#Wallpaper Installation in Allen

[paintingtips2024]

Wallpaper Installation in Allen: How to Prepare Your Walls for Wallpaper Installation in Allen

Wallpaper installation can transform a space, offering a unique touch that paint alone may not achieve. In Allen, where homes are characterized by diverse architectural styles and personalized interiors, wallpaper provides an opportunity to reflect individuality and style. However, before you dive into the exciting process of wallpapering, it's crucial to prepare your walls properly. This preparation ensures a smooth installation and a long-lasting finish. Here’s a comprehensive guide on how to prepare your walls for wallpaper installation in Allen.

Assess the Condition of Your Walls Before beginning any wallpaper installation project, take the time to thoroughly assess the condition of your walls. Look for any cracks, holes, or imperfections that need attention. These issues can affect the final appearance of your wallpaper and may cause it to peel or bubble over time.

Repairing Cracks and Holes Fill Cracks and Holes: Use a high-quality spackle or joint compound to fill any cracks or holes. Apply the filler with a putty knife, smoothing it out to ensure it's level with the wall surface. For larger holes, consider using a wall repair patch before applying the filler.

Sand the Area: Once the filler has dried, sand the area smooth using fine-grit sandpaper. This step is crucial to achieve a flat and even surface for wallpaper application.

Prime the Repairs: After sanding, apply a coat of primer over the repaired areas to seal the surface and prevent uneven absorption of the wallpaper paste.

Clean the Walls A clean surface is essential for proper wallpaper adhesion. Dust, dirt, and grease can prevent wallpaper paste from sticking correctly, leading to peeling and bubbles.

Cleaning Procedure Dust the Walls: Use a dry cloth or a duster to remove dust from the walls. Pay special attention to corners and edges where dust tends to accumulate.

Wash the Walls: Depending on the wall’s finish, use a mild detergent solution and a sponge or cloth to clean the walls. For painted walls, a mixture of water and a gentle cleaner works well. Be cautious not to use too much water, as excess moisture can damage the wall surface.

Rinse and Dry: After washing, rinse the walls with clean water to remove any soap residue. Dry the walls thoroughly with a clean towel to ensure they are completely dry before proceeding with wallpaper installation.

Remove Existing Wallpaper If you are wallpapering over existing wallpaper, it’s crucial to remove the old wallpaper completely. Wallpaper installation over old wallpaper can lead to uneven surfaces and poor adhesion.

Wallpaper Removal Process Peel Off the Wallpaper: Start by peeling off as much of the old wallpaper as possible. You can use a wallpaper scraper or a utility knife to help with this process. Be gentle to avoid damaging the wall underneath.

Soften the Adhesive: If the old wallpaper is stubborn, use a wallpaper stripper solution to soften the adhesive. Apply the solution according to the manufacturer's instructions, allowing it to sit for the recommended time.

Scrape and Clean: After the adhesive has softened, use a scraper to remove the remaining wallpaper and adhesive. Clean the wall with water to remove any leftover adhesive, then allow it to dry completely.

Prime the Walls Priming the walls before Wallpaper Installation in Allen is an essential step that helps improve adhesion and create a smooth surface. It also helps to seal any stains or uneven patches.

Priming Procedure Choose the Right Primer: Use a primer specifically designed for wallpaper installation. This type of primer helps the wallpaper adhere better and prevents it from peeling over time.

Apply the Primer: Use a roller or brush to apply a coat of primer evenly over the entire wall surface. Start from the top and work your way down to ensure complete coverage.

Allow the Primer to Dry: Follow the manufacturer’s recommendations for drying time. Ensure the primer is completely dry before proceeding with wallpaper installation.

Measure and Plan Proper measurement and planning are crucial to ensure a successful wallpaper installation. Accurate measurements help avoid mismatched patterns and wasted wallpaper.

Measurement and Planning Steps Measure the Wall: Use a tape measure to measure the height and width of each wall. Record these measurements to determine how much wallpaper you will need.

Calculate Wallpaper Needed: Based on the measurements, calculate the amount of wallpaper required. Most wallpaper rolls cover approximately 30 square feet, but this can vary, so check the manufacturer’s specifications.

Plan the Pattern: If your wallpaper has a pattern, plan how it will align on the wall. It’s essential to match the pattern at the seams to achieve a professional look.

Prepare the Wallpaper Before you begin hanging the wallpaper, prepare it according to the manufacturer’s instructions. This preparation may include soaking the wallpaper in water or applying paste.

Wallpaper Preparation Cut the Wallpaper: Cut the wallpaper strips to the length needed for each wall section. Leave a bit of extra length at the top and bottom to ensure a proper fit.

Apply Paste or Soak: Depending on the type of wallpaper, apply paste to the back of the wallpaper or soak it in water. Follow the manufacturer’s instructions for the correct method and timing.

Gather Your Tools Having the right tools on hand makes the wallpaper installation process smoother and more efficient. Ensure you have the following tools ready:

Wallpaper brush or roller Wallpaper smoothing tool Utility knife or wallpaper cutter Tape measure Level Pencil Bucket for paste (if applicable)

Wallpaper Installation With your walls prepared and tools ready, you’re set to start wallpaper installation. Follow these steps for a successful application:

Apply the Wallpaper: Start at one corner of the wall and apply the wallpaper strip, aligning it with the edges. Smooth out any air bubbles or wrinkles using a wallpaper smoothing tool.

Trim Excess Wallpaper: Use a utility knife to trim any excess wallpaper at the top and bottom of the wall. Be careful to make precise cuts for a clean finish.

Repeat: Continue applying and smoothing wallpaper strips until the entire wall is covered. Ensure each strip aligns with the previous one, matching patterns where necessary.

Allow to Dry: Follow the manufacturer’s recommendations for drying time. Avoid touching or adjusting the wallpaper until it is fully dry.

Conclusion Preparing your walls properly before wallpaper installation is crucial to achieving a professional and long-lasting finish. By assessing the condition of your walls, cleaning them thoroughly, removing old wallpaper, priming the surface, and measuring accurately, you ensure that your wallpaper installation in Allen will be successful and visually stunning. Whether you're updating a single room or wallpapering your entire home, taking these steps will help you achieve the best results and enjoy your newly transformed space.

[devonislamic]

Innovative Ways to Use Window Blinds for Interior Design in Allen, TX

Window blinds are an excellent way to customize your home interior. Apart from their functional role in providing privacy and controlling light, window blinds can also be used as a decorative element to create a unique and personalized look. You can use them to make your house look more elegant and beautiful or create a relaxing environment in any room. Here are some ideas for how to utilize and maximize the use of window coverings in Allen, Texas.

Create a Statement Wall

Using window blinds to create a statement wall can be a unique and eye-catching way to add personality and style to your room. One creative approach is choosing Allen blinds with a pattern or texture that mimics a wallpaper design. This consequently gives a wallpaper-like effect without the need for wallpaper installation. You may also choose a solid color that complements the rest of the room’s color scheme to make a bold statement.

Layer Window Treatments And Drapes

Layering window treatments adds texture, depth, and functionality to a room. Combining window blinds with curtains or drapes creates a sophisticated and elegant look. Use a sheer curtain for privacy and light control during the day, and add window blinds for additional privacy and light control during the night.

It’s important to consider the colors and patterns of each element when layering the blinds of your homes in Allen, TX. Choosing complementary colors and patterns can create a cohesive and harmonious look while contrasting colors and patterns can add visual interest and drama.

Emphasize Height

Window blinds can be used to emphasize the height of a room. Installing blinds close to the ceiling creates the illusion of a higher ceiling. This technique is particularly effective in rooms with low ceilings as it can help to make the space feel more open. Consider using long vertical blinds that reach from the ceiling to the floor. This will create a dramatic effect that draws the eye upward and gives the impression of a taller room. Another option is to install blinds slightly above the top of the window frame rather than directly on edge. This will create a sense of height and make the windows appear more extensive, enhancing the illusion of a spacious and airy room.

The right window treatment can definitely transform any room in your home into a stylish and functional space that meets your needs and reflects your personality. We Advantage Blinds are a window treatment company you can work with if you need high quality window blinds in Allen, Texas. Our team of experts can help you find the perfect blinds to match your home’s decor and meet your specific needs. From traditional to modern designs, we have something for everyone. Call us today to learn more and to receive a free estimate.

Source Url:https://johnalvis.livepositively.com/innovative-ways-to-use-window-blinds-for-interior-design-in-allen-tx/

[amazinetool]

25 Tools Every Man Should Own

25 Tools Every Man Should Own 

BE PREPARED for love or money NATURE, TEMPERAMENTAL PIPES OR A HYPERACTIVE TODDLER CAN DO TO YOUR SURROUNDINGS.

 It's perhaps genetic: a part of being a grown man is that the desire to be ready to fix anything. But sometimes that's easier said than done: what percentage times have we been confronted with a leaking faucet, an ominously blinking dashboard, or a bit of furniture that seems easy enough to assemble, and been forced to improvise with tools that are but optimal, before throwing within the towel? Take a cue from the Boy Scouts and be prepared for love or money nature, temperamental pipes or a hyperactive toddler can do to your surroundings with these 25 essential tools every man should own.

1- Adjustable wrench Tools Shutterstock After a hammer and screwdriver, this may likely be the most-used tool in your repertoire.

 2-Allen wrench set Allen Wrench Set Tools The most random tool you'll ever regret not having. you will need it to assemble (and adjust) most chain-store furniture that comes out of a box, and you cannot calculate it being included. 

3-Chalk line Chalk Line Tools If you would like to hold shelves, wallpaper, drywall or simply about anything long and straight, this may prevent much regret. Also referred to as a perpendicular. 

4-Circular saw Circular Saw Tools Depending on what proportion space for storing you've got, this one's a bonus, but if you ever end up cutting shelves or counters (and you will), it's worth its weight in gold. Combination square Tools If you would like to chop a two-by-four or shelf at a 4

5-degree angle, this ruler with a built-in level will ensure the knowledgeable result. Combination wrench set Tools A plumber's ally. once you need to loosen a stubborn nut, you would like something steadfast and slip-proof. Coping saw Tools In the event you would like to chop wood on a curve, keep one among these available. It takes up minimal space, so it's well worth the $7 investment. Cordless drill Tools Cordless drills are now as powerful as corded and permit for freedom of movement. do not forget both drill bits and drivers. Hacksaw Tools For the occasional tough job, like cutting metal or pipe. Hammer Hammer Tools This one's a shocker, we know. Jigsaw Tools To make quick cuts or slice at strange angles, the jigsaw may be a real time-saver. you'll get an honest one for fewer than $40. Level Tools Your grandpa could eyeball almost anything. But if he is not around, keep one among these to stay everything nice and even on the primary try. Locking wrench Tools Another carpal-tunnel-saving tool, a locking wrench will offer you extra power in removing stubborn elements without having to believe your grip strength. Multi-bit screwdriver Tools Save time — and your tendons — with a ratcheting screwdriver with quickly interchangeable bits that'll maximize your wrist power. Needlenose pliers Meddlenose Pliers Whether you would like to hitch wiring or unplug the shower drain, sometimes you would like to place a finer point on things. Pipe wrench Be a hero — and save serious money — by making drain-trap repairs (and saving the occasionally dropped wedding ring) rather than calling the plumber. Putty knife For everything from filling nail holes with putty to scraping science-project debris off the kitchen counter. Electric sheet sander Sander This economical sander (you can get one for about $30) will assist you out furniture, shelves, and drywall without getting carpal tunnel. Saw There's no substitute for a classic full-size saw — you will not always be ready to go electric. and do not attempt to cope with a hacksaw for each job. Socket wrench set Tighten or loosen bolts fast — these fit into tight spaces and hold in situ easily. Stud finder Skip the unreliable apps and spring for a standard electronic permanent magnet, to hold shelves, pictures, and cabinetry securely. Tape measure You won't get far without one among these babies. Utility knife You'll need a couple of that — one in your desk and one within the toolbox. Vise Vise Because you will always need another pair of hands to carry things steady. Voltage tester This baby will literally save your life. From replacing a light-weight fixture to installing a ceiling fan, use this to check whether there's any errant voltage running through the metal parts you will be handling.

[dawnjeman]

Interior Design Ideas: Modern English Tudor Design

  Hello, my wonderful friends! It’s great to have you here for a new “Interior Design Ideas”.

Meticulously built by Hendel Homes and with interiors by Danielle Loven of Vivid Interior Design, the architectural direction of this Modern English Tudor residence expertly balances modern and traditional elements, reflecting on the common threads of an English Tudor country house and Hamptons grandeur. The result? A casual, sophisticated home that feels perfectly at ease in its Midwestern foundation.

This modern reinvention of timeless design delights with highly refined and detailed living spaces spread over three floors and I am sure this house tour will inspire you from the beginning to the end.

Try to relax, have a good time and pin your favorite interior design pictures! These stunning pictures by Susan Gilmore Photography and Landmark Photography should fill up your boards!

  Interior Design Ideas: Modern English Tudor Design

This home is a flawless modern interpretation of English Tudor architecture and it’s situated at the end of a cul-de-sac in a quiet neighborhood in Minnesota.

The stucco is custom color.

Landmark Photography.

Windows

Windows are Marvin Windows in “Bronze”.

Landmark Photography.

Front Porch

Porch flooring is stamped concrete.

Landmark Photography.

Room to Roar

This expansive home features an open layout, 7,836 square feet, 4 Bedrooms & 7 Bathrooms.

Landmark Photography.

Cars

This home is a classic car collector’s dream! The home comes with a two level four-car attached garage plus detached garage with storage for up to 10 more vehicles.

Landmark Photography.

Garage Doors

The garage doors are custom.

Landmark Photography.

Roof

Roof is combination of Cedar Shake and metal.

Landmark Photography.

Front Door

Front Door: Marvin Windows in “Bronze”. I love the symmetry the windows on each side create.

