the first issue, in the far-flung future, with a reunion between Thor and Logan. It’s not quite as bonkers a story from Jason Aaron as the opening Niffleheim arc, but it’s certainly up there. I almost get the impression that Aaron and Donny Cates are seeing how far they push the cosmic envelope at Marvel right now, between their respective series. In any event, it’s led to some great storytelling. Especially when you add guest artist Christian Ward, who just makes this a must buy.
| Published by Marvel
Venom #6 is a not-so-subtle reminder that the art team of Ryan Stegman, JP Mayer, Frank Martin, and Clayton Cowles are absolute beasts. Every issue of this series has been impeccably crafted so far and I swear that this one ups the ante. Gorgeous work from the team.
| Published by Marvel
West Coast Avengers #2 is more ridiculous fun. If you liked the first issue, this is more of that, with some even more over-the-top shenanigans with the team, as they try to get to the bottom of BRODOK. Kelly Thompson’s dialogue and humour here are a highlight, reminding me of some of best of Keith Giffen and JM DeMatteis’ work on the bwahaha era of the Justice League. A book that doesn’t take itself too seriously is a nice balm these days. Also, gorgeous artwork again from Stefano Caselli and Tríona Farrell.
| Published by Marvel
Other Highlights: Amazing Spider-Man: Renew Your Vows #23, Aphrodite V #3, Black Badge #2, Bonehead #4, Britannia: Lost Eagles of Rome #3, By Night #4, Coda #5, Coyotes #6, Crude #6, Curse Words #16, Days of Hate #8, Doctor Strange #5, DuckTales #12, Edge of Spider-Geddon #3, Encounter #6, Evolution #10, Flavor #6, Hit-Girl #8, Infinity 8 #6, Jeepers Creepers #5, John Wick #3, Kick-Ass #7, Lost City Explorers #4, Luke Cage #2, Lumberjanes #54, Mae #9, Mata Hari #5, Multiple Man #4, Quantum & Woody #10, Rick & Morty Presents Sleepy Gary #1, Robots vs. Princesses #2, Rumble #7, Secret Agent Deadpool #2, Shadowman #7, Star Wars #54, Star Wars: Lando - Double or Nothing #5, Stellar #4, Strangers in Paradise XXV #6, Summit #9, Superb #13, Sword of Ages #5, Usagi Yojimbo: The Hidden #6, Vagrant Queen #4, Venom: First Host #4, Witchfinder: Gates of Heaven #5
Recommended Collections: Beowulf, Cable - Volume 3: Past Fears, Coda - Volume 1, Cold War - Volume 1, Descender - Volume 6: War Machine, The Mighty Thor - Volume 4: War Thor, Ninjak vs. the Valiant Universe, Skybourne, Spider-Gwen - Volume 6: Life of Gwen Stacy, Venom - Volume 4: Nativity
d. emerson eddy enjoys doing stuff some times. And things other times. Stuff and things.
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New Post has been published on https://shovelnews.com/the-creator-of-bojack-horseman-comes-from-a-home-of-funny-jews/
The creator of 'BoJack Horseman' comes from a home of funny Jews
Jerusalem draws in animation bigwigs from all over
Antisemitism czar slams German cartoon as ‘Nazi propaganda’
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Bojack Horseman. (photo credit: YOUTUBE SCREENSHOT)
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While growing up in Palo Alto, Raphael Bob-Waksberg was a serious consumer of popular culture. He would watch TV for hours on end and view movies over and over until he memorized them. In particular, he was a huge fan of “The Simpsons.”
“We used to talk about Bart and Lisa at the dinner table as if they were real people,” said his mother, Ellen Bob.
Nowadays, the conversation around American tables is more likely about “Bojack Horseman” a successful Netflix animated series created by Bob-Waksberg. The show’s fifth season premiered on Sept. 14.
In addition, Comedy Central recently acquired the rights to reruns of “BoJack Horseman,” reportedly making it the first Netflix show to enter TV syndication in the United States. Season 1 reruns are scheduled to begin on Sept. 26.
