#Zarathustra Complex

[penhive]

Postmodern Existentialism

In this narrative, I would like to elucidate on the personality meanings given by different philosophers. They are:

Zarathustra Complex

Sisyphus Complex

Prospero Complex

Prometheus Complex

Zarathustra Complex

Zarathustra is heroic man introduced by the Philosopher Nietzsche. He is a person who lives a creative and fulfilling life. He is an architect of freedom and profligacy. The morals of the society are little bothersome to him. He has an exotic mind and dances to the tune of his own song. He is the triumph of individuality.

Sisyphus Complex

Sisyphus in Greek Mythology is a mortal condemned by the Gods to roll a stone uphill and to his angst it rolls down and he is forced to repeat this task again and again. Camus uses Sisyphus as a negative theology. For him Sisyphus is an existential being caught up in an absurd and monotonous life.  I have revised Camus Sisyphus and made him a hero whose life is an authentication of essence, a life of merriment, opulence, catharsis and prosperity.

Prospero Complex

Here I would like to make an intrusion onto the Philosopher Sartre who said that man is condemned to be free as he is responsible to the choices he makes. I would like to refute him by saying that man is privileged to be free and that the choices he makes make him privileged. Life is the actualization of the essence of meaning.

Prometheus Complex

The existential philosophers Sartre and Camus declare life to be meaningless, chaotic, absurd and monotonous.  I would like to say life for Prometheus is a life of celebrating meaning. Here is an acrostic for life.

Live and Celebrate with

Interest and

Find new, creative, cathartic, rich, prosperous, successful, romantic, passionate, sensual, loving, and erotic

Encounters and Experience.

[jean-dieu]

Bonjour.

FINALLY, I am doing a pinned post!

Get to know me, the Man, the Legend.

I'm JEAN-DIEU, or Jean. 24 years old, Fr*nch, any pronouns. I'm a PhD student in AI and vaguely an artist sometimes. I love to create blorbos to obsess with.

I'm into a bunch of stuff you can learn more about just below! If you want to chat with me, feel free to send a DM, I'm always up to meet new people!

My stuff :

#my-art will get you all my beautiful and awesome drawing (i am extremely talented)

#my-writings will get you all my writing in a language I don't speak correctly

#my-rambles will get you unhinged thoughts and co.

My Fandom :

I am currently into :

Pathfinder, which includes both Owlcat Games (but mostly Wrath of the Righteous) and also the TTRPG

Dragon Age (most current and newest obsession)

The TTRPG community in general

Baldur's Gate 3

Warhammer 40k

My OCs :

Pathfinder:

Raphaël Esdras (he/him), Hellspawn Tiefling Inquisitor of Sarenrae. My main OC, the love of my life. Played in my WoTR campaign as well as in the video games. Rawful Good zealot with a martyr complex. (Romancing Sosiel)

Lazare Lune-De-Miel (he/him), Kyton-spawn Tiefling Bard/Warlock, faithful follower of Desna, Shelyn, Nocticula and Cayden Cailean. Small but loud, cheerful and incredibely optimistic. Has twelve moms. Accidently made a pact with a devil when he was 12.

Malthus "Ziel" Drezdan (he/him), Pitborn Tiefling Rogue/Bard, calistrian. Son of a disgraced Abadar cleric. Local weirdo. Scaly little brat. Inventor of emo folk in Golarion.

Zarathustra (he/him), Pitborn Tiefling (mother is a succubus) Alchemist. Vaguely follows Brigh. Climbed the social ladder one murder at a time. Poisonned a noble and married his wife. Except the wife was 100% ok with it. Smart, cunning, ruthless, cruel. Local evil man.

Eon Jarjayes (he/they/she in that order), human, rogue. Varisian Pirate. Ex-slave turned ruthless criminal. Nihilist. Will murder you for one corn chip.

Dungeon and Dragons:

Mycellius (he/they). Spore druid hexblood tiefling. Son of a Green Hag. Absolutely disconnected from reality. Speaks to mushroom. Has no concept of economy or hygiene, good or evil. Fascinated with death and decay.

Nym (he/they). Drider, Gloomstalker Ranger. Ex trophy husband turned drider. Shy, terrified man obsessed with his hair. Actually really sweet and kind deep down. Loves flower and sewing. Quiet and calm.

Dragon Age:

Aloysius Lavellan, Inquisitor, Dalish Elf. Sweet elven mage who's really trying his best to make it to the end. Shy and unassuming yet stubborn and determined. Extremely knowledgable on history, biology and magic, completely clueless about people. (Dating the Bull).

Garrett "Nacht" Hawke, Human. Edgiest mage of all of Thedas. Loves to fuck around and find out. Hates Fenris and yet they're dating.

Artemis Tabris. Rogue, City Elf, Warden. Denerim's own Robin Hood. A disappointment to his family. Still loves his dad very much. Easily angered, very agressive. Worst humor ever. (Dated Morrigan then went on to live happily with Zevran).

[transgenderer]

On the Norse, Indic, and Iranian stories of the origin of the world from the dismembered bodies of a god, from "The Indo-European Myth of Creation", Lincoln, 1975

The general resemblance among these texts is certainly quite clear. In all of them a primordial being is killed and dismembered, and from his body the cosmos is fashioned.28 Yet, there are differences in each account (beyond the petty difference that the body-world homologies do not always match up), and it is evident that certain transformations have taken place within each culture and within each text. The dismemberment is performed by gods intwo of the accounts and by a demon in the third. The victim is accompanied by an ox in one text, a cow in another, and has no companion in the third. The act is treated as a sacrifice once, but as murder twice. Most perplexingly, the names of the victims bear no resemblance to one another. The primordial victim is Ymir in Scandinavia, Gayomart in Iran, and Purusa in India. The question must arise: Are these figures who are structurally so similar really related in any historical way ?

The answer is certainly yes, and it is here that the Old Norse version best preserves the P-I-E heritage. Old Norse Ymir, as Guintert first demonstrated, is derived from Proto-Germanic *yumlyaz, which in turn is derived from P-I-E *ya2m(i)y6s (*Ymr[mi]y6s, as it might be written in a more modern orthography), a term intimately related to P-I-E *yemo- "twin."29 This word corresponds to Lettishjumis, "double fruit"; Middle Irish emuin, "twin"; Latin geminus, "twin"; Avestan yama, "twin"; and, most significantly, to the proper names Avestan Yima = Sanskrit Yama, which literally signify "twin" as well.30 Based on this phonological and semantic correspondence, we hypothesize that there was originally a mythic correspondence and that all are derived from a figure in the P-I-E myth.

Iranian evidence supports this hypothesis, for behind the figure of Gay6mart we may discern the older figure of Yima.3' The way in which this transformation took place is somewhat complex. First, it must be recognized that in pre-Zoroastrian Iran, Yima was not merely king of the golden age, but, as Christensen so skillfully demonstrated, was regarded as first king, first mortal, and first to die.32 This tradition, however, was rejected by Zarathustra, who soundly condemns Yima the only time that he mentions him (Yasna 32.8). There is one verse, however, in which Zarathustra does make an oblique reference to the myth of creation by sacrifice: YASNA 30.4 And when these two spirits first met [the good and evil spirits], they instituted Life (gaem) and non-life, and how life should be at the end.33 Moreover, these two spirits are said to have "appeared in the beginning as two twins (yjmd) in a dream."34

In these verses several eminent Iranists have recognized that Zarathustra attempted to deal with an earlier myth of creation which he found objectionable but which he could not completely ignore.35 Thus, he philosophized the myth, changing its characters into abstract entities, but retaining the essential mythologem that the first living man died at the creation of the world. Ironically, however, a re-mythologization of Zarathustra's version took place in later centuries. In the verse cited above, the Avestan term translated "life" is gaya-, which in the Younger Avesta is often combined with the term maratan-, "mortal"36 to form the name given the first mortal man, who was created and died at the beginning of the world-Gaya maratan.37 This name comes into the Pahlavi (Middle Persian) of our Bundahisn text as Gayomart. Thus, the development is Middle Persian Gayomart < Younger Avestan Gaya maratan < Gathic Avestan gaya < Pre-Zoroaster Yima

