#Vic loves Beastie Boys fight me | Explore Tumblr posts and blogs

banesbottombitch · 7 years ago

Note

Headcannons of the bowers gang as single parents?🤔 btw, love your writing!

Fuck it, lets do this. I’ve got so many feelings about this. For disclaimers sake, the boys are 20-25, so college age. This is long.

Henry “You are my Sunshine but you’re also a Pain” Bowers

First of all, he was’t ready. Nothing prepared him to end up alone, with a baby that was his newest and most precious responsibility.

The mothers either DIED, or straight up left the baby in his arms and was like “your problem now” either way, he does not consider adoption.

Called Vic first, actually crying, because how the fuck does he do better for this kid than his dad did for him? He has no idea how to nurture, to care, to help something grow and thrive. He confesses his fears, and Vic gets Belch and the three of them drive to the closest department store, picking out baby shit.

Has no idea how bottles work. Gets the cheapest kind possible, and is so upset when the baby wont drink from them (texture might be off, his dumb ass didnt warm the milk, his dumb ass gave the baby COWS MILK, the list goes on) and screeches in frustration when they leak because, yet again, he got the cheapest fuckers possible

He’d be out of his dads house by this time, probably college age (about 20-25) but he has made a point to not let his dad know of his child’s existence, because lets face it, Butch would wanna see his grandkid (especially if its a boy). So, Henry keeps the information that he’s a new dad on lock down

Calls Mama Huggins weekly for advice, and actively looks at parenting hacks online. He’s trying his best to be a good dad, and would take extra shifts for work to make ends meet. His kid would probably go into daycare sometimes, but he doesnt like leaving them with strangers and just tries to get one of the guys (or Mama Huggins) to take them for a few hours.

Uses his kid as a chick magnet. Goes to parks and hits on the single moms while he helps his toddler roam around. Gets a lot of ass because of this, since he comes off as a very caring dad (he is, surprisingly).

Dresses his baby girl up like bad asses. His daughter wears his old bandanna with her princess outfit (claiming she is a cowgirl princess, because of course she is) or gets a jean vest with decently kid friendly patches on it, and parades her around when he gets the chance. Insanely protective of her, and follows her when she plays at the park and later as she gets older, he makes her text him where she is at all times. Low key helicopter dad. The type of dad to clean a gun in front of her new boyfriend, 11/10.

His son’s hair gets styled into a fohawk daily and he’s encouraged to wear cool printed shirts his uncles (the rest of the gang) get him that have various metal bands on them and stuff. Teaches him sports, and drags him along to baseball games when he can. Was a bit torn when he heard his son was causing trouble in school, but decides that he cant have his kid doing the same shit he did and nips the bullying in the bud. His son got his temper, and it upsets Henry sometimes how easy it is for them to snap at each other once he gets older.

Takes his kid fishing, hiking, rides on motorcycles, ect. Lots of out door activities. His favorite is to take his kid out fishing, because they’re TRAPPED with him and he gets to spend the day with his mini-me, making crappy jokes and teaching them how to do proper techniques, like he always wished his dad would have done with him.

Gets really stern with his kid though. Takes no fucking bullshit from them, and lives the line “because I said so”, expecting his kid to listen. He loves them, he would NEVER raise a hand to them, but he’s not above a sit down and heavy glare if they mouth off to him or act up in public.

Lives his life better to make his kid’s life better. Goes to anger management if he thinks he’s starting to emulate Butch, and he’s explained to his kid why they’re so distant from his family. Doesn’t articulate what Butch has done to him, but makes it a point to focus on the fact that they Do. Not. Talk. To. Butch.

Makes a point to take his kid to school every day. Tells his kid how much he loves them. They do not go a day without a clap on the shoulder and a small little smile that he wears just for them.

Reggie “GET THAT OUT OF YOUR MOUTH RIGHT FUCKIN’ NOW” Huggins

He was a little shocked when he ended up with a baby. Dazed, confused. He just sat there with this bundle, all soft and small, and held them close. He didn’t know what to do, but does anyone when they become a single parent without word?

If his s/o died, he would be heart broken, but pull through for the kid. If his s/o dumped the baby on him and ran, he’d be fucking furious and vow to never let them within arms reach of HIS child.

