#You know... it just makes me think about all of the examples of love I've been shown in my life

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hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

***

Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

[octaneink]

Could you do some dating willne headcannons or some willne smut but like in an established relationship? I’m obsessed with your fics, I swear I’ve read them so much I could recite them from memory 😭😭

Ahhh thank you so much for the kind words! I'm really happy that you like what I've written. I've never done headcannons or write smut lol so bear with me. I don't really know how to write smut ngl so I hope you like the spice (I think thats spicy? I don't know) at the end, I've never really written anything lke that before so I hope its...realistic?

Warning for some steamy stuff at the end!

Dating Will Lenney Headcanons

Playful Banter

In your relationship with Will, playful banter is the base of your dynamic, and he uses it to keep things light, fun, and endlessly entertaining. Whether you’re curled up on the couch, out for a walk, or in the middle of a mundane task, Will’s teasing is a constant—a reminder of how much he adores you.

He’s the kind of person who can’t resist poking fun at your quirks, but it’s always done with so much affection that it never feels mean-spirited. For example, if you’re watching one of your favourite romantic series for the hundredth time, he’ll lean over with a smirk and say, “Oh, this again? Let me guess—they’ll hate each other, then fall in love, and you’ll cry even though you know exactly how it ends.” But then he’ll stay right there beside you, secretly enjoying how much you love it—and secretly enjoying the series himself. He’d never admit it out loud, but he’s grown fond of the predictable charm of your go-to media.

Will’s teasing isn’t just one-sided, though. I think he’d love it if you gave as good as you get. If you catch him singing off-key in the shower, you’ll absolutely call him out on it. “Wow, I didn’t know cats could sing opera,” or something, and he’ll laugh so hard he almost slips. Or if he’s trying to fix something around the house, and it goes wrong, you’ll be there with a camera and a sarcastic comment like, “Handyman of the year, everyone.” He’ll pretend to be offended, but the twinkle in his eyes gives him away.

The best part is how his teasing always comes with an undercurrent of love. He’ll joke about your “weirdly specific and unnecessarily complex” coffee order, but he’ll still remember it perfectly and surprise you with it on a rough day. And if anyone else dares to tease you, he’s quick to jump to your defence, proving that his playful jabs are reserved for him alone.

Your banter becomes a language of its own—a way to say “I love you” without actually saying it. It’s in the way he grins when you roll your eyes at his jokes, the way he nudges you gently when you’re being stubborn. The way he always knows exactly how to make you laugh, even on your worst days. With Will, every day feels like a game, and you’re both winning.

Supportive Partner

In your relationship with Will, his unwavering support is one of the things you cherish most. He’s not just your partner—he’s your biggest cheerleader, your hype man, and your safe haven all rolled into one. No matter what you’re going through, whether it’s chasing a dream, tackling a new challenge, or just having a rough day, Will is always there to lift you up and remind you of your worth.

When you decide to try something new—whether it’s skating, learning an instrument, or even something as simple as baking a complicated recipe—Will will be the first to encourage you. He’ll sit with you while you practice, offering gentle advice when you ask for it and cheering you on even when you feel like giving up. “You’re a natural,” he’ll say, even if your first attempt at playing the guitar sounds more like a cat in distress. “Seriously, I’ve never heard anyone make that chord sound so… unique.” His teasing is always light-hearted, but it’s paired with genuine admiration for your willingness to try. And when you finally nail it? He’s beaming with pride, as if you’ve just won a Grammy. “Told you! I knew you could do it. Now play it again—I need this on video for when you’re famous.”

On tough days, Will’s support is a quiet, steady force. He has an uncanny ability to sense when you’re feeling down, even if you try to hide it. Without a word, he’ll wrap you in a hug, press a kiss to your forehead, and say, “Talk to me.” And when you do, he listens—actually listens. He doesn’t try to fix everything (unless you ask him to), but he’ll remind you of your strength and resilience. “You’ve got this,” he’ll say, his voice firm but gentle. “And even if you don’t feel like you do, I’ve got you. Always.”

Will’s encouragement isn’t just reserved for big moments, either. He celebrates the small victories with just as much enthusiasm. Did you survive a particularly gruelling day at work? He’ll show up with your favourite takeout and a movie, ready to pamper you. “You’re a rock star, and rock stars deserve the VIP treatment.”

But what makes Will’s support so special is how deeply personal it is. He pays attention to the little things—your favourite comfort foods, the way you light up when you talk about your passions. He knows when you need a pep talk, when you need a distraction, and when you just need someone to sit with you in silence. And he’s always there, without fail.

His belief in you is unshakeable. Even when you doubt yourself, he’s there to remind you of all the reasons you shouldn’t. “You’re brilliant, you’re kind, and you’re capable of anything you set your mind to,” he’ll say, his tone leaving no room for argument. “And if anyone says otherwise, they’ll have to deal with me.”

With Will by your side, you feel invincible. His support isn’t just words—it’s in the way he shows up for you, day after day, in big ways and small. He’s your partner, your teammate, and your biggest fan. And no matter what life throws your way, you know you’ll always have him in your corner, cheering you on every step of the way.

Car Rides

Car rides with Will are an experience in themselves. He’s always the one behind the wheel, and you’re perfectly content being his passenger princess. With you who's in control of the music, and you take full advantage of it. Whether you’re in the mood for girly pop, rock and roll, Afrobeats, jungle, reggae, or even a random playlist of your favourite guilty pleasures, Will never complains. He embraces it, turning every drive into a mini concert filled with laughter and the occasional side-eye from strangers at traffic lights.

You love how he lets you take charge of the aux, trusting your musical instincts even when your choices are… questionable. One day, you might blast upbeat pop anthems, singing at the top of your lungs as he chuckles beside you. “Okay, but why do I lowkey know all the words to this?” he’ll say, pretending to be embarrassed before joining in on the chorus. Another day, you might switch it up with some smooth reggae or high-energy Afrobeats, and he’ll bob his head along, tapping his fingers on the steering wheel to the rhythm. “You’ve got good taste, I’ll give you that,” he’ll tease, even if he’s secretly adding some of your songs to his own playlist.

