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lc-holy · 7 months

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Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

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-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

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-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

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-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

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- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

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- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

#miraculous ladybug #ml writing team #Conférence Masterclass 808

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vanteguccir · 8 months

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── ୨୧ !　𝗚𝗔𝗟𝗔𝗫𝗬 𝗚𝗜𝗥𝗟

　　　　　　　　　　𝒎𝒂𝒕𝒕 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: Where Matt has a crush on Y/N, an influencer extremely well-known in the USA, but when she goes to the Zach Sang Show, Matt discovers that she also has a crush on him. When the two meet at a party, how will Matt react?

REQUESTED?: Yes, from anon.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

　　　༻✦༺ 　༻✧༺　༻✦༺

"Hi beautiful people! I'm Zach, and that is Dan, and welcome to the studio for the first time after many requests, Y/N!" Zach began with his standard intro, the camera moving away from him and onto Y/N, who was sitting comfortably on the couch facing her microphone.

"Hii, wow... I've lost count of how many nights I've spent hours watching your show, Zach, so being here is an honor! Thank you so much for having me." Y/N spoke with a smile on her face, her eyes shining with excitement.

"It's amazing to have you here too. Believe me, the honor is ours." Zach replied, smiling just as much. "But tell me, how is life? Crazy, I imagine." He asked with a smile, taking in Y/N's features.

"Don't remind me, literally crazy! As I have Instagram, Tiktok, and YouTube to manage and post content every day, at least in one, I haven't had time to stop much, you know?" Y/N spoke while gesturing with her hands. "But it's been incredible. Over the past five years, I've loved every moment of it."

"I can only imagine, especially since you have a knack for fashion too, right? I see you a lot at events." Zach commented, taking a sip of his water.

"Yes, exactly. My content is a little bit of everything: humor, fashion, relationships, makeup, Q&A, day-to-day life, etc. I like this really mixed stuff." The girl let out a laugh when she finished.

"Yes, I think that's what attracts so many audiences to you too, right? You have subjects that cover all audiences." Zach commented, receiving a nod from the influencer. "And tell me a little about how it all started, from the beginning."

"Well, I've always been a person who loved to talk, my friends at school joked that if I sat next to an unknown person for ten minutes, within the first minute I would come up with a random topic and start a conversation." Y/N smiled when she heard Zach comment that that was something super interesting and traits of an extroverted person. "Plus, I've always liked having an audience and social media. I had Musical.ly many years ago, where I posted short makeup and hair videos."

"Wow, Musical.ly, I completely forgot it existed." Dan commented, laughing along with the other two.

"Yes, it looks like it was a crazy dream." Zach nodded, glancing briefly at Dan before returning his gaze to Y/N. "I saw some videos from that time. You once mentioned that you took makeup courses, right?"

"Yes, I took makeup courses at Make-up Forever Academy while I was at school. It's always been my favorite hobby." Y/N said, as she stirred her Starbucks coffee cup, her drink still warm. "And on Musical.ly, I only posted that, but over time, the app lost popularity, and people started looking for me on Instagram. At the time, my Instagram was pretty empty, I didn't post almost anything there, just some also makeup things. But then, I needed to change that since Instagram gave me a lot more tools to create more expansive content. It was the moment that I completely lost my shyness with cameras, you know? That's when I started talking about other things besides makeup and hair, and the audience grew. Famous people started following me as well, I remember I panicked about that." She paused, laughing, accompanied by Zach, who was listening intently.

"And my followers started asking for a YouTube channel, where I could make longer videos and each one about something specific. I thought a lot about it, but I took courage and created my channel, and it totally exploded, almost all of my followers from Instagram started to follow me there, but on YouTube the number of people doubled."

"It caught the attention of the public who only used YouTube, right?" Zach commented, nodding in understanding.

"Exactly! And I was just with this two social medias for a few years, until I discovered Tiktok, that's when I discovered that it was like an improved Musical.ly, and that a lot of people made content just on it. I remember thinking: why not? I was already fully on the Internet, and it wouldn't hurt to have another social network. The audience continued to grow, and there were shares all the time, likes, and comments, and with that, we reached 16 million subscribers on YouTube and 6 million followers on Tiktok and Instagram." Y/N finished, her face showing a smile as she momentarily remembered her long journey there.

"Your history with the Internet is truly incredible, you are one of the biggest influencers in the United States and well known all over the world, having started at 15 years old and fighting to grow and gain your own space." Zach praised, clapping playfully as Y/N waved her hand like it was nothing, her face turning red in embarrassment. "But you mentioned a subject I wanted to bring up: celebrities." He said, laughing when he saw the girl take on a fearful look.

"Jesus, what are you going to say?" Y/N asked with a smile on her face, she had already opened up her life and tastes so much to her audience, that she knew she would definitely have said something about celebrities that she didn't remember at that moment, but that Zach would bring up.

"There was a video on Tiktok where you were answering a question from a fan, who had asked what your favorite YouTube channel and your celebrity crush were." Zach began, approaching the microphone to his face. Y/N widened her eyes, taking a sip of her drink to hide her expression, vaguely remembering the video in question. "And you answered that your favorite channel was the Sturniolo Triplets and that your celebrity crush was Matt Sturniolo, is that correct?"

"Oh my God." Y/N muttered, hiding her red cheeks in her hands. "Yes, it is." She let out a nervous laugh. "The triplets are super funny, I just love their content! I'm not going to lie, I've never missed a video of them. I saw that Chris came here this year, right? I think their journey with YouTube is incredible." She said, Zach nodding as he confirmed that Chris had been on the show recently.

"They really are incredible people. Their content is gold. But, is Matt still your crush?" He asked again, looking at her with a smile on his face.

"You're not going to let this go, are you?" Y/N asked as she smiled sheepishly. "Yes, he's still my crush. I mean, have you seen that man? He's hot, has an incredible sense of humor, and is kind! Just perfect, just no more than Harry Styles." She counted the characteristics mentioned with the fingers of her right hand, laughing when she mentioned the British singer, trying to take all attention away from her admission about her crush.

"Yeah, guys, it seems like if you're not Matt, or Harry, you don't enter Y/N's list." Zach joked, looking at the camera, receiving laughs from the other two there.

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The triplets were lying on the sofa in their home, each in a corner of the space, while using their phones. Sounds of tiktoks and reels echoed through the walls.

Nick was on his tiktok, browsing his For You, watching the millions of edits that his fans made for them, some videos of other subjects appearing from time to time. The boy let out a laugh when he saw an edit of himself with clips taken from the last car video, double-clicking on the screen to give it a like before scrolling his thumb up, Y/N's voice suddenly sounding from his phone.

Nick took his thumb away from the screen momentarily, paying attention to what one of his favorite influencers was saying, smiling as he heard her tell a little about her history with social media.

His smile was replaced by wide eyes seconds later when the girl's comment about his channel with his brothers and about Matt sounded.

"What?" He asked loudly, catching the attention of Matt and Chris, who had confused looks on their faces.

"What what?" Chris asked, locking the screen of his phone and tossing it to the side.

Matt only looked up from his own phone screen momentarily, returning his attention to his Instagram feed.

"You know Y/N?" Nick asked, his eyes darting from Matt to Chris quickly.

"That super famous influencer that Matt has had a crush on for years? Yes." Chris agreed, nodding his head as he adjusted himself in his seat, receiving a slap on the arm from his brother, who lowered his cell the moment the girl's name left Nick's lips.

"She knows who we are, and not only that, she talked about us on Zach's show." The redhead said with wide eyes.

"Zach Sang?" Matt asked, receiving a nod from Nick, who got up and walked closer to his brothers, sitting between the two and raising his phone, increasing the screen brightness and volume before hitting play on the tiktok again.

The video was a compilation of the show's favorite moments with the influencer. The triplets watched in silence until they got to the part where Y/N talked about her channel, also confirming her crush on Matt. Chris quickly turned his face to Matt with his mouth open in shock.

"Matt, THE Y/N has a crush on you." Nick reinforced, pausing the video and turning to his brother, who had wide eyes as he looked at the phone that had Y/N's face on the screen, a disbelief look on his own face.

"That's crazy." He muttered, shaking his head in denial. "It's not possible that my longtime crush has a crush on me, too. That only happens in movies. Right?" Nick rolled his eyes at the comment.

"It might be crazy, but it's not a lie. She wouldn't talk about our channel and reveal her crush on you if it was a lie or a joke." Chris commented as he fixed the hood of his sweatshirt, earning a nod from Nick.

"Next week, there will be that huge and super chic party for the biggest influencers and YouTubers in the United States here in LA, and we received an invitation. I'm absolutely sure she will be there. It would be a great opportunity to make contact with other YouTubers and get to know her, maybe even ask her to participate in a video with us." Nick reminded his brothers of the invitation, locking his phone screen and looking at the two.

"Are you sure about that?" Matt asked, an expression of uncertainty on his face. Out of the three, he was the least fond of parties, although none of them were very fond of it either.

"It would be great for the channel, Matt." Chris reinforced, shrugging. "It wouldn't hurt to try. If we don't like it, we can leave right away. But meeting Y/N seems amazing to me right now, and it would be a great opportunity for you."

"Okay."

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"Are you guys sure about this?" Matt asked after turning off the key in the ignition, keeping his hands on the wheel as he looked ahead, his ears picking up the loud sound coming from the party.

"Matt, it's just going to be a test, okay? It's interesting for us to make more contacts." Nick responded from the backseat, resting his hands on the sides of the front seats as he looked in the rearview mirror, waiting for Matt to look back.

Matt looked up, focusing on Nick through the mirror, who had a neutral expression. The boy shifted his gaze to Chris beside him, who was already looking at him.

Chris offered a reassuring smile, taking his left hand to Matt's right shoulder, squeezing the area.

Matt exhaled deeply as he mentally prepared himself. It had been years since he had attended such a big party.

It didn't take long for the triplets to get out of the vehicle. Matt locked the doors before they started their walk to the mansion where the loud sound of pop music was coming from.

Nick quickly pulled from the pocket of his jeans the invitation he had received in the mail that stated his and his brothers' names on expensive-looking paper and beautiful writing, holding it ready to present to the security guards at the front.

After being granted entry, the three entered the house, stopping for a few seconds at the beginning of the living room while their eyes traveled over the people there, recognizing some of their social media.

The mansion was extremely chic, decorated with golden tones and diamond chandeliers, long marsala red curtains covered the huge windows and columns that resembled those of Greek temples were spread throughout the space, along with two staircases in each hemisphere of the room with wooden handrails and a red carpet that led upstairs.

Youtubers, influencers, and celebrities filled the space, talking or dancing, some drinking, dressed in extravagant and expensive clothes.

Chris surreptitiously pointed to a specific point, making his brothers look there.

"That's Y/N, right?" He asked, earning a nod from Nick.

To Matt, the earth seemed to have stopped spinning, and the world seemed to have become static. The celebrities in the room suddenly stopped, the sound became muffled, and the smell of drinks and perfume disappeared. His breathing seemed to catch, and his throat felt dry.

Y/N looked perfect, having opted for an all-silver outfit: a mid-length skirt with a thigh-high slit from Diesel draped in synthetic silver along with a white crop top also from Diesel adorned her body. A pair of thin silver high heels decorated her feet, complemented by a silver Diesel bag and jewelry in the same color.

She looked like she came out of one of those galaxy movies, but much prettier than its characters.

Matt could have watched her from afar for seconds or minutes, just admiring her beauty and every detail of herself, but it still seemed to be too quick for his liking. Nick woke him from his hypnosis with a weak slap to his chest, getting his attention.

"You definitely don't know how to disguise it." He commented, rolling his eyes.

"Shut up, Nick." Matt responded quickly, frowning and briefly looking at Y/N again, before turning to his brothers. "I'm going to get something to drink, are you coming?" He asked, needing a cold soda at that moment.

