#Value Handicapping

[perfectwastelandsuit]

Betting A-Z: V – The Ultimate Encyclopaedia for All Your Betting Needs

Betting A-Z: V – The Ultimate Encyclopaedia for All Your Betting Needs Value: The worth or estimated likelihood of a bet winning. Value Bet: A bet that has a higher probability of winning than the odds offered by the bookmaker. Value Bet Analysis: The process of evaluating the worth or probability of a bet winning to determine if it is a value bet. Value Bet Calculator: A tool used to calculate…

[luzng]

[allcalculator]

Spot your ideal weight using an ideal weight calculator!

How can you calculate your ideal body weight?

The best way to determine ideal body weight is through a BMI calculation. This free calculator utilizes the scientifically approved formula m/I2 focusing on your height, age, and gender to place you within the ideal weight chart. This Allcalculator.net's calculator can determine the ideal weight for both women and men. An easy-to-read chart can help you understand where your healthy weight should be. According to WHO, the ideal weight falls within a BMI range of 18.5 to 25. The online calculator places the ideal weight for women at a BMI of 21 and men at a BMI of 23. An ideal weight for your height can prevent all kinds of complications caused by being overweight or underweight.  

What is the significance of the ideal weight value?

It is important to note the ideal weight chart displayed in the calculator, which is an approximate calculation and is seen as a benchmark value. These values vary significantly based on lifestyle and body makeup in fat versus muscle content. The fact is that high-fat content, not muscle percentage, results in obesity and possible health consequences. An ideal body weight cannot be equated with the proper weight for someone in cases where ideal weight depends highly on society's definition of beauty. Each individual feels comfortable and healthy within their skin.

 What are the limitations of the IBW calculator?

The limitations are based on formulas and methods where the formula is designed to apply to as wide a range of people as possible. 

They cannot be accurate for a single individual value.

The formula factor is based on height and gender. There are no considerations for handicaps where people are on the extreme ends of the spectrum, or muscle mass to body fat rations known as body composition.

This Allcalculator.net's calculator is a general guideline based on formulas, as its results are not intended as strict values that a person must achieve to be considered an ideal weight.

[sage-lights]

today's been a hard day scrolling through smoshblr, and i need to ask y'all honestly how to navigate it all. i'm gonna bullet point my thoughts.

dani saying that she was not valued at her most recent job (which is smosh because her linkedin says she left march 2024) because her mentors/superiors were eager to help her grow until her growth became a threat. so she faced an unpleasant and unsupportive work environment at smosh, a common phenomenon faced by plenty of black women and other woc in entertainment and in LA (source here)

kimmy announced she officially isn't a part of smosh anymore. didn't want to "spill tea" (which dani didn't intend to either, they just both want to be transparent about career changes). kimmy is also a woc who moved from cast to crew, despite still expressing that she wanted to be on camera. curious, huh?

today's smosh games video with noah and olivia. noah has been talked about quite a bit on smoshblr already for his zionist views. (source here)

learned olivia posted a pro-israel story back in oct, but i read the replies on the post and it says that she also has posted about a ceasefire in gaza, but i haven't seen screenshots of it yet (not saying that it's like "pics or it didn't happen" though). reading through the replies say that tommy and amanda (oof, this one hurts) also posted similar things on oct 7. hoping they've educated themselves and understand why we need to continue calling for a ceasefire and supporting palestine to end the genocide in gaza. (source here)

olivia parked in a handicap spot and claimed she didn't know? i didn't watch the who meme'd it when it was uploaded, but it caused many fans to be upset at olivia for it. (source here)

damien, angela, and mallory are the only three i've seen say anything in support of palestine. damien said talked about it on twitch, angela tweeted about it, and mallory posted stories about aaron bushnell. (if anyone has the screenshots/sources, please leave them in the replies!)

i need to clearly state that i don't mean to bring any of this up as a way to bash smosh. as this blog will tell you, i'm a huge fan and have been for almost a decade. but with every passing day, it honestly becomes harder and harder to stay a fan. yet, it's equally as hard to let go of something that has provided me so much comfort (and probably saved me many times over).

where do we as a community go from here? guess i'm just feeling a little lost right now.

again, none of this is meant to be hateful towards anyone. especially because we don't know who they are in their real lives. we only see their public personas.

and to anyone who is confused as to why we as fans should hold smosh accountable for these instances, they are a company with a massive following. they have influence and the things they say and bring attention to reached millions of people. but beyond that, there are people involved. people getting the short end of the stick, getting hurt, for the benefit of a few.

i hope this all made sense. and wow, it's a long ass post. as always, i really appreciate the other blogs on here for being willing to talk about these things. it makes me feel much less alone in my confusion.

please keep all discussions peaceful. absolutely no hate towards anyone will be tolerated.

[aimasup]

just found some Valiant AU development sketches and notes in my old OLD sketchbook

I really thought it would be a webtoon

long post warning! And I mean long looooooooong post. If you get to the bottom and go "I'm not reading allat" I do not blame you

more under the cut:

^^^ OC

General notes:

This Valiant AU was meant to be a solarpunk superhero slice of life that slowly reveals a heavier plot, mostly focusing on character interactions and personal growth

White Hat Incorporated is a struggling, newbie business and clients are rare

The episodes can range from domestic shenanigans like fixing a leaking pipe or getting dinner, to running their business by defeating the villain of the week

The villains and heroes stay in their roles from canon. The only ones with major changes are our main 4 guys

All major information about White Hat would be discovered from the point of view of Lumencia and Zug as they realize that not only is PEACE corrupt, but that their boss is neither human nor demon nor alien

Now onto the characters themselves:

Dr. Zug Gleis

Like his name suggests, he likes trains. His train is also a drill that was an attempt to burrow out of government's arrest

Which he then modified into a laboratory, each train cart being a unique kind of laboratory for surveillance, medicine, etc. He sleeps very uncomfortably in cramped spaces and likes it that way

V.I.R.U.S is now a software he created and repurposed into his bratty computer assistant, now Cambot. She's also the one recording all their commercials and making his coffee. Basically Zug doesn't get along with ANY of his children

He doesn't like to leave his laboratories, so he set up a network of tunnels through White Hat's mansion that send and receive messages, inventions, food, etc. There's one little chute for these in most parts of the place

His arc was focusing on his inability to accept help from others because he sees any kind gesture as a possible way to control him. Even worse if the kind person genuinely means it, because he also sees accepting kindness as a handicap, a debt

His villainy was an easy way to make money and show the world his capability without any assistance from any hero or villain organization

