#Winsor Gallery

[vanessagillings]

I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?

Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:

MY ART PROCESS!

Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)

A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!

ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.

Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:

I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):

Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):

I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!

You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:

I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)

All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:

I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)

Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.

And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:

Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.

So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.

The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.

Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛

[cupboardgods]

Since I'm submitting my work to a gallery, I wanted to invest in some professional grade gouache. I like them! Reviews said they are very opaque, and they are.

My palette is yellow ochre, burnt umber, alizarin crimson, lemon yellow, and ultramarine blue plus white and black. The 5 new tubes ran me about $50 even thought I went with the cheapest line Winsor and Newton offers.

Lemon yellow is perfect and amazing and beautiful though. I love her.

Fortunately I have some old gouache (student grade most likely) to supplement missing/hard to mix colors. Ideally my palette would have a warm red and a cool red. Same for blues.

I also have some of those really really cheap himi gouache paints but they're not lightfast so I'm scared to use them on this project.

[artomelets]

Winter scene #1 with Winsor & Newton and Rosa Gallery watercolors. Fabriano Artistico 140lb cold press paper.

[kingsframingandartgallery0]

Winsor & Newton Gouache Paint Set – Vibrant & Professional

Elevate your art with the Winsor & Newton Gouache Paint Set, available at Kings Framing and Art Gallery. This set features rich, opaque colors with professional-quality pigments, perfect for artists seeking exceptional results. Blend effortlessly, create dynamic layers, and bring your ideas to life with this trusted brand. Shop now for premium gouache supplies! 🎨✨

Click- https://kingsframingandartgallery.com/

WinsorNewton #KingsFraming

GouachePaints #ArtSuppliesCanada

[visuallanguagemayawalton]

For over twenty years, Tara Donovan has created large-scale installations, sculptures, and drawings that utilize everyday objects to explore the transformative effects of accumulation and aggregation.

Known for her commitment to process, she has earned acclaim for her ability to exploit the inherent physical characteristics of an object in order to transform it into works that generate unique perceptual phenomena and atmospheric effects. By identifying typically overlooked physical properties of modest, mass-produced goods, Donovan creates ethereal works that challenge our perceptual habits and preconceptions. The atmospheric effects of her art align her with Light and Space artists, such as Robert Irwin and James Turrell, while her commitment to a laborious and site-responsive methodology links her to Postminimalist and Process artists, especially Eva Hesse, Jackie Winsor, Richard Serra, and Robert Morris.

Tara Donovan is known for her dramatic yet delicate sculptures, drawings and installations created from vast quantities of mass-produced materials. In previous works she used everyday articles such as paper plates, styrofoam cups, drinking straws, toothpicks and tar paper. A recent work, Bluffs (2006) – a structure reminiscent of crystals or stalagmites – was made entirely from transparent plastic buttons. Held together by nothing more than gravity or hot glue and assembled with interminable patience, Donovan’s sculptures mesmerise with ingenious simplicity.

For this exhibition, Donovan uses Mylar ­– a metallic polyester film – to craft two distinct installations. The front gallery will be occupied by an organic, almost fungal population of interconnecting reflective spheres. Consisting of innumerable Mylar cones, the spheres spread over the gallery floor in varying sizes and heights, creating a gleaming, immersive environment. In the back space the artist will install a wall-based sculpture consisting of myriad loops of metallic tape which form a fragile silver web. Mirrored on the inside, the Mylar loops reflect and refract light, generating a dynamic illusion of three-dimensional bubbles.

[abwwia]

Jackie Winsor beside Gold Piece, 1987.  Photo: Eeva Inkeri/Paula Cooper Gallery. #bornOnThisDay Vera Jacqueline Winsor (October 20, 1941 – September 2, 2024) was a Newfoundland-born American sculptor. Her style, which developed in the early 1970s as a reaction to the work of minimal artists, has been characterized as post-minimal, anti-form, and process art. via Wikipedia https://www.youtube.com/watch?v=AsQnKkrADa0

[kaylasfineart]

Add one of these paintings to your own curated art gallery! These are original, hand painted acrylic paintings. The perfect size for desk, shelf and wall display. Painting measures 4"x4". High quality and lightfast Winsor & Newton acrylic paint on canvas panel. Paintings sold WITHOUT frame/easel.

[amatlcomix]

TODAY'S FEATURED COMIC ART

GEORGE LUCAS ILLUSTRATION

ARTISTS: DAN HIPP

OWNER: NICK WARMACK Paid Member

MEMBER SINCE 2006

This week marked the 80th birthday of George Lucas, filmmaker and entrepreneur best known for creating the Star Wars and Indiana Jones franchises. Seen here in an illustration by cartoonist Dan Hipp, Lucas is a well known collector of art by the likes of Carl Barks, Norman Rockwell, Frank Frazetta, Winsor McCay, and many more. Currently under construction in Los Angeles is the Lucas Museum of Narrative Art which will house and exhibit his collection for the world to enjoy.

