#Tony Slater Ling

[tv-moments]

Inside Man

“Episode 2”

Director: Paul McGuigan

DoP: Tony Slater Ling

[rober-noir]

Cordelia (2020) Trailer

StudioPOW in association with Twickenham Studios presents 'Cordelia'. 

 A dark and unsettling psychological thriller, Cordelia stars Antonia Campbell Hughes as a young woman living in London with her identical twin who, left alone for the weekend, begins to unravel as her upstairs neighbour Frank (Johnny Flynn) inveigles himself into her life. 

 Antonia Campbell Hughes | Johnny Flynn 

 Cinematography: Tony Slater Ling BSC Edited by: Tania Reddin | John Waters Casting: Michelle Smith CDG Production Designer: Thomas Pearce Costume Designer: John Krausa Executive Producers: Sally Hawkins | Georgina Lowe | Tania Reddin | Perry Trevers Produced by Kevin Proctor Written by Adrian Shergold & Antonia Campbell Hughes Directed by Adrian Shergold

(vía (1) Cordelia (2020) Trailer - YouTube)

[joneswilliam72]

Read the complete list of 2019 BAFTA nominees.

Best Film

BlacKkKlansman – Jason Blum, Spike Lee, Raymond Mansfield, Sean McKittrick, Jordan Peele

The Favourite – Ceci Dempsey, Ed Guiney, Yorgos Lanthimos, Lee Magiday

Green Book – Jim Burke, Brian Currie, Peter Farrelly, Nick Vallelonga, Charles B. Wessler

Roma – Alfonso Cuarón, Gabriela Rodríguez

A Star Is Born – Bradley Cooper, Bill Gerber, Lynette Howell Taylor

Outstanding British Film

Beast – Michael Pearce, Kristian Brodie, Lauren Dark, Ivana MacKinnon

Bohemian Rhapsody – Bryan Singer, Graham King, Anthony McCarten … our interview with Dexter Fletcher is here.

The Favourite – Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Deborah Davis, Tony McNamara

McQueen – Ian Bonhôte, Peter Ettedgui, Andee Ryder, Nick Taussig

Stan & Ollie – Jon S. Baird, Faye Ward, Jeff Pope

You Were Never Really Here – Lynne Ramsay, Rosa Attab, Pascal Caucheteux, James Wilson

Outstanding Debut By A British Writer, Director or Producer

Apostasy – Daniel Kokotajlo (Writer/Director)

Beast – Michael Pearce (Writer/Director), Lauren Dark (Producer)

A Cambodian Spring – Chris Kelly (Writer/Director/Producer)

Pili – Leanne Welham (Writer/Director), Sophie Harman (Producer)

Ray & Liz – Richard Billingham (Writer/Director), Jacqui Davies (Producer)

Film Not In The English Language

Capernaum – Nadine Labaki, Khaled Mouzanar – Our interview with director Nadine Labaki is here.

