#You Can Find Me Out Among The Stars ; (binary star verse)
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Graves Siblings ;; Binary Star Verse.
mary oliver ; west wind // @flood-of-shadow // ernest hemingway // tiktok // the witcher (2019) // @mothervvoid’s tags
#Don't feed the dark; (Tyler x Saint)#You Can Find Me Out Among The Stars ; (binary star verse)#web weaving#mary oliver#ernest hemingway#the witcher
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Number Theory
On another version of Atlantis, John is a mathematician who is better with numbers than with people. But he's going to have to learn to get on with his team and their bossy leader, Rod, if he wants to survive here.
Stargate Atlantis, McShep, mensa!verse, 9k, rated E.
Also on AO3.
Dr. John Sheppard straightens his glasses, pulls his lab coat around himself, and makes one final, futile attempt to tame his hair.
He takes a last look around the SGC, bustling with scientists and marines and boxes of supplies, and wonders how everybody seems to know their place and what to do already.
Then he steps through a wormhole and into another galaxy.
-
Atlantis is stunning. Terrifying, and dangerous, and liable to kill them all, but stunning all the same.
-
He protests that there’s no need for a mathematician on an offworld team, but the head of science insists. John sourly suspects this Rod guy enjoys watching him wheeze and stumble every time they have to run for their damn lives.
But it turns out it’s useful for a field team to have someone around who can crack codes and work computers. And John hates field work less than he expected to, despite the unpredictability and the peril and all that awful running.
Sometimes, like when he breaks the encryption on a Wraith code in the nick of time and diverts an enemy ship away from its path toward Atlantis, he even feels a tiny bit like a hero.
-
Other than his team duties, though, Atlantis isn’t that much different from Caltech or MIT or the Air Force base at Wright-Patterson, or any of the other places he’s worked.
Everyone knows each other, except for him. Everyone bands together to look out for each other, and he stares in from the outside. Eating in the mess hall is like being catapulted back to high school.
So he makes himself at home in his lab. It’s quiet there, and there’s a plentiful supply of coffee, and there are only a couple of other mathematicians who occasionally pass through and largely leave him alone.
They’re next door to the noisy, boisterous science labs, where all the cool civilians hang out. But that’s fine. He gets used to ignoring them the same way he ignores the marines.
It’s just him and his numbers.
And sometimes, inexplicably, Rod or Teyla or Ronon, who will come by and sit at his desk and drink his coffee. He never understands what they’re hoping to achieve, but he doesn’t mind as long as they don’t touch anything.
-
Teyla appears in the doorway, staring at his whiteboard. It’s covered top to bottom with equations, and he’s had to stick up bits of paper around the walls to fit more on.
“Rod requested that I see how your work is going,” she says, voice giving nothing away.
He grits his teeth against the annoyance of the interruption. “It would be going faster if I could work unimpeded.”
She ignores the petulant note in his voice, squinting closer at the whiteboard. “What is this?”
“This is number theory. It’s the underlying basis for mathematics.”
Teyla raises an eyebrow. “And this is different from what Rod does?”
He sneers. “Very different. That’s just theoretical physics.”
“You do not respect Rod’s chosen field?” She seems genuinely curious.
“It’s fine, for, you know,” his lip curls, “an applied science.”
“I see. So this work can help us locate Wraith hive ships?”
He shifts his weight. “Well. I might need to, uhh, collaborate with Rod on that. I provide the conceptual models and he does the,” he waves dismissively, “practical calculations.”
“It seems that you two accomplish more when you work together.”
He scoffs. “I wouldn’t go that far. But he’s useful as an assistant, I suppose.”
-
When they learn there are three Wraith hive ships on their way to destroy the city, there isn’t much time for personal conflicts. They have a long-shot strategy: They’ve sent an emergency distress message in the vague hopes of rescue from Earth. But the Wraith ships are almost here and they need a plan now.
“Use the jumpers,” John suggests, because it’s obvious.
Rod snaps his fingers. “Yes! Put a nuclear warhead on board, fly the jumper right down the hives’ throats, and detonate.”
Elizabeth blanches. “That’s a suicide run.”
“No, no.” John thinks out loud. “Not if we can remote pilot the jumper.”
“Using the control chair!” Rod chimes in. “Sheppard, you’re a genius.”
John is so focused on the threat he forgets to preen over that.
It doesn’t take long for them to hook up the jumper to the chair and start running tests. Just as well, because death from above is coming imminently.
He knows something is wrong the moment Rod’s face falls while he’s poking at the cables running to the chair.
“McKay...” he says, voice low but insistent.
“I know! I know. Just give me a minute.” Rod disappears back into a bundle of cables. “I can fix this.”
Everything is suddenly, startlingly clear. The remote control won’t work, at least not in time. Someone will have to fly the jumper personally.
He and Rod both have the ATA gene, and both the same dubious piloting skills. But there’s not much skill required in flying directly into a hive, is there?
One of them has to do this.
“So long, Rod.” He turns and runs from the chair room to the jumper bay, not bothering to notify anyone of his plans.
“Sheppard! Sheppard!”
He hears Rod yell after him but he can’t think about that now. He has a job to do.
-
He gets beamed out by the Daedalus at the last moment. The battle is ugly, but the city and the expedition makes it out mostly intact.
Afterwards, Rod drags him into a conference room and yells at him for an hour about his reckless behavior.
John couldn’t give a shit. He has no regrets about his actions.
He gives an insouciant shrug. “Why the earful? It worked, didn’t it?”
“Because I am your team leader, and you didn’t even ask me for permission before nominating yourself for a suicide run!”
“That’s what this is about? Your precious chain of command? Grow up.”
Rod rounds on him and gets up on the balls of his feet. “There are people here who care about you, you dick!”
John blinks at the non sequitur. The idea that anyone would care more about him than about the city and everyone else in it is laughable. “Then they’re idiots,” he snaps and walks out.
Rod can write him up for that in one of the reports he so enjoys filing.
-
It would be nice if he could say that he learns and grows. That he makes friends. That he gets accepted by his peers and makes a home in the Pegasus galaxy.
But that’s not how this story goes. Not yet, anyway.
-
He does manage to make himself useful. He invents a new cryptographic algorithm to keep their computers and communications secure from Wraith interference. Elizabeth even gives him a grateful nod when he presents it to her, and says thank you.
He makes some progress on a quantum chaos approach to the Riemann hypothesis, not that anyone here understands that or how profoundly ingenious his work is.
And it turns out that many of the Ancient systems here are based on binary, just like computers on Earth, so he’s able to help Rod parse some of the more complex code. The two of them spend hours poking through the Ancient operating system, Rod fluttering around and theorizing aloud while John sits quietly in the corner, chewing on a pen and thinking.
It’s more fun than he would have expected.
-
And then, inevitably, he fucks up to a new and truly epic degree. He and Rod find the Ancient’s Project Arcturus, their great hope for extracting vacuum energy from subspace, and he convinces himself he can get it to work.
He’s self-aware enough to know he’s making poor choices, but not mentally strong enough to do otherwise. Because yes, of course virtually unlimited power is tempting, and of course discovering the last great experiment of the Ancients is thrilling. But he's a cautious person. He's not one to take unnecessary risks.
And yet the moment Rod turns to him with that look of delight, saying he's impressed, clapping him on the shoulder like he's done something wonderful, John is just gone. He ignores safety limits and all common sense, and he pushes and pushes and pushes for them to power up the generator, as if his wishes for it to work could make it so.
He wipes out most of a solar system with his hubris, not to mention nearly killing them both, and he's furious down to his bones because he can't figure out why he would have done something so stupid.
-
Bad enough to fail so spectacularly at your work that you devastate an entire star system, worse to have burned whatever credibility you may have built with your team, but worst of all to have to walk every day among people who know all about your inadequacy.
He's in the queue for the mess and a couple of the marines behind him are sniggering, one of them making a not-very-quiet crack about Sheppard’s ego being a weapon of mass destruction. John is staring straight ahead and pretending to ignore them, but the blood is pumping furiously in his ears and he's gripping his tray so tightly that his knuckles turn white.
“You got something to say?” Suddenly Ronon is there, all six-foot-three-million-pounds of him, glaring down at the sniggering marine like he might crush his skull with his bare hands. “If you’ve got something to say to Sheppard, you can say it to me as well.”
The marine backs away, hands held high and spluttering apologies.
Ronon throws an arm around John’s shoulder and walks him to a table so they can sit and eat.
John stares down at his food and wills the panic to subside. “Thanks,” he mutters once his breathing has settled.
“No worries, bud,” Ronon says and steals a piece of carrot off John’s plate. “So, how’s that bomb design you were working on coming along? You know I love a big boom.”
John tells him how his models have predicted the highly energetic variety of naquadah they’ve discovered could be harnessed into more efficient field explosives, and Ronon nods along as if this is all fascinating.
In that moment, John knows he would die for this man without hesitation.