"For me, narrative art provides insights into societies and what people aspire to, what they really want, who they really are and/or who they wish to be. That has always inspired me as a collector and it continues to inspire me as we think about the impact the Lucas Museum of Narrative Art will have on people’s lives." Lucas told ArtNews.com. "The stories that art tells are often key to understanding a society and its aspirations—whether our own or others. We hope the Lucas Museum will help audiences better understand the world and build toward a more just and empathetic society."

[maggieinsc]

Marathon continues- Finishing edges

Yeah its a thing. Spent most of the afternoon painting the gallery wrapped edge of the mountain painting w a 1/2 Winsor Newton imitation mongoose flat. Thats a 12 FOOT strip about two inches wide trying not to get black paint on the front of the painting. Formerly stark white it’s now black. I tried ultramarine blue but didn’t like it. I used blue tape to tape the edge off but was worried it…

[valmepublishing]

Enhance Your Coloring Skills

Tips and Techniques

Leave a Comment / Coloring books for art therapy, Coloring books for creativity, Coloring books for mental health, Coloring books for mindfulness / By valmepublishing

Are you ready to enhance your coloring skills and take your creations to the next level? Look no further! In this guide, you will discover the tips and techniques that will help you bring your coloring to life and create stunning works of art. Whether you are a beginner or an experienced colorist, you will find valuable information that will help you elevate your skills and unleash your inner artist.

Coloring books are a fantastic way to relax, unwind and unleash your creativity. Whether you are a beginner or an experienced colorist, there’s always room for improvement. In this guide, we’ll share tips, techniques and must-have tools that will help you enhance your coloring skills and take your creations to the next level.

High-Quality Colored Pencils

Good colored pencils make a big difference in the quality of your coloring. Consider investing in a set of high-quality colored pencils such as Prismacolor Premier Soft Core Colored Pencils or Faber-Castell Polychromos Colored Pencils. Both sets offer smooth, vibrant colors and are ideal for blending and layering.

Other High-Quality colored pencils found on Amazon:

Prismacolor Premier Soft Core Colored Pencils

Faber-Castell Polychromos Colored Pencils

Derwent Artist Colored Pencils

Caran d’Ache Luminance Colored Pencils

Staedtler Ergosoft Colored Pencils

Lyra Rembrandt Polycolor Colored Pencils

Winsor & Newton Procolour Colored Pencils

Royal Talens Van Gogh Colored Pencils

Daler Rowney System 3 Colored Pencils

Mungyo Gallery Soft Oil Pastel Colored Pencils

Blending Stumps

Blending stumps are essential for blending colors and creating smooth transitions. Try the Royal & Langnickel Blending Stumps, which are made of compressed paper and come in various sizes.

Gamsol Odorless Mineral Spirits

Gamsol is a must-have for anyone who loves to color with oil-based colored pencils. It helps to blend colors, soften edges and create a smooth, polished finish.

Stencils

Stencils are a fun and easy way to add details to your coloring. Consider getting the Meeden Letter Stencil Set or the JZK Flower Stencil Set, both of which are available on Amazon.

White Gel Pen

A white gel pen is great for adding highlights and details to your coloring. Try the Uni-ball Signo Gel Pen, which is widely regarded as one of the best white gel pens on the market.

Conclusion

With these tips, techniques, and tools, you’ll be well on your way to enhancing your coloring skills and taking your creations to the next level. Whether you are looking to relax, unwind or unleash your creativity, coloring books are a fantastic way to do so. So, go ahead and get started today!

[cupboardgods]

Since I'm submitting my work to a gallery, I wanted to invest in some professional grade gouache. I like them! Reviews said they are very opaque, and they are.

My palette is yellow ochre, burnt umber, alizarin crimson, lemon yellow, and ultramarine blue plus white and black. The 5 new tubes ran me about $50 even thought I went with the cheapest line Winsor and Newton offers.

Lemon yellow is perfect and amazing and beautiful though. I love her.

Fortunately I have some old gouache (student grade most likely) to supplement missing/hard to mix colors. Ideally my palette would have a warm red and a cool red. Same for blues.

I also have some of those really really cheap himi gouache paints but they're not lightfast so I'm scared to use them on this project.

[santistebanmoreno]

DIXON, ANDY.

Canadian, b. 1979

Christie's (Lord Berners Faringdon House), 2019

Acrylic and oil pastel on canvas

49 × 49 in

124.5 × 124.5 cm

Toilette Of Venus, 2018

Acrylic and oil pastel on canvas

59 × 47 in

149.9 × 119.4 cm

Christie’s (Five Private Collections), 2019

Acrylic and oil pastel on canvas

49 × 39 in

124.5 × 99.1 cm

Green Nude, 2014

Mixed media on canvas

33 × 57 in

83.8 × 144.8 cm

[kingsframingandartgallery0]

Winder & Newton Water Mixable Oils available at Kings Framing and Art Gallery

The name Winsor & Newton is a household name when you think of innovation art supplies. Water Mixable Oils redefine what oil painting can offer as the richness and versatility of traditional oils without the nasty solvents that accompany them. Winsor & Newton Water Mixable Oils are a full range of products which we carry at Kings Framing and Art Gallery and are proudly supplied to artists everywhere across Canada.