Really, he just wants to be able to do whatever he wants, but his need to be the best or else he's the worst is tiring for him. Anger issues don't help

This stemmed from a past of constantly being bullied and compared to his brother, Goldheart

After dropping out of hero college, Zug became his own supervillain's known as The Mad Condoctor, whose theme was, you guessed it, trains. He stole trains, modified scrap metal, targeted stations and trade centers, held hostages, prepared puzzles for heroes to solve, etc

The Mad Condoctor was notorious for being uncooperative and a backstabber. He operated at night and was an expert in secret missions, spyware and tech-based combat and the likes

By the first season finale he would have genuinely cared for his coworkers but still didn't value his own life, so he let himself be taken in by PEACE. The crew have to go retrieve their idiot and many things about White Hat Incorporated are revealed to the public after they clash with their local PEACE headquarters

He finds authority annoying and hates seeing people kiss up. Mostly shameless in his actions and doesn't much care for other people's opinions. Can be honest to the point of hurting

So he is a terrible liar. It's like he's allergic to it or something. Prefers to lie by omission

Will only call White Hat 'sir' and 'jefecito' sarcastically or to get a point across. Unfortunately hopelessly devoted to him at the end of the series whoops

Lumencia

A superwoman with horse-like powers that decided to choose unicorns as her motif because that's way cooler. She has kicks and punches that convert her diet into energy, which is great because she loves eating

Changed it up so that Lumencia is the resident prankster and WH tells puns, not the other way around

She has a room with a slanted ceiling which she can climb out the window of to lie and chill on the roof. She's also converted that space, where flat roof meets slanted roof, into an outdoor cinema/gym, decorated with christmas lights. The mansion is a three-way clash of decorative styles from afar

She doesn't have a license to be a hero, but she helps out wherever she can anyway, stopping purse snatchers and helping lost children find their parents and such

In fact, she is actually one of the most beloved people in the little town they live near, with many residents familiar with her buffoonery but affirming her as a reliable source of help

She's also relatively well-known online, as she posts videos of her playing the guitar and well-intentioned but nonsensical 'Lumencia Tips', filled with terrible puns and comic-like ballpoint pen doodles

Her arc would have focused on letting herself acknowledge her strengths that aren't related to fighting

Shes very buddy-buddy with petty criminals and shop owners alike, able to strike up a conversation and make pals no matter who they are. Once she deems you chill, you can chill, yknow? This isn't on purpose.

Even though she has gross taste in food and is messier than Zug, her handwriting is very pretty and neat. She also is very good at graffiti and sticks to an aesthetic, with glitter and y2k stickers and denim-clad wizards on skateboards, all the works

She has a very straightforward view on heroics and is not big on plans, preferring to punch her way out of situations or annoy her enemies to tears. In fact, her main goal is to become an official part of one of the many PEACE-brand hero leagues.

There's other hero corporations too but PEACE is the number one in America

So one day she just showed up on White Hat's doorstep and never left because it would 'look good on her resume'.

Previously, she bounced from place to place, relying on connections and the occasional tip from her halfway-illegal heroism efforts to get by. She also doesn't remember where her powers are from, only that her parents worked at PEACE and where killed by 'villains' when she was a little girl

Her favourite place is the funfair because that's the last nice memory she had

By season two she would have started another arc where she learns that she was an experiment and her parents were killed by their own higher ups in PEACE to silence them, and she has to come to terms with why she even wants to be a hero as well as stand her ground when her optimism is challenged.

Lumencia's music is like whatever Equestria Girls and Electric Mayhem have going on. I think the genre is power pop? Either way it sounds like those elaborate 80s radical van murals look

Is an effortless liar in the sense that she says the most batshit things with utmost confidence and treats consequences like an afterthought.

Only calls White Hat 'White Hat' and not 'boss' when she feels the situation calls for it. Also unfortunately hopelessly devoted to him by the end of the series

624

An extra set of hands that cleans the place and helps out with their little business. Does not like being interuppted when listening to music

Goes from 'fucking hate these guys' to 'they give me food therefore they are mine' in the span of the entire series

Quite lazy, plays the winning side. Which is usually the heroes here

Dunno if I'd call his arc an arc. All I know is there's an episode where his spoilt teenager-ismd hits their peak and Zug and Lumencia have to reach an understanding with him by respecting his boundaries and helping him feel secure

And after that episode, 624 stopped being a total catalyst for disaster plotwise

White Hat

He is one of the comic reliefs and manages White Hat Incorporated, often making really stupid decisions because profit is not on his mind

The final voice I settled on for him was fucking Australian Markiplier

His "growth" would be the characters and readers seeing him to actually be a caring, experienced-in-heroics-but-not-business individual who gives really sound advice and becomes a source of comfort for his close friends

But is still a MEGA-PRICK. Every time he gets beat up it's for a valid reason

In canon, villainy triumphs because Black Hat is there. In the Valiant AU, the story is in the heroes' favour because White Hat is in his place.

I wanted him to be (mostly) opposite to Black Hat in many ways! BH's office is huge, minimalistic, corporate and cold, while WH's office is small, maximalistic, filled with sentimental items and like a warm cabin.

BH basks in hellfire and while WH does use fire, he prefers the ocean. BH enjoys golf, WH enjoys dancing. BH takes himself seriously, WH very much doesn't. BH detests everything, WH has an appreciation for everything. And etc...

They're still horrible creepy eldritch monstrosities, the fish theme for WH is just because he likes ocean shit and fish are scary

BH has made himself known globally and universally, he has statues and monuments and paintings

WH has nothing; White Hat is five years old. This is his first time being White Hat

But he's been around since the beginning of time, taking many forms and names, learning the wonders of the universe and giving all of his time to help however he could

He believed this to be natural, he's the one of a kind who doesn't need rest or food. He can't die or get really hurt, and would later learn he couldn't bear to love either

Some of the things he was included many plants and animals before the humans, then farmers and warriors, witches and politicians, an entertainer vigilante, a writer, a parent, a fur-clad warrior in the snow, guiding forces of nature, and a female pirate.

I wanted him to cycle through the entire alignment chart in terms of morality as he exhausted everything he could do to make a difference

After World War 2 on earth, his psyche gave out and he collapsed into a long, long nap; a shadow pooling in a lake, his favourite

Finally woke up and decided to take his own form not based on any species or star or tree, chose his own outfit and everything

And made his debut as White Hat, forged documents to start a small business for heroes support

He doesn't have an arc, but if he did, he would be in the midst of learning to let himself get attached again and be properly selfish. Maybe identity issues.

But he doesn't have an arc

And so really only serves to help out Zug and Lumencia. He's comfortable with no one knowing these things about him ever, because what would they even do if they did?