Cold War – Paweł Pawlikowski, Tanya Seghatchian, Ewa Puszczyńska

Dogman – Matteo Garrone

Roma – Alfonso Cuarón, Gabriela Rodríguez

Shoplifters – Hirokazu Kore-eda, Kaoru Matsuzaki

Documentary

Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin

McQueen – Ian Bonhôte, Peter Ettedgui

RBG – Julie Cohen, Betsy West

They Shall Not Grow Old – Peter Jackson

Three Identical Strangers – Tim Wardle, Grace Hughes-Hallett, Becky Read

Animated Film

Incredibles 2 – Brad Bird, John Walker

Isle Of Dogs – Wes Anderson, Jeremy Dawson

Spider-Man: Into The Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord 

Director

BlacKkKlansman – Spike Lee

Cold War – Paweł Pawlikowski

The Favourite – Yorgos Lanthimos

Roma – Alfonso Cuarón

A Star Is Born – Bradley Cooper

 Original Screenplay

Cold War –  Janusz Głowacki, Paweł Pawlikowski

The Favourite – Deborah Davis, Tony McNamara

Green Book – Brian Currie, Peter Farrelly, Nick Vallelonga

Roma – Alfonso Cuarón

Vice – Adam McKay

Adapted Screenplay

BlacKkKlansman – Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott

Can You Ever Forgive Me? – Nicole Holofcener, Jeff Whitty

First Man – Josh Singer

If Beale Street Could Talk – Barry Jenkins

A Star Is Born – Bradley Cooper, Will Fetters, Eric Roth

Leading Actress

Glenn Close – The Wife … read our interview with Close’s daughter, actress Annie Starke, on acting in The Wife, here.

Lady Gaga – A Star Is Born

Melissa McCarthy – Can You Ever Forgive Me?

Olivia Colman – The Favourite

Viola Davis – Widows

Leading Actor

Bradley Cooper – A Star Is Born

Christian Bale – Vice

Rami Malek – Bohemian Rhapsody

Steve Coogan – Stan & Ollie

Viggo Mortensen – Green Book

 Supporting Actress

Amy Adams – Vice

Claire Foy – First Man

Emma Stone – The Favourite

Margot Robbie –  Mary Queen of Scots

Rachel Weisz – The Favourite

Supporting Actor

Adam Driver – BlacKkKlansman

Mahershala Ali – Green Book

Richard E. Grant – Can You Ever Forgive Me?

Sam Rockwell – Vice

Timothée Chalamet – Beautiful Boy

 Original Music

BlacKkKlansman – Terence Blanchard

If Beale Street Could Talk – Nicholas Britell

Isle Of Dogs – Alexandre Desplat

Mary Poppins Returns – Marc Shaiman

A Star Is Born – Bradley Cooper, Lady Gaga, Lukas Nelson

Cinematography

Bohemian Rhapsody – Newton Thomas Sigel

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

First Man – Linus Sandgren

Roma – Alfonso Cuarón

Editing

Bohemian Rhapsody – John Ottman

The Favourite – Yorgos Mavropsaridis

First Man – Tom Cross

Roma – Alfonso Cuarón, Adam Gough

Vice – Hank Corwin

Production Design

Fantastic Beasts: The Crimes Of Grindelwald – Stuart Craig, Anna Pinnock

The Favourite – Fiona Crombie, Alice Felton

First Man – Nathan Crowley, Kathy Lucas

Mary Poppins Returns – John Myhre, Gordon Sim

Roma – Eugenio Caballero, Bárbara Enríquez

Costume Design

The Ballad Of Buster Scruggs – Mary Zophres

Bohemian Rhapsody – Julian Day

The Favourite – Sandy Powell

Mary Poppins Returns – Sandy Powell

Mary Queen of Scots – Alexandra Byrne

Make Up & Hair

Bohemian Rhapsody – Mark Coulier, Jan Sewell

The Favourite – Nadia Stacey

Mary Queen of Scots – Jenny Shircore

Stan & Ollie – Mark Coulier, Jeremy Woodhead

Vice – Nominees TBC

Sound

Bohemian Rhapsody – John Casali, Tim Cavagin, Nina Hartstone, Paul Massey, John Warhurst

First Man – Mary H. Ellis, Mildred Iatrou Morgan, Ai-Ling Lee, Frank A. Montaño, Jon Taylor

Mission: Impossible – Fallout – Gilbert Lake, James H. Mather, Christopher Munro, Mike Prestwood Smith

A Quiet Place – Erik Aadahl, Michael Barosky, Brandon Procter, Ethan Van der Ryn

A Star Is Born – Steve Morrow, Alan Robert Murray, Jason Ruder, Tom Ozanich, Dean Zupancic

 Special Visual Effects

Avengers: Infinity War – Dan DeLeeuw, Russell Earl, Kelly Port, Dan Sudick

Black Panther – Geoffrey Baumann, Jesse James Chisholm, Craig Hammack, Dan Sudick

