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denimbex1986 · 1 year ago

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'“Barbenheimer” is officially here, and the battle between the bomb and the bombshell is about to ignite the box office.

Greta Gerwig’s cotton candy-colored “Barbie,” starring Margot Robbie as the plastic, fantastic doll, is expected to generate a huge $95 million to $110 million from 4,200 North American theaters over the weekend. Given the omnipresence of “Barbie” (the marketing is practically inescapable, with enough memes and marketing tie-ins to last a lifetime), initial estimates are all over the place. Warner Bros. is projecting a more conservative $75 million to start, while rivals and exhibitors believe the PG-13 movie could make as much as $140 million between Friday and Sunday.

In any case, “Barbie” will claim the top spot over Christopher Nolan’s atomic bomb drama “Oppenheimer,” which is aiming to collect a solid $50 million from 3,600 cinemas through Sunday. Universal is backing the R-rated historical biopic, which cost $100 million.

“Oppenheimer” runs at three hours (“Barbie” clocks in at just under two), which may limit the screenings per day. However, Nolan’s epic will benefit from premium large format screens like Imax, which is dedicating its entire footprint to his film for three weeks.

Together, the seemingly different blockbusters with twin release dates are fueling the phenomenon known as “Barbenheimer.” AMC Theatres, the nation’s biggest cinema chain, reported that 40,000 people have already purchased tickets for double features of “Barbie” and “Oppenheimer” on the same day — up 20,000 from last week.

The $145 million-budgeted “Barbie” stars too many A-listers to name, but we’ll give it a shot: Ryan Gosling, Issa Rae, Dua Lipa, Simu Liu, Helen Mirren, John Cena and Will Ferrell round out the cast of the fantasy comedy, which follows Barbie and Ken as they leave the comfort and familiarity of Barbie-Land on a quest for self-discovery in the real world.

“Oppenheimer,” adapted by Nolan from the Pulitzer Prize-winning book “American Prometheus,” is an equally star-studded character study about theoretical physicist J. Robert Oppenheimer. Cillian Murphy plays the man who led the development of the atomic bomb, alongside an ensemble of Robert Downey Jr., Matt Damon, Emily Blunt, Florence Pugh and Alden Ehrenreich.

The potent combination of “Barbie” and “Oppenheimer,” as well as last weekend’s champion “Mission: Impossible – Dead Reckoning Part One,” is expected to fuel one of the biggest box office weekends in ages. Summer season has otherwise produced a string of underperforming options, like “The Flash,” “Indiana Jones and the Dial of Destiny” and “Ruby Gillman, Teenage Kraken.”

Tom Cruise’s newest “Mission” looks to add $28 million to $30 million in its second weekend of release, a decline of roughly 50% from its debut. The seventh installment in Paramount and Skydance’s globe-trotting action franchise opened to $56 million in North America and $234 million globally. It cost $291 million before marketing, so Ethan Hunt’s latest death-defying adventure needs to remain a draw throughout the summer to justify that price tag.

Elsewhere, the unlikely box office hit “Sound of Freedom” is imminently crossing the $100 million mark, which will put the film among the top 16 highest grossing of the year. The low-budget, faith-based movie about child sex trafficking has generated a remarkable $85.7 million to date. That’s thanks mostly to the religious and conservative media groups that have rallied behind the film.

Paul Dergarabedian, a senior Comscore analyst, calls “Barbenheimer” a “movie marketers dream come true.” He adds that the craze is “creating a rising tide of interest that should also boost the fortunes of ‘MI7’ and ‘Sound of Freedom’ as moviegoers flood the multiplex in search of movies to catch on the big screen.”'

#Oppenheimer #Christopher Nolan #Cillian Murphy #Barbie #Greta Gerwig #Margot Robbie #Ryan Gosling #Barbenheimer

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ramakantthinks · 4 months ago

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Navigating Financial Success: The Art Of Pragmatic Risk Asset Acceptance

The key to solidifying success lies in the meticulous crafting of Risk Asset Acceptance Criteria in the intricate world of finance. Drawing inspiration from Abhay Bhutada, former MD of Poonawalla Fincorp, we explore the transformative impact of a stringent approach to risk management. Bhutada's emphasis on the top quartile, credit-tested individuals, and a robust ticket size formed the backbone of their remarkable asset quality, illustrating the potency of a well-crafted strategy in financial stability.

Understanding The Backbone

Ensuring the health of financial portfolios demands more than just number crunching; it necessitates a robust system for collecting funds. Picture this as the backbone of any financial institution, a vital structure that enables resilience in the face of challenges. This backbone ensures that even during tough times, the company can navigate problems without compromising the quality of its assets. Abhay Bhutada's confidence in maintaining NPAs below 1% at Poonawalla Fincorp exemplifies the prowess of such a system, proving its effectiveness in safeguarding assets.

Also Read: MD Abhay Bhutada Provides Glimpse of Poonawalla's Co-Branded Card Strategy in Q4

The Role Of Risk Asset Acceptance Criteria

In the realm of finance, Risk Asset Acceptance Criteria emerges as a crucial compass, guiding financial institutions through the unpredictable tides of the market. Abhay Bhutada, drawing inspiration from the strategic wisdom of Warren Buffett, emphasizes the significance of operating in the top quartile. A key facet of this approach is exclusive engagement with credit-tested individuals, boasting a robust bureau score of 700 or more. This stringent criterion acts as the first line of defense against potential risks, transcending mere numerical analysis. Further fortifying this shield, Bhutada insists on an average ticket size exceeding Rs 1 Lakh, strategically placed as a buffer zone to absorb shocks and ensure portfolio stability. It's a pragmatic strategy zooming in on the inherent quality and resilience of the assets in play.

Deputy Governor M Rajeshwar Rao echoes Bhutada’s sentiments, underscoring the profound significance of such risk management strategies in maintaining the safety of the financial ecosystem. According to Rao, a well-defined plan for managing risks goes beyond safeguarding the interests of those involved in finance; it becomes indispensable for sustained economic growth. This dynamic plan, Rao argues, acts as a catalyst for fostering economic prosperity. His insights align with Bhutada’s approach, emphasizing a proactive and strategic stance that extends beyond traditional reliance on mere financial metrics. The confidence expressed by both experts stems not from abstract theories but from tangible benefits derived through navigating financial landscapes with foresight.

Also Read: Abhay Bhutada Shares Insights on Poonawalla Fincorp’s Long-Term Objectives

In essence, Bhutada and Rao champion an approach that prioritizes quality over quantity and resilience over sheer numbers. Their collaborative perspective, rooted in real-world experiences, illustrates the tangible advantages of a strategic, forward-thinking attitude in finance. As Bhutada's success at Poonawalla Fincorp attests, a well-crafted Risk Asset Acceptance Criteria is not just a safeguard—it's a beacon, lighting the way for financial institutions to navigate and thrive in an ever-evolving landscape.

Also Read: From Abhay Bhutada to Nirmal Jain — India’s Top Chartered Accountants

Conclusion

In conclusion, the success of financial institutions hinges on more than just profit margins and balance sheets. It resides in the nuanced art of crafting Risk Asset Acceptance Criteria that goes beyond numbers, focusing on the resilience and quality of assets. Abhay Bhutada's leadership exemplifies how a meticulously planned strategy can navigate uncertainties, ensuring a robust financial standing in an ever-evolving landscape. This pragmatic approach, akin to Warren Buffett's sage advice, serves as a beacon for those aiming to thrive in the intricate world of finance.

#abhay bhutada #abhay bhutada foundation

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theboysfcrged · 2 years ago

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Amazon’s The Boys S01E01

A multi-billion dollar global industry supported by corporate lobbyists and politicians on both sides.

A world without crime, with liberty and justice for all, that’s within our reach, thanks to the 200-plu Superheroes in the Vought Family.

And look, I know that you’re powerful. I get it. Your powers are no joke.

And now I just feel sick. Partly because I did it, but… mostly because… …turns out I’m not who I thought I was.

And then you know what happens? All your dreams come true.

But if you knew half the shit they get up to… Ooh… Fuckin’ diabolical.

Can I… can I get a selfie?

Despite your best efforts, I’m actually still hungry. I’m actually more hungry now.

Do you think I'm a fucking idiot?

Fuck A-Train. Fuck A-Train. Fuck-fuck The Seven. Fuck all... Seven.

Goes to show you, doesn’t it? The bollocks people will believe if you get them scared enough.

Hi. I’d like to make an appointment for you to come over and… lay some cable.

I appreciate the apology. Accidents happen, right? After all, I mean, you were saving the world.

I appreciate you coming on the show, my man. I love you.

I bet growing up you had a poster of Homelander on your wall, huh?

I had a whole welcome speech planned.

I know, I know, it’s a tough swallow. But we both know that your city needs a hero.

I mean, why would you get into this business if not to save the world?

I really need to talk to you about something.

I was born Super-Abled. Uh, my mom was thrilled. She took me to all the little miss hero pageants, but I hated it. Ugh, I mean, I can still… smell the hairspray.

If you want to know the truth, I actually had a poster of you.

If you’re negative, negative things happen to you.

It happens a lot more than you think.

I’m gonna take that son of a bitch’s head clean off his body.

Just quit being a cunt. That’s what I’m saying.

Just think of all those kids. I mean, the kids. Those kids who look up to you, they’d just be shattered. I mean, th-that’s not what you really want, right?

Just ‘cause you fall on your ass doesn’t mean you have to stay there.

Ladies and gentlemen, it is without a doubt a good time to be in the Superhero business.

Like you’re starring in a porn version of The Matrix.

Movie tickets, merchandising, theme parks, video games.

Oh, honey. Who else would they be here for?

Or… you could take the blue pill. Or is it the red pill? Anyway, take the other pill and quit being a cunt.

Please. Invisible Force 1 was lame. I’m all about Rising Tide.

See, people love that cozy feeling that Supes give them. Some golden cunt to swoop out of the sky and save the day so you don’t got to do it yourself.

Since when did “hopeful” and “naive” become the same thing?

Supes are like cops. They can’t be charged for damages while they’re on the job.

Supes lose hundreds of people each year to collateral damage.

Take it easy. Settle down. We’re just, we’re just talking.