-
Perhaps the worst part about the Arcturus incident is how unbearably nice Rod is about the whole thing. He tells John that it was both of their decision, that he doesn't blame him, that sometimes these things happen when dealing with advanced technology.
But John can see the disappointment in his eyes and hear the judgement in his voice. He gets a sick, twisting feeling in his stomach when he thinks about it, and that must be Rod's fault.
Rod picks a bad time to come visit the lab.
"Sheppard," Rod leans against the door frame. "I need your report on the Arcturus mission."
The sick feeling in his gut deepens. He hasn't written the report yet. "Bet you’re enjoying making me catalogue my failures."
"What? No. I just need you to submit a report so I can turn it over to Elizabeth."
"I see. You're looking for someone to blame, right? Going to write about how I pushed you and it's all my fault?"
"Of course not," Rod steps closer and there isn't enough air in the room. "I wouldn't do that. What's going on with you?"
He can't bear the look of concern on Rod's face, which he surely doesn't deserve and will surely evaporate soon enough. "Maybe I've had enough of you reminding me of my screw ups via the excuse of paperwork."
Rod's voice sharpens. "Don't blame me because you're feeling guilty. I can't deal with that for you."
The reminder of his lacking emotional skills stings and he lashes out. "Don't try to therapize me. You're hardly in the position to be doling out life advice." It's a mean, petty thing to say, but he's feeling vindictive.
Rod's eyes narrow. "What's that supposed to mean?"
John's pulse is notching up and his face is getting hot, the last of his short temper fraying away.
“You’re a people pleaser, Rod!” He realizes he’s yelling. He doesn’t care. “Everything you do is to make other people like you.”
“And what’s wrong with that?” Rod puffs up. “I try to be a decent human being. I try to think about others and support them. Why shouldn’t I?”
“Because it’s fake! It’s all bullshit. Do you even have a personality of your own, or do you just reflect whatever the last person who smiled at you wants?”
Finally, the cracks in the facade of nice begin to show. “Making an effort to treat those around you with consideration isn’t demeaning!” He gets up in John’s face, waving a finger at him. “Not that you’d know, because you never consider anyone other than yourself.”
“At least I’m honest,” he spits, and it’s venomous. “At least I know who I am. Do you? Do you have any idea who you’d be if you weren’t so absorbed in distracting everyone from your flaws?”
He sees the barb hit its mark. Rod stumbles back like he’s been physically shoved, his face crumpling.
“God, you’re an asshole.” It’s not even angry. It’s small, and quiet, and John is suddenly acutely aware of how much taller he is than Rod, how much he towers over him.
Rod turns on his heel and walks away, and John knows that means he’s won. But he doesn’t feel the usual curl of smug satisfaction he gets when he puts someone in their place.
Instead, he just feels empty.
-
Whatever. It’s not his problem that Rod is having some kind of breakdown. Why should he care that Rod is skulking around the base looking small and miserable? He only said what they both know to be true.
If Rod wants to be a dick about it, that’s on him. If he’s going to remove John from the team, that’s fine. There’s nothing that John can do about it anyway.
He gets back to work, running simulations of ZPM power levels and how long they can expect to sustain the city under different circumstances, given that they won’t be enjoying unlimited power any time soon. He likes modelling, and he knows this work is important.
But for some reason he can’t focus. His gut keeps churning and his temples ache and he’s haunted by the word worthless, worthless, worthless.
-
When his lab door chimes at well past midnight, he’s ready to tell whoever it is to fuck right off. In fact, the excuse to yell at someone sounds great right now.
But when he opens the door to find Rod standing there, twisting his hands anxiously, he’s too shocked to even be snitty. He’d assumed that Rod and he were done, that it was only a matter of time before he was kicked off the team.
But here Rod is, mouth downturned and saying, “You were right, okay?”
John notes the sad wobble of Rod’s chin and bites back the urge to say something dismissive. “About what?”
“About me. I do try to please everyone. I do want everyone to like me.”
It sounds pathetic, said out loud like that, John thinks but doesn’t say.
Rod is still going. “But it’s not what you think. It’s not some ego trip. When I was younger, I used to be -” He lets out a huff of air. “- very different. I said whatever I wanted to whoever I wanted, and I didn’t care if everyone hated me for it.”
John tries to imagine an angry, mean Rod. His brain can’t picture it.
“I pushed people away because I was afraid they’d reject me. I was always alone and I got very good at telling myself I liked it that way.”
An uncomfortable feeling of familiarity crawls up the back of John’s spine, and he ruthlessly quashes it.
“That changed when I went to the SGC. The people there… They believed in me. They wanted my help, and they wanted to help me. I learned that if I was going to work there, to do important work, then I was going to need connections. And to make connections, I had to think about others, and try to be what they needed. It wasn’t only about me any more.”
Something in the preachy tone of Rod’s voice sets John on the defensive, and his shoulders begin to rise, counterarguments springing to his lips.
“Wait, stop -” Rod lays a hand on his shoulder, and all the aggression leeches out of him. “I don’t want to fight with you. I’m just trying to explain.”
The earnest look Rod is giving him makes his skin itch.
“I care about everyone here. Including you, John. Perhaps I try too hard sometimes, but that’s only because you all matter to me. I don’t want to let you down.”
Rod is talking in plurals, but John gets the impression he’s speaking to him personally. It’s too weighty, to be handed that kind of sincerity without warning.
“I do...” He coughs and looks at his feet, “I do care about the people here as well. I might not be demonstrative about it but I’m not…” he searches for the right word, “... indifferent.”
He doesn’t say the other words he’s thinking, which are cold, callous, heartless, the things people always call him.
Rod’s hand is still on his shoulder, heavy and warm, and he squeezes gently. “I know you do. I just wish that sometimes you’d let other people see that too.”
-
John tries. He really does. Ronon tells him that he needs to get out of the lab more, so he resolves to make time to socialize. He doesn’t really know how to do that, but Teyla quietly slides him a copy of the city’s social activity schedule and suggests he goes through the list.
Painting with Major Lorne - no.
Choir with the medical staff - sounds awful.
Extra combat training - absolutely not.
Mensa club - now there’s a possibility.
“Join us for FUN and FRIENDS,” the tiny advert reads. “All welcome (as long as your IQ is over 150).”
That he can do. He joins the club.
It's him and Kusanagi from R&D and Parrish from botany, plus a couple of the gate techs and one of the nurses from medical. Every Thursday night, they get together to solve puzzles and play chess. It's dorky and awkward but it's kind of nice, actually, and the people there don't seem to dislike him.
He thinks maybe he's getting better at this whole people thing.
-
And then Rod leaves, and everything goes to shit.
It starts off with a crisis, like there always is around here, exotic particles exploding out of a containment chamber which isn’t containing anything. There’s chaos, but there’s also data, so it doesn’t take long before he and Rod are turning to each other as the explanation clicks for both of them at the same time: An experiment to generate vacuum energy being conducted in a parallel universe.
“We can’t do anything from this side,” John reasons. “The bridge is one-way.”
“The inhabitants of the other universe might not even know what the effects here are. We need to go there directly and get them to shut it down,” Rod says, firm and sure. “It’s the only way.”
“But how could we-”
Rod snaps his fingers. “The Ancient shield. That’ll protect whoever travels there.”
“Right. Let me run some calculations.”
His head is buried in his computer when Rod comes running back in with the shield in his hand.
“Fire it up whenever you’re ready,” Rod orders. “I’ve got the shield to protect me.”
John’s head whips up. “You? You’re going?”
“Of course me! Come on, the chance to visit an alternate reality? Who could resist that?”
Icy cold water settles at the pit of John’s stomach. “That’s a one-way trip.”
Rod shrugs, like that’s nothing. “If that’s the cost to save our universe, it’ll be worth it.”
Something like rage explodes inside John’s head. “Absolutely not! I should be the one to go.” He searches desperately for a reason. “You’re needed here.”
Rod gives him a small, sad smile and says, “So are you.”
“That’s bullshit, McKay, and you know it. I’m not letting you do this.”
“Tell you what, let’s flip a coin for it.”
And that’s about as reasonable as he can hope for, so he turns his back to dig a coin out of his lab coat pocket.
That turns out to be a mistake.
“Be safe, John,” Rod says, then he activates the shield and steps into the containment chamber.
That bastard.
-
He spends three days thinking that Rod is gone for good.
He can’t… He can’t think, and he can’t sleep, and he’s angry all the time. When Zelenka asks for his help running calculations on the spacetime tear above the city John bellows at him, calls him incompetent, and says they might as well just accept that the city is going to be torn apart. Then he stays up all night doing the calculations anyway, because it’s better than lying in bed and staring at the ceiling for another interminable evening.
He doesn’t bother eating, or showering, because what’s the point if they’re all going to die within a week? There’s a restless, raging scratching under his skin and it’s not like he hasn’t faced the possibility of death before, but this feels bleak and empty and insurmountable in a way he simply can’t deal with.
