#These are all very corny and one of them is song title but they were all I could come up with haha
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#GG rivals au#hermitcraft#These are all very corny and one of them is song title but they were all I could come up with haha#Feel free to suggest something else!#As easy as it would be I simply can't name the fic “GG rivals au” unfortunately#its still not complete by the way!! I'm just getting this out of the way ahead of time
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⸻ first date with vocal unit
[ ☕️ ] how they would spoil their partner, what they would be like taking them out for the first time & what they would plan to make them feel special
jeonghan
place: a park
what they would do to make you feel special: jeonghan wouldn’t hesitate to wrap his scarf around your neck at the slightest breeze (which means so much, since he gets cold so easily)
what they would be like taking you out: so polite and charming, with a glint of mischievousness that shines through his humour and jokes. he’s a great listener, but at the same time can hold a conversation like no other, so you never feel awkward. and even if there’s silence, it’s not that uncomfortable and suffocating silence, but a peaceful one.
“jeonghan? what are you doing?” you asked, brows furrowed in confusion, as you watched your date unwrap his thick scarf.
“told you to dress warmly,” jeonghan ignored your words and muttered with a hint of disappointment, shaking his head. he kind of reminded you of your mom when she was angry at you.
“what…,” you stood still, as jeonghan wrapped the scarf around your neck, making sure to tie it tight enough to keep you protected from the wind. “but what about you?”
“yah, don’t worry about me, okay?” he smiled, the usual mischievous spark gleaming in his brown eyes, and pulled you closer, so you were glued to his side.
joshua
place: pottery class
what they would do to make you feel special: whatever he’d make out of the clay would be made with you in mind, to match your aesthetic and vibe, so that he could gift it to you afterwards
what they would be like taking you out: suuuch a gentleman; picks you up, opens all the doors, helps you with your coat or jacket, wipes off the clay that you accidentally smeared on your cheek. seems very calm and collected but is freaking out on the inside.
“wait, wait,” joshua said, his body shaking from laughter, eyes scrunched adorably, as you once again messed up what was supposed to be a mug. maybe pottery wasn’t for you after all…
you looked up from the disaster in front of you and raised your brows.
“c'mere,” he waved at you, the smile not disappearing from his face.
“why?” you asked, suspicious. “i’m not falling for one of your pranks again, joshua hong.”
“darling,” he whined, making your heart skip. “have a bit more faith in me,” you noticed a clean cloth in his hand. “you got some clay on your cheek. wanted to wipe it off.”
oh. oh.
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woozi
place: jazz club
what they would do to make you feel special: the morning after the date you’d get a message with a link to a playlist with the songs from the bar and a (probably a bit corny) title that would make your heart swoon.
what they would be like taking you out: at first woozi would be kind of awkward and shy, just because he’d be intimidated by you and the fact that you agreed to go out with him??? and you didn’t think a jazz club was lame??? mans would be sweating and panicking, but with time the stress would disappear because of how at peace being with you made him.
“do you maybe want to…,” jihoon shyly looked up from his glass that he was holding onto for dear life. “uh, i was wondering if… you want to dance?” panic like he'd never known before welled in his throat, as jihoon finally managed to ask you the question he’d been dying to ask you for the past hour.
“say yes, say yes, say yes.”
you honestly wanted to laugh, because if only he knew how much you wanted him to ask you that.
“of course, jihoon, i’d love to,” you smiled gently at him, noticing how the tension disappeared from his shoulders.
oh, he’d be the death of you.
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dk
place: the zoo
what they would do to make you feel special: carry your bag without you having to ask, not a single peep. he’d grab it after like five minutes and seeing your confused face or your quiet “i can carry it myself”, seokmin would shake his head and say, “i don’t want your shoulder to hurt”.
what they would be like taking you out: shaky hands, shaky voice, wobbly feet; because no amount of pep talk would be able to calm seokmin down. he’d be so happy to go out with you, but the stress would be eating him alive - it’s just that he wouldn’t want for anything to go wrong since it’d be your first date :((
“where to next?” you pulled out the map of the zoo, crossing out the small picture of an otter.
“what about the lions? or tigers?” a shadow fell over the map and you could feel seokmin’s cologne, as well as his chest gently pressing against your back.
“you sure you won’t get too scared?” you teased, reminding him of how he almost ran out of the tarantula terrarium. it was honestly adorable, but at the same time he looked like he went to hell and back.
poor man held onto you for the next fifteen minutes.
“huh, very funny,” he said, fixing his hat, as if getting ready to fight the tiger himself. “let’s go.”
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seungkwan
place: karaoke place
what they would do to make you feel special: at the end of the night seungkwan would pick out a (not so) low-key romantic, cutesy, first love coded song to sing (definitely not dedicated to you).
what they would be like taking you out: a blushy and giggly mess. seungkwan would be so mesmerised by you, but at the same time too shy to actually look at you, kind of scared that you’d disappear if he’d stare for too long. his face would be as red as a tomato all night long, though he'd go back to his goofball usual self by the end of the night.
“what do you mean i got 95 out of 100?” seungkwan yelled at the machine and pushed his slightly sweaty bangs from his forehead, as if that would change the score written on the display. “this is ridiculous,” he grumbled. “seriously i’m so over this thing.”
“seungkwan?” you asked, amusement lacing your voice. as much as you found his tantrum to be cute, you had one more mission to do that night.
“yes?” he turned around at the speed of light, his neck cracking slightly.
“could you sing one more song for me?” you asked.
suddenly, as if the beef he had with the karaoke machine never happened, he pulled out the keyboard to type the song title.
“of course i will, what a silly question, baby.”
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#seventeen carat#seventeen imagines#svt reactions#seventeen x reader#seventeen fluff#seventeen reactions#seventeen kpop#seventeen x you#svt fluff#seventeen#seventeen fic#seventeen reaction#jeonghan#svt#jeonghan x reader#jeonghan x y/n#jeonghan x you#jeonghan fluff#joshua#joshua fluff#joshua x reader#joshua x y/n#joshua x you#woozi x reader#seventeen woozi#woozi#dk x reader#dk fluff#seungkwan fluff#seungkwan x reader
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I recently made a post about some albums that I love and that I listened to non stop back in the days. I mentioned how they helped shape me as a person and my music taste but really it was a specific artist that made me who I am and who made me truly fall in love with music. They are who I think about whenever spotifiy wrap comes around and people look at me crazy for how many minutes I listened to music. Its One Direction. Without sounding so cliche they are who I listened to nonstop in middle and high school. I've always liked music but really they are who made me fall in love with it and made me expand my music taste. Made me explore other music that wasn't radio hits and what my parents played. In a corny cliche way they were also my safe haven. My mental health took its first appearance in middle school and they were what I would listen to whenever I was having an episode. I would also sit there for hours on YouTube watching One Direction funny moments. Also of course they are what got me into reading. Shout out to Wattpad, AO3, and all the non English speaking authors who made some of the best soul crushing smutty fanfics ever. I can go on and on about all the ways one direction members inpacted me (and I will), but lets take a break and get into the actual reason I'm making this post right now. I'm going to go through each album and talk about them. I know probably no one will see this but like my bio says this is my personal diary and I'm doing this for me. lets get started and go to the very first album.
Up All Night
On May 25, 2012 One Direction released there debut album titled Up All Night. There was 18 songs on the album making the duration 1 hour and 3 minutes. This album broke many records and went certified triple platinum in my room. Their lead single 'What Makes You Beautiful' was my first introduction to One Direction. It was a fun pop song and I was obsessed with it. I would watch the music video daily and would choose which boy I thought was the cutest with my cousins and who we would date. Keep in mind I'm in middle school when this came out. At the time it was the best album but now that I got taste its not in my top listened. Dont get me wrong there's some bangers on here that whenever I hear them I totally jam out, but it has some of my leaset favorite songs on the album. Either way this a certified classic and if it was playing I would def be singing along too.
