#Wilmon analysis

[raincitygirl76]

To be perfectly honest, I found 3.06 a bit of a letdown. All Wilhelm’s problems won’t magically disappear just because he’s abdicating. And I found Kristina’s acquiescence deeply implausible. If someone has acted one way for 17 episodes, it’s tough to believe they’re magically a reformed character in the eighteenth episode.

There were a lot of things I really liked about the episode, don’t get me wrong. But for me, the entire third season didn’t hang together the way the first two seasons did. This last episode felt like such an abrupt tonal transition from the darkness of 3.01 through 3.05.

I loved that the boys (and Sara and Felice) got a happy ending. But I was hoping for….more. This ending didn’t feel entirely earned to me. The first 5 episodes of the season dealt with the downward spiral so well, and then they tried to abruptly bring everything back up again in a single episode.

Apologies if I’m going against the general zeitgeist here. But at this point I’m simultaneously relieved my four faves all got a happy ending, and feeling let down. Because they patched everything up in the space of an hour, and it was a rush.

That said, there were things I thought were spot on. Sara and Felice were note perfect. Nils and Vincent being dismayed about August’s promotion to working royal was great. And Stella and Fredrika being sapphic, but still being classist, snobby bitches. Being queer doesn’t automatically turn someone into a nice person.

But in terms of the central pairing, I’m feeling a bit let down. Like they didn’t quite earn their happy ending and I’m not quite sure it’ll really stick in the long term.

[hollowhearts-and-espresso]

guys i know we're all happy that wilmon is endgame and that they're happy and we're clear and etc and i know some may have not wanted or may not agree with the way wille did it in giving up the crown but you HAVE to understand the parallel here

season one was their falling in love. they found each other, learned each other, some shit went down. wille told simon that he'd either not make the statement and tell the truth, and he lied anyway, and it ruined them until they fixed it between them again. wille was scared, and unsure, and it led him to do something he said he wouldnt, and it hurt simon and in turn him

season two was their reconcile. they learned and grew apart from each other, learned who they were without each other and who they really were with each other, like they needed. wille realized it was time to make damn good on his promise from s1 and be honest, and he does, and they're okay again

season three is the finish line. they've made their choices, they've grown, they're back together, and now they have to figure out how to live with that, and its okay. but now SIMON is scared and unsure, like wille was, and that leads to the break-up in ep 5 because just like wille, he doesnt know how to feel what hes feeling without taking that measure. he thinks he'll only hurt himself and wille more by staying with him at this point. and then in ep 6, now wille is the one that got hurt by simon instead- its the same situation as s1, but reversed- wille is hurt, simon is unsure but they still want each other. and now, now that they've grown and learned, and everything is coming back around, it only makes sense that wille would give up the crown and let august take over his place. just like he realized it was time to make good on his promise from s1 in s2, he realizes now in s3 its time to make good on the promise from s2.

it always comes back around to the promises, so of COURSE he would give up the thrown.

s1: promise made about being honest about the video broken/s2: promise made about being honest about the video made good on.

s2: promise made about giving up the crown and their future made and left not broken, but not made good on./s3: promise made about giving up the crown and their future made good on.

[wilhelmsbee]

Okay now I also would like a director's commentary, if you'd be willing to do that!

First of all for the book discussion edit you did which is.....INSANITY ...literally one of the best edits ever ever ever

And also maybe "real funny that things go to hell now that I've found it" because I think it's criminally underrated!!

Also, feel free to pick one of those haha and I might take you up on more some time haha

I am gonna do them both but I'll be doing the second one in a standalone post! Starting with this edit!

because this edit has no lyrics I'm gonna do it like the line of dialogue & the scenes played instead :P

And what do you think the dilemma is?- Starting with the actual scene, Simon is asked the question by the teacher, basically showing that the edit is going to be entirely about Simon's interpretation of the book Kris, which is used as a parallel for wilmon! The text is purple for the teacher, but that's also the colour I use to represent wilmon as a couple so its a little nod to that as well :)

That Malin has grown up with strong Christian ideals, that...- Wilhelm walking through the castle, trying on Erik's old jacket, paralleling Wilhelm's upbringing as a Prince to an extremely religious upbringing. He's been raised in this place, with its long-standing traditions and deep beliefs that permeate into the modern world. He's surrounded by this institution and even though he tries his best to be himself and accept who he is, obviously it has fundamentally carved out his brain in a specific way. The royal upbringing is what made him so afraid of his sexuality, and even when he accepts that there are still parts of him that naturally fall into that safe self-serving mindset.

