#Uni Bayreuth
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Universität Bayreuth Botanischer Garten luftbilder-deutschland.com @riess_oliver #bayreuth #universitätbayreuth #uni #campus #botanischergarten #germany #naturephotography #nature #oberfranken #franken #photography #photographer #foto (hier: Ökologisch-Botanischer Garten der Universität Bayreuth) https://www.instagram.com/p/CnJjCJsj0gb/?igshid=NGJjMDIxMWI=
#bayreuth#universitätbayreuth#uni#campus#botanischergarten#germany#naturephotography#nature#oberfranken#franken#photography#photographer#foto
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Weidel ist in erster Linie karrierebewußt. 2011 gab es die Nazipartei noch gar nicht. So sicher wie bei Politikern der CSU oder FDP scheint mir der Sieg daher nicht. Aber das ist kein Grund, es nicht zu probieren.
Ich wünsche den Betreibern jeden Erfolg!
Sicher ist: Ein ausgeprägtes Schuldbewußtsein ist auf der blauen Seite jedenfalls vorhanden.
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Uni Bayreuth stellt Plagiatsprüfung von Weidels Doktorarbeit ein
PI schreibt: »Nach Plagiatsvorwürfen gegen AfD-Chefin Alice Weidel im Zusammenhang mit ihrer Doktorarbeit sieht die Universität Bayreuth keine Hinweise für eine weitere Prüfung. Zwar seien nach Ansicht der zuständigen Kommission vereinzelt Zitierfehler in der Arbeit zu finden, teilte die Universität mit. In Umfang und Bedeutung reichten diese Passagen aber nicht aus, um ein schuldhaftes – also grob […] http://dlvr.it/T1sQvr «
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Fwd: Graduate position: UBayreuth.EvolutionAntsAndSymbionts
Begin forwarded message: > From: [email protected] > Subject: Graduate position: UBayreuth.EvolutionAntsAndSymbionts > Date: 23 December 2023 at 06:03:28 GMT > To: [email protected] > > > Within the Faculty of Biology, Chemistry & Earth Sciences at the > University of Bayreuth, the research group Population Ecology, > Prof. Dr. Heike Feldhaar, is currently seeking to appoint a > > Research assistant (PhD candidate) > (f/m/d) > > within the biodiversa+ joint project: MonitAnt - Developing a > European-level Monitoring strategy for mound-building Formica ants and > symbiont communities residing in nest mounds. > > Within this joint project comprising partners from seven European > countries, the successful candidate will help in > > 1. comparing existing monitoring strategies for mound-building Formica > wood ants (MBF) on the European level and use expert knowledge to develop > and validate a harmonized monitoring strategy for policymakers and a > recommendation for citizen science projects to facilitate monitoring of > distribution and population trends of MBF, > > 2. characterization of the diversity of myrmecophiles within nests > along climatic, altitudinal, and fragmentation gradients to assess the > importance of MBF as umbrella species using metabarcoding, > > 3. monitoring of genetic diversity of MBF along climatic and forest > fragmentation gradients and establish thresholds for reproduction of > MBF in managed forests to identify requirements for stable populations > > We offer a fixed-term 3-year position, starting preferably on March 1st, > 2024 (April 1st, 2024 is the latest possible starting date). The position > comprises salary and benefits commensurate with a public service position > at the University of Bayreuth, Germany (TV-L E13, 65%). The position > provides the possibility to conduct a PhD. > > Candidates interested in this position should have a M.Sc. in > Biology/Ecology or related areas. Ideally, the candidate has experience > with field work. Skills in statistical data analysis (preferably with R) > are expected. A focus on entomology and especially experience in the > determination of arthropods (including experience with metabarcoding) > would be a special benefit. We expect the candidate to have good > communication skills and the ability to work in an international team, > with research groups from several European countries. The successful > candidate is expected to conduct field work in Germany and in other > European countries and work together with foresters and citizen scientists > in Germany. Therefore, a driving licence and the ability to