#Top Hindi Romantic Songs

[astrallofivibes]

Hindi Romantic Songs 2023, Best new hindi songs, Best of Jubin Nautiyal, Arijit Singh, Neha Kakkar. PLEASE SUPPORT THIS CHANNEL PLEASE. PLEASE LIKE SHARE SUBSCRIBE, WITH LOVE FROM BOLLYWOOD HIT SONGS.

[doyoulikethissong-poll]

Abhijeet - Ole Ole 1994

Abhijeet Bhattacharya is an Indian playback singer who primarily sings in Hindi Film Industry. Apart from Hindi, he has also sung in other languages including Bengali, Marathi, Nepali, Tamil, Bhojpuri, Punjabi, Odia and his native language Bengali both in West Bengal and Bangladesh. Abhijeet has sung 6034 songs in more than 1000 films. He was nominated for Forbes Popular 100 Indian Celebrity in the year 2014.

Yeh Dillagi (This Cheerfulness) is a 1994 Indian Hindi-language romantic comedy-drama film directed by Naresh Malhotra and produced by Yash Chopra. Based on the 1954 American film Sabrina, its story revolves on two brothers (Akshay Kumar and Saif Ali Khan) who fall in love with their family driver's daughter, Sapna (Kajol), a successful model. The film released on 6 May 1994, and emerged as a commercial success, grossing ₹10.8 crore against its ₹1.6 crore budget.

At the 40th Filmfare Awards, Yeh Dillagi received 4 nominations – Best Actor (Kumar), Best Actress (Kajol), Best Music Director (Dilip Sen, Sameer Sen) and Best Male Playback Singer (Abhijeet for the song "Ole Ole"). The film's soundtrack album contains seven songs composed by Dilip Sen-Sameer Sen. It became one of the top three best-selling Bollywood soundtrack albums of 1994, with 4.5 million sales. The song "Ole Ole", sung by Abhijeet was a hit at the music charts. "Ole Ole" was remixed for the 2020 film Jawaani Jaaneman.

"Ole Ole" received a total of 68,2% yes votes!

[firefeelsfine]

HELLO pretty people!!!🌸 <3

The intro post is finally here...🫴🏻✨

ABOUT ME :- she/her | 8teen | Pisces | ENFJ -A | Girl's girl | certified panick mechine | super random | desi | hopeless romantic.🌼

Wanna know more about me, here you go:-

🌸 yepp, so my name is KEHKESHA which means Galaxy & The name originates from Persian language.

( I am truly in love with my name, so please try not to mess it up while interacting. )

🌸I am a die heart fan of SRK and RK.

( it's okay if you don't like them or the way they act...I respect your views nevertheless.)

🌸what do I mostly post?

Random shit, that's right. Relatable kinda shit , random funny looking pictures , memes and rants. In short everything that would show a sense of carelessness towards life and people. Because let's be honest , we all are struggling with stuff one way or another. So ig it's better to deal with that shit by making it somewhat random.

But but but, at times I may tap into my devdas zone, and post or reblog something kinda sad. ( Not negative or something devestating, just simply sad) Something that may or may not touch that hidden empty void in your heart.

🌸 there is nothing in this world that will ever come close to how much i love tulips 🌷🌷🌷

🌸I am not religious but very spritual.

🌸I respect every religion with all my heart. I am obsessed with Indian myths and history. I would really appreciate hearing anyone speaking of there culture, the traditions they follow, the facts and the myths, all of it together and everything in between as well. Feel free to reach out to me for the same.

🌸my favourite colour changes with my mood, today it's rose gold.

🌸I am seriously very chaotic. If my chaos makes sense to you, we're meant to vibe together.

🌸my favourite vibe:- midnight thoughts with Lo-fi Beats.

🌸 I have bunch of interest, here goes the list:-

• imtiyaz ali movies ( my go to )

• F.R.I.E.N.D.S ( nothing compares to that common! )

• music:- jagjit singh, Mukesh, kishore kumar songs are a bliss to me. Shreya Ghoshal, Mohit Chauhan, Arjit Singh top my playlist every now and then. The weekend, JVKE , arctic monkeys, Chris brown make my playlist near to perfect.

But but but...LANA DEL RAY & ISABEL LAROSA make me tap into my siren self way too quick.

• I am diagnosed with moderate anxiety and an undiagnosed mild ADHD awaits me.

•THE SCARLET WITCH from the MCU is my comfort character. ( It's weird ik)

• I like every existing shade of maroon.

🌸 relationship status :- in love- hate relationship with my life.

🌸I am in love with the idea of being in love.💌

🌸I get lost in my books every now & then ( I won't be posting anything about what I read , in this blog, because I cannot tolerate listening to anyone having an opinion on why they don't like a character that I may be obsessed with at that very point of time. I will get defensive and that won't end good . I know me)

🌸 recommendation for kdramas, songs , movies and tv shows of any kind are appreciated.

( need an recommendation from my end ? Do try watching • It's Okay to Not Be Okay • 2020 ‧• Romance • kdrama )

• I really cherish this drama because I feel it is very me coded. Don't forget to tell me your views on it if you do watch it.

🌷🌷🌷 I am obsessed with my govind, my protector, my bestie and my supreme support 🌷🌷🌷

NAGAR NANDJI NA LAAL...💌💌💌

Also, my two alltime favourite songs ( hindi)

My alltime favourites ( english)

If you're a creep who just wants to disturb people's mental peace first of all get a life, And second of all try not to try your dirty tricks on me. I am not a girl who will ignore or block you. I very well know some people , who would not only trace you but will make sure to get your life as miserable as possible. MARK MY WORDS !!!

PS :- My brother's bachelor's degree in criminal justice works like magic at times.

🌸 other than this , I am a really friendly person, so feel free to reach out to me.

Tons of love to my stunning mutuals <3 🫴🏻✨I adore you guys so damn muchhhhhh 💌

[stxrrynxghts]

Ranking the songs of Ponniyin Selvan

The sole reason for making this post is because I. AM. OBSESSED. Also, I am not a music expert, so this is just about how the songs sounded to me.

14. PS Anthem

I...I don't have anything to say. It's an okay song for me, I just don't like it as much as the other tracks, simple.

13. Devaralan Aattam

Again, same thing. It is a nice piece of music...I am not that fond of it. This album is soooo good, and this song is a nice song. Except I kind of get scared when I listen to it T-T.

12. Aazhi Mazhai Kanna

It is soooo pretty! My only complaint is that it is...what? A minute long?! I wish it were a full fledged, 2-3 minute long song...It has a such a lovely vibe, and I am in love with the music video.

