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A First Nation in Manitoba said it has discovered "indication of human remains" on the site of a former residential school. Opaskwayak Cree Nation announced Friday that after three days of searching, they had found unmarked burials at the former grounds of MacKay Residential School, located 11 kilometres northwest of The Pas. The community said human remains detection dogs were involved in the search and indicated "six areas of interest" that may have more than one unmarked burial.
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Tagging: @newsfromstolenland
#truth and reconciliation#residential schools#first nations#indigenous#cdnpoli#canadian politics#canadian news#canada#manitoba#winnipeg
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Time Travel Question 69: Assorted Performances VIII
These Questions are the result of suggestions from the previous iteration.
Please add new suggestions below if you have them for future consideration.
#Time Travel#Concerts#Performances#The Rocky Horror Picture Show#San Francisco#1979#20th Century#Queer History#Theater History#Canada#Hamlet#Keanu Reeves#Winnipeg#1995#Anne Hathaway#Twelfth Night#Shakespeare in the Park#Shakespeare#Audra McDonald#Chiwetel Ejiofor#Donmar Warehouse#Othello#Ewan McGregor#Tom Hiddleston#Titanic#Broadway#Sweeney Todd#Noël Coward#Design for Living#James Whale
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The strumming in Angel Of Small Death And The Codeine Scene is so hypnotizing actually
🎥: haileybranquinho_ | tiktok
Winnipeg || 08/20/2024
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Winnipeg, Manitoba
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Good Moaning 🌞
✨I’m glad to be back home and I can post my magical, wonderful, and tiring weekend✨
P.s. how do the baddies who put on makeup regularly do this. Cuz I was ready to snatch those lashes off my face 😭 it was very satisfying taking it off after my lil shenanigans tho (that’s another story) 🤪
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Cathy Merrick, the first woman to become grand chief of the Assembly of Manitoba Chiefs, is being remembered as a "remarkable leader" and a "true matriarch," as tributes poured in from leaders across Canada after her sudden death on Friday.
Merrick was speaking to media about a court case outside the law courts building in Winnipeg early Friday afternoon when she collapsed. She was given CPR before being rushed away in an ambulance.
Merrick, 62, is survived by her husband, Todd, three children and eight grandchildren, a friend confirmed to CBC.
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Tagging: @allthecanadianpolitics
#Cathy Merrick#Assembly of Manitoba Chiefs#AMC#manitoba#winnipeg#Pimicikamak Cree Nation#Indigenous#manitoba news#canadian news#canada
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Winnipeg miku! She likes to avoid downtown, watch the bombers fail another year and (threaten) to stab ppl! Isn’t she just lovely
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Protesters blocking the Brady Road landfill in south Winnipeg say their resolve is even stronger after a man shovelled a truckload of soil and debris onto an MMIWG mural near the blockade Sunday.
The blockade went up last week after the province refused to fund a search of Prairie Green landfill north of Winnipeg for the remains of two Indigenous women. The city ordered those blocking the roadway to vacate by noon Monday.
"Screw it. Who cares what they have to say? Who cares what they want? I'm not going to take no for an answer anymore," said Cambria Harris, whose mother's remains are believed to be at another landfill outside the city.
She said Camp Morgan — which has been at the Brady Road landfill since December— originally erected the blockade to "send a message," not to entirely block the landfill, which has two entrances.
But after the man's act on Sunday, she and others issued a call on social media for more "warriors" to join those on site, who said they're ready to keep rallying for change.
Harris said she wasn't at the blockade Sunday when the man in a black pickup truck dumped soil on the mural, but she saw the video of it happen, which she posted on social media.
In the video, the man is seen shovelling soil and debris from the back of his truck onto the mural, while telling protesters to "Take care of your own people." After someone responds [“we are, you fucking dumbass”], he asks, "Then why are they dead?"
Harris questions how he got past the security on site.
"Why are you so angry to feel like you have to take that extreme of a measure of a hate crime?" she asked.
"You don't realize that you're talking to an entire group of people who have been pulverized their entire life through systemic oppression."
"I'm outraged. I'm enraged. I'm infuriated," said supporter Melissa Morrisseau, who said she was at the landfill Sunday to help give a voice to missing and murdered Indigenous women and girls and their families.
"I'm here till the very end," she said.
Florance Smith was also there to take a stand with the families.
"They need to dig for our women," Smith said. "They just think that we belong in the garbage."
Harris said she believes the province's decision to not support a landfill search shows that the government doesn't care, and she now feels she's been disrespected by all three levels of government. She said it shouldn't have come to measures like the letter sent by the city, telling protesters to shut down the blockade.
"I've never ever understood it, why this kind of trauma is our fault," Harris said.
The mural, a red dress with the words "for our sisters" written on the skirt, was painted on the entrance road to the landfill, Ethan Boyer Way.
(…)
But after they realized the soil the man dumped contained cedar wood chippings, supporters decided to put them to use by sweeping the woodchips in a circle around the mural, she said.