The show is an adult drama-comedy set in an imaginary Hollywood populated by humans and anthropomorphized animals (the eponymous main character, BoJack Horseman, has a horse’s head and man’s body), and has catapulted Bob-Waksberg’s career to new levels in the real Hollywood.
In addition to his work as head writer and showrunner for “BoJack,” Bob-Waksberg is developing new shows for Netflix and Amazon. He’s also writing a book of short stories scheduled to be published next year by a major imprint.
The 34-year-old’s success has come as no surprise to family, friends, rabbis and teachers in the Bay Area who nurtured his creativity and independent thinking from an early age.
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“I think Raphael was really headed in that direction since his teen years,” said family friend Nechama Tamler, a longtime Jewish educator who early on recognized his writing and performing talent.
Simultaneously sad and funny, but mostly funny, “BoJack” is a satire about the elusive nature of happiness. It has gained praise for its intelligent writing that does not adhere to the typical sitcom formula, and there is no emotional closure at the end of each episode. It’s an ongoing, frustrating effort for characters to learn and grow from their mistakes, and to grapple with the meaning of existence.
The titular character, the deeply flawed BoJack Horseman (voiced by Will Arnett of “Arrested Development”), struggles after his successful acting career flounders. Fans still recognize BoJack for his role as a young, single guy who adopts three orphans in a popular late 1980s sitcom called “Horsin’ Around.” However, now he’s a 50-something depressive addicted to alcohol and drugs. Critically, he lacks the required self-awareness to stop from hurting himself and those closest to him.
When Todd (voiced by Aaron Paul of “Breaking Bad”), a slacker who lives on BoJack’s couch and suffers the equine actor’s constant indifference, has had enough of BoJack’s apologies, he yells at him: “You can’t keep doing shitty things and then feel bad about yourself, like that makes it OK. You need to be better … You are all the things that are wrong with you. It’s not the alcohol, or the drugs, or any of the shitty things that happened to you in your career, or when you were a kid. It’s you.”
The message is that there are no easy answers, and that making amends takes hard work. Ultimately, actions speak louder than words.
Bob-Waksberg’s father, David Waksberg, recognized the Jewishness of this value immediately.
“When a friend asked me about it after the first season, I said it was about teshuvah,” he said, using the Hebrew word for the Jewish concept of repentance.
For his part, Bob-Waksberg wasn’t quite sure how to answer when asked whether his Jewish identity influences his writing, and in particular the melancholic humor of “BoJack.”
“Asking me that question is like asking a fish how much being in water has affected it,” he said.
Bob-Waksberg grew up in Palo Alto in the late 1980s and 1990s with two younger sisters, Becky and Amalia, in a family that was — and still is — very involved in the Jewish community. David Waksberg worked to free and resettle Soviet Jewry, and is now the CEO of the San Francisco-based Jewish LearningWorks, the central agency promoting Jewish education in the Bay Area. Ellen Bob ran a Judaica store (Bob and Bob) with her mother for 26 years, and in 2011 joined Congregation Etz Chayim as executive director.
Humor was always central to life at home.
“We like to laugh … big belly laughs,” Ellen Bob recalled. “David is a great storyteller and joke teller. He would regale the kids with routines from Steve Martin, Woody Allen … and songs from Tom Lehrer. I’m more of a wisecracker. Like my son, nothing gives me more pleasure than to make someone laugh.”
She said she is always pleased when her son makes a point of telling his interviewers (and there are many) that his was a happy childhood, and that BoJack’s family is not based on his family of origin.
“I’m delighted to be known as Raphael’s mother, as long as people don’t think BoJack’s mother is based on me,” she said, alluding to Beatrice Horseman (Wendie Malick), a neglectful and abusive heiress to a sugar cube company who appears primarily in flashbacks.
In looking back on his childhood and adolescence, Bob-Waksberg pointed to Mid-Peninsula Jewish Community Day School (now Gideon Hausner Jewish Day School), the Palo Alto Children’s Theatre and the Gunn High School drama program as other outlets where his creativity was rewarded.
