#YOU SHOULD TRY TUM HI HO IT MADE HIM FAMOUS
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halka halka sa is so ππ
YOU GET IT π«΅
#maybe i should spread the laal ishq agenda IT IS SO GOOD#so is binte dil. vocal king he KNOWS his sargam!#YOU SHOULD TRY TUM HI HO IT MADE HIM FAMOUS#asks#cade!
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ishqbaaz 12.07.17 lb
plain text version here.Β
self confidence goals: ragini πππ
anikaβs hiding and snooping game be hella weak. πππ
god this baagad billa looks π₯π₯π₯ in black. i canβt even. meri saansein ruk rahi hai yougaiz. π§π§π§
LMAO SHIVAAY REFUSING TO TAKE THE HINT HAHAHAHA πππ
lololol the speed jis se anika prakat hui when ragini touched shivaay. πππ
βkaadha? whatβs kaadha?β βthis? this green green item is kaadha! drink this, and your health will be TAN TANA TAN TAN TAN TAARA!β
hahahahahaha shivaayβs faceeeeeeee. πππ
this family is super big on its weird kaadhas. iβm on team ragini. it looks weird and hell no to drinking it, no matter what you say, billu in black. πππ
pfffffffffft, these two be eye-fucking riiiiiiiiiight in front of her. kuch toh sharam karo. πΆπΆπΆ
ragini makes valiant second attempt. πππ
success! ππ½ππ½ππ½
lmaoooooooooo if looks could kill, thereβd just be scorch marks on the floor where billu previously stood. πππ
iβm not falling for this tej-jhanvi nonsense again. tejβs a dirty dog who will never sudharofy. he doesnβt deserve to even be on the same continent as jhanvi. πππ
βkitne dino baad hum normally baat kar rahe hai!β
yeah itβs so sad when someone trying to set you on fire and that puts a damper on civil conversation. πππ
ugh this simpering conversation is sooooo boringgggggg. im fwdinggggg. π£π£π£
yup. fully called it. πππ
WAZZZZZZZZAAAAAAAAAAAAA QUEEEEEEEEEEEEEN I MISSSED YOUUUUUUUUUUUUU LOOKING FIRE AS EVERRRRRRRR πππ
... someone tell me where REAL bechaaaari svetlana is though. πππ
time for regularly scheduled Faraq Fight of the hour. πππ
baaat ka batangad. kaadha diya, zeher nahi. untwist your boxer briefs, billu. πποΏ½οΏ½
heβs getting angsty and mad at her for believing that ragini is his fiancee, when thatβs exactly what he wanted in the first place. stupidddddd boy. πππ
heβs thissss close to blurting out the truth. heβs this close to growlingΒ βhow could you believe i could be remotely interested in anyone else?β πππ
oh ho, kabab mein omki. πππ
...yeh dikhaana tha? iske liye achcha khaasa sexy shivika moment kharaab kiya tha? π π π
ok rudra is the unfittest gym bunny i have ever seen. 10 crunches take it out of him???? son, i havenβt exercised since 2003, and *i* can do 10 crunches. πππ
also @ acp anda (as @vishwaspur calls her): who the fuckkkkkkk exercises with hair alll khulaaa and flowing around? πππ
caaaaasual misogyny time. nice to see that bit of rudraβs personality is constant. πππ
RETURN OF OLD SENSIBLE, SNARKY OMKARA. *CRYING OF HAPPY* ππππππ
pfffft, shivaay and his tarafdaari of baby brother. πππ
i honestly love how much shivaay babies rudra. itβs fucking adorable. πππ
ugh svetlana, girlllllllllll, you can honestly do SO MUCH BETTER? it painssssss me to see you waste your hotness on terrible tej. π«π«π«
i just realised that i want svetlana and jhanvi to get together. like, as a couple. two amazing, beautiful queens. haaaaye. imagine the flawless. πππ #jhanLana #makeItHappen
oufffffff, can this scene enddddddddd already? πππ
oh boy. what plan? will they steal jhanviβs face next and put her in the freezer dabba? πππ
sarcasm singh oberoi needs to shut it. πππ
omkara is me. i am omkara.Β ππππ
oh god are they going to sabotage his gym equipment? IT COULD KILL HIM, YOU FUCKING IDIOTS! π§π§π§
of course pedantic singh oberoi has to sit and read the user manual. πππ
i relate with omkiβs frustration level sooooo much rn. π€¦π½π€¦π½π€¦π½
