#Tom Weiner

[garadinervi]

«i / don't / want / to / frighten / you / but they mean to kill us all» ― e.e. cummings, in The Trial of Bobby Seale (The Conspiracy), (pamphlet, back cover), ca. 1969

[oldpersonnewspaper]

Breaking news! 10,000 teens have the worst summer vacation ever in Chicago

[taxi-davis]

Long Little Doggy by Tom Curry

[bomb-galoshes]

Aaron “Vanguard” Keener & Erend Vanguardsman

Fun fact: when playing the Liberty Island mission in The Division 2, if you close your eyes during the boss fight you’ll get to hear ‘Erend’ calling you a piece of shit!

[randomrichards]

IN SEARCH OF DARKNESS:

Shudder’s love letter

All kinds of 80s horror

With films for each year

[princessheatherblossom]

Take it from the guy with no nuts

[anonymoushouseplantfan]

Do you think the Freezer-Burnt Weiner was ever told the specifics of Charles’ plan for a slimmed down monarchy?

During the Diamond Jubilee (2012), the tabloids were talking about it openly/plainly to explain why QEII’s other kids weren’t on the balcony. “Just the current sovereign and the future of the monarchy”.

The Slim-Down plan was not mentioned at all in the book, so I wonder if he *was* told and was bitter, or if he just thought it didn’t apply to him, or if they just didn’t bother to tell him, or if he was actually supposed to stay a working royal for the rest of his life?

In the book he seems quite determined that he and his future partner will be joining W&K as a foursome. But also admits that Charles hit him with the “there isn’t enough money to support your wife” policy.

Do you think they were happy to keep him as a working royal until they decided that he & his wife were too much of a liability or was it the plan all along that he would not continue to be a working royal and H&M refused to be put out to pasture?

There were rumors that he was told in 2015 he would be transitioned out after 10 yrs and Tom Bower more or less confirmed that in his book. I think the plan was 10 more years as a working royal working with the Commonwealth then, when Charles became King, Harry would leave to head the QCT with Invictus and Sentebale on the side. I think the Queen’s death happened two years before they expected it. That’s why all the options were ready when Megxit happened. They had already discussed them in 2015.

He decided to circumvent that and tried to sell his family on the “Fab Four” idea once Meghan arrived, but his family didn’t buy into that. They couldn’t since they’d already reached an agreement with the government as to what would happen after the Queen’s death. I think that’s why his dad told him there was no money for Meghan. He knew Meg was not signing up for a modest royal cottage and a charity worker’s budget, and that’s what they had budgeted for Harry.

So he left. Mind you, 2025 is only 2 years from now, so he probably thinks he’s in a better position now than he would have been if he’d stayed. Anyway, I think the reason he thinks there’s an overseas role still on the table is that the long-standing plan was always to have him step down as a working royal when Charles became King and live off his trust fund, charities and the QCT with a grace and favor home in a secure area, some kind of security arrangement, and royal perks. He’s too delusional to realize that everything has changed now, so once his dad became King he thinks that deal is still possible.

[tordtheonenutwonder]

do u have any head canons for the guys that you'd like to share? :3

I DO ACTUALLY!!!!! OH NY GID I LUV TALKING ABOUT MY HEADCANONS

-edd can't whistle bc he chipped 1 if his front teeth in a fight with Tord

-Tom straightened his hair sm in high-school that it's fried and won't curl anymore rlly

-Tord has an embarrassing anime tattoo next to a weiner tattoo on his upper left thigh. Him and edd have the same weiner tattoo they got it when they were 18

-Matt is such a nerd when it comes to skincare he has a whole ahh ritual that he has to do or he goes into hysterics. He sometimes forces Tom to let him do like a face mask on him or smth

[muppet-facts]

Muppet Fact #571

The Muppets have done seven adaptations of A Christmas Carol over the years. Some longer and more elaborate than others. Of these adaptations, four are Sesame Street productions. The seven adaptations are:

Many elements from A Special Sesame Street Christmas (1978).

The Sesame Street Storytime Calendar 1982's December illustration displayed a final scene from the tale.

"Oscar's Christmas Carol (A Dickens of a Story)" in A Sesame Street Christmas, written by Pat Tornborg and illustrated by Tom Cooke (1982).