She has trouble combining with how she really feels.- Wilhelm is left out when August and Erik get to see each other, the etiquette book being forced into his hands, leaving Simon after his mother told him 'no more mistakes.', telling Simon that their kiss was a mistake. He doesn't know how to fit into either box, Prince or Wilhelm. He's in a completely new space and all he's trying to do is be exactly what everyone wants him to be, what he's expected to be. He struggles during the photo-op because he wants to be himself, but he's quickly reminded that he should actually just follow everyone else and fit the mould. This mindset is what makes him leave Simon in E4. He's struggling to find the line between what his upbringing expects of him and what he actually wants, and he can't manage to thread that needle no matter how much he wants to. The one time he figured it out, realising his mistake and backtracking, it didn't change anything. He was forced back into that same box. Despite his best efforts, Wilhelm doesn't know how to balance his title and himself.

Especially about Siv.- The anxious hovering before the kiss in episode 4. He's desperately trying to reassure himself this is okay and that he's allowed to be happy and accept himself even as the Prince. It's all he has, nobody else around him cares like Simon does, and still, he has to hesitate, he's afraid that once he crosses that line he can't go back. I always thought this mirrored the party scene, when Wilhelm looked like he wanted to kiss Simon, but the show cuts before we see (and I don't think they did kiss here tbh). He's so terrified of crossing these barriers he's made in his head, consciously or not, because once he does how will he go back? How could he go back? He doesn't know where to put these feelings, there's no space between his royal upbringing and societal expectations. Both of these scenes feel like a free-fall jump. He's risking everything just to see. To feel something that he's held back from himself, allow himself that experience. Get to know himself.

You wish that Malin could just ignore them,- The outside pressures on Wilhelm rearing their ugly heads. He's a poster-child for Hillerska, especially since Henry confirms that the school board thought Wilhelm would bring more students to the school. The plaque reminding him that he is responsible for the legacy of the school causes him to spiral, because he's a public figure whose name can never be separated from the school but he might be falling for a boy who he can't ever really be with, and he hates it. His mother reminding him that he can't make any more mistakes, that he's the sole heir to the throne and he needs to make the family proud, it just cements this fear. Wilhelm is stuck in this cycle of accept himself/ outside pressure to conform/ accept himself... and it's wearing him down already. He's taking his mother's words and applying them to what he knows she wouldn't like, even though she doesn't know about it. [You] in this scenario is Simon, or at least Wilhelm's interpretation of Simon. He imagines it's irritating watching him go between reaching out and pulling back, how draining it must be for Simon, but he also knows that there's no easy solution to this problem.

I mean, the duties and ideas about God- Again, God in this context is the Royal Family. Wilhelm giving his pre-written speech, Wilhelm giving his pre-planned lie about the tape. These scenes show his duties to the throne. He needs to keep up appearances, come hell or high water. There's a distinct lack of emotion in both scripts (though he does go off-book after Erik's passing, but this isn't a public space, so it makes sense). He is just following exactly what is expected of him, with no real personal attachment, even though both of these things are extremely emotional events. His duty to the Royal Family is to pretend that everything is fine, all the time. To rid himself of his humanity, just be the figurehead he's supposed to be.

It's not just coming from outside, it's her own fault, too.- Wilhelm's admission. It's not just the Royal Court deciding his actions, his every word, thought, and movement. He's accepting blame for himself, too. It's something he's been extremely hesitant to do in the series up until this point, but it was extremely necessary. Wilhelm's acceptance of fault is what helps reform that trust with Simon. It was Wilhelm's own recklessness that almost got him taken out of school, and it was his own naivety that made him believe Simon could trust him post-tape-denial. Yes, there were outside sources, but he wasn't acting as a puppet for the Royal Family, he was making his own decisions as well, and he's acknowledging the hurt that it brought to Simon. A lot of Wilhelm's S2 arc is related to taking responsibility and understanding the pain he's caused, as well as trying to amend it to the best of his ability. Of course, he still messes up, he's a teenager, but he puts in as much effort as he can.

She has been forced to...- I always thought the Queen manipulated Wilhelm by using the dead-brother-card to ensure he didn't confirm the sex tape. He was forced into giving that statement, and I think at this point Simon has begun to realise just how much power and reach Wilhelm's family (more specifically his mother) has over him and his own existence. He's forced to be this perfect son, with no problems, not a hair out of place, and it has shaped him. Even when Wilhelm fights against the manipulation, he knows that it's not going to work, because everyone around him is willing to do whatever it takes to get him to agree. Jan-Olof doesn't care about Wilhelm's upset at the song changing, all he has to do is say 'The Queen Requested It' because he knows that's all Wilhelm needs to hear to back down. His mother knows this, too. Although Wilhelm has free will and makes a lot of bad decisions on his own, his mother's ability to control and manipulate him only makes those bad decisions worse.