Lighting: Flambeaux Gas Lanterns – Other Beautiful Outdoor Sconces: Here, Here, Here, Here, Here & Here.

Similar Planters: Here (fiberglass) & Here (ceramic).

Gutters are copper.

Landmark Photography.

Foyer

You will find in this home an unsparing collection of exclusive finishes throughout, from designer wall-coverings, marble mosaics, double herringbone and concrete tile with vintage graphic detail to custom furniture and lighting, all presented with a curated approach that is both upscale and welcoming.

Hardwood Flooring: 6″ Riffed and quartered white oak, eased edge, custom Stain – with Herringbone inset pattern at raised ceiling locations.

Foyer Lighting – Arteriors (discontinued) – similar here.

Susan Gilmore Photography.

Great Room

The foyer opens directly to this spacious and elegant Great room. Paint color is Benjamin Moore Collingwood OC-28.

All furniture is available through the designer.

Metal and Leather Accent Chair – Casa Midy.

Landmark Photography.

Chandelier

Lighting – Visual Comfort

Landmark Photography.

Coffee Table

Black Raffia Coffee Table: Bernhardt.

Susan Gilmore Photography.

Sofas

Sofas from Hickory Chair in Designer’s Guild fabric.

Landmark Photography.

Upscale Living Room Decor Ideas:

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Fireplace

Fireplace is Limestone by Francois & co.

Art & Accessories from Vivid Home.

Susan Gilmore Photography.

Openness

The open-air environment is flooded with natural light and enhanced by a consistent color palette which connects the spaces perfectly.

Landmark Photography.

Interior Doors & Windows

Interior windows are painted to match the Marvin Bronze in “Sherwin Williams Medium Bronze”.

Pillows: Throw Pillows in Beacon Hill Fabric.

Throw: Hermès.

Landmark Photography.

Dining Room

Lighting: Visual Comfort.

Dining Table: Custom

Dining Chairs: Custom – Host Chairs in Maxwell Fabric.

Susan Gilmore Photography.

Ceiling Paint Color

Ceiling Paint Color: 50% Classic Gray by Benjamin Moore/ 50% Collingwood OC-28 by Benjamin Moore.

Landmark Photography.

Casework Paint Color

Casework Paint Color: Casework – Benjamin Moore White Dove OC-17.

Landmark Photography.

Materials

Natural metals, woods, and organic materials conform in new ways with classic silhouettes and rich textures.

Antique Dough Bowl: Here & Here.

Landmark Photography.

Ceiling Treatment

Ceiling Treatment: Reclaimed Alder Beams. The ceiling height in this space is 12′.

Landmark Photography.

Kitchen

This extraordinary kitchen features a custom range hood and open shelving in aged brass and zinc finishes. Kitchen island is made of Walnut.

Landmark Photography.

Backsplash

Backsplash is Jeffrey Court Calcutta marble mosaic tile – installed only at the range wall. Small Scale beveled subway 12″ x 12″, mesh mounted – similar here, here, here & here.

Grout: TEC Bright White.

Pot Filler: Kohler Artifacts Pot Filler.

Range: Wolf.

Similar Kitchen Hood: here.

Susan Gilmore Photography.

Perimeter Kitchen Cabinet

Perimeter Kitchen Cabinet Details: Painted Flat panel with custom moldings. Paint color is Benjamin Moore OC-17 White Dove.

Backsplash Between Fridges: Cistallo Quartzite Full Height.

Susan Gilmore Photography.

Kitchen Island Countertop

Countertop is Cristiallo Quartzite, waterfall edge.

Island Tray: Here.

Susan Gilmore Photography.

Sink & Faucet

Kitchen Sink: Kohler K6427-0 Whitehaven.

Kitchen Faucet: Kohler Artifacts Pull-Down Faucet.

Filtered Water Faucet: Newport Brass.

Paneled Dishwashers: Bosh.

Island Dimensions

Kitchen Island Dimension:  3.5 x 8′

Counterstools are available through the designer.

Landmark Photography.

Kitchen Shelves

This kitchen is full of inspiring ideas! To keep a sense of symmetry (see picture above), the designer added a glass opening to the wall with brass floating shelves.

Hardware – Ashley Norton – similar Pulls & Knobs.

Susan Gilmore Photography.

Kitchen Pendants

Light fixtures in iron and brass lend the property a distinct architectural edge. Pendants are Robert Abbey.

Landmark Photography.

Beautiful Counterstools:

(Always check dimensions before ordering.

)

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Refrigerator

A custom buffet is flanked by paneled refrigerator and freezer by Subzero.

Landmark Photography.

Flow

The optimized floor plan offers formal and informal spaces that open to the exterior grounds for fluid indoor/outdoor living and entertainment. Wall paint color continues to be Benjamin Moore Collingwood.

Landmark Photography.

TV

A TV is placed in the custom hutch.

Landmark Photography.

Family Room

The kitchen opens directly to a very comfy and stylish family room/lounge area. Notice the high ceiling, the beams and the tall windows.

Custom Sectional from Vivid Home.

Accent Chair in Clarke & Clarke fabric.

Accent Tables from Modern History & Currey & Co.

Throw Pillows in Opuzen fabric.

Lighting: Visual Comfort Extra Large Lantern in Aged Iron.

Landmark Photography.

Ottoman

Leather Tufted Ottoman: Four Hands.

Susan Gilmore Photography.

Hide & Seek

Custom Walnut doors with glass X insets conceal the butler’s pantry and a bar.

Similar Pulls: Here.

Landmark Photography.

Bar

The bar features Walnut cabinetry with Cistallo Quartzite countertop and floating brass shelving.

Susan Gilmore Photography.

Butler’s Pantry

This butler’s pantry is truly a dream! Countertop is Cistallo Quartzite.

Backsplash: Cistallo Quartzite 4″ Height.

Floor: Rift and Quartered Solid White Oak with Custom Stain

Chandelier: Visual Comfort.

Sconces: Visual Comfort.

Susan Gilmore Photography.

Paint Color

Sherwin Williams SW 7625 Mount Etna.

Roman Shade in Romo fabric.

Sink: Blanco B401734 Ikon Apron Front Sink.

Faucet: Kohler Artifacts Pull-Down Faucet.

Appliances: Wolf Ovens and Bosch Dishwasher.

Landmark Photography.

Powder Room

Located just off the mudroom, this powder room is elegant and features a gorgeous wallpaper.

Mirror: Here.

Bathroom washstand is DXV – similar here & here.

Faucet is DXV – similar here.

Sconce: Visual Comfort.

Landmark Photography.

Wallpaper

Wallpaper is Wallpaper: Osborne & Little Nina Campbell Gold Leaf On a Black Background.

Ceiling: Sherwin Williams Tricorn Black SW6258.

Susan Gilmore Photography.

Hall Paint Color

Collingwood by Benjamin Moore.

Landmark Photography.

Main Powder Room

My jaw just dropped! Vanity is Walnut, custom-designed.

Countertop and backsplash is marble.

Chandelier: Robert Abbey.

Sconces: Visual Comfort Light in Hand Rubbed Antique Brass 4”W x 20.5”H.

Vessel Sink: Konbow.

Faucet: Newport Brass.

Similar Mirror: here, here & here.

Interior doors are Alder – custom stained.

Landmark Photography.

Wallpaper

Wallpaper: Schumacher Metallic Strie Silvered Taupe (available through the interior designer).

Susan Gilmore Photography.

Home Central

Custom desk and bookcase are painted in Ben Moore White Dove OC-17. Desk top is Oak, dark stained.

Roman Shades in Robert Allen fabric.

Flushmount: Hudson Valley.

Sconces: Norwell.

Landmark Photography.

Wallpaper

Wallpaper is Innovations Achel. Ceiling paint color 50% Ben Moore Classic Gray / 50% Collingwood OC-28.

Accessories from Vivid Home.

Susan Gilmore Photography.

Mudroom

Mudroom Flooring: American Florim Charleston 3×36 Glazed Porcelain Tile, Rubble Tile, colors: White, Grey and Timber – installed in a Herringbone patterned. Grout: TEC Dove Grey.

Wall paint color is Benjamin Moore Collingwood. Cabinetry isBen Moore White Dove.

Bench is Oak with a custom dark stain color.

Baseboards: 11″ – Paint Grade.

Landmark Photography.

Stairway

Natural metals, woods, and organic materials conform in new ways, with classic silhouettes and luxurious textures.

Chandelier: Visual Comfort – similar here.

Landmark Photography.

Details

This gorgeous staircase features White Oak wood treads and wood risers. The metal railing is custom.

Window Trim: Sherwin Williams Medium Bronze.

Sconces: Visual Comfort.

Landmark Photography.

Railing

A close-up on this stunning metal railing. How beautiful, right?!

Susan Gilmore Photography.

Bonus Room

The staircase leads to the kids’ lounge/bonus room. The doorway seem here leads to the kids/teens ensuites and a laundry room. Paint color is Benjamin Moore Black Jack 2133-20.

This room features a long custom desk with White Oak top, custom cabinetry and comfortable furniture.

Art & Accessories from Vivid Home.

Coffee Table: Here – similar here & here.

Lighting: Made Goods.

Landmark Photography.

Boy’s Bedroom

Main Walls: Benjamin Moore Gentleman’s Gray 2062-20. Bookcase Wall: Benjamin Moore Gentleman’s Gray 2062-20.

Euros in Design Tex plaid.

Sconces: Savoy House.

Loveseat by Bernhardt.

Landmark Photography.

Ensuite

Cabinet: Sherwin Williams Tricorn Black.

Floor Tile: 9.5″ x 19.25″ Enlonged Hex Jeffrey Court Artic Stone Field Hex.

Countertop: Carrera Marble.

Faucet: Delta.

Sink: Mirabelle.

Lighting: Visual Comfort.

Landmark Photography.

Girl’s Bedroom

Accent wall is painted in Benjamin Moore 2117-30 Shadow. Walls are Ben Moore Collingwood OC-28.

Bed is custom. Euros are in Harlequin fabric – Beautiful & Good Quality Bedding: here, here, here & here.

Roman shade in Cowtan and Tout fabric. Bolster is in a Robert Allen fabric.

Loveseat by Bernhardt.

Landmark Photography.

Ensuite

Bathroom Cabinet: Sherwin Williams Tricorn Black SW 6258.

Floor Tile: 8″x 8″ Geometric Printed Tile Fioranese Ceramic #45 Certosa – similar style: here.

Lighting: Visual Comfort.

Faucet: Delta.

Sink: Mirabelle.

Landmark Photography.

Master Bedroom

Ceiling paint color is Benjamin Moore Black Jack 2133-20.

Nightstands: Here.

Four Poster Bed: CFC.

Fan: Minka Aire.

Landmark Photography.

Wall Paint Color

Wall color is Benjamin Moore OC-28 Collingwood.

Artwork by Emma Lawrenson.

Susan Gilmore Photography.

Fabric

Euros, Accent Pillows and Roman Shades in Kravet Fabric.

Settee is custom with Romo Black fabric.

Susan Gilmore Photography.

Master Bathroom

The master bathroom is luxurious and features a great layout. Vanities are custom stained Oak.

Freestanding Tub: Jacuzzi.

Tub Filler: DXV – similar here.

Sconces: Visual Comfort.

Susan Gilmore Photography.

Shower Tile

Shower Walls: 12x24” Honed Marble Tile – similar here.

Shower Floor: 2x2” Honed Carrara Marble Tile – similar here.

Hexagon Marble Mosaic Tile: here.

Hansgrohe Rain Showerhead.

Kohler Showerheads.

Landmark Photography.

Flooring & Countertop

Floor tile is 12×24 London Calling Honed marble tile (similar here). Wall color is Benjamin Moore Collingwood.

Countertop is white marble.

Chandelier: Visual Comfort.

Faucets: Brizo.

Sinks: Kohler.

Landmark Photography.

Bathroom Layout

Inspiring bathroom layout!

Cabinetry

I absolutely love the stain color on this Oak cabinetry. It works beautifully with the white marble.

Susan Gilmore Photography.

Make-up

Beautiful and practical make-up vanity.

Landmark Photography.

Dressing Room

The dressing room certainly has a nice view… but don’t worry! It also features automatic blinds.

Flooring: Carpet; Black Label #2403 Tip sheared wool/viscose blend.

Landmark Photography.

Laundry Room

Countertop is Quartz, Caesarstone Pebble.

Flooring: Porcelain Tile – 8 x 24 #53 West End Pulpis by Tile x Design – similar here.

Landmark Photography.

Basement Bathroom

Sink: Kohler Brockway wash sink – 48″.

Faucets: Kohler.

Soap Dish: Kohler.

Floor: 2x10” textured black ceramic tile in herringbone pattern – similar here.

Shower Floor: 1x1” Black ceramic hexagon tile – similar here.

Shower Wall: 3x12” Beveled white ceramic tile – similar here.

Sconces: Visual Comfort.

Landmark Photography.

Basement

A custom built-in whisky bar and custom-designed abstract glass shelving are just the beginning of an amazing lower level designed for fun.

The pub table/island is custom.

Landmark Photography.

Cabinetry

Cabinetry is Walnut; Dark Custom Stained.

Susan Gilmore Photography.

Countertop

Countertop is Titanium Granite.

Sink: Blanco.

Faucet: Delta.

Basement Paint Color

Basement Paint Color: Collingwood by Benjamin Moore.

Lounge Chair in Opuzen Flamestitch fabric.

Countertstools: Iron Counter Stools from Noir.

Art & Accessories from Vivid Home.

Ceiling Light: Arteriors.

Landmark Photography.

Exercise Room

The exercise room features custom stained wood with walls painted in BM Collingwood OC-28.

Landmark Photography.

Flooring

Floor: Forbo Carpet Tiles. It’s antimicrobial and wears amazing. This was a glue-down installation.

Landmark Photography.

Gym Bathroom

The gym bathroom features a custom vanity with dark quartz countertop and slab backsplash.