Thank you so much. As you know, a crimefighter's work is never done.

The branding opportunities are limitless.

They sell a billion dollars worth of that shit worldwide.

Th… I’ve… Hold on, can you just… can you repeat it again? Just a little bit slower? Because I…

Uh, but……at the Q and A, they always asked me what my wish was, and I always said, “to save the world.” And the judges just chuckled like it was cute. But it wasn’t a joke to me.

Uh, thank you for an extremely weird conversation, but, uh, I don’t want to go to a second location with you.

Um, that doesn’t mean what you think it means.

Until the Deep makes a shark bite Translucent’s dick off.

We're both in a shitload of trouble.

We're The Seven, Earth's most mighty, champions of the innocent, motherfucker!

Well, I don’t know, whatever dodgy shit he was up to that night.

Well, I-I felt like a fraud. Yeah. But the good news is, everybody feels that way.

Well, well, well, if it ain't the invisible cunt.

What was I supposed to do, kick his door down?

Would've taken me forever to work that one out. Good job.

Yeah, I mean, but I-I can...I can help with other stuff, you know?

Yeah, look, son, I, uh...I think it's best that I take it from here. You know what I mean?

Yeah, that’s why we love you.

You pussy, I followed you from the fucking Tower.

You should turn away from the camera, and you should close your eyes, or else I’ll blind you.

#MEME #RP MEME #SENTENCE MEME #THE BOYS RP MEME

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natromanxoff · 3 years ago

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Quotidiano Nazionale - April 5, 2005

Credits to Silvia C. and Queencuttings.com

Translation by Fabiola M.:

ONE MINUTE’S SILENCE FOR THE POPE JOHN PAUL II

The silence and then, Queen’s Rock.

Rome: “Let good sense prevail “ the Head of Civil Defence Mr. Bertolaso, appointed extraordinary officer for Pope funeral, said yesterday afternoon, asking for postponement of show that Queen made one’s debut last evening in Rome. But businnes prevailed. The good sense has been showed by nine thousand fans in Palalottomatica when, one hour before the show beginning, sang in chorus “ John Paul, John Paul” doing follow that extempore homage by five minutes of applauses. It was a rising tide from the first lines, in which were “Queens” with crowd and English flag on their shoulders, to the second ring in ear-splitting growing.

“This evening we get two mourning in our heart, for the Pope and for Freddie Mercury” somebody said, without the fear to place the sacred and the profane side by side. Sure would be right to delay. But for when? Seeing that band is happened until July? So it would be a double pain stay at home with a 50 euro ticket on own pockets. One shooting pain that concert’s organizing Mr. Claudio Trotta got to suture reading a press release when the curtain was yet closed. It said: “Pope love the music and we don’t think that Queen’s music is a trouble.

Then, respecting and keeping close to Catholic World in this sad moment for Pope death, we haven’t release no notice before the concert then ask you for one minute’s silence before the beginning." Then Brian May, Roger Taylor and Paul Rodgers turn come on the stage to renew the broken thread in the 1986 and during the years resumed about only for occasional benefits as the big concerts 46664 for Mandela Found and Pavarotti and Friends. Absorbed on a huge stage, dominated by a very great background screen and four immense movable stage floodlights,

Queen showed his more famous face by one white-hot “Tie your mother down”, introducing with very hissing “Lose yourself” by Enimen and By Rodgers’s solo song “Reachin’out”, approaching in roundabout way with “I want to break free”, “Fat Bottomed girls”, Crazy little thing called love”, without leave out philosopher’s stone of Rodgers’s career like “Can’t get enough of your love” and “Seagull” by Bad Company and “A Little bit of Love” by Free.

On the scene, between the main stage and another hide footboard among the audience, the second guitarist Jamie Moses, the keyboard player Spike Edney and the ex bass player of Blue Oyster Cult Band Danny Miranda , co-opted in place of John Deacon who left once for all the band in 1992 after “Freddie Mercury Tribute” in Wembley Stadium.

The new show, put on just like at that time in Bry Studios in London, where was filmed “The Rocky Horror Picture Show”, tries to run away by blues streak from the very heavy heir of Freddie Mercury, but the strength of the songs like “ Hammer to fall” sung by Rodgers and May with two voices, “ These are the days of our lives” and “ Radio Ga-Ga , is too much for admit it a true emancipation cooping up into nostalgia filled by regret. Among the encores “ We are the Champions”.

This evening the show is having a run in Milano, the 7th in Florence and 8tH in Pesaro. For latter date there are 1000 tickets yet available.

#queen #queen band #roger taylor #brian may #paul rodgers #queen scans #queencuttings.com #quotidiano nazionale april 2005

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quillandink333 · 4 years ago

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Fun in the Sun

BotW Link X Zelda

Rating: M

Word Count: 0.9k

WARNINGS: nudity, sexual themes, graphic depictions of violence

Summary: Link and Zelda enjoy a serene summer’s day at the beach together.

Masterlist

My toes sank into ashen sand, warmed by the rays of the sun, as I strolled down Laverra Beach hand-in-hand with my champion. The swishing of palm leaves and the soft scraping of the tides against the shore filled the air.

I closed my eyes, feeling the gentle summer breeze against my face and breathing in the scent of the ocean. My mind was always so busy. Even my research had grown tiresome as of late. This little excursion, as suggested by Link, was just the ticket.

“Wait.” He let go of my hand. “I have an idea.” Before I could say anything, he threw off his shirt and trousers, leaving them in a pile on the sand. Now wearing nothing but his opal earrings, he charged into the water at full force. When he bobbed back up to the surface, he turned toward me. “Are you coming or what?”

A hearty laugh left my lungs. I wasn’t all that shocked. I’d seen him naked before, and there were no other people around. We had the area all to ourselves. So what else was there to do but follow his lead?

Having folded my skirt and blouse neatly beside his heap, I leapt into his open arms, and he spun me around in the air. I yelped in delight, and he grinned blindingly up at me.

The calm waves were cool against my bare skin, a pleasant contrast to the heat of the sun. I didn’t bother with keeping my hair out of the water—now that it was short, it wouldn’t take long to dry—as we splashed around and made play. Strangely enough, I felt like a child again, though I’d never even had this much fun growing up.

“I love you,” I smiled, kissing him on his salty lips.

“I love you too.” He held my face between his palms, eyes brimming with warmth. Then he put his lips on mine and brought my body close to his.

I swooned, draping my arms over his broad shoulders and feeling myself melt in his embrace. His hand drifted languidly along the curve of my back. I felt a heat beginning to pool in my abdomen, becoming acutely aware of the lack of obstruction between my own exposed form and his. But just before passing the venereal threshold of my hips, he halted.

His lips departed from mine, causing me to frown. “What?” I pouted. “What’s wr—” But he cut me off, slapping a hand over my mouth. He seemed distracted.

And then I heard what sounded like a high-pitched croaking sound coming from farther along the coastline.

Link was already marching away before I’d even fully picked up on it. “Hey!” I trudged after him. “Where do you think you’re—”

“Shh!” He’d cut me off yet again, glaring at me over his shoulder. Then he motioned for me to come closer. With a scoff and a roll of my eyes, I obeyed. Once I was at his side, I followed his eyes to where I could see a moderately sized, fish-shaped structure coming up out of the water. “Porgy-gorged pricks,” he spat under his breath. The scaled individuals he was referring to were three in number, parading around the vicinity of their camp without a care in the world.

This wasn’t good. I knew that perilous glint in his eye all too well. “Just let them be,” I pleaded and grabbed his wrist. “They won’t bother us if we keep our distance.”

“Zelda,” he addressed in feigned solemnity, laying a hand against my cheek, “you and I both know that peace has never been an option.”

I raised a hand out to him, but it was already a lost cause. Not even bothering to put on his clothes first, he trekked a fair distance down the beach away from me. Raising his fingers to his mouth, he let out the loudest whistle that had ever assaulted my ears towards the encampment.

The green one heard him. It slithered through the water in his direction, then leapt onto shore.

He took advantage of its momentum and pinned it down to the sand, his powerful legs straddling its back. Then my jaw dropped in horror as he took the poor creature by the tongue and used it to wring its own neck.

He didn’t even stop to breathe before diving into the water, slicing through it at mind-boggling speeds.

The other lizalfi must not have witnessed the petrifying events that had just taken place on the bank; they still intended to put up a fight. But Link had little difficulty dispatching them.

The one nearest him lashed its tail out. He grabbed onto it mid-swing and hurled it at its comrade.

He didn’t give them a chance to regain their footing.

While they were still in a heap, he tore one of their heads clean off its shoulders, using nothing but his bare hands. He kicked the still wriggling carcass off the deck and into the water, along with its head.

The one that was left, too mortified to even look the blond beast in the eye, turned tail and swam for dear life.

He returned to shore while I stood there in a combination of fear, concern, and arousal. My cheeks heated up, and I shook away the image of his toned form arching over me, trapping me between his thighs. It wasn’t that I thought he couldn’t handle a couple of oversized lizards. Quite the opposite, in fact. I just didn’t see the point in initiating needless confrontation. Perhaps Link viewed it as simply an act of defending his land for the benefit of all.

“Ahh, that felt good,” he grunted, cracking his wrists and debunking my optimistic, little theory. “Now,” he grinned beckoningly, “shall we carry on where we left off?”