Favorites: Tell Me A Lie, More Than This, Moments
Least Favorites: Gotta Be You, Save You Tonight, Another World
Take Me Home
On November 12, 2012 they released their sophomore album Take Me Home. This was also the start of them releasing music in November. This album was what for sure made me fall in love. This was the album where we were able to hear more from my kings Louis and Niall. Just in case you don't know who the members of the biggest boy band of this century let me tell you about them. Niall Horan, Louis Tomlinson, Liam Payne, Harry Styles, and Zayn Malik. My husbands and who made me who I am now. In the begininng of their career Louis and Niall were seen as the weaker links but they were also fan favorites so there was a large demand for them to be able to sing more and be apart of the music more. At one point they would turn down Nialls mic and #LetNiallSing was trending on socials. Louis in his recent documentary talked about how they would record vocals for songs only for them to not make the cut. This album we did see more from them but nothing compared to the next couple albums. I also believe this was the first album where Louis got to be apart of the writing process more. Anyways this album is great and screams summer to me. We also got Harry rapping so that was dope.
Favorites: Over Again, She's Not Afraid, and Nobody Compares
Least Favorite: Irresistible, Magic, Truly Madly Deeply
Midnight Memories
This album is so good, like so so so good. It was released November 25, 2013. Its 59 minutes and 31 seconds of nothing but hits. The boys were very happy with this album since they felt like they actually were able to be involved with everthing on this album. Not to mention we got to see Louis and Liam write nothing but the best songs in One Direction's discography. More specifically Louis with 12 song writing credits on the album which btw theres 18 songs on the album. that more that half the album and all of them are straight bangers. This era was the best and most fun era in my opinion next to the take me home era. It was also when they were in their frat boy era were they looked SO good. With the release of this album we got their documentary and also 1D which was a beautiful disaster. This album and the next has my top favorites in their discography so it was very hard for me to choose but here's my favorites and least favorites. Which I want to clarify that I don't hate these songs theyre just the ones I don't listen to the most.
Favorites: Happily, Does He Know?, and Alive
Least Favorites: Something Great, You & I, Little White Lies
Four
Four is there fourth studio album (duh). This is probably my favorite album by them for sure. I kinda go back and forth between this and midnight memories but something about Four just has my heart. If I was trying to get someone into One Direction I will most likely have them listen to this album for sure. It's also probably there more indie alternative sounding album which is the type of music I currently listen to. Theres actually so many good songs on here that it was actually hard to decide which songs were my favorite because I am constantly changing it. 16 songs in total with 57 minutes of play time. This album was released November 17, 2014 and was the last album to feature Zayn on it. I still remember and will never forget the day I found out he was leaving. I was literally in algebra in middle school. I put on my headphones the whole day and became very very very emo. Like I literally went non verbal that whole day and everyone was cracking jokes and all I wanted to do was go home and cry. I did just that actually. Once I got home I went to my room and cried my eyes out like it was a first break up. Anyways this album is so good and in my opinion has only one skip and one song where I can only listen to it for a few more times before it becomes a skip (Once in a Lifetime and Fool's Gold). I also cant talk about this album without mentioning the No Control Project. No Control is a super sluty song written by my king Louis Tomlinson. It features a chorus where its literally nothing but him. Im so serious its just him singing the chorus and I live for it. Louis was always that person in the band where everyone outside the fandom thought he brought nothing to the band and couldn't sing. Which for at one point in his life he honestly believed which breaks my heart cause that's my boy. So you can imagine our shock when we heard this song for the first time. I literally cried and started screaming of pure joy of hearing Louis so much on a song. Please this song around a louis girl and shes crumbling. Anyways we wanted this song to be a single so bad but they never did release this as a single so we did what we did best and make it a fan project. Basically we promoted the shit out of this song and also got radios to play it. It got so huge that it broke records and charted. They still never released it as a single but it was definitely appreciated by them especially Louis. Anyways this album will always be my go to and the last real album with the core 5.
Favorite: Girl Almighty, No Control, Where Do Broken Hearts Go
Least Favorite: Once in a Lifetime, Fool's Gold, Act My Age
Made In The AM
This is their first album post Zayn. It was relased on November 13, 2015 with 17 songs and 58 minutes of play time. Although it didn't have Zayn it didn't feel any different from their last two albums in my opinion. Off topic but not really, I just stopped to check twitter and get a mini break from typing and the song Perfect started playing as soon as I read a tweet announcing that Perfect just reached 1 billion streams on Spotify making it their 5th song to achieve a billion streams. God I love this band. Anyways this song hold my all time favorite song by them, Hey Angel. I would pay any amount of money to hear this song again. Hey Angel is four minutes of everything I love about a one direction album. Amazing chorus, fantastic bridge and a random section that screams sex appeal. Harry during the second verse will always get me. I would love to have been a fly on the wall when he was recording that part. I won't say to much about it just go and listen to it on yourself and come back and agree with me. THE BRIDGE. Like are you kidding. It starts with Liam and its so catchy but then we bring it my lovely Louis and it just gets so much better. like the harmonies and melodies of that part will always get me. I just wish it was longer but it's great either way. I wont lie some of the songs on the album definitly had to grow on me but once they did it was amazing. 10 outta 10 album.
Favorite: Hey Angel, Wolves, Infinity
Least Favorite: If I Could Fly, I Want to Write You A Love Song, Long Way Down
In conclusion this band has some amazing songs and has atleast one song that I truly believe people will like. this band brings me so much joy and I could never thank them enough for everything they did to me without realising it. They shaped my music taste and the awsome humor I have. They are definitely my comfort artist and I will never hide that. Depending on the playlist they will always have at least one song there but whenever I get supre anxious, depressed or whenever I feel an episode coming on, I play their music to ground me and comfort me. Like my first breakup and the second, when I was suicidal, when my nephew died, and when Liam passed are just some of the examples I played their music to help calm me. Except the few times where I related to the songs and I cried even harder but that's besides the point. I love this band so much that ever since I was able to drive myself whenever I was with my younger brother I would play one direction so that way I will have a partner to listen to their music and not complain. I will never forget the endless nights of voting just to get them to win awards, making my first twitter and being there when stan twitter was being developed because of us, reading my first smutty book due to a fanfic about Harry, pretending to be sick during every album release so I could listen to it enough times to get it to number one. Remember to refresh instead of clicking replay. Sit me down and I can talk about them forever. This band will always mean the most to me and I will always cherish them.
#one direction#niall horan#louis tomlinson#liam payne#harry styles#zayn malik#niall#louis#liam#harry#zayn#up all night#take me home#midnight memories#four#made in the am#music#think piece#1d#directioners#ranking music#memories
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Primetime
Part 3 of Dirty Thirty
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🎶 Baby it's a prime time for our love, ain't nobody peekin' but the stars above. It's a prime time for our love, and heaven is betting on us. 🎶
Pairing: Kishibe x f!reader
Rating: Explicit
cw: Switching POVs (Kishibe third-person, reader second-person), vaginal sex (cowgirl, doggy, missionary), nipple play, spit play, cunnilingus, spanking, breeding kink, daddy kink, lots of fluff, pet names (princess, baby)
Word Count: ~6.5k
Summary: You and Kishibe are officially a couple. These are the little moments that all lead up to the big one.
Notes: I did it. I wrote a Part 3; I hope you all like it! Title inspired by the song “Primetime” by Janelle Monae ft. Miguel, definitely recommend listening to this to set the mood right! Please read the first two parts, linked below! Likes, reblogs, and comments are all super appreciated, would love to hear what you all think!
Part 1 - Dirty Thirty | Part 2 - After Last Night | ao3
Kishibe doesn’t know how to be a good boyfriend.
It’s been almost a month since he and his girlfriend started dating. This morning, he displays a photo booth picture at his cubicle. She convinced him to do it while they were at the beach boardwalk this past weekend, and of course, he couldn’t refuse her. He never can, despite being opposed to corny shit like that. But even he can admit that the photos turned out decent.
Nobody is at their desk unless they’re filling out paperwork, so he doesn’t think anyone will notice. However Himeno, one of his current protégés, is keen, observant, and a goddamn nosey pest.
“Master, is this your girlfriend?” She points at the photo strip, a hint of excitement bubbling behind her typically calm demeanor.
Not wanting this to be a bigger deal than it needs to be, he casually answers, “Yes.”
“I see.” There’s a clever smirk on her face, as if she’s plotting something cheeky to say. He’s surprised when instead, she comments, “That is a very nice picture.”