communicate > in German and English are a prerequisite. > > The University of Bayreuth views the diversity of its staff as an asset > and is expressly committed to the goal of gender equality. Women and > any persons who can help make the research and teaching profile of the > university more diverse are strongly encouraged to apply. Applicants with > children are very welcome. All qualifications being equal, applicants > with disabilities will be given priority. > > Please send your application documents (consisting of a cover letter, > a short summary of research interests and experience, CV, list of > publications, certificates and contacts of two potential referees) as > a single pdf-file to Prof. Dr. Heike Feldhaar ([email protected]). > > Application deadline is January 31st, 2024. > The documents will be deleted after the position > has been filled in accordance with data protection requirements. > > Prof. Dr. Heike Feldhaar > Tier�kologie I / Animal Ecology I > Bayreuth Center of Ecology and Environmental Research (BayCEER) > Universit�t Bayreuth > 95440 Bayreuth > Deutschland / Germany > > phone: +49 921 552645 > [email protected] > > Heike Feldhaar
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Confs: Comparative Perspectives on Doctor-Patient Interactions
“Comparative Perspectives on Doctor-Patient Interactions” (CDPI) October 4 th – 5 th 2023 | University of Bayreuth | hybrid meeting (zoom link will be sent after registration under [email protected]) 4th of October 1:00 – 1:30 pm (CEST) Welcome & Introduction 1:30 – 3:00 pm (CEST) Plenary talk by Ana Cristina Osterman (Universidade Federal do Rio Grande do Sul / Brazil) Recommendations in medical interactions in Brazil as compared to practices in the UK and US Coffee break until 3:30 pm 3.30 http://dlvr.it/SvRRC8
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Die HistoricAll – Hochschulgruppe für Geschichte lädt in Kooperation mit der Professur für Alte Geschichte ein
am Donnerstag, 05. 12. 2019 um 18:00 Uhr c. t. im Hörsaal 4 der Universität Passau
zum Gastvortrag
von Herrn Dr. Markus Zimmermann (Universität Bayreuth)
mit dem Titel: "Entscheidungsnarrative bei Xenophon"
Der Vortrag widmet sich der Frage, wie Xenophon Entscheidungsprozesse in Athen während und nach dem verlorenen Peloponnesischen Krieg skizziert. Im Fokus steht der öffentliche Diskurs über Entscheidungen und Entscheidungsträger am Ende des 5./ Beginn des 4. Jh. v. Chr. und eine wichtige Frage: Wie konnte es soweit kommen?
Im Anschluss an den Vortrag wird es in einer Diskussionsrunde auch die Möglichkeit geben das Thema weiter zu vertiefen.
Wir hoffen euch zahlreich begrüßen zu dürfen!
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how i feel right know
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1-14 on the opera asks!
ahhhh you absolute trickster, i love you...
(tagging @sweatershowgirl @coloraturadiva and @vera-dauriac because you also asked questions. answers are below because...um, i like to talk.)
1. favourite performance you ever attended
met parsifal, the revival in 2018. or the current bayreuth meistersinger.
2. a performance you would’ve wanted to attend (present or past)
one of the historic bayreuth rings, chereau or kupfer. for the visuals alone, maybe kupfer.
3. a piece perfect for your commute
baroque music without drastic volume changes works really well, so either soprano handel arias or the opening chorus to st. matthew passion, which is also the length of my walk to the station.
4. do you have a go-to opera (and version)?
currently a 2017 live recording of st. matthew passion on youtube.
5. an opera you loved only on the second listening
people i regularly talk to about operas probably know this story, but i’ll gladly expand. i saw die walküre shortly after one of the worst days of my life, and i was mentally really out of it. i couldn’t remember anything about the music or understand any of the characters. it just felt overdramatic and too long and distant. in lockdown in march i started streaming a ring and thought “ugh, i’ll just have to watch walküre to get to siegfried, but it has some singers i like so maybe it won’t be that boring”. and boom, i watched it at my grandpas’ kitchen table and was blown away.