#my writing #fanfic #botw #zelink #botw zelink #zelink botw #botw zelda x link #botw link x zelda #link x zelda #zelda x link #zelink fanfic #zelink fic #zelink ff #zelda pov #hero’s era #first crack at a crack fic

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doubleattitude · 4 years ago

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Studio 19 Dance Complex

Revolution Talent Competition, Pittsburgh 2021: RESULTS

High Scores:

Novice:

8 and Under Solo

3rd: Evelyn Woodburn-’Witchdoctor’

5th: Kendall Nace-’Wicked’

7th: Brooklyn Schirripa-’Doin The Do’

9th: Alexandra Bayles-’God Help The Outcast’

10th: Atalia Spagnolo-’Jailhouse Rock’

8 and Under Duet/Trio

2nd: ‘In The Navy’

5th: ‘When She Loved Me’

6th: ‘Dreamie Genies’

8 and Under Small Group

2nd: ‘Beware of Dogs’

3rd: ‘Mickey and His Babes’

8 and Under Large Group

4th: ‘Sassy Sailors’

5th: ‘The Name Game’

6th: ‘The Candy Girls’

9-11 Solo

1st: Elena Escobar-’Peace by Peace’

2nd: Haley Steed-’Reflections’

3rd: Gwen Boyd-’Fly’

4th: Hannah Steed-’Shake Your Tail Feather’

5th: Charlotte Bogdan-’Promise To Try’

9-11 Small Group

2nd: ‘No Matter’

12-14 Solo

2nd: Rowan Mansfield-’Love Me Or Leave Me’

3rd: Riley Hoadley-’Heal’

4th: Emma Bostedo-’Orange Colored Sky’

5th: Alexa Evers-’People Help The People’

6th: Whitney Baranzini-’Not Yet’

7th: Ciera Ragula-’Not About Angels’

9th: Ava McManus?-’So You Can Fly’

10th: Millie Julius-’Daydream’

12-14 Duet/Trio

1st: ‘Maps’

12-14 Small Group

2nd ‘Grow’

15-19 Solo

2nd: Abby Schenk-’Hotel California’

Intermediate:

8 and Under Solo

1st: Melanie Steed-’Crippled Bird’

2nd: Madison Makowski-’Tale As Old As Time’

3rd: Gianna Cugliari-’A Mothers Prayer’

4th: Karsyn Schifino-’Music Box’

5th: Mila Jaymes-’Swinging On A Star’

7th: Camlyn Stiscak-’Anymore’

8th: Antonia Spagnolo-’Smile’

8 and Under Duet/Trio

1st: ‘Sisters’

2nd: ‘Imagine’

4th: ‘Beach Babes’

8 and Under Small Group

1st: ‘Look to the Rainbow’

2nd: ‘Jealous of the Angels’

4th: ‘Burnin’ Up!’

5th: ‘Back to the Track’

8 and Under Large Group

1st: ‘Rhythm of the Reef’

2nd: ‘Wonderful World’

9-11 Solo

1st: Gia Booker-’Shine It On’

2nd: Jaxie Smith-’Absolutely Not’

3rd: Briele Dobson-’Tears of a Clown’

4th: Emma Schrock-’Bones’

5th: Maya Setzenfand-’Winter’

6th: Aliana Spagnolo-’Swing Sweet Pussycat’

7th: Rosalie Dobson-’Alabaster Box’

9th: Calista Herbst-’All I Want’

9-11 Duet/Trio

1st: ‘Gonna Get Ya’

9-11 Small Group

6th: ‘Wind It Up’

8th: ‘Look At Me;

10th: ‘Jump Shout Boogie’

9-11 Large Group

2nd: ‘Country Cuties’

4th: ‘Mother May I’

12-14 Solo

2nd: Lily Eppinger-’Unbroken’

3rd: Isabella Iaquinta-’Criminal Intent’

5th: Emily Holcomb-’I Found’

9th: Jersey Smith-’Music of the Night’

12-14 Duet/Trio

2nd: ‘Muddy Waters’

12-14 Small Group

1st: ‘Dream On’

2nd: ‘All Hands On Deck’

6th: ‘I Shall Believe’

12-14 Large Group

1st: ‘Dream In Color’

2nd: ‘Filthy Rich’

3rd: ‘The Precious One’

15-19 Solo

2nd: Savannah Sneddon-’Run’

3rd: Kyrsta Girardi-’Let You Know’

4th: Layla McGrogan-’Mouths Only Lying’

5th: Mara Dimond-’My Tears Ricochet’

6th: Belle Weaver-’The Slow Descent’

7th: Mikaela Zubal-’Tremor’

8th: Alexandra Organ-’Battlefield’

9th: Samantha Arnold-’Tides Must Turn’

10th: Kiersten Biro-’Lost My Mind’

15-19 Duet/Trio

2nd: ‘Something Like This’

3rd: ‘Carry You’

5th: ‘Fifth Element’

15-19 Small Group

2nd: ‘Liar’

5th: ‘In The Temple’

6th: ‘What Have I Done’

8th: ‘The Silence’

15-19 Large Group

1st: ‘When We Were Young’

Advanced:

8 and Under Solo

1st: Morgan Stahl-’The Stage Is Bare’

2nd: Amelia Thomas-’Only The Wind’

3rd: Sofia Farone-’Little Angel of Mine’

8 and Under Duet/Trio

1st: ‘God Bless America’

8 and Under Small Group

1st: ‘Come Little Children’

2nd: ‘Until We Meet Again’

3rd: ‘Save the Children’

4th: ‘Child of Light’

8 and Under Large Group

1st: ‘Brand New Day’

‘Oh Snap!’

9-11 Solo

1st: Devyn Scherff-’When You’re Strange’

2nd: Mia Mirabile-’And Still I Dream’

3rd: Ellie Rosenwasser-’Red Violin’

4th: Lynzee Ensell-’The Purpose Divine’

5th: Aubrie Rectenwald-’My Wings’

6th: Soleil Herbst-’A Nurse’s Diary’

9-11 Duet/Trio

1st: ‘Silent Night’

2nd: ‘Peace On Earth’

9-11 Small Group

1st: ‘The List’

2nd: ‘Guide to the Orchestra’

3rd: ‘They’ve Got The Moves’

4th: ‘Open Road’

5th: ‘L.O.V.E

9-11 Large Group

1st: ‘Blood In The Water’

2nd: ‘Hey Jude’

3rd: ‘Right Place, Wrong Time’

9-11 Line

1st: ‘Welcome to Vegas’

11 and Under Grand Line

1st: ‘Bring On the Rain’

12-14 Solo

1st: Haley Engelmore-’Internal Pain’

3rd: Raelyn Rectenwald-’Skinny Love’

4th: Kyleigh Turner-’Something To Live For’

5th: Tessa Pagone-’Childhood Living’

6th: Piper White-’Cold Water’

7th: Madeline Schrock-’Ave Maria’

8th: Addison Vargo-’Halfway Home’

9th: Maggie Evelsizer-’Size’

10th: Ava Means-’Tightrope’

12-14 Duet/Trio

1st: ‘Hold Me Down’

2nd: ‘Time’

3rd: ‘Falling’

4th: ‘Hold Me Back’

12-14 Small Group

1st: ‘We Are The Ones’

2nd: ‘Closed On Sunday’

3rd: ‘When I Look At You’

4th: ‘Particles;

5th: ‘The End’

6th: ‘Poison Ivy’

7th: ‘Fade Into You’

8th: ‘Somebody to Love’

9th: ‘Don’t Stop Me Now’

12-14 Large Group

1st: ‘Sanctuary’

2nd: ‘Troubled Waters’

3rd: ‘Hanging On’

4th: ‘Sweet Fantasy’

12-14 Line

1st: ‘Sir Elton’

15-19 Solo

1st: Louise Hindsbo-’Not Ready’

2nd: Julia Paslawski-’A New Day’

3rd: Alexa Lombardo-’Blackout’

4th: Kaitlyn Allen-’Mirror’

5th: Kiera Reese-’I Cry’

6th: Kaitlyn Sullivan-’Good Die Young’

7th: Ava Rosenwasser-’Im Lonely’

8th: Talia Booker-’Don’t Stop Now’

9th: Scotlynne Werner-’Dreamer’

10th: Sheridan Naugle-’Rain Girl’

15-19 Duet/Trio

1st: ‘Night Air’

2nd: ‘Lost’

3rd: ‘Delivery’

4th: ‘Sins’

5th: ‘Bad Guy’

6th: ‘End Of Time’

7th: ‘As It Was’

15-19 Small Group

1st: ‘Crack That Whip’

2nd: ‘Underground’

3rd: ‘Horizons Into Battlegrounds’

5th: ‘Unkindness’

6th: ‘The Radical Self’

7th: ‘Lonesome Town’

15-19 Large Group

1st: ‘Pharoh’

2nd: ‘I Like boys’

3rd: ‘Love Disorderly’

4th: ‘Road To Nowhere’

15-19 Line

1st: ‘Hometown Glory’

Premier Title Competition:

Mini Miss Dance America

Winner: Mila Jaymes-’Swinging On A Star’

Petite Miss Dance America

Winner: Melanie Steed-’Crippled Bird’

2nd runner-up: Karsyn Schifino-’Music Box’

Junior Miss Dance America

Winner: Briele Dobson-’Tears Of A Clown’

1st runner-up: Aliana Spagnolo-’Swing Sweet Pussycat’

2nd runner-up: Rosalie Dobson-’Alabaster Box’

Teen Miss Dance America

Winner: Lily Eppinger-’Unbroken’

1st runner-up: Emily Holcomb-’I Found’

2nd runner-up: Isabella Iaquinta-’Criminal Intent’

Senior Miss Dance America

Winner: Belle Weaver-’The Slow Descent’

1st runner-up: Kyrsta Girardi-’Let You Know’

2nd runner-up: Savannah Sneddon-’Run’

Title Competition:

Mini Miss Dance America

Winner: Sofia Farone-’Little Angel of Mine’

Petite Miss Dance America

Winner: Morgan Stahl-’The Stage Is Bare’

1st runner-up: Amelia Thomas-’Only The Wind’

2nd runner-up: Sofia Farone-’Little Angel of Mine’

Junior Miss Dance America

Winner: Devyn Scherff-’When You’re Strange’

1st runner-up: Mia Mirabile-’Silence

2nd runner-up: Ellie Rosenwasser-’Red Violin’

Teen Miss Dance America

Winner: Haley Eneglmore-’Internal Pain’

1st runner-up: Raelyn Rectenwald-’Hoax

2nd runner-up: Madeline Shrock-’Walking and Falling’

Miss Dance America

Winner: Louise Hindsbo-’Not Ready’

1st runner-up: Kaitlyn Allen-’Mirror’

2nd runner-up: Alexa Lombardo-’Heartburn’

Highest Scoring Group of Weekend:

‘Sir Elton’

Golden Tickets:

Novice:

8 and Under

‘Beware of Dogs’

9-11

‘No Matter’

12-14

‘Grow’

Intermediate:

8 and Under

‘Look To The Rainbow’

12-14

‘Dream In Color’

15-19

‘Liar’

Advanced:

8 and Under

‘Brand New Day’

9-11

‘Welcome To Vegas’

12-14

‘Sir Elton’

15-19

‘Crack That Whip’

SDA Champion:

Intermediate:

8 and Under

‘Look To The Rainbow’

12-14

'Dream In Color’

Advanced:

8 and Under

'Brand New Day’

9-11

'Welcome To Vegas’

12-14

'Sir Elton’

15-19

'Crack That Whip’

Grand Lines

11 and Under

‘Bring On The Rain’

Special Awards:

Entertainment

11 and Under

‘Welcome To Vegas’

12 and Over

‘Sir Elton’

Choreography

11 and Under

‘Right Place, Wrong Time’

12 and Over

‘We Are The Ones’

Photogenic

12 and Over

Scotlynne Werner-’Dreamer’

Savannah Sneddon-’Cloud’

#revolution talent #studio 19 #2021 #pittsburgh #pennsylvania

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thewidowstanton · 5 years ago

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The Widow’s Best of 2019

Welcome readers to our Best of 2019 round-up. Some of you might remember that when one half of The Widow, Liz Arratoon, started writing about the circus 25 years ago – with Widow other half Adrian Arratoon by her side – she was almost a lone advocate for the art form. Don’t you get jaded, people ask us. Absolutely not! But we do long for something a bit different, and this year we have been disappointed that so many circus shows and acts have started to look a bit similar and yawny.