In India, too, it seems that the figure of Yama lies behind the Purusa of the Vedic hymn. Most scholars have agreed that Yama is another First Man/First King figure and have also noted that he is the first to die, thus establishing the realm of the dead.45 Several scholars, however, have been willing to go somewhat further and equate his freely chosen death and his abandonment or transcendence (< Skt. pra-Vric-) of his body as in RV 10.13.4 with the sacrifice in Purusa in RV 10.90.46 As Dandekar, who most effectively argued the case, put it, the Purusasuikta is merely a more detailed setting of the Yama myth of RV 10.13.4.47 In light of the comparison to Ymir and Yima, I am inclined to agree. The name Purusa literally means "Man" and seems to be a title born of philosophical and theological speculation. Such speculation changed this figure's name again in the Brahmanas, as Purusa, "Man," became Prajapati, "Lord of Creatures,' but the under-lying story is still the same.48 The morphological and structural features convince us that this is the same figure encountered in Iran and Scandinavia-*Yenlo, "Twin"-first king49 and first sacrificial victim, from whose body the world was made.

honestly the purusa connection seems kind of dubious (although i mean, yama being a first-man figure and purusa just meaning "man" does seem like a strong association) but i love how elaborate and yet imo totally plausible the yima->gayomart transformation is

also if youre curious, lincoln argues that dismembering-god-to-make-the-world stories arent independent even though we see an example that should be independent in china, he argues that's influence from india. he also alludes to a similar polynesian and south american myth which must be independent but he doesnt give any details and i cant find any so no idea whats going on there

[rashomon]

misc. headcanons.

he has a pet leucistic albino ball python named kandata.

his favorite tea flavors are jasmine and oolong.

his terminal disease is cystic fibrosis, this will later be fleshed out more based off of his symptoms and extra content.

his most read book is 'thus spoke zarathustra', one he stole from a bookstore at childhood- at the time it was too complex to read but he spent as much time as he could deciphering it. it is now a worn out novel in his collection.

he awoken his ability when a human trafficker attempted to take his sister, gin.

he has a taste for fine art and antiques, on his days off if he is not with his sister he will frequent art museums.

his father was killed in the explosion that leveled suribachi city when he was 5 years old, the trauma and remains / toxins in the air eventually drove his mother to insanity until which she committed suicide.

[irunevenus]

The Origins of Religions: A Dive into the World's Oldest Beliefs

When we seek to understand the origins of religion, we embark on a fascinating journey that takes us to the beginnings of human civilization. Religions and spiritual practices have shaped the culture, politics, and identity of societies throughout history. But what is the oldest religion in the world? This complex and intriguing question leads us to examine not only established traditions but also the beliefs and practices of early humans.

The Roots of Spiritual Beliefs

Animism and Shamanism

Before the emergence of organized religions, animism and shamanism dominated the spiritual beliefs of prehistoric societies. Animism is the belief that all objects, places and creatures have a spiritual essence. This form of spirituality is considered one of the oldest, as it dates back to the first expressions of human religiosity.

Shamanism, in turn, involves rituals conducted by shamans, who act as intermediaries between the physical and spiritual worlds. Shamanic practices, which include healing, communicating with spirits, and spiritual travel, are found in many indigenous cultures around the world and have ancient roots.

Hinduism: The Oldest Organized Religion

Hinduism, with more than 4,000 years of history, is often cited as the oldest organized religion still practiced. Its roots lie in the Vedas, a set of sacred texts dating back to approximately 1500 BC. Hinduism does not have a single founder, but is a tapestry of philosophies, practices and rituals that have evolved over the millennia. Religious elements found in the Indus Valley Civilization, which flourished between 3300 and 1300 BC, show similarities to later Hindu practices.

Zoroastrianism: Ancient Monotheism

Founded by Zarathustra (or Zoroaster) in what is now Iran, Zoroastrianism is one of the oldest monotheistic religions, dating from approximately 1500-1200 BC. Zarathustra's teachings, preserved in the Avesta, emphasize the duality between good and evil, and the importance of moral choice. Although its number of adherents has declined, Zoroastrianism has influenced other major religions, including Judaism, Christianity, and Islam.

Ancient Egyptian Religion

The religion of Ancient Egypt, which began around 3000 BC, involved a complex system of gods, rituals, and funerary practices. The worship of gods such as Ra, Osiris and Isis is well documented in hieroglyphics and monuments. Egyptian religion had a profound influence on culture and architecture, exemplified by the monumental pyramids and temples.

Mesopotamian Religions

Religions practiced in ancient Mesopotamia, including the Sumerians, Akkadians, Babylonians and Assyrians, date back to around 3500 BC. They worshiped a pantheon of gods, such as Anu, Enlil and Inanna, and their rich mythologies are some of the oldest recorded. The Epic of Gilgamesh, one of the oldest literary texts, offers insight into these beliefs.

Judaism: An Ancient Monotheistic Religion

Although Judaism in its current form has evolved over time, its roots go back to the times of the patriarchs, such as Abraham, who lived around 2000 B.C. Judaism is one of the oldest monotheistic religions and its sacred texts, such as the Torah, have had a significant influence on subsequent Western religions.

Ancient Greek Religion

The religion of Ancient Greece, with its pantheon of gods such as Zeus, Hera, Poseidon and Athena, began to form around the second millennium BC and profoundly influenced Western culture. Greek myths are still studied and celebrated today as an integral part of Western cultural heritage.

African Indigenous Religions

Traditional African spiritual and religious practices are also extremely ancient. Various tribes and communities practice forms of animism, ancestor worship, and rituals that date back to time immemorial. These practices are diverse and culture-specific, but they share a deep reverence for nature and ancestors.

A Tapestry of Beliefs: Contemporary Religious Diversity

Today, the world is a mosaic of religions and spiritual practices. Some of the main existing religions include:

Christianity

Islam

Hinduism

Buddhism

Sikhism

Judaism

Bahá'í

Jainism

Shinto

Taoism

Confucianism

Spiritism

Indigenous and Traditional Religions

Neopaganism (including Wicca)

Zoroastrianism

New Age Religions

Atheism and Agnosticism (although not religions, they represent significant worldviews)

Conclusion

The search for the world's oldest religion leads us to an exploration of the earliest expressions of human spirituality, from animistic and shamanic practices to the emergence of organized religions such as Hinduism and Zoroastrianism. Each of these traditions offers a window into understanding human aspirations, fears, and hopes throughout history.Today, religious diversity continues to enrich the tapestry of human culture, reflecting the complexity and depth of our search for meaning.

The oldest religion in the world is generally accepted to be Hinduism. Hinduism emerged about 4,000 years ago and is often referred to as a “family of religions” due to its diverse nature and lack of a unified founder or belief system. This religion originated in Asia, especially in Mesopotamia, India and China. Today, Hinduism is followed by around 1.3 billion people, representing 15% of the world's population. This post offers just a glimpse of the many religions that have shaped and continue to shape the human experience. Continued investigation of these traditions not only helps us better understand the past, but also appreciate the cultural and spiritual richness of our contemporary world.

[motivesworld]

The Best Books to Read About Philosophy

When it comes to the vast expanse of human knowledge, few realms hold the same level of intrigue and contemplation as philosophy. The study of fundamental questions about existence, knowledge, ethics, and reality has been a cornerstone of intellectual exploration for centuries. As avid seekers of wisdom, we are committed to providing you with a curated list of the best books to read about philosophy. Dive into these literary treasures to embark on a profound journey of philosophical enlightenment.

1. Meditations by Marcus Aurelius:

Our first foray into the world of philosophical literature takes us to the thoughts of Marcus Aurelius, a Roman Emperor and Stoic philosopher. “Meditations” is a collection of his personal writings, offering profound insights into Stoicism and the art of living a virtuous life.

2. Sophie’s World by Jostein Gaarder:

For those new to philosophy or seeking an engaging introduction to the subject, “Sophie’s World” is a masterpiece. This novel weaves a captivating narrative while exploring the history of philosophy, making complex ideas accessible to all readers.

3. The Republic by Plato:

Delving into the core of political philosophy, Plato’s “The Republic” examines the ideal society and the concept of justice. It remains a foundational work that continues to shape modern political thought.