Wouldn't change anything, they wouldn't understand the full scope even, so he's at peace with himself right now, grateful that he's alive for once

He uses manipulation to direct conversations away from himself and get people to spill their feelings, or burrow into their trauma without using magic

if he wants he can let loose to trigger some kind of indescribable primal instinct within a person, that cripples them with terror and despair and love for the sublime face of something divine, bigger than the observable universe. He doesn't like doing this.

He's a fan of ice and shadow manipulation, he thinks the colours go well with his coat

Most animals hate him and he cries about it

He also cries when he tries to download an app on a laptop

He is a competent medical doctor, babysitter, and waiter. In fact, he seems to have infinite patience and calm when he isn't whining over dessert like a toddler

The human skeleton hanging in his office is real

Hopelessly attached to Lumencia, Zug and 624 by the end of the series but they don't need to know that

This AU will forever make me warm and fuzzy inside I love them so much, I had so many locations planned, started Pinterest boards and shit

Instead I think I'll take some of these things and apply them to my OCs instead! HUGE thanks to everyone who enjoyed this version of this AU while it lasted! Maybe it'll come back one day, maybe not. Likely not

[bevanne46]

How to Build a Fabric Stash without Breaking the Bank

Fabric can be expensive but it doesn’t have to be.  If you are not stuck on Name Brands or Specialty Fabric Store Exclusives here are some ways to build your fabric stash without costing an arm and a leg. I have made many beautiful quilts using various fabrics from various supplies. And I believe that the quality is not just in the fabric you use but also in your stitch work and seams sizes. If your seams are less than a ¼” they will not hold (personally I prefer to use a ½” seam allowance). If you are not securing your thread ends, your stitch work is going to come undone. So be sure to watch these things too.

Look for fabric at your local Thrift Store (Goodwill, Value Village, etc.)

I have found some wonderful fabrics in various sizes, notions, storage items and more at my local Thrift Stores. I have even found unfinished quilt tops that I have brought home and added a backing to then quilted. Remember that almost any size fabric remnant can be added to other remnants to make some wonderful scrappy quilts so save your own remnants after making a quilt, you may be able to use it later in another quilt.

Look for local Fabric Sales held by Quilting Guilds in Your Area.

We have 2 near me every summer.One charges $2 per pound for any fabric. The second one charges $2 per yard for any fabric. Both also sell batting, notions, books, machines, tools, and more.

Look for fabric on Facebook Marketplace, Nextdoor and other sites.

I sell extra fabric on Marketplace and Nextdoor. I have also found several ladies near me selling fabric that I have purchased. And some I have purchased with shipping to me.

Look for older 100% Cotton Sheets at your local Thrift Stores.

Back in the 1800’s and early 1900’s, Quilts were not show pieces. They were real functional blankets that were made from any and all fabrics they could get, usually used clothing. I think there is no reason why we cannot still do that instead of buying expensive fabrics. I have often used clothing, sheets, curtains, and other linens to make some wonderful, usable quilts. And there are some wonderful patterns you can use for quilts in bedsheets from the 1980’s and 1990’s. Note: I always wash anything from a Thrift Store before I use it.

Watch for Fabric Sales and Coupons for Joanns, Hobby Lobby and other Fabric & Craft Stores.

I know some quilters believe that the fabric from Joanns & Hobby Lobby is poor quality but I have not found any bad fabric from these stores.  We do not have a “Quilting” store close to me and because I’m handicapped, I will not drive an hour or more just to buy expensive fabric.  If I did that, I wouldn’t be able to afford to quilt.  I will also buy fabric from Walmart but I am more careful with my selection there as most fabric at Walmart is good but I have had one or two pieces that I felt were poorer quality.

Watch for Fabric Sales and Coupons for your Local Quilt Shop.

Quilt shops will also have occasional sales and/or coupons so if you prefer to shop at these locations take notice of when they have sales. Also ask if they ever give discounts to seniors or military.

Use New or Older Clothing.

I have made a lot of beautiful Memorial Quilts from a loved one’s clothing and T-Shirt quilts. I will use jeans, work shirts, uniforms, flannel, cotton, polyester and even some knits.  These can be a little trickier to work with because they are often stretchy fabrics but they will add a wonderful texture and visual variance to your quilts.  I recently found a pair of cotton pants with Mickey Mouse on them. I fell in love with them because they were so colorful, and I love bold colors. I found several other cotton fabrics that matched the colors in the Mickey pants and made a bold colorful quilt!

Rethink Your Backing Fabric

No one ever said your quilt backing had to be all New Cotton. You can use Fleece, Flannel or Bed Sheets as well. On many occasions I have found some wonderful fleece blankets on clearance and used these for my quilt backing.  Joanns right now has a great clearance sale on Flannel fabric. The best part about using some of these is that you can get then in a wider width so you may be able to make your backing in all one piece instead of 2 or more like when using regular cotton (unless you want your backing to be in various colors/patterns).  You can also use new or older cotton bed sheets for a quilt backing. Again, you can make your quilt backing in one solid piece with a sheet!

Check the Clearance Section for Your Favorite On-Line Stores

I have several on-lines stores that I love to shop from (e-Quilter, Missouri Star, etc.) but sometimes they can be expensive so I always check the clearance section of these stores. There are times I will find some beautiful fabrics on clearance so will purchase it then look for matching piece everywhere else so I can get the best deals. Also check for on-line sales from Joanns, Hobby Lobby and other on-lines stores that sell fabric and/or sheets.

Check Out Your Local Garage, Moving and Estate Sales

I have found some of the best deals at moving and estate sales because often the seller is willing to bargain with you. I once found an estate sale where a family was selling off all their mother’s quilting and sewing items because she had passed away and none of then sewed. There was more fabric and notions than I would have used in a year so I found lots of thread and items I purchased at a great price.

Note on Batting

I know that many quilters believe that the only batting you should use is expensive cotton batting. I disagree.  There are many forms of batting. Cotton/Poly blends, Polyester, and Fleece. I love cotton batting but cotton will break down quicker than polyester and I want my quilts to last a lifetime so for most of my quilts I actually use Polyester more often than not. I have taken the backing off many older quilts to do repair work and the cotton batting inside was all balled up and a real mess.

Now when I am doing the Quilt-as-you-Go method I use a Fleece batting. The fleece can be cut into smaller pieces, fabric added to the top and then sewn back together to make wonderful quilts. And the batting doesn’t get stuck in my machine.