One notable exception gets our Best Show, and we did love Company Soralino’s clowning with cardboard boxes, and Mizuki Shinagawa on silks at the 40th Cirque de Demain festival, but we have cast our gaze beyond circus to take in whatever else has taken our fancy. Just to remind people, and before any more sensitive hearts are broken, anything we have seen this year, no matter when it was created, is eligible for selection, but if we haven’t seen it, it isn’t. Our list, our rules, and, in no particular order, here it is. All shows are in London unless otherwise stated.

BEST SHOW: We really enjoyed Aurelia Thierrée’s Bells and Spells at the Norfolk & Norwich Festival, but our Best Show is La Nuit du Cerf (A Deer in the Headlights) by Cirque Le Roux, seen on French TV. This is the company’s follow-up to The Elephant in the Room, and new cast members Valerie Benoit and Mason Ames join the original troupe of Lolita Costet, Yannick Thomas, Philip Rosenberg and Gregory Arsenal. Together they showcase a sophisticated and exquisitely choreographed blend of top-flight acrobatics, handstands, hand-to-hand, roller-skating, tight wire, you name it, in a totally fresh and exciting presentation, all backed by a wonderfully eclectic soundtrack. If only more companies could come up with something so innovative.

youtube

FEMALE ARTIST OF THE YEAR: Extraordinary acrobat Esmeralda Nikolajeff, part of the line-up for Barely Methodical Troupe’s third show, SHIFT, which opened the London International Mime Festival at the Platform Theatre.

MALE ARTIST OF THE YEAR: Wes Peden, juggler, who had a scintillating guest spot in Gandini Juggling and Alexander Whitley’s show Spring at Sadler’s Wells. Don’t miss his solo show Zebra at the Southbank Centre’s Purcell Room during the London International Mime Festival in January 2020.

BEST GIG: Le SuperHomard in the library at the Institut Français as part of the Music Rendezvous season, and Durand Jones and the Indications, seen at the Southbank Centre’s Queen Elizabeth Hall during Meltdown.

MOST ENTERTAINING: Lucy Worsley’s talk about Queen Victoria at Southwark Cathedral.

BEST VENUE: The Poodle Club in Sydenham.

BEST ACT: Foot-jugglers Marina and Svetlana Tsodikova, who are the Crystal Ladies in Cirque du Soleil’s Totem. They also get MOST GLAMOROUS.

BEST COSTUMES: Alejandro Gómez Palomo for The Male Dancer, choreographed by Iván Pérez, seen on the Arte app; Jean Paul Gaultier’s Fashion Freak Show (pictured below) seen at the Folies Bergère in Paris, and Queen Victoria’s crown, designed by Sheila Hay for A Night with Thick and Tight at the Lilian Baylis Studio, during the London International Mime Festival.

BEST INTERVIEW: Alec Baldwin’s chat with Elaine Stritch on his podcast Here’s the Thing.

BEST MAGIC TRICK: Shin Lim, winner of America’s Got Talent: The Champions 2019, doing card tricks.

LOUDEST GASP!: This photo of Joan Crawford, seen on @cjubarrington’s glorious Twitter account, where he posts vintage photos of Hollywood stars.

BEST MOVE: Anything by world champion football freestyler Liv Cooke.

BEST CASTAWAY: Living legend John Cooper Clarke on Desert Island Discs on BBC Radio 4.

BEST GOWN: Kathleen Nellis’ fabulous recreation of Marlene Dietrich’s ‘naked’ dress for Peter Groom’s show Natural Duty, originally designed by Jean Louis. Peter also wore it in Dietrich: Live in London, seen at the Crazy Coqs, Live at Zédel, for which he gets BEST CABARET.

MOMENT OF WONDER: Andy Goldsworthy throwing handfuls of snow into the wind in the documentary Rivers and Tides.

BEST LOOK AT THE MET GALA: Harry Styles wearing a sheer Gucci blouse!

HOTTEST TICKET: Phoebe Waller-Bridge’s solo triumph, Fleabag, at Wyndham’s Theatre, and, yes, we did speak to Andrew Scott this year!

FUNNIEST PERSON: David Mills, who stormed New York with Bitter Endings, but we saw him at the Poodle Club. Someone! Book this show for London!

BEST DANCE: The Seasons’ Canon choreographed by Crystal Pite at the Opera Garnier, seen on the Arte app.

BEST SET: Anna Reid’s simple, stylish and effective design for The Sweet Science of Bruising at Wilton’s Music Hall.

BEST SHOWBIZ STORY: The Man Behind the Microphone, first heard on Outlook on BBC World Service. The story of how filmmaker Claire Belhassine discovered that her unassuming Tunisian grandfather, Hedi Jouini, had been a singing megastar. Then we found the film of the same name.

BEST DOCUMENTARY: Liz Garbus’ 2016 Leave Nothing Unsaid, in which Anderson Cooper interviews his remarkable mother, Gloria Vanderbilt, about her life. Devastating and moving.

MOST FLAMBOYANT: Zack MacLeod Pinsent, who dresses like this all the time!

BEST SHOWBIZ BOOK – MALE ARTIST: Me by Elton John with Alexis Petrides.

BEST SHOWBIZ BOOK – FEMALE ARTIST: Dreamgirl: My Life As a Supreme by Mary Wilson… of the Supremes, with Patricia Romanowski and Ahrgus Juilliard.

BEST AUDIENCE: Ah, woof!

MOST NOTABLE ANNIVERSARIES: Ten years of The Double R Club, which was founded by Benjamin Louche and Rose Thorne, and runs at Bethnal Green’s Working Men’s Club, and three years of Cabaret vs Cancer, the registered charity started by Rose.

BEST VINTAGE CIRCUS PICTURE: Coo!

BEST FILM: Spike Lee’s BlacKkKlansman – which should have won the Oscar – and Olivia Wilde’s delightful teen comedy Booksmart.

BEST FILM SCORE: Out of Blue by Clint Mansell.

MOST IMPRESSIVE MEMORY FEAT: An hour and 40 minutes’ worth of words spoken by the one and only Maggie Smith, who returned to the stage in A German Life at the Bridge Theatre.

MOST ALLURING: Dina Martina, seen at Soho Theate Downstairs in Forgotten but Not Gone.

MOST MISSED: Agnès Varda, Clive James (born Vivian Leopold James!), and the French TV variety show Le Plus Grand Cabaret du Monde, hosted by Patrick Sébastien, which started in 1998 and ended this year.

GONE FAR TOO SOON: The creative genius Nell Gifford, co-founder of Giffords Circus, who died at 46.

MOST ANTICIPATED: Obviously Wes Peden’s previously mentioned Zebra, and Daniele Finzi Pasca’s latest creation, NUDA, premiering on 11 September 2020 at LAC, Lake Lugano in Switzerland.

Look out for our first interview of 2020, with Scottish aerialist and acobat Lauren Jamieson, who has a PhD in chemistry but gave up her science career to focus on circus full time. She will appear in The Feathers of Daedalus show Tarot during the Vault Festival 2020.

Picture credits: Company Soralino, Valérie Thénard Béal; Wes Peden, Pierre Feniello; Peter Groom, V’s Anchor Studio. Any we’ve missed, please let us know.

Follow @TheWidowStanton on Twitter

#best of 2019 #cirque le roux #Wes Peden #barely methodical troupe #john cooper clarke #shin lim #lucy worsley #nell gifford #david mills #harry styles #liv cooke #compagnia finzi pasca #Esmeralda Nikolajeff #anderson cooper #maggie smith #Dina Martina

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thecollegefootballguy · 5 years ago

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Bizarro Football: An Alternate History of College Football in 2017

It’s time for the 2017 installment of Bizarro Football. This series is imagining a world where the last conference realignment cycle never happened. Every football program is in the conference they called home before the 2011 season.

Check out the previous seasons first if you’d like to catch up: 2011, 2012, 2013, 2014, 2015, 2016

This post is basically an amalgamation of the various other conference posts I’ve made throughout this (and part of last) off season. Check those out here:

ACC: 2013, 2014, 2015, 2016, 2017, 2018 Big East: 2012, 2013, 2014, 2015, 2016, 2017, 2018 Big Ten: 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018 Big 12: 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018 PAC-10: 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018 SEC: 2012, 2013, 2014, 2015, 2016, 2017, 2018

I’ve made some adjustments for games that were never played as well as incorporating the G5 and Notre Dame, but otherwise things haven’t changed from these earlier posts.

So far, there hasn’t been too much difference in the Playoff scenarios outside of 2014. We’ll see if that trend continues into 2017, which obviously was an interesting year for the Playoff, as it featured two teams from the same conference in Alabama and Georgia. Will it play out the same way this time around?