Similar Medicine Cabinet: Pottery Barn.

Faucet: Kohler Purist.

Similar Sink: here.

Sconces: Visual Comfort.

Landmark Photography.

Outdoors

Design meets function, delineating an optimized floor plan with formal and informal spaces that open to the exterior grounds for fluid indoor/outdoor living and entertainment.

Landmark Photography.

Screen Porch

Ceiling is Cedar planks and flooring is stamped concrete.

Landmark Photography.

Furniture

Outdoor Sofa by Century Furniture. Notice the outdoor built-in.

Fire Table from Outdoor Rooms – similar here.

Lounge Chairs from Palecek.

Custom Outdoor Area Rug.

Landmark Photography.

Brackets

Brackets are custom.

Landmark Photography.

Dimensions

The screened porch is 17’4” x 15’6”.

Landmark Photography.

View

Beautifully designed!

Landmark Photography.

Backyard Goals

Harmonious outdoor pool blends form and function to provide the complete backyard living experience with lush landscaping and an outdoor kitchen for entertaining.

Landmark Photography.

Outdoor Kitchen

The outdoor kitchen features a Cedar pergola.

Landmark Photography.

Outdoor Counterstools

The outdoor counterstools are by Palecek.

Landmark Photography.

Architecture Details

This home truly exudes inspiring architectural details that will stand the test of time.

Landmark Photography.

Trim Paint Color

Trim: Benjamin Moore Silver Fox 2108-50.

Landmark Photography.

Timeless Beauty

I woundn’t mind coming home to this!

Landmark Photography.

  Many thanks to the builder and interior designer for sharing the details above!

Builder: Hendel Homes (Instagram – Facebook)

Interior Designer: Vivid Interior Design (Instagram – Facebook)

Photography: Susan Gilmore Photography (Instagram – Facebook)

& Landmark Photography (including 1st image).

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Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!

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[decorishing]

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[judhourime]

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[conartistnyc]

Meet the the All-Stars

New York City’s largest art collective brings its A-Game to 198 Allen Street this summer (August 6th - 12th) in an epic retrospective of long-time collaborators and studio members. Hand-selected from our rich eight-year history in the Lower East Side. Approaching the art world on their own terms, presenting artists embody the culture of Con Artist Collective. Join us for a public gallery reception Thursday, August 9th, 2018 7pm-11pm. 

Now we would like to introduce each featured artist:

Kayo Albert 

Kayo Albert was born in Hyogo, Japan. After graduating from college in Kyoto, she came to New York to study painting at Art Student League, New York Studio School, and School of Visual Arts. She is actively creating and exhibiting her work in New York. A member since 2014, Con Artist Collective has been her hub for collaboration, exchanging ideas, and inspiring with other fellow artists. Her work is abstract painting heavily combined with drawing on a surface called Mylar. Her use of paint rich in fluidity creates translucent layers, and gives depth and complexity. Mylar of which most of her paintings are done, also gives translucency, luminosity, and airlines. With strong interest in Carl Jung’s psychology, she takes references from nature, and memories perceived and stored in the unconscious, extracted in altered form. She expands her work in several projects: The Iceland Project explores the juxtaposition between abstract painting and landscape photography, which she took in Iceland. In The Pillar and Fault series, paintings are mounted on multi-dimensional planes of wooden board to cross the boundary of 2 dimensional surface.

Tomaso Albertini 

Artist Tomaso Albertini was born in Milan, Italy (1984) where he attended the La Scuola del fumetto di Milano. He lives and works in New York City. His first professional work of large format paintings concentrated on a serious investigation of color. Here he broke free from the confines of illustration, the subject emphasized in his academic training, and began to create emotional projections that served as the foundation of his further development. Guided by instinct, he mixed color on flat surfaces using abstract forms that ultimately revealed figures. After this initial period, there was a big change. Albertini began to experiment with new materials. He wanted the work to be more physical - more direct. He introduced the use of burned, melted plastic into the paintings. He has described the process as a defacement of the figure in an effort to dig into the life of the human form. One senses the physical presence of form conveyed by a willful act of transference. Albertini than started to create three-dimensional art using cardboard. It allowed him to accomplish the figure as if it were a sculpture and paint on it as if it were a canvas. This technique introduced dynamics approaching sculpture. It is, in fact, a hybrid manifestation.

Atomik

Atomik is a 100% Miami artist. Atomik, trained in graphic design, is a big name in the Miami art scene. The graffiti legend, part of the infamous MSG crew, a group of local graffiti heroes, has been painting the city for quite some time. While growing up in the emerging Miami graffiti scene of the 80’s, Atomik witnessed for himself at a young age what would later become his profession. Famous for his iconic orange character which emerged as a response to the demolition of the Miami Orange Bowl, the artists also marks the walls of Miami with his sleek hand-styles, graffiti and lettering.

Jaouad “The Jah” Bentama 

Jaouad Bentama is a French artist born and raised in Paris, France. As a kid from a non-artistic family, his passion was initiated by his neighbor who took him to his first museum trip, which exposed him to different art styles. Jaouad creates artwork that echoes deeply with the lightness, the happiness, and the innocence of childhood.

Ian Bertram 

Ian is an artist working in multiple drawing and painting disciplines. His large scale works have been shown in Paris (Gallerie Glenat), Sri Lanka (Barefoot Gallery), and New York (David Lewis, Lazy Susan, Society of Illustrators). He has worked for Marvel, DC comics, Image comics, and Glenat BD. His current project is a creator-owned title called Little Bird, being published by Glenat Bd in France the winter of 2019.

Andrea Cook 

Andrea Cook is an international artist dedicated to empowering women through her paintings on various mediums including the street. Her latest series, Pussy Power debuted at the Museum of Sex in 2015 in NYC. With over 1000 pieces, now in collector’s homes and on the streets in cities all over the world, this body of work continues to grow along with her role as an international artist and global activist. From a 20-year entrepreneurial career in technology and communications that began in Chicago, Cook evolved into a visual artist and has become purposeful and passionate about creating street art that empowers women that drives real social change. As a changeologist, Cook has a large body of work on change that has been showcased in hundreds of shows and venues throughout the country. Wallpaper Magazine "cherry-picked" Andrea Cook’s Pussy Power art as one of the “finest works” from the Art on Paper show during its Art Basel review in 2015.

Charlie Cunningham 

Charlie Cunningham’s artwork invokes the contradictions within subjects both dubiously humorous and revolting. Utilizing campy motifs and materials, he searches for humorous optimism in mortality and satirizes the perverse nature of our destruction, both at the hands of time and our fellow man. His artworks span figurative sculpture, installation, drawing and painting. Each work can incorporate a wide variety of mediums including, ceramic, silicone, found objects, charcoal, urethane foam, resin, acrylic, and human hair. Charlie has recently exhibited at the Governor’s Island Art Fair, Burlington City Arts, and The Delaware Contemporary Art Museum. He is also the recipient of several awards and honors including a Teton Artlab Residency, Rasquache Artist Residency, and the Penn State University Creative Achievement Award.

Hektad 

Hektad is a New York City graffiti pioneer. In 1982, at the age of 12, the Bronx native set out to compete with veteran bombers such as Mitch 77 and Chris 217. After an intense 12 year campaign on New York’s streets and transit system, Hektad took a well deserved break to focus on his family. In 2013, he returned with a vengeance. After jumping into what many consider a cluttered and undefined street art scene, Hektad clearly took the lead with his whimsical “Love Drunk” hearts and humorous anecdotes.

JCORP 

JCORP is an American artist based in New York City. Known for her bright, starry-eyed characters, she explores pop culture and contemporary romance through street art, murals, and illustrative painting. She studied Visual and Critical Studies at the School of Visual Art and earned her BFA in 2014.  Some of her clients include MTV, VICE, NBC Universal, Redbull TV, Creative Nail Design, Ricky's NYC, The Doughnut Project, Black Tree Brooklyn, and Little Skips; among other public art projects such as The 100 Gates Project, Centrefuge Public Art, Arts Org LIC, Welling Court Mural Project, Lower Manhattan Art Festival (L.I.S.A. Project), JMZ Walls, and many more.

Seunghwui Koo 

Seunghwui Koo creates her works drawing inspiration from the daily happenings and intricate moments of her life in NYC.  Her work is a commentary on the lives of New Yorkers as she has witnessed. She was born in South Korea, where she first had the idea of combining the pig’s head and human body. The significance of the pig’s head lies in the different symbolic meanings from the Eastern and Western cultures. Good fortune (Eastern) and greed (Western), two very different connotations of the pig, are themes that are a part of her works. She uses resin, acrylic, plaster, clay, and mixed media to create her works. She is one of the artists in the Chashama organization in NYC.

Joseph Meloy 

Joseph Meloy is a muralist and mixed media artist who creates electrifying images that trigger the senses. His art is more of a subconscious realization of an idea or thing, than it is a fully realized or recognizable concept, yet there is enough there to convey a purposeful message of emotion, movement or mechanization. He has a distinctive style – each painting is a little different, but it’s always abstract with a bright color palette. He calls his work “post graffiti” art and coined the term “vandal expressionism” to best describe what he does.

Dean Millien 

Millien is an NYC-based artist who creates sculptures out of aluminum foil. His first solo exhibition, “Curses, Foiled Again”, was debuted at Con Artist Collective. He has been commissioned by J.Crew for their “Crew Cuts” kids lines. His sculptures have also been featured in Macy’s window display.

John Raymond Mireles 

John Raymond Mireles began his artistic career in the mountains as a rock climber, photographically documenting the lives and exploits of his fellow vertically inspired athletes. Though a climbing rope is no longer part of his equipment list, Mireles continues in his photographic adventures. His most recent series consists of portraits of Americans from all 50 states. Entitled the Neighbors Project, it has been publicly installed in San Diego, Phoenix, Anchorage, and in New York City’s Lower East Side - where it was listed by the New York Times and The Guardian newspapers as one of the top public exhibitions of 2018. Solo shows of his work include the Anchorage Museum in Anchorage, Alaska, Bread and Salt gallery in San Diego, and Circuitous Succession in Memphis, among others. Mireles is a recent transplant to New York City from his hometown of San Diego, California. His first solo gallery show in New York City will take place in September 2018 at the Storefront Gallery in the Lower East Side.

MOR 

Mor is an artist and Brooklyn native. A daughter of storytellers and artists - her narrative originates from an inherent urge to express an inner landscape of dreams and symbols. Spirited forms of flora and fauna emerge from a delicate and meditative process of paper cutting. She utilizes both pencil and blade to create these multi-layer stencils and singular paper cuts.

Victor Joseph Ochoa 

Victor Joseph Ochoa (b. 1988) is an artist born and raised in Brooklyn, New York. After graduating from The Cooper Union in 2010, Victor began to pursue a career in graphic design within the publishing industry. He has worked for companies such as HarperCollins, Scholastic, and Simon and Schuster designing books for children of all ages. He has had books on the New York Times best sellers list and has worked with companies such as Nickelodeon, Lionsgate, Guinness World Records, Rovio, DC Comics, and more. He is a member of the Con Artist Collective in the Lower East Side of New York City. Here he creates, mentors, learns, and grows with a family of artists from around the world. Outside of his graphic design career Victor continues to pursue all aspects of creation. In 2010 he started the independent comic publisher DRAWMORE INC., where he self-publishes comics. He has exhibited at numerous local comic conventions, such as New York Comic Con, MoCCA Festival, and King Kong. He also ran a successful Kickstarter campaign for the comic anthology NOBODIES Volume 2. He previously worked as the Lead Publishing Designer at Marvel Entertainment. He currently is an Art Director at Ellation (Crunchyroll & VRV).

Cody Oyama 

Cooper Union alumni working with history, memory and the inability to touch either and the failures of both. Cody, along with Laura Tack (who now resides in Morocco) were two of the earliest artists to join the Collective and played a large role in the development of its culture.

RAD (Raddington Falls) 

RAD is an artist and art educator in New York City. Originally from Los Angeles, Cuban-American RAD has exhibited and sold artwork online, galleries and alternative spaces. He has taught in museums, public and independent schools and community centers. His artwork embraces the person we were as a child. Sometimes, his artwork is a harsh mirror of our society. Most of the time, it lives somewhere in the middle. And perhaps his work may allow people to tap into their own sense of wonder and the power somewhere inside of them.

RX Skulls 

Rx Skulls aka Arrex is a adhesively obsessed exterior decorator from Portland Oregon who’s street art revolves around a single skull photo taken in the Natural History Museum in London. The project began its evolution in 2010 after a series of medical hardships and a trip to Europe, which exposed Rx to the world of street art in person. Having already dabbled in screen printing, creating stickers and posters from scratch quickly became more of an addiction than a hobby. To this day, six years later, Rx travels the world sharing his skulls, tombstones, poison labels, and plethora of other morbid designs with the masses.

Audrey Ryan 

Audrey Ryan is a figure painter with a dark sense of humor, hailing from Binghamton, New York. She holds a BFA in Drawing & Painting and a BS in Visual Arts Education from SUNY New Paltz. She is prolific, producing a constant stream of of observational gesture drawings, usually in ink or charcoal as well as many large-scale oil paintings. Her work is regularly published by Endless Editions, and is distributed/exhibited internationally. She is informed by punk culture, and histories of disorder, addiction and recovery. While also making drawings, poems, prints, zines, videos, installations and tattoos, she aims to communicate the struggle to survive our human selves.

Rachael Senchoway 

Rachael Senchoway wishes to inhabit a space where her restless energy can channel itself into something that lives outside of her body. She takes in her environment and returns it to the world as characters that are ultimately stand-ins for herself, and people she knows in her dreams. She is able to exert control over this dimension and integrate the creatures into a system that allows them to escape, become heros, animals, lovers, and ghosts whom exist in an ongoing myth. Creating these places helps her to see where she’s been, and where she’s going. Each painting is treated as an individual meditation within a body of work. These ideas allow her to rediscover the complexities of her own human experience.