"Cedar's our protection medicine, and we decided that we were going to include it into our art piece and circle her in protection," Bousquet said.
"We turned an ugly into a beautiful here. That's what our people are known for doing."
For Bousquet, it shows how resilient her community is.
"No matter what you throw on us … we're always going to create something beautiful," she said.
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#green day#green day live#1992#winnipeg#kerplunk era#kerplunk tour#early days#royal albert arms#posters#other
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Fort Whyte Interpretive Center (1983) in Winnipeg, Canada, by Carl R. Nelson Jr. & Moody More and Partners
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The families of two First Nations women whose remains are believed to have been deposited in landfills in the Winnipeg area have filed a human rights complaint against the city, saying not enough was done to find their loved ones.
The complainants behind that filing include Sue Caribou, whose niece Tanya Nepinak went missing in 2011. Police said at the time they believed Nepinak was buried somewhere in Winnipeg's Brady Road landfill and that she was killed by Shawn Lamb, who pleaded guilty to killing two other women but denied killing Nepinak.
A police search at the Brady Road site for Nepinak's remains in 2012 only lasted a few days before it was called off without any evidence being found.
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Tagging: @newsfromstolenland
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Antoine Samuel Predock, FAIA (June 24, 1936 – March 2, 2024)
Mr Predock was an American architect based in Albuquerque, New Mexico. He was the principal of Antoine Predock Architect PC, the studio he founded in 1967.
Mr Predock first gained national attention with the La Luz community in Albuquerque, New Mexico. The first national design competition he won was held by the Nelson Fine Arts Center at Arizona State University.
Mr Predock's work includes the Turtle Creek House, built in 1993 for bird enthusiasts along a prehistoric trail in Texas, the Tang Teaching Museum and Art Gallery at Skidmore College, and a new ballpark for the San Diego Padres, the Petco Park. He also worked on international sites such as the National Palace Museum Southern Branch in Southern Taiwan and the Canadian Museum for Human Rights in Winnipeg, Manitoba.
Canadian Museum for Human Rights, Winnipeg, Manitoba.
#art#design#stairwell#architecture#stairway#staircase#stairs#interiors#staircases#new mexico#canada#antoine predock#rip#rip antoine predock#winnipeg#manitoba#hunman rights#la luz#FAIA
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We Will Always Remember (Where We Met), 2024
House paint on un-stretched canvas
On display at AceArtInc in Winnipeg, Manitoba from September 6th to October 18th, 2034 as part of a group exhibition titled ‘Room To Grow Tall’ curated by Sanaa Humayun and Kiona Callihoo Ligtvoet of Making Space, a BIPOC focused peer mentorship for visual artists.
We Will Always Remember (Where We Met) 2024 is an installation in the form of a map leading from AceArt Inc. to the Forks National Historic Site. The piece utilizes modern materials like latex house paint with traditional canvas, exploring themes of contemporary Métis homes, our trappers tents, and the ways in which Métis access knowledge, and housing, community, and our traditional spaces.
The map invites the viewer to walk from the gallery to The Forks as they consider the past and present uses of this land, and the relationship between the Métis and this sacred confluence. The work is a continuation of a piece created in 2024 for The New Gallery in Mohkinstsis titled let’s meet at the confluence which took the form of a public billboard in the downtown area.
At the core of my practice are concepts defined in the works of Gerald Vizenor, Sara Ahmed, and Chantal Fiola whose writings discuss notions of survivance, queer phenomenology, traditional Métis teachings, and appreciation for the lands that hold us.
The following is an accompanying text I wrote the morning of the workshop programming I planned for this exhibition.
Saturday, September 7th, 2024
12:01 PM
I’m staying with my friends B. and C. in their beautiful apartment in Winnipeg. They’re such sweethearts and I’m so grateful I can crash with them. I took the morning to myself after karaoke last night. I was sleepy and a little dehydrated so I stayed back to make my plan for the day.
I felt the sound of drums, I opened a window but the sound was coming from inside the building somewhere. I found the place where the drums were the loudest and standing in the dining room with my hand over my heart and a rowdy kitten named Mabel at my feet, I listened to the drummer as their voice joined the beat and felt the vibrations through my feet like the roots of a tree.
I texted my dad happy birthday, I had leftover root beer and french fries for breakfast, I let Mabel walk on my notebook as I write, and I’ll let myself move slowly today.
#art#contemporary art#Indigenous art#indigenous artist#FNMI#Métis art#Métis#michif#Métis artist#contemporary artist#indigenous contemporary art#painting#sculpture#history#winnipeg#manitoba#canada#canadian history#artist#art writing#my work
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That is some straight up fuckin' DEVILRY right there.
Mrs. Desmond was fined for defrauding the Federal Government of one cent, the difference in the Amusement tax on an upstairs ticket of two cents and a downstairs ticket of three cents.
#viola desmond#desegregation#halifax#civil disobedience#Canadian Museum for Human Rights#winnipeg#manitoba
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A woman in 1970s Winnipeg
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