#Yogesh Gaur age

[bollywoodirect]

"एक दिन सपनों का राही, चला जाए सपनों से आगे, कहाँ?"

"Ek din sapano kaa raahi, Chalaa jaae sapano ke aage, kahaan?"

Remembering writer and lyricist Yogesh Gaur on his 4th death anniversary (29/05/2020).

Yogesh was born on March 19, 1943, in Lucknow, Uttar Pradesh. He moved to Bombay at the age of 16 to find work and sought help from his cousin, Yogendra Gaur, a screenplay writer. During his early struggles, he even acted as an extra in the hit mythological film Chakradhari.

In 1962, Yogesh got his big break by writing six songs for the movie Sakhi Robin, including "Tum jo aa jao," sung by Manna Dey, which launched his career in Bollywood. He worked with renowned directors like Hrishikesh Mukherjee and Basu Chatterjee.

Some of his famous Hindi songs include "Kahin Door Jab Din Dal Jaaye," "Zindagi Kaisi Hai Paheli," "Rimjhim Gire Saawan," "Kai Baar Yunhi Dekha Hai" from Rajnigandha, and "Na Bole Tum Na Maine Kuch Kaha" from Baaton Baaton Mein. Yogesh also wrote for television serials.

[fancallindia]

Finding Your Spark: A Guide to India’s Top Motivational Speakers

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Yogesh Chabaria: A modern-day motivator, Chabaria’s dynamic talks resonate with millennials seeking self-discovery and a fulfilling life. His entrepreneurial spirit and boundless positivity challenge listeners to push beyond their comfort zones and embrace their true potential. He’s living proof that age is just a number when it comes to achieving your dreams.

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BK Shivani: A renowned spiritual mentor and motivational speaker, BK Shivani is known for her ability to simplify complex spiritual concepts and make them accessible to everyone. Her talks are often laced with personal anecdotes and humor, and she has a knack for connecting with her audience on a deep level. Shivani’s message is one of hope, peace, and love, and she inspires her listeners to live their lives to the fullest.

Emerging Voices:

Sagar Sinha: He is like a vibrant thread woven into this tapestry of inspiration, offering a distinct approach to unlocking potential. Available on the fancall app, Sagar has carved a niche as a sought-after corporate trainer, business coach, and master of human physiology. His strength lies in helping individuals and businesses achieve their goals by understanding the intricate connection between mindset, motivation, and actionable strategies.

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Simerjeet Singh: A young voice with a powerful message, Singh’s talks are a rallying cry for self-belief and achieving extraordinary goals. His energy and conviction are infectious, leaving audiences with a renewed sense of purpose and the courage to reach for the stars. He proves that age is just a number when it comes to making a difference.

Finding Your Beacon:

Remember, your journey of self-improvement is uniquely yours. Explore these voices, delve into their wisdom, and discover the speaker who resonates with your soul. Let their words ignite your spark, illuminate your path, and propel you towards a life filled with purpose and fulfillment. You can connect with Sagar Sinha for your dose of motivation on one to one video call on fancall. Just type his same in search and book his slot from availability. And you are ready for motivation.

Article Source : https://www.fancall.in/finding-your-spark-a-guide-to-indias-top-motivational-speakers/

[newscountryindia]

Veteran lyricist Yogesh Gaur dies at 77, Lata Mangeshkar pays tribute Image Source : GOOGLE Veteran lyricist Yogesh Gaur dies at 77, Lata Mangeshkar pays tribute  Veteran Bollywood lyricist and writer Yogesh Gaur passed away on Friday at the age of 77.

[bollywoodpapa]

RIP! Veteran lyricist Yogesh Gaur passes away at the age of 77

New Post has been published on https://www.bollywoodpapa.com/274575/yogesh-gaur-passes-away/

RIP! Veteran lyricist Yogesh Gaur passes away at the age of 77

Veteran lyricist Yogesh Gaur, who penned lyrics for evergreen songs like ‘Kahin Door Jab Din Dhal Jaye’ and ‘Zindagi Kaisi Hai Paheli’ for the film ‘Anand’, passed away on Friday (May 29). He was 77.

