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black-arcana · 2 months ago
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THREE DAYS GRACE Announces Return Of Original Singer ADAM GONTIER
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Canadian rockers THREE DAYS GRACE have announced the return of original frontman Adam Gontier. The 46-year-old musician, who left THREE DAYS GRACE in 2013, will share lead vocals in the band's new lineup with singer Matt Walst, who has fronted THREE DAYS GRACE for the past decade.
THREE DAYS GRACE teased a reunion with Gontier earlier this week by posting a voicemail message in which Adam told Matt that he would "be at the studio soon, if you can just let everybody know."
Gontier said about his return to THREE DAYS GRACE: "I feel like it's been seamless, better than we were expecting. It's like we got back in a room together and picked up where we left off. We have been friends for so long, it's kind of natural to get back in the room together."
Walst added: "It's been so much fun and inspiring making this record. Combining over 20 years of THREE DAYS GRACE and doing something that no band has ever done. I'm excited for the fans to hear it!"
In April 2023, Gontier reunited with THREE DAYS GRACE onstage during the band's concert in Huntsville, Alabama. Gontier rejoined his former bandmates when they opened for SHINEDOWN at the Probst Arena At The Von Braun Center to perform two classic songs from THREE DAYS GRACE's 2006 album "One-X": "Never Too Late" and "Riot".
THREE DAYS GRACE later shared a post-performance photo with Gontier on social media and wrote in an accompanying message: "Soooo we did a thing."
In July 2022, Gontier said that a reunion with his former bandmates was "likely" to happen "down the road at some point." The Canadian-born musician made his comments just a couple of weeks after he and two members of the band's most recent lineup, bassist Brad Walst and his younger brother, vocalist Matt Walst, were inducted into the Norwood District High School Hall Of Honor in Norwood, Ontario.
Asked in an interview with Rock Feed if he would be open to working with THREE DAYS GRACE again now that he appears to be on good terms with his former bandmates, Gontier said: "You know what? Yeah. I mean, for sure. We've all grown up. It's been a while. There's no hard feelings or anything like that. We're all in touch now and we talk and text and stuff. We haven't really talked about doing anything — not yet anyway — but I feel like something like that is most likely down the road at some point," he added.
When interviewer Brian Storm noted that Adam's reunion with THREE DAYS GRACE would be a "big" deal, Gontier said, "And it would be a lot of fun." Storm then reiterated that the reunion would be "very big," to which Adam said: "Probably would be. You never know, man. We haven't really talked about it. But, yeah, I guess we'll see."
Earlier in July 2022, Brad Walst spoke about reconnecting with Gontier at the Norwood District High School event in an interview with Tommy Carroll of the 97.9 WGRD radio station. He said: "It's funny 'cause the high school's been calling us for years. And, obviously, we've all had kind of different schedules, and Adam's been doing his thing and we've been doing our thing. And until recently, to be honest, we hadn't really spoken that much — we'd text and stuff. But Adam's moved back to the area, and he's got a great family and a great wife. And we've all kind of been chatting and hanging out. Yeah, I called him and just said, 'They want the three of us' — they want Matt, Adam and myself. And everyone agreed, and it was, like, 'Okay, let's do this.' So it was pretty cool to see [our] high school, where you grew up… It's nice to be acknowledged."
He continued: "It's funny, 'cause I texted Adam, 'You made the Hall Of Fame.' He's, like, 'Yup. Straight-B student.' [Laughs] But I think just having us together in that room was way more powerful, for sure. So it was a pretty cool feeling."
In 1992, Gontier, Brad Walst, Phil Crowe, Neil Sanderson and Joe Grant formed GROUNDSWELL while most of the members were still in high school. That band broke up in 1995, but two years later Gontier, Sanderson and Walst reformed as THREE DAYS GRACE. Gontier left the band in 2013 and was replaced by Matt, the vocalist from another Norwood band, MY DARKEST DAYS.
In a 2007 interview with The Oklahoman, Gontier said that he met some of his first bandmates while they were freshmen at Norwood District High School.
"I ended up hooking up with Brad because we had the same love of music," Gontier said. "He didn't play anything at the time. I suggested him getting a bass, and he did."
Gontier said that Canadian bands, including THE TRAGICALLY HIP and OUR LADY PEACE were early influences, along with the Seattle rock scene, particularly the group SUNNY DAY REAL ESTATE.
Gontier initially went into rehab in 2005 in Toronto after admitting an addiction to Oxycontin. The rehab stint influenced some material which would appear on THREE DAYS GRACE's "One-X" album, including the songs "Pain" and "Over And Over".
Gontier left THREE DAYS GRACE in the spring of 2013. At the time, the Canadian rockers cited unspecified "health issues" when his departure was announced. Adam later released a statement explaining he exited THREE DAYS GRACE to pursue new projects, and not to deal with addiction.
Gontier is currently a member of SAINT ASONIA, which also features STAIND guitarist/founding member Mike Mushok. The quartet is rounded out by Cale Gontier (bass) and Cody Watkins (drums).
THREE DAYS GRACE's latest album, "Explosions", was released in May 2022 via RCA Records.