“In school, there were a handful of teachers who understood me. And there were many who didn’t. I didn’t make it easy for them,” he joked.
Rabbi Sheldon Lewis, rabbi emeritus at Congregation Kol Emeth in Palo Alto, recalled Bob-Waksberg as “not an easy student” in the religious school.
“It was because he was so clever and beyond his years in creativity, humor and mischief,” he said.
Despite having grown up in the Palo Alto academic pressure cooker, Bob-Waksberg was never saddled with any expectation that he would become a doctor, lawyer or founder of a startup. His parents were always supportive of his creative leanings.
“It was pretty clear to me that he was going to need to figure a way to make a living through the arts because it was the only thing he knew how to do,” his mother said.
Like “BoJack Horseman,” the shows Bob-Waksberg is writing for Netflix and Amazon are also animated. It’s not a format the graduate of Bard College in New York originally planned to work in when he moved to Los Angeles after trying his hand at comedy writing in the Big Apple.
In his spare time, he collaborated off and on for a decade with his high school friend, illustrator Lisa Hanawalt, on a cartoon featuring human-like animals, which became the basis for “BoJack.” Hanawalt is now a production designer and producer for the show.
The program was in development with Michael Eisner’s company, Tornante, for a couple of years before it went to Netflix, which wanted it to be put into quick production for a summer 2014 premiere.
“I didn’t know I would get into animation. I was initially writing for live action, but ‘BoJack’ is the one [project] that went,” Bob-Waksberg said.
He said this decade has been an exciting time to be working in animation, and that he has an appetite for more.
“Animation is a format, not a genre,” Bob-Waksberg said. “There is a lot to do in animation for adults. What has been done in the past has been limited in scope and has lived in the shadow of ‘The Simpsons.’ The new shows I am developing are about women, which is really fresh.”
Much has changed for Bob-Waksberg in the past few years. On the personal side, he was married a year ago.
Bob-Waksberg and his wife have not yet found a synagogue in Santa Monica that feels like the right fit for them, but they welcome Shabbat on Friday evenings at home.
“My wife grew up more observant than me, so she has been a good influence and has helped me reconnect to Jewish practice,” Bob-Waksberg said. “We even had benchers [blessing booklets] at our wedding, which surprised my parents.”
Professionally, Bob-Waksberg has become more aware of his role and responsibility in the pop culture universe. First, he checks himself as to whom he hires, ensuring that he brings in writers and cast members of diverse backgrounds.
Additionally, he doubts he would now make some of the jokes he made about anti-Semitism, the Holocaust and Nazis in the show’s first season.
“Those jokes were made in the spirit of Mel Brooks, in the sense that you have to laugh at the things that scare you,” he said. “But now I think a lot about how what is said on ‘BoJack’ will be perceived by the audience.”
Speaking to that point, Bob-Waksberg recalled how, as he was growing up in Palo Alto, other kids would tease him with anti-Semitic taunts they had heard on the Comedy Central animated series “South Park.” The writers of that show meant it to be satirical and did not intend to actually be anti-Semitic, but that was lost on Bob-Waksberg’s young tormentors.
He would hope that viewers take dialogue from “BoJack” in context, understanding that it is not what the writers are saying, but rather the flawed characters’ thoughts or opinions. However, Bob-Waksberg said he is more averse these days to taking a writing risk, lest the point be lost or weaponized.
“If we make jokes that are bad for society,” he said, “then it is on us.”
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Sports movies that would be more fun to emulate in real life than ‘Field of Dreams’
Photo by Charles Ommanney/The Washington Post via Getty Images
MLB wants to emulate ‘Field of Dreams’ next season, and that’s fine. But if we’re being honest, big league adaptations of these movies would be even cooler.
I’ve never seen Field of Dreams. It’s probably fine? From what I gather it’s sickly sweet with a lot of I Love You Dad-type stuff engineered to exploit our too-human hearts.
