#Yoshiko Mita

[kaipanzero]

Love is in the Green Wind

恋は緑の風の中 (1974)

[jayfinch]

Tamamoe!

[sixplusfive]

過保護のカホコ Overprotected Kahoko (2017) | 1.05 dir. Akashi Hiroto, Higurashi Ken, Nagumo Seiichi, Ito Akinori

[youngfcs]

hi cib !!! how are you ? i was wondering if you could offer me some fcs for an older sister and grandparents for momona tamada (who plays claudia kishi in the new-ish babysitters club series) ? thanks !! have a great day !!

Hello there! I'm doing fine, how about you? hope you're fine! Of course! She's of Japanese descent, so I'll try to give options with that heritage as well :)

Sister:

Anna Suda (17-25)

Hina Yoshihara (15-21)

Lyrica Okano (19-28)

Nana Komatsu (18-27)

Hirai Momo (18-26)

Grandmother:

Tamlyn Tomita (50-58)

Guin Poon Chaw (62-70)

Yoshiko Mita (73-81)

Mieko Harada (56-64)

Miyoko Asada (60-67)

Grandfather:

Jun Kunimura (60-67)

Eiji Okuda (65-73)

Kōji Ishizaka (73-81)

Hiroyuki Sanada (56-63)

Takeshi Masu (60-67)

(cib)

[fuckyeahmeikokaji]

Poster for Between Women And Wives (妻と女の間), 1976, directed by Shiro Toyoda (豊田 四郎) and Kon Ichikawa (市川 崑). Starring:

Akiko Nishina (仁科亜希子) Wakako Sakai (酒井和歌子) Meiko Kaji (梶芽衣子) Yoshiko Mita (三田佳子) Mayumi Ozora (大空真弓)

meikokaji.net

[anamon-book]

男はつらいよ 寅次郎サラダ記念日 松竹株式会社事業部 1988年

[ozu-teapot]

Samaritan Zatoichi | Kenji Misumi | 1968

Shintarô Katsu, Yoshiko Mita, Yasuhiro Minakami

[jailhouse41]

Poster for Temptation By Night (Yoru No Hitode, 夜のひとで), 1967, directed by Kazuo Hase (長谷和夫) and starring Yoshiko Mita (三田佳子).

[onceuponajdrama]

Kahogo no Kahoko

2017, NTV

[doraemonmon]

Monthly Myojo June, 1961 - Yoshiko Mita

[crazyasianlove]

Promise Cinderella Ep. 1 (Sub. Esp)

DESCARGAR O VER ONLINE AQUÍ

[cultofbullnakano]

A young Yoshiko Tamura and Etsuko Mita.

[idleminds]

[sixplusfive]

過保護のカホコ Overprotected Kahoko (2017) | 1.06 dir. Akashi Hiroto, Higurashi Ken, Nagumo Seiichi, Ito Akinori

[paper-box]

[luna-rainbow]

BOSS...I mean Kinkyu Torishirabeshitsu 2

Kinkyu Torishirabeshitsu (Emergency Interrogation Room) sees Amami Yuki return to her best as a no-nonsense policewoman.

I think I've only watched the SP from this series, and I couldn't see a whole lot of difference between Makabe Yukiko and Osawa Eriko, except that maybe Makabe is a bit softer since she's not the squad leader.

I adore Amami Yuki, but she's unfortunately typecast in either scary career woman or ageing spinster roles. She actually does some very impressive turns as a "traditional female" if anyone is interested in "Watashi to Iu Na no Hensokyoku" and "Galileo 2", but no Japanese actress quite pulls off domineering capableness the same way Amami can.

Being the sequel, the series jumps straight in without introducing the characters, which does leave newcomers like me a little confused with where everyone stands. The script of the first story thankfully avoided the done-to-death bomb-on-a-countdown trope, and instead took on a rather interesting social issue - elderly perpetrators, and the loneliness of the ageing isolated population.

The case decided to leave a curiously open ending, and it's hard at this point to know why the series chose to do that. What was riveting was seeing Amami Yuki pitch her acting against the eminent Mita Yoshiko in their showdown interrogation, and clearly the audience was happy with just that, gaining a rating of 17.9%.

The pace is quick, and everyone had their wits about them for a change, and aside from the cerebral detecting, there was a sense of humanity too in Makabe's momentary hesitation in questioning the perpetrator's motive.

In a season flooded with mystery based dramas, I can't say that this one stands heads and shoulders above the others (even if ratings suggest otherwise), but the first episode definitely has a leaner script, a tighter focus and is refreshingly free of power struggles and odd conspiracies.

(PS: I kept getting very confused because Tanaka Tetsushi appears in both CRISIS and this one)