Chris nodded, answering for himself and Nick, following his middle brother to the bar that was in the separation between the kitchen and the living room.

The space was extremely chic, a circle-shaped bar with a gold colored counter decorated with details in yellow and navy blue tiles, giving an air of wealth. At the front there were stools with synthetic gold upholstery and at the back, after the space where the bartender circulated, there was a large circular and high table filled with all types of drinks, including the most expensive ones.

Matt leaned his hips against the counter, choosing not to sit down, and glanced briefly at the bartender.

Nick sat on the stool next to him and Chris sat next to Nick, the two starting a conversation about a subject that Matt didn't pay attention to, his attention focused on the people around him, or rather, on one specific person.

His blue eyes went back and forth to Y/N's silhouette, admiring her from afar as he wished to be by her side, accompanying her and being the person she was talking to.

The girl next to Y/N and who had been talking to her since the moment Matt entered the room walked away, saying something while blowing an air kiss to the influencer, who smiled in response and turned around, facing where Matt was, but not looking directly at him, running her eyes around the people while taking sips of her drink, probably alcoholic.

Matt took a deep breath as he gathered his courage, straightening up and starting to take long steps towards the girl, crossing the room and passing among the famous people there.

"Matt, what do you want to- Matt?" Nick began, turning to where Matt was and stopping mid-sentence when he saw that his brother was no longer there.

"He's on his way to get his pot of gold." Chris commented, poking Nick with the index finger of his left hand and pointing at Matt, who was already approaching Y/N.

The brunette stopped next to Y/N, turning so that he was also facing the people around and shoulder to shoulder with her, a few centimeters between them. His hands were in the front pockets of his jeans as he breathed slowly, trying to calm his nerves.

And then her voice sounded like it was the easiest thing she'd done all day. Her voice was silky in person, so inducing that it sent goosebumps across Matt's skin.

"You were working up the courage to say hi..." She lifts the glass, taking another sip, her lips shiny with gloss and bright red lipstick, her tongue escaping her mouth momentarily, licking the residue of the drink there. "Or would you just stare at me all night?" She turned around, facing him.

Matt almost choked on his own saliva as he heard Y/N confirm that not only had she noticed he was there, but she had also noticed that he had been looking at her this entire time. A weight settled in his chest. Perhaps it was shame or lust due to the way she said that without reservation.

"I didn't mean to disturb you. You seemed quite engaged in your conversation." He made up an excuse, knowing full well that he could have gone to the girl from the moment he arrived, but his fear of what would happen held him back.

"Engaged? In a conversation about who here has the most money and fame?" Y/N threw back, furrowing her eyebrows.

Matt looked around them, stopping his eyes briefly on the girl who had previously spoken to Y/N and who was now watching the people with a gaze torn between judgment and desire. A loud laugh escaped his lips as he shook his head in denial, the pettiness of some people impressed him.

"For what it's worth, you're the only famous person here that interests me." Matt commented, his blue eyes focusing on Y/N's face, analyzing her closely. An expression of satisfaction came over his face as he saw a red color take over her cheeks.

"You flatter me, Matt." Y/N looks back at him, their eyes meeting for a few long seconds, before hers travel across Matt's face, mentally taking note of every detail she could notice in the few seconds.

The boy smiled arrogantly when he saw her eyes on him, receiving an eye roll in response.

"Do you like what you see?" He asked, his voice taking a deeper tone and his pupil dilating as his lips stretched into a smirk.

"Don't let it go to your head." Y/N responded as she scoffed playfully, allowing the beginning of a smirk to emerge on the right corner of her lip.

At that moment, Matt felt like he could do something, anything, that would make her smile like that again or smile a bigger smile. He thought of a million possibilities of what he could say to cause that reaction in her, longing to feel the butterflies in his stomach again.

"You look beautiful tonight." Matt praised, his blue eyes traveling over Y/N's body momentarily, returning to her eyes. "Not that you just look beautiful tonight. You always look beautiful. But today you..." The boy tried to justify, getting caught on his words. "Look perfect."

A sigh escaped his lips, an apologetic look taking over his eyes as his right hand scratched the back of his neck lightly, feeling like a complete idiot for getting tangled up in front of the girl he has a crush on.

"I'm sorry, this isn't how I pictured myself meeting you." He groaned, looking at the ground in shame, hoping something would surge and save him.

"So you imagined meeting me?" Y/N smiled, feeling arrogant. She bit her bottom lip, feeling smug as she watched Matt blush and his eyes widen. "I'm kidding. You look beautiful tonight, too." Y/N let out a low laugh, returning the previous compliment, running her tongue between her lips, wetting them as her eyes traveled over Matt, pausing lingeringly on his exposed collarbone with the tank top he was wearing, the necklaces that decorated his neck made her mouth water.

Before Matt could even open his mouth to answer her, the sound of footsteps approached, catching both their attention. Y/N tore her eyes away from Matt's blue ones and looked ahead, seeing the same girl from before approaching again, holding herself back from instantly rolling her eyes.

The boy realized that the conversation would change direction and that, perhaps, he would no longer be included in it. A subtle sigh escaped his lips, and he tucked his hands into the pockets of his jeans again, looking at Y/N briefly, realizing that she was already looking back.

"I'm sorry." She asked, pressing her painted lips into a thin line before a beautiful, wide smile replaced it. "Text me on Instagram. You will be my priority to respond." Y/N spoke before being gently pulled away by her "friend", turning her face back quickly and sending the brunette a wink before looking forward again.

Matt watched her from behind as her high-heeled legs took long, quick steps away from him, a goofy smile taking over his features. He would definitely send that text.

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headspace-hotel · 1 year

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Proposed logging project in the Daniel Boone National Forest (South-Central Kentucky, USA)

I found out about this recently and Ive seen barely any discussion or attention about it in real life or on the internet, so hopefully I can attract more attention

The USA Forest Service is planning to log 10,000 acres of the Daniel Boone National Forest near Jellico Mountain, near the Kentucky-Tennessee border. The plan includes around 1,000 acres of clear cutting.

We need mature forests to remove and store carbon from the atmosphere. This is disastrous from a climate change perspective.

The excuse being given (apart from the obvious economic incentive of logging) is that the tract is mostly "mature forest" and that the forest needs to have a "diversity of age classes" for wildlife. This is total bullshit, since less than 1% of old growth forest in the Eastern USA remains, and an 80-year-old forest is still incredibly young. This type of reasoning is greenwashing.

To make matters worse, the planned logging is on mountain tops, which will cause huge amounts of erosion and possible floods and landslides that endanger the people who live in the valleys below.

Kentucky experienced a deadly flash flood in the eastern mountains that killed 40 people last year. Forests help stop flash flooding by absorbing rainfall in a dense layer of roots and soil, draining it slowly into waterways; without them, mud and rainwater goes rushing straight into narrow mountain gullies rapidly, causing dangerous floods.

Mud and sediment rushing into streams also kills fish and aquatic life that need clear, clean stream water.

Kentucky has one of the most biodiverse freshwater ecosystems in the entire world, with only a couple states next to it having more freshwater species. Kentucky's forest streams have fresh water fish, crustaceans and other species found nowhere else on Earth.

The Southeastern USA has the most diverse freshwater life of any place on Earth, the most salamander diversity of any place on Earth, and the Appalachian Mountains are a global hotspot of biodiversity, considered one of the world's most biodiverse temperate deciduous forest habitats.

It is crucial that we begin building the old-growth forests of the future NOW!

Logging these forest tracts will facilitate invasive species to take over. Mature forests form buffer zones against invasive species. The forest will never grow back the way it was; it will be infected with Kudzu, Autumn Olive, Honeysuckle and other invasives that take advantage of the destruction and prevent the normal process of forest succession from happening as it should.

If you live anywhere near this area, talk to everyone around you about this, send them the links above and encourage them to do the same themselves.

Talk to your friends, your neighbors, people at your church, everyone you are in contact with or speak to in your day to day life. Tell them about the risks of flash flooding and landslides and the importance of preserving mature forest land. Any environmental clubs and organizations you know of, tell them as well.

Most people haven't even heard this is happening, and that's how they get away with it.

Public outrage protects priceless habitats all the time, so TELL EVERYONE YOU KNOW. Tell people you don't know, even. Call and email organizations and people that might be interested, until you run into someone who has an idea of what to do. That's how change happens!

#boost #kentucky #conservation #logging #protect our forests #climate change mitigation #usa

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letsgetrowdy43 · 10 months

Text

Not strong enough (Rowan's Version)—

reader x usntdp u18 2018-19 team

Based on the song "Not Strong Enough" by Boy Genius

Warnings: Sexism & Men (they deserve the tw)

Ro's 1000 follower celly

Au Masterlist!!

"Black hole opened in the kitchen, every clock's a different time. It would only take the energy to fix it, I don't know why I am"

“She’s the glue,” Jack grinned and looked over to Cole who smiled back at him, “every team has that person who keeps the group together, and for us, she’s that person.” “She’s our everything really” Trevor interjected as the interviewer nodded her head.

The woman wore a red blazer, in her hands were a few cue cards, messy handwriting full of questions covered the tiny pieces of paper as she grinned at the boys sitting on the couch in front of her.

“How about her game? Explain it to me,” she smiled as Alex sat up. “She’s electric, elegant almost with how agile she is,” the other boys nodded, “her IQ is above all, and her playmaking is so effortless.”

“We wouldn’t be half the team without her,” Cole added. “These accomplishments are because of her, none of these records or wins would’ve happened if she wasn’t in that locker room,” Jack finishes off the interview with a grin as the camera shuts off and the industrial lighting goes out.

“That was an amazing boys, thank you,” the cameraman and director said as he shooed the boys out of the room.

★★

"The way I am, not strong enough to be your man, I try, I can't stop staring at the ceiling fan and, spinning out about things that haven't happened. Breathing in and out"

Y/n watched her interview with tears, a huff leaving her lips as she stared at the ceiling in defeat. “What about the boys? You find them cute?” The woman in the red blazer said with a chuckle.

The cue cards of in-depth questions were nowhere to be seen as the teenage girl sat on the couch in her Team USA jersey. Embarrassment filled her face as she looked behind the camera to see the direct, wondering how on earth this question was even real.

“These boys are like my brothers,” she smiled, tone a little peeved as she stared at her hands, “they are my team, the ones I go to battle for.” A semi smile worked its way into her face as she thought back to the past years with the boys, and how life-changing this team has been for her and for her game, “on the ice we are dynamic, and off the ice, they are my best friends,” she answered honestly

That’s about as far as she could make it into the video before having to turn it off.

The boys received such beautiful questions and were given the opportunity to share such meaningful words. While on the other hand, she was painted out to be some narrative

It was total bullshit.

★★

"Drag racing through the canyon, singing "Boys Don't Cry" Do you see us getting scraped up off the pavement? I don't know why I am"

“Give ‘em hell my girl,” was always Ellen’s words to the teen before she stepped on any ice, whether it be a game or a practice. It held such a strong sentiment, and Ellen was such a strong role model in her life.

They were also the first words said to her the moment she got the call inviting her out to the draft combine in Buffalo, her billet mother pulling her into her arms hug as she cried into Ellen’s arms “I’m so proud of you y/n,” she whispered as the tears subsided with the entrance of the boys who had been waiting for this moment.

“Are those good tears or bad tears?” Alex asked as y/n wiped them away. “Good ones,” she croaked as both Jack and Alex lunged at her.

Not only was this the biggest moment of her life, but this was also one of the biggest moments in female hockey history. The first-ever teenage girl prospect in an all-male league, it was overwhelming, but it was the first step in the direction of change.