The best at easing into parenthood. He told his mama that adoption wasn’t an option, and that he was going to take care of the baby. “I can do it,” he told her, “I’m a man, and men take care of their kids.”

Mama Huggins is overjoyed to be a grandma, even if she claims shes a little young to start being called Nannie, but she spoils that baby rotten. Reggie has to fight to keep her from buying the kid so many different outfits, as she goes overboard and buys too many, and they grow out of them before they can even be tried on.

Leaves the kid with his mom to work, which is fine for Mama Huggins, but Reggie feels like he’s ghosting his kid when he does it. So he works harder and advances in his career as much as possible, wanting to get to place where he can maybe get extra days off to be with his kid.

Wakes up early to make them breakfast. Every morning he sits down with them, from infancy till they leave his house (read as, his moms, he never moves out lets be real). He wakes them up gently, or flicks on the lights and heaves a great big “UP AND AT ‘EM, KIDDO!” But its all with love.

Doesnt seem interested in dating for the most part, but ends up meeting someone with kids at some point in time, and is happy to have his kid get a new sibling. He always wanted one himself.

Gives in too easily if his kids misbehave. If they cry, it HURTS him, and he just lets them do as they please. Had to nip this in the bud before they got into school though, because he wasn’t going to deal with a spoiled brat for 12+ years.

Straps his kid into the backseat of the Trans-Am, and has a Dad Bag under the seats for bottles, toys, and general baby shit. Patrick likes playing peek a boo with his kid, and Vic only complains a little bit of he has to feed the baby.

Stops going out with the guys, and is worried that it will dampen his relationship with them It doesnt, they just start coming over to his house and hanging out. Henry was scared to hold the baby at first, but Reggie eased him into it, and now Henry’s the first one to grab the nugget and bounce them on his knee to calm them down.

If he had a daughter, jesus christ. Jesus H Christ. His most precious gem, his princess, the light of his life. He spends free time doing tea parties, letting her “help” him with fixing Amy, and lets her run wild in the neighborhood. She is fierce, she is the wilderness- NO, HONEY, DONT PICK THAT SNAKE UP PLEASE- DROP IT. DROP IT. NO, DONT ARGUE WITH DADDY. DROP IT!

His son would have a very healthy and loving relationship with him. Everything is open for discussion, and he tries to lead his son into a better light than bullying or the like. Lots of sundays are spent in the front yard, tossing around a football while his son asks the craziest, but most wonderful shit he has ever heard. “Dad, whys girls gotta be so.. weird?” “Dad, do you think Luke Skywalker would have been cooler if he was a sith?” “Dad, if we die, do we meet god, or do we gotta wait in line with our guardian angel?” Loves his boy, cherishes him. He can do no wrong.

Goes to every single parent/teacher conference, and puffs up in pride when they praise his kid. Because, of course they’re praising them! He raised them right!

Victor “Pinterest saved my life” Criss

Legit hid the baby from his parents/bros for a good week before he ran out of excuses as to why they hadn’t seen him for days. He’s at a loss of what to do, and considers adoption. He isnt a paternal guy. he thinks, this wont work out.

Already moved out, like, come on. He’s a rich boy, his parents set him up in a nice apartment/condo in Bangor for school.

If his s/o was still alive, he’d have given the baby back to them. This only works if they ghosted town, or are dead. Otherwise, he’d have been like “fuck no”

Finally figures he’ll give fatherhood a shot, and quickly realizes how much he did NOT bargain for.

Reggie turned up to help one day with Vic holding his baby and sobbing back at the baby while it shrieked and squirmed, the poor guy having no idea what to do. Vic was escorted to the bedroom, and given a nap whole Belch attempted to get the baby to sleep.

Buys all the nicest shit the baby could ever need or want. Lots of sleepless nights are spent with him rocking his baby and scanning amazon, thinking that yet another Sophie the Giraffe is exactly what his demon spawn needs to keep from sobbing through the night

Turns to online archives and pinterest for advice, and slowly becomes a better dad. Lots of trial and error, trips to the emergency room from Patrick convincing a half-dead Vic that his baby’s cough is from the baby black plague, and some angry sobbing of his own leads to a decent routine that makes him and his kiddo happy.