The best moments are when you both get so into the music that you forget the world around you. You’ll be belting out a duet to some cheesy love song, completely off-key but having the time of your lives, when you catch people in the next car staring at you. Will, never one to back down from a bit of fun, will roll down the window and shout, “What? Never seen a Grammy-winning performance before?” before bursting into laughter and speeding off when the light turns green.

Long drives are your favourite. Whether it’s a road trip to somewhere new or just a leisurely cruise around town, the car becomes your little bubble of happiness. You’ll pack snacks, throw a blanket in the backseat just in case, and let the music set the mood. Will’s driving is smooth and confident, and you love how he occasionally reaches over to hold your hand, his thumb brushing over your knuckles as he focuses on the road. “You good over there, princess?” he’ll ask, glancing at you with a smile. And you’ll nod, feeling completely at ease because, with him, even the simplest moments feel special.

Sometimes, the drives are quiet, the music playing softly in the background as you both enjoy the comfortable silence. Other times, they’re filled with lively conversations, random debates, or Will’s hilarious commentary on whatever’s happening outside. “Did that guy just try to parallel park in one go? Bold move,” he’ll say, shaking his head in mock disbelief. Or, “That billboard says ‘World’s Best Coffee.’ Challenge accepted.” And just like that, you’re pulling into a random café to test their claim, laughing the entire time.

But no matter where you’re going or what you’re listening to, the car rides always feel like yours. It’s your space to be silly, to be serious, to be yourselves. And Will wouldn’t have it any other way.

Protective Side

Beneath Will’s laid-back, easygoing exterior I see lies a fiercely protective streak, especially when it comes to you. While he’s usually the type to brush things off with a joke or a sarcastic remark, the moment someone disrespects you or crosses a line, his playful demeanour is gone.

Will’s protectiveness isn’t the loud, over-the-top kind. It’s subtle but firm. He’s the type to notice things others might miss—a snide comment, a dismissive tone, or even a lingering look that makes you uncomfortable. And while he might not always call it out immediately (he prefers to gauge how you feel about it first), he’s always ready to step in at the moment you need him.

Like if someone makes a backhanded comment about you in a social setting, Will’s response is sharp but calculated. He’ll tilt his head, feigning confusion, and say something like, “Oh, I’m sorry—did you mean to say that out loud? Because it sounded like utter bullshit.” His tone is light, almost playful, but there’s an edge to it that makes it clear he’s not joking. And if the person tries to laugh it off or double down, he’ll hit them with a perfectly timed quip that leaves them speechless.

But it’s not just about witty comebacks. If someone genuinely hurts you—whether it’s a friend, a coworker, or even a stranger—he’s quick to reassure you that their behaviour says more about them than it does about you. “Anyone who can’t see how amazing you are doesn’t deserve a second of your time,” he’ll say, his voice soft but firm.

What makes Will’s protectiveness so endearing is how he balances it with respect for your independence. He never tries to fight your battles for you unless you ask him to. Instead, he understands that you can stand up for yourself and is often there offering quiet support and encouragement. “You don’t need me to defend you,” he’ll say with a grin. “You’re perfectly capable of putting people in their place. But just in case, I’ll be right here, ready to back you up.” (definitely would hold your earrings and purse if you were to scrap with someone)

And when it comes to physical safety, Will’s protective instincts kick into overdrive. If you’re walking home late at night, he’ll insist on accompanying you, even if it’s out of his way. If you’re feeling uneasy in a crowded place, he’ll subtly position himself between you and whatever—or whoever—is making you uncomfortable. And if anyone dares to threaten you, his calm, sarcastic facade drops entirely. He becomes a force to be reckoned with, his voice low and steady as he says, “You have one more chance to apologise and walk away before this gets ugly.”

With him by your side, you feel safe, cherished, and fiercely defended. And while you might not always need his protection, it’s comforting to know that, no matter what, Will will always have your back.

Surprise Dates

Between his busy schedule and the demands of everyday life, you make it a point to plan dates that are thoughtful, fun, and meaningful. You’ve made it a tradition to try something new at least once a month, while the other dates revolve around activities you both love. Whether it’s a spontaneous road trip, a nostalgic arcade night, or a fancy dinner at a place he’s been wanting to try, you always find ways to make him feel special—and he absolutely adores it.

You know how much Will appreciates surprises, so you’ve become a master at planning ahead. You keep a mental (or physical) list of things he mentions in passing—like a new restaurant he wants to check out, a movie he’s excited to see, or a place he’s always wanted to visit. Then, when the time is right, you spring the surprise on him. His face lights up every time, and the way he grins when he realises what you’ve planned is worth every bit of effort.

Another month, you might plan a random road trip to a nearby town neither of you has explored. You’ll pack a picnic, create a playlist of his favourite songs, and let him take the wheel. The excitement in his eyes when he realises where you’re headed is priceless. “You’re seriously the best,” he’ll say, squeezing your hand as he starts the car. Along the way, he’ll take detours to roadside attractions, insisting on stopping for silly photo ops and spontaneous adventures. “Look at this place!” he’ll exclaim, pulling over at a giant dinosaur statue or a retro diner. “We have to take a picture. This is peak road trip material.” And of course, you’ll oblige, laughing as he strikes ridiculous poses and insists on making the memories as over-the-top as possible (though he takes cute couple pictures as well).

And then there are the fancy dates—the ones where you pull out all the stops. You’ll book a table at that upscale restaurant he’s been talking about for weeks, or you’ll surprise him with tickets to a show or event he’s been dying to see. On those nights, you love seeing him dressed up, his usual casual vibe swapped for something more polished. “Look at you, all fancy,” you’ll tease, and he’ll shoot back with a smirk, “What can I say? I clean up nice. But not as nice as you.”