He grumbles in response, not used to small talk involving his personal life.
“How long have you been dating?”
“Almost a month.” He pretends to be preoccupied with organizing all his forms, avoiding eye contact, wishing for this conversation to end.
“What are you doing for your anniversary?”
This gets his attention. “Huh?”
“Your one-month anniversary. What are your plans to celebrate?”
Finally, he meets her gaze, setting aside his stack of papers. “People celebrate that?”
“Well, couples do, yes.”
He stares at her, unsure how to react. It’s been decades since his last relationship, probably during grade school if he’s remembering correctly. Obviously, the standards have changed since then, but to celebrate a month of dating? It seems trivial to him. Then again, he hasn’t had a serious girlfriend as an adult. It’s going extremely well between them, and he doesn’t want to mess this up, especially only after a few weeks into it.
Too proud to ask his junior for advice, he takes his lunch break to eat a bowl of ramen while scrolling through his phone, searching every article he can find on how to celebrate anniversaries. He finds a few ideas that he can get on board with, and some he completely tosses out the window because of how fucking ridiculous they are.
By Friday night, the actual day of their anniversary, he has a plan. A little before 6:00 PM, he buzzes her in and waits for the familiar knock on the door. When he opens it, she greets him with a warm smile. “Kishibe.”
She wears a modest dress, having just come from the office. Overnight bag in hand, ready to spend another weekend here at his apartment. Once inside, she drops her belongings and wraps her arms around him. “Hi.”
He returns her embrace, inhaling the pleasant scent he yearns for on the days they’re not together. “How are you?”
“Tired. I’m ready for a nice, relaxing weekend with my boyfriend.” Every time she calls him that, his chest swells with an odd sensation. He hasn’t gotten used to it yet, but it’s not unwanted. In fact, he quite likes it.
As she removes her shoes by the door, he sneaks into the kitchen to retrieve the bouquet he purchased earlier from a local florist. Thirty red roses, one for each day they’ve been a couple. He read online that this is considered romantic.
He walks towards her with the bouquet in his grasp, her eyes and smile widening at the scene before her. “What’s this?”
“Happy one-month anniversary.” He thrusts the roses forward, hoping she takes it. She continues to stare at him with a big grin on her face.
“What?” He’s blushing now, nervous that this is all wrong. “Say something.”
She grabs the flowers, lifting them towards her nose to sniff. “They’re beautiful. Thank you.”
He clears his throat. “We also have reservations at your favorite restaurant in an hour.”
At this, she lets out a small squeal. “Really? You didn’t have to do any of this,” she says, face still buried in the flowers, clearly enjoying this.
“I wanted to.”
She sets the roses down on the counter, stepping towards him to tug playfully on his tie. “You really are the sweetest. I’m sorry I didn’t get you anything. I’m such a terrible girlfriend.”
“The worst,” he smirks, sliding his hands around her waist.
“Can I make it up to you?” She kisses him, slow and passionate, using his tie to pull him deeper. “Show you how sorry I am?”
He plays along, knowing exactly where this is leading. “You better be sorry. I’m pretty upset.”
“I hope you’ll find it in your heart to forgive me, then.”
“We’ll see.” They walk to the couch in tandem, gazing into each other’s lust filled eyes.
When he’s sat, she straddles him. “Do you remember the night we first met? We were right here on this couch.”
“How can I forget?” He roams up and down her back, the fabric of her dress silky on his calloused fingers.
“Well, my memory is a little hazy. Remind me.” She guides his hands to her chest, kneading her breasts.
“You’re being very naughty right now,” he mutters in his low voice. “First, no gift. Now this. Seems like you want to be punished.”
“Yeah, I do. I need to be punished. I’m a very bad girlfriend.” She peers at him with a desperate expression, eyes gleaming with desire. He can’t help but falter under her gaze.
“Fuck, you’re asking for it.” He lifts the hem of her dress over her ass, feeling for her panties. Sliding his fingers beneath the lace, bunching it in his fist it to bury between her ass cheeks, exposing her beautiful bottom. Perfectly bare for a good spanking. She sucks in a breath, anticipating it, aching for it. He presses a gentle kiss to her ear before delivering a loud smack, focused on the jiggle of her supple flesh upon contact.
“Fuck, baby. Do it again,” she demands, grinding on his lap.
He repeats, this time on the opposite side, massaging the tender skin after. “I don’t want to hurt you.”
She presses her forehead to his. “You never do. Don’t worry.”
They kiss as they strip their remaining clothes. Soon, they’re completely naked on the couch, her on his lap, kissing along his neck. He reaches his fingers towards her pussy, caressing his thumb on her clit.
“Baby,” she whines. “I want you inside me. I want to ride this cock until we both come.”
“Then do it, sweetie. I’m all yours.”
It’s reminiscent of their first time. They were hasty that night, desperate for a quick fuck with a total stranger. Indulging in wicked fantasies they both needed satiated. This time, it’s more intimate. He pays attention to the sound of her heartbeat, the warmth in her cheeks, goosebumps forming on the most sensitive spots of her skin, the angelic sounds coming from her lips. Memorizing it all until it’s ingrained in his mind.
His cock is sprung against his abdomen, already leaking precum at the tip. He grabs hold of his erection, rubbing the head onto her puffy clit, tapping it loudly. Wet slaps spurring her to rut into his lap faster. Her hands are clasped around her tits, fingers pinching at her hardening nipples, erotic as ever in front of him. It’s a captivating sight he’s seen before, but always marvels, still in disbelief at his luck one month ago when he first laid eyes on her.
He strokes himself, spreading precum along the shaft, though it’s not enough. “Spit on it, princess. Get it wet for me.”
She nods, bowing her head to dribble a warm stream of saliva down onto his cock, coating his dick. Slick enough, she lifts up to position him at her entrance, sinking down gradually until she’s sat on his lap again, wiggling her ass to get herself comfortable.
He hums, relishing the sensation of being nestled inside her precious cunt, holding her in a snug embrace. They stay like this for a moment, him sliding one hand around her breast, kissing her nipple.
“Kishibe,” she breathes out, eager for more.
He sucks it plump against his lips, flicking his tongue on it, listening for her pleasured moans with each lick. His cock twitches inside her, still hard, surrounded by her wet heat. The temptation to fuck her is almost irresistible; however, seeing her in this blissful state is too marvelous to rush.
“Baby, fuck,” she whines, as he works on her other tit, pulling it taut with his mouth. It’s his favorite, witnessing her unravel on top of him. And tonight is a celebration. It makes it all the more special.
Releasing her, he leans back, holding her sides once more, watching her slowly rock back and forth on his thighs. “Go ahead. Ride me. Fuck me till we both come. You can do it.”
Using her knees for leverage, she rises slightly, keeping just his tip inside, them sinks back down, repeating so that she’s bouncing on his cock steadily.
“There you go. Use that cock, baby. Just like that,” he whispers, staring at his dick disappearing into her pussy. He stays still, letting her do all the work, resisting the urge to slam his hips into her. He wants to savor this, indulge in it as long as he possibly can.
Cupping her face, he teases her lips with his thumb, slipping it inside her mouth for her to suck on. She holds his wrist, sticking it further down her tongue, spreading her saliva around him. He pulls it out, a string of shiny spit connected to her lips as he reaches down to touch her clit.
“Ah, Kishibe. That feels so good,” she praises, riding him faster.
“You’re getting close, I know it. Come for me, baby. Make us both come.” He holds her close, tongues slipping into each other’s mouths, messy and wet. His thumb toys with her swollen clit, her wanton moans vibrating against his lips. His abdomen is clenched tight, ready for release. He wants to spill inside her, give her his all, just as she does for him.
Unable to resist any longer, he grips her bottom, holding her in place. He starts thrusting up into her, feet planted firmly to the floor, couch squeaking with every plunge of his hips. She’s tight around him, slick already creamy on his shaft, her fingers rubbing fast on her bud to reach her climax faster. Her high-pitched whimpers and obscene squelches of arousal spur him on, driving him further and further off the edge. They come together, cum filling up her pussy until it’s leaking between them, the sticky aftermath evidence of their passionate love making. They catch their breaths, Kishibe relaxing on the couch as she slumps over him, face buried in his neck. Soon, she starts giggling. He can’t help but join.