4. The Stranger by Albert Camus:

Existentialism takes center stage in Albert Camus’ “The Stranger.” This thought-provoking novel challenges conventional notions of morality and the absurdity of human existence.

5. Being and Time by Martin Heidegger:

Prepare to engage in a deep philosophical dive with Martin Heidegger’s “Being and Time.” This monumental work explores the nature of being and existence, influencing existentialist thought and phenomenology.

6. Critique of Pure Reason by Immanuel Kant:

Immanuel Kant’s “Critique of Pure Reason” is a cornerstone of modern philosophy. It examines the nature of human knowledge and the limits of reason, paving the way for critical philosophy.

7. Thus Spoke Zarathustra by Friedrich Nietzsche:

Nietzsche’s provocative and often controversial work, “Thus Spoke Zarathustra,” delves into themes of nihilism, the will to power, and the Übermensch (Overman).

8. The Tao of Pooh by Benjamin Hoff:

In a delightful fusion of Eastern philosophy and Winnie the Pooh, Benjamin Hoff’s “The Tao of Pooh” introduces readers to Taoism and mindfulness in an accessible and charming manner.

9. A History of Western Philosophy by Bertrand Russell:

For an expansive overview of Western philosophical thought, Bertrand Russell’s “A History of Western Philosophy” is an indispensable resource. It traces the evolution of philosophical ideas from the Pre-Socratic philosophers to the 20th century.

10. The Art of War by Sun Tzu:

While primarily known for its strategic insights, “The Art of War” by Sun Tzu has profound philosophical underpinnings. It explores the nature of conflict, leadership, and the art of diplomacy.

Conclusion:

As dedicated purveyors of knowledge and wisdom, we invite you to embark on a philosophical odyssey through these remarkable books. Whether you’re a seasoned philosopher or a newcomer to the world of profound thought, these works will undoubtedly leave an indelible mark on your intellectual journey.

Remember, the pursuit of philosophy is not merely an academic endeavor; it’s a voyage into the depths of human consciousness and the exploration of the fundamental questions that define our existence.

[rajasthandevdarshan]

BIRLA MANDIR IN JAIPUR

The Splendor of Birla Mandir in Jaipur: A Marvel of Modern Temple Architecture

Introduction

Nestled in the heart of Jaipur, Rajasthan, the Birla Mandir, also known as the Lakshmi Narayan Temple, stands as a testament to the blend of modern architecture and traditional Indian temple design. The temple, dedicated to Lord Vishnu and Goddess Lakshmi, is a beacon of spirituality and a popular tourist attraction, drawing visitors from around the globe. This blog post explores the architectural beauty, historical significance, and cultural impact of Birla Mandir in Jaipur.

The Origins and Construction

The Birla Mandir in Jaipur is one of several temples built by the Birla family, a prominent industrialist family in India, known for their contribution to philanthropy and the promotion of Indian culture and heritage. The construction of the temple began in 1977 and was completed in 1988. It was inaugurated by the then President of India, R. Venkataraman, on February 22, 1988.

The temple was constructed on a raised platform at the base of the Moti Dungri Hill, a location that provides a stunning backdrop and an elevated view of the surrounding landscape. The choice of this site not only adds to the temple's grandeur but also signifies its spiritual importance.

Architectural Grandeur

One of the most striking features of Birla Mandir is its architecture. Built entirely of white marble, the temple exudes a serene and pristine aura. The marble, sourced from Makrana in Rajasthan, is known for its high quality and has also been used in the construction of the Taj Mahal.

The temple's design is a blend of traditional Hindu architecture and contemporary influences. The three domes of the temple represent the three major religions of India—Hinduism, Islam, and Christianity—symbolizing secularism and the harmony of different faiths. Each dome is intricately carved with motifs and symbols that are significant in Hinduism, such as the lotus flower, the swastika, and the Om symbol.

The temple's façade is adorned with beautiful carvings depicting scenes from Hindu mythology. The outer walls of the temple are decorated with images of saints, philosophers, and historical figures, including Socrates, Buddha, Confucius, and Zarathustra. This inclusion reflects the temple's universal approach to spirituality and knowledge.

The Sanctum Sanctorum

The inner sanctum of the temple houses the main deities, Lord Vishnu and Goddess Lakshmi. The idols, made of a single piece of marble, are intricately carved and beautifully decorated with traditional attire and ornaments. The idol of Lord Vishnu holds a conch, a discus, a mace, and a lotus, each symbolizing different aspects of his divinity. Goddess Lakshmi, the goddess of wealth and prosperity, is depicted standing on a lotus, symbolizing purity and spiritual power.

The sanctum sanctorum is designed to create a peaceful and meditative atmosphere. The white marble walls reflect light, enhancing the divine ambiance. The ceiling of the sanctum is adorned with a large chandelier, adding to the temple's grandeur.

Surrounding Temples and Shrines

In addition to the main temple dedicated to Lord Vishnu and Goddess Lakshmi, the Birla Mandir complex also houses smaller shrines dedicated to other deities. These include shrines for Lord Shiva, Lord Ganesha, and Goddess Durga, each crafted with the same attention to detail and architectural finesse as the main temple.

The temple complex is surrounded by lush green gardens, providing a serene environment for devotees and visitors to relax and meditate. The gardens are meticulously maintained and feature a variety of plants and flowers that add to the overall beauty of the temple.

Cultural and Religious Significance

Birla Mandir is not just a place of worship; it is also a center for cultural and religious activities. The temple hosts various festivals throughout the year, attracting large crowds of devotees. One of the most significant festivals celebrated here is Janmashtami, the birthday of Lord Krishna. On this day, the temple is beautifully decorated with flowers and lights, and special prayers and rituals are conducted.

The temple also serves as a venue for religious discourses, cultural performances, and educational programs. These activities aim to promote spiritual growth, cultural awareness, and social harmony among people of different backgrounds.

Visitor Experience

A visit to Birla Mandir is an experience that leaves a lasting impression. As you approach the temple, the first thing that strikes you is its sheer grandeur. The white marble structure gleams in the sunlight, creating a sense of awe and reverence. The temple's peaceful surroundings and the sound of devotional music playing in the background add to the spiritual ambiance.

Visitors are required to remove their shoes before entering the temple, a practice that signifies respect and purity. Inside, the temple's cool marble floors and the soft lighting create a calm and serene environment, perfect for prayer and meditation.

The temple is open to visitors throughout the day, but the best time to visit is early in the morning or late in the evening when the temple is less crowded, and the weather is pleasant. The temple complex is well-maintained, with facilities such as clean restrooms and drinking water available for visitors.

Nearby Attractions

Birla Mandir is conveniently located in Jaipur, making it easily accessible to tourists. The temple is close to several other popular attractions in the city, such as the Moti Dungri Fort, which is situated on a hill above the temple, and the Albert Hall Museum, a short drive away. Visitors can easily include a visit to Birla Mandir as part of a day-long tour of Jaipur's historical and cultural sites.

[pagebypagereviews]

