#Trixie's on her tippy toes

[aitadraws]

Currently binging mlp and obsessing over the 1920s AU by @tulliok and @bixels. These designs are to die for...

[failedcrow]

Music that works with the epithet erased cast!

Molly- Karma by AJR(and if she has a epitome I feel like DONT WASTE MY TIME by Legrand would work.)

Sylvester- the serious adult facade he attempts to put on would be Please Hold by Jono, or jazz, maybe even some classy music once in a while, but he would secretly enjoy techno music. Specifically opinions by CG5 or Dopamine Highscore by Legrand. (mainly because of the dopamine rush from the notes)

Giovanni- The Villain I Appear To be, all the way. But he would listen to stuff like smooth/soft rock.

Trixie- the artist Good Kid. That's it. It fits her. The style, the beat, the everything, she listens to it and you can't convince me otherwise.

Phoenica- the underwater mario level music soundtrack fits her, but she listens to cheesy love songs. I totally didn't have any in my Playlists.. coughs in from the start by laufley

Naven- six legs(tippy tappy toes) by scrawny fits him, specifically the music. If he wants music to listen to he has someone produce it for him.

Lorelai- I couldn't think of anything, but she listens to No normal music, only anime openings.

And yes, all this songs are music from various Playlists of mine.

Music mentioned below.

[byneddiedingo]

Eleanor Powell and Fred Astaire in Broadway Melody of 1940 (Norman Taurog, 1940)

Cast: Fred Astaire, Eleanor Powell, George Murphy, Frank Morgan, Ian Hunter, Florence Rice, Lynne Carver, Ann Morriss, Trixie Firschke. Screenplay: Leon Gordon, George Oppenheimer, Jack McGowan, Dore Schary. Cinematography: Joseph Ruttenberg, Oliver T. Marsh. Art direction: Cedric Gibbons. Film editing: Blanche Sewell. Music: George Bassman, George Stoll; songs by Cole Porter. 

"Glorious Technicolor," as a song in Silk Stockings (Rouben Mamoulian, 1957) dubs it, was the hallmark of MGM's musicals, starting with The Wizard of Oz (Victor Fleming, 1939). The fourth and final iteration of MGM's series that started with the Oscar-winning (but now laughably antique) The Broadway Melody (Harry Beaumont, 1929) and continued with Broadway Melody of 1936 (Roy Del Ruth, 1935) and Broadway Melody of 1938 (Del Ruth, 1937) was supposed to be in color, but uncertainty about the European market where war was breaking out caused the studio to cut back on the budget. But who needs Technicolor when you have talent like Cole Porter, Fred Astaire, and Eleanor Powell, especially in the big shiny black set for the finale, with Astaire and Powell dancing to "Begin the Beguine"? We probably won't see the likes of that again ever. For that matter, who needs a plot? Most movie musical screenplays were just threads to string the gems on, and the one for Broadway Melody of 1940 is no exception. Astaire and George Murphy play a down-and-out dance team, one of whom gets a chance at the big time, performing with Powell in a new Broadway show. The problem is that there's a mixup about which one is owed the big break. Astaire's character is the one picked by the talent-scouting producer (Frank Morgan), but through the kind of mishap that mis-happens only in the movies, the co-producer (Ian Hunter) thinks that Murphy's character is the one he's chosen. Both guys fall in love with Powell's character, of course, and everything has to be sorted out. Norman Taurog had a good hand with this sort of comedy, thankfully, and Morgan's befuddlement, which also involves an ermine cape that he lends his dates, is moderately amusing. The only flaw is that the movie follows the tradition of its predecessors in inserting vaudeville-style specialty acts between the musical numbers, so we endure extended routines by a juggler and a comic soprano before Astaire, Powell, and Murphy can sing and dance again. This was the only teaming of Astaire and Powell, and each was reportedly intimidated by the other. Powell's dance style was more athletic and acrobatic than Astaire's, and it's demonstrated spectacularly in her solo number "All Ashore," but any fears that their styles might not mesh were put to rest by their duets to "I Concentrate on You" and "Begin the Beguine." Murphy gets shown up by both, and he looks ridiculous dancing on tippy-toes in the "Between You and Me" duet with Powell, which may be why he quit hoofing and went into politics.

[mulderscully]

hullo what do you think domestic deckerstar will be like? -ds anon (also i realized i'd been calling them deckstar nd it doesn't rly matter but i kinda feel like an idiot lmao)

it doesn’t matter and if it makes u feel better tom ellis called them that on twitter too before 2x11 aired lmao!!

i think they’ll be like what they were like in 2x11 - 2x12. i love the writers for giving us that little preview.

bc now i know that when i think about chloe being huge awkward flirt & wanting to do him everywhere, it’s canon! and when i think about luci being soft and having eyes for only her and calling her beautiful breathlessly and all of that… it is canon!!!!! 

especially like. ok this is all the big stuff like candy and miracles and all that aside.

i mean of course they’re gonna have some things they butt heads about (lucifer spending too much money on her, lucifer having to adjust to human life and chloe loosening up a bit. bc i think the endgame will be lucifer becoming human and living it out with her til they die and then he returns to heaven w/ her but anyway. that’s another convo.) i think luci is gonna surprise everyone, including himself, by being a rly good boyfriend lmfao. 

- someone looks in his general direction, “sorry i have a girlfriend..” starbucks barista is like ok whatever dude, no one cares.

- they’re gonna be SO touchy and gross like. they’re gonna try to keep it a secret at work and have to sneak off to make out in empty rooms and closets bc they can’t keep their hands to themselves.

- luci is gonna be little spoon a lot bc chloe is the only place he’s ever felt safe & at home.

- she’s gonna call him babe all the time, and he’ll start calling her by her name as well as darling and love. but he still calls her detective a lot, bc old habits die hard and i think it’s almost a term of endearment at this point.

- they’re gonna smile between kisses all the time and forehead touch and chloe getting on her tippy toes to kiss him djksnfjdskd.

- chloe making fun of his media image, especially the goat thing is smth i will hang on to til i die. like. it’ll become a family dinner thing with amenadiel. it’s all love though.

- lucifer is gonna teach trixie how to put on eyeliner when she’s 13 bc she asks him and chloe is gonna watch them like :’)

- i gotta go have lunch but…  basically they’re gonna be really soft and i can’t wait.