The effect is apparently pretty strong, because Field of Dreams is still revered 30 year after it was released. So much so that Major League Baseball will try to bring the movie to life by making the Yankees and White Sox play in an Iowa cornfield next season.
If you build it …@Yankees. @whitesox. THE Field of Dreams. August 13, 2020. pic.twitter.com/RuBpS04BgG
— Cut4 (@Cut4) August 8, 2019
Ignoring the fact MLB’s promotional image implies Aaron Judge, Gleyber Torres, Tim Anderson, and Yoan Moncada are ghosts walking out of the cornfield, and therefore will have shuffled off this mortal coil by the time the game is played, this could be fun! Baseball is a goofy sport that is enhanced when played in goofy places. Why not!
But it does get us thinking: What famous sports movies would be even more fun to replicate for a one-off event? Here are some of our ideas. Go ahead and tell us yours via your nearest comment section and/or Twitter account. Being realistic awards you no bonus points.
Eddie (1996)
Pretty sure everyone reading this has had this fantasy. Take a vocal fan out of the stands, let them coach the Knicks, and if they win the fan gets to keep the job until the Knicks lose again. There’s no risk to a cratering team. In fact, the changeup might help break the loop of hope and letdown (and hope and letdown) that the Knicks have been stuck in for 20 years. — Louis Bien
Dodgeball: A True Underdog Story (2004)
I want this. I want this, like, yesterday. How have we gone 15 years without someone trying to take the world of professional dodgeball by storm with professional wrestling-esque characters, overwhelming production values and all the pageantry it entails?
The best part is that since this is a one-off event we can totally get Jason Bateman to do commentary and stick Chuck Norris courtside. I’m almost upset I’m sharing this information here, because I know some wealthy industrialist is going to steal this idea. — James Dator
Nacho Libre (2006)
First off, yes, wrestling is a real sport. The action might be slightly scripted but the moves are real. Imagine a random cook in a monastery becoming a luchador. It’s an underdog story for the ages. He even fights for a great cause: so the orphans in the church can eat better quality foods. It’s a heartwarming story filled with adventure and danger, mostly from the fear of having their bones broken from getting power-bombed. Picking a random person and making them a part-time luchador is an event worth watching. Especially if one of their first matches is an eight-person battle royale. Sign me up for the chaos. - Vijay Vemu
Teen Wolf (1985)
I just want to see people get eaten. — Christian D’Andrea
Air Bud (1997) or Treasure Buddies (2012)
The Air Bud archives, including its spinoff series Air Buddies and Santa Paws, is more voluminous than the Police Academy and Mission Impossible franchises put together. And you really couldn’t go wrong picking ANY of its 14 installments. SO MANY GOOD DOGS.
For the sake of brevity, I’ll narrow it down to two: OG basketball-playing Air Bud, which still holds up 22 years later, and which seems like the most logical choice if we’re talking about replicating it in real life. (Here’s one suggestion for the starring role.)
The other is Treasure Buddies, which I have never seen and technically isn’t a sports movie but gets the nod based on a Wikipedia description that belongs in a museum:
The Buddies find themselves on an Indiana Jones style adventure.
Yes, please. — Sarah Hardy
Over the Top (1987)
Don’t you want to win an arm wrestling championship? — Russ Oates
The Sandlot (1993)
The Sandlot — or more specifically Sandlot 2 (2005), where girls exist and play sports — is truly the only answer here. Since about age 7, all I wanted to experience was playing baseball at the sandlot, and that hasn’t changed as I’ve gotten older. Just make sure James Earl Jones is present. — Kennedi Landry
Brink! (1998)
Brink! is a Disney Channel original movie about extreme in-line skating and how capitalism exerts its influence on our passions. But the X-Games already exists, so we don’t need to bring skating to life, we just need ... more milkshakes to the face.