"A (Sort of) Christmas Carol" written by Ellis Weiner, illustrated by Dean Yeagle, which appeared in Muppet Magazine, Issue 5. (1984).

The Muppet Christmas Carol (1992)

"Yet Another Christmas Carol" in A Very Muppet Christmas. (1999).

A Sesame Street Christmas Carol (2006)

Sources:

A Special Sesame Street Christmas. December 8, 1978.

The Sesame Street Storytime Calendar 1982. December illustration.

"A (Sort of) Christmas Carol." Ellis Weiner and Dean Yeagle. Muppet Magazine, Issue 5. 1984.

"Oscar's Christmas Carol (A Dickens of a Story)" in A Sesame Street Christmas. Pat Tornborg and Tom Cooke. Western Publishing. 1982.

The Muppet Christmas Carol. 1992.

"Yet Another Christmas Carol" in A Very Muppet Christmas. Ellen Weiss, Kiki Thorpe, Craig Shemin, Ben Eastman, John Barrett, and Corinda Cook. Running Press. 1999.

A Sesame Street Christmas Carol. 2006.

[garadinervi]

«Stereo Headphones» – an occasional magazine of the new poetries, No. 6, 'The Treated Text', Edited by Nicholas Zurbrugg, Kersey, Summer 1974, Edition of 515 [room 3o2 books, Ottawa]

Issued in 2 variants: (i) 500 unique trade copies; (ii) 15 numbered copies on handmade paper with extra material by Lourdes Castro, Hans Richter, and Edgardo Antonio Vigo

Cover Art: Nicholas Zurbrugg

Contributors: Stephen Bann, Lourdes Castro, Jacques Caumont, Henri Chopin, Thomas A Clark, Bob Cobbing, Peter Dienst, François Dufrêne, Peter Finch, Ian Hamilton Finlay, Paul-Armand Gette, Raoul Hausmann, Hannah Höch, Dom Sylvester Houédard, Marcel Janco, Kitasono Katué, Robert Lax, Jean Le Gac, Peter Mayer, Barry McCallion, Edwin Morgan, Tom Phillips, Hans Richter, Edward Ruscha, Kurt Schwitters, Joe Tilson, Ben Vautier, Edgardo Antonio Vigo, Lawrence Weiner, Gloria Wilson, Nicholas Zurbrugg

[wooodyguthrie]

Trial of the Chicago Seven - TESTIMONY OF PHILIP DAVID OCHS

The Chicago Seven were seven defendants—Rennie Davis, David Dellinger, John Froines, Tom Hayden, Abbie Hoffman, Jerry Rubin, and Lee Weiner—charged by the United States federal government with conspiracy, crossing state lines with intent to incite a riot, and other charges related to anti-Vietnam War and 1960s counterculture protests in Chicago, Illinois, during the 1968 Democratic National Convention.

The trial lasted for months, with over 100 witnesses called by the defense, including singers Phil Ochs, Judy Collins, Arlo Guthrie, and Country Joe McDonald; comedian Dick Gregory; writers Norman Mailer and Allen Ginsberg; and activists Timothy Leary and Jesse Jackson.

Full testimony under the cut

MR. KUNSTLER: Will you state your full name, please?

THE WITNESS: Philip David Ochs.

MR. KUNSTLER: What is your occupation?

THE WITNESS: I am a singer, a folksinger.

MR. KUNSTLER: Now, Mr. Ochs, can you indicate what kind of songs you sing?

THE WITNESS: I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.

MR. KUNSTLER: Now, Mr. Ochs, did there ever come a time when you met any of the defendants at this table?

THE WITNESS: Yes. I met Jerry Rubin in 1964 when he was organizing one of the first teach-ins against the war in Vietnam in Berkeley. He called me up. He asked me to come and sing.

MR. KUNSTLER: Now did you have any occasion after that to receive another such call from Mr. Rubin?

THE WITNESS: I met him a few times later in regard to other political actions. I met him in Washington at the march they had at the Pentagon incident, at the big rally before the Pentagon

.

MR. KUNSTLER: Now, Mr. Ochs, have you ever been associated with what is called the Youth International Party, or, as we will say, the Yippies?

THE WITNESS: Yes. I helped design the party, formulate the idea of what Yippie was going to be, in the early part of 1968.

MR. KUNSTLER: Can you indicate to the Court and jury what Yippie was going to be, what its purpose was for its formation?

THE WITNESS: The idea of Yippie was to be a form of theater politics, theatrically dealing with what seemed to be an increasingly absurd world and trying to deal with it in other than just on a straight moral level. They wanted to be able to act out fantasies in the street to communicate their feelings to the public.

MR. KUNSTLER: Now, were any of the defendants at the table involved in the formation of the Yippies?

THE WITNESS: Yes, Jerry Rubin and Abbie Hoffman.

MR. KUNSTLER: Can you just point to and identify which one is Jerry Rubin and which one is Abbie Hoffman?

THE WITNESS: Yes, Jerry Rubin with the headband and Abbie Hoffman with the smile.

MR. KUNSTLER: Can you indicate in general to the Court and jury what the plans were for the Yippies in Chicago during the Democratic National Convention?

THE WITNESS: The plans were essentially--

MR. FORAN: I object.

THE COURT: I sustain the objection.

MR. KUNSTLER: Your Honor, one of the central roles in this case is the Yippie participation around the Democratic National Convention.

THE COURT: I don't see that allegation in the indictment.

MR. KUNSTLER: Well, the indictment charges these two men with certain acts in connection with the Democratic National Convention.

THE COURT: These two men and others, but not as Yippies, so-called, but-- as individuals.

MR. KUNSTLER: All right, your Honor, I will rephrase the question. Did there come a time when Jerry and Abbie discussed their plans?

THE WITNESS: Yes, they did, around the middle of January at Jerry's. Present there, besides Abbie and Jerry, I believe, was Paul Krassner and Ed Sanders. Tim Leary was there at one point.

MR. KUNSTLER: Can you tell the conversation from Jerry and Abbie, as to their plans in coming to Chicago around the Democratic National Convention?

THE WITNESS: OK. Jerry Rubin planned to have a Festival of Life during the National Convention, basically representing an alternate culture. They would theoretically sort of spoof the Convention and show the public, the media, that the Convention was not to be taken seriously because it wasn't fair, and wasn't going to be honest, and wasn't going to be a democratic convention. They discussed getting permits. They discussed flying to Chicago to talk with Mayor Daley. They several times mentioned they wanted to avoid violence. They went out of their way on many different occasions to talk with the Mayor or anybody who could help them avoid violence--

MR. KUNSTLER: Now, Mr. Ochs, do you know what guerrilla theater is?

THE WITNESS: Guerrilla theater creates theatrical metaphors for what is going on in the world outside.

For example, a guerrilla theater might do, let us say, a skit on the Viet Cong, it might act out a scene on a public street or in a public park where some actually play the Viet Cong, some actually play American soldiers, and they will dramatize an event, basically create a metaphor, an image, usually involving humor, usually involving a dramatic scene, and usually very short. This isn't a play with the theme built up. It's just short skits, essentially.

MR. KUNSTLER: Did Jerry Rubin or Abbie Hoffman ask you to do anything at any time?

MR. FORAN: I object to that.

THE COURT: I sustain the objection.

MR. FORAN: I object to it as leading and suggestive.

MR. KUNSTLER: Did you have any discussion with Abbie and Jerry about your role?

THE WITNESS: Yes. In early February at Abbie's apartment.

MR. KUNSTLER: Can you state what Abbie Hoffman and Jerry Rubin said to you and what you said to them?

THE WITNESS: They discussed my singing at the Festival of Life. They asked me to contact other performers to come and sing at the Festival. I talked to Paul Simon of Simon and Garfunkel. I believe I talked with Judy Collins.

MR. KUNSTLER: Did there come a time, Mr. Ochs, when you came to Chicago in 1968?

THE WITNESS: I came campaigning for Eugene McCarthy on M-Day, which I believe was August 15, at the Lindy Opera House, I believe.

MR. KUNSTLER: After you arrived in Chicago did you have any discussion with Jerry?

THE WITNESS: Yes, I did. We discussed the nomination of a pig for President.

MR. KUNSTLER: Would you state what you said and what Jerry said.

THE WITNESS: We discussed the details. We discussed going out to the countryside around Chicago and buying a pig from a farmer and bringing him into the city for the purposes of his nominating speech.

MR. KUNSTLER: Did you have any role yourself in that?

THE WITNESS: Yes, I helped select the pig, and I paid for him.

MR. KUNSTLER: Now, did you find a pig at once when you went out?

THE WITNESS: No, it was very difficult. We stopped at several farms and asked where the pigs were.

MR. KUNSTLER: None of the farmers referred you to the police station, did they?

THE WITNESS: No.

MR. FORAN: Objection.

THE COURT: I sustain the objection.

MR. KUNSTLER: Mr. Ochs, can you describe the pig which was finally bought?

MR. FORAN: Objection.

THE COURT., I sustain the objection.

MR. KUNSTLER: Would you state what, if anything, happened to the pig?

THE WITNESS: The pig was arrested with seven people.

MR. KUNSTLER: When did that take place?

THE WITNESS: This took place on the morning of August 23, at the Civic Center underneath the Picasso sculpture.

MR. KUNSTLER: Who were those seven people?

THE WITNESS: Jerry Rubin. Stew Albert, Wolfe Lowenthal, myself is four; I am not sure of the names of the other three.

MR. KUNSTLER: What were you doing when you were arrested?

THE WITNESS: We were arrested announcing the pig's candidacy for President.

MR. KUNSTLER: Did Jerry Rubin speak?

THE WITNESS: Yes, Jerry Rubin was reading a prepared speech for the pig---the opening sentence was something like, "I, Pigasus, hereby announce my candidacy for the Presidency of the United States." He was interrupted in his talk by the police who arrested us.

MR. KUNSTLER: What was the pig doing during this announcement?

MR. FORAN: Objection.

MR. KUNSTLER: Do you remember what you were charged with?

THE WITNESS: I believe the original charge mentioned was something about an old Chicago law about bringing livestock into the city, or disturbing the peace, or disorderly conduct, and when it came time for the trial, I believe the charge was disorderly conduct.

MR. KUNSTLER: Were you informed by an officer that the pig had squealed on you?

MR. FORAN: Objection. I ask it be stricken.

THE WITNESS: Yes.

THE COURT: I sustain the objection. When an objection is made do not answer until the Court has ruled. . .

* * * * * *

MR. KUNSTLER: Now, I call your attention to Sunday, August 25, 1968. Did you have any occasion to see Jerry Rubin?

THE WITNESS: Well, ultimately I saw him at his apartment in Old Town that night.

MR. KUNSTLER: Do you remember approximately what time that was?

THE WITNESS: I guess it was around, maybe, 9:30 approximately 9:30, 10:00. He was laying in bed. He said he was very ill. He was very pale. We had agreed to go to Lincoln Park that night, and so I said, "I hope You are still going to Lincoln Park." He said, "I don't know if I can make it, I seem to he very ill." I cajoled him, and I said, I said, "Come on. you're one of the Yippies. You can't not go to Lincoln Park." He said, "OK," and he got up, and he went to Lincoln Park with me, and I believe Nancy, his girlfriend, and my girlfriend Karen, the four of us walked from his apartment to Lincoln Park.

MR. KUNSTLER: And did you enter the park?

THE WITNESS: Just the outskirts, I mean we basically stood in front of the Lincoln Hotel, and walked across the street from the Lincoln Hotel and stood in the outskirts of the park.

MR. KUNSTLER: Now, did there come a time when people began to leave Lincoln Park?

THE WITNESS: Yes, I guess it was around eleven o'clock at night.

MR. KUNSTLER: What did you do at that time?

THE WITNESS: Continued standing there. We stood there and watched them run right at us, as a matter of fact.

MR. KUNSTLER: Who was with you at this time?

THE WITNESS: The same people I mentioned before.

MR. KUNSTLER: Had you been together continuously since You first left the apartment?

THE WITNESS: Continuously.

MR. KUNSTLER: And from the time you left the apartment to this time, did you see Jerry Rubin wearing a helmet at any time?

THE WITNESS: No.

MR. KUNSTLER: By the way, how long have you known Jerry Rubin?

THE WITNESS: I have known Jerry Rubin approximately four years.

MR. KUNSTLER: Have you ever seen him smoke a cigarette?

THE WITNESS: No.

MR. KUNSTLER: Mr. Ochs, you said there came a time when you left the area. Where did you go?

THE WITNESS: We walked through the streets following the crowd.

MR. KUNSTLER: And can you describe what you saw as you followed the crowd?

THE WITNESS: They were just chaotic and sort of unformed, and people just continued away from the park and just seemed to move, I think toward the commercial area of Old Town where the nightclubs are and then police Clubs were there too, and it was just a flurry of movement of people all kinds of ways.

MR. SCHULTZ: If the Court please, the witness was asked what he observed and that was not responsive to the question. If you would simply tell the witness to listen carefully to the question so he can answer the questions.

THE COURT: I did that this morning. You are a singer but you are a smart fellow, I am sure.

THE WITNESS: Thank you very much. You are a judge and you are a smart fellow.

THE COURT: I must ask you to listen carefully to the questions of the lawyer and answer the question. Answer the questions; do not go beyond them.

MR. KUNSTLER: At any time, did you see Jerry Rubin enter Lincoln Park?

THE WITNESS: No.

MR. KUNSTLER: Now, Mr. Ochs, I call your attention to sometime in the vicinity of 6:00 p.m. Tuesday, August 27. Did you see Jerry Rubin?

THE WITNESS: Yes, in Lincoln Park. He asked me to come and sing at a meeting.

MR. KUNSTLER: Do you know what time approximately you sang after arriving there, how long after arriving there?

THE WITNESS: Approximately a half-hour.

MR. KUNSTLER: Was anything happening in that half-hour while you were there?

THE WITNESS: Bobby Seale was speaking.

MR. KUNSTLER: Did Jerry Rubin speak at all?

THE WITNESS: Yes, after I sang.

MR. KUNSTLER: Did you sing a song that day?

THE WITNESS: Yes, "I Ain't Marching Anymore."

MR. KUNSTLER: Did you sing at anybody's request?

THE WITNESS: At Jerry Rubin's request. .

MR. KUNSTLER: I am showing you what has been marked at D-147 for identification and I ask you if you can identify that exhibit.

THE WITNESS: This is the guitar I played "I Ain't Marching Anymore" on.

THE COURT: How can you tell? You haven't even looked at it.

THE WITNESS: It is my case.

THE COURT: Are you sure the guitar is in there?

THE WITNESS: I am checking.

MR. KUNSTLER: Open it up, Mr. Ochs, and see whether that is your guitar,

THE WITNESS: That is it, that is it.

MR. KUNSTLER: Now, would you stand and sing that song so the jury can hear the song that the audience heard that day?

MR. SCHULTZ: If the Court please, this is a trial in the Federal District Court. It is not a theater. We don't have to sit and listen to the witness sing a song. Let's get on with the trial. I object.

MR. KUNSTLER: Your Honor, this is definitely an issue in the case. Jerry Rubin has asked for a particular song to be sung. What the witness sang to the audience reflects both on Jerry Rubin's intent and on the mood of the crowd.

THE COURT: I sustain the objection.

MR. KUNSTLER: Your Honor, he is prepared to sing it exactly as he sang it on that day,

THE COURT: I am not prepared to listen, Mr. Kunstler.

MR. KUNSTLER: Do you recall how long after you sang in Lincoln Park that you were somewhere else?

THE WITNESS: I arrived at the next place around seven-thirty, quarter to eight at the Coliseum.

MR. KUNSTLER: Were any of the defendants present at that time?

THE WITNESS: Abbie Hoffman was there, and I do not remember if Jerry Rubin was there.

MR. KUNSTLER: Where did you see Abbie Hoffman first that night at the Coliseum?

THE WITNESS: When he raced in front of me on the stage when I was introduced to Ed Sanders. He said, "Here's Phil Ochs," and as I walked forward, Abbie Hoffman raced in front of me and took the microphone and proceeded to give a speech. I was upstaged by Abbie Hoffman.

MR. KUNSTLER: At the time when you first saw Abbie Hoffman there that night, can you approximate as best you can the time it was when you first saw him take the microphone?

THE WITNESS: Approximately 8:30.

MR. KUNSTLER: Your Honor, I have no further questions.

* * * * * *

MR. SCHULTZ: You were at the Bandshell, were you not?

THE WITNESS: Yes.

MR. SCHULTZ: What time did you arrive at the Bandshell?

THE WITNESS: I don't remember. I'd guess it was around three or after in the afternoon.

MR. FORAN: You seem to have a little trouble with time. Do you carry a watch with you?

THE WITNESS: Just lately.

MR. FORAN: As a matter of fact, when it comes to time during that week, it is pretty much of a guess, isn't it?

THE WITNESS: I guess so.

MR. FORAN: And the time you arrived at the Coliseum it was 9:00 or 9:30, isn't that right? Or at 6:00 or 6:30?

THE WITNESS: No, because the normal opening time of the shows was around 8:00 and I think the show was starting when I got there. That is a safer guess than the other time.

MR. FORAN: It is still a guess though, isn't it?

THE WITNESS: Yes, it is a guess.

MR. SCHULTZ: And now you say at the Coliseum, Abbie Hoffman upstaged you, is that right?

THE WITNESS: Yes. I was walking toward the microphone and he raced in front of me.

MR. SCHULTZ: And he led the crowd in a chant of "Fuck LBJ" didn't he?

THE WITNESS: Yes, yes, I think he did.

MR. SCHULTZ: You didn't remember that on direct examination very well, didn't you?

THE WITNESS: I guess not.

MR. SCHULTZ: Abbie Hoffman is a friend of yours, isn't he?

THE WITNESS: Yes and no.

MR. SCHULTZ: Now in your plans for Chicago, did you plan for public fornication in the park?

THE WITNESS: I didn't.

MR. SCHULTZ: In your discussions with either Rubin or Hoffman did you plan for public fornication in the park?

THE WITNESS: No, we did not seriously sit down and plan public fornication in the park.

MR. SCHULTZ: Did Rubin say at any of these meetings that you must cause disruptions during the Convention and on through Election Day, mass disruptions?

THE WITNESS: No.

MR. SCHULTZ: Was there any discussion when you were planning your Yippie programs by either Rubin or Hoffman of going into the downtown area and taking over hotels for sleeping space?

THE WITNESS: No.

MR. SCHULTZ: Did the defendant Rubin during your planning discussion tell you if he ever had the opportunity and at one of his earliest opportunities he would, when he found some policemen who were isolated in the park, draw a crowd around him and bring the crowd to the policemen and attack the policemen with rocks and stones and bottles, and shout profanities at the policemen, tell them to take off their guns and fight? Did he ever say he was going to do that?

THE WITNESS: No, he didn't, Mr. Schultz.

MR. SCHULTZ: Now, Mr. Ochs, you say that on Sunday night you were with Mr. Rubin all night, is that right?

THE WITNESS: From 9:30 maybe, until after 12:00.

MR. SCHULTZ: And of course you have been told by somebody that there is evidence that Mr. Rubin was in Lincoln Park that night, isn't that right? Well, were you told, or not?

THE WITNESS: Yes.

MR. SCHULTZ: Were you told that somebody saw him with a cigarette in his hand?

THE WITNESS: No, I was not told that.

MR. SCHULTZ: Well, what were you told, please?

THE WITNESS: I was told very little. I was told that Jerry was accused of something

MR. SCHULTZ: Who told you all these things?

THE WITNESS: Mr. Kunstler told me the one thing, not all these things, something that Jerry was accused of something in the park on Sunday night, and that's all I was told, nothing else.

MR. SCHULTZ: You don't want to get Mr. Kunstler into trouble, do you?

MR. KUNSTLER: Your Honor, first of all--

MR. SCHULTZ: Suddenly he backs off--suddenly he backs off. It is all too patent, your Honor.

THE COURT: Will the record show that Mr. Kunstler--

MR. KUNSTLER: Yes, I did, your Honor, I think it is a disgraceful statement in front of a jury.

THE COURT: --threw a block of papers noisily to the floor.

MR. KUNSTLER: All right. I dropped papers noisily to the floor.

THE COURT: I shall not hear from you in that tone, sir.

MR. KUNSTLER: I am sorry for putting the paper on the table, and it fell off onto the floor, but to say in front of a jury, "That is too patent" and "What are you backing off for?" I think, your Honor, any Court in the land would hold that is unconscionable conduct, and if I am angry, I think I am righteously so in this instance.

THE COURT: That will be all.

Continue with your cross-examination.

MR. SCHULTZ: In any event, Mr. Ochs, you are absolutely sure you never really went beyond the fringes of the park with Jerry Rubin that night, isn't that right?

THE WITNESS: Yes.

MR. SCHULTZ: You just stood right along the fringes all that night, you never went in to see what was happening at the command post, did you?

THE WITNESS: No.

MR. SCHULTZ: You never walked in to see what was happening at the fieldhouse, did you?

THE WITNESS: No.

MR. SCHULTZ: That is all, your Honor.

THE COURT: You may step down.

(witness excused)

THE COURT: Don't forget your guitar.

THE WITNESS: I won't.

THE COURT: Call your next witness.

[tradedmiami]

SALE IMAGE: Ricardo Esteves, Gabriel Britti & Ronnie Issenberg DATE: 06/07/2024 ADDRESS: 15001 West Colonial Drive MARKET: Winter Garden ASSET TYPE: Retail BUYER: Alvin Aleman SELLER: Tom Weiner BROKERS: Gabriel Britti (@Gabriel.Britti), Ronnie Issenberg (@RonIssenberg) & Ricardo Esteves (@Ricardo_Esteves) - Marcus & Millichap (@MarcusMillichapinc) SALE PRICE: $3,941,000 SF: 3,196 ~ PPSF: $1,233 #Miami #RealEstate #tradedmia #MIA #TradedPartner #WinterGarden #Retail #GabrielBritti #RonnieIssenberg #RicardoEsteves #MarcusandMillichap #TomWeiner #AlvinAleman

[palmviewfm]

mw counterparts?

this  list  got  a  little  bit  longer  than  anticipated.  as  there's  soooooo  many  counterparts  to  consider  choosing  from  !  so,  i  put  it  under  a  read  more  for  you  !

counterparts:  monica  geller, ross geller, joey  tribbiani,  chandler bing, janice litman, mike hannigan, ursula buffay, aria  montgomery,  emily  fields,  spencer  hastings,  mona  vanderwaal,  alison  dilaurentis,  caleb  rivers,  maya  st  germain,  toby  cavanaugh,  betty  cooper,  veronica  lodge,  cheryl  blossom,  archie  andrews,  reggie  mantle,  toni  topaz,  tabitha  tate,  quinn  fabray,  rachel  berry,  brittany  pierce,  olivia  baker,  layla  keating,  jordan  baker,  jaymee, spencer  james,  lucas  scott,  peyton  sawyer, brooke  davis,  quinn  james,  julian  baker,  anna taggaro, rachel  gatina,  blair  waldorf,  serena  van  der  woodsen,  dan  humphrey,  nate  archibald,  callie  adams  foster,  mariana  foster,  buffy  summers,  willow  rosenberg,  tara mclay, kendra young, faith  lehane,  cordelia  chase,  heather  mcnamara,  marissa  cooper,  summer  roberts,  seth  cohen,  angel, anya jenkins, ryan  atwood,  taylor  townsend,  elena  gilbert,  caroline  forbes,  bonnie  bennett,  stefan  salvatore, anna zhu, enzo  st  john,  sandy  olson,  betty  rizzo,  frenchy,  danny  zuko,  marty, jan, sonny,  jackie  burkhart,  donna  pinciotti,  eric  forman,  laurie  forman,  belly  conklin,  sloane  peterson,  ferris  bueller,  duckie  dale,  bianca  stratford,  kat  stratford,  patrick  verona,  mia thermopolis, sabrina spellman, harvey kinkle, libby chessler, barbie  roberts,  ken  carson,  jenna  rink,  allie  hamilton,  noah  calhoun,  brandon  walsh,  david  silver,  brenda  walsh,  kelly  taylor,  donna  martin,  conrad  fisher,  jeremiah  fisher,  steven  cokin,  taylor  jewel,  sarah  cameron,  jj  maybank,  john  b  routledge,  kiara  carerra,  pope  heywood,  cleo, topper  thornton,  prue  halliwell,  paige  matthews,  piper  halliwell,  phoebe  halliwell,  meredith  grey,  arizona  robbins,  jackson  avery,  callie  torres,  april  kepner,  derek  shephard,  alex  karev,  cristina  yang,  lizzie  stevens,  callie  torres,  jo  wilson,  addison  montgomery,  lexi  grey,  atticus  lincoln,  nancy  drew,  lucy  grey,  sam  montgomery,  austin  ames,  jen  lindley,  pacey  witter,  dawson  leery,  katherine  pierce,  rebekah  mikaelson,  hayley  marshall,  tatum  riley,  sidney  prescott,  casey  becker,  tara  carpenter,  samantha  carpenter,  beca  mitchell,  chloe  beale,  jessica  day,  winston schmidt, cece  parekh, laney  boggs,  dewey  riley,  gale  weathers,  georgina  sparks,  elle  woods,  francesca  bridgerton,  daphne  bridgerton,  penelope  featherington,  sookie  stackhouse,  karen  smith,  regina  george,  gretchen  weiners,  janis  ian,  cady  heron,  aaron  samuels,  dj  tanner,  stephanie  tanner,  marcia  brady,  cindy  brady,  greg  brady,  carrie  bradshaw,  cher  horowitz,  kirby  reed,  jim  halpert,  michael  scott,  kelly  kapoor,  pam  beesly,  peter  parker,  mary  jane  watson,  analise  keating,  olivia  pope,  tony  stonem,  effy  stonem,  joey  donner,  john  bender,  allison  argent,  scott  mccall,  lydia  martin,  olive  penderghast,  maggie  greene,  marty  mcfly,  bella  swan,  alice  cullen,  charlie  swan,  emmett  cullen,  jacob  black,  carlisle  cullen,  esme  cullen,  jane  volturi,  morticia  addams,  donna  and  sophie  sheridan,  lorraine  banes,  jennifer  parker,  sam  winchester,  luke  danes,  dean  forester,  tristan  dugray,  lane  kim,  paris  geller,  logan  huntzberger,  jeanie  bueller,  simon  basset,  kate  sharma,  colin  bridgerton,  shiv  roy,  gerri  kellman,  roman  roy,  olivia  benson,  clary  fray,  isabelle  lightwood,  jace  herondale,  simon  lewis,  daphne  blake,  shaggy  rogers,  velma  dinkley,  fred  jones,  cinderella, ariel, tiana, jasmine, tom  wambsgans,  kendall  roy,  greg  hirsch,  lestat  de  lioncourt,  louis  de  point  du  lac,  and  claudia  !

[randomrichards]

IN SEARCH OF DARKNESS: PART 2

Back to the 80s

To look at more horror films

Cheese, guts and boldness

[darby-rowe]

HELPP dally have you seen the tik tom trend that’s like “making him a sweet treat because he’s given me a few respectable weinerings lately” THEM!!

NO NO EXACTLY !!!!! THATS EXACTLY THEM !!!!

[goldendiie]

AMERICANA (AO3): ACADEMIC SOURCES :) *note: This bibliography is not comprehensive and is subject to change at any time.

Brennan, Mary C. Turning Right in the Sixties: The Conservative Capture of the GOP. Chapel Hill: The University of North Carolina Press, 1995.

Burner, David. Making Peace with the Sixties. New Jersey: Princeton University Press, 1996.

Farber, David. Chicago ’68. Chicago: The University of Chicago Press, 1988.

Gitlin, Todd. The Sixties: Years of Hope, Days of Rage. New York: Bantam, 1987.

Gosse, Van. Rethinking the New Left: An Interpretive History. New York: Palgrave Macmillan, 2005

Hartman, Andrew. A War for the Soul of America: A History of the Culture Wars. Chicago: The University of Chicago Press, 2016.

Hayden, Tom. Reunion: A Memoir. New York: Random House, 1988.

Hoffman, Abbie. Revolution for the Hell of It. New York: Thunder’s Mouth Press, 1968.

Isserman, Maurice and Kazin, Micheal. American Divided: The Civil War of the 1960s. New York: Oxford University Press, 2015.

McNamara, Robert S. In Retrospect: The Tragedy and Lessons of Vietnam. New York: Random House, 1995.

Miller, Timothy. The 60s Communes: Hippies and Beyond. New York: Syracuse University Press, 1999.

Perry, Hellen. The Human Be-In. New York: The Penguin Press, 1970.

Rubin, Jerry. Do It!: Scenarios for the Revolution. New York: Simon and Schuster, 1970.

Weiner, Rex Woodstock Census: The Nationwide Survey of the Sixties Generation. New York: The Viking Press, 1979.