Fantastic Beasts: The Crimes Of Grindelwald – Tim Burke, Andy Kind, Christian Manz, David Watkins

First Man – Ian Hunter, Paul Lambert, Tristan Myles, J.D. Schwalm

Ready Player One – Matthew E. Butler, Grady Cofer, Roger Guyett, David Shirk 

British Short Animation

I’m Ok – Elizabeth Hobbs, Abigail Addison, Jelena Popović

Marfa – Gary McLeod, Myles McLeod

Roughhouse – Jonathan Hodgson, Richard Van Den Boom

British Short Film

73 Cows – Alex Lockwood

Bachelor, 38 – Angela Clarke

The Blue Door – Ben Clark, Megan Pugh, Paul Taylor

The Field – Sandhya Suri, Balthazar de Ganay

Wale – Barnaby Blackburn, Sophie Alexander, Catherine Slater, Edward Speleers

EE Rising Star Award (voted for by the public)

Barry Keoghan

Cynthia Erivo

Jessie Buckley

Lakeith Stanfield

Letitia Wright

from The 405 http://bit.ly/2CeU67g

[dianaspa]

Hoy se reveló la  lista de nominados para las diferentes categorías de los Premios de Cine de la Academia Británica (BAFTA), y la películas mexicana Roma está nominada en 7 categorías.

  La entrega de premios de la 72 edición de los BAFTA se llevará a cabo mañana 10 de febrero en el Reino Unido.

  La cinta The Favourite, dirigida por Yorgos Lanthimos tiene el mayor número de nominaciones con 12.

  Roma es otra de las cintas con mayor número de nominaciones, en 7 categorías distintas: mejor película, mejor película en lengua extranjera, mejor director, guion original, cinematografía, edición y diseño de producción.

  Otras películas como Bohemian Rhapsody, El primer hombre en la luna (First Man) y Nace una estrella (A Star is Born) también obtuvieron 7 nominaciones.

  Otras películas nominadas son: El vicepresidente: más allá del poder (The Vice) cuenta con 6, El infiltrado del KKKlan (BlacKkKlansman) tiene 5, Green Book y Guerra Fría obtuvieron 4 nominaciones.

  Te dejamos la lista completa de películas nominadas en las diversas categorías:

  MEJOR PELÍCULA

  El infiltrado del KKKlan (BlacKkKlansman)

La favorita

Green Book

Roma

Nace una estrella (A Star is Born)

    MEJOR PELÍCULA BRITÁNICA

  Beast

Bohemian Rhapsody

La favorita

McQueen

Stan & Ollie

Nunca estarás a salvo

    MEJOR DEBUT DE UN DIRECTOR, GUIONISTA O PRODUCTOR BRITÁNICO

  Apostasy

Beast

A Cambodian Spring

Pili

Ray & Liz

    MEJOR PELÍCULA DE HABLA NO INGLESA

  Cafarnaúm

Guerra Fría (Cold War)

Dogman

Roma

Un asunto de familia

    MEJOR DOCUMENTAL

  Free Solo

McQueen

RBG

They Shall Not Grow Old

Three Identical Strangers

    MEJOR PELÍCULA DE ANIMACIÓN

  Los Increíbles 2

Isla de perros

Spider-Man: Un nuevo universo

    MEJOR DIRECTOR

  Spike Lee por El infiltrado del KKKlan (BlacKkKlansman)

Pawet Pawlikowski por Guerra Fría (Cold War)

Yorgos Lanthimos por La favorita (The favourite)

Alfonso Cuarón por Roma

Bradley Cooper por Nace una estrella (A Star is Born)

      MEJOR GUION ORIGINAL

  Janusz Glowacki y Pawel Pawlikowski por Guerra Fría (Cold War)

Deborah Davis y Tony McNamara por La favorita (The favourite)

Brian Currie, Peter Farrelly y Nick Vallelonga por Green Book

Alfonso Cuarón por Roma

Adam McKay por El vicepresidente: más allá del poder (The Vice)

    MEJOR GUION ADAPTADO

  Spike Lee, David Rabinowitz, Charlie Wachtel y Kevin Willmott por El infiltrado del KKKlan (BlacKkKlansman)

Nicole Holofcener y Jeff Whitty por ¿Podrás perdonarme algún día?