Unlock the Minds of Geniuses: 15 Essential Reads on Philosophy That Will Expand Your Intellectual Horizons Dive headfirst into the fascinating world of philosophical thought with our curated list of essential reads. Philosophy books are more than just time investments; they're intellectual treasure troves that challenge your mind and broaden your understanding of the world around you. Whether you’re a seasoned philosopher or a curious novice, these must-read philosophy books offer invaluable insights into everything from the nature of existence to ethical dilemmas, and the complexities of human thought. In an increasingly chaotic world, philosophical literature serves as a guiding light, prompting deep self-reflection and encouraging critical thinking. These thought-provoking reads are designed to engage your cognitive faculties and offer new perspectives on age-old questions and contemporary issues alike. The significance of delving into these intellectual explorations cannot be overstated; it equips you with the tools to navigate life's moral quandaries and existential puzzles more effectively. Each book in this collection serves as an antidote to the superficiality of modern discourse, offering robust solutions to the perennial problems of meaning, purpose, and the human condition. Plot The plot structure of philosophical literature often deviates from the traditional narrative arc found in other genres. Rather than following a clear beginning, middle, and end, philosophical texts frequently present complex argumentation, hypothetical scenarios, and extensive discourse on abstract ideas. Works such as Plato's "Republic" deliberate on justice through dialogue, while Sartre’s "Being and Nothingness" explores existential themes through a labyrinth of introspection. Each text tends to illuminate a central philosophical problem or question, inviting readers to engage deeply with conceptual thought rather than a linear storyline. Characters Characters in philosophical literature often serve more as vehicles for ideas rather than fully-fleshed personalities. In "The Republic," Socrates functions as a guide in a series of philosophical investigations, often engaging other characters in dialogues to explore complex themes. Descartes' "Meditations on First Philosophy" uses the narrator himself, meditating alone, to unravel epistemological questions. Nietzsche's "Thus Spoke Zarathustra" presents Zarathustra as a prophet-like figure, embodying the philosophical musings of the author. These characters are essential for presenting and dissecting intellectual notions, serving as anchors for extensive debates and reflections. Writing Style The writing style in must-read philosophy books varies widely, reflecting the author's approach and historical context. Classical philosophers like Aristotle and Plato favor a didactic style, often employing dialogues and systematic treatises. Modern philosophers like Kant and Hegel are known for their dense, technical prose, demanding meticulous reading and contemplation. Existentialists like Kafka and Camus, on the other hand, blend narrative with philosophy, offering more accessible yet profound insights. The ability to navigate these distinct styles is crucial for appreciating the depth and nuance contained within philosophical texts. Setting The setting in philosophical literature can be both literal and conceptual. Plato's dialogues often take place in ancient Athens but grapple with timeless questions that transcend geographic boundaries. Heidegger's "Being and Time" isn't confined to a specific place but operates within the realm of human existence, temporality, and being. The allegorical settings in works like Thomas More's "Utopia" or Huxley's "Brave New World" provide a speculative backdrop that allows for the examination of societal structures and ethical dilemmas. These environments are meticulously crafted to serve as fertile ground for intellectual exploration. Unique Aspects One unique aspect of reading philosophy is its demand for active engagement.

Rather than passively absorbing information, readers are invited to question, analyze, and reflect on the arguments presented. Philosophical texts often incorporate hypothetical scenarios or thought experiments to probe readers' intuitions and beliefs. The famous "Trolley Problem," for instance, is utilized across various philosophical discussions to examine ethical decision-making. Furthermore, the interdisciplinary nature of philosophy allows for integration with other fields such as science, politics, and art, enriching the reading experience and making it multidimensional. Each text serves as a stepping stone in the journey of intellectual exploration, requiring both intellectual rigor and imaginative contemplation. Philosophy Books Philosophy books encompass a broad spectrum of topics, ranging from metaphysics and epistemology to ethics and political theory. Classics such as Aristotle’s "Nicomachean Ethics" provide foundational knowledge in moral philosophy, exploring the nature of virtue and the good life. Meanwhile, John Stuart Mill’s "On Liberty" delves into the principles of individual freedom and autonomy, influencing contemporary political and ethical debates. Additionally, modern texts like Daniel Dennett’s "Consciousness Explained" invite readers into the current discourse on the philosophy of mind and cognitive science. This extensive range ensures that there is a philosophical book suited to virtually any intellectual curiosity or interest. Must-Read Philosophy Identifying must-read philosophy books typically involves considering their historical impact, intellectual depth, and enduring relevance. Works like Descartes’ "Meditations," Kant’s "Critique of Pure Reason," and Nietzsche’s "Beyond Good and Evil" are cornerstones in Western philosophy, offering indispensable insights into crucial intellectual shifts. In Eastern philosophy, texts such as Laozi's "Tao Te Ching" and Confucius's "Analects" provide foundational wisdom that continues to influence ideals and ethics. These books are essential not only for their original contributions but also for their capacity to challenge and refine contemporary thought. Philosophical Literature Philosophical literature, a subgenre which includes both non-fiction and fiction works imbued with philosophical content, encourages profound reflection on human existence, morality, and the nature of reality. Dostoevsky’s "The Brothers Karamazov," for instance, intertwines complex characters with themes of faith, doubt, and free will, while Camus’s "The Stranger" explores absurdism and the human condition through a disaffected protagonist. Such literature allows readers to experience philosophical concepts in a lived, often emotionally engaging context, bridging the gap between abstract theory and everyday life. Thought-Provoking Reads Thought-provoking philosophical reads are those that push boundaries, challenge preconceptions, and provoke deep introspection. Levinas’ "Totality and Infinity" shifts the focus of philosophy to the ethics of interpersonal relationships, emphasizing the 'Other' as central to ethical thought. Simone de Beauvoir’s "The Second Sex" critiques the socio-cultural construction of women, laying groundwork for feminist philosophy and gender studies. Books like these don't just present ideas; they demand that readers engage with and often confront difficult truths about themselves and the world they inhabit. Intellectual Exploration Intellectual exploration through philosophical texts encourages readers to venture beyond conventional wisdom and engage with the fundamental questions of existence, knowledge, and morality. For instance, David Hume’s "A Treatise of Human Nature" tackles empirical skepticism and the nature of human understanding, inviting readers to question the certainties of their perceptions. Hannah Arendt's "The Human Condition" examines the nature of work, action, and politics, calling for a reassessment of modern human activities. The journey through

these texts is both challenging and rewarding, fostering a deeper understanding of one's place in the cosmos. Providing In-Depth Information Providing in-depth information is crucial when engaging with philosophical texts. Acute attention to contextual factors, such as the author’s historical backdrop, cultural influences, and personal experiences, enriches comprehension. For example, understanding Heidegger’s ties to phenomenology and existentialism aids in deciphering his complex prose in "Being and Time." Similar contextual knowledge is invaluable when approaching Marx’s critiques in "Das Kapital" or Spinoza’s rationalistic worldview in "Ethics." Annotated editions, academic commentaries, and scholarly articles often provide the necessary background to navigate the sophisticated terrain of these seminal works. Examples or Case Studies Examples or case studies within philosophical writings play a pivotal role in illustrating and testing theories. For instance, Rawls’ "A Theory of Justice" employs the thought experiment of the "original position" and "veil of ignorance" to derive principles of justice. Peter Singer’s "Animal Liberation" uses empirical data and case studies to argue against the ethical treatment of animals, promoting a utilitarian perspective on animal rights. Such examples revive abstract principles by situating them within tangible or imagined scenarios, thereby clarifying complex ideas and fostering a more accessible understanding. Pros and Cons of Philosophy Books Pros Philosophy books provide intellectual stimulation and challenge readers to think deeply about various aspects of life, ethics, and human existence. They are a source of profound insights and can profoundly alter one's worldview, promoting critical thinking and analytical skills. Engaging with such material can sharpen one's reasoning and problem-solving abilities, leading to heightened cognitive flexibility and intellectual development across different areas of life. These books often encompass timeless knowledge and enduring questions, granting readers access to a vast repository of human thought and interdisciplinary wisdom. They offer perspectives that apply universally, helping individuals navigate moral dilemmas and life's complexities with more nuance and understanding. Philosophy books can be a lifelong source of learning and contemplation, continually offering new insights upon each read. Cons Philosophy books can be dense, esoteric, and challenging to read, sometimes filled with complex jargon and intricate arguments that may deter or frustrate readers. The texts often demand a high level of concentration and prior knowledge, making them less accessible to beginners or casual readers. Such complexity can inhibit understanding and retention of the material, potentially discouraging even enthusiastic learners. They sometimes present abstract concepts that may seem disconnected from everyday experiences, leading to difficulty in applying philosophical lessons practically. This abstraction can make it harder for readers to relate to or see the relevance of the topics discussed, limiting their engagement. Additionally, the varied interpretations and debates in philosophical discourse can be overwhelming, leaving readers uncertain about definitive takeaways. Must-Read Philosophy Pros Must-read philosophy encompasses seminal works that have profoundly influenced human thought and culture, offering foundational knowledge indispensable for a well-rounded intellectual education. These texts serve as entry points to understanding complex philosophical traditions and thinkers, providing context and background for more advanced studies. They are often celebrated for their clear articulation of fundamental concepts and enduring philosophical questions, facilitating a deeper grasp of the subject matter. Engaging with must-read philosophy can foster a sense of intellectual community, as these works are commonly discussed and referenced across educational and cultural contexts.