Shop Around for your batting to find the best deals. Sometimes Joanns has a sale on batting but the best price I have found so far has been Walmart on-line.  I can buy a 96” x 9 yard Bolt of Poly Batting for just $30 on Walmart on-line. This bolt will make 4+ quilts depending on the size of the quilt and I will have lots of left overs for smaller projects like pillows, etc.  For me the best part is that because it’s 96” wide, I don’t have to piece together my batting before I can sandwich my quilt!

[wileycap]

ATLA Headcanon (this is very much spoilers and I'm pretty sure this isn't a super original thought):

Ozai was always thought of as kind of a useless coward in the Fire Nation, before he grabbed power. He was the spare prince next to the Dragon of the West, and this motivates him in everything that he does.

It makes a lot of sense and provides some depth of character to him - which, let me be clear, I don't think he needs: within the story, he works perfectly fine as just a cruel, narcissistic monster. Any detour into his motivations would have distracted from the overall story.

But think about it. Why does he hate Zuko so much? Because Zuko reminds him of his own (perceived) failures, as the disappointing son, and as a narcissist, he can not bear thinking about anything that makes him less than perfect. He wants to get rid of Zuko because he sees himself in Zuko, and this is only compounded by Zuko and Azula's dynamic resembling the dynamic between him and Iroh. Of course, in this case, it's the younger sibling that is the favoured, more capable child. Ozai wants to see himself in Azula, but actually sees himself in Zuko.

Now, I know that the more overt explanation is that he cares about his legacy, and wants Azula to succeed him because she's the stronger heir, but I don't think that matters to Ozai that much. It certainly matters a little bit, because the greater glory of his heir reflects well on him, and obviously he wants that. But I don't think Ozai is actually all that concerned with what happens after he dies. To that, Zhao, whom Ozai promotes and clearly favours to some degree, expresses open disdain at Iroh's spirituality - it's reasonable to think that this sort of attitude thrives under Ozai, or it might just be the Fire Nation in general.

I think Ozai operates under a belief that the world will end with him, and doesn't believe in an afterlife. I don't necessarily mean that he is actually cognisant of this belief - I mean that he is only concerned with himself, so to him, once he stops existing, everything of value will have left the world. If he'd still been in power once he was at the age where death becomes a real concern instead of an abstract possibility, he probably would have sought some form of immortality.

He is very quick to cast Azula aside with a meaningless title, after all. He doesn't value Azula, he just hates the reminder that is Zuko. Zuko also resembles him physically - and to that point, his method of punishing Zuko before getting rid of him is to disfigure him. To further distance himself from Zuko.

In Zuko Alone, Azula refers to Iroh as "his royal tea-loving kookiness" - and we have to remember that Azula probably parrots Ozai's words. Why is this significant? Because at the time, Iroh has just broken through the Outer Wall of Ba Sing Se, a tremendous military accomplishment. He's living up to the Fire Nation's greatest values of military power and glory in battle. And still Ozai disparages him to Azula.

Because Ozai is a wounded narcissist who's always been jealous of his brother. I'm intentionally paraphrasing Zuko's words from The Avatar State here, because it's very likely that those words are also originally Ozai's. An attempt to drive a wedge between his successful older brother and his son.

Ozai's plan to literally burn down the Earth Kingdom is, aside from being monstrous, a terrible strategic decision. What, does the think that the ashes are going to pay him taxes? What's the end goal? At that point, the Fire Nation has effectively won the war. Sure, they are likely still facing resistance, and the Earth Kingdom might be able to rally in the future and challenge them for hegemony. But, considering other conquering military states in our history, a large chunk of their economy probably relies on war. On levying taxes on subjugated territories in order to prop up the economy of the homeland. So, he's intentionally handicapping his own nation by literally burning down a massive source of income.

In the context of erasing his own profound narcissistic injury, however, that makes perfect sense. Who's going to remember Iroh's glorious victories in the Earth Kingdom when there is no Earth Kingdom?

So, there you have it. Ozai is the disappointing child in the shadow of his heroic older brother, the cowardly prince who never went to war in a nation that idolizes war and war heroics above all else, and he spends the rest of his life covering that wound up with blood and fire.

And I do think it's a very beautiful sort of karma that he ends up without his firebending after a short reign and without any meaningful triumphs or accomplishments to his name. Because fuck that guy.

[beyondthisdarkhouse]

My mom comes over a couple of times a week to help me keep the apartment tidy and to body-double so I can focus on work.

"Mind if I open this?" she asked me this morning, holding up an envelope I'd tossed onto a pile of clutter the week before. I hadn't opened it because I already knew what it was—the decision of my appeal against being judged "medically ineligible" for permanent disability benefits, which are almost double what I get now and would cover rent and food. Absolutely everyone, from disabled advocacy groups to the legal aid lawyer who helped prep me for the hearing, told me that there was basically no chance I'd get deemed eligible on the first appeal. Normally it takes 2 or 3 application-appeal cycles (9-10 months each) for people to get into the program.

"Go ahead," I told her, and then turned back to other work. I've got a lot to do given how well my Kickstarter is doing, whether it's setting up the behemoth new printer I got off Kijiji for 10% of its original value, to scheduling work meetings with my newly-hired personal assistant. I've always got so much on my plate, and the number of hours in the day I can focus on it is countable on my hand that's missing fingers. And I'd love to get a sewing pattern out for my "just the sleeves, please" costume idea out in enough time for people to use it for Halloween, but I still need to make mock-ups and hire someone who's used to producing digital sewing patterns.

"I think," Mom said quietly, leafing through the letter, "that you won."

The letter ends like this:

Conclusion: The Panel finds that the Appellant meets the definition of "severe handicap" as is set out in the Regulation and therefore reverses the Director's decision.

Yeah. It means I won.

The benefits program will require another eight weeks to double-check my financial eligibility using information they already have, and to process my new program status to reflect an increased benefit rate and a different health insurance program.

Right now I'm really feeling this line from Komarr, by Lois McMaster Bujold: "But do you know--well, of course you could, but… the business with [throwing yourself at] the brick wall. Failure, failure was grown familiar to me. Comfortable, almost, when I stopped struggling against it. I did not know achievement was so devastating."

It felt like my whole life ended in a flaming wreck when I had to give up counselling. I lost part of who I was when I did that, and spent years telling myself I'd pull up my socks at any minute and go right back to it. But the truth is, I am not capable of doing that job as well as it needs to be done, and it's one of those jobs where you half-ass things at the peril of the vulnerable people who trust you.

And what if... the worst had happened, and I lost it all, and then in clawing my way out of the pit, trying to get purchase on absolutely any kind of survival I could, I found my way to something new and solid and real. What if it was okay after all?