Follow those rules.- Wilhelm just wants to be the perfect son, and considering the fact the show starts on a PR disaster, it makes sense that he's doing anything he can to fix that public perception. He won't speak about politics because Royals are supposed to be politically neutral, even though he clearly isn't politically neutral. He tries to thread the needle, which endears Simon but also shows his fear of further repercussions. He's already lost so much after the fight video, so he's on his best behaviour now. Even months later, he still struggles with regulating emotions and suppressing his anxiety, causing him to be mad at himself for not doing enough. Not being the perfect boy who doesn't want to be openly queer and isn't upset that his ex-boyfriend has a new boyfriend. He can't pretend that he feels okay with these rules, but he also can't let himself bend them. The breakdown after the first kiss is the biggest reflection of this. Yes, he kissed Simon back the second time, but once he was reminded that this was real life where others were nearby and there could be public ramifications to being caught like that, suddenly he's desperately spewing out anything that could remotely sound like he's straight. When Simon actually listens and tries to leave, though? That's also bad. He can't break the rules, but he also can't imagine letting this go. The rules he has to follow just trample him and cause more harm than good, and Simon recognises this.

She can't just throw away everything she's ever learned about right and wrong.- Mostly just highlighting the differences between when Wilhelm was kissed by Felice and when he was kissed by Simon. The kiss with Simon felt right, he was surprised but wanted it to continue. The kiss with Felice didn't. He can't throw away everything he's learned about what's right and wrong for him. It kind of was supposed to spin the line on its head. It's not what he's been taught as right and wrong, but what he's learned, from experience.

She discovers that- The therapy session with Boris, the one where Wilhelm realises he actually can be emotionally vulnerable with Simon and tell him how he feels, and let him be informed. He's finally learning that he has some say and control in his life, that it isn't just predetermined because of who he is and what he was born into. There's this change in expression that emphasises his sudden realisation, like his whole world has been spun on its head.

She wants to change her life,- Confronting Simon with his feelings!!! Simon had asked him to just be open and honest, and for once, he actually is. He wants to change, he wants to have control in his life, and he wants to pursue what's actually important to him! Of course, he tells Simon don't charge August because then I can't abdicate BUT he gives him the option to do whatever feels right. He isn't demanding control of a situation which is out of his hands, he's just letting Simon know his options. Also he apologises and is the bigger person about the wrongs he's done, he's changing for the better. His love is making him better.

Because of what she learns through her feelings for Siv.- Wilhelm has grown a lot throughout the course of his relationship with Simon, even when they weren't together a lot of his growth is centred around Simon and wanting to fix their relationship- and by extension himself. Happy, silly wilmon contrasted with more emotional and sad wilmon not only shows how much they've been through together, how much they've faced together, but also just hammers home the depth of their connection. Wilhelm feels safe and vulnerable with Simon, and Simon feels comfortable and happy with Wilhelm. They're always reaching out or touching each other in these scenes, the constant affection between them just emphasises their love and connection which is what this edit is all about.

So it isn't all bad, and we don't know what happens after the book ends.- - More wilmon comforting each other, lots of touching and holding and love. Even when their relationship is in a bad place, there's still that love and care there in every action they do together. Everything they do is an output of their love- even when they're upset and fighting is because they love each other and they're hurt and don't know how to express it. They just want to hold each other together and keep close, and the beauty in that pure expression of love just carries through the scenes so nicely. They're in love your honour!!!

Closing Scene- I chose this scene because it is just such a perfect encapsulation of wilmon to me. The soft, gentle movements and the warm lighting, the comfort and safety they feel... it's also my favourite scene in the whole show but that's just my opinion etc... truly what I want is for wilmon to have a silly little morning after scene that isn't tainted with the agony to come. We don't know what happens after young royals ends, but I imagine it is gonna be that scene every morning because they're in love!!!!! and I do not care what anyone else says!!!

FONT CHOICE

The font I used is I'm DW pica!!! it's the folklore/evermore font, and I think it has storytelling vibes and that kinda links back to the whole It's A Story For English Class thing :P

Also the text changes colour between Simon's voice and Wilhelm's voice because usually (read: if I'm making my edit like a conversation) I'll colour the texts to match who's speaking (or who matches the current lyrics, or who's POV I'm editing from). When I do this, Simon's text is always a yellow-gold and Wilhelm's is always a teal-blue.