This shared cultural capital enables participation in philosophical discourse and enhances comprehension of contemporary debates influenced by these classic texts. It serves not only as an intellectual foundation but also as a bridge to a broader conversation about human thought and society. Cons These classic works can sometimes be outdated in language and context, making them less relatable to contemporary readers. Older texts may reflect historical biases and limitations, potentially requiring supplementary resources to understand fully or to place into modern perspectives. Readers might struggle with archaic prose and find it tedious to discern the core messages embedded within lengthy, elaborate discussions. The inherent difficulty of these must-read texts can pose a significant barrier to entry. They often demand a substantial investment of time and effort to comprehend fully, which can be discouraging to those not already committed to delving deeply into philosophy. Additionally, the necessity of understanding these foundational works to grasp more contemporary philosophical developments can create a steep learning curve. Philosophical Literature Pros Philosophical literature often combines narrative and philosophical exposition, engaging readers in complex ideas through storytelling. This narrative approach can make abstract philosophical concepts more tangible and accessible, helping readers relate to and understand them in a more contextualized manner. The blending of literary and philosophical elements can enrich the reading experience, providing both intellectual stimulation and aesthetic appreciation. Through character development and plot, philosophical literature usually explores ethical and existential themes, prompting readers to reflect on their own lives and beliefs. This genre often evokes emotional and moral engagement, fostering a deeper connection to the material and promoting empathy. Literary works that embed philosophical questions can be especially impactful, as they resonate on multiple levels, both intellectually and emotionally. Cons Philosophical literature can sometimes compromise depth for the sake of narrative, potentially oversimplifying complex ideas or presenting them in a less rigorous manner. The fictional context may dilute the philosophical discourse, making it less precise or comprehensive than formal philosophical treatises. This blending of genres can lead to ambiguities, where readers may struggle to delineate the philosophical arguments from the narrative choices made by the author. Readers primarily interested in philosophical argumentation might find the narrative aspects distracting or unfulfilling, as they do not provide the systematic exposition found in traditional philosophical texts. The intrinsic subjectivity of literature can also introduce interpretative challenges, where understanding depends heavily on one's perspective and literary analysis skills. Such ambiguities can diffuse the philosophical clarity that might be desired by those seeking a straightforward engagement with philosophical theory. Thought-Provoking Reads Pros Thought-provoking reads span various genres and disciplines, inviting readers to explore wide-ranging ideas and perspectives that challenge conventional thinking. These books can stimulate intellectual curiosity and ignite a passion for learning, encouraging readers to question assumptions and explore new conceptual landscapes. They often address contemporary issues and diverse viewpoints, making them relevant and applicable to current debates and personal life decisions. These reads are designed to engage the reader's mind actively, promoting critical examination and reflective thought. They often incorporate interdisciplinary approaches, blending insights from philosophy, science, history, and other fields, which enriches understanding and fosters a holistic view of the subject. This diversity of content can appeal to a broad audience, sustaining interest through its varied and compelling nature.

Cons The eclectic nature of thought-provoking reads means they can lack the depth and continuity found in more focused philosophical works. While they stimulate thought, they may not provide the comprehensive frameworks or rigorous analysis necessary for deep intellectual engagement. This can leave readers with a superficial understanding of complex issues and a need for more extensive study to grasp the nuances fully. The broad scope of topics covered in thought-provoking reads may result in a fragmented reading experience, where the diversity of themes prevents cohesive learning. Readers can feel overwhelmed by the multitude of perspectives and ideas, experiencing difficulty in integrating them into a comprehensive worldview. Additionally, the quality and credibility of thought-provoking reads can vary significantly, possibly leading to the dissemination of oversimplified, biased, or poorly substantiated arguments. Intellectual Exploration Pros Intellectual exploration through reading diverse philosophical and thought-provoking works facilitates personal growth and lifelong learning. This process fosters adaptability, creativity, and a deeper understanding of the world and oneself. Readers benefit from exposure to multiple viewpoints, broadening their cognitive horizons, and enhancing their capacity for empathy and critical thinking. The journey of intellectual exploration is often intrinsically rewarding, stimulating curiosity and intrinsic motivation to learn. Engaging in intellectual exploration encourages the development of a well-rounded intellect, encompassing skills ranging from analytical reasoning to emotional intelligence. It prepares individuals to navigate complex societal and ethical landscapes with more confidence and insight. The pursuit of knowledge through intellectual exploration can also lead to the discovery of new interests and passions, enriching one's personal and professional life. Cons Intellectual exploration can also be overwhelming and directionless without a structured approach or guidance. The vast amount of available material can lead to information overload, where readers struggle to discern valuable insights from less credible sources. This lack of direction can result in fragmented knowledge and superficial understanding, as readers may skim through content without fully engaging with or comprehending it. The journey can also be isolating, as deep intellectual exploration often requires solitary reflection and study. This isolation can reduce opportunities for discussion and collaborative learning, which are essential for refining ideas and perspectives. Additionally, the broad scope of intellectual exploration may lead to a dispersion of efforts, diluting focus and preventing the achievement of expertise in any one area. Philosophy Books FAQ What are some must-read philosophy books for beginners? For beginners, some must-read philosophy books include "Meditations" by Marcus Aurelius, "The Republic" by Plato, "The Nicomachean Ethics" by Aristotle, "Beyond Good and Evil" by Friedrich Nietzsche, and "The Myth of Sisyphus" by Albert Camus. These texts provide foundational understandings of Western philosophy. What is the difference between philosophical literature and regular literature? Philosophical literature often delves deeper into abstract and existential questions, exploring themes like the nature of reality, existence, ethics, and human knowledge. Regular literature may also address these themes but usually focuses more on storytelling and character development rather than systematic philosophical argumentation. What makes a book 'thought-provoking' in the realm of philosophy? A thought-provoking philosophy book challenges existing beliefs, introduces new perspectives, and encourages readers to question fundamental assumptions about the world, society, and themselves. These books often engage deeply with existential questions and provide profound insights that can lead to intellectual exploration.

How can I integrate philosophy books into my intellectual exploration? Integrating philosophy books into your intellectual exploration involves active reading, critical thinking, and reflection. Take notes, question the arguments presented, discuss ideas with others, and apply the concepts to real-life scenarios. Join philosophy book clubs or online forums to further engage with the content. Are there specific types of philosophy books for different interests? Yes, philosophy covers a wide range of topics catering to different interests. For ethics, consider "Groundwork of the Metaphysics of Morals" by Immanuel Kant; for political philosophy, "Leviathan" by Thomas Hobbes; for existentialism, "Being and Time" by Martin Heidegger; and for modern philosophy, "A Brief History of Time" by Stephen Hawking. Choose books that align with your specific interests to deepen your understanding in that area. How do I know which philosophical textbooks are best for academic study? For academic study, look for textbooks that are widely recommended by academic institutions, have good reviews, and are authored by respected philosophers or scholars. Some academic staples include "A History of Western Philosophy" by Bertrand Russell, "Critique of Pure Reason" by Immanuel Kant, and "Philosophical Investigations" by Ludwig Wittgenstein. Why is it important to read original philosophical texts? Reading original philosophical texts allows you to engage directly with the thoughts and arguments of the philosophers themselves. It helps you develop a deeper understanding of their ideas, the historical context, and the evolution of philosophical thought. Secondary sources can offer interpretations, but original texts provide the authentic voice and reasoning of the philosopher. Can philosophical literature impact personal growth and self-awareness? Yes, philosophical literature can significantly impact personal growth and self-awareness. By confronting profound questions about existence, ethics, and human nature, readers can gain new perspectives on their own lives, make more informed decisions, and develop a more nuanced understanding of their beliefs and values. Are there any contemporary philosophy books that are highly recommended? Contemporary philosophy books that are highly recommended include "Justice: What's the Right Thing to Do?" by Michael Sandel, "Thinking, Fast and Slow" by Daniel Kahneman, "The Structure of Scientific Revolutions" by Thomas Kuhn, and "Animal Liberation" by Peter Singer. These books address modern issues and apply philosophical reasoning to contemporary problems. In conclusion, exploring the 15 essential reads in philosophy is not just a journey through history's most profound intellectual landscapes but also an invaluable endeavor for anyone seeking to deepen their understanding of human thought, ethics, existence, and the very nature of reality. These philosophical masterpieces, spanning from ancient times to contemporary discussions, provide a treasure trove of insights that are both timeless and ever-relevant. Delving into these thought-provoking works offers countless benefits. For one, they cultivate critical thinking skills by challenging readers to question assumptions, analyze complex arguments, and develop well-reasoned perspectives. Books like Plato's "Republic" and Descartes' "Meditations on First Philosophy" serve as rigorous exercises in logical reasoning and methodical doubt, inspiring readers to think more deeply about the world and their place in it. Moreover, the exploration of philosophical literature illuminates diverse viewpoints on fundamental issues such as justice, morality, freedom, and the nature of consciousness. Aristotle's "Nicomachean Ethics" and Kant's "Critique of Pure Reason" provide frameworks for understanding the ethical dimensions of our actions and the limits of human cognition, respectively. Such insights are crucial in today's complex world, where ethical dilemmas and existential questions often intersect with personal and professional life.