I'm still having trouble believing it, but the letter keeps saying what it said.

I'm gonna go sew things, and see if it feels any more real in the morning.

[luna-rainbow]

idk if you've seen that post, it's from years ago at this point, where someone is surprised to hear that Bucky has a disability. i think it's in an ask with a response like HE'S MISSING AN ARM. remembering that left me thinking,,, what are your thoughts on Bucky's own comprehension of his disability? like, i'm sure he experiences chronic pain, and he's aware of his disability *especially once he has a metal arm that can be detatched as we see in tfatws* but i also feel like he might feel guilty taking the title of disabled because he has the serum and is "super" plus he doesn't feel like he deserves the support/help that can and should be given to disabled people when they need it. ALSO he hasn't had all that much time to process as a human rather than a controlled weapon that he is missing an arm. his prosthetic has been welded into him,, with probably less sensation,, but it functions like an arm,, idk i just feel like it probably hits him out of the blue, too 🥲

Oooh thanks for the interesting ask nonnie! And yes I do remember that hilarious post.

Here's my usual disclaimer that this is just throwing out ideas and that canon lends itself to many different interpretations.

I think the first thing to consider is Bucky's relationship with disability as a concept. He was good friends with Steve, a chronically ill person, but sometimes people have a different bias when it comes to invisible illness versus visible body difference. I have seen people, including disabled people, who are more accepting of one type than the other. He had grown up during a time when disability was considered a "defect" and there was talk of eliminating them from the gene pool, so there might be some inherent fear of being seen as "disabled". At the same time, he had also fought through one of the bloodiest wars of human history but also post the antibiotic era, which means a lot of major injuries became survivable compared to WW1. He likely saw many people around him become physically marked in one way or another. I have a feeling that that experience would have reconciled him with the fact that the value of life is greater than physical wholeness. So overall, I think Bucky probably had a fairly accepting view on disability and illness back when he was able-bodied, and while he needs time to process the loss, that acceptance is probably somewhat protective against self-hatred.

The second thing is the curious subject of Bucky's bionic arm. I have met (lower limb) amputees who reject the "disabled" label, because to them once they put on a prosthesis they could walk and run and work and exercise. I think worrying about being "deserving" might be a small part of it, there's a bigger part of worrying about social perceptions of disability -- they didn't want the "handicap" label to be used to hold them back. I suspect you are right, in that Bucky probably sees himself as very capable, even super-humanly so, with the (very high-tech) prosthesis. He most likely feels that being a soldier is a big part of his identity and sense of worth. I suspect also...going back to what Bucky's relationship with the word "disability" means, his interpretation of that (given he came from the 1940s) might mean something that has a profound impact on function, and he may feel that he doesn't fit that mark.

The third thing is Bucky's relationship with body image, which has varied from movie to movie. The Winter Soldier had no qualms flaunting that arm, but then the Winter Soldier had no mind of its own, and its handlers knew the metal arm was intimidating. In both Civil War and TFATWS, we see Bucky wear gloves and long sleeves to hide his arm, which he removes when he starts a mission. It could be that he doesn't want to scare people or draw attention to it day to day, or it could be that he associates the arm with the soldier part of himself and he doesn't want to see it when he's trying to return to a normal life. Interestingly, in Wakanda, Bucky had been quite content to walk around without any sort of prosthesis at all. This might suggest that he's less bothered by the missing arm than he is by the need to wear a weaponised prosthesis.

But you know, people are fickle creatures, and I am sure when he's hit by PTSD or a bout of anxiety or depression, his views on body image and his physical limitations would take a very nasty turn and he would have to work through all the stages of grief again.

[robfinancialtip]

🎨🌟 Sabrina Chap, an artist, discusses her life experiences, artistic approach, and perspectives on identity and self-discovery. Sabrina, born in Chicago to Ecuadorian and Bulgarian parents, reflects on her life as the youngest of three siblings, one of whom was born with a neurological handicap. her familial dynamics, specifically her brother's disability and her own lesbian identity, shaped her sense of self and contributed to feelings of marginalization and otherness.

🎹🎶 Despite early exposure to music through piano lessons, Sabrina fully embraced her creative passions later in life. She pursued music education before uncovering her authentic voice by experimenting with numerous instruments and songwriting. This journey of self-discovery led her to experiment with various artistic genres, including spoken word, folk music, and performance art, both in Europe and the United States.

🌟💪 Sabrina's path was fueled by inspiration, which helped her overcome obstacles such as personal mental health concerns and cultural pressure to conform. Despite the hurdles, she found empowerment in accepting her true self and bravely pursuing her creative ambitions. She emphasizes the importance of recognizing oneself and keeping true to one's unique identity, which provides strength and resilience in the face of external obstacles.

🎨📚 Sabrina's artistic evolution is studied, ranging from zines and club performances to book publishing and circus music composition. Despite setbacks such as her mother's illness and the COVID-19 pandemic, Sabrina remains committed to her artistic pursuits and finds motivation in ordinary events.

🌟🎭 She emphasizes the significance of creativity as a form of self-expression and social change. She advocates for motivation, authenticity, empathy, and unity, encouraging audiences to value diversity and learn from one another's perspectives. Ultimately, Sabrina discusses perseverance, self-discovery, and the transformative power of art and community.

[coochiequeens]

Finally I'm able share some good news

Wild festivals, exquisite fruit-bowls and unusually realistic renderings of motherhood and female friendship – not to mention a glimpse of Lady Hamilton as an enthusiastic follower of Bacchus – will go on show in Madrid on Tuesday as one of the country’s most famous galleries seeks to spike the patriarchal canon of art history with a new, and avowedly feminist, exhibition.

The show at the Thyssen-Bornemisza – called simply Maestras (Women Masters) – uses almost 100 paintings, lithographs and sculptures to show how female artists from the late 16th to the early 20th centuries won recognition in their own lifetimes, only to find their works forgotten, erased or consigned to dusty storerooms.

Organised into eight chronological sections that reflect artistic and social changes, Maestras also explores how female artists, gallerists and patrons worked together to create and celebrate art while living and working in the grip and gaze of sexist, and often misogynistic, societies.

Elizabeth Sparhawk-Jones, The Shoe Shop, 1911. Photograph: Elyse Allen/© Art Resource, New York Scala, Florence

Seventeenth-century works by Artemisia Gentileschi, Fede Galizia and Elisabetta Sirani give way to still lifes of fruit and flowers before the exhibition moves to portraits – including Élisabeth Louise Vigeé Le Brun’s Lady Hamilton as a Bacchante – and then to Orientalism, depictions of working women, images of maternity, sisterhood and, finally, to images of female emancipation.