Instagrams his kid, because to be fair, he made a gorgeous baby. Sends lots of photos of the kid to the guys, and Patrick uses some of the most unflattering ones as reaction memes, because he is a dick. Vic has laughed at them, despite being furious Patrick would dare to make his baby a meme.

Literally cried when his kid called him “Dada” for the first time. On the floor. Sobbing. He called Reggie and made him come over. Henry and Patrick came around and tried to get the bay to say swears. They got them to say “sheet” which is pretty close to “shit” so they called it a win.

Throws the biggest birthday parties for his kid. Confetti? Everywhere. Cake? Three layers and professionally made. Presents? Out of this world.

Most stylish child of the group’s kids. Sunglasses, designer clothes. That kid dresses better than you do by the time they’re five. They own it too, and flaunt it for the camera, because Vic takes 89,005,467 photos of his child on the daily.

Taught his kid Beastie Boys songs, and there are videos of his kid rapping along to “Intergalactic”. Vic is so proud of his kid.

Friend dad. Has a hard time punishing his kid if they do something wrong, and sometimes makes up for his own mistakes (raising his voice, getting to upset) by giving them gifts. Its not an amazing system, but his kid is humble…ish.

Having a daughter, that boy is her best friend. She can tell him anything, it wont phase him. Willingly talks about boys, clothes, music. Loves to take her to the park and watch her knock the boys down a peg or two. she inherits his sharp tongue, and its scary how fast she goes from 1 to 101. Blunt child, that one.

A boy? Vic’s son is given the coolest shit, there is no need for want with this boy. Probably some awful mix of fuck boy and wanna be rapper, but Vic loves him anyhow. Shows him off to the gang CONSTANTLY, and shows up in almost matching outfits without realizing it. Its cringey, but it could be worse. Teaches him how to throw a punch and encourages him to kick ass if people step up against him.

Puts his kid in after school tutoring, and thinks bonding time is shopping or watching TV together. Fills their schedules with sports, dance, and music. Expects a lot out of them, academically.

Loves his kid, even if they’re being an asshole, not matter what.

Patrick “You’re Demon Spawn and I adore that” Hockstetter

Was not here for this dad shit. Considered chucking the baby into the system, and would have done it too, if his mother had’t made him face the music.

Total “This is what you get for having unprotected sex, Patrick” rant from her. It ended with him being forced with a baby and his mother’s watchful eye on him. Shes not going to have another Avery on her hands.

Hates the baby the first few MONTHS. No love. Nothing there. Lets it cry itself hoarse, barely remembers to feed it, the type to forget an infant in a shopping market. Considers the possibility of it being real, since it came from him in one way or another, and feels a little threatened.

Drops the baby off with his parents 99% of the time. the 1% is when his parents force the baby back with him.

The first time he feels a little something for the kid is after getting them back from his parents and sitting in his apartment, with him screaming at the kid to shut the fuck up, (the baby is sobbing, lets be real) and they just stop. Right then and there, silence.

They lock eyes, and Patrick swears he sees a flash of something behind their little baby eyes, almost as if they are betrayed he’d treat them that way, before they quietly sniffle. And then Patrick Hockstetter, the man, the myth, the self proclaimed Literal Satan, feels guilt for the first time.

He picks them up and calms himself down, bouncing them on his hip and softly talks to them. No hate, no love really, just apathetic words that a baby couldnt understand. He does that for hours, until the baby is sleeping, and even then he keeps going. Pours out every thought he’s ever had to this little version of him, and the next time he puts them in their crib, he does so gently.

Lowering them down and tucking a blanket in around them. He decides they’re worth something to him that day, and everyone in his life see a drastic turn in his reactions towards his child.

Kind of a distant dad, but his kid knows that Patrick is their father and that he, yes, loves them. He’ll still drop his kid off with his parents sometimes on weekends, but as the kid grows up and he starts seeing more and more of himself in them, he’d be more attentive.

Goes on philosophical rants with his kid, and expects them to keep up. Raises his kid to question everything, and they grow up almost just as creepy and weird as him. He’s proud that they’re a little freaky, otherwise he’d be worried they weren’t his.