These essential reads also offer invaluable perspectives on living a meaningful life. Works like Nietzsche's "Thus Spoke Zarathustra" and Sartre's "Being and Nothingness" encourage readers to grapple with questions of purpose, individuality, and self-actualization. They invite a profound exploration of one's values and beliefs, often leading to transformative personal growth and a more nuanced understanding of human nature. Additionally, engaging with these seminal texts allows readers to participate in a centuries-old dialogue that has shaped civilizations and continues to influence contemporary thought. By understanding the arguments and reflections of past philosophers, one becomes better equipped to navigate modern philosophical debates and contribute thoughtfully to ongoing discussions in various fields, from politics to science to art. In essence, these 15 essential reads on philosophy are not just books but gateways to intellectual exploration and enlightenment. Whether you are a seasoned scholar or a curious newcomer, the insights gained from these works will undoubtedly enrich your intellectual and personal life, making them an invaluable choice for anyone committed to lifelong learning and thoughtful living.

[themanfromfaraway]

I've started reading Nitzsche's also sprach Zarathustra and when I was over viewing the book I saw something that caught my attention.

"Every real man has a boy inside him who wants to play and have fun"

It seemed logical actually. Classic men ignore any sign of that child for many years. When something touches their heart, that boy makes men become crazy just like a little baby boy. The new generation often lets this child's bad habits to take the lead and soon they become 40 year old sissy kids.

I prefer a complex. Good habits of a boy and responsibility of a man.

[editionetoile]

The concept of the "will to power"

“Is a central idea in the philosophy of Friedrich Nietzsche a 19th-century German thinker. This idea is particularly explored in his work "Thus Spoke Zarathustra" and other philosophical texts. The will to power is not a simple quest for physical power but rather a metaphysical force that governs the entirety of existence according to Nietzsche.

Here are some key elements to understand the will to power in Nietzsche:

1. Definition The will to power is the fundamental force that animates all living beings. Nietzsche argues that this will is not merely a search for power over others but an inner force that drives each individual to develop, assert themselves, and fully express their nature.

2. Energetic Perspective: Nietzsche often describes the will to power in terms of energy. It is a creative, dynamic, and affirmative energy that seeks to manifest itself through different forms of existence. This energy is present in all human activities, intellectual, artistic, and physical alike.

3. Individualism: The will to power is closely tied to individualism in Nietzsche. Each individual is called to affirm their own existence, to develop their uniqueness, and not blindly conform to pre-existing social or moral norms.

4. Self-Overcoming: The will to power encourages self-overcoming. Nietzsche envisions an individual who constantly seeks to transcend their limits, to improve themselves, and become a higher version of themselves.

5. Eternal Perspective: Nietzsche has an eternal perspective on the will to power, suggesting that this force is not limited by time and space. It transcends the present and influences the course of history.

6. Creation and Destruction: The will to power involves both creation and destruction. Individuals create new values, ideas, and forms of existence while leaving behind the old. Destruction is often necessary to allow for creation and renewal.

7. Eternal Recurrence: Nietzsche introduces the idea of eternal recurrence, suggesting that if one fully embraces the will to power, they would willingly relive their life over and over again, signifying the acceptance and affirmation of life as it is.

8. Critique of Traditional Morality: Nietzsche harshly criticizes traditional morality, which he sees as an attempt to repress the will to power in favor of pre-established norms and values. He calls for a "transvaluation of values" where individuals question these norms and create their own values in accordance with their own will to power.

The concept of the will to power is complex and open to various interpretations. Some view it as a philosophy of individual emancipation, while others see potentially dangerous aspects in the emphasis on self-affirmation at all costs. Understanding the will to power requires a deep dive into Nietzsche's philosophy and his various texts.”

Painting by John Marzo

Illustration by Laurent Guidali

Www.Etoile.App

[penhive]

New Narratives about Legends and Myths

In this narrative, I would like to take some personalities from legends and myth and weave them into psycho/narrative/fiction.

Perunthachan Complex

Perunthachan comes from a folk tale of Kerala and he is a skilled architect who murders his own son out of sheer jealousy.  From Perunthachan I have developed the Perunthachan complex and he can be considered as a father figure who hates his son and out of spite murders him. It is a complex of father atrocity.

Mahabali Complex

King Mahabali is the legendary, mythical figure of Kerala and his reign was one of prosperity and happiness. God Vaman grew jealous and visited him in the disguise of a dwarf and asked him for three boons. King Mahabali willingly complied and as soon as this happened Vaman grew in stature and his first step covered the earth and the second step the Heavens and then asked Mahabali for the third. The King Mahabali in obeisance offered his head and set a condition that he should visit his people every year as a festival and that’s how the festival of Onam is celebrated in Kerala. Mahabali complex can be described as a ritual of Gods being jealous of man’s success and also the death and return of a king.

Zarathustra Complex

Zarathustra was the God of Zoroastrian religion and he was later adopted by the Philosopher Nietzsche as Zarathustra the over-man or superman an embodiment of ego gratification and self-deification. Zarathustra complex stands for the triumph of individuality.

Abraham Complex

Abraham is the Old Testament patriarch and God wanting to test him asked him to sacrifice his only son Isaac. This Abraham willingly complied and when Abraham was about to sacrifice his son: God told him: ‘don’t: sacrifice a ram entangled in the thicket’. Abraham complex refers to personal gain and favor coming out of sacrificing something.

Icarus Complex

Icarus was the son of Daedalus who built the labyrinth to house Minotaur. He made wings for Icarus who flew close to the sun and got himself burned. Icarus complex refers to egoistic pride and satiating ambition.

Daedalus Complex

Daedalus was the skillful architect who built the labyrinth to house the bull Minotaur. Daedalus complex stands for perfection, harmony and balance.

Minotaur Complex

Minotaur was the bull who was placed in the labyrinth built by Daedalus. Minotaur complex refers to a peculiar situation where passions and emotions are subdued.

[momobackpacker]

Nietzsche's Wisdom Unveiled: A Journey into the Life and Philosophical Insights of a Visionary"

Friedrich Nietzsche was a 19th-century German philosopher, cultural critic, poet, and philologist. Born in 1844, Nietzsche's life was marked by intellectual brilliance and profound introspection. His philosophical contributions have had a lasting impact on existentialism, nihilism, and various branches of philosophy.

Nietzsche's early life was shaped by tragedy and solitude. Orphaned at a young age, he grew up in a strict religious household, which significantly influenced his later critiques of organized religion. He pursued classical philology at the University of Bonn and later at the University of Leipzig, where he developed a deep appreciation for ancient Greek literature and philosophy.

One of Nietzsche's key ideas was the concept of the "Übermensch" or the "Overman," representing an individual who transcends conventional morality and societal norms to create their own values. This idea challenged traditional moral frameworks and encouraged a more individualistic approach to ethics.

Nietzsche's exploration of eternal recurrence, the idea that one's life is eternally recurring in an infinite cycle, added a profound dimension to his philosophy. This concept urged individuals to live their lives as if they would have to relive them over and over, emphasizing the importance of making meaningful choices.