11. Ilaiyor Soodar

It has a kind of nostalgic, old-ish vibe? IDK how to describe it, but it feels kind of melancholic, which I think it is meant to be? This is very small as well, no?

10. Chinnanjiru (Marumurai)

This is one of my fav songs on this album actually, but I don't listen to it that much, because it makes me cry. I think this song might actually make me depressed, it's so beautifully made and sung.

9. Chola Chola

It has a very energetic vibe, over all. Why do I feel that this would be a good gym song tho? It also seems like a strong dance song, and I love it for that. Also, I listened to the Hindi version first, and I highly recommend it.

8. Chinnanjiru Nilave

It is a very beautiful piece of music. My favorite part is how the music starts off with a very cheerful tune, and keeps it throughout the song, while slowly adding a tragic/painful tone as the song progresses. It really fits the couple it is picturized on. Who is the singer, guys? Another song whose Hindi version I loved.

7. Shivoham

I really love the fact that this song's lyrics are taken directly from Nirvana Shatakam. I am a sucker for well made religious music, especially with Sanskrit lyrics, and this is one of those songs. Someone make a 1 hour loop of this, it is toooooo short.

6. Ponni Nadhi

This was the first PS song I listened to, and it is so, so, so good!!!! Such an energetic and simultaneously peaceful song. The music video is so precious as well, and the fact that it is picturized on Vanthiyathevan is just another plus for me. Makes me want to sing along whenever I listen to it.

ANNNDDDDD NOW, TOP 5.

5. Ratchasa Maamaney

Sweetie, I am so sorry. I feel so guilty for ranking this so low. This is an awesome song. Shreya Ghoshal is a pleasure as always, and the music + music video are just precious. This song has such festive vibes, and Vanthiyathevan's parts are so hilarious. The flute in the beginning has fulfilled all my dreams.

4. Sol

Now, NGL, but I was not that big of a fan of this song initially, when I first heard it, but it grew on me. The whistling, the sound of water, everything is so cute. This is the most adorable song I have ever heard. The Tamil version was my fav.

3. Aga Naga

It is so dreamy and breath-taking for me. I am in love with this song. The instruments, and the singing, everything is top notch. IDK how people can dislike this song. It has a slow touch to it, and it is very romantic, but has subtle vibes? Like this song gives me the vibe of loving someone, but from afar?

2. Alaikadal

So dreamy and peaceful. I listened to all of it's versions, and it has a mysterious + chill vibe. Antara Nandy is such a good singer. This song just transports you to a different world.

WINNER: Veera Raja Veera

This song is just....perfection. Chef's kiss. Out of this world. ROYAL. I always blast this song on full volume, and it is EVERYTHING. This song is just....I don't have words for it. The lyrics are even more perfect. The part before the last chorus is my fav and I just-

Also the music video.

DAMN.

I am screaming, shrieking, throwing up whenever I listen to it.

What is your ranking?

[jgroffdaily]

Starring Karan Soni and Jonathan Groff, A Nice Indian Boy kicks off with a whirlwind romance between Naveen and Jay, which runs into trouble when Naveen's family suddenly get involved. The result is a gorgeous, heartwarming movie that hits all the right beats you'd expect, but with a refreshing Indian spin that sets A Nice Indian Boy apart as something truly special.

Digital Spy caught up with Karan Soni and Jonathan Groff to discuss awkward singing, interracial love, and why nothing is gayer than Bollywood.

Jonathan Groff: I think it's also worth noting that [director] Roshan [Sethi] and Karan are together in real life, and the vibration of true, real love between the lead actor and the director was felt at every moment. Every crew member, everyone, just fell in love with the two of them.

I think it's unique to have a romantic comedy, particularly a gay romantic comedy, directed by and starring a couple. It makes the experience feel very familial and full of love.

KS: With the "vibrations", were you being literal there? Emotional? [Laughs].

JG: You know what vibrations I'm talking about, Karan [Laughs].

[DS] Speaking of vibrations, singing plays a big part in some key scenes, including the first date between your characters when Jay sings a Hindi number from Naveen's favourite Bollywood classic, Dilwale Dulhania Le Jayenge (DDLJ). Jonathan, talk us through learning the words and what that was like to perform on set.

JG: I think I got a score of like 90% from one of the guys that interviewed us before, as far as the pronunciation.

I was in the hotel in Vancouver, writing out the lyrics phonetically to that song. The character of Jay speaks Hindi, so I was supposed to know what I was saying, even though myself as the actor, Jonathan, had no idea what I was saying.

It's funny because when I performed it, I remember it not feeling awkward. As the character, I was just full of joy and felt moved to sing. But then, when I watched the movie back, I was so tickled by how awkward it was, and the way that it was written. It was essentially written this way in the script, that it cuts back and forth, so I knew that that was coming.

But it was so funny to see the pairing of that singing with the scene. It really made me laugh.

[DS] You mentioned drama, which brings me to the end of the film and that gorgeous performance at the wedding. There's a line in there that says, "Nothing is gayer than Bollywood," with all the extravagance and big camp declarations of love. Talk me through your thoughts on the ending and why it works so well within the wider context of the film.

JG: I just saw the movie for the first time on Saturday. I was so struck by the sneaky way that Roshan and Eric [Randall], the writer, loop the parents in at the end.

The speech given by Zarna [Garg] completely caught me off guard because I think I'm watching a romcom about these two men, but then I realise I'm watching a romcom about a brother and a sister. I'm watching a romcom about a mother and a father, and about their marriage, specifically, not even as parents, but as husband and wife. That really just wrecked me when I was watching. It's so emotional, so sneaky, how it takes you there.

At the end... I mean, there's nothing gayer to me than an Indian wedding. So to have such a flamboyant dance at the end that's about inclusion in every form; inclusion of the two men, inclusion of someone coming into a family, the father holding out the hand in the dance. For something to be so over the top and so flamboyant, but also feel so grounded and rooted in truth and emotion and relationships...

In the day of shooting it, I was just blown away by the dancing and the music, but when I was watching it back, I was so touched by the depth of... It sort of made me understand ceremony. It's actually like, "Oh, this is why we have ceremonies." To emphasise this very important intimate connection.

It's like the antithesis of intimacy in order to properly celebrate and acknowledge what's happening between these people. It was so beautiful. It's like, this is why we have weddings, of course.

[DS] Looking back, is there a queer show or film that really resonated with you in particular, that really spoke to you on a deeper level?

