#Thierry Lorenzi
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The Last Boy On Earth (2023) Date de sortie : Prochainement Réalisateur : Nicolás Onetti, Luka Hrgovic, Dino Julius, Daniel Rubesam, Thierry Lorenzi, Will Kindrick, Rob Mclellan, Monica Mateo Scénario : Camilo Zaffora Avec : Camilo Levigne, Raymond E. Lee, Kato Quiril
#Camilo Levigne#Daniel Rubesam#Dino Julius#film d'horreur#Kato Quiril#Luka Hrgovic#Monica Mateo#Nicolás Onetti#Raymond E. Lee#Rob Mclellan#sci-fi#The Last Boy On Earth (2023)#Thierry Lorenzi#Will Kindrick#cinéma#news#actualité#film poster#affiche de film#acteurs
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When politics gets involved in history (French Revolution part)
As a general rule, when politicians meddle in history, it often creates confusion. Today I will talk about how they handle the French Revolution.
Of course, Jean Jaures did a good job on this period, although there are naturally points to criticize. But generally speaking, our politicians allow themselves to make crude or inappropriate remarks.
There are even serious historians who fall into the trap by making political amalgamations. A few days ago, while doing research, I came across an excerpt from an article by Thierry Lentz, a respected historian, made comments in Le Figaro comparing the left-wing opposition party, France Insoumise, to the Hébertists, labeling them as vulgar. My intention on this page is not to promote France Insoumise, but to qualify the Hébertists as vulgar (I imagine he also includes the Cordeliers and the Exagérés) is not good for me (the only thing that can be qualified as vulgar is the newspaper Le Père Duchesne and Hébert's style). Moreover, what does he mean by the left's reinterpretation of the Terror? He talks about Marxist-Leninist dogma in his terms, but Lenin preferred Danton, who was not a Hébertist. Plus the Bolshevik revolution was not based on the same principles as the French Revolution. The French Revolution has democratic aspects that the Bolsheviks did not apply (I'm not saying this to denigrate gratuitously the USSR, which became Russia, let's be clear). A country that has undergone a revolution compared to another country doesn’t necessarily adopt the same principles (often because there are different contexts, different paths, etc.). And reducing the Hébertists, Cordeliers, or Exagérés to the Terror is quite reductive (I have already expressed my thoughts on the Cordeliers in one of my posts).
Moreover, in left-wing parties, from what I have observed, it is rather the character of Babeuf that is taken up, considered as the father of communism (I once met a communist who saw Momoro as a reference and another who prefer Marat), while France Insoumise is something else (we can rather place Robespierre in the radical left, but I don't think he would have been a socialist, and we can be sure he was not a communist). So why once again Thierry Lentz associates France Insoumise with Trotskyism and Marxist-Leninism for taking up Robespierre? I mean, okay, there were communists who admired Robespierre like Stellio Lorenzi, but clearly not as many as one would think.
While Lentz's expertise in French history is widely respected, such political analogies raise questions about the neutrality of historical interpretation.
Moreover, it is interesting that the fact that "La Caméra explore le temps" rehabilitated the Montagnards led to the end of the program because of the Gaullist government. Once again, politics gets involved in history and leads to very bad results.
Now it's President Macron's turn. With Stéphane Bern, the president started to explain that an edict signed in 1539 by François I imposed French as the sole language in France. However, historian Mathilde Larrère says it was the French Revolution that imposed French as the sole language on the French. Once again, politics in history can lead to bad results.
I won't even talk about certain elements of the far right who claim to be followers of Robespierre because that would be giving them publicity, and it's not my vocation.
Now let's move on to Mélenchon from the France Insoumise party, who also made significant historical errors during this period. First, in one of Robespierre's videos, he calls Marie Antoinette a "spoiled brat." Accusing the former queen of treason I understand, she gave all the information she could to the enemy, but when you hear "spoiled brat," you're passing a value judgment that has nothing to do with it. Finally, he invents a marriage of Pauline Léon, saying that she ended her life in bourgeois fashion with a Girondin.
Moreover, Melenchon explain that the extreme left of the time was manipulated by the corrupt who arrested Robespierre. Okay, there were Billaud-Varennes and Collot d'Herbois in the mix, but you can't tell me that the Plaine was part of the extreme left. Moreover, most of the elements of what was called the extreme left were either in prison, like Claire Lacombe, Pauline Léon, Jean-François Varlet, or eliminated, like Chaumette, Momoro, Ronsin, and Hébert at the time of 9 Thermidor.
Moreover, contrary to what Mélenchon suggested, Chaumette and Hébert were not part of the Enragés movement.
In the end, this is the problem when our politicians try to shape history to fit their agendas. It leads to significant inconsistencies and inaccuracies.