Throughout his life, Nietzsche grappled with health issues, including severe migraines and mental instability. His struggles with mental health ultimately led to his institutionalization in 1889, where he spent the remaining years of his life in a state of mental decline until his death in 1900.

Despite the challenges he faced, Nietzsche's works remain influential. His aphoristic writing style, as seen in "Thus Spoke Zarathustra" and "Beyond Good and Evil," engages readers in a thought-provoking manner. His critiques of morality, religion, and the human condition continue to spark discussions and debates in intellectual circles.

Some of Nietzsche's notable quotes include:

"He who has a why to live can bear almost any how."

"That which does not kill us makes us stronger."

"God is dead. God remains dead. And we have killed him."

"Without music, life would be a mistake."

"In every real man, a child is hidden that wants to play."

In summary, Nietzsche's life and philosophy are a testament to the power of individual thought, the importance of questioning societal norms, and the pursuit of personal values. His legacy endures as a source of inspiration for those seeking to navigate the complexities of existence with intellectual rigor and a willingness to confront uncomfortable truths.

"Navigating Life's Challenges: Embracing Resilience in the Face of Struggles"

Life is a journey filled with twists, turns, and unexpected challenges. The path we tread is seldom smooth, and in those moments of struggle, we find the true measure of our strength. Faced with adversity, the human spirit has an incredible capacity for resilience, a theme that resonates deeply in the tapestry of our shared experiences.

The Tapestry of Struggles:

Struggles come in various forms—personal, professional, or existential. These challenges may manifest as setbacks, losses, or moments of uncertainty. Much like the ebb and flow of life, struggles are an inherent part of the human experience.

A Catalyst for Growth:

Rather than viewing struggles as roadblocks, consider them as opportunities for growth. It is within the crucible of challenges that we often discover our untapped potential and resilience. Each hurdle becomes a stepping stone, propelling us forward on our journey of personal development.

The Power of Perspective:

How we perceive and respond to struggles shapes our narrative. Adopting a positive perspective doesn't diminish the difficulties we face but empowers us to approach them with courage and determination. In the words of Friedrich Nietzsche, "He who has a why to live can bear almost any how." Understanding the purpose behind our actions can provide the strength needed to overcome obstacles.

Community and Connection:

Sharing our struggles and seeking support is a fundamental aspect of the human experience. Whether it's leaning on friends, family, or a broader community, the bonds we form can be a source of solace and encouragement. Nietzsche's idea of the "Übermensch" suggests an individual who creates their own values, emphasizing the importance of forging a path uniquely suited to one's strengths and aspirations.

Resilience as a Way of Life:

Resilience is not a one-time feat but a continuous practice. It involves adapting to change, bouncing back from setbacks, and maintaining a sense of hope even in challenging times. Nietzsche's philosophy, with its emphasis on embracing the eternal recurrence of life, encourages us to approach each day with a resilient spirit, living in a way that we would be proud to relive over and over.

Conclusion:

In the tapestry of life, struggles are the threads that weave resilience into our being. Embrace the challenges, for they are the sculptors of strength and character. By acknowledging, learning from, and navigating through life's struggles, we can emerge on the other side not just intact but transformed, carrying the wisdom gained through resilience into the chapters that lie ahead.

[salinasherny]

PRESERVING THE FLOW OFWATER CONSERVATION

Definitions:

Story 1. a narrative, either true or fictitious, in prose or verse, designed to interest, amuse, or instruct the hearer or reader; tale. 2. a fictitious tale, shorter and less elaborate than a novel. (Dictionary.com,, 2019) Tale 1.A narrative that relates the details of some real or imaginary event, incident, or case; story: 2. a literary composition having the form of such a narrative. (Dictionary.com, 2019) Science Fiction 1. A form of fiction that draws imaginatively on scientific knowledge and speculation in its plot, setting, theme, etc. (Dictionary.com, 2019) References Dictionary.com. (2019). Tale Definition & Meaning. Dictionary.com. Retrieved October 17, 2023, from https://www.dictionary.com/browse/tale Dictionary.com,. (2019, March 9). ';;'. ';;' - YouTube. Retrieved October 17, 2023, from https://www.dictionary.com/browse/storytalesDictionary.com. (2019, March 9). ';;'. ';;' - YouTube. Retrieved October 17, 2023, from https://www.dictionary.com/browse/science%20fiction%20

Story:

February 10th, 2187 – Earth's Restoration Center, Dr. Amelia Summers:

"The 'Genesis Resurgence' mission was an extraordinary success. It was a venture worth every ounce of effort, for we not only unlocked the mysteries of time travel but also reshaped the course of history without disturbing the delicate fabric of existence. As a result, our world has flourished, granting us access to abundant resources and a brighter future. However, the journey was fraught with challenges, just as I'd expected.

Our journey began with an exhaustive study of complex formulas, a deep dive into the archives of quantum physics, and checking out previously uncharted territories on Earth using specialized pods. But then...

I can't do this anymore; it's too much! Let's abandon the mission! —cried out one of my fellow scientists in frustration, feeling driven away by the magnitude of the task. Others were ready to give up, while others just wanted to show off their scientific prowess.

LISTEN! I KNOW THIS IS A DAUNTING JOURNEY, STRANDED ON A SPACECRAFT WITH A TEAM OF BRILLIANT SCIENTISTS, WRESTLING WITH THE FACT THAT WE'RE THE SOLE SURVIVORS IN THIS COSMIC ABYSS. BUT PLEASE... —I began to rally them, but I was interrupted.

The silver lining is that we have managed to decipher the essential variables, thanks to the discovery of an ancient repository—a grand cathedral filled with countless books, art, encyclopedias, and church. We also collected the necessary raw materials to construct our temporal device, and after a tireless effort, we finally assembled it.

So, what should we name our project? —one scientist asked.

Apostles? —suggested another.

Logos? —a third voice chimed in.

How about Zarathustra? It's a name with historical and philosophical significance. Nietzsche even mentioned it in his works, —I suggested.

You mean Friedrich Nietzsche, the proponent of the Übermensch? —another scientist asked.

Exactly, the very same. So, we christened our project... 'Operation Zarathustra.'

The biggest challenge we faced was the overwhelming existential fear that enveloped our team when it came to time travel and its potential to reshape the world. As the designated time traveler, I made the courageous journey to the past. In my role as a modern-day prophet, I shared insights with governments worldwide, guiding them on strategies to preserve our environment while maintaining production. Recommendations such as using factory-generated steam for clean water production and embracing photovoltaic energy over fossil fuels, among others.

And it worked! Now I stand here, gazing at a rejuvenated Earth, alive once more!

"How did you do it?" asked a scientist from my team. "IT DOESN'T MATTER HOW! LET'S ENSURE WE DON'T REPEAT THE MISTAKES OF THE PAST! WE FIGURE OUT that small actions can lead to big consequences, and this is our chance to make a difference." I responded, tears of hope filling my eyes.

To create an image on my artificial intelligence webpage, I first gather a dataset of images. Then, I prepare and choose a model, such as a GAN. I train the model with that data, fine-tuning and optimizing it as needed. Once the model is ready, I can generate images by providing it with a seed or letting it create randomly. Then, I evaluate the image quality and refine the model if necessary. Finally, I implement it on my website, allowing users to interact with the model and generate customized images.

[bee4blr-blog]

Response to Civilization by Marco Brambilla

The animated video "Civilization" by Marco Brambilla is an intriguing and thought-provoking work of art.

The use of video collage allows Brambilla to create a fast-paced and constantly shifting visual narrative that mirrors the themes of the video. The images are layered on top of each other, creating a sense of depth and complexity that reinforces the idea that civilizations are built upon layers of history and cultural influences.

The animation style is also highly symbolic. Brambilla uses iconic images and symbols from history, art, and culture, such as the Statue of Liberty, Mount Rushmore, and the Mona Lisa, to create a visual language that is both familiar and unsettling. By distorting and manipulating these images, Brambilla creates a sense of unease and disorientation that suggests that the reality of civilization is often different from its idealized version.

The way Brambilla juxtaposes images of war, destruction, and chaos with images of luxury, beauty, and excess is striking and powerful. The video is a commentary on human nature and our constant struggle between our primal instincts and our desire for civilization and progress.