What makes these dates so special is how much thought you put into them. You know how busy Will’s schedule can be, so you always plan ahead to make sure the timing works. You’ll coordinate with his friends or coworkers if needed, and you’re not above bribing them with coffee or baked goods to keep the surprise under wraps. And when the day finally arrives, you love seeing the look on his face. “You planned all this for me?” he’ll ask, his voice soft with disbelief. “Of course I did,” you’ll reply, smiling. “You deserve it.”

But it’s not just about the big surprises. You also make time for the little things—like cosy movie nights at home, complete with his favourite snacks and a blanket fort, or lazy Sunday mornings where you cook breakfast together and spend hours talking and laughing. Those moments are just as important, and they remind you both why you fell in love in the first place.

With every date, whether big or small, you show Will how much he means to you. And in return, he makes sure you know how much he appreciates it. “You’re incredible, you know that?” he’ll say, pulling you close after a particularly memorable outing. “I don’t know what I did to deserve you, but I’m not letting you go.” And as you smile up at him, you know that these moments—these carefully planned, perfectly executed surprises—are what make your relationship so special.

Social Media PDA

I think Will is the kind of guy who wears his heart on his sleeve, and that extends to his social media presence. While he respects your desire to keep a low profile due to your job, he’s not shy about showing the world how much he adores you. His Instagram is a mix of his work, his hobbies, and, of course, glimpses of your relationship. He’s the type to post pictures of the two of you without a second thought, whether it’s a candid shot of you laughing at something he said or a cosy selfie from a date night. Or a goofy photo of you both making faces at the camera.

His captions are always playful and affectionate. “Caught this one mid-laugh. Guess I’m funnier than I thought” or “Date night with my favourite person. Don’t worry, I’ll bring her back in one piece.”. The comments are always flooded with fans gushing over how cute you two are together, and Will loves reading them, often showing you the funniest or sweetest ones with a proud grin. “Look, they’re saying we’re goals. Can’t argue with that.”

But it’s not just the photos. You occasionally pop up in the background of his videos, whether it’s a behind-the-scenes clip from one of his projects or a casual vlog. Sometimes it’s just your hand in the frame as you pass him a coffee, or your voice chiming in with a sarcastic comment that makes him burst out laughing. Fans have come to love these little moments, dubbing them “crumbs” and saying that they’re being “fed” whenever you make an appearance. “We see you back there!” they’ll comment, or “The way he looks at her when she talks… I can’t. 😭”

Will finds the whole thing hilarious and endearing. He loves how much his fans adore you, even though you’re not in the spotlight yourself. “They’re obsessed with you,” he’ll say, scrolling through the comments. “Can’t blame them, though. I’m obsessed with you too.” And while you prefer to stay out of the public eye, you can’t help but smile at the way he proudly includes you in his world, even if it’s just in small, subtle ways.

There are times when he’ll sneak in a little more PDA than usual, just to mess with you. Like the time he posted a video of the two of you cooking together, and he casually dropped a kiss on your forehead mid-sentence. The internet went wild, and you playfully scolded him for it later. “You’re such a show-off,” you said, and he just shrugged, grinning. “What can I say? I like showing the world how lucky I am.”

Despite his public displays of affection, Will is careful to respect your boundaries. He never shares anything too personal or invasive, and he always checks with you before posting something that features you prominently. “You good with this?” he’ll ask, showing you a photo or video before hitting post. And if you ever say no, he doesn’t hesitate to scrap it, no questions asked. “Your comfort comes first,” he’ll say, and it’s one of the many reasons you love him.

For Will, it’s simple: he’s proud of you, proud of your relationship, and he wants the world to know it. And even though you prefer to stay behind the scenes, you can’t help but feel a little flutter of happiness every time you see one of his posts and realise, all over again, just how much he loves you.

Spicy Headcanons

Rough or soft?

Will is the kind of partner who knows exactly what you need, even before you do. Whether it’s a night of tender affection or one where he pushes you to the edge, he always makes sure you feel safe, cherished, and utterly consumed by him.

Soft Moments

When the mood calls for softness, Will is all about making you feel adored. He’ll take his time, his touches gentle and deliberate, as if he’s memorising every inch of you. His kisses are slow and sweet, starting at your lips and trailing down your neck, your collarbone, and everywhere else he knows you love to be touched.

“You’re so beautiful,” he’ll murmur against your skin, his voice a low, soothing rumble that makes your heart swell. “I could spend forever like this, just you and me.” His hands will roam your body with reverence, tracing patterns that leave you shivering. He’ll whisper praise in your ear, telling you how perfect you are, how much he loves the way you respond to him, and how lucky he feels to have you in his arms.

These are the moments where he’s all about you—your pleasure, your comfort, your happiness. He’ll hold you close afterward, his fingers brushing through your hair as he presses soft kisses to your forehead. “You’re my everything,” he’ll say, and you’ll believe him, because in those moments, nothing else exists but the two of you.

Rough Moments

But then there are the nights when Will’s more dominant side takes over. It’s not about anger or frustration—it’s about trust, about pushing boundaries, and exploring the raw connection between you. On these nights, he’s in complete control, and he knows exactly how to make you unravel.

He’ll start slow, his touch firm but teasing, building you up until you’re trembling with need. But just when you’re about to tip over the edge, he’ll pull back, his grip tightening in your hair as he forces you to meet his gaze. “Not yet,” he’ll say, his commanding voice sending a thrill down your spine. “You don’t get to cum until I say so.”

He’ll edge you relentlessly, his hands and mouth working you to the brink over and over again until you’re a writhing, desperate mess. Tears might prick at the corners of your eyes, your breath coming in ragged gasps as you beg him for release. But he won’t give in—not until he’s sure you’ve reached your limit. “You can take it,” he’ll say, his tone equal parts challenge and reassurance. “I know you can.” Of course, you can; you haven’t said the safe word yet.

Foreplay

Will is the kind of man who takes his time, savouring every moment of intimacy with you. He’s not just interested in the end goal—he’s obsessed with the journey, with the way he can make you unravel under his touch. For Will, foreplay is an art form, and you are his masterpiece. He loves watching you moan, squirm, and barely hold onto yourself, knowing he’s the one driving you to the edge.