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Tarot Books List - part one
1-2-3 Tarot: Answers in an Instant Donald Tyson 101 Tarot Spreads Sheilaa Hite 21 Ways to Read a Tarot Card Mary K. Greer 22 Paths of Inperfection Matt Laws 360 Degrees of Wisdom Lynda Hill 365 Tarot Activities Deanna Anderson 78 Degrees of Wisdom Rachel Pollack 90 Days to Learning the Tarot Lorri Gifford A Guide To Mystic Faerie Tarot Barbara Moore A Guide to Tarot and Relationships Dolores Fitchie & Andrea K. Molina A Guide to the Nomadic Oracle Jon Mallek A Keeper of Words Anna-Marie Ferguson A Sephirothic Odyssey Harry Wendrich & Nicola Wendrich A Wicked Pack of Cards Michael Dummett & Ronald Decker & Thierry Depaulis A Year in the Wildwood Alison Cross Absolute Beginner's Guide to Tarot Mark McElroy Alchemy and the Tarot Robert M. Place All Love Goes Before Me Stewart S. Warren An Introduction to Transformative Tarot Counseling Katrina Wynne Ancient Mysteries Tarot: Keys To Divination And Initiation Roger Calverley Angel Readings for Beginners Elizabeth Foley Animals Divine Companion Lisa Hunt Best Tarot Practices Marcia Masino Beyond the Celtic Cross Paul Hughes-Barlow & Catherine Chapman Book of Thoth Aleister Crowley Brotherhood Tarot Companion Patric Stillman aka Pipa Phalange Buddha Tarot Companion Robert M. Place Chakra Wisdom Oracle Toolkit Tori Hartman Choice Centered Relating and the Tarot Gail Fairfield Chrysalis Tarot Holly Sierra & Toney Brooks Complete Guide to Tarot Illuminati Kim Huggens Confessions of a Tarot Reader Jane Stern Conscious Channeling From the Akashic Rozàlia Horvàth Balàzsi Creator's Tarot Nicole Richardson Daily Spread Tarot & Oracle Journal Alyssa Montalbano Dark Goddess Tarot Companion Ellen Lorenzi-Prince Designing Your Own Tarot Spreads Teresa Michelsen Destiny's Portal Barbara Moore Deviant Moon Tarot Patrick Valenza Discovering Runes Bob Oswald Discovering Your Self Through the Tarot Rose Gwain Easy Tarot Ciro Marchetti & Josephine Ellershaw Easy Tarot Guide Marcia Masino Easy Tarot Reading Josephine Ellershaw Encyclopedia of Tarot Volume IV Stuart Kaplan & Jean Huets Enochian Tarot Betty Schueler & Sally Ann Glassman & Gerald Schueler Essence of the Tarot: Modern Reflections on Ancient Wisdom Megan Skinner Explaining the Tarot Thierry Depaulis & Ross Caldwell & Marco Ponzi Explore the Major Arcana Judyth Sult & Gordana Curgus Exploring the Tarot Carl Japikse Fortune Stellar Christiana Gaudet Fortune's Lover: A Book of Tarot Poems Rachel Pollack Going Beyond the Little White Book Liz Worth Good Cat Spell Book Gillian Kemp Guide to the Sacred Rose Tarot Johanna Gargiulo-Sherman Heart of Tarot Amber K Hieros Gamos: Benediction of the Tarot Stewart S. Warren Holistic Tarot Benebell Wen Integral Tarot: Decoding the Essence Suzanne Wagner It's All in the Cards: Tarot Reading Made Easy John Mangiapane Jung and Tarot Sallie Nichols Kabbalistic Tarot Dovid Krafchow Kaleidoscope Tarot Leisa ReFalo Karmic Tarot William C. Lammey Learning Tarot Reversals Joan Bunning Learning the Tarot Joan Bunning Light-Of-Day: Tarot & Dream Work - A Practical Guide Gigi Miner Magic Words: A Dictionary Craig Conley Meditations on the Tarot Anonymous Messages from the Archetypes Toni Gilbert, RN, MA, HNC Mirror of the Free Nicholas Swift My Tarot Journal Katrina de Witt Mystical Origins of the Tarot: From Ancient Roots to Modern Usage
#tarot cards#free tarot#tarot reader#tarot community#tarocchi#tarot spreads#tarot reading#tarot#tarotblr#divination#tarot books list#tarot books#book list
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TRAILER: “ON/OFF” (2019)
Written and directed by Thierry Lorenzi, On/Off chronicles Meredith, an astronaut obsessed by a mysterious voice message. Ultimately, she will face its paradoxical condition in order to stay connected to her humanity.
This film is now streaming on DUST.
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Artisti #Francesco Colaleo | Maxime Freixas
Francesco Colaleo (Campania) Maxime Freixas (Béziers)
Francesco Colaleo (Napoli,1988) e Maxime Freixas (Béziers,1989) sono due danzatori e coreografi freelance. Francesco, dopo un master alla Biennale Danza di Venezia ed un anno intensivo al Modem Atelier CZD, collabora dal 2010 al 2014 con la Compagnia Zappalà Danza, il Colletivo NaDa di Antonello Tudisco, la Cie Ismael Ivo, la Cie Anou Skan. Maxime, specializzatosi in Francia nelle accademie Epsédanse e Mondap’Art, nel 2011 entra a far parte del Ballet Junior di Ginevra, interpretando ruoli nelle pièce di Hofesh Schecter, Thierry Malandain, Guilherme Bothello, Patrice Barthes, Ron Howell, Alain Gruttadauria, Nathalie Bard. Entrambi collaborano dal 2013 ad oggi con la Cie Artemis Danza e la Cie Teatro Danza Tiziana Arnaboldi. Nel 2014 fondano insieme la Cie MF | Maxime e Francesco. Da 2014 ad oggi si dedicano alla creazione di progetti personali, tra cui Re-Garde, No Game, Adieu e Chenapan.