This blog will introduce you to the Winsor & Newton Water Mixable Oils, explaining a few unique features about them that they possess; why they are a good choice for artists; and pouring into their unique characteristics that make Kings Framing and Art Gallery their ultimate destination for these oils.

Winsor & Newton Water Mixable Oils – What Are They? Winsor & Newton Water Mixable Oils are the first product in the world specifically created for artists that yearn for the convenience of an oil, while at the same time respecting their health and the environment. Traditional oil paints are being resurrected with these oils which retain the bright pigmentation and slipperyness of oil paints, but can be mixed and washed clean with water, instead of hazardous solvents like turpentine or mineral spirits.

Key Features of Water Mixable Oils:

Rich Pigmentation: Achieves the same intense, lightfast colors as traditional oils. Versatility: Comes with compatible traditional oil painting techniques: blending, glazing, layering. Ease of Use: Element eliminates the need for chemical solvent because it cleans up with soap and water. Eco-Friendly: They’re the perfect choice for home studios and reduce exposure to toxic fumes. Reduced Drying Time: Faster drying than standard oils so faster layering.

What Makes Winsor & Newton Water Mixable Oils so Popular?

Safe and Convenient If you work in a small space or are sensitve to strong odors, Winsor & Newton Water Mixable Oils are a game changer for artists. It’s actually simple and this simplification by itself is good for both, you and the environment.

Long lasting bright colors. Water Mixable Oils from Winsor and Newton’s well established reputation for exceptional color quality. These are meticulously crafted pigments to maintain vibrancy over time, so your artwork always looks the same way it did when it was created.

Traditionally Compatible with Oils These paints are compatibly of artists passing from traditional oils. They can be mixed into existing workflows by mixing with conventional oils or mediums.

Perfect for All Skill Levels These Water Mixable Oils are suitable for anyone from complete beginner exploring oil painting through to the veteran artist seeking a solvent free option.

Kings Framing and Art Gallery: Winsor & Newton Water Mixable Oils is your Trusted Source. Kings Framing and Art Gallery is a leading Canadian art supplies retailer and we support artists by providing top quality products and expert advice. Here’s why we are the best choice for purchasing Winsor & Newton Water Mixable Oils:

Comprehensive Selection We offer many Winsor & Newton Water Mixable Oils available in single colors or full sets. Our inventory will have everything you need to buy to create your artistic vision.

Competitive Pricing We are Kings Framing and Art Gallery, and we believe premium art supplies should be available to everyone. That’s why we provide competitive pricing so that you get the best value on your product and won’t have to sacrifice quality.

Expert Guidance We have a team of art buffs who are here to make sure you succeed. Whatever you need help with, tips for selecting a color, or advice about a technique we can help tailor some recommendations to your specific needs.

Eco-Conscious Commitment We also care about the environment. We promote products like Winsor & Newton Water Mixable Oils because they support the sustainable practices that are protecting artists and the planet.

Convenient Online Shopping Our user friendly online store is the perfect shop from anywhere in Canada. High quality product descriptions, customer reviews and quick delivery makes shopping easy and seamless.

[valenkas]

I’ve got my heart upside down

[estoile-aquarelle]

La Rose d’Or

Ouvrez-vous les parties de vous-même .. vous ne pouvez découvrir ce que l'on vous a dit de vivre jusqu'à ce que vous fassiez vous-même l'expérience de ce voyage.

— il y a de nombreux ponts que vous devez traverser pour finalement atteindre la porte, et lorsque vous atteignez le château, les voies de l'ancien, devront être jetées, et un nouveau vêtement devra être orné.

La même chose peut être dite de notre compréhension dans les histoires que nous vivons.

La Rose d’Or 1/1; 28 Juin 2020

Winsor and Newton sur papier Strathmore avec feuilles d'or de 22 Karats

22,9 cm * 30,5 cm

Vendu | Sold

Votre aide est très appréciée. Tous les prix sont à titre indicatif, la vente finale est mutuellement convenue. Toutes les ventes vont à la construction d'un projet humanitaire.

[oculablog]

Wang Gongyi, Mantra (2012). Watercolour on Chan-Yi Xuan paper. 132 x 65 cm. Courtesy Chambers Fine Art.

Wang Gongyi, Winsor Blue, Chambers Fine Art, New York (17 November 2018–19 January 2019). Courtesy Chambers Fine Art.