Josh Singer por El primer hombre en la luna (First Man)

Barry Jenkins por El blues de Beale Street

Bradley Cooper, Will Fetters y Eric Roth por Nace una estrella (A Star is Born)

  MEJOR ACTRIZ PRINCIPAL

  Glenn Close por La buena esposa

Lady Gaga por Nace una estrella (A Star is Born)

Melissa McCarthy por ¿Podrás perdonarme algún día?

Olivia Colman por La favorita (The favourite)

Viola Davis por Viudas

  MEJOR ACTOR PRINCIPAL

  Bradley Cooper por Nace una estrella (A Star is Born)

Christian Bale por El vicepresidente: más allá del poder (The Vice)

Rami Malek por Bohemian Rhapsody

Steve Coogan por Stan & Ollie

Viggo Mortensen por Green Book

  MEJOR ACTRIZ DE REPARTO

  Amy Adams por El vicepresidente: más allá del poder (The Vice)

Claire Foy por El primer hombre en la luna (First Man)

Emma Stone por La Favorita

Margot Robbie por María, reina de Escocia

Rachel Weisz por La Favorita

  MEJOR ACTOR DE REPARTO

  Adam Driver por BlacKkKlansman

Mahershala Ali por Green Book

Richard E. Grant por ¿Podrás perdonarme algún día?

Sam Rockwell por Vice

Timothée Chalamet por Beautiful Boy, siempre serás mi hijo

    MEJOR MÚSICA ORIGINAL

  Terence Blanchard por BlacKkKlansman

Nicholas Britell por If Beale Street Could Talk

Alexandre Desplat por Isla de perros

Marc Shaiman por El regreso de Mary Poppins

Bradley Cooper, Lady Gaga y Lukas Nelson por Ha nacido una estrella

    MEJOR MONTAJE

  John Ottman por Bohemian Rhapsody

Hank Carwin por Vice

Yorgos Mavropsaridis por La Favorita

Tom Cross por El primer hombre

Alfonso Cuarón y Adam Gough por Roma

    MEJOR DISEÑO DE PRODUCCIÓN

  Stuart Craig y Anna Pinnock por Animales Fantásticos: Los Crímenes de Grindelwald

John Myhre y Gordon Sim por El regreso de Mary Poppins

Fiona Crombie y Alice Felton por La Favorita

Nathan Crowley y Kathy Lucas por El primer hombre

Eugenio Caballero y Bárbara Enríquez por Roma

    MEJOR DISEÑO DE VESTUARIO

  Julian Day por Bohemian Rhapsody

Sandy Powell por El regreso de Mary Poppins

Sandy Powell por La Favorita

Mary Zophres por La balada de Buster Scruggs

Alexandra Byrne por María, reina de Escocia

    MEJOR MAQUILLAJE Y PELUQUERÍA

  Mark Coulier y Jan Sewell por Bohemian Rhapsody

Jenny Shircore por María, reina de Escocia

Nadia Stacey por La Favorita

Mark Coulier y Jeremy Woodhead por Stan & Ollie

TBC por Vice

    MEJOR SONIDO

  John Casali, Tim Cavagin, Nina Hartstone, Paul Massey y John Warhurst por Bohemian Rhapsody

Mary H. Ellis, Mildred latrou Morgan, Ai-Ling Lee, Frank A. Montaño y Jon Taylor por El primer hombre