Patrick wouldn’t do too well with a daughter. He’d make it work, but there would be some issues. He has no idea what common ground to go off from, and would force his daughter to be more tom boyish and enjoy the same shit he does. Wouldn’t care if she was a bully in school, actually encourages it. Hands her cash, shares his weed stash with her once she’s older, and bids her good day. Doesnt see reason to punish her for misbehaving hopes she doesn’t end up dead in a ditch somewhere from her smart mouth. Grades are the least of his concerns. Will kill anyone who hurts his daughter though, and makes good on his threats too.

Patrick thrives with a son. A mini-me, that is almost indistinguishable from himself. Same creepy little smile, same predatory tilt of the shoulders and with eyes that pierce your damn soul. Praises his son to the high heavens, calls the boy a genius, and 100% thinks of him to be the Jesus to his God, if you feel me. The promised one, type of shit. Think of a young Trick from Black Mirror, and thats the kind of son Patrick hopes to have, if not MORE edgy.

Halloween is his favorite holiday as a dad, because he takes his kid out and scares the shit out of other children and teaches them to steal the candy.

The family photo of him and his kid is them out with the gang, with his kid (about 7) wearing his jacket by a bonfire and flipping the camera off, him squatting beside them and doing the same damn thing with the biggest shit eating grin. Ah. Parenting. Patrick’s a natural.

#The Bowers Gang #Hcs #patrick hockstetter #Henry Bowers #victor criss #vic cris #belch huggins #reggie huggins #Single Dads #THIS WAS LOOOOONG #Tbh I wanted to die laughing while writing Belch's #IT 2017 #Vic loves Beastie Boys fight me

209 notes · View notes

westakoasta · 6 years ago

Text

P-MINUS - 2019

Where are you from? And what’s your first memories linked to hip hop?

I’ve lived all over - Belgium, Germany, Ohio, Missouri, the Virgin Islands, San Francisco, and now Los Angeles. But I spent the most years, including high school and college, in Missouri, so I feel like that’s where “I’m from.” I first remember hearing hip hop while living on St. Thomas (in the Virgin Islands) and the three songs that started me on this journey were “I Need Love,” by LL Cool J, “You Be Illin’” by Run-DMC and “Fight For Your Right To Party” by the Beastie Boys. I must have heard them on the radio, so that would have been 1987 - the year of my hip hop birth. In 1988, I moved back to Missouri and a neighbor of mine had a ton of rap tapes so I’d borrow his tapes all the time or listen to them in his car on the drive to school. I believe that the first tape I ever bought was Schooly D’s “Smoke Some Kill” (1988).

What got you started with Atak Distribution, how and when did it begin?

Fast forward to 1994 - I had graduated from college, where I had been the Hip Hop Director at the school’s radio station, and moved to San Francisco where I began an internship at Gavin, a music magazine that curated Top 40 lists for radio programmers. Somehow through that job, I met DJ Stef (editor of the Vinyl Exchange) and started writing record reviews for her. And on one fateful day, I received a copy of Sacred Hoop’s “Demo” tape for review and I thought it was the freshest thing in the world and in 1996 I officially became an underground hip hop junkie.

Were you a hardcore music collector before you started Atak?

Before Atak, I had a decent cd and record collection, full of ‘90s “golden era” major label releases, but hardly any tapes and barely anything considered “indie” or “underground.” Back then I wasn’t a collector, just a music fan, because all this incredible music was just sitting at the record stores for $12.99. I shopped a lot at Amoeba and Rasputin’s and a few other smaller stores in the Bay area, plus a few record labels and artists would send me promos for review.

How did you choose what would be in your catalog? How did you make contacts with the artists?

Starting with Sacred Hoop, I was certain that this amazing group wasn’t getting the exposure it deserved, so the seeds of Atak were first planted. I then started soliciting for more submissions through the Vinyl Exchange and some other Bay area rap magazines, such as 4080. I think that the Hoop started spreading the word, too, because I soon started getting tapes from the likes of FTA, Megabusive, San Francisco Street Music, Jedi Knights Circle, 99th Demention and others from the South Bay and SF. Somewhere in there, I met up with the Mystic Journeymen, bought some tapes from them, and was eventually exposed to Berkeley and Oakland artists such as the Living Legends, Hobo Junction, Zion-I and Illa Dapted. If I liked your tape, it would get in the Atak catalog. The first printed mail-order catalog had 12 tapes in it and the very first tape sold was Mystik Journeymen’s “Escape Forever” on August 10th, 1996.