JG: I have two things that come immediately to mind. One is being in middle school and watching the first episode of Will and Grace.

In the end scene of the pilot, they're at a bar and they kiss each other to see if it will work between the two of them. And I remember my young heart being like, "Oh no. Are they just gonna be together?" Then it's this comedy moment where they break apart, and they're like, "Yeah, no. That's never happening."

The great relief of that and knowing that this was going to be a show with gay people in it — I was so far from coming out of the closet. I'd never even kissed a boy. I was years away from kissing a boy at that point — but feeling the relief of that.

Then when I saw the movie Weekend at the IFC Center. I think it was 2012, 2011? That was the first time I saw a movie, a 'gay' movie, where I felt like I was watching my life on screen. I felt so connected to the way that that Andrew Haigh shot that movie, and the way he captured the intimacy and the sex and the humanity and the conversations. That one really rocked me.

[neengareadynaaready]

Jailer (2023) Spoiler Review

If you like pure mass entertainment and a group of veteran actors kicking ass, you'll love Jailer.

I saw Rajni's Petta a while back and while I enjoyed some parts of it, I was largely frustrated towards the end. I also saw Nelson's (the director) Beast, and while it had a straightforward premise, some parts of it were eyebrow-raising (I still love the hallway shooting scene with Vijay, though, that was just hella cool even if it didn't make sense). So, when they announced a Nelson and Rajinikanth collaboration, I wasn't sure if I should bother watching.

I'm glad I watched it though. For one, the story isn't all over the place. The revenge angle and heist subplot made sense together.

The flashback revealing Rajini's days as a hard-core warden aka Jailer was pretty nice. I liked that his hair style looked like the one in his older movies. However, I really don't understand why the inmates liked him or became loyal to him. It was never showed what he did to make them turn over a new leaf. They just said he helped them, but we mainly saw him being extremely violent.

Okay, this is part where I reveal that I saw Jailer a day after I saw Jawan. I couldn't help comparing the action in both movies because the action in Jailer is so violent! I'm not complaining or cringing. I actually liked the over-the-top violence lmao. It's just that I was like "Oh, right, this is one of things I was waiting for in Jawan -- hyperviolence!" LMAO.

Anyway, I do love that the former inmates that helped him were veteran action stars from Kannada, Malayalam, and Hindi cinema: Shiva Rajkumar, Mohanlal and Jackie Shroff respectively. Bruh, I had goosebumps when Shiva R stepped into the house to protect Muthu's family while the Hukum song played!

Next, let's talk about the songs and bgm. "Hukum" really is such a banger of a song. And the style that they do, where they insert bits of the song's melody into cool scenes that build up and lead to the FULL SONG or at least CHORUS is such a great style because it makes you so hyped for the next badass scene!

Now, the family -- I honestly thought Rajni and Ramya Krishnan would have more romantic moments together since this is their reunion. Like, yes, they're grandparents now, but so what? It's always nice to see older people still doing romantic stuff with each other y'know.

Anyway, that twist with his son! I didn't expect them to go all the way with the betrayal but wow. It was really sad, but I liked that they went for that gut-wrenching story, too. Rajini is not much of a dramatic actor, but his performance was good for what the script called for. Also, his partnership with Yogi Babu was funny and nice. Also, those bald sharp-shooter guys! Their costume changes! That was so hilarious! And Varman's henchmen! The random funny characters and elements are really such a fun part of the mass experience.

All in all, Jailer is a really enjoyable movie for the whole family (if your kids are old enough to not be so desensitized to violence I guess).

[veerojaskhanna]