And then the rift mends itself, and Rod returns on a beam of light, and everyone acts as if they’re back to normal now and that brush with annihilation was just one of those quirky things that happen in the Pegasus galaxy.
But it eats at John, that feeling of powerlessness, that rippling anger of a problem he couldn’t solve.
Rod slides back into life in the city like it was nothing but another mission, and everyone rushes to say how brave he was, what a hero, how selfless he is, and John’s blood boils.
Rod swings by John’s lab with his usual breezy demeanor.
“Hey Sheppard! Wanna grab some dinner?”
The incongruity of Rod in his doorway, smiling casually like this is just another Tuesday, sends something hot and sharp spiking through his brain. “No,” John snarls. “Busy.”
“Okay. How about tomorrow?”
“Busy then too.”
Rod gives a self-deprecating little smile, and John wants to wipe it off his face. “Too busy to make an hour for your team?”
“A team?” he spits. “Is that what we are?”
Rod pales, finally taking in how furious John is. “Of course we are. I thought, since I’m back now, we could -”
“Oh, so you stride back in and decide to grace us with your presence, and we’re supposed to be thankful for that?”
“John, what -”
“You left!” he explodes. He’s shocked by his own vehemence. “You left us all. You weren’t planning to come back and you just left.”
Rod takes half a step forward, his face doing something complicated. “John, listen. I never wanted to-”
“Go fuck yourself!” He shoves at Rod’s shoulders, hard enough to keep him at a distance. He needs space; he needs quiet; this is all too much. “We don’t want you here anyway. You should have stayed in that other dimension. I’m sure it was great there.”
“That’s not-”
“Shut up, McKay.” He tunes his voice to the iciest, most dismissive tone he has. “You should have stayed gone.”
He enjoys a mean spark of satisfaction at the way Rod’s face falls, then he storms out of the lab.
Fuck that guy anyway.
-
Everyone on the base keeps looking at John like he’s volatile, as if he’s about to blow at any minute. Even his team starts handling him with kid gloves, like he’s fragile, and he hates it so much he could scream.
He meticulously constructs the bubble of hostility which has long been his go-to when he needs people to leave him alone. He snaps and snarls, and perfects a glare so hostile that no one dares approach him.
It’s restrictive inside that bubble, but at least it’s stable. At least he gets to decide the reason why people are going to hate him.
-
A few days later, Teyla strides into his lab wearing her patented “take no shit” expression.
“John,” she says, and the false cheery brightness of her tone has him scared already. “You will join me for tea.”
This is not, he recognizes, a request. He begins to mumble excuses but she cuts him off without hesitation. “You will come to my quarters, and we will drink a mug of tea together.” She crosses her arms. “Now.”
There are battles you can win, and ones you cannot. This is most certainly the latter, so he meekly follows her as she sweeps out of the lab and back to her quarters.
Once inside, Teyla forces him into a chair with an excessively firm hand.
“Sit,” she orders.
It’s easier to do as she says.
She carefully prepares the tea and warms the earthenware mugs, strong hands making practiced, confident movements. John watches the motions as she pours the tea and slides a mug over to him.
“Drink,” she orders, and again it’s easier to obey.
The tea is soapy and bland, but he fears her retribution enough not to mention that. He sips as they sit in silence. She regards him heavily over her mug.
Eventually she reaches some kind of conclusion.
“You are a valued member of our team, John.” Her face is impassive but her words are warm. “We would not see harm come to you.”
“That’s. Uhh. Good.”
“But your behavior of late has been,” she narrows her eyes, “ill-advised.”
John opens his mouth to defend himself, because it’s not as if Teyla could understand what’s been going on. But she holds up a hand which stops him short.
“I do not care to listen to your justifications. But you should know that if you continue on the path you have been on, it will be to the detriment of us all.”
John feels like he’s been pulled into the principal’s office to be scolded like a schoolboy. He didn’t care for that shit when he was ten, and he certainly doesn’t care for it now.
“If that was all,” he pushes the mug away and gets to his feet, “I’ll be on my way.”
“Wait.” Teyla’s hand shoots out with a warrior’s accuracy and closes around his wrist. “I am concerned for the team, yes. But I am also concerned for you. I would like to think that we are…” she tilts her head, “friends. And I should like for you to be happy.”
John is embarrassed to find a lump forming in his throat. He’s never truly had a friend before, and that someone of Teyla’s stature and courage would consider him as such has him flabbergasted. He suddenly wants, very badly, for her to think well of him.
“I’ll try harder,” he says. “I’ll try to be better.”
She releases his wrist and gives him a generous smile.
“That is all any of us can do.”
-
He starts small.
He saves up a few of the precious Earth-imported cookies they get for dessert in the mess sometimes and brings them to the next Mensa club night. Kusanagi beams and says that was very thoughtful of him, and Parrish splits a chocolate chip cookie with him while they speed-solve sudokus.
The next day he types up a report about the team’s most recent mission with as much detail as he can remember, and he makes special note of how brave Rod and Teyla and Ronon were.
He saves it to a flash drive and takes it to Elizabeth himself.
“What’s this?” she asks as he hands it over.
“Mission report,” John says, eyes fixed on a tapestry hanging behind her desk.
“Submitting a report without having to be asked five times first? Who are you and what have you done with Dr. Sheppard?”
Anger flashes for a moment, because he’s trying here and she doesn’t need to remind him of his past failings. But he looks down and sees she’s smiling. It’s a joke. She’s joking around with him.
Huh. Okay. That’s unfamiliar, but he doesn’t hate it.
“Maybe I’ve slipped in from an alternate dimension,” he says, and even though that’s not very funny Elizabeth laughs anyway, and that makes something glow inside him.
-
He grudgingly admits to himself that there does seem to be a pattern developing: when he makes an effort to connect with people here and, god help him, be nice to them, then they are happy and so is he. When he yells and pushes people away, they are sad and he is angry.
It’s sort of obvious, really, and he would be embarrassed that it’s taken him so long to figure that out, but humans are bizarre and complicated and not at all like numbers.
He has a hypothesis and now he needs to test it. He should try being more considerate to those closest to him and see if that improves everyone’s moods. If only he could figure out how to do that without the entire experience being mortifying.
He’ll work on Ronon first, he determines. Ronon has always looked out for him and they have a sort of unspoken bond. Finding something nice to do for him should be simple enough.
He decides on a data-driven approach. He takes to following Ronon around, looking for inspiration, trotting after him with a small notebook in hand to record his observations. Ronon finds the whole thing hilarious.
Ronon spends approximately 40% of his free time in the gym, which certainly is a lot, and a further 30% in the mess. Another 10% of the time he goes running around the city, and the remainder of his time is spent visiting with Teyla, stopping by the science labs to tease Rod, or visiting John.
“You like people,” John observes one day, when Ronon is warming up for a combat session with some of the marines. He’s added up the figures and plotted the data into neat hand-drawn scatter plots and histograms. “You spend almost all of your time around other people.”
Ronon’s lips tighten for a second, and then he relaxes. “Yeah, I do. For a long time it wasn’t safe for me to be around anyone, and I hated it.” He looks around the bustling gym and nods. “Now I don’t have to be alone any more. I’ll never fail to appreciate that.”
John squints and scribbles that down in his notebook too. “You like spending time with people even if they’re -” He glances over at the marines, loud and bossy and distastefully laddish, “- strange? Or mean?”
Ronon grins at him. “Even then, yeah.”
“But you go running on your own. Is that what you prefer?”
Ronon stiffens slightly. “No. It reminds me of running from the Wraith. But it’s important to stay fit, and no one here likes running with me.”
Ahah! The perfect opportunity. John bounces on the balls of his feet. “I’ll go with you.”
“What, seriously?”
“Sure. It sounds fun.”
-
It is not fun. Running is brutal, and he is terrible at it, but Ronon smiles the whole time and he keeps telling John what a great job he’s doing.
By the time they’ve completed one lap of the route, sweat is pouring off John and his lungs are fit to burst.
“Go get some rest,” Ronon says, slapping him on the back hard enough to make him stumble. “I’m going to do another couple of laps.”
“Same time tomorrow?” he asks between heaving breaths.
“You really want to do this again?”
“You run every day, right? So I will too.”
Ronon stops for a moment, then hauls John into a giant bear hug, apparently not caring that he’s sweaty and gross, and says, “Thanks, man.”
John is a little awed by how easily he expresses his approval, and how much it means to be on the receiving end of it.
-
He’s noticed on trade missions that the Athosians greatly value textiles, which they weave from plant fibers and dye bright colors. On his next trip to the mainland he slips away to ask the village elder Charin about the rugs which are spread throughout her tent.
She seems surprised by his interest but happy to show off her collection. She tells him how Athosians give rugs as gifts to celebrate relationships and achievements, and then she shows him how they're made.