Gilbert Lake, James H. Mather, Christopher Munro y Mike Prestwood Smith por Misión Imposible: Fallout

Erik Aadahl, Michael Barosky, Brandon Procter y Ethan Van der Ryn por Un lugar tranquilo

Steve Morrow, Alan Robert Murray, Jason Ruder, Tom Ozanich y Dean Zupancic por Ha nacido una estrella

    MEJORES EFECTOS ESPECIALES

  Dan DeLeeuw, Russell Earl, Kelly Port y Dan Sudick por Avengers: Infinity War

Ian Hunter, Paul Lambert, Tristan Myles y J.D. Schwalm por El primer hombre

Geoffrey Baumann, Jesse James Chisholm, Craig Hammack y Dan Sudick por Black Panther

Tim Burke, Andy Kind, Christian Manz y David Watkins por Animales Fantásticos: Los Crímenes de Grindelwald

Matthew E. Butler, Grady Cofer, Roger Guyett y David Shirk por Ready Player One

    MEJOR CORTO DE ANIMACIÓN BRITÁNICO

  Elizabeth Hobbs, Abigail Addison y Jelena Popović por I’m Ok

Gary McLeod y Myles McLeod por Marfa

Jonathan Hodgson y Richard Van Den Boom por Roughhouse

    MEJOR CORTOMETRAJE BRITÁNICO

  Alex Lockwood por 73 Cows

Angela Clarke por Bachelor, 38

Ben Clark, Megan Pugh y Paul Taylor por The blue door

Sandhya Suri y Balthazar de Ganay por The Field

Barnaby Blackburn, Sophie Alexander, Edward Speleers y Catherine Slater por Wale

    PREMIO A LA ESTRELLA EMERGENTE

  Barry Keoghan

Cynthia Erivo

Jessie Buckley

Lakeith Stanfield

Letitia Wright

[recentnews18-blog]

New Post has been published on https://shovelnews.com/funny-cow-film-review-a-morbidly-gloomy-drama-about-a-struggling-female-comedian/

Funny Cow film review: a morbidly gloomy drama about a struggling female comedian

Director Adrian Shergold’s morbidly gloomy drama Funny Cow follows a working class female comedian as she struggles through the Northern England stand-up scene circa the 1970s. Tony Pitts’ screenplay paints a general picture of life on skid row, rather than a particular insight into the craft of comedy or what motivates joke-makers to flagellate themselves in front of sneering strangers. Instead of arguing that laughter can distract us from a cruel world, Shergold and Pitts suggest the opposite: that when life has truly gone down the drain not even having a laugh can help.

Do they really believe that? Not every film about comedians needs to be funny, but this weirdly deflating message feels (like the title and Richard Hawley’s bitterly ironic original song of the same name, performed over the closing credits) like another way for the filmmakers to push the protagonist’s head against the pavement. Are they depicting misogyny or embracing sadism? The central character doesn’t even deserve a name; she is simply known as Funny Cow. The opening sequence shows her working her material, lit cigarette and gaudy golden curtains signifying the film as a period piece.

In a subsequent scene she walks down a cruddy suburban street. A young girl comes up to her, holding a red balloon. The film switches to the girl’s point of view and jumps back in time; this is the protagonist as a child. It’s a lovely segue, although the mood quickly turns. The girl is berated by bullies, called a piece of shit before she falls into excrement. She then goes home and is confronted by her lowlife father, who, when his request of cup of tea is not immediately obeyed, takes his belt off and savagely beats her.

The film is well shot, but technique never trumps ideology and the pretty pictures are nothing compared to the stink of the subtext.

When Funny Cow meets with old comedian Lenny (Alun Armstrong) for whom the term ‘over the hill’ is too generous – implying he was once good – she explains that she would like to get into comedy. But why? The film has few answers, only mildly hinting at some degree of catharsis. Lenny, a boorish woebegone chauvinist (not the only one in this film) tells her that women simply do not make good comedians. Also, that comedy is “not about being funny, it’s about surviving”. This emerges as a core message: life is about nothing more or less than survival when you’re poor and vulnerable.