★★

"The way I am, not strong enough to be your man, I lie, I am just lowering your expectations. Half a mind that keeps the other second-guessing, close my eyes and count"

“A female prospect?” The interviewer mumbled as he looked through his list of draftees. “It’s progressive,” another man with a clipboard mumbled with a shrug as he sipped his coffee.

“It’s unorthodox,” another person mumbled as one of the interns left to go and fetch the girl from the next room over, “politics and sports don’t coexist,” he added causing a few chuckles around the table.

The only female interviewer tapped her pen on the wooden table, her brows raised and her anger levels starting to rise as she looked at all of the men in the room. “You are making decisions for a billion-dollar company, every single decision and movement you make is due to the outcome of the political climate,” she said hastily before the door opened and all of the people in the room stood to greet the young prospect

The older woman’s hand was the first one out for the young girl to shake as she greeted her with a warm smile and a firm handshake. “Please take a seat, we’re so glad to get the chance to sit down with you!”

★★

"Always an angel, never a god. Always an angel, never a god"

Draft day had to of been the most stressful day ever, the NHL reached out a few weeks prior hoping to include her in their “Welcome to NHL” mini-documentary about her experience on the draft day.

Her hand shook as she stared at herself in the mirror, a small smile on her lips as she looked towards the camera. “Ready to make history?” She mumbled as she looked back at herself she fixed her lavender suit jacket.

"Always an angel, never a god. Always an angel, never a god"

Jack pulled her in for a hug as she got down to the bus, his hand cradling the back of her head as he held her tightly, “I can’t believe this is real,” he mumbled as she pulled away with a proud smile.

The second her heels hit that red carpet she was immediately anxious, she spun the gold ring on her thumb as Quinn and her older brother each patted her on the shoulder and sought out to find their designated entrance as she went through the carpet and the media.

“This colour is beautiful,” the interviewer said as she took in the bold outfit. “The man who designed the suit was very adamant that it was my colour,” she mumbled as she unbuttoned the loose-fitting Jacket.

The interviewer grinned, “As most draftees do, are there any little things about this suit that make it personal?” The girl opened her blazer to showcase a listen of names written in a deep shade of violet on the inside of her suit lining, “these are all of the women in my life who have pushed and haven’t received the recognition that they deserve,” her fingers ran over the writing as she smiled.

“These are the women and the role models who have fought for me to be in this place today, and have given me this opportunity to make history,” she nodded and unveiled the other side. A tiny embroidered quote that said “give ‘em hell,” was sewn into the other side, little flowers decorating the message as the interviewer grinned.

“And this is an ode to the woman who went above and beyond, and fought for me to be in this position,” she smiled as the interviewer wished her luck and sent her on her way

"Always an angel, never a god. Always an angel, never a god"

“Hold my hand,” she whispered to her dad, the man pulling the cell phone out of her hand to get her off Twitter for a moment, “people hate me,” she frowned as she looked at her father who shook her head. “People are afraid of change, you are strong you have worked harder than any of the boys in this room,” he whispered as her eyes filled with tears, nodding slowly as she leaned her head against his shoulder, “you are so worthy of greatness, and it'll come when the time is right,” he finished as her attention turned to Gary Bettman who was beginning to walk across the stage.

The boos began, and so did the anxiety.

"Always an angel, never a god. Always an angel, never a god"

One by one her teammates were picked off, proud smiles on her face as they each stopped by her to thank her for everything.

She sent each one of them off with a hug and some choked-up words as they made their way to the stage to live out their dreams. And one by one her dream slowly crumbled, like a glass castle that had been shattered, as the Blues picked their final pick on the second day in the seventh round Y/n felt the emotion rip through her. But instead of cracking, she held her head high and walked out of the arena with the entirety of her family behind her.

The second she was away from the cameras and the fresh air hit her lungs she began to crack.

A sob ripped through her as she sat on the curb, her hands pulling at the roots of her hair, “I was supposed to- I was supposed to make a difference,” she cried as a hand ran over her back. “I'm sorry sweet girl,” Ellen's soft voice sounded as the tears kept coming.

“I worked so much harder than the boys, I trained my ass off, I sat through the sexist interviews, but none of it will ever be enough,” the cries grew louder and louder as she leaned against the woman. “I did everything I could, and I will never meet my dreams,” she said defeated as Ellen held her tightly.

“I know baby, it's unfair, you deserve it just as much as the boys” she whispered, tears staring in her own eyes as she watched the girl who had been a daughter to her shake with a look of distraught on her face.

The girl wiped the underneath of her eyes, her fist finally unclenching as she sniffled, “I will never be enough,” she whispered and looked up to see the photographer taking a photo from across the street too which she just shook her head and sighed.

★★

"I don't know why I am the way I am, there's something in the static, I think I've been having revelations. Comin' to, in the front seat, nearly empty skip the exit to our old street and go home"

The draft had come and gone, and the boys each headed off to the new destinations in their lives. She ended up in Minnesota, as a freshman on the women's hockey team. Division one college hockey had always been on her list of things she wanted to experience, and it was everything she imagined.

It was slow, life slowed right down when she stopped putting that pressure on herself to always be the very best. The girls were sweet, but they knew what she had gone through during the summer, some a little envious, some a little sorrowful to know the struggles that she'd endured in the pursuit of her possible professional career.

The boys called often, to tell her about the little things, shared what their lives now entitled, whether it be in the league, or in university, wanting their favourite girl to know that they were always thinking of her.

Jack was a constant call in her life, a rookie who now carried the burden of being one of the potential greats. "It's really not all as great as they paint it out to be," he mumbled tiredly. It kind of felt like a stab in the heart sometimes, for him to be so ignorant to the pressure she had been other previously and then tell her that maybe she was lucky she would never get to experience the so-called 'torture' he was experiencing.

"Jack, do you know how badly I would kill to be in your shoes right now, to be worthy enough to prove myself to an entire league," she scoffed as the tears started, "do you know how much I wanted that, do you know how much I pushed myself to make it to that draft and then to be turned away after all of that work?" "I know," he sighed. "I don't think you do, 'cause at the end of the day you're calling me to complain about an amazing opportunity," she huffed as she heard the sniffles on the other end, heart squeezing a bit knowing that she was being hard on him.

"I'm sorry, it's just you have such talent, you're just in a slump J," he hummed in agreeance on the other end, "and you're gonna do such amazing things, you just need to push through it." "Should I give 'em hell?" "You need to raise Hell J," she finished her pep talk as he whispered a quiet Thank you and then hung up.

★★

"Go home alone"

She remembers the phone call so clearly, sitting in her dorm in her junior year, moving in only a few days prior as she started to get ready for her classes.

the phone rang twice before she answered the call, and an unknown number appeared on the screen as she stared at the random digits. "Hello?" "Is this Y/n L/n?" "This her," she said with a clear voice, brows furrowed as she held the phone a little away from her face to see if maybe she now recognized the number.

"Great! This is Tom Fitzgerald, GM of the New Jersey Devils," her heart dropped, and she sat up quickly as she looked at her roommate with wide eyes, "we would like to invite you to Jersey for the weekend, Lindy Ruff would like to meet you and have a chat about some sort of deal!" "Of course, I'm free whenever," her hand covered her mouth in shock as she felt the slight tremor of her hands, "thank you for this opportunity Sir," the man hung up the phone as she stared at her screen with wide eyes.

A smile rested on her face as a notification popped up.

My turn to tell you to raise hell! 😈❤️

Jack's number appeared just above the message as she looked up to her roommate. "Holy shit"

Kinda scared to post this 🫣

#⭐️ro's1000followercelly⭐️#neveragodau!!#quinn hughes #jack hughes #luke hughes #umich hockey #trevor zegras #alex turcotte #cole caufield #new jersey devils

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lasirenatarot · 1 year

Text

💫🌟WHAT BLESSINGS ARE COMING YOUR WAY? 💫 timeless pick-a-card reading.

- SIDE NOTE: some days my intuition is craaaazy (today 23.07.2023 is one of those days😂), so I decided to do this very random reading. It may be disorganized and totally not resonating for some, but it may help others, as Im writing all that I get without a clear topic, so enjoyyy!!

Piles:

1->2

3->4

Photos: Magdalena Frackowiak for Harper’s Bazaar USA, september 2009

PILE 1

Okayy so possible blessings coming your way, those who chose pile 1:

Short term luck; possible salary raise/ bonus/ promotion; for some it may be a sum of money you didn’t have to work much for or somebody simply just gave to you, money you won from the lotery or gambling; giveaway wins; finding a banknote on the street; finding lost jewelry/items; for some it may be more sales of your products that certain month if you’re a business owner etc. - the main point is you will get sth bc of luck (money/present/item..), not much hard work.

More $€x, pl€asure, parties, celebrations (carefree times basically) coming your way.

You may go on a holiday where you celebrate sth, have pl€asurable experiences. All this may be after time in which you have been waiting on for a loooong time. Prior to that you may have been « isolating » yourself a bit so you can work on yourself, your mental health, cleanse yourself spiritually from bad energy you’ve had in you from the past & heal from sth.

Tip for this pile: don’t go into excesses; do everything in moderation - drinking,partying, $£x, don’t take unnecessary risks, don’t be greedy or careless with your money; going against that may lead to an unpleasant a-ddiction of some sort.

PILE 2

Hope after tough time. You may get good news about a situation you’ve been worried about; You may find a solution to a problem, the truth about sth which may later lead you to the solution..

Someone might have lied to you/ did you wrong, bc of that you felt like your « life » was falling apart but it was actually a blessing; Learning who was a fake person in your life and who was actually faithful was the blessing;

You will have new beginnings in your life- might be a new job/new relationship/new friends/even new home or area where you live;

some may start new important friendships, change in social circle is sth prominent in this pile; you might feel way more valued and happy in this new social circle;

Some might have found out about infidelities /lots of lies, which may be the reason for all these changes; the situation may look bad at first sight but it will free you from a burden that was never yours ro carry in the first place.

Changes might happen very quickly;

You will get on a new journey to find your true happiness

PILE 3

Okay the first thing I got may not resonate for many but if you’ve been wishing for a child/pregnancy, or to start a family, it may be coming soon.

Those who are not looking to start a family it may mean that you may have some carefree days coming ahead, you will live your life like a baby, without that much responsibilities;

Some may get some sort of inheritance;

Money

Moving to a new house;

A lot of you may cut ties with their past, get rid of their past bad habits, toxic people and situations; you have to leave your past experience behind in order to live your ‘dream’

A dream of yours you tought was impossible to get may come into fruition during this time you’re reading this/near future. You just have to be strong and keep the faith.

Love for many of you!!!!

You may get help from a female figure or your intuition on sth that is bothering you;

PILE 4

Healing;

GOOD HEALTH ( for me that is the biggest blessing that’s why I wrote it in all caps )

Huuuuuuuge changes in your love life!!!! I cannot stress this enough, so many signs here in the cards.

If you’re single, the love interest you meet might be VERY masculine, career oriented, might look cold on the outside (won’t be true when you get to know that person tho, they seem like a sweetheart, u just have to get them out of their shell..); might be a foreigner or you may simply meet them away from home/abroads;

Your « cup » will be overflowing with love and emotions, but you don’t have to lose yourself completely. Boundaries and everything in moderation are important things to have in relationships😄

If you were mistreated in previous relationships - you will get your justice.

Those who are in a relationship might get proposed to or move in together; become official if you haven’t already, sth like that => getting to the next level.

Glow up, confidence boost; end of melancholy;

You will get things you’ve even have not let yourself dream about bc it seemed delusional at the time, what u get will exceed all your expectations;

Off topic but, Pile 4, be careful of envy, gossips&lies. Get rid of your subconcious limitations.

As always, leave a comment if resonated & follow for more.