“You really are a terrible girlfriend, making me come right before dinner,” he teases her.
“I had to do my part after you planned such a lovely evening.” She sighs happily. “I’m so lucky to have a thoughtful boyfriend.”
“It’s really nothing,” he waves off.
“It’s definitely something. I’m truly so lucky,” she reiterates, nuzzling comfortably against him. “So lucky.”
A while passes before he reluctantly suggests, “We should get ready soon.”
“Wait. Let’s just stay like this for another minute or two,” she murmurs, clinging to him tighter.
He chuckles, thankful she suggested it, because that’s exactly what he wants to do too. “Okay. Whatever you say.”
“Happy anniversary, Kishibe.”
“Happy anniversary, princess.”
~~~
The first time Kishibe tells you he loves you, he’s drunk.
He has an assignment outside of the city, food and lodging included, staying at a hotel with his protégé, Himeno, who you’ve met several times in the three months you’ve been dating. You’re well acquainted with her, so much so that you even have her number, in case of emergencies. However, she often texts you anyways just to chat, which you don’t mind at all.
On the last day of his mission, he informs you that he’ll be out for drinks with his partner and a few other members of Public Safety. It must have been a successful job, considering there were no deaths, either civilians or devil hunters. It’s always a relief, knowing that Kishibe has survived another day.
You lie in bed, scrolling through the myriad of texts you’ve exchanged with him over the past week. Although he considers himself a man of few words, he never fails to send you a message whenever he can, whether it’s a good morning text, a quick check in, even a snapshot of what he’s eating that day. Tonight, he barely contacts you, busy celebrating with his comrades. You can’t blame him, but there’s no denying it; you miss him.
Being in your own bed on a Friday night, in the dinky apartment you share with your not-so-stellar roommate, is a feeling you’ve happily become unfamiliar with. You wish you were in Kishibe’s luxurious king-sized bed instead, snuggled in his strong arms, being kissed and licked all over. His gruff voice hot in your ear, whispering sweet nothings that make you melt.
Without thinking, you send him a text, simply stating I miss you. You don’t wait for a reply, distracting yourself with a show, surrounded by blankets and pillows to fill the void left by his absence. When did you become so needy?
On the verge of sleep, the vibration and ping of your phone stirs you awake. It’s almost 11 PM. Your heart flutters, hoping it’s your boyfriend. You’re surprised to see Himeno’s name on the notification.
It’s a picture of Kishibe, slumped over at a table, clearly drunk. His other colleagues pose beside him, some waving peace signs, others sticking their tongues out, all of them holding beers. You chuckle at the image, happy to see all of them smiling and lively. Even if your boyfriend is intoxicated out of his wit’s end, at least you know he’s alive. Death is a new fear you’ve inherited since being seriously involved with a devil hunter. You spend every waking moment together, treating it like it’s your last, because you never know if it is.
As you admire the photo, you suddenly get a call from the sender. “Hello?” you answer.
Himeno’s voice is soft through the speaker. “Hi there, friend. Did you like what I sent you?” You imagine her leaning on the wall outside the bar, preparing to smoke.
You laugh. “I do. Thank you for that. I hope he’s not giving you too much trouble.”
“On the contrary, he was our source of entertainment tonight.” On the other end of the line, you hear the drag of her cigarette.
“Really?”
She lets out a puff before answering, “Yes. He wouldn’t shut up about how amazing his girlfriend is.”
A rush of heat surrounds your cheeks, either from flattery or embarrassment. “What?”
“He kept gushing on and on about you, it was non-stop.”
“That doesn’t sound like Kishibe. Are you sure you’ve got the right one in there?”
“Oh, I’m sure,” she chuckles. “To be fair, he’s had quite a lot to drink. And his tolerance has turned to shit. What’s up with that?”
You’ve recently noticed the subtle changes in his drinking habits. His flask stays on the dish rack all weekend, coincidentally whenever you’re visiting. He rarely orders liquor when you’re out to dinner. He only indulges in a bottle of wine the two of you share occasionally over a home-cooked meal.
“I don’t know,” you answer, not wanting to admit anything on Kishibe’s behalf.
You hear her hum in response, taking another hit of her cigarette. “I think it’s because he’s happy. He doesn’t need to forget anymore because he’s got you.”
The words hang tight in your throat, leaving you speechless.
She giggles faintly, aware of the depth her statement holds. “Anyways, I called in case you want the address to our hotel. Master is staying in the room right next to mine. Given the state he’s in, he may need his lovely girlfriend to take care of him.”
You think about this for a minute, still reeling over her touching sentiment just a few seconds ago. Before you can refuse, she offers, “I’ll call you a cab and charge it to work. Consider it a service you’re fulfilling for Public Safety, assisting our highest ranked Devil Hunter.”
Eventually, you agree, thanking her for the idea. She chats with you a while longer as you hastily pack a gym bag with all the essentials, excited to reunite with Kishibe. You hang up with her once you’re out of the apartment, cab already waiting for you. Ten minutes to your destination, you text Himeno your status, allowing her time to bring him back to the hotel to meet you.
You’re waiting in the lobby when you hear the doors open to see Kishibe hunched between Himeno and another colleague. Her face lights up when she sees you, prompting her to nudge him in the ribs. “Hey, Master. Guess who’s here?”
He lifts his head up slowly, eyes completely blitzed, as he rasps, “Huh?”
You approach them, grinning from his ridiculous expression. It takes a while for him to process, blinking rapidly, as if correcting his vision. When he finally realizes it’s you, he stands up a little straighter and whispers your name.
“Surprise,” you say, waving in front of him.
He repeats your name again, removing himself from his coworkers to wrap his arms around you. The smell of liquor is intense, indicating just how drunk he really is.
“I guess our work here is done,” Himeno smirks. “I think Master is in good hands now. Let’s go, Arai.” She passes you the key card to the room, giving you one last wink before they leave towards the elevators.
“Kishibe, let’s go to the room now,” you tell him, his body drooped over you.
“Don’t leave me,” he whines, voice husky from inebriation.
“I’m not, we’re going to your room together,” you explain, rubbing his back. “Can you walk with me to the elevator?”
He nods languidly, dragging his feet beside you as you make your way up to his room. Inside, he immediately shrugs his overcoat off and collapses into bed face first. You sit at the end of the bed, patiently removing his shoes from his feet.
In the bathroom, you soak a small bath towel in warm water, wringing out any excess liquid. You grab a fresh bottle of water from the mini fridge and crack it open, pouring it into a glass for easy access. Kishibe grunts into the pillow as you sit beside him, rolling him over so he’s face up. When he sees you, he grins. “Am I dead?”
“Of course not, sweetie,” you answer, placing the warm towel on his forehead, gently pressing your palm on top.
“Then why is there an angel here with me?” He lifts his arm to point at you.
“You’re so ridiculous, you know that?”
He reaches for you, tugging at your sleeve. “The only thing that’s ridiculous is how fucking beautiful you are.” He lays your hand on his cheek, nestling into your palm like a puppy. It’s a side of him that you’ve seen brief glimpses of, but never to this extent.
“You’re drunk,” you tease him, tapping your thumb at his chin.
“Drunk in love,” he replies, chuckling to himself.
Love. Maybe you’re both too old to put such meaning into words. There’s no doubt that it’s there, never admitted out loud. Why bother saying it when it’s so obvious?
You caress his cheek, tracing the scar that you love so much. He’s told you the story behind it more than once, each time, a new detail added that you tuck away into your treasure box of him in your brain.
You love everything about him. His past, his present. Flaws and perfections, or the lack thereof. He’s rough around the edges, definitely not sugar-coated, even a bit intense. His immense strength is hidden beneath his stoic demeanor, reserved specifically to hunt devils, never fully revealed to you. Still, you feel safe with him, as if all potential dangers are thwarted in his mere presence. You’ve heard it enough to know that he’s a force to be reckoned with, a serious outlier in a job where young people die and growing old doesn’t exist. He’s the exception.