COLOURING

The beginning of the edit has a pale pinky-reddy colouring over it, it's quite desaturated and it's supposed to feel quite cold and hopeless. In sadder edits I'll usually use a red/pink/purple or sometimes a blue pallet for colouring, and it'll be very desaturated. However, by the line she discovers that the colouring actually shifts to a warm golden tint (most of the time my gold colourings are modified from the S1E5 opening scene). Basically showing how he's gaining control and hope and life is looking better and happier :)

by the way how I shift colours in edits is literally just having two layers with the different colour overlays and making one go from 0-100% opacity at the same rate as the other goes from 100-0%. It looks pretty smooth imo :3

[allthefakepeople]

a song that makes me think of wilmon

I think I'm gonna crash my car 'Cause I can't keep my eyes on anything but you

Run away with no regard for the rest of the world 'Cause the rest of the world isn't you Everything at once wouldn't be too soon

Putting all my eggs in one basket It's so dramatic And probably problematic

I wanna fuck off every one of my plans

Fall out with every one of my friends Burn all of my bridges

I'd kill my career long as you're right here I

Wanna sneak out of every party

Stop trying to be somebody

Would you come be my downfall?

One look at you and I'd lose it all

I wouldn't mind Wouldn't mind if you ruin my life Wouldn't mind if you ruin my life (Ruin my life, ruin my life)

I think I'm gonna break my phone and Let everyone else I know forget me You're the only one who gets me

Like when we jumped into the ocean It was so cold, I was holding my breath

Under shades of blue Right there, that was the moment I knew

Baby, I know if I died tomorrow You'd be the last thing I think about When I go out

I wouldn't mind Wouldn't mind if you ruin my life Wouldn't mind if you ruin my life (Ruin my life, ruin my life)

[raincitygirl76]

Adding superb tags by @themarsbar

Everything just went wrong between us

[raincitygirl76]

A terrific review of Young Royals Season 2 in The Sophian.

The Sophian is the student newspaper of Smith College in Northampton, MA, USA. I don't know how long college newspapers keep their archives up, so just in case, I copy-pasted the article below. But assuming the link above works (and it worked just fine right now), please go to the link, don't read my copy-paste.

All Things Real: a Review of “Young Royals” Season Two

BY CATE CHRISTINIDIS ON NOVEMBER 15, 2022 | 

ARTS AND CULTURE, POP CULTURE, REVIEWS AND TV

Photo by Robert Eldrim via Netflix.

Hillerska: a private boarding school tucked away in Sweden; horseback riding, rowing, rowdy parties and, most notably, 16-year-old Crown Prince Wilhelm. Still, “Young Royals” (2022) is no fairytale. A simmering pot of angst, romance, betrayal and battles of the conscience, “Young Royals” displays unadulterated teenage reality. Season One ended with Hillerska’s most scandalous term to date, and Wilhelm, played by Edvin Ryding, reluctantly left it behind to the promising tune of Elias’ “Revolution.” In the rubble of Season One, audiences couldn’t help but wonder: would Season Two be that revolution? 

The short answer is yes. The romance that blossoms between openly gay Simon Eriksson (Omar Rudberg) and closeted Crown Prince Wilhelm enters uncharted territory. Wilhelm’s self-discovery is thwarted by the looming sense of duty pressed upon him by Sweden’s royal court, who deem queerness as a threat to the monarchy. Yet, the essence of the story does not lie in Wilhelm’s royal title, but in the title of the show itself: “Young Royals.” It is easy to forget, and equally important to remember, that the students of Hillerska are just kids. Their mistakes are children’s mistakes, and their resilience and bravery are monumental. 

This also means that every catastrophe is that much more devastating. Both seasons deal with a case of child pornography –– a cellphone video of Simon and Wilhelm, recorded through Wilhelm’s dormroom window. Regardless of social power, money or fame, the problems that overwhelm Wilhelm and Simon’s relationship are unmistakably larger than they are. 

“Young Royals” is all things real –– the bodies and situations portrayed on screen all reflect some semblance of teenage existence; simultaneous chaos, uncertainty, imperfection and beauty. The series doesn’t shy away from the ugly side of teenage life: where partying and stress meet drug use and where jealousy leads to impulsive, criminalizing mistakes. “Young Royals” is both dark and refreshing, unusual in its ability to look life right in the face. 

The American media tends to place a beauty filter over the formative years. Audiences lapse into patterns of falsified viewing, scarcely aware enough to ask themselves: Hey, aren’t teenagers supposed to have acne? “Young Royals” doesn’t blink twice at these “blemishes” –– acne, crooked teeth, etc. In fact, they are clearly embraced, normalized and desirable –– clear skin and perfect teeth are not deal-breakers for being the most popular girl in school or the Crown Prince. 