It starts with his hands, always so deliberate and sure. He’ll trace patterns along your skin, his fingertips leaving trails of fire in their wake. He loves the way you shiver under his touch, the way your breath hitches when he finds that one spot that makes you gasp. “You’re so sensitive,” he’ll murmur, the tone of his voice sends shivers down your spine. “I love how you react to me.”

His mouth. Damn his mouth. He’ll press kisses along your neck, your collarbone, your stomach—everywhere but where you want him most, just to tease you. “Will,” you’ll whine, your hands tangling in his hair, and he’ll chuckle against your skin, the vibration making you squirm. “Patience, love,” he’ll say, his lips curving into a smirk. “I’m not done with you yet.”

When he finally does give you what you want, it’s with a slow, deliberate intensity that leaves you breathless. He’ll watch you as he works, his eyes dark with desire, drinking in every moan, every whimper, every desperate plea for more. “You’re so beautiful like this,” he’ll say, his voice rough with need. “I could watch you fall apart all day.”

But Will isn’t just about physical touch—he’s a master of words, too. He’ll whisper filthily sweet nothings in your ear, his voice a mix of praise and promise. “You take me so well,” he’ll say, his breath hot against your skin. “I love how you sound, how you feel, how you’re all mine.” His words are like a drug, intoxicating and addictive, and they only make you want him more.

By the time he’s done with you, you’re a trembling, incoherent mess, barely able to form a sentence. But Will isn’t satisfied until he’s sure you’re completely undone. “Not yet,” he’ll say, his hands and mouth working in tandem to push you even further. “I want to hear you beg.”

I hope people don't mind that I only wrote two spicy scenes. Sorry, I kinda ran out of ideas lol. Anyways… how did people like the headcannons? These are headcannons right?

[saintsenara]

Perhaps not the point of your ongoing Snoldemort (Vape?) masterpiece, but I really like how you write Lily. She’s adventurous and determined and charismatic, but also utterly careless about Severus’ emotions and especially his poverty in a way that’s - for those of us who’ve been in the same boat - utterly demeaning. And I think that’s all clearly there in canon too! I know she’s rather underwritten due to her mystery being kept under wraps for 6.95 out of 7 books, but I don’t think she’s *quite* as underwritten as many people think considering she’s only got about 10 lines. So I really love it on the exceedingly rare occasions when she flashes up in fics to be less saintly and more…correct in most respects, but also such a dick about it.

i can't believe i've been foolishly persisting with "snapemort" as the ship name when "vape" was in front of me the whole time.

[a shot of lord voldemort listening to the radio broadcasts of the wizengamot...]

thank you very much for this lovely message about scylla and charybdis, anon! i'm delighted you're enjoying it.

the starting point for her characterisation in the fic was - basically - god forbid a teenage girl not be the most selfless person in history.

i'm always really struck [and completely unsurprised...] that both sides of the fandom debate about snape seem to focus a lot on lily's supposed saintliness. since i'm a snape fan, i end up seeing the anti-lily side of this fairly often - endless rounds of "well if she's so great why didn't she do exactly what snape wanted all the time? why did she simply not accommodate everything he thought? checkmate, snaters" nonsense, which then quickly devolves into "every even mildly negative thought she had about snape was driven by her pure evil"...

but the thing is... even without any of the rest of it - the fact that she's a member of the wizarding world's persecuted underclass and there's a war on, for example - she's allowed to not be constantly thinking about other people's problems. and she's allowed to be annoyed and selfish and uncharitable and rude. and she's allowed to not be constantly filtering her words and actions through every single possible societal nuance in order to make sure she only responds in the most perfect way ever... not least because that's fundamentally impossible.

i like the fact that she never quite gets how snape's poverty changes his engagement with the world - especially in the most recent chapter, when she's thirteen and she thinks she's having a nice time hanging out with her pal and she thinks he's saying what he means when he says he doesn't want anything from the ice cream man, rather than pretending that he doesn't because he hasn't got any money and he finds the idea of admitting that to her to be too humiliating to bear - because it's a situation where neither of them are in the wrong, which i just find much more interesting than the fandom's determination to divide characters who are in conflict into the winner and the loser, or the good person and the bad one, or the person who's right and the person who's wrong.

snape's feelings about his poverty are entirely understandable, and lily clearly hasn't thought as much about it as might be admirable... but it's also his own fault that he doesn't share these feelings with lily, and just expects her to read his mind and modify her behaviour without him offering her any explanation as to why he wants her to do this or offering her any chance to refuse or to ask him to compromise on these desires.

and this lack of honest communication leads to their bigger, much more clear-cut resentments - over james, over mulciber and avery, over dark magic, and - of course - over voldemort. lily's obviously completely correct to say that voldemort is a terrorist and she won't respect anyone who's obsessed with him... the moral argument is black-and-white, lily's the only person who's right.

but the issue is that snape isn't actually arguing from an opposing position. he's not arguing that voldemort isn't a terrorist - he's arguing that voldemort is a terrorist who's also the only person he's ever met who's offering a tangible way for him to get out of poverty. and this is true - both in the fic and, in my view, in the canon text. the material argument is much, much more complicated than the moral one.

lily can't solve these problems - she's just one person, and she doesn't have to risk her own safety to try and deradicalise someone seeking to join an organisation which hates muggleborns - and i don't expect her to have ever been able to do so.

but i also like the fact that - just as snape's major failing in canon is indifference [he can tolerate what voldemort does until it affects him] - the good guys' major failing is indifference too.

the ministry and the order are principled people taking a righteous moral stand against terror... and they also have no idea how the system they're fighting for oppresses all but the elite of wizarding society... whereas voldemort understands this intimately, and he uses it to swell his ranks with disaffected recruits who are looking for someone to blame for their conditions...