why are pinky/shakti on the DBO set of OM? π€π€π€
TAMEEZ AND DISCIPLINE? WHAT IS THIS, GURUKUL OF MOHABBATEIN? πππ
ooooooop, shaktiji calling pinky out on the reallll issue. πππ
oh dang. shaant shaktiji is shaaant no more. π¬π¬π¬
pffffffft, bhains ke aage been kyun baja rahe ho shaktiji? go do some pooja-paath instead. πππ
but yeah, this is the slow start to the pinky ka redemption track, methinks. sheβll continue with her ragini wala plan for a while, but then sheβll do something thatβll be herΒ βek kadamβ and the family will forgive her and accept her. whatever. i donβt even care anymore. i just need her to stop being so nasty so i can stop hating her. itβs exhausting. πππ
βab toh aaj yeh machine rahegi, ya main rahoonga!β
famous last words. π€π€π€
π°π°π° tomorrowβs headlines π°π°π°: oberoi scion (no, not the hot and short rude one. or the one with the hair. the other one.) killed due to stupidity. absolutely no one surprised. weβre amazed he made it this far.Β
eeeeeee callback toΒ βhaath chodβ moment of yore! omkiiiiiii. alavoooooo. *pulls his cheeks* πππ
i need the mom of a hot guy to throw her son at me, the way pinky is throwing shivaay at ragini. πππ #suchSexPositive #muchProgressive #WowΒ
raginiβs amazing faces of the day:Β
how the fuck is dadi expecting this whole fucking taj mahal sized mansion to be painted IN ONE DAY?????????? π€π€π€
awwwww bulbul and her adorable baby cheenkein. πππ
pft. what a contrived issue. and these idiots are sooooooo useless. πππ
literally just some pics of shivika being attractively annoyed/annoying:Β
this is suchhhhhhhhhhhhh a stupidddddd βproblemβ, lord. literally just watching for shivika and omβs hella beautiful faces. πππ
wow. gale force winds blowing inside the room at romantic scene. amaze. πππ
so... gender reversed fairy lights scene from IPKKND/DBO then. but with... gym equipment. sure. π€·π½π€·π½π€·π½
itβs amazing how little fucks i give about these two as a couple. iβm literally more invested in prinkveer. πππ
OH MY GOD WHY WONβT THIS SCENE ENDDDDDDDDDD????????? FWD FWD FWD FWDDDDDDDDDDDDDDD. canβt believe iβm having to sacrifice on bulbul screentime/rikara romance for this BS. πππ
there. thereβs the beginning to pinkyβs redemption. sheβs going to try and expose him for jhanviβs sake. but itβs gonna backfire and heβll expose the truth about shivaay to fuck her over. oyyyy vey. π¬π¬π¬
these threeeee fucking idiots. donβt they have their own love/sex lives which are in shambles to attend to? khade ho kar vicariously getting kicks from the most thandaΒ βlove storyβ in the history of the world. πππ
greattttttt. back to square one. πππ
shivaay: βtum log ladne ke bahaane ko dhoond kyun rahe ho? come on, be nice to her, she helped you out.β
oh my god. OH MY GOD. irony just died a thousand fucking deaths right now. *lays flowers at its grave* π§π§π§
ragini: comes to talk to shivaay.Β shivaay: literally ignores her to turn to anika and randomly ask her what SHEβS up to. πππ
ohhhhhhhhh shivaaaay. why you even started this whole stupid engagement drama when you donβt even have the mettle to act on it for 10 minutes is beyond me. πππ
oh nooo, ragini ki choppppp. πππ
pinkyβs gonna do it. sheβs gonna blurt it out. πππ
yuppppppppp. sheβs...Β
oh no, shaktiji is putting addddchan. and misunderstanding her intentions. πππ
I FULLY NEED JHANVI TO GONE GIRL TEJβS ASS. LIKE YESTERDAY. PLEASE GOD. HE DESERVES TO BE STABBED IN THE FACE, THIS LYING SNAKE. π‘π‘π‘
ok, when someone is going to SUCH lengths to prove their story, itβs shady af. πππ
yes pinky, please use your tedhaaa dimaag for productive things like these. leave your son alone for like a day, so he can get laid already. Β πππ
LMAOOOOOOOO WHY IS ANIKA SO SMUGLYYYYY SWAYING WHILE SHIVAAY LOOKS UNCOMFORTABLE? πππππ