And you’re the same for him. A life beyond the confines of devil hunting. An escape that doesn’t involve a bottle. A chance at normalcy in a world where nothing for him is normal. It almost never happened. The first night you met, he warned you about his lifestyle, watched you walk away for your own sake. And now, you’re the exception.
He gazes at you with half-lidded eyes, still intoxicated, but fully aware. Smiling, he whispers your name. “I love you.”
You stare at him, startled by his candid confession. The words are on the tip of your tongue, easy and effortless, because you truly feel it. But you don’t say it back, thinking he’ll forget this conversation in the morning. You want it to be special, not in the midst of his drunken stupor.
So, you keep quiet, gradually removing his tie, unbuttoning his shirt, and loosening his belt. After you change and brush your teeth, you return to him, coaxing him into drinking water, which he does, before you both settle under the covers, cuddling. Eventually, he falls asleep, you following him soon after.
In the morning, you wake up to Kishibe caressing your cheek, delicately petting your temple. He’s turned towards you, shirtless and smiling. “Good morning, princess.”
You bite your lip, happy to see him. “Good morning.”
“You surprised me last night, didn’t you?” He pulls you in closer.
You burrow your face against his bare chest, last night’s booze almost completely worn off. “You can blame Himeno for that. She’s very convincing.”
“I’ll make sure to thank her. Somehow, she knew that I needed you.” He cradles you, kissing your forehead. “By the way, you owe me something.”
“What?”
“You know what.”
You look up at him. “You remember?”
“Of course I remember.” Pressing his forehead to yours, he whispers, “I love you.”
The second time Kishibe says it, he’s completely sober. And this time, you say it back.
~~~
When he asks her to move in with him, he almost doesn’t go through with it.
It’s a Sunday morning. They’ve been dating for six months now, spending most of their time in his apartment, snuggled in his king-sized bed. She often complains about her place, the typical grievances of an adult woman living with a roommate she doesn’t particularly get along with. But it’s not her woes that convince him to ask her. It’s his own selfish desires.
He wants to wake up every single morning to her pretty face, to that warm smile that ignites every nerve in his body, that cute laugh that plays like the most majestic melody in his head. He doesn’t need drugs or caffeine to give him that energy boost. He needs her.
Today is different than other Sundays. She warned him the night before; she needs to leave early to attend to some roommate business. They’re having issues with the refrigerator, and she, apparently, needs to be there to deal with it.
They cuddle in bed, enveloped by blankets and body heat, kissing each other softly. This usually leads to something steamy, but not today. When she pulls away to get ready to leave, he’s disappointed, enough that he mutters, “Don’t.”
She turns to face him with a confused expression. “Don’t what?”
He pauses, doubting himself if this is the right moment, so he keeps quiet.
She returns to the bed, hopping on top of him, palms at his cheeks. “Don’t what, sweetie?”
“Don’t leave,” he musters, through gritted teeth.
Giggling, she nuzzles her nose against his. “You know I have to.”
“You don’t. Not if you live here with me.”
“Are you asking me to move in?”
“Yeah, I am.”
She squeals, smile incapable of being any bigger. The reaction he was hoping for. “Took you long enough. I can’t believe I get to live with you.” She kisses his scar, then his forehead. “My baby.” A smooch on the lips. “My new roommate.”
He keeps her there, kissing her deep, tongue slipping inside her mouth. She moans into him, grinding her hips on his lap.
“I’m taking this as a yes, then?”
She nods, sucking on his lower lip. “Mm-hm.”
“Don’t you have to meet your roommate soon?” he reminds her, slipping beneath her shirt to fondle her breasts.
“I don’t fucking care anymore. I’m going to be living with my boyfriend soon. She can get mad at me all she wants.”
He never gets sick of hearing her call him that. Her boyfriend. He’s hasn’t been anyone’s for the longest time. It feels good to be hers. “Are you still sore from last night?” He reaches his other hand down to rub her clit over her panties.
“A little bit,” she answers, scattering kisses along his neck.
“Let me eat it then,” he whispers, sucking on her ear lobe, slipping past the fabric to slide his finger up and down her folds. “Ride my fucking face. Give me my breakfast in bed. Want to eat this pussy until I’m full.”
It’s safe to say that the relationship with her old roommate is properly ruined this day, in favor of her new one.
~~~
Kishibe is the first to mention having kids.
A year into your relationship, he tags along to your niece’s birthday party. The mother, Hina, who is your best friend, has already met Kishibe on multiple occasions, but never in a setting like this. A children’s party is another level of crazy that even the insane devil hunter himself might not be able to bear.
After the usual round of greetings, your niece, Maki, immediately stands in front of him to peer at his face, curious. In his gruff voice, he greets, “Happy birthday, Maki,” proceeding to pat her awkwardly on the head.
She continues to stare at him, a glint of suspicion in her expression. “Are you an FBI agent or something?”
For some reason, he decided to wear his work attire to a children’s party. You’re trying to contain your laughter as he clears his throat to answer her. “Actually, I am a devil hunter.”
Maki’s eyes go round. “Devil…hunter…?”
“Yup.”
Without taking her gaze off of him, she starts yelling for all her friends, who come running immediately, all marveling at Kishibe. He glances at you, brows twitching slightly in concern. All you can do is grin at him, knowing he’s in for it.
For the next hour or so, the kids take advantage of this opportunity to entertain their premiere guest, challenging him to see how many of them he can carry at once, demanding to be shown his “special” moves, even go so far as to gnaw at his overcoat, acting like true devils. He takes it all in stride, his stoic expression cracking occasionally into the tiniest smile.
You sneak him a few slices of pizza as he bicep curls three of the kids, including birthday girl Maki. Before he eats, he gives you a smooch on the cheek, indicating that he’s actually enjoying himself.
From the other side of the room, you sit next to Hina, who’s carrying her other child, baby Kenji. You’re playing peek-a-boo when your friend asks, “So, do you think you and Kishibe will ever have kids?”
“We haven’t even talked about marriage yet, we’re for sure not thinking about kids.”
“You two don’t talk about that stuff?”
It’s been a year now since you’ve been with Kishibe, and it’s still going extremely well. You’ve been preoccupied with enjoying the relationship that you haven’t thought to discuss important matters yet. You shrug and answer, “No, not really.”
“Well, don’t you think you should bring it up?”
You think for several seconds before answering, “We’re taking it one step at a time. We’re fine where we’re at now.”
She gives you a look, as if she wants to say something else, but she ends up dropping it. Maki’s voice rings out from the living room, calling for her. “Oh shoot, can you hold Kenji for a bit? Maki needs me.”
You agree, holding your arms out to cradle him. He peers up at you with the whimsy and wonder that most babies radiate. You smile, finding a comfortable position to hold him in.
“You’re a natural.” You look up to see Kishibe standing in front you, a birthday hat on his head, probably forced there by the rugrats.
“And you’re a hit,” you reply, grinning. “The kids love you. Are you having fun?”
He removes his hat to place on you instead. “I don’t mind it.” He hovers over your face to give you a playful pinch on your cheek.
Kenji starts to fuss, to which you focus your attention back to him, cooing until he’s peaceful again. From your peripheral, you spot your boyfriend watching you intently.
“You’d make a good mother,” he states, quietly.
You look up at him, surprised by his statement. “Really?”
“Yeah. You look good like this,” he comments, nonchalant, as if he’s playing it off. You remain silent, still unsure how to respond.
Then, he comments, “I think we’d be good parents, you and I.”
“You do?” You beam at him, impossible now to contain.
“Yeah. We’d be great,” he reiterates, gazing at you with a soft, loving expression.
On the drive home from the party, Kishibe rests his palm on your thigh as he steers with the other. There’s a new vibe between you now, knowing that you’re both on the same page about having children. He actually seems excited about it.
Back at the apartment, after you put away all of the leftovers from the party, you both retreat into the bedroom to change. While you’re stripped almost bare, aside from your bottoms, he approaches you, hugging you from behind as he kisses your nape.
You giggle, craning your neck to face him. “What’s gotten into you?”
“I can’t stop thinking about it,” he whispers, grazing your ear with his lips.
“About what?”
“Making a baby with you.” His voice is low and sultry as his hands glide to your waist, slowly slipping under the elastic of your pajamas.