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allieharris0416 · 2 years ago
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Aladdin took us to a whole new world! Genie definitely stole the show! 🧞‍♂️ (at Mark C. Smith Concert Hall, Von Braun Center) https://www.instagram.com/p/CpaQrY1ulZF/?igshid=NGJjMDIxMWI=
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newmusicradionetwork · 1 year ago
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“Still Playin’ Possum” – A Star-Studded Tribute To The Music Of George Jones hits Theaters Nationwide
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Feeling a little bit country, No Show Productions announces the “Still Playin’ Possum: Music & Memories of George Jones” tribute concert event will premiere in a one-day-only theater presentation in association with Fathom Events. With performances filmed on April 25, 2023, in Huntsville, Alabama, to a sold-out show at the Von Braun Center, some of country music’s biggest stars pay homage to the man known ‘as the greatest country singer of all time’ – George Jones! Tickets are on sale through the Fathom Events website and participating theater box offices. For a complete list of theater locations, visit fathomevents.com (participating theaters are subject to change). Now, 10 years after his passing in 2013, music lovers can witness the power of song as artists ranging from Jelly Roll (“Bartender’s Blues”), Brad Paisley (“He Stopped Loving Her Today”), Tanya Tucker (The Grand Tour), Dierks Bentley (Why Baby Why), Sam Moore (Blues Man), Travis Tritt (“The Race Is On”), Jamey Johnson (“Who’s Gonna Fill Their Shoes”), and so many more bring their interpretation of Jones’ hits to life on the big screen. George Jones also referred to by many as “The Possum” sold over 20 million albums, was a member of the Country Music Hall of Fame, a member of the Grand Ole Opry, was a Kennedy Center Honoree, National Medal of the Arts recipient, Grammy Lifetime Achievement award recipient, topped the Billboard singles chart 14 times and achieved 143 Top 40 hits during his illustrious career. “It is still hard to believe that George is gone.  He was loved by so many artists and fans.  We may not have him here in person, but we have his music to keep his memory alive,” says Nancy Jones.  “Filming this night was something special.  The love for George was overwhelming!” About George Jones: George Jones is regarded among the most important and influential singers in American popular music history. He was the singer of enduring country music hits including “She Thinks I Still Care,” “The Grand Tour,” “Walk Through This World With Me,” “Tender Years” and “He Stopped Loving Her Today,” the latter of which is often at the top of industry lists of the greatest country music singles of all time. Born in Saratoga, Texas, Jones played on the streets of Beaumont for tips as a teenager. He served in the U.S. Marine Corps before returning to Texas and recording for the Starday label in Houston, Texas. In 1955, his “Why Baby Why” became his first Top 10 country single, peaking at number four and beginning a remarkable commercial string: Jones would ultimately record more than 160 charting singles, more than any other artist in any format in the history of popular music. His first number-one hit came in 1959 with “White Lightning,” a Mercury Records single that topped the Billboard country charts for five weeks. He moved on to United Artists and then to Musicor, notching hits including “She Thinks I Still Care,” “The Race Is On,” “A Good Year for the Roses” and “Walk Through This World With Me.” Jones signed with Epic Records in 1971 and worked with producer Billy Sherrill to craft a sound at once elegant and rooted, scoring with “The Grand Tour,” “Bartenders Blues” and many more. Sherrill also produced duets between Jones and his then-wife Tammy Wynette, and in the 1970s they scored top-charting hits including “We’re Gonna Hold On,” “Golden Ring” and “Near You.” By the time “Golden Ring” and “Near You” hit in 1976, Jones and Wynette were divorced, and Jones was battling personal demons. His solo career cooled until 1980 when he recorded “He Stopped Loving Her Today,” a ballad penned by Curly Putman and Bobby Braddock that helped Jones win Country Music Association prizes for best male vocal and top single. “He Stopped Loving Her Today” revived a flagging career, and Jones won the CMA’s Top Male Vocalist award in 1980 and 1981. He also earned a Grammy for Best Male Country Vocal Performance. He signed with MCA Records in 1990 and began a successful run, and he was inducted into the Country Music Hall of Fame in 1992. His guest vocal on Patty Loveless’ “You Don’t Seem To Miss Me” won a CMA award for top vocal event in 1998, and it became his final Top 20 country hit. About Fathom Events: Fathom is a recognized leader in the entertainment industry as one of the top distributors of content to movie theaters in North America. Owned by AMC Entertainment Inc. (NYSE: AMC); Cinemark Holdings, Inc. (NYSE: CNK); and Regal, a subsidiary of the Cineworld Group (LSE: CINE.L), Fathom operates the largest cinema distribution network, delivering a wide variety of programming and experiences to cinema audiences in all of the top U.S. markets and to more than 45 countries. For more information, visit FathomEvents.com. Read the full article
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logginspromotion · 1 year ago
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“Still Playin’ Possum” – A Star-Studded Tribute To The Music Of George Jones hits Theaters Nationwide
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Feeling a little bit country, No Show Productions announces the “Still Playin’ Possum: Music & Memories of George Jones” tribute concert event will premiere in a one-day-only theater presentation in association with Fathom Events. With performances filmed on April 25, 2023, in Huntsville, Alabama, to a sold-out show at the Von Braun Center, some of country music’s biggest stars pay homage to the man known ‘as the greatest country singer of all time’ – George Jones! Tickets are on sale through the Fathom Events website and participating theater box offices. For a complete list of theater locations, visit fathomevents.com (participating theaters are subject to change). Now, 10 years after his passing in 2013, music lovers can witness the power of song as artists ranging from Jelly Roll (“Bartender’s Blues”), Brad Paisley (“He Stopped Loving Her Today”), Tanya Tucker (The Grand Tour), Dierks Bentley (Why Baby Why), Sam Moore (Blues Man), Travis Tritt (“The Race Is On”), Jamey Johnson (“Who’s Gonna Fill Their Shoes”), and so many more bring their interpretation of Jones’ hits to life on the big screen. George Jones also referred to by many as “The Possum” sold over 20 million albums, was a member of the Country Music Hall of Fame, a member of the Grand Ole Opry, was a Kennedy Center Honoree, National Medal of the Arts recipient, Grammy Lifetime Achievement award recipient, topped the Billboard singles chart 14 times and achieved 143 Top 40 hits during his illustrious career. Read the full article
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writing--references · 1 year ago
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Once a sleepy farming town, Huntsville gained national recognition during the Space Race of the 1960s and is now consistently among the fastest-growing metro areas in Alabama. 
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In the past, the U.S. government relocated a team of German rocket scientists to the area and opened a NASA center that would design the Saturn V, the rocket that sent Apollo astronauts to the moon. Today, Huntsville residents pride themselves on being a nerdy bunch. The metro area has the most educated population in the state, and a large portion of the population works in engineering and defense thanks to the large presence of NASA and the U.S. Army's Redstone Arsenal.
Huntsville's city center has undergone a renaissance in recent years. An outbreak of new construction downtown means more shopping, dining and apartment options are available. Just west of downtown, a defunct cotton mill became a bustling arts center, and craft breweries, restaurants and an ax-throwing venue have sprung up in a renovated old middle school.
Space is at the center of Huntsville's identity. To get a better understanding of the region's ties to the Final Frontier, residents can spend a day touring the U.S. Space & Rocket Center, which documents the history of space exploration. The U.S. Space & Rocket Center is also home to every kid's bucket-list experience: Space Camp.