GENDA CHAAP DANT MANJAN. lolololol. πππ
produced by same company as chamko detergent??? πππ
of course he doesnβt know what manjan is. #burgerBachcha πππ
GOD SHEβS SO STINKING CUTE I CANβT EVEN. HOW IS IT POSSIBLE FOR ONE PERSON TO BE THIS CUTE? IT SHOULD BE BIOLOGICALLY IMPOSSIBLE! THE LEVELS OF CUTE IN HER BLOOD ARE TOO HIGH!!!!!!!!!!! π§π§π§π§π§π§πππππππΒ
βshivaay, aap na meri baat kabhi nahi samjhenge.β βmain toh tumhe hi nahi samajh paaya, anika. tumhaari baaton ko kya samjhunga.β
ooooop. things suddenly serious. though, is he talking still labouring under the misunderstanding, or does he Knowβ’ about what she did? π€π€π€
βstory kahin se kahin bhi pohunch jaaye, lekin yeh dono har do minute kisi na kisi pillar ke peeche hi milenge.β βya phir RK pose mein!βΒ
lmaoooooooooo πππ
anika be like bitch i donβt have time for this passive aggressive emotional garbage. ANIKA OUT!!!!!!!!!! πππ
lololol omβs shiftyyyyyyyyy look. GODDDDD MAN, WHAT EVEN IS YOUR FACEEEEEEEEE I LOVE YOUUUUUUUUUUU ππππππ
hahaha khanna be hardcore shivika shipper from literally day 1. shivaay have dinner with some other ho? NOT ON HIS WATCH! βββ
pft such contrivedddddddd excuses. and these idiots are falling for it too. πππ
how nice and convenient that thereβs such strategic mood lighting that makes their skin look perfect and glowy. πππ
THIS ISNβT THE FUCKING STOREROOM. THIS IS THAT... ok idk what to call it, but itβs that random performance hall type space in their house. πππΒ
waaah lighting got even more romantic. and thereβs dinner too! πππ
me: waaay more excited about the food >>> the man. πππ
ooooooooooh. things getting serious. and angstyyyyyyyyyy. πππ
lmao what the fuck even is this tent nonsense? WHY WOULD YOU SET UP A TENT IN WHAT LOOKS LIKE A FULL-ON FUCKING STORM? HOW LONG IS OM PLANNING TO STAND THERE HOLDING ON TO THE DAMN THING????????? πππ
JUST GET IN THERE AND CUDDLE WITH HER, BOO. πππππππππ
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DR SOMA GHOSH PADMA SHREE VOCALIST- BENARAS GHARANA IS THE MOST TALENTED SINGER OF THE TIME
New Post has been published on http://www.starland.xyz/2019/12/04/dr-soma-ghosh-padma-shree-vocalist-benaras-gharana-is-the-most-talented-singer-of-the-time/
DR SOMA GHOSH PADMA SHREE VOCALIST- BENARAS GHARANA IS THE MOST TALENTED SINGER OF THE TIME
Interviewer:
Β How did music come your way Soma Ghosh ji ?
I inherited music from my mother, Smt. Archana Chakravarty a vocalist of Senia gharana and my first guru. Even while in her womb, I would rest happily if she sang! As a small child I would play, but would run to her lap as soon as she started teaching her students. At the small age of 4 yrs, she heard me sing and thereafter started training me. This started my musical journey!
Shehnai Samrat Bismillah Khan ji was your mentor, any unforgettable memory that you would like to share with us?
Bharat Ratna Ustad Bismillah Khan was not my βguruβ but definitely my mentorβ¦ he was like the Goldsmith who cut the raw diamond out and presented me to the world. He encouraged and gave me the wings to fearlessly fly in the musical horizon!! So many memories with himβ¦ the best I may say is his βmanglorie black topieeβ that he wore for our first jugalbandi. He said, βDuniya ko Mai kaise kahun ki hum kitne khus hai β¦ Mera manglorie topi, Jo Mai apni jawani mein pahenta tha, kahegi ki Mai Dil se yeh jugalbandi Kar Raha Hoonβ
When he came to the auditorium for the jugalbandi, he was wearing his usual Gandhi topiβ¦ My heart sank on seeing the white topi. I bowed and touched his feet to take his blessings before the show. As I looked up, he was wearing the Black manglorie topi. My heart sang and all fear left me. He said, β Tum Sher ki tarha gao, Mai tumhare piche piche rahunga!!β
Such was his greatness!