- La Sirena.💋

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nekropsii · 2 months

Note

Sorry for the 2 in a row asks but what do you think of this Hussie message and how it ties into your transmasc reading of Caliborn.

from here

This is just how gender works for everyone, including cis humans in real life. Everything is vibes and gender is a social construct.

Doesn’t really conflict with the idea that he’s Transmasc - being Trans is just deciding you’d rather have a different role in the play of life. You want a different performance, a different costume than the one you were assigned, and your understanding of the roles around you is nigh completely informed by observing the actors around you. It’s why the dominant ideals of femininity and masculinity will look different if you’re in the USA, in Botswana, in Mongolia, in Japan, in Russia, in Italy, in Kenya. It’s why it’ll change so drastically even within a single country depending on time period.

Caliborn being Transmasc is canon, and his performance of masculinity being alien to his own species kinda falls in line with a kind of Trans narrative. Frankly, Trans understandings of gender do tend to be quite foreign to their Cis peers, even if what they’re saying truly isn’t rocket science. A lot of Cis people aren’t even aware of the concept of Butch Lesbians.

It’s like this image.

Sadly, Caliborn’s a total cunt and a turbo misogynist, so this is all really funny. That… Also doesn’t conflict with real life.

#homestuck #cherubs #caliborn #nekro.sms

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traeumenvonbuechern · 1 year

Text

Historical Romances by Black Authors

Aphrodite wishes to escape the marriage mart but will a second chance with the elusive Duke of Everely change her mind? Aphrodite Du Bell is a diamond of the first water and a favourite of the queen. But her renowned loveliness didn't stop the love of her life, Evander Eagleman, from jilting her and marrying another woman four years ago. Aphrodite has been in self-imposed exile ever since. However, when her formidable mother summons her back to London Aphrodite has no choice but to acquiesce. Upon her return, Aphrodite learns that the newly widowed Evander is in town and, despite her best efforts, the grand society events of the season repeatedly push them together. With each encounter, Aphrodite's traitorous feelings make it perfectly clear that the Duke still holds court over her heart. Why did Evander cast Aphrodite aside all those years ago, and now that they have a second chance, can the couple make strides to mend past hurts?

Ailsa Connery has waited three long years to finally escape her enslavement at Stirling Castle and reunite with her clan. But her carefully laid plans are completely destroyed by the arrival of the infamous Highland warrior known as Dubh Mahoun, the Black Devil…who has plans of his own. Kallum MacNeill's fearsome reputation has long allowed him to keep hidden his secret double life of freeing enslaved captives across the land. It's only when he kidnaps a servant lass—quite by accident—that he finds himself facing a wee predicament. He must accompany the lass home or risk her exposing his true identity. It'd be easy enough…if the feisty hellion didn't fight him at every turn. As they make their way to the Highlands, the perils the two must face are surpassed only by their constant sparring. Soon, their heated sniping sparks heat of a totally different kind. The kind that ignites a hunger that could consume them both. Yet the difficult journey is no match for the dangerous secrets they're about to uncover.

The first novel in USA Today Bestselling Author Beverly Jenkins’s compelling new series follows a Northern woman south in the chaotic aftermath of the Civil War . . . Valinda Lacy’s mission in the steamy heart of New Orleans is to help the newly emancipated community survive and flourish. But soon she discovers that here, freedom can also mean danger. When thugs destroy the school she has set up and then target her, Valinda runs for her life—and straight into the arms of Captain Drake LeVeq. As an architect from an old New Orleans family, Drake has a deeply personal interest in rebuilding the city. Raised by strong women, he recognizes Valinda’s determination. And he can’t stop admiring—or wanting—her. But when Valinda’s father demands she return home to marry a man she doesn’t love, her daring rebellion draws Drake into an irresistible intrigue.

A fun and feminist Regency romp from a master of the genre hailed as "a delight" by Bridgerton author Julia Quinn. Nothing happens in London without Graham Wynchester knowing. His massive collection of intelligence is invaluable to his family’s mission of aiding those most in need. So when he deciphers a series of coded messages in the scandal sheets, Graham’s convinced he must come to a royal’s rescue. But his quarry turns out not to be a princess at all… The captivating Kunigunde de Heusch is anything but a damsel in distress, and the last thing she wants is Graham’s help. All her life, Kuni trained alongside the fiercest Royal Guardsmen in her family, secretly planning to become her country’s first Royal Guardswoman. This mission in London is a chance to prove herself worthy without help from a man, not even one as devilishly handsome as Graham. To her surprise, Graham believes in her dream as much as she does, which makes it harder to resist kissing him…and falling in love. But how can she risk her heart if her future lies an ocean away?

Jane Austen meets The Princess and the Frog For as long as Prairie can remember, living in paradise has been boring. Her days are filled with helping at her family's resort, sewing, daydreaming, and observing fashionable guests from the sidelines. But when a fairytale-Esque opportunity arises, she does something out of character and agrees to marry a man she's never met. Suddenly, she's navigating a new life that is a world and an ocean away from everything she's ever known. Her new husband, Wright, is decidedly Mr. Wrong. If there's a schedule, he'll ignore it. If there is a rule, he'll break it. If there's a risk, he'll take it. Has the girl who has always had a plan finally met her match? If you're a fan of TV shows like 'Vanity Fair', 'Bridgerton' and 'The Chilling Adventures of Sabrina' or enjoy reading comedies of manners, you'll love 'That, My Dear, Is Love.' This is a full-length, standalone novel featuring a diverse ensemble cast, whimsical magic, and hilarious misadventures. This is a clean romance with a HEA. Featuring some of your favorite tropes: Marriage of Convenience Opposites Attract Reformed Rake

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked. The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers. Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

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chthonic-cassandra · 25 days

Note

what vampire musicals are there? asking bc of the tag meme you posted a few days(?) ago where you said it was pretty accurate aside from no vampire musicals... i know wildhorn dracula, but what else? (and which are good?)

Thank you for asking a question which allows me to indulge myself by recounting all this. The question of "good," however, is rather fraught, and I ask everyone to remember that these opinions are just my own.

The (probably) first, and the only one to achieve significant success, was Jim Steinman's Tanz der Vampire/Dance of the Vampires, first stage in 1997. Tanz was an adaptation of Roman Polanski's comedic vampire movie The Fearless Vampire Killers, and features "Total Eclipse of the Heart," a song Steinman always intended to be about vampires. Tonally, the musical veers wildly between the broad comedy of the source film and something approaching sincerity and the comedy sections have never really worked for me, but it's certainly the most musically sophisticated of the vampire musicals and at its best, like in the major ballad sung by the lead vampire character about the loves he has killed (here sung by original cast Steve Barton, and here by Drew Sarich, who is in all the major vampire musicals and who we shall have more to say about anon) it's spectacular gothy camp glory.

Tanz was incredibly popular in Austria, where it was first staged, and then throughout Europe and in Japan. However, when it was brought to Broadway it was drastically rewritten, partly at the behest of Michael Crawford, starring in the show and anxious about changes in his body and being compared to his career-making performance in Phantom of the Opera. The comedy was foregrounded and the show was constantly being rewritten, to the point that the actors didn't know how their parts might change performance to performance. I didn't see the Broadway production, but it is accounted by all to be a colossal failure. The show remains popular worldwide to this day, but has not received another major staging in North America.

Next comes the Frank Wildhorn Dracula the Muiscal, which I know you know about, but as it is vital to this narrative I must give some explanation. Wildhorn is a sort of mid-tier musical theater composer, known for melodrama and period pieces. After the popular (though not critical) success of his Jekyll & Hyde musical (1997 on Broadway) he co-wrote Dracula with lyricist Don Black, premiering on Broadway on 2004.

While I maintain that Dracula the Musical has been unjustly maligned by comparison with some other works of musical theater, it is admittedly a mess, and the Broadway production, which was, despite highly publicized special effects, shockingly static, did it no favors. It tries to do far too many things, combining sections of relatively close novel adaptation (Christopher Hampton's book is often quietly strong) with a messily shoehorned Dracula/Mina romance. The score is variable, ranging, even just in Dracula's material, from the rousing "Life After Life" as Dracula welcomes the transformed Lucy, to his cringe-inducing "The Longer I Live". (I still think almost all of the music and lyrics are better than those of Les Miserables but then again I think most things are better than the Les Miserables musical.) The Broadway production had a reasonably strong cast, including Melissa Errico as Mina and Kelli O'Hara as Lucy, but it failed nearly as badly as the American version of Tanz had, if not quite so dramatically.

Wildhorn subsequently brought DtM to Europe, where it enjoyed significantly more success, first in a stripped down modern production in St. Gallen starring Drew Sarich and then in Vienna where the role of Van Helsing was expanded for popular star Uwe Kröger. It's continued to be performed in Europe and Asia, and in some USA community theaters.

Next up was Elton John's Lestat in 2007. One would expect that this musical would have been wonderfully over-the-top glam rock, but somehow Lestat ended up being one of the most staid things I have ever seen. Filled with forgettable music (even if we all do want to see Sam Reid and Jacob Anderson doing "Embrace It". It was further brought down by a lackluster performance of the title character by Hugh Panaro, previously known for his mediocre (sorry Panaro fans!) turn in Phantom. It was enlivened slightly by Carolee Carmello as Gabrielle earning one of the show's only Tony nominations and Drew Sarich (there he is again!) playing a decidedly not book accurate but very entertaining Armand. It also involved a Buddhist monk Marius de Romanus, but I constantly question whether this was a fever dream of mine. Lestat was yet another failure on Broadway and, as far as I can tell, has had no real subsequent afterlife, though I've been wondering if that might change with the IwtV show (and Sam Reid's evident enjoyment of the musical!).

Those are the major vampire musicals, for what they are! But there are also some others which never got even this level of attention, including:

Two dueling French-language Dracula musicals with almost the exact same name, Dracula - L'amour plus fort que la mort and Dracula - Entre l'amour et la mort

A Nosferatu musical which is a strong contender for the worst lyrics I have ever heard but also entertains me

another mysterious Dracula musical made in the UK with songs of wildly varying qualities, but containing the only Mina hero ballad with which I am familiar

There are also edge cases like Bat Boy and Rocky Horror Picture Show, which I would not call vampire musicals but someone else might.

Anyway! Thanks for giving me the opportunity to share some of the truly disproportionate amount of information I have about this topic in my head. I hope this brought some entertainment.

#finalgirlfall #musicals #dracula #vampires #vc reread

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clown-energy-skyrocketing · 1 month

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so basically. I am a clown. [READ THE WHOLE THING OR ILL CRY]

status: ONLINE

Ppl put this aesthetic thing here so imma do it, pretend to be amazed:

my full legal name [not reaaaaally]: Knox Finn Anaise

im currently trying to survive for the: 16th year in a row [I WAS BORN ON A LEAP YEAR LEGALLY IM 3 YEARS OLD] My gender: i was going to make a funny joke but it’s inappropriate so I’ll be boring and just say im a dude [if y’all can convince me to change it to the joke….]

MY HEIGHT: 8’2 (totally definitely not 5’11)

Sexuality: everyone is hot. Oh no!

birthday: February 29 [WOO HOO. LEAP YEAR. FUCK THIS. IM LEGALLY 3 YEARS OLD]

status: single and ready to jingle [like a fool, miserably on the ground: see below image]

godly parent: im not a demigod im just a human that the muses [my badass adoptive mothers] decided to take pity on so i GUESS im a demigod?????????

powers:

-i can dance very well thanks to momma Terpsichore

-i can write songs and poems and hymns thanks to momma Calliope and momma Polyhymnia

-I can write spicy fan fiction thanks to momma Erato (do not ask me to i will die)

-i can play EVERY INSTRUMENT IN THE WORLD thanks to momma Euterpe

-i can be a dramatic fucker because of momma Thalia [comedy=ADHD] and momma Melpomene [tragedy=depression]

-i can randomly point to stars and know their names coz of momma Urania [do not call her ur anus. She gets cranky.]