Legendary singer Lata Mangeshkar mourned Yogesh’s death on Twitter and offered her condolences.

Yogesh Gaur passes away

She wrote, “Mujhe abhi pata chala ki dil ko chunewale geet likhnewale kavi Yogesh ji ka aaj swargwas hua. Ye sunke mujhe bahut dukh hua.Yogesh ji ke likhe kai geet maine gaaye. Yogesh ji bahut shaant aur madhur swabhav ke insan the. Main unko vinamra shraddhanjali arpan karti hun (( I just came to know about demise of Yogesh, who wrote soulful songs. I am sad to know about his death. I have sung the songs written by him. He was a calm person. I pay my respect him.)”

Mujhe abhi pata chala ki dil ko chunewale geet likhnewale kavi Yogesh ji ka aaj swargwas hua. Ye sunke mujhe bahut dukh hua.Yogesh ji ke likhe kai geet maine gaaye. Yogesh ji bahut shaant aur madhur swabhav ke insan the. Main unko vinamra shraddhanjali arpan karti hun.

— Lata Mangeshkar (@mangeshkarlata) May 29, 2020

Yogesh started his career by writing six songs for his first film and later went on to write for more films like Chhoti Si Baat (1976), Baton Baton Mein (1979), Manzil (1979), Rajnigandha (1974) and many more. He also wrote for television shows like Chandrakanta, Hasratein, Thoda Hai Thode Ki Zaroorat Hai and Gudgudee.

His last big film was Bewafa Sanam, which released in 1995. He also penned a few songs for the 2006 release Prateeksha, but it failed to make a mark at the box office.

May his soul rest in peace!

[asksabhaniblog]

Yogesh Gaur (born 1943) is an Indian writer and lyricist.[1] He wrote songs for Bollywood, and is best known for songs like, Kahin Door Jab Din Dal Jaaye and Zindagi Kaisi Hai Paheli in Anand (1971)

Yogesh was born on 16 April 1943 in Lucknow , Uttar Pradesh.

He moved in search of work, his cousin was a screenplay director. His first work was with Hrishikesh Mukherjee, and wrote Kahin Door Jab Din Dal Jaaye. He wrote songs like Zindagi Kaisi Hai Paheli and Rimjhim gire Saawan, Kai baar yunhi dekha hai from Rajnigandha and Na bole tum na maine kuch kaha from Baaton Baaton Mein.

Yogesh also worked in television serials as a writer.

Lyric writer Yogesh Gaur was a man in great demand among the slice-of-life filmmakers like Basu Chatterjee and Hrishikesh Mukherjee. The story goes that Mukherjee heard the lyrics of two songs Yogesh had written for producer LB Lachman's film, and wanted them for Anand.

Lachmanji was adamant about keeping the songs, but Rajesh Khanna, Amitabh Bachchan and Mukherjee pleaded with him. Bachchan, who was a young man then, would say to me, Please get us these two songs somehow. Finally, Lachmanji relented and gave them one of the songs, says Yogesh.

The song, Kahin door jab din dhal jaaye, shot the lyricist to overnight popularity. Mukherjee was so happy he got Yogesh to pen another song for him, Zindagi kaisi yeh paheli for Anand too. Soon, the fan mail was pouring in.

Funnily, people also sent me flowers for Maine tere liye, which was written by Gulzar, says the man, popularly known as 'shaayar' by actresses of that time. The nickname happened because the heroines, when they reported on the sets, would insist he recite some of his shaayari. "Producers thought the heroines were getting distracted by my poetry, especially when I waxed eloquent about their beauty," he laughs.

Known as the 'sensible film lyricist', Yogesh worked primarily with Chatterjee and Mukherjee, rather than 'masala' filmmakers. My problem was similar to that faced by the filmmakers themselves. My work was appreciated, but was restricted to 'art' films. But they were more real than arty, he says.