He trades a whole month's worth of credits for supplies, and when he returns to Atlantis he spends hours each evening delicately weaving yarn through a wooden frame, building up a soft, textured rug. When it's done it's a little lumpy, but it has four clear bands of bright color running through it to represent their team.
He carries the rug to Teyla's quarters and fidgets outside her door.
"John." Teyla squints at him as she opens the door. "You appear nervous."
"I made this for you," he says and thrusts the rug at her. "Charin told me you're supposed to make them for family. This one has stripes for the four of us on the team. Sorry if it's not very good."
Tesla takes the rug and presses a hand to her chest as she examines it. A slow, warm smile spreads across her face.
"It is beautiful. You have my thanks, John. This means more to me than you know."
He has an uncomfortable flutter of emotion and he can't quite meet her eye. He focuses on the wall behind her instead.
"You are as family to me as well," she says, and steps forward to press their foreheads together in the Athosian way.
The frank sentimentality of her manner makes him squirm, but he sort of likes it.
-
Rod is trickier. He is not a person who cares much for stuff, and he always waves off supply runs from Earth, saying he has everything he needs.
But he has been complaining lately that the unstable nature of Lantea's sun has been interfering with some of his measurements. John has an idea that can help with that, even if it does involve working with grubby experimental data.
Once he's ready he invites Rod to join him in the control chair room.
"I did some modeling," he says quickly when Rod arrives. He doesn't bother with a greeting. "To predict solar influence on the Lantea system and help with your experimental readings."
Rod's eyes light up. "You modeled a star for me?"
"I thought it might be," he shrugs one shoulder, trying not to look too anxious about whether Rod will find it weird, "useful."
He plugs a flash drive into a socket on the chair platform and guides Rod into the chair.
"How does it work?" Rod is bouncing with excitement, the same look of delight on his face as when he finds a new piece of technology.
John indulges in a small, proud smile, and says, "Think about where we are in the solar system."
Rod leans back in the chair and its power hums on. Overhead, the holographic display bursts into life showing Lantea and its star, along with all the other planets and comets and asteroids filling the system, with notations on their size and mass and trajectory.
Rod whips the model around, running it backward and forward through time, watching the orbits of the planets dance.
Then Rod zooms in to see the sun up close and gasps. John has linked the model to the city's long range sensors so the display can simulate the star's fluctuations in real time, and as they watch its surface bubbles and releases a tendril of plasma which reaches out into space.
The display follows the plasma as it propagates out through the system, moving first through the asteroid field and then meeting the planet, interacting with the magnetosphere and lighting up the planet's atmosphere with an aurora of dancing colors.
The soft lights of the display are reflected in Rod's eyes, wide and joyful and curious, and the sight makes something like pain but not twist in John's chest.
"This is incredible." Rod pokes further through the interface, looking at zipping comets and distant moons. He sits up and the chair's power fades off. "Thank you."
Heat creeps across John's cheeks, and he busies himself unplugging the drive. "I wanted to do something… nice."
Rod stands and walks over to him, taking the drive from his fingers. But he doesn't let go, keeping hold of his hand. "This is very nice," he says, startlingly close.
And then something very strange happens, and Rod is leaning in and kissing him. John is distracted from the soft press of his lips by absolute bafflement at this turn of events and he freezes up.
Rod steps away and John stares at him, desperately trying to figure out how to respond. "You kissed me," he ends up on, which does have the merit of being true.
Rod rubs the back of his neck. "Sorry. I thought that's what you were going for. Was it not?"
John's brow wrinkles. His thoughts are whipping past at a million miles an hour.
That hadn't been his intention - he'd assumed that Rod was straight, not that he'd given it much thought - not that someone like Rod would be interested in him even if he wasn't - but there's something compelling about the concept, something intangible sitting on the edges of his perception. He can't quite see the shape of it.
"I need more data," he decides. "Kiss me again."
Rod breaks into a charmed smile. "I can do that."
This time when Rod leans in he's ready for it. Their mouths meet carefully, tentatively, and he angles his head so they line up better.
Oh. Interesting. The data is looking positive.
"Hmm." John draws back to breathe and consider. "Yes. That's good. Let's do that some more."
“An excellent plan," Rod says, putting his arms around John's waist to pull him closer and kiss him deeper.
Rod tastes incredible. Or maybe he just tastes of stale coffee and power bars, but John’s senses are so heightened that every sensation feels earth shattering, and he's starving for more. His hands scrabble at Rod’s collar, at his arms, at the hem of his shirt, trying to touch everything in a mad dash. He’s determined to get as much of whatever this is as he can before it comes to a crashing halt.
“Hey. Hey,” Rod’s hands are on top of his own, and he’s pulling away like John knew he would. John folds into himself, ready to turn his back as he listens to this is a mistake or we both know this isn’t going to work out or I’d never feel that way about you.
“If we’re going to do this…” Rod is giving him one of those lopsided smiles, soft and genuine. “I’d like to do it properly.”
John, still braced for rejection, has no idea what that means.
“Let me take you to bed,” Rod says, wobbly and uncertain and hopeful, of all things.
“Oh.” He could do that. They could do that. An ocean of unexpected possibilities opens up, glittering and unfamiliar and enticing. “Okay.”
Rod takes his hand and leads him back to his quarters. John’s palm is sweaty but his steps feel light as air.
-
Kissing Rod is excellent. Doing so while lying on Rod's bed is even better, and at some point they both lose their shirts and then there’s even more skin to explore and the comforting scent of Rod all around him.
It's what's next that's stressing him out, because while he's aware of the theoretical steps involved in sex, he doesn't exactly have practical experience to draw on.
There's the ever-present worry that he's missing something, that there's something he ought to know, like there's a handbook for this which everyone got a copy of except for him.
"You good?" Rod is looking at him with those very, very blue eyes. "You went away there for a minute."
His cheeks are blazing, but it seems important to set expectations. "I've never done this before," he admits.
"You mean with a man?"
He squirms. "With anyone."
He waits for Rod to laugh at him, but he merely looks contemplative. "Were you not interested, or…?"
"It never seemed that important, you know? Just another of those things that everyone else did except for me, like going to parties, or having friends, or spending Christmas with family."
Rod's face softens with sympathy.
"And even if I wanted to sometimes, it didn't matter, because who would want this?" He indicates himself with a disparaging hand. He knows what he looks like: too thin, too lanky, messy hair that will never keep a style. He's no one's ideal. "I'm not even sure why you’d be interested."
"God." Rod reaches for him and takes his face in his hands. "You really have no idea, do you?" Rod carefully removes his glasses, sets them aside, and says, "You're gorgeous," like he really means it.
Taking off his glasses makes John feel more vulnerable than taking off his clothes. Suddenly his shield is gone and there's the world, and Rod, and it's all very close and immediate and a little disorienting.
"Hey." Rod pets his face, soft and gentle, "It's okay. We can go slow."
He makes an effort to pull himself together. "I won't be very good at this."
"You don't have to be good." Rod traces his lips with a finger. "You just have to be you."
And that’s mystifying, frankly. But he’ll give it a go for Rod.
They kiss some more, and he relaxes into it, lets Rod take the lead, lets him explore his mouth until he’s boneless and breathless. He breaks for air and is lightheaded, the room almost spinning, but he wants more.
Then Rod is kissing along his jawline, and down his neck, and oh, when Rod’s lips brush against a spot near his throat his entire body tenses and twitches, and Rod makes a curious, happy noise and does it again. It’s a hair away from overwhelming but he likes it, he likes it a lot, and then Rod gently runs his teeth over that spot and John’s hips twitch off the bed entirely of their own volition.
“Sorry,” he says quickly, but Rod doesn’t look put off. In fact, he just grins, says, “Don’t be, I like it,” then pushes John back onto the bed and mouths at that spot some more.
His skin is hot all over and he’s shaking, and god, this is all going to be over embarrassingly fast and they haven’t even gotten all of their clothes off yet.
“Rod,” he says, and it comes out as a whine. “Will you -” He gestures vaguely at the bulge in the front of his jeans and hides his face in the pillow, too bashful to let Rod see him.
Rod pauses from his engrossment in John’s neck to breathe hot words into his ear instead. “Is that what you want?” he asks, and John is fit to burst already. How is Rod so good at this?
“Please,” he says, mumbling into the pillow. Everything is too much and not enough, and he wants, he wants, he wants. “Please, Rod, please -”
“Okay, of course I will, it’s okay.” Rod strokes his flank, petting him like a skittish horse, and that should be mortifying but it’s exactly what he needs. “I’d like to see you though,” he says, and reaches over to touch John’s chin.
John lets himself be turned, lets Rod roll him over so they’re facing each other and their eyes meet. That’s almost overwhelming too, but Rod looks so pleased he thinks he might be able to manage it, and then Rod is kissing him and unzipping his pants and oh, oh, oh.
Rod wraps a hand around his cock and John just melts, like every brain cell he possesses has decided to pack up for the night. He can't even bring himself to blush because Rod is touching him right there and it’s so good, it’s so good, and all he wants is more.