“Are you serious right now?”
“Mm-hm.”
His fingers find your pussy, rubbing the fabric against your clit. The other hand tugs your pants past your ass, causing them to fall to the floor, bunched at your ankles. You let out an exasperated moan, almost annoyed at his timing, but most definitely turned on. You lift your feet to shove your clothes away, reaching behind to palm his erection. Of course he isn’t wearing clothes, clad in only his boxer briefs, which are tight around his growing bulge. You’ve been ambushed, and you don’t know whether to be worried or horny. Probably the latter.
Within a minute, the two of you are naked on top of the bed, not bothering to lie under the covers. He kisses you all over your body, starting at your needy lips, dragging his tongue down to abdomen to nestle his face into your plush stomach. Seconds later, his mouth is surrounding your clit, swishing his spit, swirling his tongue, your whimpers filling the room. You spread your thighs wider, grabbing onto the top of his head, binding his hair into a fist to pull him off when it gets too sensitive. Though he never lets you, always relentless when he eats you out.
When you come, he slurps on your slick until he’s satisfied, dipping his tongue deep into your pussy walls, collecting every drop of you into his mouth. Once he’s finished, he climbs on top, kissing you on the lips, still wet with your arousal, tasting it for yourself. You wrap your fingers around his hard cock, stroking him before he stands at the edge of the bed, pulling you towards him to position himself in front of you. You hear him open the bedside drawer, retrieving the regularly used bottle of lube, the snap, squelch, and click a familiar sound.
He guides his dick into you slowly, pulling away at the slightest resistance, only to thrust back in gently. Your cunt squeezes around him as he fucks you, bent over your chest to suck on your nipples simultaneously. Without warning, he releases you from his mouth to hoists your legs up onto his shoulder, cock plunging farther into your pussy.
Surprised, you cry out, “Kishibe!”
His eyes are wild, an animal in heat, fucking you harder and deeper. “I want to fuck a baby in you just like this. Breed you until you’re round in your belly.” He slides his palm over your stomach, stroking around your navel. “Right here.”
There are tears in your eyes from the pleasure, your throat dry from the excessive moans he’s drawing out from you. All you can do is take it.
“You fucking love this, don’t you? I’ll be such a good daddy to you and our baby,” he grunts.
You nod your head erratically, babbling, “Fuck, I want that so bad. I want that so bad, daddy.”
He chuckles, breathing staggered. “You like calling me daddy now, knowing I’m going to breed you. Knowing I’m going to give you my fucking seed.” He’s hitting your sweet spot over and over, fingers rapidly toying with your clit.
“Fuck, right there!”
“Daddy’s hitting it good, huh? Giving it to you so fucking good. Gonna fill this pretty pussy with all of my daddy cum, isn’t that right, princess?” He huffs filthy words at you, completely immersed in whatever carnal instinct is controlling him in this moment.
You tremble all over, skin hot with passion as you climax. He pumps his cock into you, spilling his load until his balls are emptied out. He pulls out slowly, watching his creamy cum leak out of your slit, enjoying it like a masterpiece that he helped paint.
He lies beside you, both of you calming down from your orgasms. “Was that too much?” he asks, rubbing your belly again.
“No. It was great,” you reassure him, smiling as you cover his hand with yours, entwining your fingers. “Didn’t think you’d have a baby fever all of a sudden.”
“To be fair, I wasn’t sure I wanted kids. Not since recently.”
“Really? Why?”
“Because now I have a chance at a life like that. I never knew that was possible for me until I met you.”
Your heart swells at this, blinking your eyes to rid any residual or oncoming tears. You lean close to kiss him softly on the cheek. “I love you, Kishibe.”
“I love you too, princess.”
~~~
He proposes on a sunny afternoon in the middle of the week during spring. Cherry blossom season.
A few months ago, on a whim, they went ring shopping, for shits and giggles. She got her finger sized, which he noted, and she gazed at a particular ring for a good two minutes, a twinkle in her eye that was unmistakable. He knew that was the one, just as he knows that she is the one.
He bought it two weeks later, and since then, it’s been in his pocket, rolling around in there for months now. He’s been close a few times already, grazing the box with his fingers, ready to whip it out during an especially romantic moment. Still, it never felt right.
That is, until today.
They’re both on their lunch breaks, walking off their meal at a nearby park, fingers interlaced seamlessly. This has become routine for them, something they’ve become used to. But every time, he craves it more and more. The intimacy of it. The normalcy of it. He’s getting accustomed to feeling human, and not solely a devil hunting machine. And it’s all thanks to her.
It’s been two years now, living together in domestic bliss, practically inseparable, aside from their day jobs. He’d carry her around in his pocket if he could, or he’d shrink himself down to be in hers. Either way, he wishes they were always with each other.
He’s become a man dependent on a woman. If you’d ask him three years ago if he’d ever become like this, he’d scoff and deny it. Now, he doesn’t bat an eye to admit it. He’s fucking needy, and unashamed about it.
They are by no means perfect. A relationship without flaws doesn’t exist in the real world. They argue, as regular couples do, but never going to bed angry. No matter who’s right or wrong, they both listen to each other and talk it out. What he loves about her is that she’s neither a dream nor a fantasy; she’s real. Perfectly imperfect, just as he is. He never has to worry about waking up and finding out it was his imagination all along. He knows she exists by the way her body feels around him, the warmth of skin against his, the lingering scent of her shampoo on the pillows and sheets. Bits and pieces of her scattered through their apartment, mixed with traces of him, combining into a beautiful, cohesive mess.
Kishibe never considered himself a sentimental person, not until her. Now, everything has meaning. Nothing is too little or insignificant to cherish. Movie stubs, blurry polaroid pictures, a Dirty Thirty! sash and sparkly tiara still hanging on the corner of the vanity. It’s reminders that their time together has never been wasted, especially when life can be cut short in any moment.
They find a park bench to sit at, watching soft, pink petals float lazily through the breeze. She rests her head on his shoulder, observing all the blossoms falling from the trees. “I wish we could stay like this forever. I don’t want to go back to work.”
He squeezes her hand, hoping his palms aren’t sweating. “Me too.” It’s rare for Kishibe to be nervous, but for some reason, he is. In his pocket, he feels for the vechalvet box, housing the ring. Second guessing himself if this is really right.
“Let’s run away. Quit our jobs and live off the grid,” she teases. It’s not the first time she’s joked about it. They often do, wishing they could neglect the responsibilities of the real world to indulge in each other endlessly.
“Why don’t we get married first. Then we’ll plan our escape.”
“We’re practically married, aren’t we?” She nuzzles her cheek against him. “I already consider you my husband.”
He swallows hard, adrenaline coursing this his veins. The moment finally here. “Let’s make it official then.”
It’s a Wednesday afternoon, as mundane as the last, when Kishibe asks her to marry him. It becomes the most special day of his life because she says yes.
--------------------
End Notes: Thank you all for reading this Kishibe fic! I hope you enjoyed reading just as much as I enjoyed writing it. :)
Taglist: one of my fave people on here @liliorsstuff-blog! thank you for always showing me love and supporting me, love you! 💜
#kishibe#kishibe csm#chainsaw man#kishibe smut#kishibe x reader#kishibe x you#kishibe x y/n#chainsaw man smut#csm smut#csm kishibe#kishibe brainrot#chainsaw man kishibe#dirty thirty#primetime
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K NO BUT CAN WE TALK ABOUT IT.
cause yeah ttpd is SO boring. like i know most of the songs are 3+ min but tbh most of them don’t sound like songs! gun to my head i couldn’t tell you the difference between the prophecy the manuscript chloe or sophia or marcus or whateverthefuck that song is called.