“Young Royals” likewise considers the psychological realities faced in the war between authenticity and duty. Season one introduced Wilhelm’s struggle with anxiety, but Season Two pursues the extent to which anxiety and panic consume Wilhelm after Season One’s events. It may sound cliché –– the prince who can’t handle the pressure of the crown –– but Wilhelm doesn’t ask the audience to feel sorry for him, and neither does “Young Royals.” Wilhelm is much messier in Season Two. He explodes with emotion –– fear, pain, anger, guilt and sadness –– and, without Simon, there is nowhere for it to go. He is selfish, rude, depressed, spoiled and makes bad choices. But Wilhelm’s reasons for not wanting to be Crown Prince are rightfully selfish; at 16, he is resigning himself to an empty and dishonest life. Forced by his mother, the Queen, Wilhelm begrudgingly sees a therapist, and while he resents the need for it, Season Two’s “revolution” finds Wilhelm overcoming his personal barriers to enact change.  

Wilhelm and Simon are separated by class more than anything. Wilhelm, as a member of the royal family, is an elite, while Simon, a non-boarder, can’t afford to live at the school. While Wilhelm tries to understand Simon (and vice versa), there are times when their differences speak louder than they do. Simon’s inability to understand why Wilhelm, as Crown Prince, can’t disregard the crown and take a stand, clashes with Wilhelm’s inability to see how Simon’s social status caused him to receive the brunt of the backlash for the sextape. Season Two is a testament to revisions and the rightings of wrongs; as Wilhelm works through his own emotions, he learns to use his power and status for progress.

Season Two of “Young Royals” is all about decisions; specifically, revising and listening to one’s conscience to make the right one. Which decision will start a revolution, which will fuel it, which will kill it? Despite the tumultuous path to togetherness, Simon and Wilhelm have an incredibly realistic and healthy relationship. They show love through communication; their need to be seen, heard and understood by each other is unshakable. It makes the moments when they do touch –– which are surprisingly few and far between –– feel all the more worth fighting for. Wilhelm certainly agrees; each season begins and ends with his eyes locked on the camera. This is his story, and he’ll go to war for it.  

[raincitygirl76]

I tried to reblog the actual Tumblr post with the links to Harry Allen’s YR episode reaction videos on YouTube. But my reblog attempts kept crashing Tumblr for me. So finally I gave up and just copy-pasted a link into a brand new post. Hopefully it’ll work this time. Harry Allen is gold!!!

[ireneaesthetic]

Pointing out little moments and details of my fav s3 scene.

choir practice scene • episode 2

this scene caught me so off guard, in the best way possible.

it only took simon's "you should do an activity you actually like" for wilhelm to drop everything and choose getting to spend more time with him!

simon's reaction at wille joining the choir was also mine: he can't believe his eyes and keeps looking back at him with the brightest smile on his face. and simon shifting wille's attention to where the song lyric is bc it's all new to him is adorable.

wilhelm's little proud smirk between the kisses while simon is so into it: he knew and imagined simon's surprised and happy reaction to all this, but i bet he was thriving to see it up until this very moment. so he might just be thinking that he made the best choice of his life.

having to practice and wait for everyone to leave was probably torture for simon, when all he really wanted to do since wille came in was this (simon's main love language is clearly acts of service btw *cough*). he felt important, cared for, loved - and couldn't wait to reciprocate it.

also, he's holding the key chain and happens to do the middle finger with the same hand. if you look at it as a way of saying 'mind your own business' to us is quite funny.

simon setting the rhythm and wilhelm fully going along with it. they don't even separate their lips before leaning in for another kiss - melting into it. they literally said 'no need to catch air bc we're already breathing each other in'.

simon not breaking physical contact even once. his hands are the third main character in this scene: they act like a glue for their bodies and carry so much passion. it is peak chemistry.

going on his tiptoes to push himself as close as possible and clinging to wille for dear life is the most simon thing he's ever done. love really brings out the cuddliest version of him.

smiling into the kisses and out of the kisses? insane of them if you ask me (i support it) (keep doing it lovers).

wille smiling and biting his lip bc he's the one overwhelmed by simon's presence now. physical touch is his love language and he's flooded with simon's - he must feel the luckiest boyfriend on earth.

one of their greatest proofs of love has always been to provide each other's comfort by being exactly what they lack receiving from other people or what they need most of the times - it's a constant learning of how to give and take.

they can't get enough of it: it's not even only about the kissing but more about their need to just keep pulling the other closer, leaning into each other, slowing their movements to not leg go yet but take time to touch and deeply feel instead - wille's face speaks for itself. this hug is so intimate ugh.