Rod handles him confidently, exploring what he likes: a bit faster, a bit slower, a bit more pressure, a bit less. If John could speak he’d tell him that it doesn’t matter, right now he likes everything, anything, whatever Rod wants to do to him he’d take it happily.
But Rod is a scientist, and he loves his data just as much as John does, so he does some experimentation and finds the ideal speed John likes, and the angle, and then he squeezes gently around the head and John’s orgasm explodes behind his eyes like bright, white light.
He floats for a while, like a spring that’s been twisted and twisted and finally bursts free, and he’s vaguely aware of Rod stroking his face. It’s nice, every muscle in his body slack and comfortable for once instead of clenched down tight.
“You good?” Rod asks, and John can’t help but smile.
“Very,” he mumbles, mouth lax and lazy.
Rod drops a kiss on his temple, and there’s something so casual and caring about that it makes John’s heart squeeze.
“You mind if I get myself off?” Rod asks and heat races up the back of John’s neck. He does not mind that one bit.
“Should I. Um.” He ought to offer, right? That was the polite thing. But, “I don’t really know what to do,” he admits.
Rod smiles softly at him and says, “How about you kiss me?”
And yes, John is definitely on board with that, he can do that. He puts an arm around Rod’s shoulders and pulls him closer, then kisses him: carefully at first, peppering soft pecks to his lips, and then deeper, lips sliding over each other as they grow more heated, and then finally wild and messy, slipping his tongue into Rod’s mouth while Rod pushes his pants down and works himself over.
He feels Rod’s fist bumping up against his thigh, faster and faster as he speeds up his hand, and John can’t help but glance down. He watches in fascination at the way the head of Rod’s cock peeks through his hand on each stroke, red and hard and leaking from the tip. Reflexively, he licks his lips.
Rod is making these soft groaning noises which have John entranced, like he wants to spend every spare minute he has learning how to coax them out of him. And then Rod is biting his lip, and twitching, and staring at him open-mouthed and breathing hard.
“Can I come on you?” he asks, and something in John’s brain short-circuits.
“Yes,” his mouth says for him. “Rod, god, yes.”
He can’t stop staring at the movement of Rod’s hand and, emboldened by a force he didn’t know he had in him, he reaches down to wrap his hand around Rod’s. He lets Rod guide their movements, adding a soft pressure from his fingers so they can bring him off together.
“John,” Rod sighs, full of warmth and contentment, and then he’s relaxing and coming. Fluid splatters across John’s thighs and he did that, he made Rod feel good, and that feels like the best gift of all.
Rod is soft around the edges now, smudgy like a charcoal painting, and when John asks, “Was that okay?” he pulls him closer and nuzzles into his neck, covering both of their bodies and their clothes hopelessly in come, and says, “That was perfect.”
-
John wakes up sticky, rather too hot, and filled with a roiling, anxious feeling. The bed is too small and Rod is too close, and his heart rate picks up as he looks fuzzily around the room.
He should go. He should just go, right now, before Rod wakes up and they have to talk about this and he says something wrong and ruins everything.
He’s squinting and patting at the bedside table, looking for his glasses, when he feels movement behind him.
“Morning.” Rod drops a soft kiss on his shoulder. Then he rolls over, John’s glasses in his hand, and opens them up and pops them onto his face. He slides them up John’s nose, smiles, and says, “There you are.”
And oh. All that panic seems further away once he has the armor of his glasses back, and now he can see the pillow crinkles imprinted into Rod’s cheek. He seems less like an agent of impending judgement and more like Rod, just Rod, Rod who knows him and has seen him at his worst and still, for whatever baffling reason, seems to like him.
“Hi,” he manages, and Rod beams like that was exactly the right thing to say.
“Coffee?” Rod offers. “Or shower first?”
As rare as it is for John to turn down coffee, he really is unpleasantly sticky. Deal with that problem first, he decides. “Shower,” he says, grateful that he’s not required to string together more than single words.
“Sure.” Rod gives his ass a cheeky pat as he rises, then throws him a towel.
He showers quickly and efficiently, but as he steps out and wraps a towel around himself he spots a purpling bruise on the side of his neck in the mirror. He stops to trace it with his fingers, remembering the feeling of Rod’s mouth there, hot and demanding.
“Ahh.” Rod stands in the doorway to the bathroom. “Sorry about that. I got a bit carried away.” There’s a flush on his cheeks, and he looks nervous.
John tilts his head, looks at the mark from another angle. There it is: incontrovertible evidence that he's wanted. What a fascinating concept. “Don’t be. I like it.”
“Oh.” Rod’s eyes go very round and the blush deepens. “That’s good. That’s. Ahh. Very good. I’ll just -”
Rod drops the towel from around his waist and makes for the shower, and John gets an eyeful of his half-hard cock, and then, as he walks past, an ass he has the sudden urge to sink his fingers into. A heat that’s beginning to feel familiar creeps up his neck, and he wants -
What the hell, he thinks, and he tosses his own towel aside to follow Rod back into the shower, delighting in his yelp of surprise when he slides up behind him.
-
“Shep! Think fast!”
John manages to get his hands up just in time to prevent the power bar from hitting him in the face.
“Thought you might want a snack before the mission,” Ronon says with a wink. “Just in case we have to run anywhere.”
“Hey, I’m getting better at that! I’ll catch up with you one day.”
“Sure you will.” Ronon checks the straps on John's tac vest like he always does, then says, "Looking good, buddy," and ruffles his hair.
John used to hate that, but he's given up trying to tame his hair and now he lets it stick up in whatever direction it wants. It's weird but it works.
Teyla bumps her shoulder against his as they walk toward the gate room. "What do you have for us today, John?"
“Remember that strange energy signal Major Lorne’s team picked up last week? I was able to map its topography through space and pinpoint its likely origin, and Rod took a look at the electromagnetic readings and he thinks it might be a power source -”
“So we are going to investigate the signal on P2X-884?”
“Bingo.”
Rod is standing in front of the gate like he belongs there. He claps his hands. "Ready for another thrilling adventure in the Pegasus galaxy?"
"Maybe we'll get to hunt some Wraith," Ronon says, entirely too cheerfully.
"Or discover some hideous alien parasite," Teyla joins in with a gruesome smirk.
"Or accidentally blow something up," John supplies, because that's usually how their luck goes.
"Sounds delightful." Rod grins and yells up to the gate techs, "Dial her up."
As the gate engages with a whoosh and a glow of blue light, Rod reaches out to graze his fingers against John's: a reminder, and a promise. Out of the corner of his eye, John catches his smile.
He stands a little taller, knowing his team has his back, and steps through the wormhole.
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Evan Evagora did an AMA involving the Star Trek Shitposting Facebook Group - the questions and answers below were copy/pasted direct from the collated master post. Evan is a member of the group, who participates under an unknown pseudonym.
———————————————
AMA Master Post!
Thanks so much to Evan Evagora for taking time out of his day for our AMA earlier. To make the questions and answers easier for ya'll to find, here they all are together below.
Q: How does my love of cats compare to Elnor?
A: Im actually more of a dog person, there was a scene that had Elnor and spot 2 unite briefly but unfortunately it didn’t leave the editing room
Q: How familiar was I with Star Trek before and did I have to do research?
A: I grew up with TNG, I’d have to say either worf, Guinan or Q are my favourite characters. And I was given episodes to watch that were to help with information before filming Picard
Q: How was I prepped to deal with the crazy fans?
A: I got told to join Star Trek shitposting 😉. Not but in all seriousness, it was Jonathan Frakes who gave me advice on entering the world of fandom from the other side and he said it’s been nothing short of a pleasure
Q: So if Hugh had survived would they have made out?
A: what happens on the cube stays on the cube
Q: My favourite moment of s1
A: getting to slice that romulans head off
Q: How did I hear about Star Trek shitposting?
A: most of the crew is either a part of the group or knows about, one of the amazing hair and make up ladies got me into I think my first or second day
Q: If I had to be Tuvixed with someone excluding elnor?
A: mirror verse Elnor, nah worf to be honest
Q: What is something I’d like to do in season 2
A: Id like to see Elnor and spot 2 together
Q: How am I passing my time woth quarantine?
A: ama for the gronp! Nah I’ve just been reading, writing and also the contact I’m having with the fans too has really helped a lot
Q: If I had to quarantine with any of my costars who would it be and why
A: I’d go with hardy treadaway he’s got the nicest place
Q: What am I hoping to see in Elnor’s future
A: Inner peace, contentment and possibly shorter hair?
Q: Am I intimidated by working on a show with such a big fan base?