i miss when she put actual effort into her albums, like red. like the tv of red is so amazing, but with 1989 tv it just feels SO lacking especially in the production, and the vault songs don’t even sound like songs! like with red and fearless and even speak now we got fully produced songs that felt special, but with 1989 tv and 80% of ttpd it sounds like scraps she picked up from the floor and glued them together to make a semblance of a song and it’s so disheartening from someone who has genuinely loved her music for years and the different eras but now it all sounds the same
yeah i've been vocal about how much I dislike her new stuff dating back to midnights. i really DON'T LIKE this stripped down, minimalistic synthpop where everything is the same note and there is not a single drum or guitar and i found midnights quite frankly very underwhelming upon its release, but i figured to each their own; besides, taylor's sound famously always evolves in between eras. but she never departed from that direction, which i honestly don't know who to fault for... is it because she genuinely likes it and thinks it's her forte? (it's not. her forte is dramatic storytelling and epic guitars. her forte is speak now and folklore!!) is it because jack and aaron pull her in that direction? is it because she comes to them with half-assed ideas and they're too reluctant to go against their wishes? is it simply mass production of songs? idk, but what she knows is that she could release out a voice memo of her singing the abcs and it would go platinum.
the 1989 vault tracks were the ones i was looking forward to the most, and they were truly disappointing... 1989 had a clear line of production that i loved, but all of the vault tracks were CLEARLY produced after (or during) midnights. now it all feels like midnights rejects that didn't make the cut, and to be honest the last release that felt like it really belonged on its original album is all of the girls you loved before (and sntv vault tracks i guess, i didn't like them tho)
but even THEN midnights was bearable because it had highs (songs that were different, like snow on the beach; or songs that were poignant, like yoyok) but ttpd ... ttpd is unforgivably BLAND. all the songs mesh into one another, even without the sour aftertaste of matty healy the lyrics are abysmal in comparison to what she's come up with before. theres a few good songs hiding in there (so long london and who's afraid are my faves (but once again im gonna hunt down the coward who couldn't make it an actual ROCK song as it shouldve been), i hate it here could also be cute were it not for the corny gen-z title and horrible horrible 1830s lyric), but theyre all undermined by this boring ass coating that envelops the whole album and also drowned out by the sound of 31 SONGS (!!!!) 31 songs is like thrice the size of some albums and it's TOO. MUCH. doesn't give room for the good songs to shine and also pollutes the air with tracks that clearly should've never left taylor's diary. (ttpd song, bdilh, guilty as sin etc are all SO BAD AND ICKY theyre unforgivable)
i've said this before but taylor is truly the mcu of the music industry: she has an incredibly strong and devoted fanbase, she's easily accessible (as in she makes fun pop and pop rock with easy lyrics and hooks which is something MOST of the general public enjoys), she comes out with several new installments a year (of varying quality...), and the longer it goes the more enjoying her and her music requires an encyclopedic knowledge of her previous works (with all the references, easter eggs, etc). and im really sad to think we'll never see the daring taylor that released red when everyone was highly skeptical of the mixed pop/country sound, or the taylor that has the range to make both better than revenge and ivy.
#ask.#.lindsay#taylor swift#putting this in her main tag idfc#if you wish to know the song that prompted that original post i made about ttpd was the alchemy lol#it's so boring omgggg... listening to it i was like wow i really cant defend this one against lame straight males...
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29! Curious about which songs or albums that influence your sniperspy work in general and your thoughts. Thank you!
29. If you made a playlist, talk about the songs on it and share a link
Haha, I do have a sniperspy playlist HERE, though I can't say it's very good. I usually just throw a bunch of songs together when I want to noodle around with an idea. I like writing same fraction, but most of these are for cross fraction.
You already know about Bully by Black Pistol Fire but that's usually my go-to for enemies-to-lovers. (And obvs Deadbeat Graffiti, their enemies to lovers album, LOL.)
One song that is HIGHLY accurate to what I think is ~*omg so them*~ is I Can't Decide by Scissor Sisters. A country twang, a slide whistle, deranged silly lyrics; absolute clown music. So it also has the bonus of fitting within the silliness of the TF2-universe. The whole vibe!
Unfortunately, it does not make a good song to write to, lol. I get distracted. It's very catchy. These two bits always make me smile;
Fuck and kiss you both at the same time Smells like something I've forgotten Curled up died and now it's rotten
and also;
I've got to hand it to you You've played by all the same rules It takes the truth to fool me And now you've made me angry I can't decide Whether you should live or die
I can name more lyrics (it's a bitch convincing people to like you / If I stop now call me a quitter / If lies were cats you'd be a litter) but then I'd be typing out the whole song!!
Choke by IDKHBTFM is also a good one for cross fraction and made me consider writing some asphyxiation kink, but more than that, I think there's a good 70s rock rift to it--so it's an ALMOST appropriate for that time period. If I made a true sniperspy playlist for public posting I usually like to... keep the songs vaguely period accurate. But eh.
There are very few same-fraction songs that I would pin down as The Song, but I'm fond of Dark Times (which is a ballad duet between Ed Sheeran and The Weeknd). BEFORE YALL LAUGH, IT'S VERY GOOD. The song is pretty fucky. Some lyrics I adore and think a lot within a same fraction sniperspy context;
Waking up, half past five Blood on pillow and one bruised eye Drunk too much, you know what I'm like But you should've seen the other guy
This ain't the right time for you to fall in love with me Well baby I'm just being honest And I know my lies could not make you believe We're running in circles that's why
and obviously;
Light one up, let me bum a smoke, Still coming down, dripping throat, I got another man's blood on my clothes But it ain't his fault, it's the life I chose
For me it gives the image of them in bed together, just talking about their day killing people, lol. It's very sweet in a morbid way. And my favorite sniperspy core theme is in the lyrics "ain't the right time to fall in love" so I'm bound to love the song for them.
However, the biggest joke here is that I mostly write to hyper-pop, 90s love songs, kpop, and early 2000s club music. If I play something that actually reminds me of sniperspy I simply stop writing and daydream. u_u
---
ETA: ANSWER PART 2: aka why I shouldn't blabber straight off the work shift then hop in the shower with music then suddenly remember BIC RUNGA!!!!!!!!!
Okay, so i DO have a same fraction sniperspy songs in my secret playlist that i won't link because even I know it's just kinda A Lot but I will not be ashamed about Bic Runga, New Zealand's pop princess treasure--and this is just MY taste in music so fuck trying to match the tf2 time period and vibes this is ALL ME AND THE BLORBOS I MAKE KISS, BABY.
Something Good - I have titled my fic request compilation after a lyric "let you get your way" which, you know. Corny. As well as "just might come crashing". bro I wrote that whole fic to that song!! I love it for same fraction sniperspy so much. It's kinda hopeful but, like, rifts on the No Romance policy I imagine they have.
If I were honest I'd tell you everything But it keeps coming out as lies It's not a promise In case you're wondering It's not some blessing in disguise
IT'S NOT SOME BLESSING IN DISGUISE!!!! YEah!!!!! Yeah that's what I'm TALKIN' ABOUT!!!
Sway - *blood visibly dripping from my mouth* Listen. It's just a good tune, man. I think they ARE sweet on each other but this song is both sweet but guarded and just kinda yearning. Sway my way!! Don't come and go like you do!!!!
Don't stray, don't ever go away I should be much too smart for this You know it gets the better of me
sorry to sound insane, but there you go. what more can I say. i love the song itself. this is otp-pilled bullshit.
And there's no cure, and no way to be sure Why everything's turned inside out Instilling so much doubt It makes me so tired, I feel so uninspired My head is battling with my heart My logic has been torn apart
Other Big Runga Songs to consider:
Honest Goodbyes: honest goodbyes only work once or twice / they work once or twice / then the rest must be lies
Get Some Sleep: Putting on my daytime eyes / a good enough disguise
ok i think im done.
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Hi!! I saw that headcanon requests for the Repugnant members was open and as a Repugnant stan I can't not join in (I love yalls headcanons btw, you're kinda who inspired me to do headcanons but I'm too nervous to reveal who I am at this exact moment)
Could you do headcanons of the Repugnant members (or just Mary if you don't wanna do all of them) catching their S/O trying on their clothes and making silly poses in the mirror with their instruments/drumsticks?
Repugnant catching their s/o mimicking them in front of a mirror
Mary Goore
They've been looking for their favorite leather vest for a while now.
After a while they've figured out they must've left it at your place when they were over last time.
So they simply went to your place and got in using the spare key you gave them.
They would have to come over soon anyway. Since they also left their guitar at your place as well, deciding to leave it there for a while after you asked them to teach you a few riffs.