BASICALLY I CAN SING, DANCE, PLAY MUSIC, CRY, LAUGH, READ UR ZODIAC SIGN, WRITE FANFICTION. I AM A CLOWN 🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡

birthplace: ohio, USA [a lie]

Lore: I’m just a mortal dude who immigrated and was until recently living out of a homeless shelter.

No i am not an ambassador of skibidi toilet, im just failing at life

anyways heres what I look like externally

SO DEMURE. SO MINDFUL.

THIS IS HOW I AM INTERNALLY

MY CLOWN PATROL [LITERALLY JST MY TAGLIST ASK TO BE ADDED OR REMOVED:

@unhinged-as-hell [first client, CURRENT SPONSOR TO THE CHICKEN NUGGIES FUND]

@of-course-im-the-winner [second client, GAVE ME MONEYYY]

@demigod-jack-hearth (Bebe)

@if-chaos-was-a-boy [SUGAR DADDY, PAPACITAAA😍😍🔥��🔥]

@that-girl-cupid [NOT COMPETITOR]

@chaos-pers0nified [theatre nerd?????????]

@gay-emo-child-of-pluto [MY CHILDDD WITH PAPI WRAITH 🔥🔥🔥😩😍]

@stephen-the-spider [i wish i had siblings]

@bambi-the-dummy (slay, mother, girl boss)

@braydons-world (NEWEST SPONSOR)

@daonedaonlyskh [SHES COOL AS FUCK]

MY FAMILYY:

@penelope-is-waiting [my mami. She’s so nice.] @odysseus-of-ithaca-is-lost [my new dad. He’s still gone] @professionally-mocking-you [my new god adoptive dad]

This my songs recommendations:

CLICK ON THE IMAGES TO SEE CLEARLY.

OKAY IM LAZY TO WRITE ANYMORE, MCDONALDS PLS SPONSOR ME. PEACE.

#percy jackson roleplay #percy jackson rp #rp pjo #pjo rp #pjo roleplay #pjo #pjo hoo toa #pjo fandom #pjo series #percy jackon and the olympians #pjo oc #pjo ocs #pjo oc blog #pjo rp blog

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hatchetings · 9 days

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is it wrong to say i don't think calling wiggly the villain of black friday is totally 100% correct (it is correct to a certain extent but viewing it by it’s theme it’s not as correct)

since black friday displays an anti-capitalist message, and wiggly's main goal is to fuck over the world, or at least the usa (capitalist country) and does so using capitalism to his advantage, but obviously not in a way that the audience would take it as pro-capitalist, because that's exactly what it's not.

wiggly shows an anti-capitalist message that only the audience understand. not the characters, as they are under manipulation.

and depending on whether your a capitalist or anti-capitalist, the role of wiggly changes. it also changes whether you view it from your own perspective or a character perspective.

for capitalists (and honestly government officials, but they're the exact same thing let's be honest), this is the exact thing that they don't want capitalism to be portrayed as. capitalists tend to be wealthy as well, and a line from wilbur, who has been manipulated to spread a message as such from wiggly, says "the poorer get poorer, and the rich, well, they just get richer." and statements like this pisses capitalists off, because they KNOW it's true.

point here being, capitalists themself have a reason, in their minds, to not side with wiggly.

for anti-capitalists, shouldn't we side with this message? wiggly isn't really the villain, more so just unethical and a bit manipulative with the his messaging and how he feels. yeah, he's fucking over millions of people doing it, but he's also spreading a message that needs to be spread to an audience.

now, looking through the character perspective, holy shit he's terrible, but then again, indulging in capitalism, which to be fair is inevitable in the united states.

but it's also the fact that instead of spending time with their children or people they care for, they're more focused on getting a toy their kid didn't want, not even thinking if their kid asked for it. the only person we see realize this is tom... anyways. kids, especially younger kids without affiliation to any kind of gift (so... not hannah), like tim, aren't effected by wiggly's manipulation because they just want their family and the people around them, they don't need products to fill in gaps in their life. and they don't need an abundance of money or products to feel happy.

also the shoppers actively have the mindset that buying this toy will make their kids, or themselves, feel happier in the long run which just isn’t true.

so it depends on who you’re viewing it from. i guess i might be a bit biased as someone who’s 15, but who knows.

viewing it from an audience perspective, yeah i don’t see wiggly really isn’t THE villain, he’s spreading an anti-capitalist message which is woo! so cool. maybe don’t kill people in the process next time but. you’re trying, wiggly. that’s all we can ask

also thinking, the lib don't fucking care about money, they're eldritch gods. inheritly they don't give a shit about capitalism, they don't need the money. now, it doesn't make them inherently anti-capitalist, but again, with the anti-capitalist of black friday, i am inclined to believe that's more of how at least wiggly feels about capitalism. use it to end the world, it was a ridiculous concept anyways, kind of statement.

i think i went on a bit of a ramble i am so sorry

my point is just. to me wiggly is not the villain of black friday.

to me it’s the government & president goodman

anyways yeah i’m anticapitalist because i’m a diabetic and why is my insulin like 500 fucking dollars without health insurance even though the people who discovered insulin WANTED it to be free (i could go on a whole other rant about how capitalism is screwing over healthcare, and not just companies but like caring for your health, as capitalists within production companies actively decide to increase prices of life saving medical equipment because they’re aware the disabled people NEED them to survive will pay ANYTHING to have them… but then this would be longer than it is so. i could say how stupid health insurance is too but that’s for another day)

am i a little out of it? probably but that's okay, don't take anything i just said too seriously. or do i don't care 💚

#hatchetfield #hatchetverse #payton rambles #black friday #wiggog y'wrath #wiggly #black friday musical #black friday starkid #bf starkid #starkid #team starkid #starkid productions #idk. what else to put #i hate capitalism #is that a good one?

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rederiswrites · 6 months

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I don't see how trump turning America into a christofacsist state is any different than the norm? like it's been like that for native and black people since it's creation like we inspired the nazis in the first place so like what the point? oh trumps gonna kill everyone who isn't a white cis male! and? that's what america's best quality since day one

Okay I'm actually going to respond to this Edgelord Supreme bullshit, because as absurd as it looks written out like this, I actually do think a lot of people are feeling some half-articulated version of this despair and cynicism. Let's kick that in the ass.

First, let's get one thing straight. History has been terrible awful bad always and forever. There have been a thousand genocides and a million wars and a billion brutal, inhuman war crimes. Back in the days of the earliest civilizations, wiping out entire cities when you defeated them was basically just how things were done for many societies. The fact that we have international laws and international bodies of justice, however obviously toothless they remain, is the result of thousands of years of extremely mixed progress.

So at this point, you pretty much have to say either that a) humans are an incurable blight and don't deserve to live, or b) that we've done amazing, beautiful things and experienced billions of moments of happiness and created art and fallen in love despite all this, so we're still worth working on. Personally, I am very strongly in camp b. I see things worth living for a hundred times a day. There's really no comparison.

Second, the USA is not uniquely bad. It is terribly damaging to people both within its borders and all over the world. It is build on genocide and slavery. Many of its foundational institutions are deeply corrupted by these things. And guess what, that's uh....pretty common. No, really. The US is currently a big fucking problem. It's our turn with the big stick, for sure. But even then, we're not alone.

So how the fuck is this encouraging? It isn't. I'm not encouraging you, I'm telling you to fucking GET GOOD, because when you say shit like the above, what I hear is "Oh I SEE, I'm a TERRIBLE PERSON I guess I should just kill myself to make your life easier." I hear someone who would rather give up and call their country morally bankrupt and irredeemable than to PUT IN SOME FUCKING WORK.

Cynicism is so comfortable. It doesn't ask anything of you. "It's always been like this," it says. "Nothing's going to change."

Except things do change, and things have changed, and your entire premise is in fact absolute dogshit. The two presidential candidates are not remotely the same, and we are not, yet, a Christofascist nation. I could, as many before me already have, enumerate the million concrete ways in which your premise is just not true, but honestly I won't bother, because it's not a premise in good faith. What I mean by that is that even a cursory examination of the actual facts would totally trash your expressed beliefs, so you're not really interested in the facts.

Change for the better can happen. Change for the better has happened. It's just not as EASY as you want it to be. There are more steps. For example, you can't have viable independent candidates until you have campaign finance and voting reform. So you have to push for those things. For years, probably decades. Many people have died without seeing the realization of things they fought for, and yet those things have come to pass. You may die fighting the good fight and not see the victory. I may too. Meanwhile, you make the choices that will hopefully get the fewest people killed.

So stop acting like we're all just too shitty to bother about, and put in some fucking work.

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birdmomblogs · 1 year

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Content Warnings: This post discusses or mentions capital punishment, child abuse, execution, fascism, genocide, homicide, Nazis, politics, prison, and transphobia.

*****

"The Lemkin Institute [for Genocide Prevention] believes that the so-called “gender critical movement” that is behind [USA anti-trans legislation] is a fascist movement furthering a specifically genocidal ideology that seeks the complete eradication of trans identity from the world."

As I write this on April 22nd 2023, a total of 498 anti-trans bills have been introduced in the USA during 2023 alone. 19% of these bills have failed (96/498). 9% have passed (43/498). 72% of these bills are still being actively considered (359/498). This is already 286% more anti-trans bills introduced in 4 months than in the entirety of 2022 (176 bills were introduced in 2022). These bills affect;

ability to change sex marker on legal documents

preferred name usage

personal pronoun usage

access to gender-affirming care

student athletes

student bathroom usage

drag performers

and more!

This puts parents of trans children, educators, health care providers and more at risk for simply advocating for trans children. This puts trans adults and drag performers at risk. This puts trans children at risk.

Punishment for breaking anti-trans legislation is at risk of being as worse as imprisonment for life or the death penalty.

Example 1: Bill amendments HB - 4257, would define any person (including parents, doctors, coaches, teachers, etc.) involved in the gender transition of a minor as a child abuser, punishable by imprisonment for life. This bill amendment proposal has been continuously reintroduced with no sign of stopping until passed.

Example 2: "Drag ban" bills such as SB - 1438 and SB - 1698 broadly label drag as sexual conduct to "protect minors" from them. States then proceed to pass bills such as SB - 1342 that can allow sexual crimes against children to be punishable by death. Do you see the connection and how uncanny the timeline of the introduction or passing of these bills is? More than 4% of those executed are innocent but this percentage is likely higher in reality due to racial bias, economic inequality, etc. This number will only increase with prejudice against the LGBTQ+ community being legalized.

There are only 3 other accounts of trans genocide that have occurred globally:

During Nazi Germany (1920-1945), the Institute for Sexual Research was looted and destroyed. The Institute worked toward improving gender-affirming surgery and advocated for trans rights. Trans and gender non-conforming individuals faced forced detransitions and sentences to concentration camps. In 2022, Germany ruled that claiming trans people were not targeted by Nazis as denial of Nazi crimes, which is punishable by a prison sentence.

In Indonesia during the 1960s, a Bugis gender identity known as the bissu, faced violent persecution, torture and execution, with sacred ceremonies being banned. Bissu persecution in the Pancasila Republic of Indonesia continues to this day. In 2022, it was declared that these people are close to extinction.

Brazil has experienced the most annual transgender-targeted homicides since 2009. That's 14 years in a row. Many trans homicides go unreported, misreported or uninvestigated. The methods of murder are becoming increasingly more violent and organized. Transphobia continues to run rampant in Brazil due to the lack of legal protections and encouragement from politicians.

The one stage of genocide that the United States has not yet reached, like these other 3 countries, is execution. Do not let it get to that stage.