A: no I grew up with Star Trek, you’re really in a bubble of filming when you’re making the show, it all didn’t really hit home until the first trailer at San Diego
Q: Would I consider playing Elnor as non binary
A: I’ve seen a lot of debate and discussion about not only my character but others in the series, if there is something that connects you with a character on this show and it resonates with you, even if it’s shown, not shown or hinted at I’m all for it. I am not for the constant belittlement, bullying and criticism of not only the characters on the show but also other fans. It really does break my heart reading comments where people aren’t welcoming of one another, because that is the whole reason why Trek has bought so many together and by spewing these disgusting cruel words out your not only showing the world you don’t understand the meaning behind the show, you also are destroying the thing that makes us all love it
Q: Is there Australia on romulas
A: yeah they have a down under I’m sure of it. No the accent can easily be explained with, Elnor left romulas at a young age, moved to a planet with different species and languages spoken so that influenced his accent
Q: Have I seen Elnor fan fiction and art?
A: yeah some of it has been really amazing! And some others have been...creative
Q: How excited am I to make home movies with my action figures?
A: my plan is to buy everyone’s, make them record audio and then film shit using the dolls and their voices
Q: Are you playing animal crossing?
A: I’ve preordered it because they’ve sold out here in aus, but in playing civ 6 to pass time and Mario party
Q: Did I get to try Romulan ale?
A: no I wish, I’m kind of hoping for a scene next year where Elnor gets drunk for the first time
Q: What character did I wish would appear in our show?
A: one word, one letter Q
Q: What’s my background have I been acting long?
A: Picard was my third acting gig, and the first project to release, so I have got some experience acting and I have previous work but it has either just aired or is going to next year
Q: Please my friend choose a charity you would like us to donate to
A: food bank
Q: Favourite ninja turtle
A: it’s always been Raph and always will be
Q: Do I know much about Elnors background
A: I know things that haven’t been mentioned yet, but also given his character is new and season 1 just finished, hopefully some of those things are explored
Q: How would o feel about the fan theory that Spock is my father
A: I mean, I’m not really sure, I can always shoot Ethan a message and ask him what he thinks too
Q: Which classic episode trope would I like to see?
A: mirror universe
Q: Can we look forward to more ninja representation?
A: is Elnor not enough? ☹️
Q: Were there any particular characters I drew inspiration from, any elves?
A: there’s a particular group of people I think Elnor might have been inspired from. Can I just say how cool it would be if Elnor is just cosplaying as an elf because Picard left him a copy of Lotr when he was young
Q: Would I be open to exploring Elnors sexuality in s2 and what would it be?
A: I am totally open for that, and as for Elnors sexuality, I’m not sure he’s only 17 he’s just left his planet and gone off on an adventure where he openly knew the success may lead in his death or others he hasn’t had time to figure himself out so seeing his sexuality explored would be amazing
Q: What stories did you hear about working on precious trek series from the OG actors?
A; So we found out Michael Dorn used to muddle his lines up because he was normally the last close up of the day. They used to put bets on to see how many takes he’d have to do. All I must add in very fun spirits nothing ever malicious or mean
Q: My long term career goals
A: id like to keep pursuing more roles I’m acting, I’m a big writer and have some projects I’m looking at getting created but right now I’d say I’m just here to learn and grow
Q: What do I write?
A: right now I’m working on three screenplays and two pilots most of the stuff I’ve written is just sitting on my hard drive just waiting to be used
Q: Ever fried an egg, buttered and vegemite'd some toast and eaten it like a sandwich?
A: what I just read, scared the crap out of me, I love vegemite but the most I’ll do is add cheese to it
Q: What is one of my favourite stories about s1
A: Jeri Ryan and I had a scene together in the borg cube (what a queen she made!) it was shooting at night and I think it was the final shot of the day, we couldn’t keep a straight face and just laughed through about fifteen takes
Q: Are you a big fan of fandom besides Trek?
A: Star Wars, lotr, the magician series Raymond e feist, a song of fire and ice series, avatar last air bender and legend of Korra (would love to play zuko) and of course Batman (fav Jason Todd as the hood)
Q: Could I see myself playing Elnor for six or seven years?
A: as long as there’s a good story that myself and fans will enjoy, but if it didn’t meet my expectations no. And also hopefully the writers and creators would want to
Q: My top TNG eps are in no particular order
I borg, all good things, tapestry, the measure of a man and all good things
I’ll also add I borg especially because it’s just cool seeing where Hugh began and how he ended up
Q: How did I land the role of Elnor?
A: I was on a break from filming Fantasy Island (a movie based off the old tv show) and I was home for pilot season which is when they cast for shows, I had two weeks of daily auditions before I was due to fly back and start filming again, two days before I was meant to leave I got an audition for Picard, the script had a code name and Elnors name was Kbar on it, but I was told it was Star Trek. I went into the room and thought I didn’t do a very good job, then I flew to film and two days later I was told I’ve made a list of people being considered, after a few more auditions and a couple of phone calls from producers and everything I found myself on a plane to LA five weeks later
Q: Have I made friends among the cast?
A: no, we tried really hard to become friends, but unfortunately we ended up becoming a family instead. Everything we say in interviews about us getting along is all true and not fake. I’m the newest to acting out of everyone so I was kind of of shocked to find out that how close we all are isn’t necessarily how it will be when I shoot other projects, so I think we just got lucky or they casted really well
Q: Have the Picard people seen your memes?
A: yes I’ve shown them the memes from the page, I’ve shown everyone including Patrick we find most of them funny (some shocking)
Not shocking in a bad way
Unexpected I should say
Q: How do I feel about the ears?
A: I wore them so much they came up in my dreams, but they were the easiest thing to apply onto me
Q: Which non tng character would I like to see return?
A: I wouldn’t mind seeing the doctor
Q: The most relatable Star Trek character?
A: Look for me growing up it was Wesley, i just picked anyone who was the young one. And I grew up with my sisters and was always being told I’m either wrong, an idiot or just to shut up
Q: Did I have previous martial arts experience before the show?
A: I have a background in boxing which helps when it comes to movement, reflexes and just all around fitness for stunts. I didn’t have any sword fighting experience before we began training for the show however
Q: How do you think being raised by an order of women affected Elnor?
A: I think it gave him a healthy understanding of not only the strength and resilience of women but I think he understands not only gender equality but just equality in general and I think that’s directly to do with growing up in a sect of all female warrior nuns
Q: What is a type of meme you would like to see more of in the group?
A: I love all the memes in the group, I hardly like any of them now incase someone figures out who I am though ahahah
Q: Favorite recent memes?
A: See my comment below
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Science Book Roundup, Social Distancing Edition
When I posted my last science book roundup, few of us knew what was about to come. We had heard about a novel coronavirus and an outbreak of a new disease called COVID-19 in China, but only those well-versed in epidemiology or the history of previous pandemics expected to see so much of the economy shut down as we practice a previously unknown form of interaction called social distancing. Perhaps as a result, I have only heard from a handful of publicists with requests for reviews, and I offer four of them for my readers’ consideration. They have a common thread, namely that they deal with organisms, human, terrestrial, and otherwise.
We will get to those books shortly, but first “a word from our sponsor.” My usual caveat: For my Roundups, I don’t read all of the books in detail, but they are published by reputable publishers and written by credible authors. I browse them enough to recommend who might want to pick them up from a library or bookstore shelf.
My usual request: Because freelance book review opportunities have almost disappeared, I now rely on Amazon referral fees to cover the cost of maintaining my online presence. If you are inclined to buy any of these books from Amazon, please use the links here so I can get a small referral fee. Another way to thank me is to click my portal to Amazon for whatever shopping you plan to do. I get reports of what people buy but not who is buying, so I will not be able to say thanks. But please know that I am grateful.
Did you catch that “otherwise” in the opening paragraph? If you know my science books for young readers, then you probably are aware of my strong interest in planetary science, including Astrobiology, the science of life on other worlds. Astrobiology takes many forms, but probably the one that generates most interest among general readers is SETI, the Search for Extraterrestrial Intelligence. In a galaxy as vast as our Milky Way, it seems highly unlikely that Earth is the only planet on which intelligent beings, capable of sending signals outside of their world, have evolved. And if that is the case, why have we never detected a signal from any one of them?
The short answer seems to be that with hundreds of billions of stars to choose from, we simply have not sampled enough to find any of a handful of needle-in-a-haystack worlds. Perhaps, some SETI researchers suggest, we should deliberately send out a message and see if anyone answers. That is the starting point for British author Keith Cooper in
The Contact Paradox: Challenging Our Assumptions in the Search for Extraterrestrial Intelligence. The back cover describes the book this way: “(T)he act of transmitting raises troubling questions about the process of contact…. Cooper looks at how far SETI has come since its modest beginnings by speaking to the leading names in the field and beyond. SETI forces us to confront our nature in a way that we seldom have before–where did we come from, where are we going, and who are we in the cosmic context of things? The book considers the assumptions that we make in our search for extraterrestrial life, and explains how those assumptions can teach us about ourselves.”
Moving from the far reaches of the galaxy to the innermost element of human life, University of Cambridge and Caltech biology and bioengineering professor Magdalena Zernicka-Goetz joins noted British science writer Roger Highfield to explore
The Dance of Life: The New Science of How A Single Cell Becomes a Human Being.