Katie Shima 

Katie Shima (BA Columbia University, MArch Columbia University Graduate School of Architecture, Planning, and Preservation) is an artist and architect based in Brooklyn. Katie has had exhibitions at BRIC, the Knockdown Center, Bridge Gallery, Mighty Tanaka Gallery, Devotion Gallery, Trestle Gallery, and others in New York City as well as the GWVA Museum in Springfield, MA, and D.A.K. in Aarhus, Denmark. Residencies include Trestle Art Space, Con Artist Collective, Clocktower Gallery, and Det Jyske Kunstakademie. Katie is also a founding member of the electronic noise art group Loud Objects and has taught as an instructor at Columbia University.

Brandon Sines 

Frank Ape is a Sasquatch who lives in New York City amongst the humans and is the creation of artist Brandon Sines. Frank can be seen all over the city on any given day and has been spotted on streets and in homes around the world. He embodies positivity and equality, and cares about all living things. Frank believes in "creating your own universe" and inspiring people and animals every day. Shortly after moving to New York City in 2010, Sines combined his use of mythological creatures, pop icons, and made up characters into a new character called Frank. Frank is an “ape” that often takes the form of a cartoon, but is no doubt a reference to Sines himself. Frank explores human conditions without human restrictions.

The Sucklord 

The Sucklord is a New York City Pop Artist and Television Personality known for his subversive Action Figure mashups and Reality TV Persona. Operating under the Brand SUCKADELIC, The Sucklord’s Line of self-manufactured Bootleg Toys steal shamelessly from STAR WARS, Vintage Advertising and All manner of Pop Culture Trash. Packaged in layers of ironic self-Mockery, His shoddy looking wares have inspired an entire secondary Art movement, with dozens of entrepreneurial Toy Bootleggers creating their own versions of highly referential, low-Rent interpretations of their favorite figures. Recently The Sucklord has increased the scale of his work, putting oversized Blister-carded figures in Tokyo Art Galleries, the homes of the famously wealthy, and the Walls of downtown New York City.

Laura Tack 

Born on 9 June in Belgium, Laura Tack works through images and materials in an attempt to connect with the vastness of time, using processes that emphasize the connection between creation and destruction. Laura, as a painter, depicts both the pains and joys of seeking out and growing closer to our roots. She is currently living and working in Marrakech, Morocco.

Sarah Wang  

Sarah is interested in people and the communities they represent. In her photography and films, she collaborates with her subjects to tell their stories. She is exploring new ways and mediums through which to tell these stories, working in collaboration with professionals in various creative fields along the way. A photographer, film-maker, and curator born in Harbin, China, Sarah grew up in the Bay Area from the age of six. She earned her BA in Art Education from San Francisco State University with an emphasis in drawing and painting as well as a CA Teaching Credential in K-12 Art Education. Sarah worked as an artist teacher with the Joan Mitchell Foundation during her first three years in New York. She then, along with fellow artist, Shaina Yang opened an alternative art space in the Lower East Side, called City Bird Gallery. They offered an experimental space for emerging & professional artists as well as student and community organizations to exhibit their work. Shaina and Sarah have since joined forces with a collective of women and gender non-binary artists and curators to create Disclaimer Gallery, an experimental installation space catered to showing queer, women of color and other marginalized groups.

Wizard Skull 

Wizard Skull is an artist living and working in Brooklyn NY. Early on he picked up skateboarding, and he immersed himself within the subculture. Designing T-shirts, skateboard graphics, and skateboarding in local shop videos, he eventually went on to design over 200+ board graphics for skateboard companies from Norway, Russia, England, and all over the US and rest of the world. His art as well as himself skateboarding appeared in numerous skateboard magazines including Thrasher. Adopting the moniker of Wizard Skull and abandoning freelance design work, he began wheat pasting his art all around New York. One of his most often wheat pastes was "Sexy Ronald", a buff version of Ronald McDonald wearing only underwear with fries popping out of them. People began photographing and sharing images of it on social media which led to the image going viral several times, being bootlegged and sold on T-shirts in Thailand. This also led to his art being exposed to a larger audience.

Shaina Yang 

Shaina​ ​Lee-Shuan Yang, often known as Aniahs Gnay or Moon Mansion, is a ​multidisciplinary visual​ ​artist​ ​and​ arts​ ​organizer​ ​based​ ​in​ ​NYC. Their work explores the relationships of the vessel body and its carried symbols, connectivity, and the space between it all. They are influenced by the​ ​superstitious nature of their ​Taiwanese​ ​family​ and ​life as first-generation queer American.

Be there for our biggest show to date!

[antonlaub]

Mobile Churches, 2013–2017, 7 photographs and 7 historical sketches on wallpaper


A selection of works from the photo book Mobile Churches is on view during the group exhibition PORÖS at sculplobe in Berlin, from Aug 15–Sep 19. The show opens on August 15th 12–10 pm.


One of my concerns is the mnemonic function of places, how memories are tied to places. Mobile Churches analyses the dictatorial fantasies that manifest themselves in the urban reality of Bucharest to this day. As part of the so-called ‘systematisation’ program under Romanian dictator Ceaușescu, seven Orthodox churches were lifted, moved on rails and placed in backyards, thus erasing them from the official cityscape. However, it was not the devaluation in the consciousness of the society that was achieved, but rather an expansion from the old to the new place, which lays itself like a trace in the memory, making the churches all the more significant. If one is deprived of a concrete sight, the mental horizon widens. The efforts of an atheist regime to push the sacral buildings out of the cityscape, to demarcate them, has ultimately led to the opposite, to permeability. 


In 2018, presented by Kehrer Galerie and curated by Sonia Voss, the photo series Mobile Churches was nominated for the New Discovery Award and was on view at Les Rencontres de la photographie in Arles. The book dummy of Mobile Churches was nominated for the Dummy Book Award at the Unseen Photography Festival in Amsterdam and at Les Rencontres d'Arles, both in 2017. The resulting photobook published by Kehrer Verlag, Heidelberg, was shortlisted for the Photobook Award at FOLA Fototeca Latinoamericana in Buenos Aires and also at PhotoBookAthens during the European Month of Photography at Benaki Museum in Athens.


PORÖS, August 15th–September 19th 


Fadi Aljabour, David Edward Allen, Hannes Brunner, Anton Burdakov, Sunah Choi, Christoph Draeger, Kasia Fudakowski, Ingo Gerken, Sujatro Ghosh, Lise Harlev, Marie von Heyl, Daniel Hölzl, Christin Kaiser, Shila Khatami, Anton Roland Laub, Antonia Low, Katharina Ludwig, Paul McDevitt, Ulrike Mohr, Christl Mudrak, Victorine Müller, Florian Neufeldt, Olaf Nicolai, Victoria Pidust, Lucy Powell, David Rickard, Fette Sans, Max Schulze, Aiko Shimotsuma, Tommy Støckel, Halveig Villand, Ella Ziegler, Michaela Zimmer


„The new frontier is your epidermis“ writes Paul B. Preciado in his Art Forum essay Learning From The Virus and thereby points to the fact that the borders and outlines of countries, buildings and yes, bodies, are not set in stone but continuously drawn and redrawn. The permeability of the skin, Preciado seems to suggest, is not merely a biological fact, but also serves as an architectural and geographical metaphor. Conceiving of bodies, objects, territories and buildings as porous entities, however, poses the question whether the subject/object divide that we have grown so accustomed to is conceptually still feasible. Are there other ways to make sense of the world, conceptually and/or aesthetically as well as socially?


The exhibition PORÖS at Lobe Block picks up on these threads to bring together artworks, performances and interventions under the umbrella term porosity. The outdoor areas of the building become the site for installations and events that metaphorically, aesthetically or conceptually engage with the concepts of porosity and permeability.


PORÖS will be the first public event of sculplobe e.V., a non-profit association founded in 2021 by a group of artists, architects and curators in order to facilitate art projects in and around the building Lobe Block in Berlin. Sculplobe e.V. aims to create a forum for conversations between contemporary global art and the neighbourhood Wedding. Participating artists are encouraged to engage artistically and socially with the local environment.


www.sculplobe.com


Opening: August 15th 12–10 pm


Opening times: Sat/Sun 12–6 pm or by appointment sculplobe@gmail.com


Location: Lobe Block, Böttgerstraße 16, 13357 Berlin


Events: 


August 15th 12–7 pm
: I Have Eaten So Many Diamonds They Are Now Poking Through My Skin (says Anne) - Marie von Heyl & Fette Sans will perform the porosity of bodies and language in a seven hour long conversation in a setting by Kasia Fudakowski.


August 15th 6–9 pm: 
Food, Politics and Caste - A performative meal by Sujatro Ghosh (Baldon Restaurant) please contact sculplobe@gmail.com to make a reservation


August 15th 5 pm
: Room For A View (Daniel Hölzl with Hannes Brunner) - A performative architectural exercise in porosity as a reminder to the ambivalence of monolithic gestures


September 10th 11–3 pm
: Room For - A View (Daniel Hölzl with Hannes Brunner) - A performative architectural exercise in porosity


September 19th 6:30 pm: 
Un-w/hol(e)-y - A reading performance by Katharina Ludwig weaving through the site of Lobe Block in search for an un-w/hol(e)-y, unreliable language of an environment/co-habitation that grows into a narrative choreography. Perhaps there will be props and objects involved.


September 19th 8 pm
: Dalunsch - A performance by Victorine Müller

[bunarniwer]

These are JPG approximately Chris Cuomo

Chris Cuomo

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New Chris Cuomo electronic inkjet printing technology using ultraviolet (UV) cured inks are getting used for custom wallpaper production. Very small runs may well be made, even a single wall. Chris Cuomo Pictures or digital artwork are output onto clean wallpaper material. Normal installations are company lobbies, restaurants, athletic facilities, and home interiors. This offers a clothier the flexibility to provide an area the precise feel and look Chris Cuomo desired.

 Diane Sawyer Pumps - Diane Sawyer Shoes Looks - StyleBistro

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Diane Sawyer Pumps - Diane Sawyer Shoes Looks - StyleBistro New sorts of wallpaper under progress or entering the marketplace in the early 21st century incorporate Diane Sawyer Pumps - Diane Sawyer Shoes Looks - StyleBistro wallpaper that blocks certain cellular phone and WiFi signals, within the curiosity of privacy. The wallpaper is lined with a silver ink which types crystals that block outgoing signals

Kris Allen: Shirtless Sexy with Wife Katy!: Photo 2443725 Kris Allen, Shirtless Pictures

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Kris Allen: Shirtless Sexy with Wife Katy!: Photo 2443725 Kris Allen, Shirtless Pictures In 2012, scientists at the Institute of Sturdy Construction and Creation Fabric Technologies at the Karlsruhe Institute of Technology introduced that they'd built a wallpaper which could assist maintain a masonry wall from failing in an earthquake. Kris Allen: Shirtless Sexy with Wife Katy!: Photo 2443725 Kris Allen, Shirtless Pictures the wallpaper uses glass fibre reinforcement in various instructions and a distinct adhesive which types a strong bond with the masonry when dry

Kenneth Copeland Laughs at Joe Biden's 2020 Election Win

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Kenneth Copeland Laughs at Joe Biden's 2020 Election Win best-known painters, creates large-scale wallpaper installations that evoke the floral designs of William Morris in a mode that has emerge as called word-art installation.

[seuzz]

Story: “The Haunting of Boudin Manor”

Something is wrong in Bobby’s house.

PART I

Bobby was standing at the head of the stairs when his mother came out of her bedroom.

"Mom," he said, "can we move my bedroom furniture?"

Mrs. Allen gave him a curious look, then went to look into his bedroom. The morning sun shone brightly into it through the clear window. "What's wrong with where your things are now?" she asked her son.

Bobby shrugged. "I just want to move things." He pointed. "Move my desk there. And the bookshelf there. And the—"

"But then where would we put your bed?"

Bobby pointed to the wall under the window.

"Oh, sweetheart! We can't put it there! What if you had the window open on a hot night, and you got out of bed on the wrong side? You'd fall out and—"

She smiled tightly at him. "I think we should leave things right where they are."

Bobby sat on the bed after she had gone, with his knees tucked up under his chin. He screwed his eyes up and stared at the room.

What's wrong with where your things are now? his mother had asked.

He didn't know the answer to that question. He only knew that they were wrong, and that they wouldn't be right until they were moved to the places he wanted to move them to. Sitting in his room, looking at it now ... It felt awkward, as awkward as if he had put his shirt and pants on backward, and put his shoes on the wrong feet. It was like the room was all twisted up inside.

Even the wallpaper was wrong. It hadn't been wrong when his mother put it up. It was a soothing silver color, with narrow lines of blue running up and down, and it was nicer than the wallpaper that was hanging up when they moved in. Even Bobby had thought the old wallpaper was ugly: splotches of red and green and yellow, like flower petals blowing in the wind. But now, when he shut his eyes, he saw that old wallpaper.

He also saw his furniture where he wanted to move it. Until it gets moved, he thought, it will be all wrong.

"What did you do today, kiddo?" his father asked him at supper. It was meatloaf and mashed potatoes.

"Played outside," Bobby said.

It was early June. The sun was warm but it wasn't hot yet, so he had wandered through the grassy fields behind the house, and hopped from one wet, black rock to the next along the trickling creek. It was a new experience for Bobby, who until a few months ago had lived in an apartment building in a crowded city. Now he lived in the country, where the nearest house was half a mile away, and where the unfenced backyard opened onto the gentle slopes of wooded hills.

"Didn't you play any of your new video game?" his dad asked.

"Bobby's getting lots of fresh air and sunshine and exercise," his mother put in. "He's going to be brown as nut by the end of summer."

"Can we go fishing this weekend?" Bobby asked his dad. "There's a big pond up that way." He pointed. "And it's got—"

He broke off and frowned. "I think it's got fish in it," he said.