Pup ‘N Suds forever. — Michael Katz
Like Mike (2002)
I need to see a 4’ tall child dunking on NBA Players. — Tyson Whiting
Ed (1996)
In this film, Matt LeBlanc (who is basically channeling Joey, because what else is he going to do, he is Matt LeBlanc) winds up as an errand boy for a professional minor league baseball team. One of his errands has him cross paths with the titular Ed, a chimpanzee who, it turns out, is really, really good at playing baseball for unsaid reasons. Hijinks ensue. This film has everything — a fart-off, some light animal torture, a magical coin (?), and yes, a meta Friends reference — all of it terrible. In fact, we called it the worst sports movie ever made.
But am I going to sit here and pretend it wouldn’t be awesome to play minor league ball with a farting monkey? No, reader. I am not.
— Ryan Simmons
Slap Shot (1977)
Nobody wears a helmet. Fighting, while not exactly legal, is certainly encouraged. As is putting on the foil. Winning captain has to strip down to his jock strap. Don Cherry would spontaneously combust, leaving a technicolor apparition muttering about “Old Time Hockey” for all eternity. — Paul Flannery
White Men Can’t Jump (1992)
Blacktop basketball, Jeopardy!, and undefeated Wesley Snipes drip. This movie has everything anyone could ever want in a movie, and also two-on-two basketball should be an Olympic sport. — Michael Pina
Brewster’s Millions (1985)
Quasi-sports movie with Richard Pryor portraying a pitcher for the Hackensack Bulls and John Candy serving as his catcher. I’d happily work to spend $30 million in 30 days and have no assets to show for it to inherit $300 million. — David Fucillo
Space Jam (1996)
There is no better time to do this than the present. With talks of wanting to raid Area 51 and kick it with aliens, we can surely assemble a group of five extraterrestrials, have them take the talents of guys like Kevin Durant, Giannis Antetokounmpo, James Harden, Russell Westbrook, or other NBA stars, and do a live-action remake of the original Space Jam. Only difference is that LeBron James replaces Michael Jordan. — Harry Lyles Jr.
Luck of the Irish (2001)
This Disney Channel classic has a description as follows: “A teenager (Ryan Merriman) must battle for a gold charm to keep his family from being controlled by an evil leprechaun.”
Do I need to explain anything else? — Whitney Medworth
Blades of Glory (2007)
It’s really hard for me to comprehend why we haven’t seen an all-male figure skating pair since this movie came out more than 10 years ago, but hey, I’m not in the movie business. Not only was this a highly underrated Will Ferrell film in my humble opinion, the sports world deserves to see two men complete the Iron Lotus (successfully, I feel like I need to add) on live television, dammit.
youtube
— Morgan Moriarty
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CC Blogger - New Arrivals @ Collectors Corner : Wednesday - 3/20/19
CC Blogger - New Arrivals @ Collectors Corner : Wednesday - 3/20/19 Complete list of items shipping to the stores, some items may be limited in availability. If you see anything you want to purchase on the list and are not a subscription member at Collectors Corner, just contact us and let us know if you want an item held at the stores. email - [email protected] Subscription Membership & Free Membership Card : Collectors Corner’s No Obligation (FREE) Membership Card or FREE (In Store) & ONLINE Subscription Membership saves you 10% Off ALL Bagged & Boarded Comic Book Back Issues, Board Games, Graphic Novels, Manga & Special Orders. Plus Never miss a comic again! Computerized and organized + you can add and cancel titles on your subscription list from home on your own time, or in the store when you pick up your comics at : Maryland’s Coolest Stores! 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Episode 180