Anti-trans legislation is not about protecting women, children, etc. Its sole purpose is to silence and control, leading to the erasure of trans identities. The longer this continues the easier it is for transphobes to spread their harmful ideology and get away with it. I am privileged to have the opportunity to live in Canada, but in recent years even I have experienced and witnessed increasing numbers of transphobic incidents. Although not violent, the ideology is there. Hate spreads like a plague.

Be vigilant when following the news and make some noise about this with your own state officials. Even if you aren't American, label it like the genocide it is. Don't be silent about this. I've listed two resources below that I think will be helpful next steps once you finish reading this post. Feel free to also share your own resources in reblogs! Thank you!

***** About me: I am a trans and queer individual with a B.Sc. in Agriculture and International Development. Currently, I am working towards applying for graduate school. Research interests include food security, indigenous peoples, the LGBT community and historical aspects of human rights development.

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sevault-canyon · 2 years

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ms appleton was nowhere close to having total control over soy sauce: perspectives on food and postwar japan

there's a popular post going around this month by @inneskeeper about how a single person changed japanese soy sauce forever. i've made my own post showing why this the story is incomplete and based on some factual inaccuracies, but i will be honest in saying that i would not be so engaged in responding to this post if it were not wrapped in a shockingly reductive narrative. i'll use this quote from op as a summary of the general idea they're trying to convey:

[...] I think that it is incredibly important that more people in the world are aware that leading into the Cold War, Japan was forcibly coerced into giving total power over a significant cultural touchstone/ingredient/way of life to a single foreigner who had a complete lack of respect for what shoyu is, even going so far as to say "I want to change Japan's taste preferences". I cannot imagine a more direct and blunt parallel to settler-colonialism mindset. I truly cannot. [link]

i will attempt give a larger view of that era and convey why this singular view is at best oversimplifying and at worst an incorrect projection of other trends upon what is an almost unique event in history.

note: i am not an academic historian; i will do my best to provide sources, but they will mostly be secondary.

i will use the three i's presented by prof. ian shapiro of yale, interests, institutions, and ideals, as lenses through which i will provide a more holistic view of the events at hand:

tl;dr:

the united states did not have uniform interests entering the cold war and the occupiers had a varying set of visions for japanese society and economy.

both the japanese public, the american occupation, and the japanese civil government had a more important goal: preventing hunger. japan was not coerced into handing over a tradition; it was suffering the consequences of its own colonial empire-building.

both countries were interested in building a healthy consumer economy, and ultimately the tastes of the public held most sway.

the idea of "a guy" being in charge of things has been a common theme in american foreign policy, but the idea that "the guy" was singularly responsible for massive change belies american perspectives and biases that often misrepresent the truth abroad.

i - ideals

i think this lens is maybe the most sympathetic to @inneskeeper's narrative: it makes sense that a settler-colonial nation with a deep root of anglo-protestant self-righteousness and evangelical tendencies would want to impose its vision of society upon a defeated foe. that said, it is not the only ideology at play in this situation, from both japan and the usa.

let's talk about main value the united states likes to impose upon foreign societies: democracy capitalism. i think what is interesting here is that this single word can have multiple interpretations in practice, and we can use this soy sauce story to look at the diversity in opinion of what capitalism means.

first, a capitalism tied to liberal ideals: a free and open market without monopolies as a promoter of egalitarianism. this concept was brought to japan by many of the administrators in the american occupation that have previously observed or enacted roosevelt's new deal in the aftermath of the great depression. [1, p.57-58; 2, p.98] we see a focus on trust-busting and a strong aversion to any significantly concentrated capital. pre-war japan was dominated by structures known as 財閥 zaibatsu, vertically integrated groups that are helmed by a family-controlled holding company owning a set of subsidiaries in banking and industry with interlocking stock ownership and directorship. the zaibatsu structures, emerging since the late edo and early meiji periods, have become inextricably linked to building the japanese imperial war machine (though somewhat forcibly). [3] on the american side, as a result, certain american elements viewed trust-busting as a way to democratize japan through the economy. [2, p.34; 4, p.19; 5, IV-2b] this included maj. gen. marquat, ms. appleton's boss at the ghq/scap economic and scientific section (ess). [4, p.31] japan's first postwar prime minister, shigeru yoshida, and his ministry of foreign affairs, seemed to agree with the deconcentration of capital. [4, p.20] this is not to say that the americans were particularly sympathetic, as gen. macarthur and others were quite convinced of the japanese population's inability to shed its feudal tendencies; rather, the americans found an opportunity to build a new liberal, democratic society to their liking. and yes, there was some punitive intent; the united states and allies did just finish fighting an 8-year-long war against an expanding empire. [4, p.30]

opposite the liberal view is the conservative, if not pragmatic, ideal of capitalism: as a bulwark against communism. japan was an industrialized nation with a developed economy, and as far as the looming cold war is involved, the united states wants both a healthy consumer economy and one that is integrated in the new world economy (i.e. one with american interests as stakeholders). [4, p.31-32, 44] if "deconcentration" of capital, as it was called by the occupiers, were to run its course, some americans (and lobbyists linked to japanese industry) feared that japanese society would be thrown into chaos, or worse, the rapprochement with the soviets under a socialist economy. [4, p.22, 32] the victors did initially break up many of the tightly-woven zaibatsu, but the overall health of the economy was eventually prioritized as a bulwark against communism, thus the number of zaibatsu slated for dismantling was reduced, and the main deconcentration proposal (FEC-230) was disavowed. [4, p. 32]

all this debate within the american occupation, plus some interjections from the japanese business community, about the nature of the rebuilding japanese market and economy was held from 1946 to 1948. this culminated in the "reverse course," in which cold war objectives won out in occupation policy, though the free market as a liberalizing principle was not discarded. [4, p.44-46] in the same space, there existed both a punitive drive to disperse the old japanese economic engine and a desire to build a new, genuinely local, consumer society as a protection against communism.

“Nothing will serve better to win the Japanese people over to a peaceful, democratic way of life than the discovery that it brings rewards in the way of better living and increasing economic security.” - col. r.m. cheseldine, u.s. war department [4, p.44]

it is important to distinguish this from the colonialist drive, which is to capture markets and resources for the sole benefit of the homeland.

in the context of soy sauce, the release by ghq/scap of american soybeans to japan was announced in 1948, after the reverse course has taken hold. [6, p.157] in addition, kikkoman was not even a zaibatsu, it was a company with roots in family ownership, vertically-integrated structures, and eventually found to engage in monopolistic practices, but was not of a large enough scale or diversification to qualify. [7, ch.3] the list of zaibatsu is actually quite limited. [wiki] all this meant that the anti-trust case brought against noda shōyu k.k. (kikkoman's predecessor) in 1954 in the tokyo high court is an entirely domestic affair (scap handed over power in 1949 and the position was abolished in 1952). [8, p.53] that said, the 1957 ruling against noda in noda shōyu k.k. v. japan fair trade commission (jftc) was the result of an aberrant and unfavourable reading of the act on prohibition of private monopolization and maintenance of fair trade, article 3; the act was passed in 1947, when scap was in power. [8, p.53] since article 3 is quite short ("an enterprise must not effect private monopolization or unreasonable restraint of trade."), it was open to wide interpretation, leading to the argument by the jftc that price-fixing as a leading player in an industry constituted monopolistic behaviour. [9] in that sense, we can see echoes of the debate around monopolies from the occupation era.

through the lens of ideals, we can see that in the periphery of this story, there is a friction between competing visions of capitalism in practice. in that sense, while it agrees that the usa had some desire to reshape a foreign country to its own ideals, it also shows how @inneskeeper's narrative unduly reduces the american occupation to a singular actor with singular motives, and one that is akin to colonial empires in other parts of history.

research questions:

did american attitudes towards monopolies affect the free distribution of semichemical fermentation methods? [6, p.160]

what direct links can we make between occupation-era attitudes towards monopolization and japanese governance regarding the food industry?

ii - institutions

from the point of view of institutions (i use the term loosely), it's a lot more apparent how the situation has a lot more factors flowing in many directions. i will largely focus on three structures: the japanese food industry, the allied victors, and the japanese civil government.

when discussing the food industry, it's important to note that this is what sustains the inhabitants of a place; while condiments are a trivial part of sustenance, the way it is made and its ebbs and flows and shed a lot of light onto the needs of people. japan, since the early 20th century, had been a country that could not sustain itself off the resources of its home islands. as a colonial empire, it relied on food imports from korea and taiwan, and in the 20s and 30s pursued the low-lying plains of manchuria (northeastern china). this reflects in its soybean consumption as well: japan consumed about 1 million tons of soy each year in the 1930s, and at least two-thirds of it was imported from the colonies or manchukuo (the puppet régime ruling machuria). [10] within what we now call the "home islands" of japan, hokkaido, the one remaining settler-colony of japan to this day, produces the most out of all regions. [11, p.4]

(time for some math: [10] states that about 949 000 tons of soy sauce was consumed in japan per year in the mid-1930s. a quick look at soy sauce recipes reveals that 1kg of soy produces about 4 litres (and assuming about 4kg due to density of water) of sauce. with the 4:1 ratio, we can therefore estimate that about 237 000 tons of soy was used per year to make sauce immediately before the war.)

the end of the japanese empire meant losing direct access to those production areas: manchuria was returned to china, and korea and taiwan were placed under various allied (usa, china, ussr) administrations. with japan needing to supply its troops over an ever-growing front line, caloric intake by the average japanese already dropped well below necessary levels for an adult by 1944. [12] by 1946, the defeated nation was at the brink of starvation. american analysis towards the end of wwii determined that soybean production in the home islands could not rise beyond its pre-war levels without sacrificing other land use. [11, p.5] in order to survive, the soy industry needed to replace about 70% of its sources in short order without encroaching upon other agricultural sectors necessary to sustain life. there was immense pressure.

regarding the allies: the japanese empire was largely carved up by three victors, china, the ussr, and the usa. the ussr, having been the least active in the defeat of japan, with its most important contribution being the verbal threat of invasion, was not actively threatening aside from the spectre of spreading communism (as mentioned in part i). china, on the other hand, regained the lands that produced much of the food japan was consuming. while the republic of china (ruled by the kmt) was still in power, it was able to continue supplying food to neighbouring nations. [14] however, civil war broke out between the kmt government and the communists almost immediately after the end of wwii. [13] 1948 saw active fighting in northern china, thus hampering any exports of food; the kmt régime collapsed and fled to taiwan in 1949, and the communist government stopped all trade with the western bloc at the outbreak of the korean war in 1950. [14] with china being unable to supply japan, there is only one remaining option for food imports: the usa. soybean imports in the usa was generally coordinated by the garioa program and through private trade. american exports of soybean to japan skyrocketed from 6000 tons in 1946 and 34600 tons in 1947 to 119500 tons (about 12% of pre-war consumption) in 1948, 152500 tons in 1949 (almost all imports to japan that year), and 305000 tons in 1950. [15, p.67, 69] japan itself likely produced between 300 000 and 450 000 tons of soybeans each year, which meant that in 1947-48 japan was consuming definitively less than two-thirds of its pre-war consumption. the soy industry as a whole, and certainly the soy sauce industry, was in a desperate state.

unlike the collapsed german and italian régimes, the japanese government retained a functioning structure after the rapid end to hostilities in the pacific theatre. [16, p.194] this meant that instead of being tasked with the groundwork of running a country, the allied powers had an existing civil government to administer directives and policies; the u.s. eighth army served as an enforcement and reporting arm of scap. [16, p.195-197] during the war, from 1939 to 1942, the imperial government instituted various food control laws that collected and distributed food from producers under a quota system. [17, p.221] such quotas, as as well as rationing, persisted in the immediate months after allied victory. however, with the surrender of japan, public confidence in the government plummeted, significantly hampering its ability to administer food. the average caloric value of rations in tokyo could only fulfill about a third of an adult's needs; hungry city-dwellers increasingly opted to buy on the black market (which had poached imperial military stock) or physically go to the countryside to acquire food directly from farmers outside of government rationing. [18, p.30-31; 19, p.835, 843] scap policy directed the japanese government to "reinstate" agricultural quotas, and in 1946, it issued the emergency imperial food ordinance which empowered government expropriation of food for the production quota and enforcement of such policies; the u.s. eighth army participated in enforcing the policy within the civil administration. [17; 18] the yoshida government,the first democratically elected administration in the new state of japan, was keenly aware of the necessity of food in rehabilitating japan, as well as the importance of competing against the black market in order to once again establish the rule of law. [18] as such, the tight government control of domestic food production lasted much longer than in other industries, causing pressure for "non-essential" segments like the seasoning industry.