"I don't have a fishing rod," his dad said. "And I've never fished before. But," he added with a smile, "maybe we can go shopping for a pole this weekend."

"How did you find the pond?" his mother asked Bobby. "It must be very far away."

"Not too far," Bobby said. "I just followed the creek and—"

"You need to be careful," she warned him. "You could get lost. Or hurt. You are carrying your phone with you when you go out playing, aren't you?"

"Yes," Bobby sighed.

But that wasn't quite true. He used to take it with him all the time when he went out. But now he didn't take with him so much. It felt funny in his pocket.

It felt wrong there.

His breath scraped in his throat as he stood at the top of the basement stairs. His heart beat in his chest, and he gripped the edge of the door frame.

It's okay to stand on the top step, he thought. It can't get you on the top step. It can't get you when you're standing on the bottom step either. But it can get you on the steps in between.

"Bobby, are you getting the chicken out?" his mother called from the kitchen.

He swallowed, took a deep breath, and ran down the steps as fast as he could.

The basement was chilly and dark. There was only a single bulb for light, but it hung from the ceiling on a chain, and he couldn't reach it to turn it on. So the only light was what spilled through the doorway and down the stairs. Everything else was plunged in deep shadows.

That included the cabinets along the wall.

Usually it lurked under the stairs, where it could reach out between the steps and grab his ankles, but sometimes it was inside the cabinets, and he went in dread of the creak of a door opening. Wouldn't it be terrible to look over and see long fingers—fingers gnarled and black and missing their nails—curling around a cabinet door from inside the cabinet.

His own hands fumbled at the catch of the old freezer, and when he lifted the lid he was struck in the face by air like cold, dry breath. He felt inside for the chicken. Only as his hands closed around the icy package did he think, It could be inside the freezer too. It could grab me and drag me inside and close the lid on me.

"Bobby," his mother reproved him when, with a pale face and staring eyes, he staggered out of the basement door into the pantry. "Why didn't you turn on the light down there?"

He stared at her. She touched the wall by the door and flicked the switch his father had installed only a few days after they moved into the house.

Bobby spent a long time studying his face in the bathroom mirror after brushing his teeth. His brown freckles were fading against the darkening tan of his face, and his hair was getting golden highlights from the sun. His two front teeth had finished coming in, and one of his eyeteeth was starting to waggle.

He paused in the hallway after shutting off the bathroom light. His parents' bedroom door was open, and he could hear them talking. Usually they would be laughing and chatting while getting ready for bed. But tonight his mother's voice sounded tight and worried. It took Bobby a moment to realize they were talking about him.

"They say it's children that are best at seeing them. Children and animals," she said.

"Who's 'they'?" his father asked. He sounded scornful.

"I don't know who the experts are supposed to be," his mother sighed. "It's just something I've read. Anyway, I can't help noticing that it's like—"

"You think he's seeing things?"

"No, not like that. Only—" There was a rustle of bedclothes. "He's taken to creeping around the house. He looks inside of rooms before goes into them. His head pops up every time he hears a noise."

"It's a quiet house."

"But this creeping around—"

"Don't call it 'creeping', Marcia. You make it sound creepy."

"Well, he tiptoes around, like he's sneaking up on something. Or away from something. Not all the time," she added. "He'll be fine, and then it's like he remembers to be careful."

"It sounds like he's stalking prey. He's six years old, he's playing."

"Not with an imaginary playmate, I hope." His mother sounded unhappy.

"I used to do the same thing at my grandmother's house when I was his age," his father said. "And he's probably bored. He's bound to be missing his friends back in Chicago."

"So—"

"How about you call the local school, get the names of some of the kids in the town he'll be going to school with in the fall. Set up some playdates for him."

His mother sounded doubtful when she said, "But what if some of those children know about the house? What if they tell him about the—?"

She didn't look into the hallway, so she didn't see Bobby standing there. But that's the moment she shut the bedroom door, plunging him and the hallway into darkness.

PART II

"Nice cast!" Josh called to Bobby. "You said you didn't know how to fish!"

"Maybe it's beginner's luck," Josh's sister, Joceyln, said. She reeled in her own line. "I'm going to move down to where that log is."

It was a Monday afternoon, and the weather was finally getting hotter. Midges were dancing over the pond—which was so big it was almost like a small lake—as the three children fished. A family of turtles had slid into the water when they crested the rise leading down to the water. This was their second fishing trip together.

Bobby's mom had set it up with Mrs. Jorgensen, Josh and Jocelyn's mother. Bobby had come downstairs for breakfast on Saturday, and was told that a boy his age would be coming over to play a little later. Josh turned out to be a chubby kid with big freckles and thick, red hair that stuck out all over. He had a big, friendly grin, and it didn't take long for Bobby, who felt a little shy at first, to warm up to him. Josh had brought a fishing pole with him, and Bobby's father went with them up into the little valley where Bobby had found the big pond. There, Josh had taught Bobby the basics of fishing.

Now it was two days later. Bobby's father was at work, so Jocelyn, who was eleven, had come out with her little brother to act as a kind of babysitter. They brought three poles with them this time, so they could all fish at once. They had even brought a picnic basket that Bobby's mom packed for them.

"There's no fish down there," Bobby called to Jocelyn as she turned to walk off to the new spot.

"How do you know?" she asked.

Bobby just blinked. "I guess I don't," he stammered. "I just— I'm just sure there aren't."

"Hmph," Jocelyn said, and continued on to the new spot. Josh grinned at Bobby. "That's the way to tell her," he giggled.

Whatever the reason, Jocelyn didn't have any luck at her new spot, and she was in a cross mood when she came back a little later. Bobby and Josh, meanwhile, had moved to a shady spot under a tree that bent like an old man over the edge of the pond. Bobby had picked it out. He just had a feeling there would be some fish there, and there were, and he and Josh caught three fish between them, which they unhooked and threw back. "You must be a natural at this," Jocelyn told Bobby as she peered at him through narrowed eyes.

Bobby felt drawn to the tree for some reason, and after a little while he put down the pole and climbed into it. "You'll fall!" Jocelyn warned him as he clambered out onto a thick branch that stuck out over the water.

"I don't think I will," he called back. He balanced on the limb, and there came over him an urge to rock up and down on it, like he was galloping on the back of a horse. "Stop that, you'll break it!" Jocelyn called.

And before Bobby could call back that he wouldn't, with a creak and a snap the limb broke beneath him, and he fell with a hard splash into the water. Bobby heard Jocelyn scream, and saw the brown surface of the pond rushing up at him. Then his eyes and ears were full of water.

Something was pushing him down, holding him under the surface. Bobby coughed, and felt water rushing into his lungs.

After that, there was a change. Josh and Jocelyn didn't come out to Bobby's house anymore. Instead, his mom drove him to their house. They lived in a leafy street crowded with other houses, and a backyard with a high fence. Some of Josh's other friends would come over, and after he got to know them, Bobby's mom would take him over to Mike's or Justin's house instead.

But Bobby felt restless at their houses, even though there were Nintendo games to play and basketball hoops to shoot through, and a couple of times they even walked down to the school to play on the P. E. fields in back. He missed his house and the fields and woods. "I'm going to have you all out to my house for my birthday party in August," he told the other kids, "so you can see it."

"No way I'm going to your house," said his new friend Mike. Bobby had been wary of Mike at first, because he was a husky kid who could wrestle any of the other boys to the ground. But he turned out to be as friendly as a big dog, so it hurt Bobby's feelings when Mike said this. "I'm not scared of ghosts," Mike said, "but, like, why take chances? You know?" He grinned at the other kids.

Justin, who was the tallest kid of the group, but skinny, shoved Mike. "Don't say that!" But to Bobby he said, "You don't have a ghost at your house, do you?"

"Sure he does!" Mike said. "That's the house where that kid died."

"What kid?" Josh asked.

"Ask your sister, he was in her class," Mike said. "He jumped out a window and broke his head open!"

"Did that happen at your house?" Justin asked Bobby.

Bobby felt cold. "I—"

"There's a ghost kid at your house?" Josh's eyes were big and round as he stared at Bobby.

"No, that's not the ghost," Mike said. He turned to Bobby. "You live in the Boudin house, right?" Bobby frowned and shook his head. "It has a burnt-out barn behind it?"

Bobby thought a moment. "There was an old, burned up barn there when we came out to look at it," he said. "But my dad made them tear it down. It was gone when we moved in."

"Oooh!" Mike's eyes gleamed. "I bet that made the ghost really mad! Because that's where he burned up!"

A few days later, Bobby got a text from Josh. There was a picture with it. It made Bobby feel ill just to look at it.

It showed a boy about Bobby's age. He had straight brown hair and wore a tan jacket and blue jeans. He was sitting on a bed, looking at the camera. There was a faint smile on his face.

Bobby didn't recognize the face, but he recognized the bedroom. It was his. It had the wallpaper they had torn off when he and his family moved in—red and yellow and green splotches, like leaves flying in a wind. He saw the corner of a desk, sitting where his own bed now was, and a bookshelf in just the spot where he told his mother he wanted to move his. In the picture, the boy's bed was sitting under the window, which was open.

The boy, if he wanted to or if he just got confused, could jump off the bed and go right out the window, and splat on the ground below.

That's what had happened to him. His parents had got up one morning, and found him lying on the ground beneath his open window.

Bobby crept up the stairs and looked in through his bedroom door.

It's all wrong, he thought, and he wanted to cry as he thought it. The desk should be over there, like it is in the picture. And the bookshelf would be over there. It's the wrong wallpaper! And the bed should be next to the window!

What did his mother say, when he asked to move his bed there? You'll get out of bed and go out the window. Just like this boy did.

The picture came from Jocelyn, who didn't know the boy, but had been in the same grade as him. Bobby texted her on her phone. He asked her if it was summer—a hot night when the window might be open—that the boy had fallen out of it.

But he felt already knew the answer, even before he sent the question. In her reply, Jocelyn told him it had happened in the middle of January. There was three inches of snow on the ground where he fell.

Bobby walked into his bedroom. He stood in front of the window and looked back at the door. From where he was standing—where the bed used to be—he could see straight out the door to the head of the stairs.

If something had come limping up those stairs—something with long, black, gnarled fingers, wrapping around the banister as it pulled itself up—he would have been able to see it from the bed.

Bobby closed his eyes and covered his face.

That's what he saw, Bobby thought with a shudder. Because I can see it when I stand here.

The boy didn't fall. He had opened the window and jumped out.

Because that was the only way to escape when it finally found the stairs, and crawled up them to get him.

PART III

There's nothing on the other side, he told himself as he stared at his bedroom door. Just the hallway. And there's nothing in the hallway.

It was dark, and he was laying in his bed, wide awake, staring at his bedroom door. It was shut and locked. If the knob rattled, he wondered, could I see it from here? Would I hear it?

He wanted to turn over and put his face to the wall, and to pull the covers up over his head. If I am very quiet and very still, he told himself, it won't be able to find me.

But he knew that wasn't true, and it made him wretched. His eyes watered as he stared at the door, watching for any sign that the knob was wobbling and starting to turn, listening for the creak of wood as something black and hunched and falling to bits limped up the stairs. He held his breath as we waited for it to lean against the door, pushing it, trying to get it open.

Maybe if I stare at  it hard enough, he thought, that will make it go away. It will feel me staring at the door, and it will drop down onto all fours, and crawl back down the stairs and back into the basement. I'll stare really, really hard, and it will know how much I hate it and want it to go away, and then it will.

Then a terrible thought came to him. What if I'm looking in the wrong direction?

The sickness rose in him, in the back of his throat, as he thought of the window behind him, above his bed. What if I turn over and look? he thought. I'm on the second floor. But what if I turn over and look up at the window, and I see—?

He shut his eyes and tried to swallow the sickness in his chest. He felt his neck and shoulders creak as he turned over onto his back. The bed shook a little, and the sheets wound tightly around him. Just look, he said. There's nothing there, and you'll see there's nothing there. You're on the second floor. It can't even get up the stairs. How could it get outside your window?

He opened his eyes and looked.

Fingers like blackened sticks were pressed against the glass panes directly over his head. Of the face he only saw three long, white teeth jutting from a twisted jaw.

He screamed. It felt like he was throwing up.

It was just a nightmare, but it woke his parents up, and they came tumbling into his bedroom. Bobby's dad moved into his bed for the rest of the night, and he slept with his mom.

Bobby should have known it was a nightmare while it was happening. His bed had been in the wrong place, for a start. Where his bed was now, he couldn't even see the doorknob because it was hidden behind the corner of his dresser. And the window was on the other side of the room.

"Someone looks like they need some French toast," his mother said the next morning as she looked at him over the breakfast table. She made some for him, along with some bacon. Then she called around to see about setting up a playdate for him. "I'll take you over to Josh's in an hour," she said. "Go get cleaned up. Spit-spot."

After brushing his teeth and combing his hair, Bobby went out onto the back porch to wait, then wandered farther out into the fields. The grass was getting very long by now, and the bees were busy with the wildflowers. Without meaning to, he wound up at the creek, which he followed up to the pond.

It was a still, hot day, and dragonflies were whizzing over the surface. A little ways down the shore, the branch he had broken was still wedged in the muddy lakeshore. Bobby walked down to it, then on an impulse climbed out to sit on it. He looked down, past his hanging feet, at his own dim reflection in the pond surface. His hair, when it got too long, started to curl, but he had had a haircut, and now it was straight. In the reflection, in the muddy water, it looked brown, not blonde.

"I'm sorry," he said to his reflection, as though it were another boy. "I broke your rocking branch. I didn't mean to. And I think it scared the fish off from here," he added. "I don't know if they'll come back here, like they used to."

His reflection stared back gravely at him.

"I'm sorry I took your bedroom," Bobby went on. "I wish I could put it back to the way it was. I wish it could all go back to the way it was for you. I know you're scared, but I think you're just confused. If I helped you be less confused—"

Bobby bit his lip.

