#Who knows but I'm gonna eat it

[goodbyeapathy8]

I ordered Korean mu and received a monster instead.

Normally, mu is the length of a banana and the thickness of an orange. Grapefruit if it's a large one.

Weeeee! groceries sent me a BABY SIZED MU.

Oh you think I'm exaggerating? Good thing I took pics for evidence, with references.

Monster Mu is bigger than my face.

Monster Mu is thicker than my thighs (laughcry let's not comment on that)

Monster Mu is bigger than Mignon (a friend told me it looks photoshopped but I promise you, my poor hand and arm was trembling as I had to support the Mu Child with only one hand whilst I took the picture)

Although Moko looks bigger, it's his poofy fur and I'm pretty sure Monster Mu is bigger than Moko

There was some mild panic as I didn't even know if my knives could cut through this thing but the Legend of ShenLi OST provided sufficient badassery in the background.

Additional credit to my handy dandy cleaver but there was definitely a bit of swearing as well as a renewed sense of needing to work out my biceps.

A third of it is now simmering in kkongchi jorim (꽁치 조림) and I suppose the rest will be made into kkagdoogi (깍두기).

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[wrmhles]

Lt. Ronald Hollenbeck states: Cleven buzzed the tower with my airplane with all four engines feathered. That’s the kind of guy Cleven was. I had just gotten a couple engine replacements, and he didn't get to fly too much being squadron CO, so he comes over and says; "Hollenbeck, let me fly your airplane for you, I'll put some slow time on it" and the next thing I knew, is this God d--n B-17 was coming across just about 25 feet off the runway and I looked up and all 4 engines were feathered. He (Cleven) said "I wanted to do that all my life." (x)

GALE CLEVEN + GAMBLING [part 1/?]

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[beanghostprincess]

sanji would actually love nami gaining weight because of his food because that's just one more proof that she's loved by him and that she enjoys what he makes

[7yd1a]

I want to dissect her brain (affectionate)

[oathkeeper-of-tarth]

Also I quit my job of what would in about a month or two have been 10 years, and perhaps now I will get to actually be a human being again.

[existencebringsonlypain]

my feelings with eating disorders are weird. and like, dieting in general. you should be able to do whatever you want with your body, but to see someone wasting away and even encouraging it in front of me while I'm too thin to be healthy to begin with... It's sad. you can do whatever you want, but I'm sorry you feel like you need to do this.

[kiwiplaetzchen]

what do kiwis eat? Surely not the fruit by the same name, wouldn’t that be controversial? but if so I’d gladly offer one to you sweet bird 🤍

We are openly accepting cannibalsim in this household. 😌

Nothing against a little nibble

[vcrnons]

VERNON | 'Snap Shoot' @ MCOUNTDOWN 19.09.19

[orange-dreamzer]

Just a quick reminder (especially if you're a teenager) because my friends recently have started "diets" which sound pretty harmful actually: especially as a teenager or child you are Expected to eat lots of carbohydrates and also likely fats and glucose and gain calories so that your body can properly build itself!!! Please don't do harmful diets no matter how skinny or pretty you want to be!!! Being pretty means NOTHING if you're not healthy!

[bijoumikhawal]

a lot of the talk about Bushnell is reminding me of my "the "mentally ill" have their right to violence revoked" thing again

like. When you're deemed mentally ill, suddenly you must stress how you are more likely to be a victim of violence than a perpetrator to be deemed as human. Because any violence you commit, as a crazy person, is bad. It cannot carry rationale, because you are crazy. If I, as an autistic person, hit someone who was hurting me and got in legal trouble, I can be referred to as just "crazy" instead of as a victim responding to an aggressor. It's an underdiscussed area of dehumanization.

And that's before we talk about intersectionality, and before we talk about how this factors into the idea of ODD, and the "violent" responses patients have to doctors (including those who simply aren't white, and those forced on meds that hurt them, and those resisting sexual assault, and-).

But this is not just interpersonally political, it is political at scale. Black men were targeted by schizophrenia diagnoses during the Civil Rights era (and this is also around when schizophrenia became a "scary" illness). The crazy cannot have valid political criticisms, as a movement (remember that being "crazy" is a vector of oppression abd marginalization) or as individuals in other movements.

Ive seen both the sentiment of "oh Aaron is gonna be slandered as crazy" and exactly what the sentiment warns of- "we can't valorize suicide from the mentally ill". And the first isn't wrong, because society at large does view the "crazy" as lacking political agency, but it's lacking.

Bushnell had been trying very hard to get out of his military contract without being imprisoned at best, while witnessing genocide and knowing he was complicit. He may not have had clinical depression normally, but that would inspire a mental rational response of situational depression (and yes, mental health issues can be a rational response to horrible circumstances). Further, I know of instances of self immolation that WERE done by people who did have long standing mental health issues and were done to protest the treatment they'd experienced that caused them and that resulted from their existence. Mental illness and divergence from the norm is more complicated than just "these people are incapable of rationality, they are incapable of political thought, and they are incapable of agency".

[agendratum]

.

[manasurge]

bleh

[lesbianwyllravengard]

Jesus fucking christ I hate the US south