Was the mail-order a full time job or did you have other occupations (studies, other job?)?

During the first few years I had several jobs: the Gavin internship became a paid job, I worked at a grocery store and then later at a vegetarian cafe. Eventually, since my rent was cheap and I was starting to sell more music, I was able to do Atak full-time. All the storage and shipping was done out of my bedroom.

Did you have many overseas/international customers and what role did that play in the business?

It looks like I started getting my first international orders (from Finland!) in 1997. I don’t know how they found out about Atak, but they were serious fans of West Coast underground so word spreads fast amongst those folks. Fans in Finland, Australia, Canada and Japan were my strongest supporters, with a few folks in France and Germany, too. This was before I started selling online, so these folks were trusting me with their cash and money orders and I will be forever indebted to them. Through these customers, I was exposed to international hip hop and eventually started selling music from the likes of Ceebrolistics, the Sebutones, mcenroe, Mary Joy Recordings, Muphin and the Hilltop Hoods.

What was the « peak » year in terms of sales and in terms of quality of music?

After a year or so of mailing out catalogs and setting up tables of merchandise at shows, Atak finally got online with the help of one of my earliest customers, Todd (aka Vic aka Celph Titled), who was extremely active on hip hop message boards, and he really helped spread the word around the U.S. and the world, so Atak started getting more non-Bay area music in the catalog and I started getting orders from everywhere. I think that the music quality was strong start to finish. I was listening to everything before I put it in the catalog, and if it wasn’t dope, it didn’t get in.

Did you ever wanted to make Atak a bigger thing, like UGHH or such?

There was a time in which I would have loved for Atak to get really big, because it was all so much fun - all the shows, meeting the artists, hearing a ton of new music, even the packing and shipping was fun for me. But in hindsight, it is clear that I was better at being a huge fan of the music rather than being a savvy businessperson. At the point in which digital music started taking off, I didn’t have the technical knowhow to adjust accordingly, and a big part of me still simply loved selling physical copies. As a fan, I didn’t want everything to go digital, but as a businessperson I should have dived in headfirst to keep up with the other big websites. I admired what the other sites were doing, and what friends like Shane (aka Kegs) was doing with Below the Surface - putting out records, putting on shows, opening a brick-and-mortar storefront. But part of me liked keeping things small and simple, but that clearly pushed me into smaller and more obscure corner of the online hip hop biz and eventually bumped me out of it altogether.

You did some cd-r reissues as well as a couple of mix-cds. Any temptation of launching a proper record label (as in: « new release, no reissue ») at some point?

I’d been wanting FOREVER to start a label and put out records! I made a feeble attempt to put out an Atak compilation in the late ‘90s, full of all the folks that were in my catalog at the time. I was able to get maybe 7-10 crews over to my house one night to talk about it, but since I had no idea how to really put it all together, I ended up getting one original song, from Nitrous Ox, out of that great big idea. More recently, I’ve been hoping to help folks put out releases but nothing has materialized just yet. Nowadays almost everyone is really good at getting this stuff done themselves, so I’m happy that they are taking control of their destinies and getting their music out to the world.

Can you give us your personal Top 5 favorites in your sale catalog? Also one that you think was dope and didn’t have the recognition it deserved?

In no particular order, I’ll list a few of my favorites, but I’m obligated to mention Sacred Hoop’s “Demo” (aka “Sacred Hoop” aka “Runny Poop”) first since that tape inspired everything. I was also thrilled to be able to pick up indie music from the Hieroglyphics (“Hiero Oldies”)and Saafir (Hobo Junction’s “Limited Edition Compilation”) since I was such a fan of their major label stuff. I really liked Red Tide’s “Rogue MCs” tape. Disflex6’s self-titled debut (aka “1984”) was great. The Kracken’s “Abstract & Cognac” left me wanting much more. The Sebutones’ “50/50 Where It Counts” blew my mind! Early stuff Dose One and Why? showed me that hip hop had no boundaries. This is an extremely abbreviated favorites list - as I look back through my old catalogs, I realize that I loved them all. It was all so new and so fresh and I think these artists all deserved more recognition than they got. I’m glad that I could help expose them a bit but I wish I could have done a lot more.

