#UMK delivers quality every time
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Y'all ready for my hilariously candid unpopular UMK ranking!
Obligatory preferace that I'm just an opinionated bitch. This selection is overall really strong and I'm very much excited for the live show. I think a lot of these songs will make or break during the live. I also think there is an odd disparity in the obvious budget and set quiality for the 7 music videos. Almost like they had a different line-up and some songs were last minute replacements.
I also did not factor in whether a song would do well in eurovision at all because frankly rn I do not care.
This ranking will also probably change so like who cares, I'm ready to enjoy a great liveshow full of people who give a shit about their art.
Ok, here we go!
7. Vox Populi - Mikael Gabriel
The general sound of this one is fun and easy. Good filler or backgroud music. Like if it came on in shuffle I probably wouldn't skip it. However, the lyrics are like really bad. Especially in context of the seeming general opinion of this man I am seeing. Also, this man is strategically pandering and a. Its not working, b. No on seems to have noticed. The use of Matti and that obviously käärijä influenced face in the music video smacked me on first watch. He is capitalizing and I'm very curious to see what he does with the live. Not excited, just curious.
6. Dancing with Demons - Cyan Kicks
I liked Hurricane better. There its been said. I do enjoy listening to this but I forget about it a lot. It also took me until basically now to kinda remember what it sounds like. Meanwhile I can still think of the Hurricane chorus 2 years later having not listened to it since UMK 2022. I do think Cyan Kicks has a really good fun sound, I just don't vibe with this song all that much.
Also, this bears no weight on my opinion of either song. But I need to call out the hypocrisy I've been seeing online. I've seen so many people comment that they don't like the amount of autotune Sexmane uses in Mania and then go on to say how much Dancing with Demons showcases Susanna's voice. Like...... there is so much autotune on Dancing with Demons. It will not sound like that live. And that's fine, its clearly an artistic choice that fits with their musical style, like Sexmane. But pls just sit with that for a bit before complaining about the, frankly much less, autotune in a rap song. Tangent rant over.
5. Kuori Moi - Sini Sabotage
This is where my ranking will probably swap a lot. This song is really catchy and I ingeneral like this type of music. I call it chill sex. This is also a very fun unserious song and video played straight, and I appreciate that. I am worried about something with vocals this chill live. They're good vocals, but very intentionally monotone and if the staging isn't engaging it might fall flat. This song is mostly at 5th place because I dont have anything bad to say about it, but it doesn't stand out quite as much as some of the others. I adored her interview tho.
4. Paskana - Sara Siipola
This is a great power ballad while still being upbeat. It doesn't drag. The vocals are great. The music video is great even while being very simple. The lyrics and message are really really good too. This song gets stuck in my head a lot and I think it is, on a technical level, the stongest song this year. I really hope the staging supports the song but with how raw and peeled back the vibe of the song is it will be difficult to make staging that is engaging without being distracting.
3. No Rules! - Windows95Man
Pure unashamed 90s nostalgia schlock. This is very much the type of trashy eurodance I enjoy, so home run for me. I think the staging will be very fun, but maybe too much. Or it will be organized chaos like Portion Boys last year. Speaking of, this is definitely this years silly fan fave that will be well received but probably not win, a la Portion Boys and Teflon Brothers. For being trashy eurodance, I do think it is construced very well. It flows and it actually written well, its bad on purpose and it is successful. Is it the most original or masterful, no. It is very enjoyable and fun and low pressure, yes.
2. MANIA - Sexmane
This one gets stuck in my head the most. Good beat, good flow. I really like the sound of the chorus, including the auto tune. The lyrics hold more than I think comes across initially and you can tell Sexmane really connects with this song the way his voice delivers even in the studio version. This is the song that I'm most excited to see live because I wanna know what kind of staging he pulls out. Side note: I think it's really funny that the brother called Sexmane is less sexual musically than the one just called Isaac.
1. Glow - Jesse Markin
This is just a really phenomenally written and positive song. It is really nice to have some good classic rap at a competition like UMK. The flow is impeccable with his rapping too. There's a lot of American artists who can't write that well in english. The message of this song is really uplifting without feeling hollow because it recognizes you gotta actually work at being in a good place. Jessie is someone who knows exactly who he is as an artist and person and that translates into the song. Also Alpaca!
I think the the songs that have the biggest chance of winning are Paskana, Dancing with Demons, and No Rules!
But truly I have no clue how this will go. This is a very evenly matched line-up both in quality and fan reception. The live perfomances will 100% decide the outcome.