Huntsville has a number of other cultural attractions unrelated to aerospace. For example, the Alabama Constitution Hall Park offers a look at what life was like in Alabama in the 1800s, while the North Alabama Railroad Museum and the Historic Huntsville Depot highlight the history of train travel in north Alabama. Those interested in art should pay a visit to Lowe Mill Arts & Entertainment, a renovated textile mill that is the largest privately owned arts center in the southern United States. The Mill houses artists working in a variety of media, features live music and theater, and serves as the city's unofficial avant-garde arts headquarters. The Huntsville Museum of Art also offers a wide range of pieces across a variety of permanent and traveling exhibits. The multipurpose Von Braun Center downtown hosts concerts, comedy tours and dance performances, as well as games for the city's minor league professional hockey team, the Huntsville Havoc.
Thanks to its high-tech sector, Huntsville has a significant international population, and the region's culinary scene reflects this diversity. Area restaurants offer everything from Vietnamese to German to Indian fare. More standard Southern fare, including barbecue joints and farm-to-table cafes, are also popular.
Because the climate is warm most of the year, outdoor events are plentiful. The downtown area hosts outdoor concerts, movies and food truck rallies throughout the year. Monte Sano State Park is a favorite with hikers and mountain bikers. Boaters and water sports enthusiasts head to the nearby Tennessee River for a day out on the water.
You'll need a car to get around Huntsville. The metro area has worked to become more walkable and bike-friendly, especially in downtown Huntsville, but for the most part, residents are accustomed to driving everywhere. Ride-sharing services Uber and Lyft are also available here.
There is a bus system in Huntsville proper, Orbit, that includes 10 routes. However, it's not the most convenient mode of transportation for the metro area's suburban communities.
The political climate in Huntsville, AL is leaning conservative. In Madison County, AL 44.8% of the people voted Democrat in the last presidential election, 52.8% voted for the Republican Party, and the remaining 2.4% voted Independent. Madison county voted Republican in every Presidential election since 2000. (source)
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thedeaditeslayer · 4 years ago
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Bruce Campbell talks ‘Evil Dead,’ ‘Spider-Man,’ ‘Xena’
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The first time Bruce Campbell came across Sam Raimi, they were students at Michigan’s West Maple Junior High School.
“Sam was a year younger than me,” Campbell recalls, “and I remember him dressed as Sherlock Holmes playing with dolls in the middle of the floor. And I remember going way around him. And I found out later that it was Sam Raimi. We didn’t really come into contact until we got until high school.”
What a connection they made. After bonding over D.I.Y. filmmaking, Campbell and Raimi went on to do 1978 shoestring horror-short “Within the Woods” together, which they evolved into 1981 demonic thriller “Evil Dead.”
Campbell would periodically reprise signature “Evil Dead” character Ash Williams in various sequels and offshoots. And appear in Raimi-produced “Xena: Warrior Princess,” portraying slippery “king of thieves” Autolycus on that ’90s-iconic TV fantasy epic.
And then there’s Campbell’s memorable cameos in Raimi’s blockbuster, Tobey Maguire-starring “Spider-Man” film trilogy: the ring announced in the first, 2002 film, “snooty usher” in the 2004 sequel and a maître d’ in 2007′s “Spider-Man 3.”
Of course, Campbell’s made a mark outside that dynamic duo. He drew raves for his portrayal of a nursing-home-bound Elvis Presley in 2002 indie comedy-horror gem, “Bubba Ho-Tep.” Then there’s his role of Sam Axe on USA Network spy drama “Burn Notice.” Not to mention numerous other film, TV, voice acting and even video-game work.
The cult-fave actor will make his first ever trip to Huntsville this week, for Oct. 24 events at Von Braun Center’s Mark C. Smith Concert Hall featuring “Evil Dead” screenings followed by a Campbell-led chat about the film, his life as an actor and beyond. Tickets for these 3 and 7:30 p.m. events start at $32, via ticketmaster.com.
His upcoming projects include a comedy album with actor Ted Raimi, Sam’s brother, called “The Lost Recordings.” Campbell also is readying a book of essays called “The Cool Side of My Pillow,” which finds him riffing on subjects ranging from noise to the environment. He hopes to have both released by the end of this year. More info at bruce-campbell.com. On a recent afternoon, Campbell checked in from his Oregon home for a phone interview. Edited excerpts are below.
Bruce, when you do an “Evil Dead” screening event, do your discussions turn up new things about the film or that you haven’t thought of in a long time?
Every show turns up something new because it puts you on the spot. Someone will say something that will then trigger something that you had forgot. I just sat down the other day before one of these shows with my guy who is my frontman and I was like, “OK, l’m just going to tell the story of making this movie.” It’s not for questions I’m just going to tell you basically what you’re about to see. But yeah, every show triggers some new thing. I’ve seen the movie. I know how it ends. But that is the challenge, finding some new, weird tidbits.
Back in high school how did you and Sam Raimi first bond? Did you share a class or something?
Basically I got into typing class, that’s what started it. I could not believe I was stuck in this stupid class where everyone around me seemed to know how to type. I’m like, “How do you know this?” It was very frustrating. So I went to a counselor for the first time ever – I’d never gone to try to get out of anything.
So I go there and I say, “Hey can I drop this dumb typing class?” She goes, "Yeah, what do you want? I go, “What do you got?” So she comes up with “radio speech.” And I’m like, “Radio speech? Wait they do the morning announcements (at school) and stuff?” and I’m like yeah let me get all over that.
So I got into a class and Sam Raimi was also in the class. And the guy who taught radio speech also directed all the plays. We didn’t know how critical that was. The first year I couldn’t get in anything in my high school. I was auditioning for everything but I didn’t have a class with this guy. By the next year I had a class with him, and then me and Sam were in basically all the plays after that. We found out how the deal worked.
So I met him in radio speech and we’d do the morning announcements together and got to talking about what we do in our neighborhoods. I was making little regular-8 (millimeter film) movies and Sam was making Super-8 movies. So we started to join forces during the course of that high school run, that two or three years in there.
We were very productive. We didn’t really get into trouble because we were too busy like filming parties. We wouldn’t go to the parties we’d film the parties and use them in some way in our little films so it was a great guerrilla filmmaking period.
A celeb or well-known person you were surprised to learn they’re an “Evil Dead” fan?
I heard Charlie Sheen, one of his favorite things was to smoke a doobie and watch “Evil Dead 2,” and Alice Cooper’s favorite horror movie is “Evil Dead.”
If it’s good enough for Alice Cooper it’s good enough for me. You host the quiz show “Last Fan Standing.” What do you make of the mainstreaming of nerd-culture?