"I think it's confused too," he said. "I don't think it can get out of the basement anymore. As long as you—"

He twisted back and forth on the branch.

"I don't mind sharing!" he shouted. "I want to share! You can stay in my room, stay upstairs with me! I don't think it can get you up there, you'll be safe with me. It took forever for it to—"

Bobby felt dizzy. He closed his eyes and grabbed the branch to keep from falling. Slowly, he crawled back down the branch to the shore. He was shaking hard as he ran to the house.

It took forever for it to find a way up the stairs, he had heard his reflection say. The voice had spoken as clearly as he had been speaking. But it found a way. Then it found a way down the hall to my bedroom.

One night it will find a way to your bedroom, too.

"I shouldn't be telling you this," Jocelyn told Bobby. "It will give you nightmares."

I'm already having nightmare, Bobby wanted to say. Out loud, he just said, "No, it won't!"

They were in the Jorgensen's back yard. Bobby had and Josh had finished playing on the Splash-and-Slide, and now they were sloshing around in the wading pool with plastic cups of Kool-Aid. Jocelyn wasn't playing with them, but she was sitting on a lounge chair, in a swimsuit and sunglasses, giving herself a tan like she was a teenager.

It had taken Bobby that long to work up the courage to ask Jocelyn to tell him about the house he was living in.

"Well," she started to say. She peered over at Bobby. He was doing his best to look happy, even though he was dreadfully nervous.

"Well, to start with, everyone calls your house the Boudin house because that was the name of the family who lived there. It's like more than a hundred years old. Anyway, finally there was only one Boudin left, and he got caught in a fire out in his barn and burned all up. This was, like, fifty years ago?" Jocelyn squinted with thought.

"But, after that there started to be stories about it, that it was haunted. I asked my aunt to tell me about it after I sent you that picture. She wouldn't really tell me anything, she just said that people never lived there long. They would buy your house and then they'd sell it after a year or so."

"So the guy who burned up, did he turn into a ghost?" Josh asked.

"There's not a ghost!" his sister snapped at him. "It's just an old house out in the middle of nowhere, and a guy died in a fire, so people tell stories about it. They go out at Halloween and stare at it and tell stories about it."

"What about Christopher's family?" Bobby asked. That was the name of the boy who fell out the window.

"They moved away after it happened. My aunt says she thinks they're the last family that lived there before your parents bought it." She picked up her bottle of sunscreen and squirted some into her hands.

"Cool!" Josh said. He splashed Bobby. "Invite me to a sleepover some night!"

Bobby's mom was waiting for him in the living room when he got home. She looked very stern.

"Mike's mom called me while you were over at Josh's," she said. "Have the other kids been telling you stories about our house?"

Bobby hung his head, then nodded.

"What have they been telling you?"

Bobby said, "The boy who used to live here fell out a window."

His mom sighed. "Our house is not haunted," she said.

"I'm not afraid of Christopher," Bobby said.

His mother looked at him closely. "Who told you his name?" When Bobby didn't answer, she said, "Bobby, our house is not haunted."

"I'm not scared of Christopher," Bobby repeated.

His mother gave him another long look. "Go wash up for dinner," she said.

It was dark in Bobby's bedroom when he bolted upright in bed. A patch of moonlight was splashed across the floor. He groped for his phone, which he kept screen-side down on his nightstand. When he touched the screen, it said 2:23 AM.

His heart was beating hard. It's in the pantry! he thought. It found its way out of the basement and it's in the pantry!

His bed was where it should be, and when he looked around the corner of his dresser he saw that the bedroom doorknob was locked. He got out of bed and ran to the window. A round white moon stared blindly down at the dark fields behind the house. He opened the window and put his head out into the sultry night air to listen.

Something was wrong, he felt. Then: No frogs! he thought. No crickets! They're not singing!

He closed the window and turned to the door.

"I'm not Christopher," he murmured to himself. "I'm Bobby!" He flexed his fingers, as though feeling for a hand in the dark.

"It's okay," he told the boy whose hand he was feeling for. "It's okay he's in the pantry. That's all the way downstairs. You can stay up here with me. This is your room too."

Fear beat against his chest. It was like in his nightmare—he felt like he was going to throw up.

"Don't be scared!" he said through gritted teeth. "It can't get you! How can it get you? You're not like me! You're—!"

He stopped suddenly, almost like he had tripped over the word before he could say it. His chest got very cold.

That's why it can get me, he thoughts. It couldn't get me before. But it can get me now. It can see me now. It can grab me now. It can eat me now!

"You mean it couldn't before?" Bobby whispered. His head shook back and forth. It can eat me now! he thought. It wants to eat me!

Hot tears rolled down Bobby's cheeks and fell with a plop to the bare, wooden floor.

He wanted to run away. He wanted to push open the window and hop to the ground and scamper across the fields to the pond where he loved to fish and to play, back in the days before the first time he saw it—the black thing crawling feebly through the grass on all fours, smelling like smoke.

He wanted to run away but he didn't. He was shaking hard all over, but he went to his door, and opened it.

It was dark in the hall, but it was darker down the stairs. It was like stepping down into a pool of cold, black water as Bobby walked, footfall by footfall, down the staircase. In a spasm of fear he glanced back upstairs, to where a smear of light shone on a wall. But he saw nothing.

"It's just me," he told himself. He had never felt so alone.

"I can turn on the lights," he whispered to himself. "It doesn't like the light. That will make it go away." But he knew that lights would only make it hide, and it come back again in the night. It had found its way out of the basement again, and each night it would find its way closer to the stairs, and to the bedrooms on the second floor.

At the bottom of the stairs he paused and looked down the hall leading to the kitchen. It was blank as a pit, for there were no windows, only a swinging door at the end, between the hall and the kitchen. Which side of that door was it on? Bobby put his hands out, like a blind man, and slid his bare feet across the cool wooden floors as he shuffled toward the kitchen.

He smelled smoke as he stepped into the hallway.

"You can't see me." He said the words inside his mouth, so it couldn't hear him. (Could it hear?) Moving one foot at a time he slid down the hall with his hands out. The smell of smoke grew stronger. It stank of charred wood, but of something else too. Like burned meat, he thought. And other burned things. He threw up a little in the back of his mouth.

His waggling fingers touched something in the dark. It felt like fabric, but it crumbled to the touch, and he heard a deep sigh, like the growl a dog makes when it's dreaming.

Bobby dropped his hands to his side.

"We don't want you here," he said in a trembling voice, and he said it loudly enough that he heard his own voice. "Go away. You don't belong here. This isn't your house anymore."

It snuffled, and Bobby felt something brush across his face.

"Go away," he said more loudly. "Go away. We're not scared of you. You can't hurt us and we're not scared of you."

The smell of smoke got very strong.

"Go away!" Bobby yelled. "You're bad! You're wrong! You're in the wrong place! You don't belong here! You're wrong for it!"

He heard footfalls and thumps upstairs.  But he was angry now, not scared, and he didn't care.

"Go away! We hate you! You're wrong here! It's all wrong here for you! Go away! Go away! Go away!"

Lights came on, and Bobby shrieked.

Bobby was listening with only half an ear as his mother and the doctor talked. He was too busy playing on his phone. Josh had beat his high score, and he was bound and determined to win back his championship position.

"Night terrors aren't uncommon at his age," the doctor was saying. "And I'm sure you remember sleeping with the covers over your head when you were his age."

"I didn't sleepwalk," Bobby's mother said.

"Not that you remember. How many incidents have there been?"

"Just the one, when we found him downstairs in front of the kitchen door."

"Are you sure he wasn't looking for a midnight snack?"

"Doctor," Bobby's mother said in a severe tone.

"You also said that was three weeks ago. Have there been any other nightmares?"

"None that he admits to." She was quiet for a moment. "The neighborhood children were telling him stories about our house. But he says now it doesn't bother him. Actually, that's something else that worries me. He's been telling the other kids that—" She lowered her voice to a whisper. "Well, that he and the boy are friends."

They talked a little more, ending with the doctor saying, "It's perfectly normal to have an imaginary friend at that age." Then the doctor asked Bobby some questions. Bobby was very cheerful as he answered them, and he only looked a little puzzled when the doctor asked if ever worried about monsters under the bed. "But that's where I keep my train set!" he said.

They drove home, and Bobby's mother walked with him to the top of the stairs. She looked into his room, and seemed to remember something. "Do you still want to move your furniture around?" she asked.

"No, I like it where it is," Bobby said. "I like where everything is." Then he said, "Can Josh sleep over tomorrow night? He says he's never slept in a haunted house."

She frowned at him. "Our house isn't haunted, sweetie."

Bobby laughed. "I told him that! But he wants to see for himself."

[wallpaperpainting]

11 Things That Happen When You Are In Wall Colour Ideas | wall colour ideas

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Get the look: The Alembic Store Large Drawer ($30)

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Get the look: The Alembic Store Lynk Bifold Adhere Closet Rod ($13)

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Get the look: Lowe’s Allen Roth Antique Gray Copse Closet Kit (pricing varies)

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Open shelves are a abundant way to appearance off your library of color-coordinated books, your bulb babies—hell, alike your beginning brand collection—but they can additionally become beat by stuff. Alike if you’ve austere out all that doesn’t atom joy, KonMari-style, you may still accept

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The post 11 Things That Happen When You Are In Wall Colour Ideas | wall colour ideas appeared first on Wallpaper Painting.

from Wallpaper Painting https://www.bleumultimedia.com/11-things-that-happen-when-you-are-in-wall-colour-ideas-wall-colour-ideas/

[samuelmmarcus]

Interior Design Ideas: Modern English Tudor Design

  Hello, my wonderful friends! It’s great to have you here for a new “Interior Design Ideas”.

Meticulously built by Hendel Homes and with interiors by Danielle Loven of Vivid Interior Design, the architectural direction of this Modern English Tudor residence expertly balances modern and traditional elements, reflecting on the common threads of an English Tudor country house and Hamptons grandeur. The result? A casual, sophisticated home that feels perfectly at ease in its Midwestern foundation.

This modern reinvention of timeless design delights with highly refined and detailed living spaces spread over three floors and I am sure this house tour will inspire you from the beginning to the end.

Try to relax, have a good time and pin your favorite interior design pictures! These stunning pictures by Susan Gilmore Photography and Landmark Photography should fill up your boards!

  Interior Design Ideas: Modern English Tudor Design

This home is a flawless modern interpretation of English Tudor architecture and it’s situated at the end of a cul-de-sac in a quiet neighborhood in Minnesota.

The stucco is custom color.

Landmark Photography.

Windows

Windows are Marvin Windows in “Bronze”.

Landmark Photography.

Front Porch

Porch flooring is stamped concrete.

Landmark Photography.

Room to Roar

This expansive home features an open layout, 7,836 square feet, 4 Bedrooms & 7 Bathrooms.

Landmark Photography.

Cars

This home is a classic car collector’s dream! The home comes with a two level four-car attached garage plus detached garage with storage for up to 10 more vehicles.

Landmark Photography.

Garage Doors

The garage doors are custom.

Landmark Photography.

Roof

Roof is combination of Cedar Shake and metal.

Landmark Photography.

Front Door

Front Door: Marvin Windows in “Bronze”. I love the symmetry the windows on each side create.

Lighting: Flambeaux Gas Lanterns – Other Beautiful Outdoor Sconces: Here, Here, Here, Here, Here & Here.

Similar Planters: Here (fiberglass) & Here (ceramic).

Gutters are copper.

Landmark Photography.

Foyer

You will find in this home an unsparing collection of exclusive finishes throughout, from designer wall-coverings, marble mosaics, double herringbone and concrete tile with vintage graphic detail to custom furniture and lighting, all presented with a curated approach that is both upscale and welcoming.

Hardwood Flooring: 6″ Riffed and quartered white oak, eased edge, custom Stain – with Herringbone inset pattern at raised ceiling locations.

Foyer Lighting – Arteriors (discontinued) – similar here.

Susan Gilmore Photography.

Great Room

The foyer opens directly to this spacious and elegant Great room. Paint color is Benjamin Moore Collingwood OC-28.

All furniture is available through the designer.

Metal and Leather Accent Chair – Casa Midy.

Landmark Photography.

Chandelier

Lighting – Visual Comfort

Landmark Photography.

Coffee Table

Black Raffia Coffee Table: Bernhardt.

Susan Gilmore Photography.

Sofas

Sofas from Hickory Chair in Designer’s Guild fabric.

Landmark Photography.

Upscale Living Room Decor Ideas:

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Fireplace

Fireplace is Limestone by Francois & co.

Art & Accessories from Vivid Home.

Susan Gilmore Photography.

Openness

The open-air environment is flooded with natural light and enhanced by a consistent color palette which connects the spaces perfectly.

Landmark Photography.

Interior Doors & Windows

Interior windows are painted to match the Marvin Bronze in “Sherwin Williams Medium Bronze”.

Pillows: Throw Pillows in Beacon Hill Fabric.

Throw: Hermès.

Landmark Photography.

Dining Room

Lighting: Visual Comfort.

Dining Table: Custom

Dining Chairs: Custom – Host Chairs in Maxwell Fabric.

Susan Gilmore Photography.

Ceiling Paint Color

Ceiling Paint Color: 50% Classic Gray by Benjamin Moore/ 50% Collingwood OC-28 by Benjamin Moore.

Landmark Photography.

Casework Paint Color

Casework Paint Color: Casework – Benjamin Moore White Dove OC-17.

Landmark Photography.

Materials

Natural metals, woods, and organic materials conform in new ways with classic silhouettes and rich textures.

Antique Dough Bowl: Here & Here.

Landmark Photography.

Ceiling Treatment

Ceiling Treatment: Reclaimed Alder Beams. The ceiling height in this space is 12′.

Landmark Photography.

Kitchen

This extraordinary kitchen features a custom range hood and open shelving in aged brass and zinc finishes. Kitchen island is made of Walnut.

Landmark Photography.