Review: Rocky Aur Rani Kii Prem Kahaani

It’s been a while since I saw a solid, sumptuous ‘hindi picture’ — the kind that makes you whistle in the seats, out-sing the sound system, and dance in the aisles. I walked into Rocky Aur Rani kii Prem Kahaani expecting anything but that, since the promos had convinced me that Karan Johar had taken a sharp left into the David Dhawan school of filmmaking. Much to my surprise, the film delivered on all those characteristics, and delivered something even those ‘hindi pictures’ rarely do - it was up to date. It’s always interesting to see a filmmaker take a look back his(or her) own filmography, and see what they felt they need to change; Sooraj Barjatya had done it with Uunchai just last year, and failed miserably. Unfortunately, more often than not, this relook starts off with great gumption and falls prey to habit somewhere along the way. We are all victims of habit, hoping to transform into better, more mature, more self aware people. Johar uses this transformation as a narrative trope in this film, and maneuvers it with a lightness of touch that hints at his own self awareness. He challenges a lot of the problems his earlier films had(fatphobia, misogyny, homophobia). A replay of the “keh diya na, bas keh diya” quip from K3G had me and several others in my audi wolf-whistling. Through the film, we see transformations — characters explaining their mistakes, promising to reform, and changing into better people. In his older films, this transformation was spurred on by astronomical difficulty - in K3G, Shah Rukh Khan had go into a ten-year-log exile before Amitabh Bachchan would ask a for forgiveness with fairly gaslight-ey undercurrents; in My Name is Khan, it took a hurricane for Kajol to realise her love for Shah Rukh Khan and apologise. But though delayed, those transformations were always instant. Here, it’s simple - a monologue may unveil hidden reservoirs of confidence in characters, but they undergo full arcs before they can express themselves freely, making transformations seem neither arbitrary or abrupt. Beware though, because by the time Rani delivers speech number eight(I counted) to a character about how they must break free of the patriarchy, I was ready to throw hands. The self-referencing is also turned into a narrative trope (you can spot a reference a minute). There are countless callbacks to old films and old songs - my favourites being a callback to Abhi Na Jao Chhodkar from Hum Dono, which left me as full of awe as when Pankaj Kapur had used it in Mausam; and a character announcing her freedom by singing Aaj Phir Jeene Ki Tamanna Hai from Guide. It made me so happy that after years of self-referencing himself in films like I Hate Luv Storys, Shaandaar and Dostana, Karan Johar has learnt the difference between winking and wanking at us. The references serve a purpose beyond pure nostalgia. The older ones invoke a softer, more romantic time, without dating the film. Even the newer, more light-hearted references serve a purpose - the use of Aaja Meri Gaadi Mein Baith Ja adds to Rocky’s West Delhi/Greater Gurgaon persona. I found myself chuckling at the use of Meri Pyaari Bindu from Padosan in the Namit Das track. The only reference they could have done without was the use of Suno Suno Miss Chatterjee in a romantic moment which needed more softness, and less foot-tapping. This invoking of the past is reflected in the writing as well - the characters don’t converse with each other. they speak in dialogue. Characters say things like “Nazar kharab aapki aur pardah kare hum?” and “Aapne mujhe sanskaar nahin diye, ahankar diya hai”. They have so much swagger, you can taste them. The showdowns in the film are satisfyingly melodramatic, and one would expect no less - characters are engaged in such over-the-top conflict that the skies thunder in disapproval. Unfortunately though, the same drama was missing in the songs. Tum Kya Mile and Ve Kamleya are beautiful melodies(even if terrifyingly banal in their arrangement), but Dhindora Baaje Re, which plays out as a pivot for the story just pre-climax was upsettingly underwhelming and insipid. It may not have worked in Pritam’s favour that we hear his music in the same sitting as some of the most memorable tunes from Hindi films. As for the performances, they were just outstanding - Ranveer and Alia both pull off two very difficult things - Ranveer plays an outlandish, uncouth, near repulsive character while endearing us to him, and Alia shows us both her condescention/amusement at Rocky and her endearment to him. I think Ranveer will get more praise for his character - it’s the kind of character that shouts out at you to tell you how well the actor is acting, but Alia does a better job — Rani is put in situations which call for ‘dialoguebaazi’ but nothing seems contrived or put-on. I was particularly impressed by a scene where she comes up with a solution for a problem in Rocky’s family business, but does so without the magic-wand waving of a Hrishikesh Mukherjee character. Instead, she plays the line with an undercurrent of surprise - as though she came upon the answer by accident. As for the million dollar question - do the leads share chemistry? The answer is a resounding YES. They share chemistry, and more importantly, comfort. It’s not the electric kind(like SRK-Kajol in all those other KJo films or Ranbir-Anuska in Ae Dil). Alia and Ranveer just fit. They share an easy comfort with each other, and we understand that they are meant to be with each other, because they make each other happy, and sometimes, it’s just that simple. The supporting cast is also stellar - Shabana Azmi, Tota Roy Chaudhury, Churni Ganguly, Aamir Bashir, Kshitee Jog and Anjali Anand are such fun. I did, however want to check on Dharmendra, who seemed like the light was going to go out of his eyes any minute. Jaya Bachchan seemed to be borrowing her mannerisms from Chacha Choudhary comics and Amrish Puri, trembling in anger and staring into the distance while delivering heavy duty dialogues. The film does justify this bigness and melodrama to a great extent though. There are no normal locations, normal clothes and normal people in this world, only magic. Johar’s idea of a chandni chowk akhara is laughable, but the colours are so vibrant and the lights so bright that you go along for the ride. Why complain about the lack of realism when you are being treated to some of the most beautiful people and places on film? There are enough things to complain about - the bengali family was annoyingly free of fault(something I’m sure all the Bhadralok had no problem with); I found the Shabana-Dharmendra track unconvincing and problematic, even though it was charming; and the Dhindora Baaje Re sequence was a bit too flashy for my liking - but all in all, Rocky Aur Rani is the best thing I did with three hours in my day, and I left the cinema hall with my heartbeat thudding in my ears, my soul nourished and my love for hindi cinema replenished.

[hoperays-song]

Required Information Sheet For The Human AU: Marcus

General Information:

Last Name: Taylor

First Name: Marcus

Middle Name: Christian

Nickname(s): Markie and Mark

Pronouns: He/Him/His

Gender Identity: Cisgender

Sexuality: Demisexual

Birthdate: November 12, 1973

Ethnicity: British

Dietary Style: Vegetarian

Known Languages: English, Hindi, and ASL.

Appearance Information 

Hair Color Hex Code: #AC4F02

Curl Texture: 4b

Eye Color Hex Code: #3B3B3B

Skin Tone Hex Code: #321F0C

Beauty Mark(s): Scattered body scars and tattoos

Glasses/Contacts: Reading glasses that are worn occasionally

Height: 6’4.5”

Weight: 234lbs

Build Type: Rectangle

Clothing Aesthetic: No real word for it but jeans, tank tops, and coveralls. Mechanic?

Education Information:

Past Education: London School of Economics

Skills Education: Automotive Mechanic Apprenticeship at Tower End Mechanic Shop

Degree(s)/Certification(s): Masters in Business Management, Bachelors in Engineering, Certified Automotive Mechanic, and Licensed EMT

Career Information:

Past Employment: Automotive Mechanic

Current Job: Automotive Mechanic and Garage Owner

Company: Taylor Family Garage

Extracurriculars: Parole Work (Meals On Wheels)

Parentage Information:

Biological Parent 1: Ann Grace Taylor

Relation: Biological Mother

Relationship: Nonexistent (Disowned)

Pronouns: She/Her/Hers

Career: Stay At Home Mom

Birthdate: September 11, 1950

Biological Parent 2: Christian Arthur Taylor

Relation: Biological Father

Relationship: Nonexistent (Disowned)

Pronouns: He/Him/His

Career: Insurance Company CFO

Birthdate: April 10, 1945

Sibling Information:

Sibling 1: Lucien Charles Taylor

Relation: Biological Brother

Relationship: Nonexistent (Disowned)

Pronouns: He/Him/His

Education: University of Cambridge

Birthdate: June 30, 1970

Sibling 2: Bethany Grace Taylor

Relation: Biological Sister

Relationship: Nonexistent (Disowned)

Pronouns: She/Her/Hers

Education: University of Bristol

Birthdate: July 20, 1976

Romantic Relationship Information:

Partner's Name: Jia Saanvi Taylor ‘nee Sutar (Deceased)

Partner's Status: Wife 

Relationship: Close 

Partner's Pronouns: She/Her/Hers

Partner's Career: Primary School Music Teacher and Pianist

Partner's Birthdate: February 13, 1975

Child(ren) Information:

Child 1's Name: Johnathan “Johnny” Demarcus Taylor

Child's Relation: Biological Son

Relationship: Close

Child's Pronouns: He/They/His/Theirs

Child's Birthdate: January 29, 2004

Child's Career: Contracted Professional Actor and Singer

Child 2's Name: Nooshy Victor Peart-Taylor

Child's Relation: Adoptive Child

Relationship: Close

Child's Pronouns: She/They/Hers/Theirs

Child's Birthdate: November 3, 2001

Child's Career: Contracted Professional Choreographer Consultant

Assorted Information:

Best Friend(s): Stan Philips (since age 36), Barry Frost (since age 36), and Rosita Peréz-Harrison (since age 47)

Favorite Color(s): Dark Purple and Grey

Favorite Animal(s): Mountain Gorillas and Crows

Favorite Food(s): Glamorgan Sausages, Alu Diye Cholar Dal, and Vegetable Korma

Favorite Sweet(s): Blackcurrant Jaffa Cakes, Murukku, and Paruppu Payasam

Favorite Drink(s): Plain Black Coffee, Masala Soda, and Red Gatorade

Favorite TV Show(s): Top Gear, Chasing Classic Cars, and Wheeler Dealers

Favorite Movie(s): Now You See Me, Baby Driver, and The Glass Onion

Favorite Song(s): Big A Little A by Crass, Oh Bondage! Up Yours! by X-Ray Spex, and Mighty and Superior by Conflict

[weaselingron]

I posted 457 times in 2022

That's 457 more posts than 2021!