The publisher describes the book as “A renowned biologist’s cutting-edge and unconventional examination of human reproduction and embryo research.” It also includes an account of Zernicka-Goetz’s own pregnancy, in which a sample test of placental cells showed a possible genetic abnormality. She continued the pregnancy to term and delivered a perfectly healthy baby boy. The experience led her research in a different direction, including an understanding of the ways embryos can, in some cases, repair their own defects, which could revolutionize our understanding of pregnancy and give new promise to in vitro fertilization.
The publicity copy notes the following: “Scientists have long struggled to make pregnancy easier, safer, and more successful. In The Dance of Life, developmental and stem-cell biologist Magdalena Zernicka-Goetz takes us to the front lines of efforts to understand the creation of a human life. She has spent two decades unraveling the mysteries of development, as a simple fertilized egg becomes a complex human being of forty trillion cells. Zernicka-Goetz’s work is both incredibly practical and astonishingly vast: her groundbreaking experiments with mouse, human, and artificial embryo models give hope to how more women can sustain viable pregnancies. Set at the intersection of science’s greatest powers and humanity’s greatest concern, The Dance of Life is a revelatory account of the future of fertility–and life itself.”
In a different look at human evolution, British science writer and broadcaster Gaia Vince goes beyond biology to other forces that drove our development to become the dominant species on Earth. It is not merely evolution, but
Transcendence: How Humans Evolved Through Fire, Language, Beauty, and Time. The dust jacket copy describes what sets this book apart: “Although prevailing theory holds that a recent cognitive revolution transformed humans, Vince argues that we are the product of a unique coevolution of our genes, environment, and culture. Beginning hundreds of thousands of years ago, with four key drivers–fire, language, beauty, and time–it set our species on a new path, unleashing a compounding process that propelled us from the Stone Age to the Space Age and continues to transform us today. Provocative and poetic,… it asks: Now that we have remade our world, what are we doing to ourselves?”
The final book in our roundup is certainly the most unusual. The paperback original
The Gyroscope of Life: Understanding Balances (and Imbalances) in Nature by David Parrish, an Appalachian naturalist and 50-year practitioner. The back cover notes call it “A love song to the field of biology [that] will stretch the minds of readers–scientists and nonscientists alike.”
Its main theme is this: “Culturally, we tend to simplify challenging concepts by thinking of them as binary systems: life/death, female/male. But what if these concepts are more complex than mere opposites…. While sharing his personal experiences with religion, science, battling illness, and more, Parrish explores a series of unconventional topics such as a biologists credo, Mother Nature’s House Rules, the foolishness of conflicts between science and religion, ritualistic funerary cannibalism, a biological critique of ‘The Big Bang Theory’ theme song, pseudo-copulation of insects with flowers, and the Faustian bargain that agriculture and plant domestication represent.”
If you think that describes a bit of a hodge-podge, you are probably right. That doesn’t make it a bad book, but you need to be the right kind of reader to enjoy it. The sections I sampled seemed disjointed with interesting tidbits scattered throughout. Are all those diversions necessary? If you are the type of reader who enjoys discovering information that way, then this is a book for you. Just be prepared to be jolted by “too much information” at times, such as the author’s choice to open the chapter called “Male or Female?” by describing himself as “castrate” (for valid medical readers). For me, it seemed to distract rather than inform or serve as a thread to tie up the chapter. You may respond differently, or as some people say, your mileage may vary.
I’ll close with a wish for your good health as we all face a historic pandemic. I can’t predict when I will have another roundup to offer. If I’m lucky, some publicists will return to their offices, read this blog, and decide to offer me science books to share with you in the next few months.
Blogger and reviewer Fred Bortz is the author of numerous science books for young readers.
A request from the blogger: Please let me know you appreciated this posting by adding a comment or sending an email with your thoughts to [email protected] . Many thanks!
source https://fredbortz.scienceblog.com/35430/science-book-roundup-social-distancing-edition/?utm_source=rss&utm_medium=rss&utm_campaign=science-book-roundup-social-distancing-edition
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futurelit vol 3: starlit void
I knew for a fact that for volume 3, I had to cover a twitter bot. Come hang with me and starlit void for a while and see why---
The boom of Creative Writing Twitter is a natural extension of how we communicate today: quickly, constantly, concisely, urgently. But short doesn’t mean simple: following the ethos of writing (or subverting) formal verse poetry, the restraints of Twitter often produce the most creative content. Among them are many creative writing-oriented twitterbots. These clusters of code generate tweets following a certain linguistic--and sometimes also visual--structure a set amount of times per day. Some results are "better” (more beautiful, or more hilarious, or more surprising, or more mundane, or more....) than others, but it’s always enchanting to watch unfold. The dependable, structured presence of twitterbots--however unexpected the results---on our feeds makes them eventually feel like a friend---oddly human. One creative writing bot that stands out to me is starlit void’s quietscape--the bot pairs a colorful, randomly generated, geometric digital landscape picture with a short, fantastical suggestion/description. Each tweet creates an environment for thoughts to exist in, like a creative writing prompt. At least for me, it serves an essential meditative function within hectic internet space. I knew that my conversation with starlit void would be a rad discussion about writing and tech, but it bloomed into so much more: an oral history of bot world, seriously cool meditations on mental health, Soundcloud playlist suggestions, + more! Keeping with the futurelit tradition (and my own personal tradition), we avoided a phone call and did our chat over Twitter DMs this time:
what is your favorite environment to create in? (whether it's a certain physical space, listening to a certain kind of music/silence, etc.)
i typically like to be well-caffeinated, alone or in a cafe, & excited about getting something working.... there's a thin line between excited & stressed about how something is going to turn out. i used to go to "game jams" until i discovered it was actually really stressful for me. i'm trying to be more relaxed about my creative output (this is easier said than done) & trying to avoid equating prolificness w/ human value. i think i do my best work when the intended audience is very selective, even 1 or 2 people, or just for myself. i also listen to what i call "robot music" a lot, for example this sort of mix.
----continue below----
tell me a little bit about how you came up with your bot 'quietscape' -- what were your inspirations for it? as i believe you had already guessed, @quietscape was first intended as a prompt bot, for getting some creative thoughts limbered up. at first the output was text only, which was easy to do using tracery (TRACERY PLUG: tracery by @galaxykate along w/ http://cheapbotsdonequick.com by @v21 are hands down the greatest twitterbot making tools around, lowering bar to entry for many many people into the complex world of botmakery). i think at first i did use a few of them as prompts, but quietscape was ultimately too bland & not interesting enough. i added the raytraced images as a proof-of-concept & it's remained almost unchanged ever since. quietscape is still a work in progress!!!!! of course after adding images i came up w/ a huge complex system of how this takes place on a mysterious earth-sized artifact orbiting a binary star system blah blah blah but i felt it was more important to synchronize tweets to my own daytime schedule. i found some code to roughly calculate sunlight intensity & sunrise/sunset times at roughly my latitude for a planet that's roughly earthlike & that was "good enough"! the schedule is also in line w/ some of my thoughts on bot tweeting volumes. i like that quietscape only tweets 5 times a day (dawn, afternoon, dusk, midnight, & a daily "shrine" tweet), which i think helps keep xem from getting too familiar or overstaying xyr welcome. i love procedural generation but our minds can feel out the recurring pattern of a bot very quickly, even if there are 50 bazillion possible combinations, which sounds good on paper but doesn't actually provide human quality variety in the output. my partial answer was to make a terse bot. as far as actual inspirations go: quietscape owes quite a lot to tsutomu nihei's architectural renderings, @katierosepipkin & @lorenschmidt's collaborative work, and @edclef & @davidkanaga's game _proteus_. the daily "shrine" tweets are thanks to @trapitolina's @obelisk_bot, which got me thinking about adding more of a physical location feel to quietscape.
what do you love most about coding as an art/writing form, and how did you get into it? i see generative & algorithm-assisted creativity as a vast & mostly untapped field, where the product isn't really the product, but a wild & nearly organic factory that can make lots of weird & surprising things. i think @katierosepipkin said it best in their interview: "Here, the cartographer draws the cliffs that contain a sea of one hundred thousand artworks. And then one searches for the most beautiful piece of coral inside of their waters." this resonates w/ me, especially this feedback loop of curated generation (generate a huge number of results & then pick out the best ones). of course that's hard to do when making a bot that supposedly exists independent of human interference. there are a lot of successful procedurally generated experiences out there & yet i think there is much to be learned about how we can work hand-in-hand w/ computers to make more human accessible works. @emshort explores this a whole bunch in her notes following the text of "the annals of the parrigues" (see page 81), "the state of the roads", & it's really eye-opening & exciting. on the other end of the spectrum, it's exciting to me that there are several wonderful tools available for picking up rule-based creativity & just making it. i would love to make tools that help people get started down the road of algorithmic creativity. i would love to see more voices using these techniques.