ACC

Atlantic Division

Clemson 13-0 (8-0) Wake Forest 9-3 (5-3) NC State 8-4 (5-3) Boston College 6-6 (3-5) Florida State 6-6 (3-5) Maryland 4-8 (1-7)

Coastal Division

Miami FL 10-2 (7-1) Virginia Tech 9-3 (5-3) Georgia Tech 5-6 (4-4) Virginia 6-6 (3-5) Duke 6-6 (3-5) North Carolina 4-8 (1-7)

ACC Championship Game: Clemson over Miami FL

With Florida State unexpectedly collapsing, Clemson suddenly became the unchallenged rulers of the Atlantic Division. They would have been masters of the whole conference without any pretenders to the throne if Miami hadn’t had a stunning turnaround of their own. Both the Tigers and Hurricanes went into the final week of the regular season undefeated, but Miami lost to Boston College the same way they lost to Pitt in real life. Clemson then put a hurting on the Canes in the ACC Championship Game to punch their ticket to the Playoff for the third year in a row.

Big East

Louisville 10-2 (5-2) South Florida 9-2 (5-2) West Virginia 9-3 (5-2) Syracuse 8-4 (5-2) Pittsburgh 7-5 (5-2) Cincinnati 3-9 (1-6) Rutgers 3-9 (1-6) Connecticut 2-10 (1-6)

Without the threat of messing up the Playoff race, the Big East can be enjoyed for the beautiful mess that it is. This was actually one of their stronger years in recent history, only the bottom third of the league was terrible. I have the conference finishing the year with a five team pileup atop the standings, so I assume that tiebreakers would essentially be useless outside of the rankings. So with the fewest losses, I assume Louisville are the NY6 representatives.

Big Ten

Penn State 11-1 (7-1) Wisconsin 11-1 (7-1) Michigan State 9-3 (6-2) Ohio State 9-3 (6-2) Iowa 9-3 (5-3) Northwestern 7-5 (4-4) Purdue 6-6 (4-4) Michigan 7-5 (3-5) Minnesota 5-7 (1-7) Indiana 4-7 (1-7) Illinois 2-10 (0-8)

This incarnation of the Big Ten was a huge mess. Ohio State was the league’s best team, but the Buckeyes dropped the ball a few times down the stretch to Penn State and Iowa (plus they got embarrassed by Oklahoma early on). Penn State was 11-0 before falling by a field goal to Michigan State at the end of the year, putting a shoo-in Playoff spot in doubt. Wisconsin is also in the Playoff mix, but the Badgers’ own loss to Ohio State makes their bid also somewhat complicated. Conference stalwarts Michigan State and Iowa obviously impacted the race, but couldn’t muster enough wins to make their own cases.

Big 12

North

Iowa State 9-4 (6-2) Kansas State 9-4 (6-2) Missouri 8-4 (5-3) Colorado 7-5 (3-5) Nebraska 4-8 (2-6) Kansas 1-11 (0-8)

South

Oklahoma 13-0 (8-0) Oklahoma State 11-1 (7-1) Texas Tech 8-4 (4-4) Texas 6-6 (4-4) Texas A&M 5-7 (2-6) Baylor 2-10 (1-7)

Big 12 Championship Game: Oklahoma over Iowa State

The Big 12 runs through Bedlam in 2017. Without a trip to Ames, the Sooners barge through the season undefeated. With TCU still in the Mountain West and Kansas State off the schedule, the Cowboys also go 11-0. In a likely top five matchup, OU outpaces their rivals in Norman and secure the Big 12 South. Oklahoma won’t lose to Iowa State in the Big 12 Championship Game. Props to the Cyclones for securing their first ever North title. OU punches their ticket to the Playoff.

PAC-10

USC 10-2 (8-1) Stanford 9-3 (7-2) Washington 10-2 (7-2) Washington State 8-4 (5-4) UCLA 6-6 (4-5) Oregon 7-5 (4-5) Arizona State 5-7 (4-5) Arizona 6-6 (4-5) California 5-7 (2-7) Oregon State 1-11 (0-8)

Somewhat in reverse of the previous season, USC wins the conference championship despite Washington really being the better team by the end of the year. The trend of the PAC-10 not being a very good conference is in full swing, so they really had no impact on the Playoff race. With the Rose Bowl hosting a semi-final, the Trojans aren’t even guaranteed a NY6 bid.

SEC

East

Georgia 11-2 (6-2) South Carolina 8-4 (5-3) Florida 4-7 (3-5) Kentucky 6-6 (3-5) Vanderbilt 5-7 (1-7) Tennessee 5-7 (1-7)

West

Auburn 10-3 (7-1) Alabama 11-1 (7-1) LSU 9-3 (6-2) Mississippi State 8-4 (4-4) Ole Miss 6-6 (3-5) Arkansas 5-7 (2-6)

SEC Championship Game: Georgia over Auburn

The SEC plays out a lot like it did in real life, with a few key differences. This time around, both Auburn and Georgia enter the game with two losses. The Tigers lost to Clemson and LSU as they did in real life. In this scenario, the Bulldogs lose to Auburn as well as suffer an early loss in Tuscaloosa, which I’m sure would have been an amazing game.

Alabama and Georgia were the best teams in the conference, but the confusing knot involving both these teams and Auburn complicates the Playoff picture. We have the Crimson Tide, plowing their way through the toughest division in football, going 11-0 before dropping the ball in the Iron Bowl. UGA had a slight loss early in the regular season on the road in Tuscaloosa, and a not as slight loss later on to the Tigers. Then they beat Auburn, the only team to beat Alabama, in the rematch in the SEC Championship. The Tigers obviously won’t make the Playoff, but they had an incredible season themselves, going 2-2 against Playoff-bound opponents. That loss to LSU stings a bit, though.

One interesting point is that the bottom half of the SEC actually kinda sucked. They certainly weren’t head and shoulders above the rest of the Power Conferences in 2017 despite all of the fireworks going on at the top.

Notable non-BCS Conference Teams

UCF 12-0 (8-0)* Memphis 10-1 (7-1) TCU 12-0 (8-0)* Notre Dame 9-3

*conference champions

2018 was UCF’s “national championship” year, but do the undefeated Knights even get into the NY6 with a 12-0 TCU Horned Frogs team potentially throwing up a road block?

Projected CFP Rankings

#1. Oklahoma 13-0 (8-0) #2. Clemson 13-0 (8-0) #3. Alabama 11-1 (7-1) #4. Georgia 11-2 (6-2) #5. Penn State 11-1 (7-1) #6. Wisconsin 11-1 (7-1) #7. Oklahoma State 11-1 (7-1) #8. Auburn 10-3 (7-1) #9. Washington 10-2 (7-2) #10. Miami FL 10-2 (7-1) #11. USC 10-2 (8-1) #12. TCU 12-0 (8-0) #13. Ohio Sate 9-3 (6-2) #14. UCF 12-0 (8-0) #15. Iowa 9-3 (5-3)

Boy, I would not have wanted to be on the Selection Committee this year. They really had their work cut out for them. Oklahoma and Clemson obviously get in as undefeated P5 champions. Alabama should be a no-brainer for the #3 spot as the best team with only one loss. I assume it would be obvious that Wisconsin and Oklahoma State were longshots and would get passed over. So, the tough conversation needs to be had between 11-2 SEC Champion Georgia and 11-1 Big Ten co-champion Penn State. Both teams were REALLY good in 2017. Bulldogs fans probably don’t want to hear it but the Nittany Lions probably were as good as UGA, many of the computers bear this out at least. I think that Georgia gets in based on the strength of their resume. Still, I could definitely see it going the other way. The Bulldogs already had their shot at Alabama and lost. Boy this would have been controversial, even though it is probably the right choice.

As an aside, here’s what the Rankings probably looked like before rivalry week:

#1. Alabama 11-0 (7-0) #2. Oklahoma 11-0 (7-0) #3. Penn State 11-0 (7-0) #4. Clemson 11-0 (7-0) #5. Oklahoma State 11-0 (7-0) #6. Miami FL 10-0 (7-0) #7. Georgia 9-2 (5-2) #8. Auburn 9-2 (5-2) #9. Wisconsin 10-1 (6-1) #10. Washington 9-2 (6-2)

I mean, come on, that’s tough.

Oh yeah, the NY6 bowls. With the Rose and Sugar hosting the semifinals, there are actually a lot of at-large bids to go around.

Projected NY6 Games

Cotton Bowl: #5 Penn State vs #12 TCU

I’m betting that TCU gets the G5 bid over UCF. That 12-0 record in Conference USA just doesn’t mean as much. Plus the Horned Frogs were a bit better anyway. Can I say that? I’m saying it. Also Penn State probably crucifies TCU to make a point over getting left out of the Playoff.

Fiesta Bowl: #7 Oklahoma State vs #9 Washington

I like this one. The purest of the Big 12 spread offenses against Washington’s plodding, efficient offense and defense. The computers say the Huskies were a bit better, but I’m really not super confident in UW’s ability to outscore a team like Oklahoma State if their defense gets run out of gas.

Orange Bowl: #6 Wisconsin vs #10 Miami FL

We had this one in real life. The turnover chain was fun, but Miami couldn’t take the pounding Wisconsin exacts.

Peach Bowl: #8 Auburn vs #20 Louisville

This time, Auburn gets lobbed a softball instead of a a punch to the mouth via a UCF team trying to declare themselves national champions. I assume the Tigers win easily. God bless the Big East.

Rose Bowl (semifinal): #1 Oklahoma vs #4 Georgia

Deja.

Sugar Bowl (semifinal): #2 Clemson vs #3 Alabama

Vu.

This one feels a bit stickier than last 2016, which felt like a slam dunk. Alabama makes the Playoff so I assume they win, but any number of things could have changed the Oklahoma-Georgia outcome. I guess I’ll give the Tide the championship though, they were the best team and they’d have deserved it.

I’m feeling pretty good about Bizarro football in the Playoff era. It’s been nearly identical to the real life top 4. This season could have had Penn State over Georgia, but overall the champion wouldn’t have changed.