it's finally shown a glimpse of wille's hand on simon's back! it was always there obv but it's nice to see it more properly.

wilhelm obsessing over simon's neck and simon who tilts his head back to make it more accessible. wille could've done it all and trace the path with kisses - simon wished - but the boy knew what he was doing!

the way simon looks up at him and wille rubs their noses back and forth, keeping his eyes on him, gives me butterflies.

they're super affectionate and it's the easiest thing for them to do. the intimacy that comes with their whispering, their own personal space becoming one for both of them to share bc it's safer, warmer, a lot more comfortable. everything is such a manifesto of how much they genuinely adore each other - it's what makes this the it scene for me.

their bottom lips touching are sooo *internally screaming*.

wilhelm stands still to let simon's lips brush past his own and simon's cheek resting against wille's lips to enjoy the feeling a little longer. they look so peaceful.

it happens after wille's "i like listening to you sing": they went from "he likes it when i sing" / "i do too, don't i?" (locker room's fight in s2) to wilhelm actually telling him that listening to his voice is one of the main reasons he joined the choir. it has to be extremely special for simon to finally hear it.

idk if it's just my mind making this up but let's pretend simon is kissing wille's neck here!

wilhelm picking simon up by the waist to carry him elsewhere and keep the thing going more privately. that's my wille.

can you believe this is the face of someone who's saying that he needs to go? to not miss the bus? he just looks crazy in love to me.

wille's laugh is cute! and simon throwing his stuff on the floor bc the priority was to push his boyfriend against the lockers to make out will never not be funny.

also, @allthefakepeople once said the only thing that could've made this scene even more perfect is if simon paused when walking away and ran back to wille to steal a quick goodbye kiss - ahhh i'd have been so here for it!

[raincitygirl76]

Read the above!!!! OP tells the absolute truth. At the jubilee, Wilhelm is turning the inevitable media and public scrutiny of his every move to his own advantage, and reclaiming the narrative. Also reclaiming his agency to speak the truth in public about his own experiences.

Or perhaps reclaim is the wrong word. Claim might be a better one, since he never had said agency before. You can’t reclaim something you’ve never had. In 1.01 and in 1.06 he was made to read lies written by other people off a teleprompter and pretend they were his decisions and beliefs. He won’t do that anymore. He won’t be complicit in his own silencing any longer, and he’ll use cameras and public scrutiny to his own ends. Since they’re there anyway.

okay okay hear me out

the significance of wilhelm getting to reclaim being filmed by third parties

when the sex tape happened he was being filmed against his will and it basically destroyed his and simon's lives. he developed a whole fear of public speech around that too. no one would've blamed him if he let august do the speech instead.

but nope, he chose to stand there, make the speech, tell the truth, in front of official cameras and all of hillerska, under his own terms. and now when he makes that speech, even when jan-olof tells the official cameras to cut it off, the students are still filming and recording his speech. both times he's being filmed to be posted in social media, except one time it was against his will and now he gets to take advantage of it and tell the truth. this is reclamation.

[omarcitoloves]

simon has lost everything that made wille fall in love with him and wille doesn't even notice.

it's a heartbreaking story to watch but in a brilliant way i'm fixated on it. and not in a simon deserves better than wille way but in a they both need to find themselves again in order to be happy.

simon is proud of his morals and who he is as a person, he's never been apologetic of it and wants people to know because it is deeply important to him to have a strong self identity in a world where he comes from a broken home, where he's gay, where he's lower socioeconomic class, where he's poc in a hugely white community, and where he has leftist ideals in a monarchist country. when wille tells him he can't post on socials because it reflects on something the crown can't have a position on, he feels he's losing his voice. and all wille can see is trying to minimize a headache.

singing has been simon's lifeline throughout the show, and something thats important to him because it is one of the good memories he has with his dad. when wille sees he posted himself singing all he can see is simon drawing more attention, it needs to be deleted. he doesn't even comment on simon's singing or let alone the lyrics which they make it seem he clocks what simon is saying this season as apposed to last but he's too focused on himself.

and then when simon admits to wille outside he feels he's losing his voice and confidence, everything has become too much. he can't enjoy singing, he's not pursuing a solo this season for the first time and he can hardly string together his song. but it goes over wille's head, he can't even notice the gravity of what simon is trying to say to him

at the sit in simon initially stands his ground and calls out all of their hypocrisy and rightfully points out wille only takes a stand when its low risk for him, but he caves lated because he doesn't want to disappoint wille and doesnt want wille to be mad at him. and despite wille saying he likes that they learn from the other's perspective, he doesn't make a move to understand any of simon's pov.