The protagonist is a tough and complex character, almost entirely thanks to Maxine Peake’s intensely nuanced and interesting performance. But her humanity is never as important as her circumstance. A flicker of hope for something better is hinted at through her romance with middle-class bookshop owner Angus (Paddy Considine). However, Shergold and Pitts are reluctant to embrace him as a positive force on her life and represent their relationship bitterly – as if doing otherwise might indulge the cliché of a knight in shining armour.

Cinematographer Tony Slater Ling’s handsomely impersonal compositions position human figures in wide, spacious images that regard everything as a potential landscape: even a lounge room or hallway. The film is well shot, but technique never trumps ideology and the pretty pictures are nothing compared to the stink of the subtext. Funny Cow’s obsessive gloom-mongering takes its toll. Other than the motivations of the filmmakers, there is nothing funny about it.

THINK ABOUT SUPPORTING DAILY REVIEW IN PUBLISHISH MORE ARTS REVIEWS AND COMMENTARY HERE

AND CHECK OUT OUR NATIONAL WHAT’S ON LISTINGS HERE

Source: https://dailyreview.com.au/funny-cow-film-review-morbidly-gloomy-drama-struggling-female-comedian/76713/

[cineshot]

In The Flesh (2013-2014, UK) Series 1, Episode 3 Cinematographer: Tony Slater Ling Director: Jonny Campbell

[tv-moments]

Inside Man

“Episode 4”

Director: Paul McGuigan

DoP: Tony Slater Ling

[tv-moments]

Inside Man

“Episode 1”

Director: Paul McGuigan

DoP: Tony Slater Ling

[tv-moments]

Inside Man

“Episode 3”

Director: Paul McGuigan

DoP: Tony Slater Ling

[tv-moments]

Inside Man

“Episode 1”

Director: Paul McGuigan

DoP: Tony Slater Ling

[recentnews18-blog]

New Post has been published on https://shovelnews.com/review-funny-cow-pow-films/

Review: Funny Cow, POW Films

Maxine Peake in Funny Cow. Image supplied.

Funny Cow is the story of a female stand-up comic in the brutal world of men’s working clubs in England’s north. Inspired in part by the life of glamorous comedian Marti Caine, Funny Cow struggles with a life of violent abuse but succeeds in her career at a time when male audiences only wanted women on stage if they were stripping or singing.

Funny Cow (the character is only known by her stage name) was written for Maxine Peake by actor and producer Tony Pitt, who also plays Funny Cow’s thuggish husband, Bob. Both writer and lead come from the kind of background depicted in the film. The idea was Peake’s, and Pitt wrote the screenplay in about two weeks; she reports crying when she first read it.

Maxine Peake is incredible in this. She’s a bundle of strength and vulnerability, ambition and dysfunction, self-awareness and isolation. The film is structured around a confessional cabaret-style performance delivered once Funny Cow has achieved fame, outlining in the wryest tones her thoughts about her life.  Adrian Shergold, usually a TV director and cinematographer Tony Slater Ling include Peake in nearly every scene, creating the visual companion to her to camera soliloquies.

Funny Cow isn’t an easy watch. Small moments of magic realism, such as Funny Cow bumping into her younger self in the back alleys of her childhood are nicely placed to remind us of the defiantly absurdist spirit of the child in the red tights. Red dresses and shoes are used as a metaphor for Funny Cow’s warrior/performer core: Funny Calf presents her Future Me with a red balloon (referencing Albert Lamorisse’s Le Ballon Rouge, which Funny Cow later watches with middle class partner Angus, played by Paddy Considine).This spirit endures despite her isolation and the abuse heaped on her.