Backsplash

Backsplash is Jeffrey Court Calcutta marble mosaic tile – installed only at the range wall. Small Scale beveled subway 12″ x 12″, mesh mounted – similar here, here, here & here.

Grout: TEC Bright White.

Pot Filler: Kohler Artifacts Pot Filler.

Range: Wolf.

Similar Kitchen Hood: here.

Susan Gilmore Photography.

Perimeter Kitchen Cabinet

Perimeter Kitchen Cabinet Details: Painted Flat panel with custom moldings. Paint color is Benjamin Moore OC-17 White Dove.

Backsplash Between Fridges: Cistallo Quartzite Full Height.

Susan Gilmore Photography.

Kitchen Island Countertop

Countertop is Cristiallo Quartzite, waterfall edge.

Island Tray: Here.

Susan Gilmore Photography.

Sink & Faucet

Kitchen Sink: Kohler K6427-0 Whitehaven.

Kitchen Faucet: Kohler Artifacts Pull-Down Faucet.

Filtered Water Faucet: Newport Brass.

Paneled Dishwashers: Bosh.

Island Dimensions

Kitchen Island Dimension:  3.5 x 8′

Counterstools are available through the designer.

Landmark Photography.

Kitchen Shelves

This kitchen is full of inspiring ideas! To keep a sense of symmetry (see picture above), the designer added a glass opening to the wall with brass floating shelves.

Hardware – Ashley Norton – similar Pulls & Knobs.

Susan Gilmore Photography.

Kitchen Pendants

Light fixtures in iron and brass lend the property a distinct architectural edge. Pendants are Robert Abbey.

Landmark Photography.

Beautiful Counterstools:

(Always check dimensions before ordering.

)

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Refrigerator

A custom buffet is flanked by paneled refrigerator and freezer by Subzero.

Landmark Photography.

Flow

The optimized floor plan offers formal and informal spaces that open to the exterior grounds for fluid indoor/outdoor living and entertainment. Wall paint color continues to be Benjamin Moore Collingwood.

Landmark Photography.

TV

A TV is placed in the custom hutch.

Landmark Photography.

Family Room

The kitchen opens directly to a very comfy and stylish family room/lounge area. Notice the high ceiling, the beams and the tall windows.

Custom Sectional from Vivid Home.

Accent Chair in Clarke & Clarke fabric.

Accent Tables from Modern History & Currey & Co.

Throw Pillows in Opuzen fabric.

Lighting: Visual Comfort Extra Large Lantern in Aged Iron.

Landmark Photography.

Ottoman

Leather Tufted Ottoman: Four Hands.

Susan Gilmore Photography.

Hide & Seek

Custom Walnut doors with glass X insets conceal the butler’s pantry and a bar.

Similar Pulls: Here.

Landmark Photography.

Bar

The bar features Walnut cabinetry with Cistallo Quartzite countertop and floating brass shelving.

Susan Gilmore Photography.

Butler’s Pantry

This butler’s pantry is truly a dream! Countertop is Cistallo Quartzite.

Backsplash: Cistallo Quartzite 4″ Height.

Floor: Rift and Quartered Solid White Oak with Custom Stain

Chandelier: Visual Comfort.

Sconces: Visual Comfort.

Susan Gilmore Photography.

Paint Color

Sherwin Williams SW 7625 Mount Etna.

Roman Shade in Romo fabric.

Sink: Blanco B401734 Ikon Apron Front Sink.

Faucet: Kohler Artifacts Pull-Down Faucet.

Appliances: Wolf Ovens and Bosch Dishwasher.

Landmark Photography.

Powder Room

Located just off the mudroom, this powder room is elegant and features a gorgeous wallpaper.

Mirror: Here.

Bathroom washstand is DXV – similar here & here.

Faucet is DXV – similar here.

Sconce: Visual Comfort.

Landmark Photography.

Wallpaper

Wallpaper is Wallpaper: Osborne & Little Nina Campbell Gold Leaf On a Black Background.

Ceiling: Sherwin Williams Tricorn Black SW6258.

Susan Gilmore Photography.

Hall Paint Color

Collingwood by Benjamin Moore.

Landmark Photography.

Main Powder Room

My jaw just dropped! Vanity is Walnut, custom-designed.

Countertop and backsplash is marble.

Chandelier: Robert Abbey.

Sconces: Visual Comfort Light in Hand Rubbed Antique Brass 4”W x 20.5”H.

Vessel Sink: Konbow.

Faucet: Newport Brass.

Similar Mirror: here, here & here.

Interior doors are Alder – custom stained.

Landmark Photography.

Wallpaper

Wallpaper: Schumacher Metallic Strie Silvered Taupe (available through the interior designer).

Susan Gilmore Photography.

Home Central

Custom desk and bookcase are painted in Ben Moore White Dove OC-17. Desk top is Oak, dark stained.

Roman Shades in Robert Allen fabric.

Flushmount: Hudson Valley.

Sconces: Norwell.

Landmark Photography.

Wallpaper

Wallpaper is Innovations Achel. Ceiling paint color 50% Ben Moore Classic Gray / 50% Collingwood OC-28.

Accessories from Vivid Home.

Susan Gilmore Photography.

Mudroom

Mudroom Flooring: American Florim Charleston 3×36 Glazed Porcelain Tile, Rubble Tile, colors: White, Grey and Timber – installed in a Herringbone patterned. Grout: TEC Dove Grey.

Wall paint color is Benjamin Moore Collingwood. Cabinetry isBen Moore White Dove.

Bench is Oak with a custom dark stain color.

Baseboards: 11″ – Paint Grade.

Landmark Photography.

Stairway

Natural metals, woods, and organic materials conform in new ways, with classic silhouettes and luxurious textures.

Chandelier: Visual Comfort – similar here.

Landmark Photography.

Details

This gorgeous staircase features White Oak wood treads and wood risers. The metal railing is custom.

Window Trim: Sherwin Williams Medium Bronze.

Sconces: Visual Comfort.

Landmark Photography.

Railing

A close-up on this stunning metal railing. How beautiful, right?!

Susan Gilmore Photography.

Bonus Room

The staircase leads to the kids’ lounge/bonus room. The doorway seem here leads to the kids/teens ensuites and a laundry room. Paint color is Benjamin Moore Black Jack 2133-20.

This room features a long custom desk with White Oak top, custom cabinetry and comfortable furniture.

Art & Accessories from Vivid Home.

Coffee Table: Here – similar here & here.

Lighting: Made Goods.

Landmark Photography.

Boy’s Bedroom

Main Walls: Benjamin Moore Gentleman’s Gray 2062-20. Bookcase Wall: Benjamin Moore Gentleman’s Gray 2062-20.

Euros in Design Tex plaid.

Sconces: Savoy House.

Loveseat by Bernhardt.

Landmark Photography.

Ensuite

Cabinet: Sherwin Williams Tricorn Black.

Floor Tile: 9.5″ x 19.25″ Enlonged Hex Jeffrey Court Artic Stone Field Hex.

Countertop: Carrera Marble.

Faucet: Delta.

Sink: Mirabelle.

Lighting: Visual Comfort.

Landmark Photography.

Girl’s Bedroom

Accent wall is painted in Benjamin Moore 2117-30 Shadow. Walls are Ben Moore Collingwood OC-28.

Bed is custom. Euros are in Harlequin fabric – Beautiful & Good Quality Bedding: here, here, here & here.

Roman shade in Cowtan and Tout fabric. Bolster is in a Robert Allen fabric.

Loveseat by Bernhardt.

Landmark Photography.

Ensuite

Bathroom Cabinet: Sherwin Williams Tricorn Black SW 6258.

Floor Tile: 8″x 8″ Geometric Printed Tile Fioranese Ceramic #45 Certosa – similar style: here.

Lighting: Visual Comfort.

Faucet: Delta.

Sink: Mirabelle.

Landmark Photography.

Master Bedroom

Ceiling paint color is Benjamin Moore Black Jack 2133-20.

Nightstands: Here.

Four Poster Bed: CFC.

Fan: Minka Aire.

Landmark Photography.

Wall Paint Color

Wall color is Benjamin Moore OC-28 Collingwood.

Artwork by Emma Lawrenson.

Susan Gilmore Photography.

Fabric

Euros, Accent Pillows and Roman Shades in Kravet Fabric.

Settee is custom with Romo Black fabric.

Susan Gilmore Photography.

Master Bathroom

The master bathroom is luxurious and features a great layout. Vanities are custom stained Oak.

Freestanding Tub: Jacuzzi.

Tub Filler: DXV – similar here.

Sconces: Visual Comfort.

Susan Gilmore Photography.

Shower Tile

Shower Walls: 12x24” Honed Marble Tile – similar here.

Shower Floor: 2x2” Honed Carrara Marble Tile – similar here.

Hexagon Marble Mosaic Tile: here.

Hansgrohe Rain Showerhead.

Kohler Showerheads.

Landmark Photography.

Flooring & Countertop

Floor tile is 12×24 London Calling Honed marble tile (similar here). Wall color is Benjamin Moore Collingwood.

Countertop is white marble.

Chandelier: Visual Comfort.

Faucets: Brizo.

Sinks: Kohler.

Landmark Photography.

Bathroom Layout

Inspiring bathroom layout!

Cabinetry

I absolutely love the stain color on this Oak cabinetry. It works beautifully with the white marble.

Susan Gilmore Photography.

Make-up

Beautiful and practical make-up vanity.

Landmark Photography.

Dressing Room

The dressing room certainly has a nice view… but don’t worry! It also features automatic blinds.

Flooring: Carpet; Black Label #2403 Tip sheared wool/viscose blend.

Landmark Photography.

Laundry Room

Countertop is Quartz, Caesarstone Pebble.

Flooring: Porcelain Tile – 8 x 24 #53 West End Pulpis by Tile x Design – similar here.

Landmark Photography.

Basement Bathroom

Sink: Kohler Brockway wash sink – 48″.

Faucets: Kohler.

Soap Dish: Kohler.

Floor: 2x10” textured black ceramic tile in herringbone pattern – similar here.

Shower Floor: 1x1” Black ceramic hexagon tile – similar here.

Shower Wall: 3x12” Beveled white ceramic tile – similar here.

Sconces: Visual Comfort.

Landmark Photography.

Basement

A custom built-in whisky bar and custom-designed abstract glass shelving are just the beginning of an amazing lower level designed for fun.

The pub table/island is custom.

Landmark Photography.

Cabinetry

Cabinetry is Walnut; Dark Custom Stained.

Susan Gilmore Photography.

Countertop

Countertop is Titanium Granite.

Sink: Blanco.

Faucet: Delta.

Basement Paint Color

Basement Paint Color: Collingwood by Benjamin Moore.

Lounge Chair in Opuzen Flamestitch fabric.

Countertstools: Iron Counter Stools from Noir.

Art & Accessories from Vivid Home.

Ceiling Light: Arteriors.

Landmark Photography.

Exercise Room

The exercise room features custom stained wood with walls painted in BM Collingwood OC-28.

Landmark Photography.

Flooring

Floor: Forbo Carpet Tiles. It’s antimicrobial and wears amazing. This was a glue-down installation.

Landmark Photography.

Gym Bathroom

The gym bathroom features a custom vanity with dark quartz countertop and slab backsplash.

Similar Medicine Cabinet: Pottery Barn.

Faucet: Kohler Purist.

Similar Sink: here.

Sconces: Visual Comfort.

Landmark Photography.

Outdoors

Design meets function, delineating an optimized floor plan with formal and informal spaces that open to the exterior grounds for fluid indoor/outdoor living and entertainment.

Landmark Photography.

Screen Porch

Ceiling is Cedar planks and flooring is stamped concrete.

Landmark Photography.

Furniture

Outdoor Sofa by Century Furniture. Notice the outdoor built-in.

Fire Table from Outdoor Rooms – similar here.

Lounge Chairs from Palecek.

Custom Outdoor Area Rug.

Landmark Photography.

Brackets

Brackets are custom.

Landmark Photography.

Dimensions

The screened porch is 17’4” x 15’6”.

Landmark Photography.

View

Beautifully designed!

Landmark Photography.

Backyard Goals

Harmonious outdoor pool blends form and function to provide the complete backyard living experience with lush landscaping and an outdoor kitchen for entertaining.

Landmark Photography.

Outdoor Kitchen

The outdoor kitchen features a Cedar pergola.

Landmark Photography.

Outdoor Counterstools

The outdoor counterstools are by Palecek.

Landmark Photography.

Architecture Details

This home truly exudes inspiring architectural details that will stand the test of time.

Landmark Photography.

Trim Paint Color

Trim: Benjamin Moore Silver Fox 2108-50.

Landmark Photography.

Timeless Beauty

I woundn’t mind coming home to this!

Landmark Photography.

  Many thanks to the builder and interior designer for sharing the details above!

Builder: Hendel Homes (Instagram – Facebook)

Interior Designer: Vivid Interior Design (Instagram – Facebook)

Photography: Susan Gilmore Photography (Instagram – Facebook)

& Landmark Photography (including 1st image).

  Best Sales of the Month:

Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!

  Wayfair: Up to 70% OFF – Clearance!!!

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  Posts of the Week:

2019 New Year Home Tour.

Beautiful Homes of Instagram: Urban Farmhouse.

Beautiful Homes of Instagram: British Columbia.

Reinvented Classic Kitchen Design.

Beautiful Homes of Instagram.

Interior Design: Ideas House Tour.

Florida New-Construction Family Home.

Southern Beach House with Modern Interiors.

Traditional Kitchen Reno Ideas.

Neutral Home Interior Ideas.

Beautiful Homes of Instagram: Reno Inspiration.

Palm Beach, Florida Home Design.

Rustic Modern Farmhouse.

Interior Design Ideas: Colorful Interiors.

Interior Design Ideas New Home Inspiration.

Grey Kitchen Paint Colors.

“Dear God,

If I am wrong, right me. If I am lost, guide me. If I start to give-up, keep me going.