Every generation has its deal. In the ’40s most moviegoers were in their 40s and so the actors were in their 40s. Humphrey Bogart and Spencer Tracy and all the guys were in their 40s. You didn’t have to be 21. And then as the audience got younger the actors got younger and the people who run the companies get younger and so they’re really just catering to what’s popular.
Comic books have always been popular but now they’re really popular. Not really sure what that’s all about but yeah social media has certainly helped but I think it’s another form of escapism. Whenever times get weird, people want escapism. During The Depression they did the Busby Berkeley splashy musicals where everyone was happy all the time, when life was really miserable. And some decades where we’re really doing okay, the movies turned introspective and we go after ourselves and figure out why we’re like this and like that. And so I think we’re in a phase where we just want to be taken away to another galaxy and Marvel is very happy to help.
And you’ve been a part of that. In Sam’s “Spider-Man” trilogy, which of your cameos did you have the most fun with?
Well I don’t know it’s hard to lineate because they’re so critical. The first one I named Spider-Man. If I wasn’t in the movie a billion dollar franchise would be called The Human Spider. He wants to get in the theater in the second one, past the snooty usher who won’t let him in because he’s late, because it will spoil the illusion, so I think I’m technically the only character who’s ever defeated Spider-Man. And in part three, a superhero comes to a mortal for help. He wants me to help him propose to his girlfriend so it’s sort of a landmark case where a superhero goes to a mortal for help which is pretty rare. So I can’t delineate because they’re all critical to the “Spider-Man” universe.
Do you have any cool mementos from "Evil Dead or elsewhere from your career? Maybe something like the chainsaw from “Evil Dead 2”?
You know, it’s weird I’m not a hoarder, I’m not a collector. My brother, he has the shotgun from “Evil Dead,” but not because he loves movie trivia, he just likes guns. My brother also has I think the set of keys to the original cabin. That’s a pretty good one. Not sure how he got that one.
I have weirder ones. Like I have a prop from a 1989 movie called “Sundown: The Vampire in Retreat.” I have Van Helsing’s holy bottle where he shakes the holy water at them. And I have what I call my tchotchke shelf, where most people would look at it and they couldn’t identify what importance each item is, but there’s a story for each one.
Some of your favorite actors outside the horror genre?
Oh, I l love a lot of the old time actors. William Holden, he starred in “Bridge on The River Kwai” one of my favorite movies. I like the guys who had to work a lot. In the old days and actor would finish a job on Friday he was under contract, he took two weeks off and started a new movie a couple weeks later. Actors kind of just do one or two movies a year if they’re lucky these days and it doesn’t help them refine their craft.
I feel like the guys who worked a lot got good because they got really used to the process. I’m a fan of the studio system. Not all movies were good and not every actor was happy under the studio system, but I think a busy actor’s a good actor.
For your role in “Bubba Ho-Tep,” what was your process for tapping into Elvis’s vibe?
What guy doesn’t want to be Elvis, you know? So I worked with an Elvis impersonator for about a half an hour and then he gave up on me. He goes, “Look, man, you’re never going to get it.” I’m like, “Wow either I suck or you suck as a teacher but somebody here sucks.”
No, but I watched a bunch of footage and documentaries. There’s a good one, all his Memphis Mafia who worked with him, a filmmaker basically got them all drunk one night and interviewed them all and that’s where the good stories are. You learn a little more of the human side of him. But that’s pretty much it. I’ve never been a stage performer so mercifully there wasn’t that much of it, just in quick flashbacks.
And there’s a part of me, in the back of my mind, I want to know that Elvis' descendants, somebody, a daughter, niece, somebody has watched that movie and approved. We’ll see.
I thought it was a cool creative take on that whole Elvis thing.
I agree. That’s why I did it. It was one of the weirdest scripts I’ve ever read But yet it wraps up though. It has a weird premise but it has a really interesting theme of what do you do with old people. Do we forget these old people? And are they still useful in society, old people? And I thought it had a sweet ending, that these two old guys they kind of rally themselves one more time.
What’s a well-known role you’ve turned down?
Turned down? I don’t have a lot of those. I don’t operate in that rarified air of saying, “Oh I turned ‘Titanic’ down.” I tried to get a part in a studio movie called “The Phantom” and Billy Zane wound up getting the part." And it was down to me and Billy, I was number two for the job, but I didn’t really enjoy the process very much because it seemed more political than actually acting. It was amazing how many people you had to audition for, and you had to go up the ranks and each time it got a little more tense as you move up. So I’m good doing these weirdo little movies.
I read the budget for “Within the Woods,” the predecessor of “Evil Dead,” was a princely 1,600 bucks. What was the most expensive line item, you think?
Food and probably fake blood. Tom Sullivan, who did the special effects, probably needed to mold a few things, so he probably spent a couple hundred bucks on molds. A lot of it was footage because Sam Raimi likes to shoot footage, so we probably bought a lot of rolls of film. And we did go to a cabin to shoot it, so had to get in the car and travel so maybe a little gas money in there too. That’s about it.
What can you tell us about the status of the next installment of the “Evil Dead” franchise?
We’re honing-in, circling the building now trying to lock in a partner. We have a couple of bidders and we’re trying to just find the correct suitor and we have a script written and a director picked. Sam Raimi hand -picked a guy named Lee Cronin, who’s a very good Irish filmmaker. And it’s got a very good modern tale. It’s a modern-day urban “Evil Dead,” it’s called “Evil Dead Rise.” And we’re hoping to do that next year.
You were a producer on 2013 “Evil Dead” remake. What’s the key to making a reboot effective?
Well rebooting can be very confusing and frustrating and not always successful. Reboot, sequel, remake we have all these crazy terms. What we’re doing now is we’re saying," Look, this is another ‘Evil Dead’ movie and that book gets around, a lot of people run into it and it’s another story." The main key with “Evil Dead” is they’re just regular people who are battling what seems to be a very unstoppable evil, and so that’s where the horror comes from. It’s not someone who’s skilled. They’re not fighting a soldier. They’re not fighting a scientist. They’re not fighting anybody more than your average neighbor. This one is going to be a similar thing. We’re going to have a heroine, a woman in charge, and she’s going to try and save her family.
Speaking of a female protagonist, when you’re at a con or meet fans somewhere, who has the most passionate superfans: “Evil Dead” or “Xena”?