#college football #Oklahoma Sooners #Clemson Tigers #Alabama Crimson Tide #Georgia Bulldogs #Penn State Nittany Lions #TCU Horned Frogs #Wisconsin Badgers #Miami Hurricanes #Oklahoma State Cowboys #Washington Huskies #Auburn Tigers #Louisville Cardinals

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worldticketsandhospitality · 3 years ago

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South Korea Football World Cup: How a degree in sports management helped Park Ji-Sung off the pitch

Enquire any football fan about the South Korea Football World Cup team, the first player that will come to mind would be none other than Park Ji-sung. Named “Three-lung Park” for his tireless stamina, the man who stamped Korean footballers on the world map is proof that the infrequent trialing of athletic talent, brains and humility does exist in a game rife with high-octane drama.

Fans from all over the world are called to book Football World Cup tickets from our online platforms WorldWideTicketsandHospitality.com. Football World Cup fans can book South Korea Football World Cup Tickets on our website at exclusively discounted prices.

A winner isn’t built in a day though, and football loves a good Cinderella story. Looking at the 40-year-old legend, it’s easy to undertake that hat tricks and glossy trickling are the results of talent alone. For Park, nothing could be further from the verity.

These qualities kept him stuck as a postgraduate student at De Montfort University’s award-winning FIFA World Cup Master International MA in Management, Law, and Humanities of Sport after hanging up his precious boots. The former midfielder engrossed himself in a thorough one-year specialty of the “Beautiful Game”, including study overseas experiences in Italy and Switzerland.

A training session with the South Korea Football World Cup team would turn the tide in Park’s courtesy. His brilliant performance caught the eye of the national squad’s then-coach. Park would later join its ranks, making his first international debut in 2000. To know more about FIFA World Cup 2022 Tickets click here.

After a career that most consider the junk of dreams straddling three FIFA World Cup appearances, four Premier League Football titles, and a Champions League title Park decided it was high time to return to school for his master’s degree post-retirement.

He was converted to enter DMU after a personal recommendation. One of my colleagues said it had been a great experience and though many players go into coaching or management, I wanted to improve my knowledge of football around the pitch and then perhaps work in the South Korea Football World Cup team.

Park was parroted saying. With guidance from one of Asia’s best players ever, the South Korea Football World Cup team will no doubt benefit from Park Ji-Sung’s stint in Europe and inclusive knowledge of the trade.

We are offering tickets for Qatar World Cup. Football admirers can get Qatar FIFA World Cup Tickets through our trusted online ticketing marketplace. Worldwideticketsandhospitality.com is the most reliable source to book Qatar Football World Cup Hospitality tickets and FIFA World Cup Packages. Sign Up for the latest Tickets alerts.

#SouthKoreaFootballWorldCupTickets #FIFAWorldCupTickets

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googlenewson · 4 years ago

Link

The 2021 Australian Open will take place in less than a month. There is great expectation to know how the first Grand Slam of the year will be, a tournament where everyone will have to make small sacrifices due to the situation linked to the Pandemic and where everyone, including fans and professionals, are curious to know who will take home the final victory. Before this event, the ATP Cup will be held at Melbourne Park from 1 to 5 February 2021, a competition that will feature twelve nations that will have some of the best tennis players in the world at their disposal. Novak Djokovic's Serbia will defend the title won in the 2020 edition and will have to deal first with Rafael Nadal's Spain and then also with difficult and insidious teams such as Canada and Russia. After this competition Nole will also try to defend the Australian Open, a tournament that he won giving his best in the 2020 edition. Novak Djokovic donated a state-of-the-art scanner to a well-known Serbian hospital and the number one in the world has received great praise from the hospital director and the Serbian Minister of Health. Dr. Loncar explained how Novak Djokovic's gesture is of great importance for the Balkan country. Here are the words of Dr. Dukic: "On behalf of Dragisa Misovic Clinical Hospital Ventre, I thank Novak Djokovic and his family for this wonderful machine that will give future patients, especially when Covid disappears permanently, the possibility of receiving top quality cancer treatments." For years now, Novak Djokovic has reigned supreme at the top of men's tennis. After playing second fiddle to Roger Federer and Rafael Nadal for some part of his career, Novak Djokovic managed to turn the tide mid-way through the last decade and is now chasing the duo with 17 Grand Slams in the bag. However, some tennis fans and critics still believe that Novak Djokovic's claim to be the greatest player of all time in tennis history is dubious. And 1976 Roland Garros champion Adriano Panatta is one of those skeptics.

Panatta on the GOAT debate

It is no secret that the former Roland Garros champion considers Roger Federer to be the greatest men's player of all time. For Adriano Panatta, statistics alone aren't the only decisive factor; even if Novak Djokovic goes on to win more Slams than Federer or Rafael Nadal, he will still be third best in the Italian's mind. "Fans have chosen Roger, and then Nadal at his side. Novak Djokovic is a great player, but in the end, as always, the count of the titles won will not be decisive. The ones who intend to be the best, they go on the field to win. But the show must be worth the ticket price," Panatta said. Novak Djokovic's actions during the coronavirus-enforced suspension of the tour have seriously harmed his image on the world stage, making many question his role model status. But knowing what we do of the Serb, he would be itching to get back on the court and prove his critics wrong.

from Tennis World USA https://ift.tt/38P0nbk

#World News

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bettingpunter · 4 years ago

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Nick Saban Championships: 1 National Title Away from History

How many Nick Saban Championships are we going to witness?! In the Rose Bowl game on Friday, Nick Saban will lead Alabama out of the tunnel for the sixth time in the College Football Playoff era. The Crimson Tide will battle Notre Dame inside of AT&T Stadium for a Rose Bowl title and more importantly, a ticket to Miami for the National Championship Game. Saban has been a collegiate head coach for a quarter of a century with four programs: Toledo, Michigan State, LSU, and Alabama. Saban took over the job in Tuscaloosa back in 2007 and the Southeastern Conference hasn’t been the same since. Saban won his first national title at LSU in 2003, but he has done much more in his time leading the Crimson Tide. At Alabama, Saban’s record is 163-23. The 69-year-old has won five National Championships with the Tide giving him a total of six victories all time. Saban is currently tied with Alabama legend, Bear Bryant, for the most National Championship wins of all time by a head coach. Two games in 2021 stand in his way of dethroning Bear Bryant and taking sole possession of first place on this legendary list. Will we see more Nick Saban Championships in 2021 and the near future?

Nick Saban Championships: The Football Resume

Coach Saban has done it all in the football world. He has spent close to fifty years of his life coaching football and this legend isn’t done yet. The majority of Saban’s coaching career has been spent at the collegiate level, but he was an NFL defensive coordinator twice and a head coach once. Before he took over the Alabama job, Saban was the head coach of the Miami Dolphins.

Nick Saban hoisting 1 of his Championship trophies after an Alabama victory.

Saban found his niche in the SEC. In his time at LSU and Alabama, Saban has won nine SEC Championship Games in eleven trips to the conference finale. He has been named SEC Coach of the Year five times and is also a two-time recipient of the Walter Camp Coach of the Year Award (2008 & 2018). On the national stage, Coach Saban has dominated as well claiming six national championships. He has taken his team to the College Football Playoff in six of the seven seasons that this postseason format has been in place. Saban’s winning resume conveys how successful this man has been as a collegiate head coach. Something that isn’t always noted is Saban’s ability to recruit and develop talent. At Alabama, Saban has produced 33 first-round picks in the NFL Draft. The six-time national champion has turned Alabama into a dynasty in countless ways.

MORE: COLLEGE FOOTBALL PLAYOFF PREVIEW: #4 NOTRE DAME VS. #1 ALABAMA BETTING PICK

Nick Saban Championships: The Culture

Nick Saban is a master of implementing winning culture into any locker room that he leads. This has been clear in his time at the University of Alabama. Every Alabama team under Saban has been known for their relentless style of play. Saban has a unique talent for figuring out a way for his players and coaches to buy into his philosophy. The culture of success that Nick Saban has developed at Alabama doesn’t ever seem to fade.

Saban heated over a call.

Saban continuously drills his message of accountability into the Tide’s locker room. A few of Saban’s major principles are work ethic, discipline, toughness, and effort. In my opinion, there isn’t a team in the country that exemplifies these values more than Alabama every single Saturday in the fall.

Saban preaches that high achievers don’t fit in with mediocre people. He doesn’t allow ‘mediocre’ anywhere near his program.

“There are two pains in life. There is the pain of discipline and the pain of disappointment. If you can handle the pain of discipline, then you’ll never have to deal with the pain of disappointment.”

– Nick Saban

Nick Saban has made Alabama the first thing that comes to mind when college football is mentioned. His winning culture has led the way for Alabama’s success in his tenure as the head coach of the Tide.

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Nick Saban Championships: The Record

Saban has plenty of critics throughout the media which is preposterous. People say that Nick Saban only wins because he’s at Alabama. Nick Saban is Alabama. He built this factory from the ground up. Alabama had success prior to Saban, but the program hadn’t won a national title since 1992 before he took over the head coaching duties. Saban has created a dynasty at Alabama, but he did it because of his mentality. Nothing has been given to the future Hall of Famer. Everything has been earned by Saban and the 69-year-old is still working like he hasn’t accomplished a damn thing in the game of football. Saban exemplifies the message that he gives his players every single day. There isn’t a harder worker in college football than Coach Saban. He deserves this record, and I can’t wait to see him conquer it in 2021. I believe that Saban will win his seventh National Championship on January 11th. Although, I guarantee that Saban isn’t thinking about this record. All he is thinking about is dominating Notre Dame on New Year’s Day. That mentality has allowed Nick Saban to take Alabama to unimaginable heights in the college football world.

MORE: HOW DABO SWINNEYS CULTURE TOOK THE TIGERS TO NEW HEIGHTS

Enjoy my Nick Saban Championships article? Follow me on IG @tannerkern and Twitter @tannerkern_ for game previews, betting analysis, and the best stories from the sports world. Be sure and keep up with the Sports 2.0 Network, Sports 2.0 Twitter, and Knup Sports for all of my latest content and best takes from around the sports and sports betting world as well!!

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johnboothus · 4 years ago

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Ian Burrell Global Rum Ambassador and Equiano Rum Co-founder Is Edu-taining His Way to Racial Equity in Rum

In June, Ian Burrell introduced Equiano Rum, a premium blend of African and Caribbean liquids, to the United states. It’s the first of its kind in the category, bringing together two distinct rum cultures, distilleries, and island nations of the East and West. Burrell’s journey from rum enthusiast to brand ownership has hardly been a straight line: Like the product he now champions, it charted a path across distant points of the planet.