#places 5-1 were all genuinely difficult to decide on#UMK delivers quality every time#umk 2024#umk24#I do really hope they keep UMK going no matter the fate of eurovision#i think competitions like this are so good and important just to showcase the talent in your own country#i mean theres a reason sanremo and festivali i këngës have been going for so long#long post#I have opinions apperently and I didn't realize how many until I wrote this#if anyone wants a full rant on my opinion of autotune as a plague in modern music in general let me know#i do not have an issue really with how its used in any of the UMK songs#its just an overall gripe I have with today music
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UMK 2023 - review
Gone are the years when Finns were ashamed of their Eurovision selection!
We saw signs of improvement in the attitude of Finnish artists and music industry towards UMK / Eurovision already in 2020 before the COVID-19 hit us. I would wanna say a game changing factor happened when YleX (radio channel, part of YLE broadcasting company) joined in the production team after ESC 2019.
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Robin’s song Girls like you was elevated by the fun, uplifting and may I say a bit risky staging! (UMK23)
Three years ago Erika Vikman was the moral winner with her Cicciolina even though not winning the actual trophy and ticket to Rotterdam. Her song became a major hit launching her musical career to new hights in Finland. I even dare to say that she did change the competition with her song and performance.
In 2021 the world saw music shows differently on TV and it was much needed face lift also for UMK. The other songs had no chance against Blind Channel. These were the years when the staging improved overall tremendously even though we had a few misclick (Teflon Brothers 2021, Erika Vikman 2020).
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Lxandra’s Something to lose was one of the most beautiful moments in UMK23! I would have wanted this to reach a much higher climax at one point though..
In 2022-2023 we really saw big Finnish names participating UMK (The Rasmus, Benjamin, Robin Packalen, Kuumaa) and also having some new artists emerging (Bess, Younghearted, Käärijä) and making a name for themselves some even without the UMK trophy.
In 2023 UMK final gathered 2,1 millions viewers (in 2022 1,9millions), the lyric videos on Youtube were viewed almost 5,5 million times and the songs were listened on Spotify over 14 million times!
In 2023 we finally have the quality that we need and the people’s interest (abroad and home) that we want!
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Kuumaa’s Ylivoimainen live performance was simple but effective! However, when watching it for the first time it seemed a bit dull and not having enough to keep you interested. (UMK23)
Finns tend to complain about the number of UMK songs and how 6-7 is not enough but if this is the quality they deliver, personally I need no more! I’ve voted 5 UMK songs now in two years in a row and I’m content! This is also a money factor, if we had more songs would the level of quality hold? In music, music videos and in the live statings? I would be doubtful.
I also like the way things are being revealed and when. Mid Jan for artists anouncements is a perfect time just before the ESC national selection kicks off and I love that the songs are being dropped from there without any delay or waiting times. For seven days, there was always something new to look for each day! Late Feb has become a bit a pattern for UMK final but technically this could be later but would it ruin the hype then?
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Keira’s No business on the dancefloor was excellent with catchy coreography and simple stating. However, the fact that she’s a new artist came across a bit. (UM23)
UMK has received criticism about stagings over the years which we’ve seen improving each year (this year being perfect). Also camera work, angles haven’t been on point (las year Isaac was a bit of a disaster) but last night was a big jump to the right direction!
What still is left to improve however is the acoustics - every year we complain about the artists vocals sounding shitty when in reality they sound good at the actual venue. The venues have been changing over the years (Tampere’s Mediapolis, Turku’s Logomo etc). Even last night the sounds of the audience singing, clapping were overwhelming the artists vocals which I think damaged the reactions of the people watching the live at home.
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Benjamin’s Hoida Mut was well executed and performed except vocally... However credits for performing ALONE!
So overall UMK was smash hit with high quality performance and not just the competing ones and with a winner (Käärijä - Cha cha cha) that is definitely taking a risk. The hype has already spread outside of Finland and Cha cha cha is predicted to become a televote winner (juries, you never know). Time will tell us in a few months..
#uudenmusiikinkilpailu#uuden musiikin kilpailu#UMK 2023#yle#käärijä#cha cha cha#Eurovison Song Contest#eurovisionsongcontest#eurovision#euroviisut
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Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model)
Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model)
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Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model)
Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model)
Do not miss this chance to get this product on most reasonably priced value.
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Extremely Excessive Distinction 5,00zero,00zero:1
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The post Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model) appeared first on IPCAMVOX.
from Sceptre U508CV-UMK 49-Inch 4K Ultra HD LED TV (2015 Model)
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