“Xena” hits them at an emotional level. Like, they’ll come up to me and Lucy Lawless (the actor who played the show’s title role) and just burst into tears, because her character helped them get through a difficult time. “Xena” is more representative of overcoming your struggles in life. “Evil Dead” fans are pretty fervent but they don’t cry as much.
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littlethingwithfeathers · 5 years ago
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The ghost light at the Von Braun Center concert hall in Huntsville, Alabama. Hold please. Back in five...
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gatorfitnessclub · 5 years ago
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#Repost @npcgreatertnvalley with @get_repost ・・・ We are excited to announce our VENUE is set! July 11th we will be at the Von Braun Center Concert Hall, in the heart of Huntsville, Alabama! This venue seats up to 1955 guest, enough space to house 20 vendors as well as provide Adult Beverages and Snacks. We look forward to seeing you all there! #contestprep #offseason #supplements #strengthtraining #nutriton #fitness #wellness #fitfam #npc #npcbikini #npcfigure #npcphysique #npcbodybuilding #ifbb #aftermath #trainingwise #eatonwisenutrition #npcalabama #npctennessee #strength #conjugatemethod #westsidebarbell #dolceknows #npcnewsonline #npcnewsonline #npcalabama #npctennessee #npcgeorgia — view on Instagram https://ift.tt/37BNiiw
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crowdalbum · 7 years ago
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13 pictures, photos and videos of Corey Smith at Von Braun Concert Hall - Huntsville, AL on August 11, 2017 https://www.crowdalbum.com/album/598d55ad7574696746000033/Corey-Smith_20170811
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rockrageradio · 6 years ago
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NEW Kansas POINT OF KNOW RETURN ANNIVERSARY TOUR DATES:
DATE CITY/STATE VENUE
September 11 Spokane, WA First Interstate Center for the Arts
September 13 Santa Rosa, CA Luther Burbank Center
September 14 Stockton, CA Bob Hope Theatre
September 17 Bakersfield, CA Fox Theater
September 19 Mesa, AZ Ikeda Theater
September 21 Salt Lake City, UT Eccles Theater
September 22 Cheyenne, WY Cheyenne Civic Center
September 27 Tulsa, OK Brady Theater
September 28 Park City, KS Hartman Arena
October 4 Topeka, KS Topeka Performing Arts Center
October 5 Omaha, NE Orpheum Theater
October 11 Wausau, WI The Grand Theater
October 12 Minneapolis, MN State Theater
October 18 Champaign, IL Virginia Theatre
October 19 Waukegan, IL Genesee Theatre
October 25 Concord, NH Capitol Center for the Arts
October 26 Albany, NY Palace Theatre
November 1 Quebec City, QC Grand Théâtre de Québec
November 2 Montreal, QC Théâtre St-Denis
November 8 Rochester, NY Kodak Center Theater
November 9 Erie, PA Warner Theatre
November 16 Durham, NC Durham Performing Arts Center
November 22 Richmond, KY EKU Center for the Arts
November 23 Huntsville, AL Mark C. Smith Concert Hall at Von Braun Center
December 6 Corpus Christi, TX Selena Auditorium
December 7 Sugar Land, TX Smart Financial Centre at Sugar Land
January 31, 2020 Savannah, GA Johnny Mercer Theatre
February 1, 2020 Jacksonville, FL Florida Theatre
February 6, 2020 Fort Myers, FL Barbara B. Mann Performing Arts Hall
February 7, 2020 Melbourne, FL King Center for the Performing Arts
For more information on KANSAS and the Point of Know Return Anniversary Tour, please visit:
www.kansasband.com
www.facebook.com/kansasband
www.twitter.com/kansasband
#soundcheckwithgentry #kansas #rockmusic #rocknroll #classicrock #hardrock #rock #rockrageradio #rockisNOTdead #listenloud
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black-arcana · 5 days ago
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THREE DAYS GRACE To Release 'Mayday', First Single Since Return Of ADAM GONTIER, On Friday
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Canadian rockers THREE DAYS GRACE will release "Mayday", their first single since the return of original frontman Adam Gontier, on Friday, November 22. A teaser for the song's accompanying music video is available below. The 46-year-old musician, who left THREE DAYS GRACE in 2013, is sharing lead vocals in the band's new lineup with singer Matt Walst, who has fronted THREE DAYS GRACE for the past decade.
THREE DAYS GRACE teased a reunion with Gontier less than two months ago by posting a voicemail message in which Adam told Matt that he would "be at the studio soon, if you can just let everybody know."
Gontier said about his return to THREE DAYS GRACE: "I feel like it's been seamless, better than we were expecting. It's like we got back in a room together and picked up where we left off. We have been friends for so long, it's kind of natural to get back in the room together."
Walst added: "It's been so much fun and inspiring making this record. Combining over 20 years of THREE DAYS GRACE and doing something that no band has ever done. I'm excited for the fans to hear it!"
In April 2023, Gontier reunited with THREE DAYS GRACE onstage during the band's concert in Huntsville, Alabama. Gontier rejoined his former bandmates when they opened for SHINEDOWN at the Probst Arena At The Von Braun Center to perform two classic songs from THREE DAYS GRACE's 2006 album "One-X": "Never Too Late" and "Riot".
THREE DAYS GRACE later shared a post-performance photo with Gontier on social media and wrote in an accompanying message: "Soooo we did a thing."
In July 2022, Gontier said that a reunion with his former bandmates was "likely" to happen "down the road at some point." The Canadian-born musician made his comments just a couple of weeks after he and two members of the band's most recent lineup, bassist Brad Walst and his younger brother, vocalist Matt Walst, were inducted into the Norwood District High School Hall Of Honor in Norwood, Ontario.
Asked in an interview with Rock Feed if he would be open to working with THREE DAYS GRACE again now that he appears to be on good terms with his former bandmates, Gontier said: "You know what? Yeah. I mean, for sure. We've all grown up. It's been a while. There's no hard feelings or anything like that. We're all in touch now and we talk and text and stuff. We haven't really talked about doing anything — not yet anyway — but I feel like something like that is most likely down the road at some point," he added.
When interviewer Brian Storm noted that Adam's reunion with THREE DAYS GRACE would be a "big" deal, Gontier said, "And it would be a lot of fun." Storm then reiterated that the reunion would be "very big," to which Adam said: "Probably would be. You never know, man. We haven't really talked about it. But, yeah, I guess we'll see."