La Cie MF | Maxime e Francesco è una compagnia italo-francese di danza contemporanea e teatro fisico diretta da Maxime Freixas e Francesco Colaleo. Dal 2015 ad oggi, Francesco e Maxime hanno creato Re-Garde, No-Game, Adieu, Chenapan, spettacoli ospitati in diversi Festival internazionali: Mouvement Contemporain, Festival Onze Bouge, Entrez dans la danse, Dix en Scène Festival, les Petites Scènes Ouvertes, Kilowatt Festival, Zoom Festival, Interplay Festival, Inequilibrio Festival, Teatri di Vetro, Ra.I.D Festival, Quelli che la danza, Ticino in Danza, Fra Terra e Cieloo, La Strada Festival, Te{Che} Festival, Danza Urbana Festival, Festival Maldà enDansa, Solo Dance Contest Gdansk, Urban Life Festival, Warsaw Zawirowania Dance Festival, Vetrina Anticorpi XL, NID Platform. Nel 2016 hanno partecipato alla II ^ edizione di Anghiari Dance Hub e nel 2017 hanno vinto il bando delle residenze artistiche della Lavanderia a Vapore.
1 - 7 maggio | CID CENTRO INTERNAZIONALE DELLA DANZA di ROVERETO | residenza creativa a cura di Associazione Incontri Internazionali di Rovereto – Oriente Occidente | FARDE-MOI | ideazione, regia e coreografia: Francesco Colaleo e Maxime Freixas | con: Francesco Colaleo, Maxime Freixas, Laura Lorenzi, Francesca Linnea Ugolini, Rosada Letizia Zangri | musiche: Vincenzo Pedata | disegno luci: Antonio Rinaldi | produzione: Artemis Danza | coproduzione: Festival Oriente Occidente / CID Centro Internazionale della Danza | in collaborazione con AMAT Associazione Marchigiana attività Teatrali, Arteven Circuito Teatrale Regionale, ACS Abruzzo Circuito Spettacolo
9 - 14 maggio | CENTRO CULTURALE ALTINATE | SAN GAETANO di PADOVA | residenza creativa a cura di ARTEVEN Associazione regionale per la promozione e per la diffusione del teatro e della cultura nelle comunità venete | FARDE-MOI
16 - 22 maggio | CID CENTRO INTERNAZIONALE DELLA DANZA di ROVERETO | residenza creativa a cura di Associazione Incontri Internazionali di Rovereto – Oriente Occidente | FARDE-MOI
25 - 30 giugno | 9 - 14 luglio | TEATRO ANNIBAL CARO a CIVITANOVA MARCHE | residenza creativa a cura di AMAT - Associazione Marchigiana per le Attività Teatrali | FARDE-MOI
1 - 8 luglio | TEATRO COMUNALE di TERAMO | residenza creativa a cura di ACS - Abruzzo Circuito Spettacolo | FARDE-MOI
#residenze creative#artisti#residancexl#Network Anticorpi XL#teatro dimora l'arboreto#Francesco colaleo#Maxime Freixas#Cie MF#FARDE-MOI#danzacontemporanea#coreografia#residanceXL2018
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christmas cocktail by lumi-21 featuring christmas tree ornaments ❤ liked on Polyvore
#polyvore#fashion#style#Yves Salomon#Coast#Swarovski#R.J. Graziano#Blue Nile#Maybelline#Revlon#Thierry Mugler#Topshop#Kim Seybert#CB2#Flamant#C. Wonder#Gianmarco Lorenzi#Tiffany & Co.#clothing
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Watch: French Sci-Fi Short 'On/Off' Questions an Astronaut's Reality
"Your ascent is stable." Time for a short film that's just a little bit trippy. The YouTube sci-fi channel Dust has launched a short film online titled On/Off, a French sci-fi film from writer/director Thierry Lorenzi. This has been playing at film festivals since 2013 and has just now debuted online for all to watch, which is a bit of a lengthy delay but it's a good short nonetheless. Carole Brana stars as Meredith, an astronaut who is plagued by mysterious voice in her head. She will face its paradoxical condition in order to stay connected to his humanity. Also starring Arben Bajraktaraj. This is clever and fascinating, and has a realistic feel to it. Though the reveal is a bit derivative, something we've seen plenty of times before. Give it a watch anyway. ›››
Continue Reading Watch: French Sci-Fi Short 'On/Off' Questions an Astronaut's Reality
from FirstShowing.net http://bit.ly/2IBRG8s
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