(as an aside, in line with certain ideas discussed in part i, scap directed land reform which redistributed much of the arable land in japan, increasing productivity of land and eliminating the interest of large landowners thought to be threatening to democracy. [18])

as discussed in my previous post, chemical alternatives to fermented soy sauce have been developed since the early 20th century. [6] during the war, substitute methods (especially amino acid-based ones, e.g. hvp or mixed hvp-honjozo) replaced fermented honjozo* methods as resources became more scarce. [20]

*honjōzō (本醸造) means "genuinely fermented".

in early 1948, it was announced that 20 000 tons of soybean meal would be made available by the eroa fund for the purpose of making seasonings, to be allocated by ms appleton at ghq/scap. [14; 6, p.159] this amount is only about 10% of the soybean consumption of soy sauce manufacturers before the war. on the surface, for an industry marginalized by the need to stave off starvation and maintain social stability, securing the imported soybean meal can be seen as a life-or-death situation. however, given the wartime state of sauce production, the struggle to acquire the soybean meal is more akin to an attempt to return to fully soy-based fermentation methods. the invention of the semichemical #2 method which increased soy usage productivity and secured most of the soybean meal for the soy sauce industry can be seen as a faster intermediate step to return to traditional fermented methods used before the war. it's also important to note that over 80% of soy sauce in japan has returned to traditional honjozo production, and that large companies such as kikkoman and yamasa have attempted to return to honjozo methods as early as the late 1950s. [20]

from this point of view, it does not seem particularly apparent that a single administrator had the power to change an industry, but rather her decisions were the impetus for developments to happen within the domestic industry. ultimately, japan's soy sauce industry was suffering the consequences of its industrialization and the failure of its colonial experiment. in a wider view, we can see this as a detail in the friction between two imperial projects. (consider this: out of the major parties involved, japan, china, usa, ussr, and other minor players in the pacific war, gb, netherlands, france, all of them entered the 20th century with imperial projects.)

research questions:

are there japanese sources that can verify production and imports during the 1940s?

there was a soy sauce control corporation formed by the imperial government in 1942 (全国醤油統制株式会社) that dictated resource allocation and quotas for the soy sauce industry. it seemed to have only been dissolved in 1948. what was its role after the war and what relationship did it have with scap?

iii - interests

as for interests, i will limit its scope to answering "who materially benefits." the groups at play are generally the same as the previous part, so i will be brief in elaboration.

the most obvious interest is that of the japanese public: their main material benefit in the late 1940s is to be nourished enough to stay alive (see part ii). while soy sauce is an important part of japanese cuisine, as a condiment, it is a nutritionally trivial part of its diet. it is then understandable, that japanese society and scap would be willing to temporarily sacrifice an immediate return to traditional production in favour of methods that would leave more food for direct consumption.

the next interest to discuss is that of the soy sauce industry, and its desire to return to honjozo (traditionally fermented) production after a period of scarcity during and after the war. it is important to note that regarding the 20 000 tons of soybean meal to be allocated by scap in 1948, the competitor to the soy sauce industry for those resources is the amino acid industry (msg, etc.). [6, p.159] with soybeans hard to come by, the soy sauce industry would have been under immense pressure to aquire the soybean meal distributed as aid. with kikkoman's development of semichemical #2 method, the scap decisionmakers reconsidered an earlier uneven distribution of soybean meal in favour of the amino acid producers. [6, p.160] what resulted next was talk between representatives of the two competing industries, facilitated by the americans. [6, p.160] it is important that taste trials were conducted, with wide support for the new semi-chemical method by the polled public. [6, p.160] at every step of the decision-making process, japanese interests were consulted by scap.

it is also important to mention the "japan lobby" in washington a set of interest groups and lobbyists representing japanese business as to illustrate the bidirectionality of influence in postwar japan. [21] this group arose from the aftermath of the first zaibatsu dissolutions. some key achievements of their advocacy activities include the disavowal of the fec-230 policy proposal from the allied powers (against gen. macarthur's wishes!), and adding revisions to scap's economic deconcentration program. it is plausible that this lobbying set had influence with scap and washington regarding soy sauce, given the tight-knit nature of the japanese business class. that said, the direct link between the japan lobby and soy sauce, should it exist, necessitates further research.

i think it is necessary to analyze from the lens of interests @inneskeeper's claim of the united states occupation forcibly seizing and making changes to a traditional food industry. it is known that the united states seeks to build a strong consumer economy that is open to american investment and imports of american products. [18, p.40] given that the soybean meal managed by scap in 1948 was aid, it would've been in the american interest to support either industry, since they would both eventually rely on american imports once the period of scarcity ends (china would soon cease ot be a reliable exporter of food). there is nothing related to soy sauce that would've been against american interests, business or political, whereas food scarcity has been a real problem facing the japanese and allied administration. in this case, the chief american interest is to stabilize japan as a society against two perceived social enemies: communism on the left and a renewed militarism borne of resentment on the right. with the task of placating a hungry and defeated populace, producing large amounts of soy sauce that is palatable to the public using minimal aid material would be an interest in and of itself for the americans. i think it could be argued whether comments made by americans about how easily japanese tastes can be swayed are insensitive and out of line, but it is also true that the public had much more pressing needs than condiment purity.

@inneskeeper also mentioned the yakuza in some of their posts as a possible interest group involved. the informal economy grew to encompass all strata near the end of the war and immediately afterwards; most urbanites were forced to use the black market to stave off hunger. [19] the yakuza, mafia-like organizations that would operate somewhat openly in the decades before the war, entered the fray as groups that managed informal vendors. [22, p.632] racketeering became rampant in the years immediately after japanese surrender due to shortages and irregular flows of necessities such as food, but as the economy recovered entering the 1950s, the yakuza moved to more conventional underworld enterprises such as as gambling, prostitution, and nightlife. [22, 23] it also moved towards the underbelly of political life, becoming an actor in anti-left politics. [22] we know that the changes to soy sauce production happened in the small window between the end of the war and the earnest start of economic recovery, so it is possible that parties involved would have to deal with the yakuza as a necessary source of material. however, since their sights are set on the industries traditionally associated with the underworld, it would be a stretch to say that they had any real say in the proceedings of this development beyond being one additional obstacle to the soy sauce industry in acquiring ingredients. that said, using a singular product can be very useful as a window into how the yakuza may have coerced informal food distribution channels.

research questions:

what specific outcomes were agreed upon at the "shoda-ouchi conference" between the soy sauce and amino acid manufacturing industries? [6, p.160]

how did the japan lobby affect or facilitate changes in the soy sauce industry?

how did the yakuza affect the informal food economy?

iv - individuals

one thing that made the original story by @inneskeeper so appealing to the tumblr public is the proposition that a single person may have changed japanese soy sauce forever.

it bears repeating that major industrial changes (and i would challenge the categorization of this soy sauce happening as "major" in comparison to the general state of japan in the 1940s) are often the culmination of many small decisions from a wide set of actors. what is interesting about the idea of a singular "manipulator" is that it mirrors a common trope in american foreign policy: the idea of "our guy" (e.g. "our guy in afghanistan" [24, p.277], "our guy in panama" [25], etc.), that is, a singular handler for american interests in a foreign theatre of operations. in this case, since the country at hand is managed by an american occupation, "our guy" in the japanese soy sauce industry is an american, ms. blanche appleton. while american policy sometimes prefers to use this paradigm, it does not necessarily mean it works, not is the wishful american imagination correct when it comes to situations on the ground (see citations above). this trope may also possibly be borne of the oft-cited concept of "american individualism," a value that is as much a contradiction (how can a single person be free to change the world as they see fit, while also live in a world free from the will of others?) as it is a real part of american culture.

in the faulty narrative of ms. appleton, we also see a similar contradiction: how can a foreign woman who is allegedly willingly unfamiliar (as it turns out, probably not true [6, p.160]) with the native culture be in total control of an entire element of its cuisine? what is the meaning of "total power": did she personally decide taste profile of the condiment to her tastes, coerce various native parties to the will of the americans (what will?), or facilitate the solution to a complex resource distribution problem? in any case (except the fancifully implausible first case), what is the singular role of ms appleton? did power flow from her, or through her? perhaps a more interesting way to look at this problem is to ask what would have happened if someone else were in ms. appleton's place. would their personal influence be significant enough as to change the outcome? if so, what would have been the extent of the changes? (we can maybe look at the facilitation of the "shoda-ouchi conference" as one point. [6, p.160]) conversely, what would have remained the same as the various parties involved influenced the situation?

a more helpful view is to see the balance between the ideas, institutions, and interests behind each decision that would paint a more complete picture of this historical era. perhaps it is not as flashy to break down a chapter in culinary history as the convergence of multiple influences, but it is the one that does history most justice.

discussion questions

this is for the test

how significant was the dearth of food in late 1940s japan to this situation, and what similar adaptations of food cultures occurred in other post-wwii nations?

what factors from imperial japan, whether before the sino-japanese war or during the war, influenced this situation?

is there any part of this development that forshadows the economic rehabilitation and subsequent growth of japan in the latter half of the 20th century? if so, how?

what american attitudes were at play in this situation, and what japanese attitudes (if you're familiar) were involved as well?

what influence did china, as the originator of soy sauce, a major source of food in east asia, and a significant allied power, have on postwar japan and how did it influence the development of the japanese variants of soy sauce?

what was the influence of the japanese public's tastes?

bibliography:

apologies for the weird mix of ieee inline and mla bibliography formats, ieee works best with hypertext but doesnt make much sense for non-stem subjects.