simon had to throw up a white flag in ep 5 becuase not only had simon shriveled into a shell of himself and wille not noticed, this change of simon was enabling the way the monarchy breaks wille. previously, and in glimpses this season we have seen simon show wille where the monarchy goes wrong and tries to pull wille into safety a bit but wille can not see past the status quo this season. he got simon so why should he worry right? but this is not the simon he loves, there is no point to this simon. if this is the guy you wanted to love you could've found anyone who was ok with a private relationship why go after the proud boy who is the antithesis to you?

this gives me hope for ep 6. i think wille needed a rude awakening desperately because he was depriving simon of the oxygen he needs to flourish and letting himself drown at the same time. wille needs to see why he fought so hard for simon, why simon was so important to them. they are so special, wille needs to get past the weight of the crown

[omartinyosef]

JUST LOOK AT HIM

SIMON'S SWEETNESS IS EVERYTHING WE NEED. LOOK AT FUCKING HIM AAAAAAAAAAAAAAAAAAAA

HIS FUCKING VOICE AND THE LITTLE ''NEJ'' IS EVERYTHING AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[raincitygirl76]

Reblogging to add stellar tags by @retrieve-the-kraken

Being silly together is my favorite type of intimacy.

[wrath-of-the-sea]

An analysis of Wille arriving at Hillerska with Erik‘s car vs. leaving in Sara‘s car

Lisa Ambjörn herself asked for this, and she shall receive.

The first time we see Wilhelm arrive at Hillerska it is with Erik. They arrive in an expensive sports car. Wille doesn‘t know what the future has to offer for him, but he knows he doesn‘t want to be at the school. The last time we see Wilhelm in a car, he is leaving Hillerska behind. He has just renounced the throne. He sits in an old Volvo with his chosen family. He has finally grown up.

Wilhelm started a revolution at Hillerska which led to the school shutting down. Erik‘s car is a symbol for the old system and they‘re leaving everything behind in Sara’s car. It‘s a fresh start.

The sports car represents not only Erik, but Wilhelm‘s position as a prince. It symbolises his privileges, his position in the upper class. His family has money and he benefits from it. And yet, while Erik seems to be enjoying himself in the wind, he isn‘t happy. This is one of our first glimpses at the fact that Wille feels trapped in the postion he is in.

The old Volvo can also be seen as a representation of Wilhelm‘s feelings. It being an old and not super expensive car is obviously a literal cosquence of it coming from Micke. But it can also mean more: Wilhelm has decided to leave the title of Crown Prince behind. It’s a common car - all Wille wants is to live a normal and common life. He has also decided to bridge over the class differences between Simon and himself. Wilhelm is now in a place where he‘s willing to unlearn his own classist views and privileges. They‘re willing to compromise, they‘ll make it work.

Apart from the cars‘ price classes it‘s also important to mention the type of car they‘re driving. Erik drives an open-roof Cabrio while Sara drives a car with a closed roof. The roof represents the public eye. Wille was uncomfortable at the beginning. He didn‘t want to be perceived by the public, but he had no choice and nowhere to hide or escape to.

Now, in the end, he has renounced his title and he chooses not to be in the public eye any longer. The car roof is closed, and he finally has a way to hide. But Wilhelm chooses to do the opposite. He leans out the window. He is ready to face the world and to finally be his true self. And he has not only Simon in his arms to help him, but Felice and Sara are with him as well. They have become family. Wille is finally free.

[ireneaesthetic]

Pointing out little moments and details of scenes that need to be remembered.

"i can show you" scene • episode 1

the first wille’s smile of the season and simon is the one and only reason for it to happen *act surprised*.

he has no rush but takes his time to enjoy simon’s presence, looking from afar first and then approaching him. just having him there is enough to make him This happy.

the casual gestures of fixing the jacket or bumping into the shoulder make me melt - just typical boyfriends things and we absolutely praise them in this house!

wille's flirtatious mood in this whole sequence is the best thing that could've happened to me - to simon too! the "i can show you", the whispering, the head's nod. he's still my fav loser but oh how much he has learned and stepped up the game.

also, i genuinely think not showing them holding hands here with a wider shot is a crime.

such a perfect parallel of the fish scene and they're probably reminded of that too: this time it's wilhelm's bedroom and a foreign place for simon, so he's the curious one - looking around and taking the space in - while wille simply waits for him.

simon's "mysigt" to describe the room, just like wilhelm did. it is another special moment for both of them.

this. this. this!!! claim a s3 moment as your own - this is mine.

to me it is the most seductive and romantic one they've ever shared hands down. it comes straight out of a fanfic.