I can't help but notice that your 'quietscape' website is hosted on neocities---were you into geocities when you were younger? and if so, do you have any cool memories about it? (or about any other piece of the internet that's not around anymore that you're nostalgic for?) sure!!! i had a geocities site & i'm still known to gawk in awe at mid-90s web aesthetics. but even more important than that, i think it's crucial we move away from centralized conglomerate based media platforms for our creative output. html remains a viable technology for sharing ideas & presenting them online, & to get started you just need to copy paste some nearly-human-readible code. returning to lists of url links & webrings & simple web crawlers as the means to discover other sites.... it's not democratic or equal in any sense, but in hindsight it seems better than entrusting your content to an algorithm w/ an intrinsic corporate bias. geocities was the era during which we were sure that the internet had come to free us all from ignorance & relying on centralized systems. 20 years later, 3 or 4 companies control almost everything you do online. the bleak cyberpunk corporate surveillance police state of the 80s is happening instead. i'd love to go back to those innocent days & work for a better distribution of technology. or breaking systems down, i don't know. relying on systems is killing us.
which projects are you currently working on, or would like to in the near future? the big theme of what it would be like to live in a weird endless megastructure has haunted me for about 15 years so i'll probably still find ways to explore that in future work. the two other forces that draw me kind of go hand in hand but they're also kind of opposite. i'd like to put more of myself in my work, & focus on some of the changes & revelations i've had over the past few years (gender, sexuality, identity in general). but also i'd like to address bigger issues, like stepping down & propping up marginalized voices.
post an image/images that feels like 'the future' to you (x) love mushbush's work & it feels out of time & futuristic in a playful way!
#starlit void#futurelit#booklust#twitter#twitter bots#botally#lit#interview#writing#literature#spilled ink#writers#media#coding
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twins.
Twins. That’s what they called you.
The Graves Twins. Twin warriors. Twin stars, locked in each other’s gravitational pull. From the moment you opened your eyes on that distant field, you were drawn to each other. You knew each other before your names had even crossed the other’s lips.
You were Tyler. You were a smile, giggles and brightness. You were the burst of light before the sword came down. He was Sylrin. Saint of the Dead. He was warm hugs and chuckles, both sword and shield.
You had to be twins. You were too similar, too alike in half a dozen ways; and when you weren’t, one difference complimented the other. You were a spellcaster, your brother a warrior. You were small, he was large. You were a social butterfly, he a recluse.
He swore you were the builder and he was the destroyer, but that wasn’t true. Not to you. You both were architect and demolitionist. One must destroy to create. It held true even for your own bodies, which upon death would weave together the aether to so that you might be borne anew.
Rebirth through death. The lifestream refusing to accept your aether, spitting you back out, half-baked. A constant cycle. It was only by chance that you two would come out twins this time around.
Why did you both die at the same time?
[ mentions; @flood-of-shadow ]
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Afterglow.
Providing some delicious context for @bygone-eras’s story, .Collision, this is the first of two pieces I wrote for her as a part of the Binary Star AU.
Also mentions of @mirribunnybard
You didn’t want to believe it when they brought the boy back. Baby fat, sharp fangs and a surprisingly large pair of eyes; but unmistakably Saint.
The reason you don’t believe it is because it’s always been you. He told you before, twice now you’ve been the one to come back fresh and new, doe-eyed and scared and rushing into his arms as if you’ve always known him despite the few fragmented, hazy memories from before you woke up. Blank slate.
The first time, he was thirty-five and furious; and you, small and fifteen, shivering like a leaf. The second, he was forty-seven, but you always swore he didn’t look a day over thirty-nine.
Both times, he told you. Showed you diaries you wrote just in case this sort of thing happened, like you knew it would. He kept one too.
Now he stands before you, young and fifteen and looking for all the world like he carries the biggest ego in the camp. But he gravitates towards you, a binary star towards it’s twin. Small mercies in the face of this curse; both of you knew where home was.
Before you call him Saint, he tells you his name is something else. It means the same, something sacred, something holy; but it’s not Saint. Although, it was never Saint to begin with anyways. Before your many deaths and rebirths, he’d told you his name had been a joke.
You didn’t see it as a joke. You made up your own meaning for it.
“It’s Sylrin. My name,” He says, stubborn as ever. At least that never changed.
“Well Sylrin,” It feels so odd on your tongue, and something in the back of your mind whispers, that isn’t your name, but you ignore it; “What were you doing out there? A battlefield isn’t exactly a safe place for a kid.”
“Dunno,” His arms cross, and he looks so much like he did when he was older; “I just woke up on the ground and I started walking. Then your men found me.”
Yes. Brought him to you with his armor sagging off, his frame no longer large enough to wear it. There had been an ache, deep down when you saw him draw near because No, it’s me. I’m always the one who fucks up, not you. But the universe was full of surprises.
“I don’t remember much,” He adds, “But I know I trust you.”
A pause. “I trust you too, Sylrin.”
---
He’s different and some days you hate him for it.
He shadows you like a ghost, a lanky, murderous ghost. He calls you Graves until you instruct him to stop, tell him to call you Tyler and his eyes blow wide at the idea of calling the Commander Graves anything other than her title.
True to being a little murderous wing-man, he could snatch assassins out of the shadows with ease, his reflexes far exceeded anything you’d expect from your average fifteen year old; and he was quickly outpacing your men when they sparred with the boy.
So he spars with you instead.
It’s surreal, it feels wrong, to be the one with more experience. You know everything about him after all, learned his tells over years of training and sparring matches as well as he knew your own, learned to read his expression through the planes of his face and the flex of his jaw. He’s just on the cusp of that now, that unreadability for all but some. It’s uncanny, it’s unnerving; and you ache at the thought that this Saint is different.
Is this how he felt? Are you different? Are you not the same Tyler that was found in the woods? Are you not the same Tyler who killed her own brother, who built a new family on the ashes of the one she left behind?
“You should give him the journal,” Mirri suggests one day.
She’s older now. Everyone is, you’re still the baby of the group, now by twenty or more years. Stuck in your mid-thirties while everyone moved on.
To her credit, Mirri tried to help. She had delved deep and searched, searched and searched through knowledge mortal eyes were not meant to see to try and help you; but nothing she found seemed to acknowledge any kind of cure. It barely mentioned what was wrong with you in the first place.
“I don’t want him to suffer,” Is all you say.
“Suffer? It’s not like he remembers most of it anyways, he barely remembers you,” She points out.
“It’s not-” You pause, “You don’t get it, you’ve never been through it before.”
“But you have,” She splays her hands, in a ‘you get what I’m saying?’ sort of fashion; “You know what to do if something goes wrong.”
“I don’t know,” You shake your head, “I don’t know how he’ll take it.”
“Badly,” Mirri says, all finality and certainty. You envy Mirri her certainty; “If you’re anything to go off of.”
You frown, thinking back to how Saint had broken the news to you.
There’s no easy way to do this, he’d said, and handed you a book. Your diary. He let you read. Let you panic when you came to your realization. There was no calm down this, and everything is okay that; because everything was not okay.
You’re cursed.
#you can find me out among the stars; (Binary Star Verse)#( my writing. )#Don't feed the dark; (Tyler x Saint)#anyways see the thing thats given me a kat brainrot for the past week or three
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contact binary.
Anyways this is the second part of Afterglow. and it’s set directly before @bygone-eras��s .Collision please come chase stardust with me and kat.
He’s still so much taller than you, but you are his elder. He shadows you and his shadow is cast over your own form, the shadow he casts is long and familiar and welcome - and it is painful. A spectre follows in your footsteps, wearing an innocent simulacra of your brother’s face.
There’s hesitation in your step now, you worry your hands beneath the warmth of your borrowed cloak. Saint’s cloak, a gift given a thousand years ago, it seems like.
You don’t want to do this, but this isn’t about what you want. This isn’t about you at all.
“Graves?” His voice sounds so much like how you imagine your own once did, but more sure of himself. He’s already calculated the outcome of this question, drawing on instinct and hazy memories of past experience.
You open the door to your office and let him in. “Come on, I wanna talk to you.”
“Something wrong?” He asks as he follows you inside, and there he is, your brother, older brother; not his young doppelganger but the original, the one in his fifties.
But he is no longer your older brother, the shoe is on the other foot now.
“Sylrin,” And his given name is foreign on your tongue; “There’s something I’ve been meaning to talk to you about,” you carefully step around your desk, movements telegraphed to the best of your ability, hands reaching out from under Saint’s cloak to search for another relic - his diary.
You walk back over to him, journal held in hand. An offering.
“I thought I was protecting you, but I’m not.” The journal is taken out of your hands.
“I just don’t want you to be in pain.”
On the wall, above your chair, a familiar sword sits. It waits, seething, for its master’s call.
#you can find me out among the stars; (Binary Star Verse)#( my writing. )#Don't feed the dark; (Tyler x Saint)#>>>>>:3
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