Working with Basu Chatterjee was not the easiest, says Yogesh. Basuda was a master of his craft, but brainstorming sessions with him weren't all that fun. While discussing a song for Rajnigandha, he would say, in true Bengali style: ‘Uske baad, Vidya wahan se aata hai.’ I had to stop him and ask if he meant heroine Vidya Sinha’s character or hero Amol Palekar’s. He got angry and said he was referring to Vidya. I didn’t bother explaining to him that he had actually mixed up the gender while speaking in Hindi, Yogesh says. But the collaboration was a fruitful one. Yogesh wrote some of his best songs for Chatterjee, like Kai baar yunhi dekha hai from Rajnigandha and Na bole tum na maine kuch kaha from Baaton Baaton Mein.

Incidentally, Yogesh began by writing for C-grade potboilers like Flying Circus, Marvel Men, Rustom Kaun and Husn Ka Ghulam. After arriving in Bombay from his ‘nawabi kothi’ in Lucknow, he was looked after by his cousin, screenplay writer Vijendra Gaur, for a while. He often hung around the sets, not knowing what to do. Depressed about leaving his home at a young age – he was 16 – Yogesh spent hours at Marine Drive and the Hanging Gardens brooding about his situation, and penning his thoughts. It was while sharing his diary with music composer Robin Banerjee, that he was coaxed into writing lyrics for a tune Banerjee had created. Yogesh took the job and the song got selected for a film, which never got made.

Several jam sessions with Banerjee followed, leading to six songs that were selected for Sakhi-Robin, the film that marked Yogesh’s entry into the stunt-film genre — and the industry itself. I got Rs 25 per song, and a total of Rs 150. Two of the songs were played on primetime slots on Radio Ceylon. That helped, he says.

But the big league had to wait. With just enough money to shift from a jhuggi in Andheri to a chawl in Oshiwara, Yogesh couldn’t buy discs of his own compositions. He would spend hours at the home of Sabita Chowdhury, wife of music composer Salil Chowdhury. "She had a jukebox, and struggling musicians would get together to listen to music on it. It was during one such session that I requested a meeting with Salil da."

The first time Yogesh saw Salil da, he was too intimidated to open his mouth.

"He lived in a room full of encyclopedias and stuff, and appeared oblivious to the world. I had to make repeated visits to make my presence felt." The break, however, came a few months later. After the death of his regular collaborator, lyricist Shailendra, Chowdhury was looking for another writer. He gave Yogesh half an hour to write a song. Yogesh got cold feet and couldn’t think of anything.

"Salilda’s assistant laughed and said a novice like me could never do justice to Salilda’s tunes. That shook my confidence." A dejected Yogesh walked out, but while waiting for the bus, was struck by some lines. He went back to Salil da and recited them. "He started screaming out to his wife, Sabita di. I thought he would tell her how incompetent I was, and then kick me out. Instead, he told her that I had written some beautiful lyrics.

That was a moment I will never forget," says the lyricist. It’s right up there with the time that Lata Mangeshkar complimented him on a song for the first time. Yogesh has worked in more than 100 films, and written for albums as well. His most recent work are Kuch Khatta Kuch Meetha and twofilms, which are lying in the cans "The style of working has changed. Earlier, we were given a situation and asked to write accordingly. Today, the brief is ‘superhit duet likhna hai’," he says.[3]

Filmography[edit] Ek Raat Sakhi Robin (1962) Mili Chhoti Si Baat Anand (1971) Aaja Meri Jaan Manzilein Aur Bhi Hain (1974) Baaton Baaton Mein Rajnigandha Manzil (1979) Annadaata Anokha Daan Anand Mahal Mazaaq Priyatama Us Paar Honeymoon Kuhaasa Jeena Yahan Mere Bhaiyya Sssshhh... (2003) Bewafa Sanam (1995)