#YOU WROTE OFF IZZY JUST BECAUSE HE WAS PROMISCUOUS AND WAS AN ASS ABOUT IT THE THREE TIMES YOU SAW HIM

[escherstrange-ffxiv]

Elftober #6: Memory

Isillud adjusts his coat, pulling it into himself as he looks silently at the pictures, each scenery a page from an album of memories. Oudine looks at her cousin, an inscrutable quietness falling over him as well. "…I needn't really stay, Izzy." His boots click and clack on the tiled floor as he inspects each pic. Breathe, Izzy, he tells himself. Like these pictures, it is in the past. "It's all right." Her brows furrow, but she bites her lower lip and moves.

"...We used to find the highest point in Mor Dhona and look for the tower." "Well… we've found it today," is her soft reply. "I'll wait near the Azure Dragoon. Take your time." Isillud's smile does not quite reach his eyes. "When I was finally brave enough to step out of Mor Dhona to hunt, to take leves, I could see it anytime I wanted. I don't know if Joshua managed to see it on his own. I've never asked. I'd like to think he did." His voice stops her, and she returns. Wordlessly, she puts one hand on his shoulder, squeezing past the coat. He takes a deep breath. "The adventurers in Revenant's Toll made lots of jokes about it." He gently pats her hand, "But those jokes aren't for a lady's ears." It looks almost like a window, with the light dancing across the picture like moving clouds. "I should pay a visit someday." She keeps her hand there, but the grip loosens. "Perhaps we can come with you. If you would permit."

"Not that I mind, but your opinion of me might change greatly." Oudine looks him in his impossibly green eyes. Perhaps it would. Perhaps she would indeed see him differently. "I was younger and more naive," he adds. She nods, slowly. "I do not doubt that. So were we all." She looks back to the moving painting, falling silent. After a while, she says, low-voiced, "Whoever you were in Revenant's Toll, I think he did his best in such circumstances. And for that, I would honour his existence and refrain from judgement." "…There's the Oudine I know." Oudine looks at him, the smile small, but warm. "Thank you Izzy. For returning to us." "Thank you for receiving us, Viscount."

(Excerpt from RP with @housedeaubemarle at Gardens of Babylon (babylon-gallery.carrd.co), part of the Eorzean Museum Network.)

[oncethrown]

2x15 Reaction: Hope and Boobs

This Episode Was Amazing 

(except for one consistent problem) 

And I’m So Excited 

(but seriously you fuckers need to commit to fixing this one thing)

This was the best episode of the entire show so far, and is a clear indication that everything is going up from here. With the exception of the Jace/Valentine exchange, and the couple seconds of Isabelle giving orders, every scene in this episode was about characters talking to each other, and deepening relationships while still advancing plots multi-episode plots which didn’t take over the character stuff. It makes the show feel more anchored and real, like you can finally really sink your teeth into it.

I wrote a big long ask reply yesterday about how I’m optimistic about the new characters, because it signals that the writers are working toward a perfect ensemble mix, and I feel like this episode completely bears that hypothesis out. This was the first true ensemble episode the show has managed, that worked in the majority of the characters, involved all of them in an A, B, or C plot and didn’t short shrift anyone. Everyone got something real to work with and had an important conversation with a key person that both did something with their storyline, and highlighted something about their relationship with the other person. That. Is. Amazing.

And everything built on what came before. This show is still totally within a reasonable time frame to be finding it’s feet and maturing, and this episode was absolutely that point where the path becomes gravel on it’s way to being paved and solid.

This episode also had a feeling like the production team, writers, actors and directors have finally gelled. It’s a massive stylistic improvement over even the last episode.

But Seriously, Write More Women that Don’t Make Me Hate You

However… Shadowhunter’s treatment of women is still pissing me off, (though I have super high hopes for Aline and Izzy after this episode).

The Bleeder Den basically being a sex club full of women in lingerie was lazy and cliche as hell. Simon’s entire storyline revolving around a fridged blond, was also lazy and cliche as hell.