Among the show’s early exhibits is one of Gentileschi’s anguished studies of Susanna and the Elders, while the later pieces include Mary Cassatt’s bleary-eyed Breakfast in Bed and Maruja Mallo’s playful Fair pictures.

“This exhibition speaks positively of that other half of art history,” said the exhibition’s curator, the art historian and critic Rocío de la Villa.

“For a long time, the feminist history of art has been beset by all the handicaps and obstacles that had been put in the path of female creators. For example, they couldn’t access the same artistic training that their male colleagues could. They generally lived in an extremely patriarchal system that denied them their rights and in which their signatures had no legal value.”

There were, however, “certain moments and certain places” in which conditions were more favourable to female artists, and the show aims to offer “a series of windows through which we can see a mutual understanding and a camaraderie between artists, gallery owners and patrons”.

It also reminds visitors that some talented women caught the eye of European royal courts, and that some had husbands who helped them in the studio – or even looked after their children – because they knew that their wives’ gifts far exceeded their own.

Mary Cassatt, Breakfast in Bed, 1897. Photograph: The Huntington Library, Art Museum

Guillermo Solana, the artistic director of the Thyssen-Bornemisza, said Maestras was another example of the museum’s continuing commitment to feminism, education and addressing the prejudices of the past.

“I’d promised myself that I wouldn’t do any mansplaining today but I can’t help it when it comes to explaining what I’ve learned from the process of doing this exhibition, because I’ve learned a lot,” he told journalists on Monday morning.

“The first thing I learned from this exhibition – and which I think the public will also learn – was so many new names; so many fantastic artists I’d had no idea about and had never heard of. Of course, we knew about Artemisia Gentileschi and Frida Kahlo or Paula Modersohn-Becker, but how many important artists have got away – or been taken from us?”

Frida Kahlo, Portrait of Lucha María, A Girl from Tehuacán, 1942. Photograph: akg-images/© Rafael Doniz @ 2023 Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F./VEGAP

De la Villa agreed. “The public is going to ask, ‘How can it be that we didn’t know about these female artists?’” she said.

“How is it that their works were in storerooms until recently? Maestras is a feminist exhibition that seeks to emphatically correct the prejudices that have come about as a result of the patriarchy – prejudices that have meant that works by female artists have remained in museum storerooms during the 20th century.”

She said the male-dominated artistic system had always sought to defend itself by denigrating female artists. Equally damaging, she added, was how historians had played down the achievements of women until their voices were silenced and their creations overlooked and then hidden from view.

“When women are hidden, or robbed of their past, they are robbed of their identity,” said De la Villa. “The power of culture is very important. It just can’t be separated from the social conditions we enjoy, or which we suffer.”

 Maestras is at the Thyssen-Bornemisza museum from 31 October to 4 February 2024

[power-chords]

Haters will call me “stubborn,” “self-sabotaging,” and “bad for business” because of an inborn handicap superpower that makes it next to impossible to force me to care about shit I don’t actually care about. I cannot be peer pressured “influenced” in the absence of a solid argument that appeals to my ironclad [Jewish] ethical/cultural values. Fortunately, what I care about most is the health and happiness of my family and friends, and art and writing and rock ‘n’ roll music, and spending as much time as possible attending to these pursuits. And I have been blessed with a very large family, and a great many friends from all walks of life, in one of the indomitable creative capitals of the world. Plus, rock ‘n’ roll will never die. So I know I will always find happiness in abundance.

[makingspiritualityreal]

Your Wealth and Its Sources in Houses 2, 6 and 10

So many people learning Astrology and looking at their chart are concerned about the condition of the 2nd house lord or planets deposited there, convinced it’s their “money making ability”, linked to their work environment.

This is a modern day misconception, as people have been blindly taught to believe that “making” money or getting a job is the only approach towards finances or wealth…while it only applies successfully to a narrow select group of people with specific placements.

The earthy houses of wealth accumulation possession 2, 6 and 10 all have a different way of providing that wealth, and the condition of their lords is going to determine how that process is going to take place in each chart.

The 2nd house is the wealth you are born with, which is why it’s also tied to the environment of family security. You don’t “make” money in the 2nd house, because it’s about basic provision that ensures your survival. That's why this house is produced for by Jupiter. You can’t do anything further with your life if you don’t have basic food or shelter. The 2nd house is the starter pack that you carry through life with you. It may need care and maintenance, just like you care for your home and possessions, but it’s essential role is basic family protection. An afflicted 2nd house can cause a lot of strife and struggles in life, handicapping a person's early life despite their best efforts.

The other houses are more tricky, because they are produced for by Saturn. That means they improve over time, but they also don't come as easy as a regular 2nd house situation should. However, they also give steady support, so when years pass you can rely on them even if your 2nd house was giving you grief in childhood.

Business endeavors start in the 6th house because of its mercurial nature, linking it to the concept of trade. Here, you take your 2nd house provisions and exchange the excess of what you don’t need that life provided you with, to get something from someone else that is useful to you. This is where the concept of “working” starts because to expand beyond your basic prime family conditions you need to put in a certain effort to trade. That’s why before the invention of currency people were engaging in trade offs to survive…again, a one on one debate that leads to exchanging goods and services.

This house is also where the value of our initial 2nd house resources comes to light, and this connection is the reason why people associate the 6th house with debt. If your 6th house is strong, you become the person other people rely on. You are the one helping others, and then karma comes, sometimes years after, and you collect. In an average situation with the 6th house, beneficial partnerships through exchange are readily available to you, so what you are lacking, the other person provides and vice versa. If the 2nd or 6th house and their lords are struggling, during appropriate transits or planetary period, you are the one who ends up having to put yourself in debt, as you are lacking so significantly in certain areas, that you need to actually work overtime to fill that hole, and in the meantime, you need to live on credit to survive, one way or another. However, if done well, an efficient 6th house raises you way above the status of your family of origin. Note, that you have to look at the 6th house dispositor to see what kind of debt or upgrade interests you. I have seen people with 6th - 12th house connections consider moving abroad a huge asset and make financial efforts to achieve that, even if where they ended up living wasn't necessarily that much more luxurious, but just more fitting for them personally.

The 10th house is your solid base of wealth that you accumulate as a result of experience and maturity. Not only you capitalized on your family wealth, but expanded it through increasing your assets by trading of the excess. That led to a build up of solid, long term capital, suitable for public use. A physical legacy, that you can not just enjoy for yourself but put out there to share with the world. This invites even more wealth, because the world rewards you for becoming a valuable substantial public contributor.