In his former life, the energetic entrepreneur played professional basketball in the U.K. before becoming an international recording artist. But his passion for cane spirit ultimately proved too profound to address through mere hobby. So he committed to make a full-time career out of it.

In 2007, Burrell launched U.K. RumFest, the world’s first international rum festival. It inspired a panoply of similar celebrations in its wake, from Miami to Mauritius, the East African island nation from where part of Equiano Rum is born. By 2014, Burrell broke the Guinness World Record for largest organized rum tasting in history.

Burrell shares rum around the world. It’s fair to say he’s one of the rum industry’s most traveled figures: Whereas most brand ambassadors focus on a certain market or even continent, Burrell has sipped Daiquiris and Coladas on all seven — yes, even Antarctica.

But he says that even with the excitement of travels and live television spots, showcasing elaborate cocktail preparation in grand fashion, it’s the conversations around rum culture — the spirit’s rich history, origins, provenance, and methods of production — that provide endless inspiration.

After receiving the highest recognition attainable in his position, International Brand Ambassador of the Year at the 2018 Tales of the Cocktail, Burrell looked for a way to carry the conversation further. A year later, he teamed up with Equiano Rum co-founders/co-owners Oli Bartlam, Aashia Dadral, and Amanda Kakembo with the shared vision of bringing a new concept to market.

Equiano Rum honors the legacy of abolitionist and author Olaudah Equiano, an 18th-century African slave who eventually bought his way to freedom by selling rum in the Caribbean. After arriving in London in the 1760s, Equiano became a prominent voice in a growing choir of freedom fighters, demanding an end to the abhorrent chapter in human history.

As a Black business owner, Burrell is doing his part to chip away at the systemic injustices that still remain 250 years later. His uplifting spirit is a bright and boisterous blend of ex-Cognac-barrel-aged rum from Mauritius, and Barbadian spirit matured in ex-bourbon casks. Burrell and his team are working with award-winning master blender Richard Seale, whose hand has helped propel Equiano to a four-time international award- winning rum.

With these successes in mind, the brand plans to allocate $2 from every bottle sold to benefit freedom and equality projects, which have yet to be announced. Despite the impressive terrain already traversed, Burrell is not resting on laurels. He is equally driven to slake a thirst for knowledge, and concerned with the long journey ahead.

What was your first job in rum and what did you learn from it that helps you now?

My first job in rum, besides being a bartender, was the U.K.’s first rum brand ambassador. I quickly realized that to be a successful brand ambassador it wasn’t about what I knew or said, but how I made others feel. This helps around the world, as I continue to work with amazing people within the drinks industry.

What do you actually do as global rum ambassador?

As I am self-employed, my day to day varies and will depend on who, what, or which [brand] I am working with. I could be hired to privately taste new rums and line extensions as an independent professional. Or, I could be judging rums in an international tasting competition. Other projects would see me creating and designing cocktails for my clients, which would range from large corporate brands to small independent start- ups. I also have several media commitments, including TV appearances here in the U.K., where I’ll introduce cocktails and rum to celebrity guests.

Can you give us a sense of the scale of the RumFest?

When I launched the world’s first international rum festival, I had 20 different brands exhibiting. Some of the brands were Appleton Estate, El Dorado, Angostura, Bundaberg, Doorly’s, and Diplomatico. Over the two days, we had 1,000 people sip, savor, and learn about the rum category.

Over the years, the event grew, until we [restructured] the show as a “premium” rum festival. I did this [by moving] to a smaller venue, increasing the ticket prices, [and] exhibiting to 3,000 people over a weekend compared to 8,000, which the show had risen to during 2012 and 2013.

When was the first time you felt successful or like you’d “made it?”

Success means so many different things to different people. I have never felt that “I’ve made it,” but there have been times — for example, when I created the world’s first international rum festival back in London [in 2007]. An event of that magnitude had never been attempted, and the rum industry was skeptical. But after the second day of the inaugural two-day event, I had created a show that became a platform, a stage for past, present, and future rum brands across the world.

How long did it take to realize that you wanted to launch your own brand?

I have always known that I wanted to launch my own brand, even during the early days of being a U.K. rum ambassador. But the timing had to be right. There are some amazing rum brands available, and as a category ambassador, I believe that rising tides float all boats. I knew that if I were to launch a rum like Equiano Rum, it would have to be a rum that would help the category as a whole grow.

What made you finally take the plunge?

It was all about timing: having the time to focus on what would be needed for a new brand, Equiano Rum, to have a chance of succeeding within the industry; having the right team around me, not only to learn from but to share some of the ideas I had acquired over the years of being a rum ambassador; having the opportunity to work with a team that had similar beliefs to my own. When all these things align, you just know.

What is Equiano’s company structure?

The company has four founders/owners that all have a particular role within the company. As the rum expert within the team, my role was naturally to create the concept for the rum blend, and ensuring that we had direct access to two distilleries and 70,000 barrels of aged rums. This is the first time that a rum like this has ever been created, and the first time these two particular distilleries, from different continents, have worked together.

The African component [of the rum blend] is from the Gray’s distillery in Mauritius, while the Caribbean rum in our blend is from the Foursquare Distillery in Barbados. I had the crazy idea to send rum from Africa to the Caribbean to be blended and bottled, which is also the same journey that in 1757 Olaudah Equiano [the rum’s namesake] was forced to make as he was sold [into] slavery, finally ending up in the U.K. We are very fortunate to have three-time-award-winning master blender Richard Seale overseeing the final blend and quality of rum, which has resulted in us winning four international prestigious awards.

Was there a turning point in your career that led you to where you are now?

It was while I was launching Appleton rum in New Zealand back in 2003. I had a light-bulb moment when I was asked questions by the inquisitive bartenders about the category of rum. I knew loads about Jamaican rums, but not much about other styles. As there were no global rum ambassadors or rum figureheads to learn from, I decided, why can’t that “go-to” person be me? I wanted to learn everything about rum and travelled the Caribbean tasting rums while gathering information and stories. This was the first step toward becoming the global ambassador of rum.

What was the biggest doubt you had about pursuing this career, and how did you get past it?

The biggest doubt was: Would the rum industry believe or even accept me as a person to represent them on a world stage? There is no rum council, or board of control, just rum brands trying to establish themselves in a world filled [with] hundreds of other spirits. I had to instill confidence and, more importantly, make a name for myself.

Fortunately, I knew that if I could get people to enjoy what I had to say, and learn at the same time, they would promote and authenticate my qualification. “Edu-tainment” is what I call it. That was the plan. This was how I got past it.

Do you see much opportunity for up-and-coming talent in your area of the industry?

Most definitely, if you want it. It’s a slow process, as there are many challenges for young up-and-coming bartenders who decide that they want to create their own value and work for themselves — even more so if they are from the underserved community, as they will have systematic prejudices to fight against just to have a level playing field. Part of the job of our leaders within the industry is to pass on knowledge that they have, time permitted, of course, so the up-and-coming talent can learn and be inspired. Knowledge is not power, but the use of it is.

How do you see your industry [role] changing?

My role changes all the time, for the better, I would like to think. When I started, I just wanted to learn as much as I could so I could pass that information on to be a better ambassador. I am still learning as much as I can, but not only to be a better ambassador or teacher but a better human being, as our industry affects everyone.

My role within the drinks industry has put me in a position to make real positive change in people’s lives, whether it’s working on my parents’ island of Jamaica with local rum brands, or working with government initiatives in Mauritius or Madeira. I’ve also been able to do more fundraising for charities with my work, again using the power of the “world rum family” to help the world move to a better place.

The article Ian Burrell, Global Rum Ambassador and Equiano Rum Co-founder, Is ‘Edu-taining’ His Way to Racial Equity in Rum appeared first on VinePair.

Via https://vinepair.com/articles/equiano-rum-ian-burrell/

source https://vinology1.weebly.com/blog/ian-burrell-global-rum-ambassador-and-equiano-rum-co-founder-is-edu-taining-his-way-to-racial-equity-in-rum

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wineanddinosaur · 4 years ago

Text

Ian Burrell, Global Rum Ambassador and Equiano Rum Co-founder, Is ‘Edu-taining’ His Way to Racial Equity in Rum

What was your first job in rum and what did you learn from it that helps you now?

What do you actually do as global rum ambassador?

Can you give us a sense of the scale of the RumFest?

When was the first time you felt successful or like you’d “made it?”

How long did it take to realize that you wanted to launch your own brand?

What made you finally take the plunge?

What is Equiano’s company structure?

Was there a turning point in your career that led you to where you are now?

What was the biggest doubt you had about pursuing this career, and how did you get past it?

Do you see much opportunity for up-and-coming talent in your area of the industry?

How do you see your industry [role] changing?

The article Ian Burrell, Global Rum Ambassador and Equiano Rum Co-founder, Is ‘Edu-taining’ His Way to Racial Equity in Rum appeared first on VinePair.

source https://vinepair.com/articles/equiano-rum-ian-burrell/

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isaiahrippinus · 4 years ago

Text

Ian Burrell, Global Rum Ambassador and Equiano Rum Co-founder, Is ‘Edu-taining’ His Way to Racial Equity in Rum

What was your first job in rum and what did you learn from it that helps you now?

What do you actually do as global rum ambassador?

Can you give us a sense of the scale of the RumFest?

When was the first time you felt successful or like you’d “made it?”

How long did it take to realize that you wanted to launch your own brand?

What made you finally take the plunge?

What is Equiano’s company structure?

Was there a turning point in your career that led you to where you are now?

What was the biggest doubt you had about pursuing this career, and how did you get past it?

Do you see much opportunity for up-and-coming talent in your area of the industry?

How do you see your industry [role] changing?

The article Ian Burrell, Global Rum Ambassador and Equiano Rum Co-founder, Is ‘Edu-taining’ His Way to Racial Equity in Rum appeared first on VinePair.

source https://vinepair.com/articles/equiano-rum-ian-burrell/ source https://vinology1.tumblr.com/post/624802027202101249

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dottodotfestival · 5 years ago

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MORE ARTISTS ADDED FOR DOT TO DOT 2020!