[hence why he's the person - even as the text tries to present him as someone whose aims are pureblood oligarchy - who canonically commands the support (or, at the very least, the toleration) of the working classes and the non-human peoples oppressed by the wizarding state...]

but these recruits are nonetheless entirely aware what they're signing up for... they're not joining a legitimate political party, or a union, or an activist group seeking to bring about change through non-violent means... they're joining a terrorist organisation...

but their experience at the hands of the state makes them easy to convince that they've got no other choice...

i like this sort of vicious cycle approach to both the first and the second war because it's so much more interesting than canon's "this is a straightforward battle between good and evil" vibe.

[lulumangione]

as someone who’s autistic i also really get the feeling that luigi is on the spectrum and i have nobody to talk about it with because i feel weird like armchair diagnosing him😭

his mannerisms really give it away for me. he’s overly expressive and literally cannot talk without using his hands—and also he comes off to other people as maybe “suspicious” which i really relate to and honestly makes me sad because he’s just chilling!! he might seem like he’s up to something to some but he just seems to me like he’s naturally very antsy and maybe uncomfortable in his own body so he fidgets a lot. i’ve done that little half stretch with the arms raised too many times to count. that’s not even mentioning his little default stance with the hands clasped in front of him or that stupid face he does in pictures sometimes where he scrunches up and looks like he’s gonna bite a bitch

and before he went missing he mentioned to some people feeling “different” from everybody else, like he was on a different wavelength, and that SCREAMS undiagnosed autistic to me. the “npc behavior” he described being so concerned with feels like an extension of this—i think maybe he felt like someone whose feelings are so so big in a world that seems to not feel much at all anymore. that feeling of not belonging and being out of place is the most autistic thing anyone can experience and i feel for him so much. if he does happen to be on the spectrum i wish he could’ve found some kind of community of other neurodivergent people that get him and share similar struggles because maybe then he wouldn’t have felt so alone. idk this turned into a RANT sorry i’m very passionate about autism can you tell

NONNIE YOU'RE SO FUCKING REAL OMG Thank you so much for this ask, you expressed so clearly how I feel about it too!!

As a fellow autistic, at least in my personal experience, I can easily tell when someone clocks that I'm autistic, despite the fact I'm extroverted and a pretty confident person. I think Luigi falls under that too.

No matter how hard you can try to not seem that way, there will be neurotypicals that see it. They'll usually play it up as "weird" or "suspicious" like you said, I've had it a handful of times. It's just how we are, lol.

I think it's unfortunate that he found community in a bunch of incels online, but I can understand why he would be drawn to that despite how smart he is and how his brain ticks. We don't know him personally so there's no telling what his political thoughts are entirely. Man is an enigma in that sense – which also makes sense for being neurodivergent.

With such wealth and an overbearing family, it's easy to understand why he would just want to get away. Find peace outside of everything he'd ever known. I feel the same sometimes.

It also makes sense for his distaste for technology, or at least somewhat of it. We get overstimulated easily and the world was already going haywire and towards something unhopeful, flooding socials and the media in general, before all of this, so I can at least comprehend why he would want to disappear.

Luigi's Reddit posts I feel go more into him as a person outside of silly twitter posts, the way he would randomly info dump about things is a big tism flag for me.

(example, the sunglasses post, lmao. "Fun fact" babes, no one asked x)

I mentioned before how it can feel weird to talk about, but I genuinely do think it's okay to feel that connection, regardless of who it is.

(Btw pls feel free to DM me whenever!! I'd love to hear more on everyone's thoughts on this.)

[rasmodius-nuisance]

I think this might be a good starting point for my new blog, I have a draft with my main farmer's actual profile, but this will be really helpful for me too! <3 I'll start this post by showing you how she looked 2 irl days ago, I've finally been able to get the blue bow since so that's a bonus! (I'll try to get a screenshot of that as well!) I wanted to dye her skirt to match the overall part of the shirt, but I think it ended up leaning more towards a greyish blue if something. (I'll show what it would look irl as a funfact, since I found a pic on pinterest that looked pretty similar!) I also got the longer skirt recently but I must say I like the short one better. My game is currently on fall (almost winter) so I decided to keep the long one on for now. Btw, I've realised the eyes look blue as well, they're supposed to be grey... Is this a sign that I'm going blind? lol Btw my current icon is supposed to be her too!

With that out of the way, let's begin! (Beware, long post ahead!)

(Little note, when I say "lore-wise" I mean my own lore, it doesn't necessarily have to be accurate to the canon in-game lore!)

Introduction:

Since I wanted for my main farmer to be based on me, I decided to name her Luna. "Luna" means "moon", it's like my signature thing. I love everything universe/galaxy/moon/stars related. On the other side, it sounds like a witchy name so I felt it would fit too. (I hate my irl name so that one wasn't an option.)

Spring 18

Keeping in mind that she's supposed to look like me, and giving you the earlier pic as an example, let's say she's pale and short, with grey eyes and short curly hair that she dyes black (and pressumably straightens just by brushing it), with a round face that a certain guy likes to compare with the full moon (lore-wise, lmao)

I'd say the witch hat, *insert the IF I HAD ONE meme*, but since I haven't gotten that one yet, I'm not sure. Let's say the blue bow for now!

It's supposed to be a mix between blue, dark, cold and earthy tones with witchy and cottagecore vibes, somehow? I wouldn't know how to put it into words tbh

I'm not sure yet, I'll think about it!

I'll say a lot of rock and similar (but not the hardcore one), pop and maybe a little bit of kpop. Once again, based on me lol, although my irl playlist does have a lot of kpop.

Drawing, reading, writing, gaming, listening to music, things you can pretty much do on your own. Oh, and bothering the Wizard >:3

I'd say laying on the bed while petting her (ghost) cat, thinking back to the social interactions she might have gone through that day, feeling anxious or embarrassed for most of them or shy if they involve a certain guy... But her cat won't hesitate to make her calm down, to feel at peace, trying to protect her from the bad thoughts.

I'm not good at cooking (I don't know how to do anything at all, sad lmao) so she isn't either. I haven't gotten that far on the cooking part of the game though, I do know I've already unlocked a lot of recipes but I've barely checked them, oops. I'd say cookies or pancakes!