5. a composer you have tried and failed to like
mozart. sorry. i tried and failed. me and wolfgang amadeus do not emotionally vibe with each other. i would’ve been in a uni production of zauberflöte though, so maybe it’s more fun to perform than to listen on my own time.
6. a character you love and definitely never want to meet in real life
wotan. lord, he’s good at fucking with people’s lives. or scarpia. i’m not tosca, so i’m too scared for murder.
7. following up on that: your guilty problematic favourite character
alberich, in a way. problematic, but probably he’s cleverer with more emotional nuance than he’s sometimes allowed.
8. forget anatomy/physiology. which voice category/fach would you choose?
in case it’s not very obvious, a baritone please. or if i stay a soprano, a dramatic soprano.
9. a casting/singer’s voice you’ll defend to the death. (now tell us why)
okay, rant time.
evelyn herlitzius as brünnhilde is absolutely smashing. no, her voice really isn’t beautiful. some people say it sounds screechy, but i think it’s extremely metallic and definitely an acquired taste. her sound limits the amount of fitting roles, but there are some she absolutely kills because she radiates intensity. her kundry is unhinged and very human, and she’s one of the rare brünnhildes who convincingly portray youth. she’s impulsive, fidgety, tomboyish, clearly her father’s favourite and attached to his hip without realising how sinister this is. she also has absolutely zero understanding of what mortality means to humans and her father’s rotten scheming dawns on her only slowly when she meets siegmund. she visibly grows from this teenage girl persona with too much childish bravado and stands up to her father in the end, but she still loves him more than is good for her (same goes for him) and together, they play loosing each other too well.
she’s also a very intense physical actress. she carries herself different for every character, and even when she’s silent, she never slips up, and she has great in-character stare-offs with other characters. i live for those.
10. and a production you’ll defend to the death
“hngffgf the bayreuth meistersinger are too regie and we can stop talking about wagner’s antisemitism now-” BLAH BLAH CAN’T HEAR YOU OVER THE SOUND OF SACHS AND BECKMESSER FINALLY BEING COMPLEX CHARACTERS AND HAVING AN ACTUAL RELATIONSHIP (and beckmesser finally being in the focus of the production)
11. something you’re a rigid traditionalist (or revolutionary) about?
can the grail in parsifal just please be an actual grail? not like, a symbolic brain or what (looking at you, vienna state opera). and i agree with @dichterfuerstin in that the ultra-strict definition of vocal categories is annoying and prevents some great variety in character interpretations.
12. an opera that made you have an ~*awakening*~ of sorts (any sort)
i thought there was great acting in act one of chereau’s walküre. then i read peter hofmann’s obituary and realised that other people categorised what i saw as “just great acting” as “sexual electricity” and then i wondered if i’m either really fucking oblivious to sexual tension in straight couples or if i should overthink if i am straight.
13. an opera/music debate do you know so much about that people will suspiciously ask “why...do you know this?”
i know a suspicious amount of things about boys’ unbroken voices. bear with me. originally it was a research topic for a piece of writing, and then i realised i liked the sound of it. now i can vocally distinguish a rather large amount of choirs and boy soloists by sound, name, recording, repertoire, and year, and i have opinions about boys’ vocal technique.
14. rant about a topic/an opera you love but haven’t found a good time to do so on your blog.
building on the last question, some baroque music purists on youtube are really annoying. either they ridicule female sopranos for having natural vibrato because “bAcH oNlY wRoTe fOr bOyS!!!” or they relentlessly attack 13 or 14 year olds for having tiny flaws in their otherwise very advanced vocal technique. i love hearing passions and cantatas performed by young voices, but only if it’s up to a good qualitative standard. if not, female sopranos/altos are wonderful and brilliant and don’t have to prove their quality, no question! just choose the singers that will give it the best quality and unique sound, it’s that easy.