We’re excited to announce the first 35 artists to join the bill for our 2020 event, a 15 year milestone for our award-winning festival with a reputation for bringing the hottest new talent to stages in Manchester, Bristol and Nottingham over the late-May bank holiday weekend.

This year’s event continues that tradition with the announcement of EASY LIFE as headliners following a breakout year for the band, which included a sold out UK tour, the release of their critically acclaimed mixtape, Spaceships, and a show confirmed at the prestigious Roundhouse in London as part of their forthcoming Junk Food tour. There is no doubt that 2019 was an unquestionable triumph for the Leicester five-piece, which they are certain to build upon over the next 12 months, having already been crowned Best New British Act at the 2020 NME Awards in February, and placing second in the BBC Sound Of Poll 2020 at the start of the year.

Also joining the bill is DOPE LEMON, the vibrant and experimental solo project of renowned Australian musician Angus Stone (one half of the folk-pop duo Angus and Julia Stone). Under the Dope Lemon moniker, Stone has explored new sonic grounds, culminating in the release of his second studio album Smooth Big Cat in September 2019, an album that built on from the success of his 2016 debut Honey Bones in swaggering style, with him ultimately hitting over 100 million streams with music that he describes as “songs for when the eve is about to turn into something special”.

Having opened Glastonbury’s prestigious John Peel stage in 2019, Heavenly Recordings-signed PIP BLOM, along with her namesake band, return to the UK festival circuit for D2D. Last year also saw the Amsterdam-based indie quartet release their debut album Boat, a critically acclaimed offering full of bright and infectious, grunge-infused melodies.

South-East London collective STEAM DOWN will also bring their energetic live show to Manchester, Bristol and Nottingham. Since forming back in 2007, Steam Down have received two Jazz FM awards, which include ‘Live Experience of the Year Award’ and ‘The Innovation Award’, an accolade which clearly emphasises the impact and importance they’ve had on the UK’s flourishing jazz scene throughout the decade.

Wakefield four-piece SKINNY LIVING are set to enchant audiences with their captivating brand of glorious acoustic soul. Having already amassed an impressive back catalogue which includes their recent acclaimed 2019 EP release No Messiah, the band have forged a reputation for crafting songs that contain powerful and heartfelt lyrics which have resonated with audiences en masse.

Having previously stunned D2D audiences in 2017 with his crooning songs of love and loss, prolific South London songwriter, MATT MALTESE returns to the festival for 2020. His debut album, 2018’s Bad Contestant, was a deeply charismatic release that was closely followed up by sophomore effort Krystal, released a mere 18 months later, both showcasing and capturing his writing talent.

With her 2017 debut album Belladonna of Sadness, Portland artist ALEXANDRA SAVIOR demonstrated her effortless ability to combine dreamy song writing, enchanting vocals and atmospheric arrangements, her eagerly awaited follow up, The Archer, dropped on January 10th, meaning that her appearance at Dot To Dot Festival will be one of the first chances to catch new material live on UK soil.

British R&B and trap artist S-X also joins the bill, having released an impressive three LPs since 2018. On top of that, the Wolverhampton born performer has worked as a record producer with numerous artists on other projects, including producing YouTube star KSI’s hit collaboration with Rick Ross & Lil Baby, Down Like That, which has amassed over 38 million streams on Spotify. He was also Grammy nominated for his work on Childish Gambino’s 2013 album, Because the Internet.

Each year we pride ourselves on seeking out the freshest emerging musical talent and our 15th edition, with the appointment of Easy Life as headliners, demonstrates this approach and ethos right through the core of the festival. Dot To Dot organiser and Director of Live at DHP Family, Dan Ealam, said: “We can’t wait to celebrate the festival’s 15th birthday with some of the most exciting acts from across the World. It’s extra special having Easy Life along to headline after gracing some of the festival’s smaller stages in recent years and we’re excited to mix up the programming to keep the festival moving forward for another 15 years! There’s plenty more acts to be announced as we build up to our birthday and some surprises too!”

Completing the bill so far, and filling some of those smaller stage slots that this year’s headliners have graced in the past, are: BAMILY, whose D2D debut comes after months of vibrant live sets at unconventionally located secret gigs in London; BIRTHH, the creative “dark alter-ego” of Italian artist Alice Bisi; Swedish-born Robin Lundback, aka BOY IN SPACE, with his emotional musical landscapes; ALLMAN BROWN, who has been hailed amongst today’s most compelling new singer-songwriters; CHARTREUSE, following a recent stint on tour with Bombay Bicycle Club; OLIVIA DEAN’s undeniable voice and youthful “Friday-night-down-the-pub” storytelling; DRUG STORE ROMEOS, having just been named on the bill for Annie Mac’s emerging artist series; GRACEY, who released her debut EP last year after writing hits for some of the industry’s leading pop acts; TAYLOR JANZEN, fresh from gaining critical acclaim from the likes of NPR, New York Times and NYLON; Nottingham-based, JERUB, with his blend of genres and powerful vocals; Creators of good ol' fashioned guitar music, LANGKAMER; Manchester-based post-punk trio LIINES; Electro-pop New Zealander NAVVY; The heartfelt lyricism of TAY OSKEE, whose breezy rhythms are reminiscent of his Mission Beach hometown; EVE OWEN, after recently lending her warm and hopeful vocals to The National’s song Where Is Her Head; PIST IDIOTS, who bring their notorious live show to the festival; PRESS CLUB, the Australian garage-punk outfit who released 2 LPs last year; Emerging artist RESPONS, with influences ranging from the sounds of Gospel to Hip-Hop; Crouch End quintet, SAD BOYS CLUB, with their emotive and ambitious indie-pop sound; Recent Island Records signee from Nottingham, ALFIE SHARP; AARON SMITH, the Scottish singer-songwriter with 8 million Spotify streams; East London-born / Birmingham-raised rapper KOFI STONE, whose 2019 debut album included features from Loyle Carner and Maverick Sabre; the honest songwriting and stadium-sized songs of SOMEBODY’S CHILD; SPACEY JANE with the breezy blend of garage pop & indie rock that earned them a nomination for ‘Unearthed Artist of the Year’ at the J Awards in their native Australia; TIDE LINES, whose songs are sung in English with a nod to their Scottish Gaelic heritage; Championed by BBC Introducing, BESSIE TURNER returns after a D2D performance in 2019; and Jacob Slater’s WUNDERHORSE, joins the bill, fresh from touring with the likes of Dope Lemon and Willie J Healy. Plus many more still to be announced.

Tickets for Dot To Dot are priced from £15 and available now through alt.tickets: www.alttickets.com

Subscribe to Dot To Dot’s social media pages on Facebook, Twitter and Instagram to stay up to date on the latest line up announcements and to keep yourself in the loop for all things Dot To Dot.

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flameaurasphere · 7 years ago

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161217 & 171217

Dear Diary,

D-3 of VG Worlds was the most heart-wrenching by far. Long story short, my fave teams (C9 & Imp) were eliminated during the semis. 😭😭 It was nerve-wracking to watch them lose team fights after team fights, matches after matches, over the slightest misplays. That’s what makes Vainglory such a phenomenal & intense game -- one move can turn the tides. My heart aches for C9 player, Oldskool, when he got emotional over the loss. I could tell he did his best to carry the team, but his shortcoming was not being able to bounce back from the losses. I’m sure they (and Impunity) will have better luck next time, and I’m proud that they’ve come thus far. :”)

In support of local pride, I bought an Impunity jersey (tbh it was cheaper than Cloud 9′s HAHA) and I’ll be wearing it the next day as C9 & Imp battle it out for 3rd Place Decider. 😖😖 Mad respect for ACE Gaming member, Seullee, for purchasing Impunity’s jersey after their victory over Impunity. The two teams even took pics together. Make friends & honour them, not make enemies & belittle them. 👐 ACE is champion material.

I left early to attend Theishter & Pianominion’s piano concert, “Yuri On Piano”. This was my second time watching a concert at PLMGSS Agape Concert Hall. Side-track a little... I love going to school venues to attend concerts as I get to loiter/explore the compound. Managing to find a piano in the campus is akin to striking gold. xD

It was worth every penny. 😍😍 Incredibly inspiring to see 2 amazingly talented people perform with so much passion, alongside 3 other anime vocalists. My personal favourites were Theishter’s “One Punch Man OST”, Pianominion’s “Kobayashi-san chi no Maid Dragon OP”, and their “Unravel” duet (which was part of the encore). The only let-down was that THEY DID NOT PERFORM “YURI ON ICE”. Outrageous that they named the concert “Yuri On Piano” and fooled us all. (Oh well, at least there was “History Maker”)

Although they did not perform with romantic intent, I sometimes wish I had a special somebody to share this mesmerising music with. It is an elaborate feeling you can never experience with a friend. :”)

Oh my goodness yas it’s finally the last day of VG Worlds; I’m too drained to endure another day like this. Some nights when I go to bed, I feel like I’m on the verge of death and I’m afraid to fall asleep. :/

At the entrance of the theatre, the girl scanning the QR codes looked at me and asked, “Are you from Zhenghua choir?” Omgosh I lowkey freaked out because I didn’t even know her.

“Yeah.”

“I’m your junior... from Mezzo.”

AH WTF 😵 I ALMOST DIED OF AWKWARDNESS.

My favourite part of the day was Vainglory 5V5 unveiling. I loved how the entire crowd was pumped up for it -- for once, you could hear them roar in unison, unlike the divided cheers during the games. We went berserk when Kristian Segerstrale, CEO of VG, announced that everyone in the audience will be granted the Golden Ticket (aka early access to 5V5). 😍😍 HYPED FOR SOVEREIGN’S RISE.

Unfortunately, ACE Gaming didn’t win the finals. It was torturous to watch the last match because I already knew from the start that they were done for. However, I now have a newfound admiration for Tribe Gaming -- they entered the competition as a wildcard and had the youngest players on their roster. Wow, what an experience it was, and a great way to end this spectacular year of Vainglory events. ✨✨

~Flameaura

#diary #dear diary #flameaura

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