Rainy! You don't have to water the crops nor the pet's bowl and if you struggle like me when it comes to remember about doing so, it's really helpful. However, just like I do irl, I HATE the thunders and lightnings.

Fall!

Dance of the Moonlight Jellies and Spirit's Eve

I think it's foraging. I feel like that's the easier one out of them all.

An artist or a writer

That's a hard one because I'd always say "at home" but since the in-game home doesn't look good yet I wouldn't know. Let's say the Wizard's tower or Marnie's ranch

Farm Life:

Chaos. Chaos everywhere. I'm about to finish year 2 but it still looks pretty basic. I recently tried to get rid of all the wood and rocks laying on the ground, as well as a lot of trees so it's not good yet. Going back to her aesthetic, I guess I'll try to follow the dark cottagecore witch theme.

The grey and white cat, his name is Yuki (as in "winter") and lore-wise he's supposed to be grandpa's wild late cat (he didn't really own him), poor boy passed away a little bit after grandpa did, waiting for him to come back since he didn't really know he couldn't, still waiting to this day... But he's gotten really attached to Luna, feeling a stronger connection with her than the one he felt with grandpa.

Once again, Yuki. I don't even want to get any more pets for her, he's really special to me. However, I'd love to get a black cat since those are my favorite type, but I'd still have to think about how that could fit lore-wise.

If by cabin we mean the extra houses, yes but no. One of them is currently my storage room, really basic. I think the other one still has the starting decor. I struggle with getting money lol. (I hate that you can't pick up the presents though)

Not sure!

...I haven't gotten to grow any of those yet :'D

I can't tell if I've already gotten any of these besides the first two, but I'll say the ornamental fan, dried starfish, elvish jewelry and strange doll.

Midnight carp and ghostfish

 I've recently gotten new swords, I can't remember which one I'm currently using though

 Let's beging with the ones I ABSOLUTELY HATE so far, the stupid serpents are number 1, they were the reason I "died" most of the times on the Skull Cavern. The other one so far would be the slimes. As for the one I like... I'll say mummies because they seem to drop a lot of cool stuff AND CLOTH! And aesthetic/lore wise so far, I'll say ghosts :D

If that means they won't be aggressive nor attack anyone anymore (including animals) I think she would. I'd say bats, skeletons, ghosts and those shadow guys.

Relationships Platonic and Romantic:

Ignoring that certain guy, sweet Evelyn (I love her, I see her as both mine and Luna's pixel grandma, I guess she just reminds me of my irl one somehow), Krobus lore-wise but he's still scared of me in-game, the Wizard (but he still hates me, although that's kinda canon lore-wise too lmao) and maybe Linus, I don't usually interact with him that much but I love him, his lore-wise story gets somehow deeper so that adds to my love for him.

Maybe Maru, Harvey, Jas and Marnie? Abigail's hearts are pretty high too but there's a reason behind that (she's Luna's ex), although they aren't as close as they used to be anymore. I'm still trying to level up everyone's but specially those I like the most, bad thing is I'm usually doing my own thing so I forget about that.

Alex for the win. He recently told me something about how you need to tan on the beach, otherwise I'll end up looking like milk (I'M ALREADY PALE AS FUCK WITH A SUN ALLERGY AND SENSITIVE SKIN ALEX), to follow up by saying how much he'd like to see me on a swimsuit. He didn't even know my name earlier today. I LOVE to check the trash cans while he's around <3 Besides him, I'll say Clint and Lewis. I almost died yesterday because of the underwear monster btw

Well, well, well (I say while looking at that well I made Robin build for me on my first days just to use it twice since)... I fell in love with Abigail a few years ago while watching a gameplay of Stardew Valley (for the first time) from an art youtuber I love. You could say it was love at first sight. I used to love her, I loved looking at fanart of her too. But Tumblr made me fall in love with Shane. I'll mention (but not tag) the main reason I fell for him, being this artist who happens to love both him and making comics about him and her farmer. I haven't been able to stop the obsession for him ever since *sigh* Tumblr and Pinterest are dangerous places, kids

For Abigail, she's a lot of things I like. From witchy stuff, to gothic, to hair-dye, videogames, amethysts, SHE OWNS A GUINEA PIG, she's weird like me (I love women too lmao)... For Shane, I wouldn't know. It's a mix of things I've gotten to love about him from each piece of fanart I've seen for the most part. As a fun fact, going back to that gameplay I was talking about, the youtuber hated him because he was really mean to her so I still hated him too even when I first started to play the game, like 2 years ago. However, I feel like I/Luna was attracted to her on a more aesthetic/superficial level but I think it's different with Shane. (ignoring the fact that all of them are pixels) I genuinely care about him, I want him to get healthy, to feel and get better (for him to begin with, for Marnie and specially Jas as well), to learn that even if he thinks no one does, there's people who deeply love and care about him, that he deserves happiness too. That he- *sigh* Okay, I'll stop now, this is getting too long of a reply.

Not yet!

Not yet!

For the Player:

I think this is a really common one among Stardew Valley fans, but Sandy. Just look at her. I get why Emily loves her.

I don't know tbh, I'd have to look it up or something, but I must say I actually get sad whenever the music stops playing on its own :(

Hmm... There are probably a few, but there's one I recently got while playing today. I'm not sure if this one is only on the spanish version or not but Vincent told me that I'm not as boring as other adults (although I totally am, but still) :'3 Oh! The one you get from Evelyn and George on the jellyfish event too! I recently saw a fanart on pinterest that almost made me tear up.

Spoilers! Emily's dressing-up thingie (I honestly thought punk Shane was just a random thing/meme though! omg!!). Shane's 2, first-7 and 8 heart event maybe. There are more but I have memory issues so I'd have to look it up as well.