Highlights include the scenes with the unconquered and outspoken Funny Calf – an outrageously good turn by young Macy Shackleton. Watch out for her. My favourite is a silent slice of life scene when Funny Calf is sitting side by side with her mum, wearing a tea cosy on her face. It is almost an anti-moment, coming either before or after the dialogue you’d expect to hear. This scene encapsulates the tenor of the film. The mother’s resignation and her unspoken failure to protect her child, and her daughter’s survival instincts along with the birth of her emotionally avoidant defences are all there to see; we’re given a longish moment to register it all. You don’t get resolution, just acceptance, as expressed in the later coastal scene with Funny Cow and her mother (Lindsey Coulson). We witness her maternal ambivalence when her daughter manages to break away from her life of domestic violence.

Maxine Peake in Funny Cow. Image supplied.

Alun Armstrong, bless him, is perfect as the lugubrious comic Lenny whose career is decaying. He embodies the effect of the brutality and harshness of the entertainment circuit. There’s no sentimentalising class or culture here. If you’ve forgotten how comedy once (and often still does) function to reinforce classist, racist, ableist and sexist attitudes, here’s a reminder. As a successful woman in a man’s world, Funny Cow is rejected by her brother and his family when she drops by in her red sports car.

Kevin Rowland from Dexys Midnight Runners makes an appearance in a bar scene, threatened by Funny Cow’s bullying husband, Bob. Paddy Considine as cultured Angus is the voice of the bewildered and under-appreciated gentle male. Stephen Graham does a double turn as Funny Cow’s father and brother, both toxic versions of masculinity. A special mention must be made of the original music by Richard Hawley, including a theme in the style of the 50s.

Funny Cow is original, authentic and vital.  Now that Hannah Gadsby has made everyone think about women, abuse, comedy and storytelling, Funny Cow can also be seen as a timely contribution to that conversation.

Rating: 4 stars ★★★★ 

Funny Cow Maxine Peake 

Director: Adrian Shergold Writer: Tony Pitts Cast: MAXINE PEAKE “FUNNY COW”, PADDY CONSIDINE, TONY PITTS, STEPHEN GRAHAM, ALUN ARMSTRONG

POW FILMS and MOVIEHOUSE ENTERTAINMENT present in association with HEAD GEAR FILMS, METROL TECHNOLOGY and LIPSYNC a LAUGHING GIRL PRODUCTION Produced in association with GIZMO FILMS and VEXED PIXIE an ADRIAN SHERGOLD film

  First published on Thursday 12 July, 2018

What the stars mean?

Five stars: Exceptional, unforgettable, a must see

Four and a half stars: Excellent, definitely worth seeing

Four stars: Accomplished and engrossing but not the best of its kind

Three and a half stars: Good, clever, well made, but not brilliant

Three stars: Solid, enjoyable, but unremarkable or flawed

Two and half stars: Neither good nor bad, just adequate

Two stars: Not without its moments, but ultimately unsuccessful

One star: Awful, to be avoided

Zero stars: Genuinely dreadful, bad on every level

Source: http://www.artshub.com.au/news-article/reviews/film/liza-dezfouli/review-funny-cow-pow-films-256057

[cineshot]

In The Flesh (2013-2014, UK) Series 2, Episode 2 Cinematographer: Tony Slater Ling Director: Jim O'Hanlon

[cineshot]

In The Flesh (2013-2014, UK) Series 1, Episode 3 Cinematographer: Tony Slater Ling Director: Jonny Campbell

[cineshot]

In The Flesh (2013-2014, UK) Series 1, Episode 2 Cinematographer: Tony Slater Ling Director: Jonny Campbell

[cineshot]

In The Flesh (2013-2014, UK) Series 1, Episode 2 Cinematographer: Tony Slater Ling Director: Jonny Campbell

[cineshot]

In The Flesh (2013-2014, UK) Series 1, Episode 1 Cinematographer: Tony Slater Ling Director: Jonny Campbell