the tension, the longing, the chemistry, the flirting. there's so much to unpack here: wille's breath is literally vibrating and simon's presence is so intense, he builds up the tension and keeps wilhelm waiting for his next move in the most endearing way - wille is also leaning into his hand at the end. there's no talking, they're barely touching but still filling the room with all the passion and attraction they feel for one another - this is actually insanely scripted and portrayed.

no thoughts head empty just simon's tongue and his hands through wille's hair (he's obsessed, excuse him!).

and it kinda seems like simon is getting pulled closer by the waist or he's pushing himself closer - either way it's hot soo

simon's little leg lift and him pinning wille down on the bed by the wrist right before the cut - they're comfortable and open and so playful with each other. wilhelm's hand that caresses simon's back is very much important too.

simon caressing wille's cheek (he has to return the favor ig) and wilhelm leaning up again when they interrupt the kiss.

these brief moments are the cutest. i love how they stay so close and can't stop tracing each other's features.

the nose rub. the mirrored smiles. they've missed and wanted this for so long and they're taking the most of it.

this whole scene is so passionate and they're both so touchy bc they were clearly waiting for this to happen - during a meeting at the palace might not be the greatest scenario, but the thrill that comes with it is definitely something.

i like the role play throughout the scene sm: wille initiates the first kiss, simon is the one taking the lead next and then it all comes back to wille rolling them over and taking initiative. the neck action is a serious thing for him and idk where his hand would've ended up if they hadn't been interrupted - and we do! love! all of it!

they're laughing over the fact that they were not caring about anything at all but spending quality time with each other. and they deserve it so freaking much.

look at them!!! this is not a subtle look bc they simply do not care anymore. i adore them your honor.

[raincitygirl76]

Holy shit, read this!!!!!

Okay but the scene where Wille sees Simon for the first time is cinematic excellence and in this essay I will discuss why

My cousin pointed this out to me that when Wilhelm arrives at the church, all our attention is taken up by the arrival of Felice, as she and Wilhelm greet each other.

We barely notice Simon entering the scene as it is Wilhelm's POV, and he doesn't notice Simon, so neither do we. Plus, they purposely placed him behing Felice so he never stands out.

Simon starts singing but he isn't giving his best. Wilhelm's attention is everywhere but not on Simon. In this scene, Simon is continuously going in and out of the camera's focus, sometimes even blurred. The lightening doesn't help either, Simon is clearly not the main subject.

But when the bloke interrupts the choir, that's when Simon starts giving his best and sings out loud in defiance. And that's when magic happens.

Wilhelm notices him properly for the very first time- he's the main subject of the camera and the lightening, he's the main lead now. Wilhelm actually ✨SEES✨ him, and so do we.

And for him Simon is the most beautiful thing he's ever seen at that moment, because just look at this- the angle, the light, his smile- everything just makes him look ethereal.

At that moment, he's the most beautiful thing we've seen too, all because Wille finds him to be. Combined with Omar's otherworldly singing, it's just *chef's kiss*

The cinematography of that whole montage is out of the world, it's so well thought out.

Stuck in my brain, it kept me sane ~

[allthefakepeople]

i think @billfarrah has touched on this and probably a few others

but i find it super interesting that so many people see wille as this super awkward, clumsy person and are surprised when he knows how to flirt with simon and i know a lot of these are jokes and also come from wille's first interaction with simon where he trips

but i actually think wille is pretty confident both in his relationship with simon as well as outside of it

take the fish scene for example, he was fully confident and in control in that scene

he's the one who introduces himself to simon in ep 1 and he's the one who asks simon if he wants to spend time with him at the party

he goes to simon in ep 5 of s2 and lays out exactly what the circumstances are, in front of rosh and ayub, without hesitation

he offers to get simon hotdogs

he tells simon that he'd "show him" what he wanted to do if simon ever came to the palace

he lures (lol probably the wrong word but whatever) simon into the music room for a hook up with just one look

he chases after simon's car and puts in clear words that he wants to be with him but he left the crown behind for himself

the times where he does seem awkward or he stumbles over his words are when his and simon's relationship is uncertain

when he asks simon to stay with him for parents weekend, he seems awkward because he's trying to figure out how to phrase his offer and he's not sure where he stands with simon

when he tells simon he got a haircut in their first interaction after their break up, he's just trying to figure out what to say and how to start a conversation

when he asks simon to open the pencil case, he just wants simon to pay him some attention

any of the times where he seems awkward, it's because him and simon aren't on steady ground

i think it's fine if people view him as clumsy and awkward, but i think it's also important to note that when he's certain of his relationship with simon, he doesn't hold back and he actually does have quite a lot of game.

that's all