Clary’s inability to go a full scene without crying about a boy makes me want to slap her, and then slap everyone who wrote that scene. I’m really truly sick of all this bullshit. I understand that the writers are constrained by the books, which are popular directly because of all that bullshit, and that their hands are, to an extent, tied and I believe that they are working on it, and that’s why I’m still excited to watch every week.

Clary-wise, I will begrudgingly accept that they need to do some book bullshit first. Because they are racing through the book plot at a break neck pace, and I am willing to believe that at some point, someone will want the lead of their show to be something other than a skinny red-headed version of the average american 13 year old’s diary (back in the 90’s before teenage girls were encouraged to do or be anything other than basically vending machines that money (and possibly sex) would come out of if you put enough boy bands into them first). But right now? It’s not promising, and Clary-the-theoretical-lead being such a dumpster fire makes it that much more enraging when they through in a collage of pointless boobs.

I understand that this isn’t a completely black and white issue, cause the male characters are occasionally pretty shirtless, but there is a difference between girls coming in to audition for “Boobs in Club One, Two and Three” and “Featured Boobs In Club” and that fact that they find some very thin reasons to get Alberto and Matt out of shirts.

Boobs vs. Pecs

1. The Panning Shot

This is really the main thing. The camera consistently runs over Izzy’s body like it’s initiating awkward foreplay with her. It does the same thing to Boobs 1, 2, and 3. The camera presents shirtless men, it caresses semi-naked women. It makes me nauseous and the directors who do it should all be hit with a fish, left gaping at the absurdity of being hit with a fish, and then be hit with a much larger fish.

2. Alberto, Matt, and Harry are prominently featured in the social media featuring working out and fight training .When they are shirtless, there is an element of congratulations in the way they are framed. This awesome dude worked so fucking hard and look at the artisan abs they have cultivated in our boutique gym.  “Boobs In Club” are a standing expectation that these girls fulfill, and Kat and Emeraude’s workouts are not marketed in the same way.

3. Harry’s only extended shirtless scene wasn’t sexualized. Alec doesn’t walk into that scene dumbfounded at the sight of him, and Magnus is doing tai-chi magic. It’s almost filmed aesthetically. Beautiful Magnus, in Magnus’s beautiful loft, doing beautiful magic with our new beautiful budget that we want to make a point of. Also, there’s an element of showing off with Harry in this scene not related to his body alone- Harry’s a dancer, the quality of movement he brings to Magnus is amazing, and they are showcasing that talent, not just his bulldozing shoulders.

3. Alec is (with one exception) Incidentally Shirtless. Alec takes off his shirt to access his parabatai rune in over half of the instances he’s shirtless. He’s shirtless for plot, and they don’t do any aching panning shots of him. Also, whenever he and Magnus touch each other, they are showing as little skin as humanely possible. Their first kiss? They are both in full suits. The date? Jackets. That face grabbing kiss? Sweaters. At this rate Alec might be allowed to touch Magnus’s butt while they are both in parka’s sometime in season four. Look at the difference between Izzy crawling into bed with Meliorn in heels and lingerie, and Alec waking up in Magnus’s silk sheets. It’s a very different scene.

The one time the camera is trying not to beat off to Alec is when he’s working out shirtless and Magnus comes in to give him a file, and that pan is very clearly from Magnus’s perspective (while he’s dressed like a Victorian trying to ward off the devil) and it’s a very quick pan.

We are shown Matt, Alberto and Harry semi-clothed, we are sold Kat, Emmeraude, and Random Boobs semi-naked.

4. And then there’s Dom.

I would be remiss if I didn’t mention the fact that they film Dom like a sirloin steak in an ad for a restaurant that does not sell sirloin steak.

The camera pans over Dom and makes him flirt with it in a scene where Clary is left speechless at the sight of him. It makes it very clear that he is naked while he is boobs adjacent, and then leaves him naked talking to a dissaproving Alec. While he’s imprisoned, his shirt hangs off of him like maybe, just maybe, he might have boobs.