A strong 10th house gives someone a backbone, a clear energetic idea for how they want to show up in the world. It takes a lot of time with the 10th house, but the person works slowly but consistently at their legacy. They may have a lot of ideas, just waiting for the right opportunity to start building upon them. With a weak 10th house or its lord, you may find someone who has no long term foresight, doesn't think of their legacy and likely doesn't have a good routine. Since the 10th house is a natural result of the 6th house, a person with a weak 10th house or its lord tends to have a lot of health issues due to bad daily habits. Lack of responsibility leads to their legacy being squandered, or nothing worth remembering is there in the first place. A well place 10th house or its lord may even leave a spiritual legacy, for example someone who is well remember by many for their spirit, even if their physical assets were modest. It's more about skillful handling than the nature of the heritage.

Now you may be wondering, how does the concept of everyone being obliged to lifelong working or struggling for anything fit into this mold? Simple answer, it doesn’t. This concept is linked strictly to Rahu.

The modern day working world is completely based off immature Rahu energy. The obsessive chase, the constant pursuit. The mindless persistent, aggressive expansion, forcing people to climb where they're not meant to, misdirected greed and fruitless, overblown ambition.

We all have a area of struggle in our lives, we all have Saturn somewhere. We all have challenging chart points. But there are as many solutions to such situations as there are charts, and trying to fit into the most popular, obvious pathways is rarely the way out.

Even if you have Rahu in either of the earth houses and so the concept of pushing the envelope influences your wealth, a mature Rahu has the blessings of Saturn. It understands there is a right time for everything. A mature Rahu is where the principle of “work smart not hard” is born. Each chart situation is individual, and every struggle is equally valid. Not everyone's efforts are going to be work or finance related. Making measured efforts in the right place at the right time is what leads to success, for any chart.

[comicaurora]

If you were to actually write a tournament arc (be it in Aurora or a future story) fashioned in your own preferences and ideas, what would it be like?

Oh boy. That's an interesting challenge, because there are so many factors to the Tournament Arc that I just don't like on principle-

Foregone conclusion. If the tournament is centered on a final battle with the Super Scary Big Bad, as they so often are, the heroes are just killing time before they get there, and at least one of the heroes is guaranteed to get to the final round. If the stakes of the tournament are too high, the conclusion is set in stone from the outset. If the heroes are being forced to participate for hostage or supervillain reasons, their victory becomes narratively assured. If the heroes aren't being forced to participate by narrative necessity, then the whole thing becomes an even bigger waste of time.

Formulaic. There's only so much you can mix up a tournament format - environmental hazards, minigames, ring-out rules - and without that, it's just a linear series of fights. Can give the heroes a chance to show off their unique movesets, but narratively they're just ticking up a progress bar before they can get to the end.

Fuckton of characters. Tournament needs meat for the grinder, let's make several dozen characters to throw at the heroes of which maybe five will be memorable enough to recur later. Better make sure they all have interesting gimmicks too - otherwise the formulaic fights will become even more formulaic!

None of these are particularly enticing for me, so in order to construct a tournament arc I actually liked, we'd need to find some way around them:

To avoid a foregone conclusion, the tournament stakes can't be a simple boolean value with "heroes win" and "heroes lose" tied inextricably to things like "heroes save hostage" or "villain destroys entire world." The easiest way to do that is to remove "the heroes" as a single unified participant. It's not a question of whether good will triumph over evil, it's a question of which characters will win and under what circumstances? Part of the reason I liked the tournament arc in MHA more than most is the actual overarching victory was basically irrelevant and our protagonist got eliminated in the quarterfinals, because it was actually all about character development inspired by that fight. So splitting the heroes up, letting them work independently and making their opponents something other than a monolithic antagonistic force would probably help to reduce that issue.

Some tournament arcs also make things more interesting by having a single loss not categorically eliminate a character from the running - the Dark Tournament arc of YYH was pretty good about this, despite being way too long, since it meant protagonists could actually lose fights without being kicked out of the arc entirely, which was a very smart way to keep the tension going, since only a few fights became foregone "either the heroes win this one or they die" situations.

The problem of fights being formulaic can also be addressed here, although I think the more relevant way to fix that is to simply make sure the tournament doesn't drag on for too long. Like, three to five fights is probably the max number we can really focus on. But we can also dodge the formulaic-ness accusations by making sure the fights have more going on than just "which action figure gets mashed harder." This is where most tournament arcs solve things by making a lot of unique gimmick characters with weird powers (so the heroes can't just smack em around the same way every time) and by giving the heroes either handicaps or new abilities/powerups they're still figuring out. This makes the choreography more interesting, and honestly even a really boring plot can be significantly brightened up by extremely cool fight choreography. "They fight and [character] wins" is a single line in the screenplay that can translate into something very spectacular in the execution. But this is, again, something they did in the YYH Dark Tournament arc, and that was still way too much tournament arc, so I think plotline fatigue is a problem that can't entirely be solved by finding new spices to pepper onto the same bracket structure.

You can, of course, also add emotional stakes like "this character's self-worth is tied in with their victory" or "this character is being manipulated by someone else" or "this character is having a personal crisis and handling it poorly" or even something really basic like "the other people in this tournament think we suck, let's prove them wrong."

The "fuckton of characters" problem isn't intrinsically an issue, because it can also be an opportunity to create and introduce a lot of very interesting secondary characters, but it does unfortunately lock them into an extremely artificially constraining plotline. The problem with a tournament arc is it is literally the same subplot template over and over again until the finale inevitably breaks the format. It's an extremely rigid scenario to lock a character-driven story into, and no matter how individually rad parts of the fights are, the overarching structure is repetitive and it limits the characters' ability to shine. Ultimately, no matter how neat or complicated a new character is, they only exist in the arc to be defeated and then get out of the way of the plot. They can have cool stories when they show up later, but in the bounds of the tournament arc they're just more obstacles.

On paper a tournament arc should be a fantastic way to elaborate on a character. The number one recipe for cool character moments is putting that bitch in a Situation and seeing how they handle it, and "a bunch of different fights with different enemies with different powers and different rules" sounds like an ideal Situation Gauntlet. But practically speaking they're all the same! Outside a tournament arc, the stakes of a fight can be anything and the victory condition can be anything. The heroes can bypass the fight, talk down the antagonist, plan a heist, turn the bad guys against each other, organize a prison break, hide and be sneaky - they can find allies, negotiate with political leaders, get captured or rescued, protect someone from pursuit, navigate a hostile and unfamiliar environment, outwit a super-persistent predator, join an underground resistance movement, run off for an angsty solo arc - but within the confines of a tournament, no matter how wacky that tournament might be, everything boils down to a fight with a clear-cut victory and defeat condition. The space of characterization carved out by this format is very, very narrow, so I think legitimately the only tournament arc I would uncritically enjoy is a short one.