Allinson, G. D. Japan's postwar history, Ithaca, NY: Cornell University Press, 2004. [link]

Moore, R. A., & D. L. Robinson. Partners for Democracy : Crafting the New Japanese State under MacArthur, Oxford, England: Oxford University Press, Incorporated, 2002. [avail. at libraries]

Okazaki, T. “The Japanese Firm Under the Wartime Planned Economy,” in The Japanese Firm: Sources of Competitive Strength, edited by M. Aoki and R. Dore, Oxford, England: Oxford University Press, 1994. [link, requires academic access]

Sugita, Y. Pitfall or panacea : the irony of US power in occupied Japan 1945-1952, New York: Routledge, 2003. [avail. at libraries]

State-War-Navy Coordinating Committee. United States Initial Post-Surrender Policy for Japan (SWNCC150/4), 1945. [link]

Oguri, T. "醤油製造技術の系統化調査 Development of Soy sauce Manufacturing Technologies" in 国立科学博物館技術の系統化調査報告, Tokyo: National Museum of Nature and Science, 2008. [link; translation of excerpts in an earlier post]

Fruin, W. M. The Japanese Enterprise System: Competitive Strategies and Cooperative Structures, Oxford, England: Oxford University Press, 1994. [link]

Haley, J. O. "Marketing and Antitrust in Japan" in Hastings Int'l & Comp.L. Rev. 51 Vol. 2 No. 1, San Francisco: UC Hastings Law, 1979. [link]

Japan, National Diet. Act on Prohibition of Private Monopolization and Maintenance of Fair Trade (Act No. 54 of April 14, 1947), Tokyo: National Diet, 14 Apr. 1947 [link]

Nakamura, H. "The Japanese Soybean Market" in Illinois Agricultural Economics Vol. 1, No. 2, Milwaukee, WI: Agricultural & Applied Economics Association, 1961. [link]

United States of America, Tariff Commission. Japanese trade studies : special industry analysis no. 13, Washington, DC: Government Printing Office, 1944-45. [link]

United States of America, Strategic Bombing Survey. Summary Report (Pacific War), Washington, DC: Government Printing Office, 1946. [link]

Crisis, Time, 1944. [link]

Hirano, M. "Using American Soybeans in the Japanese Economy" in The Soybean Digest Vol. 12 Iss. 11, Cleveland, OH: Penton, 1952. [link]

United States of America, Department of Agriculture, Foreign Agricultural Service. United States Farm Products In Foreign Trade, Statistical Bulletin No. 112, Washington, DC: U.S. Department of Agriculture, 1953. [link]

General Staff of Gen. D. MacArthur. Reports of General MacArthur - MacArthur in Japan: The Occupation: Military Phase Volume I Supplement, Washington, DC: Center for Military History, 1966, reprinted 1994. [link]

Smith, H.F. (Chief, Food Branch, Price and Distribution Division, ESS, SCAP) "Food Controls in Occupied Japan" in Agricultural History Vol. 23, No. 3, Durham, NC: Duke University Press, 1949 [link]

Fuchs, S. J. "Feeding the Japanese: Food policy, land reform, and Japan’s economic recovery" in Democracy in Occupied Japan: The U.S. Occupation and Japanese Politics and Society, edited by M. E. Caprio and Y. Sugita, New York: Routledge, 2007. [link]

Griffiths, O. "Need, Greed, and Protest in Japan's Black Market, 1938-1949" in Journal of Social History Vol. 35, No. 4, Oxford, England: Oxford University Press, 2002. [link]

Oya, Y. "みそ製造業の構造変化とその要因" in 食品経済研究第30号 (Bulletin of the Department of Food Economics, Nihon University), Tokyo: Nihon University, 2002. [link]

Schonberger, H. "The Japan Lobby in American Diplomacy, 1947-1952" in Pacific Historical Review Vol. 46, No. 3, Oakland, CA: University of California Press, 1977. [link]

Siniawer, E. M. "Befitting Bedfellows: Yakuza and the State in Modern Japan" in Journal of Social History Vol. 45, No. 3, The Hidden History of Crime, Corruption, and States, Oxford, England: Oxford University Press, 2012. [link]

Hill, P. B. E. The Japanese Mafia: Yakuza, Law, and the State, Oxford, England: Oxford University Press, 2003. [link]

Blaxland, J., M. Fielding, and T. Gellerfy, Niche Wars: Australia in Afghanistan and Iraq, 2001–2014, Canberra: ANU Press, 2020. [link]

Kornheiser, T. "Noriega Our Bountiful Nation" The Washington Post, Dec. 22, 1989. [link]

#the mysterious appearance of miss appleton #voice of the canyon

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saltygilmores · 1 month

Text

Thoughts While Watching Gilmore Girls, Season 3, Episode 11- "I Solemnly Swear..." (That I Have No Memory Of Anything That Happens In This One Based On The Title)

The opening credits of this episode confirm we will finally be introduced to Alex (yay)! Alex stan here! Although quite honestly, I'm interested to see whether or not he lives up to the hype I've built up for him in my memory. .Stumbling almost totally blind into a mid-season episode is thrilling in a really pathetic way. I am being informed this is one of the lowest rated episodes of the entire series, but some low stakes mid season filler can still be good for the soul. Emily's former maid, Gerta from Germany, is suing Emily for wrongful termination after she was fired for being a Noisy Walker. Ah, rich people.

Lorelai sits amongst the delicious looking fake food whilst observing Sookie and Jackson having a loud culinary-based argument.

Lorelai puts Michel in charge while she and Sookie attend the seminar where Lorelai will meet her new totally fine and criminally under-rated B-Tier-Not-Luke Boyfriend, Alex, who shines bright but quickly burns out like a falling star, never to be seen or mentioned again. Presumably he is the second victim to be sucked in by the Male Gilmore Girls Character California Wormhole (Max was first, but eventually escapes). We learn Michel attended a fancy French hospitality college, while Lorelai has to attend a seminar at a Radisson called "How To Run an Inn". But then a witch put a curse on him so he ended up working for nickels at a tiny bed and breakfast in Nowherefuck USA. Tale as old as time. I made that last part up, but The Hollow is still where dreams go to die. Something had to go wrong in his life for him to fall so far. Michel: I predict it will be a total waste of time and money and I will be here to laugh at you when you return. So will I, Michel. So will I. Some more newspaper/Francie crap. Skip skip skip, skip to my loo... Maybe I'm missing something important, but it's a risk I'm always willing to take. The scene goes on forever (4 minutes). Lorelai recives an answering machine message from Emily's lawyer, who is voiced by...Seth MacFarlane. Peter, Brian, and Stewie Griffin and the guy who was bullying Lorelai at her college graduation. It's hard to unhear this dude as anyone but Brian Griffin. Anyway, Stewie is calling to request Lorelai give a deposition at German Gerta's trial to which Lorelai steadfastly refuses, but then a few seconds later changes her mind. Yawn. Lorelai and Sookie go to the boring seminar, then leave the boring seminar. They eat some free cookies in the hallway. ALEX, ALEX, ALEX...

Wheee!

He was just as hawt as I remember. Teehee! The first piece of Alex Lore we are blessed to recieve is that he is a business partner of some spazzy dude that Sookie used to party harty with back in the day, 14 hour booze and pot benders and what not, and the two fellas want to open a chain of coffee shops together. Well, at least they're not attending the Luke Danes School of Serving Folgers And Pretending it's Gourmet seminar. Alex, why are you so hot? Even his voice is hot! And funny too! Damn it Salty! You know what happens to him. Remember the cardinal rule you learned in Recapping 25 Year Old TV Shows School- Do not get attached to single-digit-episode guest stars! It's been less than a minute since he first appeared on screen, and I'm already enamored with their immediate and obvious chemistry. They tried to force that same type of chemistry/ dynamic with Jason through an entire season and it fell completely flat on its face. And I can tell you why (besides the fact that Jason and his storyline sucked eggs). In my humble opinion, JasonDiggerStiles was too similar to Lorelai. And it's never wise for Lorelai to date herself. It opens up a terrifying vortex, one which the world's premier Vortex Scientists have dubbed "Season 4".

An incredible businessman and probably good in the sack, too. Uh, just a hunch.

You two are going to break my heart. Until then I'll just try to enjoy the ride. More Francie crap. I am going to skip skip skip but I do want to observe what's on the lunch menu at the Chilton caf.

Mashed potatoes with gravy, asparagus, an apple and a can of Redbull for Paris. Rory is having her favorite beverage, a Hansen's soda (Raspberry flavor); along with a bag of Doritos. Plus, some kind of sandwich, but it's not her usual Prison Cafeteria Special of two slices of white bread. It looks to be some kind of wheat or rye bread with unidentifable innards. Possibly a BLT or roast beef with tomato? And a book for some nourishing carbohydrates.

A better view. We have deli meat.

I'm still skipping past the Francie crap, but I have several important questions first. Since when does Chilton have a parking garage? A dimly lit, empty one at that? Are there enough students and faculty for a parking garage to make sense? Is this parking garage ever seen again? Is this somewhere off campus?

Ahhh! There has been one Dimly Lit Confrontation per episode for the last 3 episodes. Dean vs. Jess on the dimly lit street. Dean vs.Jess in a dimly lit school hallway. Rory vs Ginger Spice in a dimly lit parking garage. But this one lacks the steamy sexual tension of the previous two. Pass. Back at the Inn, Michel admits to Lorelai he once...killed a dog? I think? Doggy annoyed Michel and doggy went bye bye? Wink wink? I don't want to think about this. Sookie's spazzy friend from the seminar shows up at the Inn sans Alex, which means he is irrelevant to me. Mr Irrelevant Joe doesn't know Sookie is married and admits he's had a decade long crush on her. Now she has to break his heart. Oh, sweet, sweet, pointless filler. Lorelai exclaims "That's some real Gatbsy pining." I mean, Luke came pretty close to Gatsby levels of pining. Where's his recognition?

Worth a shot. Sookie tells the Joe guy that she's married. He understands. We will probably never see him again. The end.

Embrace it, my Lesbian Whore friend. Rory and Lorelai rehearse sample questions for the upcoming court deposition. Yawn.

The kid has a lot on his metaphorical plate these days, you know? Cut him a break. You know what fucking bothers me? I have this clear memory of Jess making a brief appearance in this scene where Luke berates him (in person) for screwing up the food order! Time to go full conspiracy theory mode. What are They hiding from us? Where is Jess? How deep does the rabbit hole go? Since when is Jess responsible for placing supply orders for the restaurant in addition to waiting and bussing tables for meager tips, working at Walmart, and going to school (sometimes)? That's your job, Uncle Luke. And if he screwed up the order, you're still his manager, why weren't you supervising him? Is he getting a raise for these additional responsbiltiies or is he still getting paid in acorns? Stop the madness! I KNOW HE WAS IN THIS SCENE! More Francie crap. This time its between Francie and Paris in a bathroom with a tampon dispenser serving as a lovely backdrop. LET'S WRAP IT UP, PEOPLE. Rory and Paris vent their (sexual) frustrations through a fencing match. Paris is mad at Rory for reasons I don't understand or care about. Emily is mad at Lorelai for being both too honest and too unserious at the deposition. Jackson is mad at Sookie because he thinks she cheated on him with Irrelevant Joe and blows up at her. Yawn. Then more Francie crap. There is way too much estrogen in this episode.

But with less than a minute remaining, Alex calls and saves the day. He provides a much needed boost of testosterone to wrap up the episode. And I get to see his furnishings. Well, I was already informed of this, but if i didn't know, now I'd know...what I'm saying is there are fingerpainted pictures on the wall behind him. The dude has small kids. He's a confirmed DILF! Michel leaked Lorelai's phone number to Alex and we thank him for that. I'm still not going to overlook the whole erasing a dog thing.

You mean like how Luke buys Folgers and disguises it as his own blend?

Smooth as a fresh jar of Skippy.

...Says the woman who doesn't know when she's being duped with supermarket coffee (even when its being scooped from the can 2 inches from her face) and puts coffee grounds in the freezer.

Yayyyyy Alex and Lorelai! Yay! He is the only Luke Substitute I will accept for Lorelai. So I'm just going to go LA LA LA LA! for now while pretending this ship doesn't sink as quickly and spectacularly as the Titanic 2.0. Salty is quite pleased with this last-minute-of-the-episode, predictable turn of events. It will make up for the complete lack of Jess (and Luke) in this episode. Jess appeared in name only through The Great Lettuce Screwup of 2003, and in my hazy false memories. On the brighter side, it was also a Certified Dean-Free episode. This show is BORING without Rory's stupid boyfriends.

I do not get why we are suddenly looking at Lorelai through a window like someone is stalking her from outside the house. Dean, is that you? This episode was so threadbare plotwise that it was my first one-shot recap in a LONG time (it still took me over 3 hours to write, though! So your comments, feedback and reblogs always brighten my day and make all the effort worth it). As is the new tradition, here's the (wimpy) End of Episode Bingo Card.

#ALEX #gilmore girls #denise rewatches gilmore girls #gilmore girls season 3 #I solemnly swear #ISS #lorelai gilmore #3x11 #glorious filler #rory gilmore #emily gilmore #sookie #nothing on this show puts me to sleep quicker than Lawsuits and Newspaper Drama

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