40 posts created (9%)

417 posts reblogged (91%)

Blogs I reblogged the most:

@yehsahihai

@thewinchestergirl1208

@voidsteffy

@sulthaaan

@geeko-sapiens

I tagged 54 of my posts in 2022

#desiblr - 19 posts

#desi tumblr - 12 posts

#desi tag - 12 posts

#bheems little meow meow - 10 posts

#rambheem - 9 posts

#desi - 9 posts

#rambheem fanfic - 4 posts

#desi lgbtq - 4 posts

#desi stuff - 4 posts

#rrr - 3 posts

Longest Tag: 83 characters

#i dont know why but i think petting ram would be bheems chosen form of self comfort

My Top Posts in 2022:

#5

Krishna simps I need yall to tell me what you guys do for him on janamashtami because I wanna be extra tomorrow

54 notes - Posted August 17, 2022

#4

Ram is a cat/tiger

Change my mind, you cant

-the wtf you're so dumb look he gives Bheem when bheem is being all innocent and clueless about Jenny

-the sheer slyness of that tyre puncture, the way he was so proud of himself like the cat who knocked over the cup of water

-the way he preens when bheem compliments (*cough* worships *cough*) him

-the way my guy roars in the interval fight scene (which yes, was dominated by bheem, is bheem's, bheem owns it. If it wasn't about Malli, bheem would have won. But that's the thing about their relationship! They challenge each other perfectly at each others levels with their different strengths and opposite personalities, while understanding each other's depth and temperament in a way no one else can)

- He is sheer chaos for the whole time that he's awake

- looks adorable sleeping

-will sleep anywhere (see: on top of books)

-graceful bastard

-overall cat okay?

-He really is bheem's little meow meow

71 notes - Posted May 28, 2022

#3

Y'all ever look around at yourself and then the people who chose you and realise, 'holy shit, why did these angelic people pick me, a human embodiment of a sour inflated binbag?'

76 notes - Posted July 10, 2022

#2

Okay so I'm kind of young, right?

I grew up listening to "Mai Agar kahoon," and I've watched Om Shaanti Om but I don't remember it at all. It came out when I was 4.

I don't know why I haven't re watched the movie ever.

But I just had a talk with mom and apparently Mai Agar Kahoon is a romance song????

I always thought it was a double meaning manipulation song disguised as a romance song and the story must be that the guy is in some way betraying/lying to/manipulating the girl he is singing this to. But nope, mom says it's just a romance song.

But listen to the way its sung!

"Taareef ye bhi to, sach hai, kuch bhi nahi" (Even all praise for you, it's true, is not enough/is nothing)

But the way its sung, it sounds like

"Taareef ye bhi to, sach hai kuch bhi nahi" (even with all this praise for you, nothing from what I'm saying is true)

And then the general vibe and the beginning melody of the song has always sounded more intense, tense and ominous to me than romantic

Anyone? Am I being weird or do you see it?

I have thought it was a manipulative song since I was a kid, help???

78 notes - Posted August 9, 2022

My #1 post of 2022

I JUST LEARNED THAT GAY MEN ARE CALLED MEETHA IN HINDI AND GAY GIRLS ARE CALLED KHATTI AND I JUST THINK THATS REALLY BEAUTIFUL OKAY?!

Like I think it's meant to be an insult but I'm claiming it

IM KHATTI AND YOU CAN SUCK ON THAT UNTIL YOUR FACE SCRUNCHES UP FROM THE SOUR

581 notes - Posted June 9, 2022

Get your Tumblr 2022 Year in Review →

[hungama123]

Hungama: Music Movies Podcasts

Forget the hassles of switching between apps for Music and Movies. With the Hungama app, you can listen to 30 million+ songs, watch 8,000+ movies, Original Tv Shows, Music Videos, Podcasts, Short Films, Online Radio & much more! There are no free songs on other song apps, but the Hungama app gives you access to listen to free unlimited trending songs.

The New All in One Hungama app has different varieties. Here are some things you can opt Hungama app for:

● Latest Songs - Listen to all New Songs, Trending Songs, Top Albums, MP3 Playlists & much more on our new Hungama App.

● Hungama app gives you your favourite music in the language you prefer like Hindi Music, English Music, Punjabi Music, Bhojpuri Music, Marathi Music, Bengali Music, Kannada Music, Gujarati Music, Tamil Music, Telugu Music, Malayalam Music, Rajasthani Music, Oriya Music, Haryanvi Music, & Assamese Music.

● Enjoy yourself with lyrics of superhit MP3 songs like Kesariya, As It Was, Peaches, Coca Cola 2.0, Summer High, Gunehgar, Apna Bana Le, Jedha Nasha, Excuses, Oo Antava Ma, & more.

● Hungama app gives free MP3 songs in all your favourite music genres like Romantic songs, Party songs, Pop songs, Devotional songs, Workout songs, Classical songs, old songs, EDM songs, Rock songs, Rap songs, Sufi songs, Hip Hop songs, & much more.

● Listen to this year’s trending hit playlists in all languages. Also, you get Top 40 Playlists in all languages and genres of your favourite artists. We can also create our own playlist and listen to it offline on our music player.

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➢ That’s not all! Our Bollywood MP3 playlists star Salman Khan, Shah Rukh Khan, Ranveer Singh, Ranbir Kapoor, Alia Bhatt, Deepika Padukone, Jahanvi Kapoor, Kiara Advani, Kartik Aryan, Sara Ali Khan, and more.  ➢ You can also listen to full albums of movies like Bhool Bhulaiyaa 2, Shershah, KGF 2, Pushpa, Kabir Singh, and many more.