[sapphia]

so recently, scar has gotten good at minecraft. like, really good. if you watch his old stuff, it doesn't take much to see that scar's strengths generally used to lie outside of the actual, run-around-without-dying-especially-on-a-pvp-server level of play. and that's fine, it wasn't his jig, and the people he's playing with really are very good and very experienced at this sort of play. so it never needed to be something that scar was good at because his fanbase mostly watched him for other reasons, so that just wasn't something he needed to be able to do.

but for a while now, especially noticeable over the life series, he's been rapidly improving at the sorts of particular skills that the life smp server values (and also certain skillsets involved in MCC, too). The water bucket clutches spring to mind, as well as the hot-guy stuff that make him such a lethal force with a bow. (It's honestly a shame that life smp doesn't have elytra -- he regularly one-shots people from the air on hermitcraft, and it's a fantastic bit.)

And it's just so good to see because like... he didn't have to go and do that! he went and practiced those skills, and got good at them, and then came and showed them off. and it was awesome, but also he made it so creative and entertaining, and he really didn't have to do any of it at all if he hadn't wanted to. people don't play on life smp because they're good at the technical elements of the game. more than anyone else, scar's particular shenanigans and the energy he brings to the server are what make him a great fit for the series. there are plenty of players on life smp who aren't great PVPers but who get by on politicking, or scheming, or storytelling, or just generally being a good time to be around, and each of them makes the smp tick and are valuable in their own way.

not to mention that life smp is made up of such a wonderful group of human beings that they'll do whatever it takes for you to fit in. to make your thing, and your particular energy and abilities, a part of of the series. to make it that you aren't hampered by your abilities and handicaps, whatever they may be. when skizz dies early on to some early misfortune in limited life, people are pretty clearly aware that he's one of the weaker players and it might impede his ability to have a full series. but don't worry, because half the server are tripping over themselves to give him their time and lives and totems and to swear undying oaths of fealty to protect him at all costs. grian, martyn, tango, literally every one of the ties - not to mention everyone who stood around and watched as skizz killed tango - all are working together and giving up things, valuable things, to make sure this one player gets to keep time on the server, and therefore time on the series, just because that's who they are. that's what the server is. friends, playing together.

i'm sure that's also why grain stuck with scar in the first series: to make it fair. they want everyone to have a good time. To be able to do their own thing, whatever that thing is you bring to the server, be it your insane PVP skills or trying to scam players by selling them magic crystals.

which is a long way of saying: scar was under no obligation whatsoever to get good at these player-skill-based elements of minecraft. but it's wonderful that he did! he really said, "look, i know you all think i'm a walking disaster, but i need you to know, it's not because i'm bad at the game. it's because i'm me." and then he went and got crazy good at archery (well, okay, crazy good at one very specific archery move, but also pretty damn good at shooting things overall! and at flying!) and he started parkouring around a bunch and now he's mastered waterbucket clutches (and what a fucking display he got to show off in double life, too) and just all around Got Good at the things that he wasn't previously that good at.

and the best thing was that he's still such an irreverent force of chaos that it hasn't even mattered. he's still just as lethal to himself through his own terrible decisions and random lack of awareness or foresight. or even just his own desire to fun, no matter what. the man really went into a hardcore server and said alright, i'm gonna build my base up high enough to definitely kill me, and also make it out of trap doors, and oh grians here, oops i'm sure that won't go wrong. and then he went and died to his elytra failing. that's just the most scar thing I've ever seen. you can't even fault him because grain also died on that server. only joel properly made 100 hours and there's no surprises there, joel is insanely good. so its no mark against scar that he died. but how he plays it, it's just so him.

and you wouldn't have it any other way because this is why we watch him. he's entertaining because he's totally unpredictable and also predictable and good and bad and competent and incompetent all at the same time. he will waterbucket-clutch INTO an impossible situation to save a bunch of useless pandas that were almost definitely going to die and he'll get away with it. and then also he will die by setting off a trap he's trying to very obviously lure others into. yes also he fell into a pit of zombies, what of it? it's just scar and his wacky hijinks. will he die? lets find out!

scar really said the only thing holding me back is me, and then proved it.

[willwillywilliam]

I'm wondering what Lilith has planned for Dislyte. It seems to be going down a path, but it remains interesting.

They take their time creating stories, plots and lore. They do it in segments and give themselves the opportunity to develop it slowly.

They are no longer adding 4*, but they add few 5*, and the 5* they add are balanced, they understand the implications and are no longer deforming meta with each update, they simply add good content.

Amir can be very strong for events, but in PvP he depends on a single mechanic where any counter gives him problems, and yet it can still be used. Sloan has a handicap that forces her to have an immunity/cleanse partner, is a strong esper that should be treated with care. Moroyamo looks like a functional DPS, but at least in theory it is a not so aggressive tool. It is designed to enter and eliminate an enemy unit. It may be stronger than it seems, but since Petros it was seen that the Shimmers do not necessarily have to be strong, they depend on the formations.

They're even revitalizing old espers, giving them new space in PvP and PvE. Many still complain that "they are not OP, they are useless", but that is what makes them good, they are mechanical espers and they make the game fun to play. The idea is that you have fun with the way the character plays, not win everything just by having it.

Furthermore, in the previous update with the reworks of Everett, Abigail and Sienna, they gave space to the Mono-Type formations, interesting and entertaining ideas, with potential. During this update they created many more espers with duo dynamics, such as Yamato and Yuuhime or Anna and Norah, in addition to offering Valeria and Liam again. And with the new buff to Yuuhime, they give rise to faction-themed formations, seeing her Twilight Order captain, gives rise to formations with much more potential and very entertaining.

They try to make the game fun, and I appreciate that. Many complain that the game is "boring", but they simply try to make records and play automatically and that's it, they don't know how to appreciate it. The fun thing about games like this, where they really give you the opportunity to have all the characters, is creating your own formations, using the espers that you like whether for plot, story, design or playable mechanics. Oneself must give value to this game.

I feel entitled to say it, being someone who forces espers just because I like them. Try everyone with Relics and set mechanics like Relief and Avatara, instead of being stuck in the monotony of Thunder and War. Build 3* and 4* for ritualistic and other game modes. Using Freddy Relief on Apep, using Leon Calamity on Cronos, even taking advantage of Zelmer on Fafnir. They are challenges, but also ways to enjoy the characters and have fun playing.