Earlier in July 2022, Brad Walst spoke about reconnecting with Gontier at the Norwood District High School event in an interview with Tommy Carroll of the 97.9 WGRD radio station. He said: "It's funny 'cause the high school's been calling us for years. And, obviously, we've all had kind of different schedules, and Adam's been doing his thing and we've been doing our thing. And until recently, to be honest, we hadn't really spoken that much — we'd text and stuff. But Adam's moved back to the area, and he's got a great family and a great wife. And we've all kind of been chatting and hanging out. Yeah, I called him and just said, 'They want the three of us' — they want Matt, Adam and myself. And everyone agreed, and it was, like, 'Okay, let's do this.' So it was pretty cool to see [our] high school, where you grew up… It's nice to be acknowledged."
He continued: "It's funny, 'cause I texted Adam, 'You made the Hall Of Fame.' He's, like, 'Yup. Straight-B student.' [Laughs] But I think just having us together in that room was way more powerful, for sure. So it was a pretty cool feeling."
In 1992, Gontier, Brad Walst, Phil Crowe, Neil Sanderson and Joe Grant formed GROUNDSWELL while most of the members were still in high school. That band broke up in 1995, but two years later Gontier, Sanderson and Walst reformed as THREE DAYS GRACE. Gontier left the band in 2013 and was replaced by Matt, the vocalist from another Norwood band, MY DARKEST DAYS.
In a 2007 interview with The Oklahoman, Gontier said that he met some of his first bandmates while they were freshmen at Norwood District High School.
"I ended up hooking up with Brad because we had the same love of music," Gontier said. "He didn't play anything at the time. I suggested him getting a bass, and he did."
Gontier said that Canadian bands, including THE TRAGICALLY HIP and OUR LADY PEACE were early influences, along with the Seattle rock scene, particularly the group SUNNY DAY REAL ESTATE.
Gontier initially went into rehab in 2005 in Toronto after admitting an addiction to Oxycontin. The rehab stint influenced some material which would appear on THREE DAYS GRACE's "One-X" album, including the songs "Pain" and "Over And Over".
Gontier left THREE DAYS GRACE in the spring of 2013. At the time, the Canadian rockers cited unspecified "health issues" when his departure was announced. Adam later released a statement explaining he exited THREE DAYS GRACE to pursue new projects, and not to deal with addiction.
Gontier is currently a member of SAINT ASONIA, which also features STAIND guitarist/founding member Mike Mushok. The quartet is rounded out by Cale Gontier (bass) and Cody Watkins (drums).
THREE DAYS GRACE's latest album, "Explosions", was released in May 2022 via RCA Records.
Photo credit: Matt Barnes
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alwayssummerblog · 7 years ago
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Jason Isbell Reveals Spring Tour Dates
Two-time Grammy Award winner and current Grammy nominee Jason Isbell and his band The 400 Unit have announced tour dates for their Spring 2018 trek. The tour is in support of their highly acclaimed album The Nashville Sound, which has been nominated twice at this year’s Grammy Awards, for Best Americana Album and Best American Roots Song (“If We Were Vampires”). Richard Thompson has been slated to open most of the newly announced dates
Isbell’s album The Nashville Sound is available now and for more tour and ticket information, go to http://www.jasonisbell.com.
Get our new album, The Nashville Sound, NOW on iTunes:https://t.co/m1MA5SvNI9
— Jason Isbell (@JasonIsbell) June 16, 2017
Jason Isbell and the 400 Unit’s 2018 Spring US Tour dates:
4/14 – Savannah, GA @ Savannah Music festival 4/15 – Panama City, FL @ Marina Civic Center 4/17 – Clearwater, FL @ Ruth Eckerd Hall 4/18 – Orlando, FL @ Walt Disney Theater 4/20 – Greenville, SC @ Peace Center 4/21 – Charleston, SC @ Highwater Festival 4/22 – Chattanooga, TN @ Tivoli Theatre 4/24 – Amarillo, TX – Amarillo Civic Center Auditorium 4/25 – Albuquerque, NM @ Popejoy Hall 4/26 – El Paso, TX @ The Plaza Theatre 4/28 – Indio, CA @ Stagecoach 4/30 – Midland, TX @ Wagner Noël Performing Arts Center 5/1 – San Antonio, TX @ Tobin Center for the Performing Arts 5/2 – Sugar Land, TX @ Smart Financial Centre 5/5 – El Dorado, AR @ Griffin Music Hall 5/6 – Montgomery, AL @ Montgomery Performing Arts Centre 5/8 – Knoxville, TN @ Tennessee Theatre 5/9 – Knoxville, TN @ Tennessee Theatre 5/10 – Huntsville, AL @ Huntsville Hospital Foundation Benefit Concert at Von Braun Center
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rockandblognet · 5 years ago
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Alice Cooper amplía su gira. Recordamos detalles y setlist
Alice Cooper amplia su actual gira de 2019 que llegará a Madrid y Barcelona en Septiembre bajo el título «Ol’ Black Eyes Is Back». Estos son todos los detalles de la gira, setlist, entradas, y listas de reproducción.
Son muchos los años que lleva el personaje en la carretera. En su muy extensa discografía encontraremos joyas y también temas o incluso discos «desechables» pero el setlist en sus conciertos nos suele decepcionar, y en este caso tampoco. Este 2019 podremos disfrutar en la gira de Alice Cooper «Ol’ Black Eyes Is Back» de un set de canciones para disfrutar del Rock en toda su extensión.
Para que podáis disfrutarlo os hemos preparado este especial con la lista de canciones y playlist para las principales plataformas. 
Aprovechamos para recordar que todavía quedan entradas a la venta aunque parece que se van agotando sobre todo en Madrid.