Shane's 6 heart event for the win. His 4 heart event too. Emily's 6 heart event so far as well, don't ask me on that one though :) There might be more, but once again, I'm bad at remembering stuff :'D

Krobus plushie! I'd say the junimos too but I think that's actually a thing. Maybe a WIzard's journal too? Like, both a empty notebook type with his aesthetic and something like either the Gravity Falls or Star vs The Forces of Evil one (there's apparently another one with spells too just like in the show though??), talking about his wizard life, the magical languages he's learn (with its actual alphabet for you to have fun with it just like in the Geronimo Stilton fantasy kingdom series!, monsters, etc.

I think that's it?? I didn't expect to write THAT much to be fair so I apologize for it. It was really fun to come up with each reply though, thank you so much to @missrandomdreamer for making this little Stardew Valley quiz, I hope this was what you expected when you made it, some of my replies aren't that good so I apologize again.

I hope this helps a little to get to know both me and my main farmer, I'm not very active since I have a lot of blogs to manage (which actually overwhelms me and makes me go on hiatus most of the time, among other reasons tbh) but I hope I can find my little place on this amazing Tumblr Stardew Valley community at some point! I plan on writting too, both little fanfics and also about Luna's story, since that was supposed to be my strong point when I first started to be active on Tumblr. I also love to read those as well so I'd like to thank all of you who create. Fanfics, fanarts, moodboards... I appreciate sooo much your little magic here, you're doing an amazing job, keep it up! <3

Stardew Valley Farmer Asks

This might have been done before, but I kind of wanted to do my own spin on it! Anyone can do it but it’s just a fun Stardew Valley Farmer Asks and or Q&A list. I want to talk about my farmer and I want to hear other people talk about their farmers and experiences in the game! <3

Introduction:

What’s your farmer’s name and what is the origin of the name?

What is your farmer’s birthday?

What do they look like?

What is their signature accessory?

What is their aesthetic?

If they had a theme song what would it be?

On music, what does their playlist look like?

What are some of their hobbies not including farming?

Similar to the previous question: what does your farmer do after a long day of work? How do they relax?

Do they have a favorite food recipe? What are their favorite foods?

Favorite type of weather?

Do they have a favorite season?

What is their favorite holiday?

 What is their specialty? (angling, foraging, combat etc.)

If they weren’t a farmer, what would they be?

What is their favorite place to be in Stardew Valley?

Farm Life:

What type of farm do they have?

What was their chosen animal (cat or dog) and what is the pet’s name?

Is there an animal that your farmer has a strong attachment to? Could be all, could be the fish in their chosen pond or aquarium any little animal. :3

Do you like to decorate your cabin? If so, what does your cabin look like?

What is their favorite crop?

What is their favorite fruit tree?

What is their favorite artifact/stone or other dug up item?

Do they have a favorite fish? Either for looks, food,  for their pond or aquarium?

 What is their weapon of choice when they have to go battle in the mines?

 What is their favorite enemy in the mines ? What is the one they hate the most?

If it was possible to tame one of the monsters in the mines would your farmer do it? And if so what would be the monster they would tame? 

Relationships Platonic and Romantic:

Whose your farmer’s best friends?

Who in the Valley is more acquainted with your farmer? Not a super close friend or an enemy but are just kind of like: someone they say hi to but don’t get super close to?

Is there someone your farmer has absolute beef with? Someone they honestly can’t stand and would probably get in a  fight with?

Who did your farmer romance? Or did they not romance anyone?

What made your farmer fall in love with said character that they romanced? Could  be in the canon game story or in your own story you write with your farmer. 

If they did marry a bachelor or bachelorette  or got Krobus as a roommate: what does a day in their life look like with them?

Did your farmer have children or adopt any? Tell us about them.

For the Player:

 Is there someone as the player that you wish was romanceable? If so, who and why?

What is your favorite song(s) in the Stardew Valley Soundtrack?

What is your favorite dialogue in Stardew Valley? 

Favorite moments in Stardew Valley?

Least Favorite moments in Stardew Valley?

What would be your dream official merch of Stardew Valley? Like what would you like to see more of or what is something you wish they made into official merch from the game? Could be a character or anything :3

[wildsaltair]

not just a snack but the entire five-course meal plus coffee and dessert. I'll have mine in my room

[ilovecoffeeandchemistry]

ooooh i woke up in a bad mood and it's so hard not to be a bitch about it

[thebeautifulfantastic]

<3

[mountain-lion-gremlin]

so after some contemplation (and a nice, very warm shower - along with decompressing by watching some Laat Week Tonight lol) I've decided that it's probably best for me to stop overthinking and letting myself fall into a mental spiral from the whole situation.

Because I was.... heavily unregulated and sort of unreasonable over the whole thing. I have incredibly bad anxiety, and it got to the point where I was imagining that he was forced to do things (such as change his discord settings and stop talking to me) when in truth that is highly unlikely.

I cannot put it aby better than I was spiraling, and needed to find stability.

Like how the hell am I supposed to know? How am I supposed to know what's happening? It doesn't help me to be so attached and so incredibly worked up from everything I notice and see. I felt like I was being almost downright creepy. I was driving myself into a very bad mental state, and i need to step back.

Stop being so incredibly attached to something I simply do not have control over.

So, obviously i will continue to be here and wait for when he returns. But I need to detach from this idea that i actually know him and his whole life, down to everything happening in his everyday life and that this is incredibly "abnormal". I simply need a break from this, it's too much mental strain on me and probably even him.

I sent a message asking if he was okay, and that's all i can do. Spiraling out of control won't help me or him at all.

[light-wrath-paradise]

*takes a drag of cigarette* I need to reread Monster by Naoki Urasawa

[silverselfshippingchaos]

i know i mostly post y.akuza these days, but I'm so filled with love for f.elix. have been for so long now.

[spotforme]

it's very stupid

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[icemankazansky]

A Simple Guide to Not Being Afraid to Write Comments to Fic You Read

I've seen a lot of posts about the current state of fanfiction comments. Writers, especially writers who have been in fandom for a decade or more, are frustrated by the lack of comments, and have noticed a definite decline in comments (and all other forms of reader interaction) in the past ten years or so. Many readers feel daunted by the expectation of leaving comments, afraid they'll do something wrong. As a fandom old maid, the latter confused me for a while, until I realized that most of the people who feel that way probably have not been taught this form of communication.