And his body is also strung semi-naked on chains and made a site of violence and penetration.

This is a problem because Jace is the most feminized male character.

I can hear your thoughts. You are thinking “Magnus wears makeup” “Alec is an awkward virgin” “Simon is sweet and nerdy”

Sorry. Everything about Magnus comes back to his power. Circle members in his club? He evicts them with arrogance and magic. Evil Shadowhunter Villainess tries to derune his friend? Defeats her with shiny new law-powers. Drug Dealer in his bar? Gets him the fuck out with a smirk and a couple pointed remarks. And he is fucking ripped, and his magic is a very physical power. Masc as fuck kiddos.

Everything Alec does comes down to paternalistic protection and inherent leader-ness. He has to take care of Jace, he has to take care of the girl Jace likes, he has to save the Institute from the Inquisitor’s racism, he creates a downworld council full of grown ass men way more politically experience than he is and holds his own. They repeat at least once an episode that he’s a natural leader. It shouldn’t, but that codes masculine too.

Simon is always the sweet nerd— but he’d been on screen for less than a minute before he was a sweet nerd with killer abs. He’s had more sex than anyone on the show. He’s in a band. He’s the only one with a car. His father figure/mentor is the manliest man on the show. He pretends to be a serial killer and get shot 10 times. A lot of bullshit manliness boxes get checked by Simon Lewis.

Jace’s storylines revolve around the go-tos of lazy female writing— abuse and romance. He also uses sex (or the promise of sex) to get things (to be fair, mostly in the books) and even though Magnus has 17,000 exes and Simon pulls it’s only when Jace gets promiscuous that the storyline judges him a little. Other men have sex because they want to, Jace has sex because he has daddy issues.  Yet another bullshit feminine trope for the one guy the camera tries to hump.

Back To Women: This Time with Optimism

Interestingly, while Clary is at her most insufferable, Izzy and Aline rise.

Aline comes across as very mature, and I love all the little last lingering shots they give her, of her knowing that she is being misled in some way. Also, everyone is thrilled to see her, and the writer’s stroke in as quickly as possible that she is a woman with real connections to the main characters. She and Real Sebastian clearly had a very strong relationship. She knows him, she can tell he’s different, and apparently they were close enough for him to be trusted with her secret about her sexuality. She and Izzy get a totally unnecessary scene together, that just demonstrates that they like and respect each other, and are most likely long distance friends. That is the fucking best.

I was not a big fan of Izzy’s yin fen plot line, but I really appreciate how they are using it moving forward. She’s there to vouch for Evil Sebastian, she’s been matured in a way that makes her fit into the ensemble of Alec and Jace a little easier and now every time she’s put in charge of something, like training Max or leading the mission to transport Valentine, it reinforces that she is smart and competent and deserves it. Especially because her confidence in her abilities is solidifying. She went from “I’m not sure I can teach my little brother shadowhunting” to “Hell yes I will transport our biggest villain to our biggest prison, and I will do a great job and I will look amazing”

Clary didn’t suck in this episode. They gave her character a goal, and Kat gave a much better performance. Also… it was acknowledged that her story wasn’t the most important thing going on, and so it wasn’t given undue time, freeing up everyone else to have interesting plots and creating a nicer balance. Another sign of a solid ensemble being set up.

(But Also where the fuck are Maia and Maryse?)

Live Reactions:

Oh god. They are really going to do this intro every time.

Oh hey! An ENTIRE FUCKING ROOM FULL OF HYPERSEXUALIZED WOMEN EXCHANGING SEX FOR DRUGS. FUCK YOU FOR THIS SHADOWHUNTERS!

That was a weird blink and you miss it sort of scene. But kudos to Will. It takes a great actor to make meaning in a short scene with no dialogue.

Bed head Alec is cute.