SETLIST ALICE COOPER 2019
Empezamos con el el setlist que está interprentando Alice Cooper en su gira «Ol’ Black Eyes Is Back». Más adelante en este mismo artículo encontraréis el playlist en las principales plataformas de internet para que te lo lleves de vacaciones:
Feed My Frankenstein
No More Mr. Nice Guy
Bed of Nails
Raped and Freezin
Fallen in Love
Muscle of Love
I’m Eighteen
Billion Dollar Babies
Poison
Guitar Solo (Nita Strauss)
Roses on White Lace
My Stars
Devil’s Food
Black Widow Jam
Steven
Dead Babies
I Love the Dead
Escape
Teenage Frankenstein
Under My Wheels
School’s Out
Entradas de los conciertos de Alice Cooper en Madrid y Barcelona 2019
SÁBADO – 07/09/2019 PALACIO VISTALEGRE MADRID  ENTRADAS
DOMINGO – 08/09/2019 SANT JORDI CLUB BARCELONA ENTRADAS
Playlist de Spotify para la gira de 2019 de Alice Cooper
Esta es la lista de reproducción de Spotify con el setlist completo de la nueva gira de Alice Cooper que pasará por Madrid y Barcelona en septiembre de 2019. Abrir en Spotify
//open.spotify.com/playlist/30HwD0XtaAavwN8NNWjQh4
  Playlist de Youtube para la gira de 2019 de Alice Cooper
Aquí tenéis la lista de reproducción de Youtube con todos los temas que está tocando el amigo Alice Cooper es esta gira  «Ol’ Black Eyes Is Back»  que llega en septiembre a España.
//www.youtube.com/watch?v=NO2cHJmDkBg&list=PLCp66VIEz2R-V98vu7IHTagTW_q4Ewukq
Fechas de la gira de Alice Cooper en 2019-2020
Fechas Europeas
Aug 31 – Aarburg, Switzerland – Riverside Arena Sep 03 – Marseille, France – Le Dome Sep 05 – Bordeaux, France – Arkea Arena Sep 07 – Madrid, Spain – Vistalegre Sep 08 – Barcelona, Spain – Sant Jordi Club Sep 10 – Turin, Italy – Pala Alpitour Sep 11 – Mannheim, Germany – SAP Arena Sep 13 – Berlin, Germany – Max Schmeling Halle Sep 15 – Bratislava, Slovakia – Incheba Sep 16 – Vienna, Austria – Stadthalle Sep 18 – Stuttgart, Germany – Porsche Arena Sep 20 – Paris, France – La Seine Musicale Sep 21 – Brussels, Belgium – Forest National Sep 23 – Hamburg, Germany – Barclaycard Arena Sep 25 – Kobenhavn, Denmark – Royal Arena Sep 27 – Stockholm, Sweden – Behall Hovet Sep 28 – Gothenburg, Sweden – Partille Arena Sep 30 – Leipzig, Germany – Arena Oct 01 – Munchen, Germany – Olympiahalle Oct 02 – Tilburg, Netherlands – O13 Oct 04 – Manchester, UK – Manchester Arena Oct 05 – Aberdeen, UK – Aberdeen Teca Oct 07 – Leeds, UK – Leeds First Direct Arena Oct 08 – Brighton, UK – Brighton Centre Oct 10 – East Greenwich, UK – The O2 Oct 11 – Birmingham, UK – Birmingham Resorts World Arena Oct 12 – Cardiff, UK – Motorpoint Arena Cardiff
An Evening With Alice Cooper
11/03 — Ft. Myers, FL — Barbara B Mann Performing Arts Hall 11/05 — Melbourne, FL — King Center 11/06 — Orlando, FL — Hard Rock Live 11/07 — Clearwater, FL — Ruth Eckerd Hall 11/09 — Biloxi, MS — Beau Rivage 11/10 — Montgomery, AL — Montgomery Performing Arts Center 11/12 — Huntsville, AL — Von Braun Center 11/14 — North Charleston, SC — North Charleston PAC 11/15 — Greenville, SC — Peace Concert Hall 11/16 — Roanoke, VA — Berglund Performing Arts Center 11/18 – Richmond, KY – EKU Center for the Arts 11/19 – Louisville, KY – Louisville Palace Theatre 11/21 — Glen Falls, NY — Cool Insuring Arena 11/22 – Brookville, NY – Tilles Center Concert Hall 11/23 – Atlantic City, NJ – Ovation Hall 11/25 — Indianapolis, IN — Murat Theatre 11/26 – Toledo, OH – Stranahan Theater & Great Hall 11/27 — Evansville, IN — Old National Events Plaza 11/29 — Prior Lake, MN — Mystic Lake Casino Showroom 11/30 – Waukegan, IL – Genesee Theatre
Alice Cooper 2020
Feb 08 – Perth Australia – Perth Arena Feb 11 – Hindmarsh, Australia – Adelaide Ent. Centre Feb 14 – Melbourne, Australia – Rod Laver Arena Feb 15 – Sydney, Australia – Qudos Bank Arena Feb 18 – Boondall, Australia – Brisbane Ent. Centre Feb 20 – Auckland, NZ – Trusts Arena Feb 22 – Christchurch, NZ – Horncastle Arena
Alice Cooper amplía su gira. Recordamos detalles y setlist en el artículo original de Rock and Blog
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theplaymaker · 7 years ago
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Jason Isbell & the 400 Unit with Amanda Shires. Von Braun Civic Center Concert Hall. Huntsville, Ala. 8.25.17. Anxiety. Hope the High Road. 24 Frames. If it Takes a Lifetime. Something More Than Free. White Man's World. Codeine. Molotov. Last of My Kind. Super 8. Chaos and Clothes. Cumberland Gap. Dress Blues. Flying Over Water. Stockholm. Cover Me Up. Never Gonna Change. ENCORE BREAK If We Were Vampires. Whippin Post (The Allman Brothers Band cover).
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themusicenthusiast · 7 years ago
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Single Review: "White Man’s World” by Jason Isbell and The 400 Unit
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Music is at its best when it’s touching on the sensitive subjects. The topical ones that people tend to shy away from discussing publicly or even all together, either important social or political issues that, while uncomforting, need to be discussed out in the open. It’s starting some sort of dialogue about topics of such things that allow people to gain perspective and perhaps even come to a new understanding on the issues; and the most recent single from Jason Isbell and The 400 Unit’s The Nashville Sound (out June 16th via Southeastern Records) serves as a vessel for the singer to address his personal views on race and even gender in the U.S.. The “dreaded” term “white privilege” is never mentioned, though that’s precisely what so much of the song is hinting at. “I'm a white man living in a white man's town…”, “I'm a white man living on a white man's street…”, “I'm a white man living in a white man's nation…”. Those are a few of the lines that open up some of the verses, Isbell discussing the entitlements that comes with that, even if it’s from things few even think about. “…I've got the bones of the red man under my feet. The highway runs through their burial grounds…” may well be the most striking couple of lines in the whole song, an aspect few may even consider nearly a couple of centuries out from the atrocities committed against the Native Americans, though it’s an outlook everyone should take into consideration. In regards to more modern racial tensions, “White Man’s World” impressively navigates a fine line of being aware how new a thing such as equality is, stressing the importance of that without ever exuding any feeling of shame over it. Nor should there be, because no one alive today should be held accountable or blamed for the actions of their ancestors, yet there does needs to be a conscious effort to continue progressing and striving for full equality.