But your loving fandom elders are here for you. Come along as your auntie tumblr user icemankazansky makes this shit easy.

The easiest way to think of fanfiction comment etiquette is to compare it to something you likely already know: Gift Receiving Etiquette.

Fanfiction began as largely a gift economy. And a lot of it still is! You'll see authors participate in exchanges like Yuletide and Id Pro Quo; those are ficswaps in which authors write for a specific person to specific prompts. And even outside that, fanfiction is not written for money; authors write and post it simply for the joy of creation and community with fellow fans. Fic is posted free for anyone to enjoy. Is that not a gift?

So. When you as a reader finish the chapter or story you're reading and you are faced with the comment box, try to follow the same etiquette you would when receiving a gift. (And even if you didn't love this gift and it's not your favorite gift ever, we already know that it's more useful than the products from your cousin's MLM that they're passing off as gifts, because you read the story. At the very least, it entertained you for the time you took to read it.)

The big rule of gift receiving etiquette is not to insult the person who gave you the gift, either directly or indirectly. That's it. Full stop.

I've been seeing a lot of comments lately that are just along the lines of, "Thank you for writing this story and sharing it with us." A+, top of the class, full marks, you're doing amazing. If you don't feel comfortable commenting on the story itself, that is perfect feedback. And that's the most basic way you respond to a gift, yes? Thank you for the gift. Thank you for thinking of me. Thank you for sharing.

Does this rule mean that you cannot say anything at all that might be negative about anything? No, absolutely not. What you want to avoid is saying something that is, at its core, a negative evaluation of the author or their work. Let's do some examples.

Character A's obliviousness about Character B's MASSIVE crush on them made me so frustrated! I was tearing my hair out internally screaming, "JUST LET HIM LOVE YOU."

✔️ Excellent comment! You're allowed to have all sorts of feelings about things that happen in the story, and in fact authors LOVE to hear about any emotions they made you feel. Yes, frustration is not a positive emotion, but the thing you are expressing frustration about is not the author themselves or their shortcomings.

Contrast that to:

I was really frustrated that it took you so long to post this chapter. The cliffhanger at the end of the previous chapter had me tearing my hair out, and then you just left us hanging FOREVER!

❌ Nope! Here what you are expressing is frustration with the author and how fast they come out with new chapters. Imagine your sister buys you a gift for your birthday, but she isn't able to give it to you until the next week, and you respond with: "What took you so long?" I think Emily Post would frown on that.

Reframing

The way you say something and the point of view from which you give feedback can have a HUGE impact on the message you're sending. Let's take the last comment (the one about wanting an update) and see what happens when we reframe the same sentiment as a positive:

I was SO EXCITED to see that you updated this story! I have really been looking forward to seeing what happened after the cliffhanger in the last chapter.

✔️ Now it's not an insult. The author will be happy to know that you are happy to see new work from them.

This idea extends beyond the story itself: to the fandom, the characters, the pairing, the tropes, etc. Let's do some examples.

I looooove reading about these sexy boys SO IN LOVE even though the movie you're writing about is SOOOOO problematic.

❌ Nope! Assume that the author enjoys the canon, characters, pairing, etc. in the stories they write. This comment is insulting to the author because it basically says, "That thing you love is not great, and you should probably feel bad for liking it." Imagine your aunt gifts you a sweater from a popular retailer, and you respond with, "This is so cute, I love it! It's a shame that it was made in a sweatshop." Do you have a valid point about the canon or the retailer's business practices? You very well might. Is this the proper time and place to talk about it? Absolutely not.

Let's do a reframing exercise. You should be very careful about how you approach commenting negatively on anything in the story that appears in the tags list, but you can make it a compliment and good feedback if you have the right perspective. See the difference with these two approaches:

I kind of think frottage is disgusting, but I liked it in this story.

❌ Nope! You just told the author you think their kink is disgusting. That's like telling your poor aunt who is just trying to keep you warm this winter that she has awful taste in knitwear. Try again.

Frottage normally isn't my kink, but I love your other stories with this pairing, so I decided to give it a try, and I'm SOOOOO GLAD that I did! This story was 🔥🔥🔥

✔️ "This normally isn't my thing, but you made me expand my horizons!" Authors love to hear that. That's like telling your aunt, "I never thought this color looked good on me, but I look so cute in this sweater! I'm so glad you helped me step outside my comfort zone, because I'm the better for it."

thank u, next

The last thing I want to address is this new trend I've seen in commenting lately: placing an order. If your mom surprises you with new headphones, you don't respond with, "I wanted the white ones 🙁," or, "You should get me a new phone, too." It's easy to see why that isn't appropriate in a gifting situation, and it's also not appropriate when commenting on fanfiction.

Let's do some examples:

This fic was soooo cute, but it would have been a million times better if Character A had been with Character C instead of Character B.

❌ There are a few things going on here. Number one, you're telling your mom you wanted the white headphones, not the ones she actually bought you. You're also disparaging the A/B pairing that the author chose to write about, and as we discussed, we can assume that the author wrote the pairing because they liked it. Even if it's not their favorite and/or they also write A/C, they made a choice for this story to be A/B, and the comments section of a fic is not the place to question choices the author made in their own work.

You should write a story where Character Z who is not even in this story does [thing that is vaguely referenced in the B plot].

❌ "You should get me a new phone, too."

I want a sequel. 😞

❌ "Thank you, next!"

You can reframe this kind of sentiment if you are careful about it, and it's not all you say.

I really loved this story. I would be so interested to see these ideas explored further if you ever decide to write more in this universe.

✔️ Not "gimme." Not "more." This is, "If you build it, I will come." It is a HUGE difference.

You already know how to do this. You know how to graciously accept a gift; just use that same etiquette, and boom! Now you know how to fearlessly write a comment to fic you read. You're doing amazing. Go forth and comment.

[nefastnefertiti]

WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!