Listen to Izzy! Don’t pursue this plot! Go find Maia!

Izzy is back! Authority! Smarts! Let me love her, don’t fuck up/kill/disappear all your women Shadowhunters, goddamnit!

I want to like this scene between Clary and Simon. The direction is great, the lighting is great. Alberto’s choice to go quiet angry is bringing a maturity to this exchange that I didn’t expect… but I’m not invested in this at all and it just makes it aggravatingly over dramatic for a boring 6 episode episode to finally end when we always knew it was coming.

That was a gorgeous exterior shot. Unfortunately, it was by itself much more interesting than the previous scene.

This dialogue is agonizing. It sounds like CC actually wrote it and Dom and Alan are struggling to act it because it’s just so bad.

See, this Simon Luke scene is perfect. This is the kind of scene that would have been amazing between Clary and Luke, especially after Jocelyn was killed, if Kat was capable of creating believable character relationships.

This Izzy Alec scene is the kind of character scene that has been missing all season, and putting this back to back with the Luke/Simon stuff is make the whole show feel more anchored and mature.

Mentor adult Luke is a fantastic direction for this character, and I super wish we had seen this earlier.

This scene of Izzy giving orders is perfect for two reasons: 1. Leader Izzy is so important on a show full of nameless boobs (fuck you shadowhunters) and 2. We are finally getting an episode that is not drowning in plot, and they were able to push the big plot-y thing forward with a quick flash while finally highlighting character driven scenes. This is  a big deal, this has been Shadowhunter’s other defining flaw all season.

Super manipulative Sebastian is great. I feel bad for real Sebastian, because you know he must have felt like garbage giving everything up to fake Sebastian, even Aline’s big secret in a world where Alec Lightwood is the only openly gay member of their entire species.

Yes! Run real sebastian! Run!

So much Alley sex in this show.

Oh shit.

Making Luke a cop was a fucking genius move on the writer’s behalf. Absolutely fucking brilliant.

Alberto is really good in this scene.

Oh… I just realized he was turning himself in. Of course he didn’t have to stay in that car. Oh, Simon.

Oh good. Boob time.  The screen is dark, but these are all straight shadowhunters. Worth noting. This is such fucking bullshit. There were other ways to do this. Also, fuck you shadowhunters. Hire one fucking director who isn’t a filthy pervert.

(I kind of feel like an unfair equivalence might be being made between kink and murder-y deviancy... but that is so far out of my lane I’m not going to explore it)

Ughhh. At least when Quinn says “some sluts might die” Simon is like “No, we fridged a real person for my character development! She had a name, and was the source of my man pain for a full 5 minutes!”

For all the bullshit that is part of this plot, Simon’s plot during this episode is a super good example of a character entering into this world and not knowing the rules, and then having a whole story about learning to adapt. It’s the story Clary would have, if the writers would 1. Give her a goal 2. Let her actions have consequences.

The acting in this Alec/ Magnus scene is fabulous, the dialogue is fine, the lighting and directing are noticeably fantastic. And it’s fit into the overall narrative really well.

Oh! Oh Shit! Izzy and Aline just passed the Bechdel test! It’s a fucking miracle.

This glamour is not going to work, and it’s going to be so good when Ollie gets back on this. Also, Luke and Raphael working together is great, and yet another example of why this is the best episode. I said that I was getting excited about the way that this show was starting to create a real ensemble, and they are finally doing it well! Yay! Excited!

Clary isn’t the worst in the B plot. AND! They gave her a goal for this episode, (achieve Simon’s forgiveness) and Kat is actually pulling it off. I’m not rolling my eyes every time she speaks. I dig it. Keep doing it.

Well. This camera work doesn’t bode well. Slow motion villains are never a good sign.

Duncan is bad shit. Calling it now.

I’m a genius.

Oooohhhhhhhhh. Yes. This exactly what I wanted. Sebastian has to replace Valentine, Valentine is such a weak villain.

Well. I was not expecting that demon face thing.