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● Hungama Originals - Brand new stories for a brave new world. Watch tv shows like Hasratein (Hindi), Damaged 3 (Hindi), Hankaar (Hindi), Swaanng (Hindi), Dhappa (Hindi), and more are ground-breaking web shows across different genres and languages featuring unique storylines and great star casts.

● TV: Enjoy a great selection of ENGLISH, HINDI & REGIONAL TELEVISION SHOWS and critically acclaimed BBC content.

● Stream Hit Music Videos in High HD Quality and enjoy yourself with Hindi music videos, Punjabi music videos, English music videos, and more to the fullest.

● You can listen to Live Podcasts, the latest and most popular Podcasts, or you can download them offline and enjoy them in your free time on Hungama App.

● Enjoy with Ads or Go Ad-Free with Hungama Gold Wi-Fi down? Sketchy network? Internet off? Music & Movies are still on! Download unlimited mp3 songs and enjoy on our free music player. Rent HD quality movies, watch short films, and music videos, and stream them on our video player without interruption by ads. Excellent audio quality on our mp3 songs and jump to your favourite songs at any time.

Take all your mp3 songs, music videos, movies, podcasts & original shows offline with unlimited downloads🎧 > Ad-free = Stress-free. No drama only Hungama!💃🏻

Give us a shout 📢 at appsupport@hungama.com

[my-music-1460]

Facts About Benny Dayal You Probably Didn’t Know

In the vibrant tapestry of Indian music, few names shine as brightly as Benny Dayal, a singer whose voice has transcended languages, genres, and borders. Known for his exceptional versatility, Benny Dayal has carved out a unique niche for himself in the Bollywood music industry while also leaving his mark on independent and global music scenes. From his early struggles to his meteoric rise to stardom, the story of this multi-talented artist is nothing short of inspiring. With chart-topping hits like “Badtameez Dil” and “Let’s Nacho”, Benny has become synonymous with energy, innovation, and passion in music. This article delves into the remarkable journey of singer Benny Dayal, exploring the milestones that have defined his illustrious career.

Early Life and Musical Roots

Born on May 13, 1984, in Abu Dhabi, UAE, Benny Dayal grew up in a Malayali family with a deep appreciation for music. He pursued his education in Chennai, where he attended Madras Christian College. It was during these formative years that Benny’s love for music blossomed. He became a part of the college band and performed at various cultural events, honing his craft and gaining confidence as a performer.

Benny’s multicultural upbringing played a crucial role in shaping his diverse musical sensibilities. Influenced by Carnatic music at home and global pop and rock outside, he developed a sound that would later define his eclectic career.

The Big Break: A.R. Rahman’s Protégé

Benny’s big break came when he caught the attention of legendary composer A.R. Rahman. His association with Rahman began with background vocals for Tamil and Telugu films. Benny’s breakthrough came in 2008 with the Bollywood song “Kaise Mujhe” from Ghajini. However, it was “Pappu Can’t Dance Saala” from Jaane Tu… Ya Jaane Na that catapulted him into the limelight.

The mentorship of A.R. Rahman was pivotal in shaping Benny’s career. Working with Rahman not only gave him exposure to large-scale productions but also allowed him to explore genres ranging from classical to electronic music. Over the years, Benny and Rahman collaborated on numerous chart-topping tracks, cementing their creative synergy.

Versatility Across Languages and Genres

One of Benny Dayal’s standout qualities is his ability to sing in multiple languages, including Hindi, Tamil, Telugu, Malayalam, Kannada, and Bengali. This multilingual prowess has made him a favorite among composers across India. His discography includes a variety of genres, from romantic ballads like “Omana Penne” to high-energy dance tracks like “Lat Lag Gayee”.

Benny’s versatility extends beyond Bollywood. He has also worked on independent music projects and collaborated with international artists, further expanding his horizons. His band, Funktuation, allows him to experiment with funk and electronic music, showcasing yet another dimension of his talent.

Signature Songs and Milestones

Benny Dayal’s career is a treasure trove of iconic songs. Some of his most memorable tracks include:

“Badtameez Dil” (Yeh Jawaani Hai Deewani)

“The Disco Song” (Student of the Year)

“Let’s Nacho” (Kapoor & Sons)

“Locha-E-Ulfat” (2 States)

Each of these songs not only became chartbusters but also highlighted Benny’s unique ability to adapt his voice to suit the mood and energy of a track. His high-energy delivery and infectious enthusiasm have made him the go-to singer for party anthems.

Live Performances and Global Appeal

Apart from playback singing, Benny Dayal is known for his electrifying live performances. Whether it’s a Bollywood awards show, a college fest, or an international concert, Benny’s stage presence is unmatched. He connects with his audience effortlessly, turning every performance into a memorable experience.

Benny’s band, Funktuation, has further amplified his live appeal. Together, they have performed across the globe, bringing funk and Indian fusion music to a wider audience. His ability to blend genres and engage with diverse listeners has made him a global ambassador of Indian music.

Awards and Recognitions

Benny’s contributions to music have earned him numerous accolades, including:

Filmfare Award for Best Male Playback Singer (Tamil)

Mirchi Music Award for Male Vocalist of the Year

Multiple nominations at prestigious award ceremonies

These awards reflect Benny’s dedication to his craft and his ability to consistently deliver excellence.

Conclusion The journey of singer Benny Dayal is a testament to hard work, passion, and an unwavering commitment to music. From his early days in Chennai to becoming one of Bollywood’s most celebrated voices, Benny’s story inspires aspiring artists to dream big and embrace diversity in their craft. His ability to effortlessly traverse languages, genres, and cultures has made him a beloved figure in the music industry.

As Benny continues to enthrall audiences with his music, he remains a shining example of versatility and innovation. Whether it’s a chart-topping Bollywood hit or an experimental indie track, Benny Dayal has proven time and again that his voice knows no bounds.