Heroes in Crisis, Flash Annual, JL Annual, Teen Titans Annual, Mysteries of Love in Space, Age of X-Man Alpha, Journey Into Unknown Worlds, Fight Club 3, Wyrd, Shape of Elvira, Peter Cannon: Thunderbolt, Powers in Action, Actual Roger, Unit 44, Shadow Play
Reviews: Black Hammer vol 3, Good Place s3, Deadly Class TV, Sabrina s1
News: Harley Quinn/BoP trailer, Funko movie, Black Panther 2, Stand TV show, The Batman release date, young reader horror GN from Bunn, Invincible animated cast, Batman Beyond animated movie
Comics Details:
Fight Club 3 1 by Chuck Palahniuk, Cameron Stewart, Dave McCaig
Wyrd 1 by Curt Pires, Antonio Fuso, Stefano Fuso, Hue Nguyen
Flash Annual 2 by Joshua Williamson, Scott Kolins, Luis Guerrero
Justice League Annual by Scott Snyder, James Tynion IV, Daniel Sampere, Juan Albarran, Adriano Lucas
Teen Titans Annual by Adam Glass, Ryan Benjamin, Richard Friend, Hi-Fi
Mysteries of Love in Space by James Tynion IV, Jesus Merino, Romulo Fajardo Jr., Kyle Higgins, Cian Tormey, John Kalisz, Saladin Ahmed, Max Dunbar, Paul Mounts, Cecil Castellucci, Elena Casagrande, Jordie Bellaire, Aaron Gillespie, Max Raynor, Hi-Fi, Andrea Shea, Amancay Nahuelpan, Trish Mulvihill, Jeff Loveness, Tom Grummett, Cam Smith, Adriano Lucas, Gardner Fox, Mike Sekowsky, Bernard Sachs
Shape of Elvira 1 by David Avallone, Fran Strukan, Maxim Simic
Peter Cannon: Thunderbolt 1 by Kieron Gillen, Caspar Wijngaard, Mary Safro
Powers in Action 1 by Art Baltazar
Actual Roger 1 by Hank Tucker, Wes Locher
Unit 44 1 by Wes Locher, Eduardo Jimenez
Shadow Play 1 by Richard Rivera, Clara Meath, Liezl Buenaventura
Comics Countdown, 30 Jan 2019:
Quantum Age 6 by Jeff Lemire, Wilfredo Torres, Dave Stewart
Flash Annual 2 by Joshua Williamson, Scott Kolins, Luis Guerrero
Ms. Marvel 37 by G Willow Wilson, Nico Leon, Ian Herring
Wonder Woman 63 by G Willow Wilson, Emanuela Lupacchino, Ray McCarthy, Romulo Fajardo Jr
Sparrowhawk 4 by Delilah Dawson, Matias Basla, Rebecca Nalty
Ice Cream Man 9 by W Maxwell Prince, Martin Morazzo, Chris O’Halloran
West Coast Avengers 7 by Kelly Thompson, Daniele Di Nicuolo, Tree Farrell
Terrifics 12 by Jeff Lemire, Viktor Bogdanovic, Jonathan Glapion, Michael Spicer
Peter Cannon: Thunderbolt 1 by Kieron Gillen, Caspar Wijngaard, Mary Safro
Skyward 10 by Joe Henderson, Lee Garbett, Antonio Fabela
Check out this episode!
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off the rack #1249
Monday, February 11, 2019
Ottawa is bracing for another big dump of snow expected to start tomorrow. The city crews can't seem to catch a break this winter. The snow situation is made worse by the cycles of thaws and flash freezes that we've had. I hope everyone stays safe.
Archie #702 - Nick Spencer (writer) Marguerite Sauvage (art pages 1-4) Sandy Jarrell (artist pages 5-20) Matt Herms (colours pages 5-20) Jack Morelli (letters). The mystery of Reggie's dad's disappearance deepens. Meanwhile Betty and Veronica try to figure out who Archie's new girlfriend is. I loved the art in the first 5 pages. Sandy's work in the rest of this issue wasn't so bad that it turned me off so I'm going to keep reading. I was sad to find out that Midge is a bit skeevy when it comes to dating.
Batman #64 - Joshua Williamson (writer) Guillem March (art) Tomeu Morey (colours) Steve Wands (letters). The Price of Justice part 1 of 4. Argh! We've got a couple of cross over issues with The Flash before getting back to the Batman story already in progress. I like the teasers for Heroes in Crisis because that's a good story that Bat fans might not know about. I won't be reading the parts in Flash unless the next issue makes me feel like I'm missing important elements of the mystery. It sure was nice to see Guillem March's art again.