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Schneemann. Er ist wie halb drei Meter große #snowman #bayreuth #university #deutschland #winter #uni https://www.instagram.com/p/Bsh9wMigM6Zn6qOERwPNbzeShJyOL3zn0YO9840/?utm_source=ig_tumblr_share&igshid=sjrlhc0xi2a7
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Luftbild Bayreuth, Oliver Riess, luftbilder-deutschland.com #bayreuth #bayern #sunrise #opernhaus #richardwagner #therme #weltkulturerbe #bier #beer #oberfranken #fichtelgebirge #klinikum #sonnenuntergang
#Bayern#Bayreuth#Beer#Bier#Genussregion Oberfranken#Klinikum#Luftbild#Luftbilder-deutschland.com#Oliver Riess#Richard Wagner#Sonnenaufgang Bayreuth#Therme#Travel#Uni#Universität Bayreuth#Weltkulturerbe Bayreuth
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Fwd: Graduate position: UBayreuth.SocialEffectsOnImmunity
Begin forwarded message: > From: [email protected] > Subject: Graduate position: UBayreuth.SocialEffectsOnImmunity > Date: 9 November 2023 at 06:30:42 GMT > To: [email protected] > > > Dear Colleagues, > > I am looking for applicants to a newly funded PhD position (65% TV-L E13, > DFG-funded) with the goal of investigating how social (parental care & > social immunity) and non-social (microbial load & environmental fidelity) > environmental factors affect and shape life-history, particularly > immunity, in offspring of a relatively simple social system, namely > Nicrophorus burying beetles. The position is supervised by Maximilian > K�rner in Bayreuth, Germany. > > More detailed Information on the project and how to apply can be found > here: https://ift.tt/23DbHZz Application deadline: > 22nd December 2023. Ideal starting date is March 2024 but can be postponed > if need be. > > I kindly ask you to forward this information to any > interested parties! Feel free to direct informal inquiries to > [email protected] > > Thank you! > > Cheers > Max K�rner > > > > Dr. Maximilian K�rner > Evolutionary Animal Ecology > University of Bayreuth > Universit�tsstra�e 30 > 95447 Bayreuth > NW I, Room 5.0.02.05 > Tel.: +49 921 55 2745 > > > "K�rner, Maximilian"
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Die Eremitage feiert in diesem Jahr ihren 300. Geburtstag. Wusstet Ihr das? Im Jahr 1719 fand das erste Fest der Markgrafen statt, zu dem sie auch die Bürgerinnen und Bürger aus Bayreuth eingeladen hatten. Im Jahr 1969 wurde die Tradition dann vom Universitätverein der Uni Bayreuth fortgesetzt und das Sommernachtsfest durchgeführt. Daher feiern wir in diesem Jahr gleich zwei runde Geburtstage. 50 Jahre Sommernachtsfest und 300 Jahre Eremitage. The Hermitage in Bayreuth is celebrating its 300th anniversary. In 1719, the Margraves invited the citizens of Bayreuth to celebrate in this beautiful parc for the first time. In 1969, the partners and friends of the University of Bayreuth reactivated this tradition by organizing the “Sommernachtsfest”, which is now celebrating its 50th anniversary. 📸©️: @joe_rtr #travelcultured #IAmATraveller #prettycitytravel #CaptureYourCreativity #SayYesToTheWorld #ShareGermany #14cities #weltderwilhelmine #markgrafenkultur #bayreuth #bayern #bavaria #beieren #letsgosomewhere #bestcitybreaks #culturetrip #wonderful_places #kings_villages #germanytourism #visitgermany #travelgram #duitsland #inspiringplace #visitfranconia #lesphotographes #deutschlandkarte #wanderlust #theweekoninstagram #beautifulplace @frommers #sommernachtsfest @adv.history @houses_phototrip https://ift.tt/2YIauXX
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