[theflixdiary]

Kuch Kuch Hota Hai (1998) directed by Karan Johar

age rating: U genre: romantic drama, comedy, musical duration: 3h 5m country: India language: Hindi screenplay: Karan Johar

major cast: Shah Rukh Khan, Kajol, Sana Saeed, Rani Mukerji, Salman Khan

plot summary: every year on her birthday, Anjali Khanna (Sana Saeed) reads a special letter left by her late mother, Tina (Rani Mukerji). but on her eighth birthday, Tina’s letter comes with a mission: to bring her dad, Rahul Khanna (Shah Rukh Khan), back together with his long-lost best friend, Anjali Sharma (Kajol).

if you enjoyed this post, don't forget to show some loves by leaving comments / likes / reblog / help me to spread the words. follow me for more reviews!! ❤︎❤︎

read my review below (may contain spoiler):

if you’re a Bollywood fan, this one does not need introduction! it was iconic when it released, and still, it’s got this legendary status that Bollywood buffs hold onto, singing along to the songs, quoting lines, and swooning over those flashy ‘90s romance vibes. watching it now, though, brings out a whole mixed bag of feels—like both nostalgia and a little bit of frustration. first off, yes, those songs are an earworm. every. single. one. they’re catchy, playful, emotional; I can’t help but sing along to “Tum paas aaye, yun muskuraaye���” (thank you, Jugal Hansraj, for crafting a tune that sticks in everyone's head like glue). the music in this movie is like its own character, playing with my emotions, nudging me to dance, or just stare dreamily out the window. and the whole college scene? well, it’s hilariously, unabashedly colourful and over-the-top. that whole early “friendship bracelet” vibe? so ‘90s, so extra, but honestly, I wouldn’t have it any other way. now, as much as Kuch Kuch Hota Hai has that Bollywood magic, I’ve gotta say, the story has its… let’s call them quirks. I mean, there’s a strong undercurrent of “friendzone syndrome” that practically demands a double take.

so, Rahul doesn’t notice Anjali until she goes from masc-girl to fem-girl? REALLY? I mean, why can’t tomboy Anjali, cool, sporty and real, just be lovable as she is? and while we’re on it, the movie’s got a bit of that “oh, you can only be lovable if you’re girly” trope, which is like, ugh. c’mon, Bollywood, tomboys deserve love too! don’t get me wrong, it’s a heartfelt, feel-good family movie, with big emotions on full display. one minute, I’m rolling my eyes at the predictability, and the next, I’m genuinely swept up in the romance, laughing at the cheeky moments and tearing up at the “big speeches.” it’s pure Bollywood, packed with drama, sentimentality, and more “movie magic” than I can shake a friendship bracelet at. But still, that message about love and appearances kind of lingers in the back of my mind, like, really? this is what we’re teaching the audience, especially the kids? for all its ups and downs, there’s no denying that Kuch Kuch Hota Hai is a movie that leaves an impact. it’s fun, it’s ridiculous, it’s emotional, and it’s got a certain timelessness to it that makes it feel special despite its dated ideas. I feel like I'm part of the world on screen, swept up in the characters’ highs and lows, singing along, and reliving the ‘90s magic all over again.

poster credit: IMDb edited using canva

[musicverse11]

Behind the Hits: Naresh Iyer's Iconic Songs That Shaped a Generation

Naresh Iyer, a name synonymous with soulful melodies and emotive renditions, stands as a beacon of excellence in the Indian playback singing landscape. From his breakthrough with A.R. Rahman to his consistent ability to touch hearts with his music, Naresh’s journey is one of passion, perseverance, and exceptional talent. His voice, celebrated for its purity and emotive depth, has not only redefined playback singing but also etched his name among the greats in Indian music.

The Early Beginnings of a Star

Naresh Iyer’s journey began in Mumbai, where he was born into a Tamil-speaking family. His early life was steeped in music and culture, as he grew up learning both Carnatic and Hindustani classical music. These early musical influences laid the foundation for his illustrious career. However, Naresh’s initial aspirations were far from the world of playback singing. A commerce graduate from SIES College of Commerce and Economics, he was on the path to becoming a Chartered Accountant. But fate had other plans.

While pursuing his academics, Naresh participated in Channel V’s reality talent show Super Singer. Although he did not win, his appearance on the show turned out to be life-changing. His talent caught the attention of none other than the legendary composer A.R. Rahman. Recognizing Naresh’s potential, Rahman gave him the opportunity to debut as a playback singer, a turning point that marked the beginning of a remarkable journey.

Breaking Through with A.R. Rahman

Naresh Iyer’s debut came with the song Mayilirage from the Tamil movie Anbe Aaruyire (2005). Composed by A.R. Rahman, the song showcased Naresh’s ability to bring emotions to life through his voice. This collaboration laid the groundwork for one of the most successful partnerships in Indian cinema.

In 2006, Naresh delivered his most iconic performance with Roobaroo from the Hindi film Rang De Basanti. The song, composed by Rahman, became an anthem for youth and change, topping music charts for weeks. Naresh’s effortless rendition captured the spirit of the film and resonated deeply with audiences across India. This performance earned him the prestigious National Film Award for Best Male Playback Singer, cementing his place in the industry.

The Rise to Stardom

Naresh’s rise in the music industry was meteoric. Following the success of Roobaroo, he became one of the most sought-after playback singers, lending his voice to films in multiple languages including Tamil, Telugu, Malayalam, and Hindi. His versatility became his hallmark, allowing him to adapt to different musical styles and genres effortlessly.

Some of his notable hits include:

“Mundhinam Parthenae” from Vaaranam Aayiram (Tamil) — A soulful melody that won him the Filmfare Award for Best Male Playback Singer.

“Partha Mudhal Naale” from Vettaiyaadu Vilaiyaadu (Tamil) — A romantic track that showcased his vocal range.

“Kannan Vandhu Thozhi” from Sivaji: The Boss (Tamil) — A high-energy number that became a fan favorite.

A Versatile Performer

Naresh Iyer’s ability to sing in multiple languages and genres has made him a true pan-Indian artist. Whether it’s a classical-inspired melody, a peppy dance number, or a heartfelt ballad, Naresh’s voice brings a unique flavor to every song. Beyond film music, he is also the lead vocalist of Dhvani, a Mumbai-based fusion band that blends Indian classical music with contemporary genres.

Impact on the Industry

Naresh Iyer’s contributions to the Indian music industry go beyond his chart-topping hits. His journey from a reality show contestant to a National Award-winning artist serves as an inspiration to aspiring musicians. He has shown that talent, when combined with perseverance and the right opportunities, can lead to extraordinary success.

In an industry where competition is fierce, Naresh has managed to carve a niche for himself. His collaborations with some of the biggest names in the music world, including A.R. Rahman, Harris Jayaraj, and Ilaiyaraaja, highlight his ability to adapt and evolve with changing musical trends.

A Voice That Connects

What sets Naresh Iyer apart is his ability to connect with listeners on an emotional level. His voice carries an authenticity that makes every lyric come alive. Whether it’s a song of love, heartbreak, or celebration, Naresh’s renditions evoke genuine emotions, making him a favorite among music lovers.