The video's use of iconic historical figures and symbols, such as Napoleon Bonaparte, the Statue of Liberty, and the American flag, adds to its depth and complexity. By using these symbols, Brambilla connects the past to the present, reminding us that the same struggles and conflicts that existed in ancient civilizations continue to exist in our modern world.

The video's rapid pace and use of multiple layers of imagery also add to its impact. The constant bombardment of images and sounds creates a sense of overwhelming chaos, much like the chaos that often accompanies the rise and fall of civilizations.

the use of music in "Civilization" also adds to the video's emotional impact. The music, "Also sprach Zarathustra" by Richard Strauss, is a powerful and well-known classical piece that is often associated with grandeur and epic moments. The use of this music enhances the grandeur and epic nature of the images in the video, and creates a sense of tension and drama.

The music is also used to reinforce the video's themes of contradiction and struggle. The piece begins with a low, ominous tone that gradually builds into a crescendo of power and energy, mirroring the rise and fall of civilizations. The music's use of light and dark tones reinforces the video's contrast between luxury and chaos, suggesting that these forces are constantly battling for dominance.

Overall, "Civilization" is a stunning work of art that captures the complexity and contradictions of human nature. It is a poignant reminder that our greatest achievements and darkest moments are all part of the same story and that it is up to us to decide what kind of civilization we want to build.

[werewolvesandaccordions]

Strauss – Also Sprach Zarathustra (1896) “Thus spoke Zarathustra”, a tone poem written early in Strauss’ career that, like the original draft of the Alpine Symphony, is inspired by the philosophy of Friedrich Nietzsche. The book of the same name is an experimental allegory following the travels of the titular character, Zarathustra. Strauss structured the movements of the tone poem to reflect different episodes and topics. It opens with the “sunrise”, which is without a doubt Strauss’ most popular piece of music, thanks to Stanley Kubrick’s use of it in 2001 a Space Odyssey, and consequently every sci-fi work in pop culture that references 2001. A quiet organ growl like the primordial “om” of Buddhism, and then the “dawn” motif, C-G-C, which will pervade the rest of the work. The fanfare blasts out with the minor, timpani strokes restart the theme now showing the major, and with a grand flourish it ends triumphantly, a new day. “Of the Backwaters” referring to people living in the country, and is a lovely choral that is introduced with the opening line of the Credo. What starts off mostly in strings soon gets filled out by the whole orchestra in a lush sound. “Of the Great Longing” uses a chromatic melody that soars above the dawn motif. An orchestral flourish takes us into the section “of Joys and Passions” where the music swirls around in a stormy wave. In the “Song of the Grave” we get a solo violin over a murky backdrop of instruments winding down, until the melody is being carried high up in the air, and getting louder in a wave of shifting harmonies. “Of Science and Learning” acts as a fugue, based off of the dawn motif. This helps to convey the complexity of observed science and interpreting data to reach conclusions. It starts off quiet, and gradually crescendos, the fugue theme breaking apart and starting a more simple and rowdy dance. The orchestra takes up the dawn motif yet again and it is used as the accompaniment of a charming dance carried by a solo violin. Now, the “Dance Song” acts like a ballroom waltz, complete with the lushness of the late 19th century Viennese orchestra. It’s easy to hear the kind of gorgeous and sugary waltz writing that Strauss would later recreate for Der Rosenkavalier. The music grows bigger and bigger until the orchestral climax is brought on by the tolling of deep bells, and we hear the music of the “Night Wanderer”. Here the piece begins to wind down, suggesting that it will have a peaceful conclusion. Instead, the coda is perplexing. Strings pluck in low C under the winds playing a B Major chord up above. Does the work tonally resolve in the key of C where it started? Or does it end in the key a semi-tone down? Does it matter? It matters enough that this work was written at the close of the 19th century, and whether Strauss meant to or not, he ended up crating a work that would spark the big “problem” / “question” that 20th century composers would tackle with: how do we organize harmony if it no longer carries the same function as before? Movements: Einleitung, oder Sonnenaufgang (Introduction, or Sunrise) Von den Hinterweltlern (Of the Backworldsmen) Von der großen Sehnsucht (Of the Great Longing) Von den Freuden und Leidenschaften (Of Joys and Passions) Das Grablied (The Song of the Grave) Von der Wissenschaft (Of Science and Learning) Der Genesende (The Convalescent) Das Tanzlied (The Dance Song) Nachtwandlerlied (Song of the Night Wanderer)

mikrokosmos: Strauss – Also Sprach Zarathustra (1896) “Thus spoke Zarathustra”, a tone poem written early in Strauss’ career that, like the original draft of the Alpine Symphony, is inspired by the philosophy of Friedrich Nietzsche. The book of the same name is an experimental allegory following the travels of the titular character, Zarathustra. Strauss structured…

[tinas-art]

Strauss – Also Sprach Zarathustra (1896) “Thus spoke Zarathustra”, a tone poem written early in Strauss’ career that, like the original draft of the Alpine Symphony, is inspired by the philosophy of Friedrich Nietzsche. The book of the same name is an experimental allegory following the travels of the titular character, Zarathustra. Strauss structured the movements of the tone poem to reflect different episodes and topics. It opens with the “sunrise”, which is without a doubt Strauss’ most popular piece of music, thanks to Stanley Kubrick’s use of it in 2001 a Space Odyssey, and consequently every sci-fi work in pop culture that references 2001. A quiet organ growl like the primordial “om” of Buddhism, and then the “dawn” motif, C-G-C, which will pervade the rest of the work. The fanfare blasts out with the minor, timpani strokes restart the theme now showing the major, and with a grand flourish it ends triumphantly, a new day. “Of the Backwaters” referring to people living in the country, and is a lovely choral that is introduced with the opening line of the Credo. What starts off mostly in strings soon gets filled out by the whole orchestra in a lush sound. “Of the Great Longing” uses a chromatic melody that soars above the dawn motif. An orchestral flourish takes us into the section “of Joys and Passions” where the music swirls around in a stormy wave. In the “Song of the Grave” we get a solo violin over a murky backdrop of instruments winding down, until the melody is being carried high up in the air, and getting louder in a wave of shifting harmonies. “Of Science and Learning” acts as a fugue, based off of the dawn motif. This helps to convey the complexity of observed science and interpreting data to reach conclusions. It starts off quiet, and gradually crescendos, the fugue theme breaking apart and starting a more simple and rowdy dance. The orchestra takes up the dawn motif yet again and it is used as the accompaniment of a charming dance carried by a solo violin. Now, the “Dance Song” acts like a ballroom waltz, complete with the lushness of the late 19th century Viennese orchestra. It’s easy to hear the kind of gorgeous and sugary waltz writing that Strauss would later recreate for Der Rosenkavalier. The music grows bigger and bigger until the orchestral climax is brought on by the tolling of deep bells, and we hear the music of the “Night Wanderer”. Here the piece begins to wind down, suggesting that it will have a peaceful conclusion. Instead, the coda is perplexing. Strings pluck in low C under the winds playing a B Major chord up above. Does the work tonally resolve in the key of C where it started? Or does it end in the key a semi-tone down? Does it matter? It matters enough that this work was written at the close of the 19th century, and whether Strauss meant to or not, he ended up crating a work that would spark the big “problem” / “question” that 20th century composers would tackle with: how do we organize harmony if it no longer carries the same function as before? Movements: Einleitung, oder Sonnenaufgang (Introduction, or Sunrise) Von den Hinterweltlern (Of the Backworldsmen) Von der großen Sehnsucht (Of the Great Longing) Von den Freuden und Leidenschaften (Of Joys and Passions) Das Grablied (The Song of the Grave) Von der Wissenschaft (Of Science and Learning) Der Genesende (The Convalescent) Das Tanzlied (The Dance Song) Nachtwandlerlied (Song of the Night Wanderer)

mikrokosmos: Strauss – Also Sprach Zarathustra (1896) “Thus spoke Zarathustra”, a tone poem written early in Strauss’ career that, like the original draft of the Alpine Symphony, is inspired by the philosophy of Friedrich Nietzsche. The book of the same name is an experimental allegory following the travels of the titular character, Zarathustra. Strauss structured…