Lead me in Light and Love”.

Have a wonderful day, my friends and we’ll talk again tomorrow.”

with Love,

Luciane from HomeBunch.com

Interior Design Services within Your Budget

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[cooperhewitt]

Deja Moo

In celebration of World Pride, June Object of the Day posts highlight LGBTQ+ designers and design in the collection.

I would have to give the honor of the most iconic wallpaper to Andy Warhol for his creation of Cow wallpaper. Cow was first shown at the Leo Castelli Gallery in New York in 1966, which must have caused quite a stir. The exhibition consisted of two galleries: the first was empty save for the installation of Cow wallpaper printed in fuchsia on a bright yellow ground. The second gallery contained large silver helium balloons shaped like bed pillows, aloft at various levels. This must have caused either bewilderment or a smile, depending on the visitor.

Warhol designed a total of five wallpapers over the course of his career. Besides Cow, there was Chairman Mao, The Washington Monument, a self-portrait, and one of fish. Designing wallpaper seems like a logical step for Warhol to pursue, as he frequently displayed his artworks in row or grid formations, which gave the appearance of wallpaper. All of his wallpapers repeated in a similar fashion, as if each repeat was a separate canvas, omitting any secondary elements that would smooth the transition from one repeat to the next.

While Warhol is probably the most renowned artist to design wallpaper, there have been many others before and after. Charles Dana Gibson, creator of the world-famous Gibson Girl, designed a wallpaper featuring the iconic women in 1902. Other renowned artists include Charles Burchfield, Alexander Calder, Salvador Dalí, Niki de Saint Phalle, and Allen Jones to name a few. On the more contemporary scene are Damien Hirst, Urs Fischer, Kiki Smith, and Ai Weiwei. Whether designed to add beauty or express a viewpoint, artist-designed wallpapers tend to be unconventional and reflect the unique perspective of the artist.

Greg Herringshaw is the Assistant Curator of the Wallcoverings Department

from Cooper Hewitt, Smithsonian Design Museum http://bit.ly/2XuXSpC via IFTTT

[dulwichdiverter]

Read all about it

Alastair Kenward tells us about the colourful career path that led him to open his buzzing bookshop Rye Books on Upland Road

By Katie Allen; Photos by Lima Charlie

A charming photobook of cheerful women perching on branches would make an unlikely Amazon bestseller – which might be why Women in Trees, edited by German photography collector Jochen Raiss, has been one of Rye Books’ recent, heartwarming hits.

“It is a great thing to be able to introduce people to books they might not think of. You’re not getting fed an algorithm, it’s a random choice,” says owner Alastair Kenward, who cites Alistair Gibbs’ photos of esoteric Peckham signage as another popular buy.

Bitten by Witch Fever, about  the Victorians’ toxic love of arsenic-dyed wallpaper – as well as the spoof Ladybird books which you probably received in your Christmas stocking – have also been sought-after by customers.

“Rye Books doesn’t have a top 50,” says Alastair. “We’re probably very different to the rest of the country. We stock a little bit of everything. It’s the more unique books that we tend to gravitate towards. We try to be very diverse.”

Based on Upland Road and perfectly placed for wanderers from Peckham Rye Park to East Dulwich – as well as bibliophiles venturing up from North Cross Road market – Rye Books recently celebrated its fifth birthday as one of the area’s best-loved bookshops. They marked the occasion with a party that included mulled cider and performances from local folkies The Relatives and the Nunhead Folk Circle.

Alastair opened the shop in 2011 just in time for Christmas. He and his wife Hatty had moved to Nunhead in 2009 and immediately began looking for a good site for the shop. He remembers: “Of all the empty shops, this one had the most soul. Even the mice had soul.”

The site was formerly a run-down old junk shop, where previous star stock included a rather covetable-sounding mint-green 1960s Pakistani washing machine. But it was situated on a street that had once been lively with shops including a haberdashery, a toy shop and a baker.

“We were like, ‘Let’s save this one,’” Alastair says. He admits that the route between Nunhead and East Dulwich was “a risk in terms of footfall, but we thought, ‘Let’s take that risk,’ and luckily it worked out.”

Alastair has worked in bookselling for 12 years, which has included stints as a partner at Clapham Books and Herne Hill Books. But running a bookshop is the culmination of a colourful career path that has seen him work – in no particular order – as a teacher, in a pub, in a tropical fish warehouse and briefly at Sainsbury’s.

He also worked for the RSPCA, where he remembers helping a cormorant escape from the toilets of a primary school and rescuing a family from a monitor lizard which had grown too big and was dominating their bedroom. “They were opening the door and throwing food in – they were terrified of it!”

He also spent three years as a gravedigger at Morden Cemetery. “All those jobs – they help to push you towards a passion,” he says. “You tend to gravitate towards what thrills you.”

Alastair’s love of books comes across strongly the moment you step through the door of Rye Books, which is cosy yet packed with shelves and tables displaying the sort of intriguingly chosen titles that ask to be picked up for a gander.

The tempting selection of stock almost guarantees that anyone dashing in for a birthday card or a gift will probably leave with something for themselves too.

Their most recent catalogue handpicked a variety of titles, including Artemis Cooper’s biography of Elizabeth Jane Howard, Carol Ann Duffy and Gillian Clarke’s poetry collection The Map and the Clock and the rather less highbrow Pornburger, for lovers of the ultimate fast food.

A recent unusual favourite has been London in Fragments: A Mudlark’s Treasures by Ted Sandling. London and locally themed titles always do well, Alastair reveals, but this book particularly excited him because of its sideways look at the city.

Sandling recently came in to host a popular event at the shop, revealing secrets about the items he had found while digging around in the mud of the Thames. They included an original RAF button, which contained a compass in case a marooned pilot needed to find his way back home.

Why did Alastair want to open a bookshop? “We wanted to raise books up, to make them something special again,” he says. “The internet has devalued many things, like vinyl, journalism and books. It has changed them for everyone, it devalues things for everyone.

“The internet can be a hollow experience: you order something online and you get it. There is a general trend towards wanting experience – a chance to meet authors, a nice place to buy a book. We want to inspire thinking and creativity and books are a perfect way to do that.”

The shop is known for working with community groups and schools as well as running a packed series of events. In the past year they’ve had Bridget Hargreave discussing her book about postnatal depression Fine (Not Fine) with Dr Helena Belgrave.

They’ve also welcomed Hester Vaizey, author of Born in the GDR, and Jon Magidsohn discussing his memoir Immortal Highway, about going on the road with his baby son after the death of his wife.

There’s also a programme of one-off events and regular classes for children, such as author readings, story time and baby bop. Local parents will know the diverse spread of children’s books too, from classics to contemporary favourites like Jon Klassen to more unusual picture and pop-up books. “There’s so much out there that lies undiscovered and that should be celebrated. We want to showcase books that don’t normally get seen,” says Alastair.

He cites bookshop favourite Coralie Bickford-Smith, whose award-winning illustrated book The Fox and the Star took over the bookshop window as a beautiful paper forest.

Of course few modern bookshops exist without selling an array of other products. Rye Books stocks wrapping paper and cards, some illustrated by local talent, book-related knick-knacks and tea, coffee from local social enterprise Old Spike Roastery, and cakes.

“Another passion of mine is eating,” admits Alastair, who for the past two years has also been selling colourful little Prakti stoves from the shop. Designed to help women in the developing world – because they funnel smoke out of a dwelling – and to run economically, they are ideal for campers and those who like to feast outdoors. “I love being outside and cooking – it’s a marriage of that.”

Speaking of keeping cosy, one of Alastair’s plans for 2017 is to install a wood burner in the shop. His second plan will please dog lovers, especially those who were fond of Kenward family dog Bert, who has sadly passed away.

The family recently acquired George, a six-week-old Lab-cross puppy. “If he’s anything like Bert, he’ll enjoy chewing all the stock,” Alastair laughs. “I’ve missed having a bookshop dog.”

He’s planning to continue hosting events for his customers, although nothing is in the diary as yet. “At the beginning of the year I have no idea what we are going to have,” he says. “The thrill of it is that people organically come along. It always amazes me – we get to the end of the year and somehow we’ve done it.”

He is positive about the future of the bookselling industry, which has been rocked by the closures of bookshops large and small due to the threat of Amazon and online shopping as well as rising rents and the lure of e-books.

“More bookshops have opened than in previous years, that’s an encouraging sign,” he says. “People have seen a balance in favour of printed books and sales are coming back. People don’t want to look at screens all the time, and books are a comfort.”

He points to the popularity of titles such as Elena Ferrante’s blockbuster Neapolitan series, which is essentially about the friendship between two women over the years. “There is a trend towards escapist books because of the horrible place we’re in [politically].

“A book is a place for people to lose themselves – they will serve an even greater role in helping people get though the times we are living in. That’s what I have always loved about books – they can transport you and enrich your life.

“There’s nothing wrong with books that give you a hug – you don’t always have to read literary books. Whatever you are feeling, there will be a book to fit it. In the shop, we’ve listened as hard as we can to the people coming in here. They have shaped how it looks and what we sell.”

He discusses Rye Books’ mixed clientele, which includes parents and children in particular during the week and “everyone else” at the weekend. Then there are the customers who buy from the bookshop’s striped van, which turns up everywhere from North Cross Road market on Saturdays to book fairs across London.  

With almost stage-managed timing, while we are chatting a woman passing knocks on the door and pokes her head in to thank Alastair for a recent event she enjoyed. Other passersby wave and smile.

“The best thing about running the shop is the friends we have made,” Alastair says. “The community, the sense of trust. I’m pleased we’ve managed to do five years – we couldn’t have done it without all the people who live around here and for that we’re grateful.

“No day is ever the same, and that’s down to the people really. That’s why we keep on doing it – every day is different because of the customers. We’ve had a good year and we hope to have another one.”

[jodybouchard9]

4 Painful Lessons Learned While Renovating a Home

Cultura RM Exclusive/Judith Wagner Fotografie/Getty Images

Renovating your home is exciting, in theory. After all, who doesn’t want to spruce up their digs? Ah, if only it were that simple.

The reality is that upgrades, even the easy ones, have a way of becoming crazily unwieldy—and unsuspecting homeowners often find themselves wondering if it might have been less stressful to just pick up and move rather than trying to survive their “improvements.”

As proof, check out these home renovation cautionary tales and the hard-fought lessons you can take from them.

They were floored

“Do not plan on everything going smoothly,” cautions Liz Evans. The homeowner in American Fork, UT, undertook what she assumed would be a simple renovation in 2016.

“If you do, you will just get disappointed or frustrated,” Evans says. “We removed linoleum only to find all the subflooring rotted out. Then we had our fridge flood all over our newly installed wooden flooring, which then needed to be torn up and reinstalled. We encountered so many obstacles, I’m amazed we got through it.”

Lesson learned: Though not all problems can be anticipated, homeowners can prepare for the worst.

Ellie Mroz, interior designer and part of the team at Michael Robert Construction, suggests that when it comes time to purchase items such as tile, flooring, or wallpaper, clients exceed the necessary amount by 10%.

“If there’s damage and you need to redo an area or make a repair, you’ll have extra from the same dye lot,” she says.

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The hurricane was bad enough

When Long Branch, NJ, resident Vincent Edward‘s home sustained extensive damage during Hurricane Sandy, he wanted it repaired and made livable as quickly as possible. And that led him to cut some corners, mainly by hiring pals to get the job done fast and economically.

“When we had our upstairs bathroom put in, we got one of those cheap shower stall units from Home Depot and the guys didn’t caulk it properly,” he says. “So there was some leakage, which resulted in a water stain on the ceiling downstairs.”

His troubles didn’t end there. “Mold started growing though the caulk, so then I had to have the guy come back and rip out all the old caulk and reseal the thing properly,” he adds.

Lesson learned: Mroz says she also invokes this adage: “Good, fast, and cheap: You can pick any two, but you can’t have all three!”

“Make sure the job gets done right the first time, otherwise it’s just going to give you another headache and cost even more money down the road.”

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I’d rather starve than eat takeout again

When Charles Garrett of West Hollywood, CA, gutted his outdated kitchen, he relied on his trusty microwave to see him through. Initially, it worked out fine. He’d grab a frozen meal on his way home from work, nuke, and enjoy. But as days turned into weeks, he quickly exhausted all the packaged dinners he could tolerate.

“That’s when I turned to takeout,” he says. “And, as you can imagine, that got pricey pretty fast. Plus, by the time the two-month project was completed, I was totally sick of takeout and I’d put on close to 10 pounds that took me the next year to get back off again.”

To this day, Garrett says the sound of the microwave’s gentle whirring makes him feel bloated. And nauseated.

Lesson learned: Make plans for necessary lifestyle adjustments well before your project is underway.

“Thoughtful planning means spending extra time considering all of the specific inconveniences that come with renovation,” saysJulie Palmer, president of Charlie Allen Renovations, an award-winning remodeling firm in Cambridge, MA. “If it’s a bathroom, do you have a second bath? If not, can work be scheduled in a way that minimizes time when the room will be off-limits? If a kitchen, can a second cooking station be established elsewhere in the home? Is there a place to store perishable food?”

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DIY at your own risk

When building an addition to her home, Margaret Russo of New Jersey decided to spare the additional expense of having the exterior painted professionally.

“I always enjoyed painting the interior so I figured, ‘How different could it be to get a ladder and tackle the outside?'” Russo says. But what she had in can-do spirit she lacked in the balance department, she says. She fell backward off an 8-foot ladder and went to the ER.

“I didn’t fracture my vertebrae, but I came darn close,” she says. “Between the pain and the medical expenses, I could’ve had the house painted twice over.”

Lesson learned: Know what you’re the expert in and what you’re not, advises Mroz.

“Value your time and level of frustration,” she says. “Account for those things. It’s not less expensive if a client tries to DIY and then we have to redo it. Think of the cost of your time and materials.”

And, oh yeah, you could break your neck, too.

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