X-23 #9 - Mariko Tamaki (writer) Diego Olortegui (pencils) Walden Wong, JP Mayer & Scott Hanna (inks) Chris O'Halloran (colours) VC's Cory Petit (letters). X-Assassin part 3. The cyborg clone gets a name. Laura breaks into the facility where T.U.O.K.S. (toques) was built. I like where they're going with this new character. The double page fight scene with Laura going through the army of robots was amazing. This book is still rocking it.
The Immortal Hulk #13 - Al Ewing (writer) Joe Bennett (pencils) Ruy Jose with Belardino Brabo & Rafael Fonteriz (inks) Paul Mounts (colours) VC's Cory Petit (letters). The Hulk in hell story concludes with a new relationship forged between Bruce Banner and the big green galoot. I like this development. It means we see more of Betty Ross if nothing else.
Daredevil #1/LGY #613 - Chip Zdarsky (writer) Marco Checchetto (art) Sunny Gho (colours) VC's Clayton Cowles (letters). Know Fear part 1. It's months after the 5-issue Man Without Fear mini and Daredevil is back patrolling Hell's Kitchen striking fear into the hearts of bad guys. He's a little rusty. Matt's got more to worry about than Mayor Wilson Fisk, as a new character is introduced who will certainly be a thorn in Daredevil's side. Big man Detective Cole North has just transferred from Chicago and he doesn't take any poop from nobody. The cat and mouse chase should be interesting for a while.
Female Furies #1 - Cecil Castellucci (writer) Adriana Melo (art) Hi-Fi (colours) Carlos M. Mangual (letters). I wouldn't start The Fourth World Revolution with this 6-issue mini about Granny Goodness and her women warriors of Apokalips seeing as how bad this first issue is. I found the misogynistic behaviour of Darkseid and his lieutenants heavy handed. An obvious manipulation of readers' emotions. These women deserved better. The art was a nice tribute to Jack Kirby but that's not enough to keep me reading.
Old Man Quill #1 - Ethan Sacks (writer) Robert Gill (art) Andres Mossa (colours) VC's Joe Caramagna (letters). This new 12-issue maxi about another aged hero had a promising start but then it lost me when the rest of the Guardians of the Galaxy showed up and they crash land on Earth. I liked Ethan's Old Man Hawkeye story but I'm not a big Starlord fan so I needed something different to get me hooked on this new story. Having an older Peter Quill lose his family (boo hoo) and then dive into a bottle to dull the pain until his old pals show up wasn't enough.
Young Justice #2 - Brian Michael Bendis (writer) Patrick Gleason & Emanuela Lupacchino (art) Ray McCarthy (inks pages 9-18) Alejandro Sanchez (colours) Josh Reed (letters). It's established that the team is on Gemworld helping out Amethyst but we still need to meet each member. This time we get to know Cassie Sandsmark/Wonder Girl a little more. I can't wait to learn more about Jinny Hex and Teen Lantern.
Conan #3 - Jason Aaron (writer) Mahmud Asrar (art) Matthew Wilson (colours) VC's Travis Lanham (letters). The Life & Death of Conan part 3. A couple of creepy kids have captured old King Conan but this issue goes back to when Conan was a teenage thief. How is the seventeen year old Cimmerian going to get out of a death sentence after he's caught? It's actually very fortuitous, by Crom. I really love the cover by Esad Ribic.
Avengers #14 - Jason Aaron (writer) David Marquez (art) Justin Ponsor & Erick Arciniega (colours) VC's Cory Petit (letters). The current Vampire War that has the team's full attention introduces a new super villain team. They're new The Legion of the Unliving lead by the Shadow Colonel. I'm curious as to why there's a mini Man-Thing on the colonel's shoulders. With the Ghost Rider on the Avengers team and Blade, the vampire killer helping out it looks like the good guys are in great shape to save humanity from the blood suckers until one of the good guys is compromised. I like T'Challa and Tony working together and the focus on each team member's fight this issue. I don't like the new dumb downed She-Hulk. I just don't see why she has to talk like a cavewoman.
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