His live performances further amplify this connection. Known for his charismatic stage presence, Naresh has performed at numerous concerts, both in India and abroad, captivating audiences with his energy and soulful singing.

Conclusion: A Legacy in the Making

Naresh Iyer journey is a testament to the power of dreams and dedication. From his humble beginnings in Mumbai to becoming a household name in the Indian music industry, Naresh’s story is one of triumph against all odds. His ability to balance tradition with innovation has redefined playback singing, ensuring his place among the greats.

As Naresh continues to explore new musical landscapes, his impact on the industry remains undeniable. His voice, rich in emotion and versatility, serves as a bridge between generations of music lovers, ensuring that his legacy will endure for years to come.

[techygeeks]

Guru Randhawa: Chart-Topping Hits and His Global Appeal

On November 6, 2020, Punjabi pop sensation Guru Randhawa’s iconic song Lahore reached a remarkable milestone of one billion views on YouTube, marking an achievement that few Indian artists have accomplished. The success of Lahore, with its infectious beat and memorable lyrics, has established Randhawa as a powerhouse in both the Indian and global music scenes. His unique style and ability to seamlessly blend Punjabi and Hindi pop sounds have given us countless hits over the years. Let’s dive into some of his top tracks, including his journey to global stardom, his album, and his remarkable connection with audiences worldwide.

For fans of Randhawa and other Bollywood and Punjabi music hits, tune into Ruh Radio on 1440 AM, where we celebrate artists like him every day! Ruh Radio brings you the best of Hindi and Punjabi tracks, so you don’t miss out on any chart-toppers from artists like Guru Randhawa.

1. Lahore: A Cultural Phenomenon

Released in 2017, Lahore quickly became a favorite across the globe. The song’s catchy tune and vibrant video resonated with fans, and it joined the billion-views club on YouTube three years later. The track compares a woman's beauty to the city of Lahore, and its captivating beat made it an anthem for parties, gatherings, and clubs worldwide.

2. High Rated Gabru

This song is one of Randhawa’s biggest hits and a must-play for any upbeat gathering. High Rated Gabru became so popular that it was later featured in the Bollywood film Nawabzaade. With its energetic vibe and memorable chorus, it remains a go-to track for parties.

3. Suit Suit

Originally an independent release, Suit Suit gained mainstream attention after being featured in the Bollywood movie Hindi Medium in 2017. The song is a celebration of modern Punjabi culture and has become an evergreen track for its rhythmic beats and fun lyrics.

4. Ban Ja Rani

Featured in the movie Tumhari Sulu, Ban Ja Rani is one of Randhawa’s best-loved romantic songs. Its catchy lyrics and relaxed beat make it an ideal choice for weddings and couples. Randhawa’s smooth vocals add a charm that resonates with listeners.

5. Made in India

Made in India was released in 2018 and became a cross-cultural anthem, particularly popular among the Indian diaspora. This song’s upbeat tempo and Randhawa’s signature Punjabi pop beats make it a celebration of Indian pride and identity.

6. Ishare Tere (featuring Dhvani Bhanushali)

This duet with Dhvani Bhanushali showcases Guru’s versatility and ability to create feel-good music. Ishare Tere became popular for its playful lyrics and upbeat rhythm, making it an instant hit among young audiences.

7. Patola (featuring Bohemia)

Collaborating with Bohemia, one of the most popular Punjabi rappers, Randhawa took Patola to new heights. The song’s mix of Punjabi rap and pop beats made it a huge success and introduced a unique style that remains fresh even today.

8. Slowly Slowly (featuring Pitbull)

Guru Randhawa’s collaboration with American rapper Pitbull took him to a global stage, as Slowly Slowly became a fusion of Punjabi and Western pop beats. This English-Punjabi mix brought a new twist to his style and expanded his reach to international audiences.

9. Naach Meri Rani (featuring Nora Fatehi)

The EDM-influenced Naach Meri Rani, featuring Nora Fatehi, went viral quickly with its catchy beat and Nora’s impressive dance moves. The futuristic music video and danceable beat made it an instant favorite on social media platforms and party playlists.

10. Surma Surma (featuring Jay Sean)

In collaboration with British singer Jay Sean, Surma Surma is another example of Randhawa’s versatility in blending Punjabi and English lyrics. This cross-cultural collaboration added a refreshing touch, making it popular with fans worldwide.

Guru Randhawa’s Journey and the Impact of Lahore’s Success

Guru Randhawa’s Lahore not only crossed one billion views but also brought Punjabi music to the global stage. It is a shining example of how Indian pop music can bridge cultural and linguistic divides. His album featuring Lahore and other hits further proves his ability to resonate with diverse audiences.

For all the latest and greatest hits by artists like Guru Randhawa, tune into Ruh Radio at 1440 AM, where we play a mix of Bollywood, Hindi, and Punjabi songs around the clock. Whether you’re in the mood for party hits or soulful tunes, Ruh Radio has you covered with a curated selection of the best from the industry.

Conclusion

Guru Randhawa’s rise to fame with songs like Lahore, High Rated Gabru, and Made in India has been nothing short of inspiring. His music celebrates modern Indian and Punjabi culture, and his ability to connect with listeners across the world is a testament to his talent and versatility. With Ruh Radio, you can stay updated on the best tracks from Bollywood and beyond, enjoying music that transcends language and brings people together.

Follow us on Instagram and Facebook for all the updates.

[artcultureretailers]

Rhapsody of Melodies

by Team ACF 0 comment

Way before pigeons became messengers for loved ones, rain used to unite lovers. From the time immemorial we have seen monsoons being the best season to romance, dance, rejoice and spend best of time with yourself and others.

Taking you to the time when songs created history. Raj Kapoor’s performances worked as a magic spell on the audience and PYAAR HUA IQRAAR HUA (1955) tops the list because of its evergreen romance . This song is so beautiful and popular that you can find it in every kind of list like most romantic songs, best Hindi songs, Best Rain Songs in Bollywood etc. From  the movie Shree 420, sung by Mukesh, composed by Shankar-Jaikishen and lyrics penned by Shailendra.  EK LADKI BHEEGI BHAAGI SI (1958) is unavoidable as Kishore Kumar and Madhubala looked beautiful in this funny and quirky songs. Sung by Kishore Da himself from movie Chalti Ka Naam Gaadi. Music was composed by Sachin Dev Burman and Lyrics by Majrooh Sultanpuri. DUM DUM DIGA DIGA got its name engraved in gold with Raj kapoor’s breathless performance in chhaliya (1960)