#What We're Made Of

[dailyquotes6563]

When you break the rules of the game, you'll rule the world your own way.

Brooklyn and Bailey, What We're Made Of

[akanemnon]

It could get worse and it DID get worse

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[blackberry-sage-tea]

"The Dalish gifted an Eluvian to the Grey Wardens so we can get in Weisshaupt" is just so emblematic of my problems with the game, because you can tell--it feels to me--that the thought process was "We need to have an Eluvian in Weisshaupt, Eluvians are an Elven(TM) thing, the Dalish are the Elven(TM) faction, so let's just say they were the ones who gave one to the Grey Wardens".

The Dalish have been established over all three games as a people who have spent the last thousands of years desperately scrounging for whatever scraps of their culture they can find, a struggle that has cost them dearly as typified by Merrill's plight trying to restore a single Eluvian which had previously Blighted two of her clan mates (an Eluvian that she can't open or use, and doesn't actually know what it's for by the end of her quest line). Multiple Dalish in Inquisition are killed trying to regain their history ("The Knight's Tomb") or trying to prove themselves by regaining even a talisman related to their culture ("Someone to Lose"). They are an insular and guarded people because outsider interactions frequently invoke a heavy toll in Dalish lives, up to and including entire clans. And yet, we are supposed to believe in a single throwaway piece of dialogue that in the 10 years between Inquisition and Veilguard, the Dalish have (offscreen) gained enough access to Eluvians as a piece of technology that they can afford to just "gift" one to the Grey Wardens without explanation.

There are constant revelations of this kind where pre-established parts of the lore are just thrown out the window. Things that had great emotional weight or impact in previous installments of the series are used for cheap thrills or plot-hole fills without explanation, justification, or even gravitas from the game. You have a moment in one of Emmrich's quests where you stumble through a portal directly into the Fade that Hezenkoss opened in Blackthorne manor, and you're tasked with closing it again. All of this is done entirely without the Anchor or even an implied blood sacrificial ritual, and it is never commented as anything particularly groundbreaking (when going into the Fade physically through tearing a hole in it was a Big Fucking Deal in Inquisition). You encounter a Compassion spirit in a side quest investigating the deaths of citizens in Tevinter who were murdered by a demon of Despair, and it is strong enough to not only retain itself through sensing the (unanswered!) suffering that these people experienced, but it also resolves to protect others to keep them from the same fate (when Cole was so traumatized by a single person's death that he completely reshaped his entire being around them). So on and so forth. Don't even get me started on Bellara's comment that the ancient elves "made most of their buildings in the Fade".

I'm not asking for someone to hold my hand and spoonfeed me information. I frankly don't care if an obscure codex entry, a reddit AMA question, bluesky tweet, or headcanon exists somewhere to patch in or bandaid over all of the jarring details like this, because it doesn't change the fact that the game itself should be doing this. The game itself should be taking the time to explain this in a way that is not missable, the game itself should be taking these things seriously, it should recognize when it is doing contradictory things and rush to justify itself accordingly, because these are things the emotional beats of previous stories hinged on. Like, when the game has Taash say a line like "The Qun isn't a prison, you can leave if you want", it's the responsibility of the writers to show that this is Taash being misinformed, not because I'm too stupid to headcanon that this is the case, but because this line is a symptom of how the entire game's writing seems to have forgotten about the Ben-Hassrath as a thing that exists in this setting.

Previous Dragon Age games are no stranger to "We quietly removed Solas' network of agents and spies offscreen"-style writing, but it usually didn't feel like a constant deluge periodically uprooting my emotional investment and immersion. There's only so much I can take in good faith before I realize that this game was just not written with any care towards ensuring that the worldbuilding made sense and felt right to the player, leading to awkward backpedaling in reddit threads like "no the Crows haven't changed as an organization, these are just the unique Good Crows and we forgot to mention it".

I just can't look past this shit anymore.

[ladyofrosefire]

[shalom-iamcominghome]

If even acknowledging antisemitism within your community spaces is going to "distract from the cause," maybe that's because the foundation of your beliefs comes down to antisemitism. What you're doing is telling on yourself.

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[just-some-normal-jessica]

personal HCs of the human lords in black

yeah i based em off of the canon npmd ones with some nmt-lore-related details. it's all just for funsies rlly

[sualne]

more about the AU!

(timeline)

[dailyquotes6563]

What we're made of looks like stars and we're good enough just the way we are.

Brooklyn and Bailey, What We're Made Of

[luxaofhesperides]

favorite part of gotham knights is how Tim is always two steps away from going full mad scientist and everyone else is doing their best to stop him

[yuwuta]

fwb with katsuki feels like an snl skit like you’ve got to be joking with him if you propose that after you two have fucked. hooking up with the boy you’ve known since you were five and then asking to keep it casual between you two is insane. he could bite you, he could threaten to tell shoto (who would pinch you), he could lace your hands together and threaten to drag you both out into heavy traffic if you don’t go out with him, he could just say “get real?” and then proceed to take a nap on top of you for the next four hours, he could flick you on the forehead, he might even cry, he could threaten to tell izuku (who would kick him), he could squish your cheeks between his palms and tell you to stop spewing nonsense, he could threaten to tell his mom (who would pinch the both of you by your ears), he could scream, he probably will bite actually. it doesn’t matter it all ends in him “talking some sense into ya since i clearly fucked your brains out” while he makes you dinner and you agree to go out on a real date tomorrow

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[kiisaes]

redraw of that one steven universe meme but as the "replace them with your comfort characters" art trend going around on twitter but mine are from the same series so the novelty is kinda gone and now it's just a bogstandard typical redraw. sorry

[findafight]

Robin and Steve playing a dnd character together because Steve said the only way he'd play is literally with Robin. They take turns each session for who speaks but always planning together. It's a teenage human, gangly and uncoordinated and a bit of a loner. Everyone sort of lets the "two people playing one character" issue slide, as they want to play a game with their friends.

Robin and Steve have wildly different character voices, and sometimes announce which way they are walking before stumbling in that direction, and also mutter to themself in character. when it's Steve's sessions to talk he flits with the NPCs Eddie plays, but Robin is just a little aggressive to them. The personality changes are kinda weird but everyone is just happy they're playing.

Everything is going well until the big bad of the short campaign they're all playing knocks them into a wall. Not hard, but hard enough they're scrambling and flailing and...splitting in half. By their own description. Immediately they start, with their respective character voices (they are committing to this bit) bickering about whose fault it is. And about what they should do now their cover is blown.

The table is silent.

Robin and Steve have been conning everyone the entire time. They're playing twin halflings, who alternated who sat on each other's shoulders pretending to be a human because they were goofing off the day they joined the party and were too embarrassed by the mix up to correct anyone about it until they had to. Their voices and personality changes are brilliantly embedded as not Robin and Steve not being able to keep consistent, it's because they've been playing different characters. It's brilliant. It's horrible. Everyone fell for it and the reveal essentially pauses play because everyone starts yelling at them.

[somegrumpynerd]

I like the idea that Cross realised Killer was touchstarved (he didn't have the words for it but he noticed how much Killer would settle down from it) and started giving him very small basic affection. Pat on the back, hand on the shoulder, maybe a quick friendly hug, all things he probably learned through royal guard training and thinks of as normal friend/coworker stuff.

But as they both got more comfortable in the routine of it, Killer started instigating touches and he was not shy about it (like not just leaning into Cross's side during movie night, he looks like he's trying to get into Cross's jacket with him)

And that this more intense affection made Cross realise he might also be just a little bit touchstarved

Bonus: