#Tom Harrell

[jazzplusplus]

Tom Harrell (Umbria Jazz Festival , 1976)

[jazzdailyblog]

Exploring the Infinite Horizons of Jazz: A Deep Dive into Tom Harrell's "Infinity"

Introduction: In the realm of contemporary jazz, few musicians possess the creative prowess and technical mastery of trumpeter and flugelhornist Tom Harrell. His album “Infinity,” released on March 8, 2019, under the HighNote label, stands as a testament to his enduring artistry and innovative spirit. Recorded at Sear Sound in New York City over two sessions on September 24 and 30, 2018,…

[joshhaden]

Trumpeter Tom Harrell's CD Visions (1991, Contemporary) includes my father on two tracks. Here's Tom's "I Don't Know". w/ Charlie, saxophonist Joe Lovano, flautist Cheryl Pyle, pianist Danilo Perez, drummer Paul Motian.

[allmusic]

AllMusic Staff Pick: Tom Harrell Art of Rhythm

Tom Harrell's career bloomed in the '90s as the one time Horace Silver trumpeter gained wider appreciation for his extended melodic lines and soft, painterly harmonies. Yet, he was also a gifted composer and arranger, skills he showcased on Art of Rhythm, framing his warm tone with a kaleidoscopic blend of Brazilian, Afro-Cuban and Flamenco sounds.

- Matt Collar

[musicollage]

Tom Harrell - Form. 1990 : Contemporary.

! listen to the album ★ buy me a coffee !

[alesario]

Tom Harrell

photo Roberto Cifarelli

[duranduratulsa]

Up next on my 80's Fest Movie 🎥 marathon...The Texas Chainsaw Massacre Part 2 (1986) on glorious vintage Media Home Entertainment VHS 📼! #movie #movies #horror #thetexaschainsawmassacre #texaschainsawmassacre #texaschainsawmassacre2 #thetexaschainsawmassacrepart2 #tobehooper #RIPTobeHooper #leatherface #choptop #draytonsawyer #dennishopper #ripdennishopper #billmoseley #BillJohnson #JimSiedow #ripjimsiedow #carolinewilliams #louperryman #riplouperryman #barrykinyon #chrisdouridas #jamesnharrell #ripjamesnharrell #tomsavini #TomMorga #edguinn #vhs #vintage #mediahomeentertainment #cannonpictures #80s #80sfest #durandurantulsas6thannual80sfest

[longlistshort]

Kathleen Strukoff, “Turquoise Bird”, Mixed Media, Kee Gallery

Backstreet Art District in Palm Springs consists of several art galleries and studios and hosts a monthly event on the first Wednesday of every month. For additional information and a list of all of the galleries and their current showings, head to their website.

Below are a few selections from this past summer.

Work by Ernesto Ramirez (left) and Erich Meager (right)

Kee Gallery is owned and operated by artists Kathleen Strukoff, Ernesto Ramirez, and Erich Meager (work above).

Work by Aurora Lucia-Levey and Julianna Poldi at Tom Ross Gallery

Work by Rae Harrell from her gallery

Paintings by Martin Prew (left) and by Kevin Goddess

Stephen Baumbach Gallery (above) hosts numerous photography exhibitions throughout the year and houses a fine art printing business.

Gary Wexler Design

[starjones-on-ao3]

What a beautiful picture. Talented photographer, for sure.

IG jasonharrellphoto - 19th June 2024

Tom Wlaschiha emerging from the light at the Produzentenfest in Berlin ilfordphoto #ilfordhp5plus.

[book4air]

Social Media: https://linktr.ee/book4air

Book4Air #avatarthelastairbender #restorationproject

Showrunners: Ryoma Ishizuka Lucía Lobosvilla

'The Vow' Artist - Rick Orange Writer - Lucía Lobosvilla Letterer - Melissa Palacios

'Rebound' Original Artist - Ryan Hill Original Writer - Gene Luan Yang Additional Art - Luan Bindewald, Melissa Palacios Letterer - Melissa Palacios

'Rumors and Relics' Based on the story “Relics” by Johane Matte & Joshua Hamilton Writer - Lucía Lobosvilla Artists - Melissa Palacios, Vago, Luan Bindewald, Sam Lee Wins Coloring - Kat Peterson, Sam Lee Wins, Melissa Palacios Letterer - Melissa Palacios

Voice Directors: Lucía Lobosvilla Anthony Rodriguez

Composers: James A Reilly Aneesh Kashalikar Ty Porter Music

Audio Team Head Audio Engineer: Sam Gabriel Line Placement: Valravn Mixing Engineers: TheTVBunny (Elise Lepley) Mastering: Kim Morton

Video Team Team Lead: Ryoma Ishizuka Video Editors: Hazco Fox, PhantomSavage, TheRealizer367 (Walter Vitola), Astrid Ev, Curtis Creates Stuff, Mr.Amazing

Special Thanks: Book 4 Restoration Project Team Dark Horse Comics Nickelodeon Gene Luen Yang Gurihiru Aaron Ehasz Bryan Konietzko Michael Dante DiMartino Dave Roman Kevin Coppa Baby Lion Turtle Dave Subscribers and you!

Voice Cast

Aang - Ryoma Ishizuka Katara - Stephanie Pines Zuko - Cade Watts Iroh - D. Tyler Fultz Appa & Momo - Josh Lee Mai - Ari Thrash Kei-Lo - Belsheber Rusape Jr. Mura - Kat Peterson Tom-Tom - Victoria McMullen Ukano - PeanutButterMacaron Hanzo - Christian Sekhanan Dulma - Josephine Sweet Merchant - JJ Williams Fire Captain - Grant Corvin Headband Guy - Ara’digm Wong Additional Voices - Grant Corvin, Cade Watts, Lucía Lobosvilla, Ara’digm Wong

Promo Bumper Animated by Sam Lee Wins Voice of Katara - Stephanie Pines Video Editing - Ryoma Ishizuka Audio Editing - TheTVBunny (Elise Lepley) Mastering - Kim Morton

Patreon

White Lotus: Zac Harrell

Fire Sages: Daniel Lacey Stefan Gheorghiev

Dai Li Agents: Alejandro Navarro Minnichi

Freedom Fighters: Geans mistercokes

Cabbage Merchants: Abel Anna Yamshchikova Bunix can you feel it now mr Krabs Cezary Styczewski Edowen imitationpitaya Jake Sullivan Laura Castrill��n Melissa Palacios Mercedes Valle Nerd King 101 Nichelle (ShadowleafTV) Night In Star Light Smith sniddee Tacosdecanasta Victoria C. McMullen Violet

Penguin Sledders: Ashe_Wottlin ayszhang BNT Dornfist Duke Skibbington Laala 212 Pokejedservo TheTobi2Uchiha TitaniaBird Tony Lui WhyNotReek Akiizayoi4869

Executive Producer: Ara’digm Wong

[jazzdailyblog]

Tom Harrell's "Labyrinth": Navigating the Soundscape of Jazz Ingenuity

Introduction: In the realm of jazz, the name Tom Harrell stands as a beacon of artistic innovation and technical prowess. His album, “Labyrinth,” released to critical acclaim, serves as a testament to his creative genius. In this blog post, we embark on a journey through the labyrinthine soundscape that Harrell and his ensemble craft in this remarkable musical endeavor. Harrell’s Sonic…

[joshhaden]

Trumpeter Tom Harrell's CD Visions (1991, Contemporary) includes my father on two tracks. Here's Tom's "Autumn Picture". w/ Charlie, saxophonist Joe Lovano, pianist Danilo Perez, drummer Paul Motian.

[dustedmagazine]

The Body — The Crying Out of Things (Thrill Jockey)

Photo by Zachary Harrell Jones

Maybe some things do change. The last couple records from the Body (not counting the numerous collaborative projects they have released over the same period, with bands like Thou, Big Brave, OAA and Dis Fig) featured the increasingly downcast titles I Have Fought Against It, But I Can’t Any Longer and I’ve Seen All I Need to See; your intrepid reviewer also notes the oddly consistent present-perfect tense and first-person perspective. The title of the Body’s new LP, The Crying Out of Things, shifts out of those syntactic patterns, and it also feels a little less hopeless. If one cries out, there is the possibility that someone else might hear. That other presence might even respond and try to help. Still, that may be too optimistic. “Things” is a strong synonym for “objects,” and if we follow that logic, we find ourselves in the reified situation that the Frankfurt School thinkers warned us about decades ago: objects behave like subjects, subjects behave like objects. That’s never a good sign.

So: some things don’t change. That’s not all bad. Among the most persistent elements of the Body’s sound are intractable signs of Lee Buford’s and Chip King’s human subjectivities: the sound of Buford striking a crash cymbal (an absolutely shattering noise), the sound of King screaming and gibbering. But as was the case on I’ve Seen All I Need to See, those human presences shatter and scream amid crushing waves of electronically treated sound. Things cry out, seeming to protest at the punishment the Body asks them to dole out.

Opening track “Last Things” churns and folds those sonic elements — and the ideas they signal — with awful intelligence. We hear a human voice intone, “Objects, people, events….” But the voice sounds artificially slowed down. Some external, technical process has altered it. As we’re figuring that stuff out, a thundering rhythm, thumped out on tom toms, all but obscures the voice. The drums sound like they are being played — there seems to be some human agent (likely Buford) muscling and sweating through the rapidly hammering cycle. Then at the 1:35 mark, the song shifts markedly. King starts to scream and a wave of distorted sound engulfs the drums, which have dropped into a down-tempo stagger. It’s awful and overwhelmingly loud — but there’s also a soaring quality to the melody that establishes itself amid the clangor and noise.

That’s the curious, nearly undecidable quality in The Crying Out of Things. It’s full of ugly volume and rage. But there is a terrible beauty in many of the tracks, an affect that expands underneath the ugliness. That has happened in other songs by the Body, but those previous experiences of beauty relied upon a more assertive counterpoint: the band’s cover of Sinead O’Conner’s “Black Boys on Mopeds,” with its grimly lovely female vocal; “Ten Times a Day, Every Day, a Stranger,” with its long, moving recitation from a letter by Bohumil Hrabal. The engagement with melodic elements of a conventionally pleasurable nature is more integrated into song forms on this new record — the swelling dynamic suggesting strings in “All Worries,” the earwormy jangle in “Careless and Worn.”

To be sure, you have to dig through numerous layers of hiss, drone, piercing blasts and shrieks to find those sounds. The studio equipment is still pushed into the red, and the hunks of metal and plastic that generate all the noises, abrasive or lovely as they may be, shake and quake and smoke with the effort. Things cry out. That may be a sign of just how much pain and rage saturates our current cultural conjuncture. Or maybe it’s just the Body at work.

Jonathan Shaw

[projazznet]

The Phil Woods Quintet – Bop Stew

Phil Woods – alto saxophone, clarinet Tom Harrell – trumpet, flugelhorn Hal Galper – piano Steve Gilmore – bass Bill Goodwin – drums

[krispyweiss]

Album Review: Vince Guaraldi - A Charlie Brown Thanksgiving (50th Anniversary Edition)

Vince Guaraldi is serving up a sonic Thanksgiving feast - it comes to the turntable cool with childhood memories on the side.

Snoopy’s bringing the popcorn.

Fifty years after “A Charlie Brown Thanksgiving” first aired, Guaraldi’s soundtrack is finally out as a standalone LP. Sourced from the original and recently rediscovered 16-track tapes, A Charlie Brown Thanksgiving (50th Anniversary Edition) contains new mixes of all the music from the television program, plus outtakes, alternate takes and other studio musings as performed by pianist Guaraldi, horn players Tom Harrell and Chuck Bennett, drummer Mike Clark and Seward McCain on electric bass.

Herein lies the quintessential Peanuts sound of “Charlie Brown Blues;” the full-band version of “Linus and Lucy;” Guaraldi taking a rare turn at the mic on “Little Birdie;” the jazzy (and uncredited) electric guitar that features on “Is it James or Charlie;” and the funky studio jam that is “Clark and Guaraldi.”

File A Charlie Brown Thanksgiving (50th Anniversary Edition) under musical reasons for thankfulness or a tasty entrée to the holiday season.

Grade card: Vince Guaraldi - A Charlie Brown Thanksgiving (50th Anniversary Edition) - B+

11/9/23