Did you developed friendship with artists/crews over those years and do you have interesting stories/ anecdotes linked to that?

My anecdotal memory is terrible so I’ve sadly forgotten a ton of great stories, fantastic show moments and hilarious conversations. Looking back, I should have kept a journal or taken a million photographs, because we all had so much fun and did so much back then. But, luckily for me, I’ve been able to keep in touch with a few of my very favorite people, emcees Luke Sick (Sacred Hoop/Grand Invincible) and Roughneck Jihad (Third Sight), and producer Deeskee (who has probably produced more songs in the Atak catalog than anyone else). And luckily for everyone else, all three of these guys are still making incredible music, more than 20 years after giving me tapes to review. A few weeks ago I got to hang out with The Grouch for a bit and he gave me a copy of his “F...the Dumb” double vinyl, 20 years after I first sold that tape in the catalog.

Why (and when) did you stopped Atak?

Atak started to slow down around 2004. I had recently moved from the Bay area down to Los Angeles, gotten married, bought a house, and started another job that was able to pay the bills more reliably. I was still getting orders and submissions from new artists, but wasn’t able to give Atak the focus it required to really push new artists and releases. I didn’t have time to go to many shows anymore, and all my hip hop buddies were still up in the Bay. I had ambitions to reboot the website, but then my web host got hacked and I had to shut down the site...and then I never got it back online. I eventually moved my inventory onto some other online platforms and kept selling, but for the most part, Atak was done. I’d like to take this opportunity to apologize to the artists who submitted music around this time. I was getting some great music but just didn’t have juice to do anything with it.

Any thoughts on the evolution of hip hop? What about the the come back of the cassette? Is it possible that Atak would make a comeback in the future, in some form or another?

Tough question, because I don’t keep up with much truly “underground” music anymore, so I really hope that there are a ton of dope kids putting out dope music out there, and I’m sure there are plenty of them. I love 90’s hip hop so much, both major label and my Atak stuff, that that is what I still listen to the most, digging in my records, tapes and cds or bumping music in my car. I agree with most true heads that a lot of today’s hip hop is junk, and though I’m happy to see rappers get big and make money, I’d much rather that it be good, original and compelling hip hop. I’m stoked to see everyone buying and releasing tapes again, because of my love for the physical copy (though I agree that a free or cheap digital download is an essential part of that sale). And in regards to Atak’s great big comeback, I don’t think it will happen - it would require too much time and energy to do it right. But if I can still help out a few people, promote a few records, maybe even sell a few for my old pals, I’m happy to contribute.

A specific question from the homie Age: do you still want to reissue that Hi-State album?

I bugged my man Mr. E about that tape FOREVER and at least he finally put it up on Bandcamp (https://eightarrow.bandcamp.com/album/hi-state-project-demos-n-shit-vol-1) and we chatted about putting out a cassette reissue. I’m sure he wouldn’t have much trouble selling a short run of 100 tapes, so I’ll remind him about it. But I’m happy that fans can at least take a listen or buy it online.

What do you think was the most special in the 90's underground scene, and do you believe something like that would ever happen again?

I’ve never really tried to analyze that scene, but in retrospect, I bet that a lot of these emcees, producers and deejays were inspired by all the incredible major label releases that kept pouring out in that decade. So much quality hip hop was coming out and it was easy to see on “Yo! MTV Raps” and BET and the good stuff was even getting on the radio! It was everywhere and it was so damn good! I’m sure that these kids just wanted to be a part of that magical time, and a lot of the underground music was super fresh, too, because it wasn’t easy to make beats and put out cds - they had to commit to it and create a whole scene and they had to be dope to do it. Granted, I’m a old nostalgic rap dude now, but I don’t think the major or the underground scene will ever be that saturated with fantastically innovative, powerful, creative and inspired hip hop. Nowadays there isn’t enough inspiration in the scene for there to be an onslaught of great new hip hop like there was for me back in the days. There will always be a lucky few who can inspire themselves to be original and make great music, and hopefully these kids will get a chance to be heard.

Interview conducted by Kaliyuga Pro & Pseudzero with a bonus cameo by Age, february 2019.

12 notes · View notes