Isbell uses his wife (and band mate) as an example of gender inequality (“…Momma wants to change that Nashville sound, but they're never gonna let her”), while their daughter helps represent a certain degree of fear in the future, knowing she’ll grow up in a world that is more generous towards the opposite sex. All of that is brought home by what almost assuredly sprung from the results of America’s last election cycle, those verses serving as the book ends for the song, so to speak – reaffirming Isbell’s view that this is a white man’s nation. While calling attention to some of the ignorance that still plagues the system, Isbell also offers up what could become a rallying cry of sorts in helping to fix it, the chorus centering around the fact that everyone is part of the same race, the human race, all sharing much more in common than what can be seen on a superficial level. “There's no such thing as someone else's war. Your creature comforts aren't the only things worth fighting for. You're still breathing, it's not too late. We're all carrying one big burden, sharing one fate.” The idea could easily even be construed as naïve, though it’s so simple that it makes too much sense. Musically, “White Man’s World” is just as transfixing, a steady, deep drum beat setting a mostly slower pace that allows the listener to take everything in. It’s behooving of it, the moody guitars and occasional use of the piano; the breakdown proving to be the most engrossing part, the soulful riffs adding to the emotion, while the fiddle creates a bit of a Celtic vibe at times, adding an extra flare to the track. Whether you agree with the sentiments of it or not, “White Man’s World” is an unbiased look at the world, at least in accordance to how Jason Isbell views it. It succeeds in creating a sort of dialogue and offers up some valid points for listeners to mull over. There’s no sort of agenda that it’s pushing, other than the fact that we as people need to do better to make things more inclusive, and furthermore that men need to use their station to make that happen. Pre-order The Nashville Sound on: iTunes | Google Play | Amazon MP3 Visit Jason Isbell’s websites: Official Website | Facebook | Twitter | Youtube Current Shows: June 17--Thomas Wolfe Auditorium--Asheville, NC 18--North Carolina Museum of Art--Raleigh, NC 19--The Fillmore Philadelphia--Philadelphia, PA 22--Beacon Theatre--New York, NY 23--Beacon Theatre--New York, NY 24--Beacon Theatre--New York, NY 26--College Street Music Hall--New Haven, CT 27--Blue Hills Bank Pavilion--Boston, MA 29--Constellation Brands–Marvin Sands Performing Arts Center--Canandaigua, NY 30--Merriweather Post Pavilion--Columbia, MD July 1--PNC Pavilion At Riverbend--Cincinnati, OH 2--Rose Music Center at The Heights--Huber Heights, OH 5--Samtur Amphitheater--Papillion, NE 7--Palace Theatre--St. Paul, MN 8--Joe Louis Arena--Detroit, MI 11--Mary W. Sommervold Hall at the Washington Pavilion--Sioux Falls, SD 12--Peabody Opera House--St Louis, MO 14--ACL Live at the Moody Theater--Austin, TX 15--ACL Live at the Moody Theater--Austin, TX 16--ACL Live at the Moody Theater--Austin, TX 18--Revention Music Center--Houston, TX 19--Thalia Mara Hall--Jackson, MS 21--THE FILLMORE MIAMI BEACH--Miami Beach, FL 22--St. Augustine Amphitheater--St Augustine, FL 23--North Charleston Performing Arts Center North--Charleston, SC August 22--Cain's Ballroom--Tulsa, OK 25--Von Braun Center Concert Hall--Huntsville, AL 29--Massey Hall--Toronto, Canada 30--Goodyear Theater--Akron, OH 31--The Chicago Theatre--Chicago, IL September 1--Chicago Theatre--Chicago, IL 2--Chicago Theatre--Chicago, IL 5--Bluestem Center for the Arts Amphitheater--Fargo, ND 7--Red Rocks Amphitheater--Morrison, CO 8--Red Butte Garden--Salt Lake City, UT 9--Wilma Theatre--Missoula, MT 11--Keller Auditorium--Portland, OR 12--Paramount Theatre--Seattle, WA 15--Britt Pavilion--Jacksonville, OR 16--Fox Theatre--Oakland, CA 17--Orpheum Theatre--Los Angeles, CA 19--The Van Buren--Phoenix, AZ 20--Rialto Theatre--Tucson, AZ 23--The Bomb Factory--Dallas, TX 24--The Criterion--Oklahoma City, OK 26--Baton Rouge River Center--Baton Rouge, LA 27--Saenger Theatre--Mobile, AL 29--Ovens Auditorium--Charlotte, NC 30--Ovens Auditorium--Charlotte, NC October 10--Ryman Auditorium--Nashville, TN 11--Ryman Auditorium--Nashville, TN 13--Ryman Auditorium--Nashville, TN 14--Ryman Auditorium--Nashville, TN 15--Ryman Auditorium--Nashville, TN 25--Albert Hall--Manchester, United Kingdom 26--O2 ABC--Glasgow, United Kingdom 27--Olympia Theatre--Dublin, Ireland 29--Brighton Dome Concert Hall--Brighton, United Kingdom 30—Roundhouse--London, United Kingdom 31--Symphony Hall--Birmingham, United Kingdom November 2--CAFE DE LA DANSE--Paris, France 3--Ancienne Belgique--Brussels, Belgium 4--TakeRoot Festival--Delfzijl, Netherlands 6--Paradiso Grote Zaal--Amsterdam, Netherlands 7--Uebel & Gefahrlich--Hamburg, Germany 8--Columbia Theater--Berlin, Germany 10--Sentrum Scene--Oslo, Norway 11--Sentrum Scene--Oslo, Norway 12—Munchenbryggeriet--Stockholm, Sweden 14--DR Koncerthuset--København S, Denmark
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crank11news-blog · 6 years ago
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A Concert On The Town With The Doobie Brothers
A Concert On The Town With The Doobie Brothers
The Doobie Brothers Concert List
The Doobie Brothers is touring and will be performing at several venues (see below for a full list). With hits like Long Train Runnin’, Listen to the Music and What a Fool Believes The Doobie Brothers has made a mark since forming in San Jose in 1970. (more…)
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