Β Β Β Β Β Β Β Tell us about your journey from learning music to getting title as Gandharva Kokila.
I have learned Hindustani classical music from 4 gurus. Smt. Archana Chakravarty, Shri Narayan Chakravarty,(both of Senia gharana) Shri Chittaranjan Jyotishi ji of Gwalior gharana and Smt. Bageshwari Devi of Banaras gharana. After my marriage, when I settled in Mumbai, I met Ustad Bismillah Khan sahab. And I overnight became what I am.
Babaβ¦I mean Ust. Bismillah Khan, gave me the title of βKashi Kokilaβ at the Swarangana Sangeet Sammelan. But, during a concert for the Mumbai Rotary club, Vipin Reshamiya, the famous musician and also the father of music director, Himesh Reshamiya, gave me the title of βGandharva Kokilaβ β This helped me culminate into what I am today and the name stuck ever since.
Β Who has influenced you the most in Sangeet gharanas.
Every Gharana has its strong points. I got musical depth & flight of imagination from Senia gharana. From Gwalior gharana I got emotional rendering in my singing and Banaras gharana rounded up my entire musical upbringing. I must say that I got the best from all the three Gharanas!
Tell us about your Parampara concerts to help conserve the Indian culture through music. How did you develop this concept?
Naushad Ali, the legendary music director and Ust. Bismillah Khan were discussing the dire condition of Indian musical instruments, many of which were becoming endangered. Naushad ji, entrusted me with the great responsibility of trying to save these endangered instruments⦠This started my Prampara series. The then President, Hon Dr. A.P.J.A. Kalam strongly supported me in this noble cause, and came for the inauguration of my first 3 day music festival.
Β Tell us your voyage with Bhavanjali ?
After my training had reached a certain level, Guru Pt. Chittaranjan Jyotishi, inspired few of us to start performing before an audience. For this purpose, we formed Bhavanjali, a musical platform for all of us. Our first song & dance drama ran in to financial problem and taught us the importance of marketing. We learned the harsher realities of life. But thanks to my elder brother, Shri Amitabh Chakravarty, and our grit, we managed to keep Bhavanjali going for a few years. But after a few years, I got married and then had to shift to Mumbai.
You mesmerized your audiences with pliable voice that enables you to take the Taar Saptak without a falsetto note, how much did you have to practice to achieve this?
βTaar saptakβ is a very beautiful note that can be achieved only after dedicated practice over years. My mother and her guru-bhai, Shri Narayan Chakravarty, made me practice thisΒ for years.
Why music should be compulsory in every school? And could you tell us about your efforts in helping Indian classical music reach to maximum number of students and the younger generation.
According to APJ Abdul Kalam Sahab, without music, humans are no different than animals, and I wholeheartedly agree. It is our culture that separates us. Music has a great de-stressing effect on humans. Kids today lead very stressful lives, competition is increasing and their lifestyles are getting more and more hectic, but their increasing dependence on fast rhythmic western music keeps them perpetually excited- on the other hand, singing and practicing Indian classical music is a form of yoga, the breathing techniques and vibrations help calm you and make you healthier. Earlier in our school days, we used to have several extra-curricular activity classes in which we had poetry, song dance & dramas. Gradually these classes vanished from the curriculum and students were burdened with only heavy studies. This has to change.
I then undertook several performances across Uttar Pradesh through Spick Macay and reached Ragadari singing to the students. Through myΒ travels, I realized that Folk music across North India was now skewed, bordering on double meaning vulgarity! This pushed me to approach the Ministry of Culture with a project on Indian folk music and spreading awareness about it in several schools and colleges. The Ministry welcomed my proposal and I started reaching out to the students. I performed in major States and invited singers and dancers from adjoining States. The students loved each performance, their vehement appreciation was evident when the students at each school then performed an impromptu folk dance recital!!
I am truly grateful that God has given me the means & opportunity to serve the cause of Indian music, especially folk music, in which the roots of classical music lies. I am very glad that the Education Ministry has woken up and trying to re-induct such extracurricular classes that de-stresses the students and imbibes our cultural heritage in them.
You have launched many music albums, which one is your own favorite and why?
You might have noticed that I first try to steep myself in a particular form of music that I plan to record and then done my recordings. When I was steeped only in Raagdari, I sang in duet with Bharat Ratna Ustad Bismillah Khan and there are two very popular albums with Times Music. Some beautiful solo renderings of Ragas on HMV.
Then came a phase of folk music. I recorded several Thumri, Hori & Kajari albums.
Naushadji had made me promise that my next project should be focused on Ghazal. βAap je gayeki mein Maine Begum ki rooh payi hai Somaji. Aap Ghazal jaroor gayein!β But I had to take my time and imbibe and perfect the finer nuances of Ghazal gayeki before I could record myself. As I was recording my first Ghazal album βIshqβ, I was heartbroken to learn that Naushad ji had passed away. The album went on to gain tremendous popularity and I dedicated the album to him.
Simultaneously, several religious channels approached me to sing Bhajans for them. Sanskar channel regularly broadcasts my Bhajans and Sanskrit sloka albums. I feel immensely indebted to my listeners when I find that most of my albums are at the top of the charts in each genre.
When can we see you as playback singer for Bollywood films?When I was steeped in Indian Classical music, my friend, Himesh Reshammiya, had asked me to sing several of his compositions. Then, I was at a stage in my career that prevented me from branching out of classical music. But I did sing one song for his movie βKuch Meetha Ho Jayeβ, which had Thumri ang rendering in the song. But now Iβm at that point where Iβve established my classical ground and Iβm very open to film music, if it fits my music profile & my taste.
Apart from music, if given a chance will you ever join politics?
I will do whatever it takes to make sure that Indian music is saved (preserved & propagated) in itβs full glory. For that if I have to join politics β so be it!
What is your plan for the future?
I was entrusted by Baba, Ust Bismillah Khan Sahab and Naushad ji with the responsibility of creating a βSangeet Gramβ- a gurukul that adheres to the traditional Guru Shishya parampara of imparting education in music, where a Guru teaches aspiring students whilst also saving endangered instruments and gharana traditions- be it instrumental, vocal, or dance- both folk and classical. We will audio and video record the masters for our archives for future reference for the generations to come, so the art form survives. We have already equipped ourselves with a recording studio with video cameras for the same. If all goes well, we will be starting Sangeet Gram by this time next year.
What is your message to our readers?
I wholeheartedly believe in the therapeutic effects of Indian classical music. In fact, after Chota Khayal, I researched on the psychosomatic effects of music on human beings. My request to the readers is to make music a part of lives, to listen to music when they can, and to live healthily!!
This reminds me of something that happened recently. After a concert at NCPA last year, a man came forward to speak to me. He told me he was a Commander in the Naval forces. He was stationed in a submarine and had suffered a stroke that paralysed him. He then found solace in Ras Barse, a live recording of my jugalbandi with Baba, Bismillah Khan Sahab. He listened to it every day for 7 years and recovered without any surgical intervention. He found strength in it to get better, to overcome his illness. He is now hale and hearty, and continues to serve the country.
Another thing I want to tell my readers is that folk music, our Lok Sangeet, has in it the roots of all forms of Indian classical music. It is fluid and ever evolving, accompanying every aspect of our lives, being equally bonded to our cultural heritage.
However, I find it alarming that this very folk music as a part of movies, the largest way of reaching the masses in my honest opinion, is losing its essence, itβs lyrics are bordering on being vulgar. These βitem songsβ are warping our perception, moving us away from how we need to perceive women, taking us away from an ideal society. If we lose our moorings, we lose who we are. As I traveled across India for the βBharatiya Lok Sangeetβ series, I targeted schools and colleges and interacted with thousands of students, so that I could present to them folk music that not only entertains but also educates- it makes us better humans. It brought me immense gratification to note that they not only appreciate our heritage, but also want to learn more about it. They just need to be exposed to it, and that responsibility falls on us.
How did you feel after getting the Padma Shri award?
In the beginning, I was just happy⦠But gradually I understood that I have added responsibilities. I have to work harder to save our Musical/Cultural heritage and also save the endangered musical instruments of my country. This a never-ending task as our senior gurus are all getting older. In fact, we have now to take urgent care of our Gurus in order to save our heritage.
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