They didn't hear you do anything at first, so they just assumed you weren't around.
Until they came over to your bedroom and heard not only their guitar, but also their partner trying to imitate their growls, clearly trying to do your own little attempt of a Repugnant concert.
They leaned against the doorframe like a lesbian would (something DD teased them about relentlessly) and watched.
You even nailed the little speech they gave before Morbid Ways.
And then, just as you were about to announce the title of the song, you heard a familiar voice growl it out instead.
"Mary?! The fuck, dude?! Scared the shit out of me!"
And they just grinned, pulling you into them with a corny "Mary Goore 2.0" joke.
And then, finally taking their vest off you... as well as the rest of your clothing.
Yup, they fuck you over it.
Are you really surprised?
DD Sars (fwb, not s/o)
He was getting frustrated, not able to find his favorite shirt.
He spent the night at Mary's, since he got wasted last night and their place was simply closer to where he was.
Yes, they did fuck. But that's besides the point.
He ended up taking one of Mary's shirts before heading home.
And as it turned out, you decided to stay for the weekend again. Which was fine, of course. He gave you a key for a reason.
Though it did surprise him a bit to hear his guitar playing "From Beyond the Grave" in his bedroom.
And so he sneaked in there to see you. In his favorite shirt, with his guitar. Imitating the glare he would always give Mary when they started to say dumb shit on stage.
And seeing that made him snicker, which in turn absolutely fucking terrified.
"What are you doing here?!"
"I live here, you stupid cunt."
"... oh. Right."
He's gonna make fun of you for a month.
G. Grotesque
He loves his family. But he also loves his bass. So when his aunt decided to visit his family for a weekend, he wanted to make sure his precious instrument was safe from his very young cousins.
Naturally, he left it with you. His darling, his sweetheart, his pookie, the love of his life, his beloved partner.
And now he was going to visit to pick his bass back.
Maybe (hopefully) get a cuddle session.
And a few kisses.
Okay, lots of kisses.
And since he decided to make this a surprise visit, he did not expect to see you attempting to do a riff from "Another Vision" in his battle jacket that he forgot at your place.
You were failing miserably, hitting the correct notes with luck instead of skill, considering you didn't even hold the guitar properly. Clearly more focuses on making silly poses than actual music.
And fuck, it was absolutely adorable in his eyes. He didn't have the heart to stop you.
Once you finally notices him, the just hugged you, kissing all over your face and repeating how cute you were.
E. Forcas
You felt cold while watching a movie together at his place, so he gave you one of his grey hoodies to warm you up.
And after the movie, he went to make you guys more tea. He had those cool, really big cups that you really liked.
And as you waited in the living room for him to come back from the kitchen, you could hear his fingers drumming against the kitchen table. Sometimes you wondered if he even realized he did that, or it was just a habit of him drumming whenever he had nothing else to do with his hands.
Speaking of drumming, as you waited, you got bored, too. And then you saw his drumsticks. And so you picked them up, pretending to play the drums, imitating the sounds it would make with your mouth.
You didn't even realize when he came back, somehow managing to always be almost completely quiet. But you did realize what you were doing when you saw his amused, yet adoring look.
"I've... made an idiot out of myself, huh?"
He just patted your shoulder before quietly offering to let you try doing it again, but on his actual drum set.
The way your eyes lit up in excitement told him everything.
He showed you a bit of how to play some of their songs. Slower than he would actually play them on stage, of course.
While you had something else planned originally, there was something very endearing in seeing you play (well, attempt to play) his instrument, so he just let you have your fun.
~
Written by Nosferatu (Jez).
Taglist: @copias-fluffy-asscheeks @tuttifuckinfruttifriday @calliedion-dungeon @randominstake @callmeicaro @nuntia @thermodynamic-comedian @vampyrolesbos
#ask#anon#repugnant x reader#repugnant band#repugnant#repugnant band x reader#mary goore#mary goore x reader#dd sars x reader#dd sars#g grotesque x reader#g grotesque#e forcas x reader#e forcas
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I remember seeing someone wonder why no one does literary analysis of popular music. I don't have very many mutuals, but if it was one of y'all then this post is for you.
Title And Registration by Death Cab For Cutie communicates the mental and emotional state of its narrator with such efficiency and precision that I cannot let it go unnoticed any longer. The song, read literally, is about a person being stopped by the police and looking for their title and registration papers in the glove compartment and finding a picture of their ex.
The song is absolutely brilliant for communicating structurally how much the narrator doesn't want to think about their ex. The song starts with an entire verse that is the narrator mentally avoiding the topic. They talk about how you never find gloves in the glove compartment and that it should be called something else. The sentiment is corny and cliched and delivered here with the utmost sincerity. The way that the narrator is avoiding his feelings is shown by the song avoiding the point for the entire first verse. After this verse the narrator admits that he found "souvenirs of better times". The song goes on to get more explicit with each verse until the narrator admits that they stay awake all night thinking about this relationship.
Death Cab are pretty good at starting songs small and building them up into subtle narratives, but this is probably my favorite example. Every line down to the title itself adds to the narrative. Title And Registration gives more context as to why he's looking for a legal document in the rain. After all the song never outright says he's been pulled over but it's heavily implied. In the end the song manages to paint a picture of a person breaking down in the rain in front of a cop because he accidentally saw a picture of his ex. It's such a potent picture that is only gleaned by coming at the song sideways. And yet the song leads you sideways into this interpretation as if it were obvious.
#death cab for cutie#title and registration#transatlanticism#i might do a full on review of transatlanticism#Spotify
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Wrote a very depressing tweet earlier, but was a coward and deleted it.
So, instead of being depressed AF on main, I'll take one of the things I said in it and will elaborate in a much better, healthier manner, which is... gushing about music, my beloved, my hyperfixation ~
In the tweet I mentioned André Matos, a BR singer, composer, pianist with a literal degree in classical music and conducting.
He became a literal metal legend here in BR specially in the 90s/2000s. Like for real - he was THIS CLOSE to replace Bruce Dickinson when he left Iron Maiden in the early 90s (Andre was in the 3rd place of choice).
Unfortunately, Andre passed away in 2019 at early age of 47 due to a cardiac arrest - it was very sudden and a shock to everybody, it's kind of insane even now looking back and remembering he's gone.
Anyway. That being said, enough with the sad stuff and let's turn this into THE COOLEST THING you guys will ever learn about Brazilian music!! As a kid, Andre Matos was the vocalist of a band named Viper, and later on as a young adult he joined Angra, a band that still exists to this day with other members and vocalists - BTW!!! SMALL PARENTESIS, the vocalist who replaced Andre in Angra, Edu Falaschi, sang the Brazilian version of "Pegasus Fantasy", Saint Seiya's opening theme back then!! Still a fucking banger, and Edu STILL often sings it to this day; Edu isn't in Angra anymore, I think???
But yeah. As you can see, we're already getting epic and complex and I didnt even get to Andre yet lol ANYWAY!! This is Angra with the OG formation with Andre as the lead singer/keyboardist - he's the 3rd one, the pretty boi in the middle, hehe
Angra was one of the pivotal points in Brazilian hard rock/metal; Sepultura is right there with them, I think - I don't know a lot about Sepultura (that's my sister's territory lol), but I know that much.
I'll skip straight into Angra's stuff cause there's where the good stuff begins!
First album of theirs is called "Angels Cry" and the title song is SUCH a quintessential Angra / Andre Matos song, i swear to gods. And the album art sdkjfhsdkfjshdf it's very Graphic Passion Is My Design. Don't be fooled by the dated album art tho:
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Here you'll hear the "classic music interludes" that were very common in Andre Matos' songs due to his background and training in classic music. It's SOOOO 80s and their Iron Maiden influence is SCREAMING, quite literally. Worth mentioning I'm not an Iron Maiden fan lol btw #Poser
Another CLASSIQUE-TM from Angels Cry is "Time".
I'll throw the official videoclip in here because it's hilarious, even though the song slaps ksdjfhskdj (André's corny, pretty metal boi look in his early Angra days is kind of a goal to transNB me, ngl. #GenderEnvy)
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WELL, do you guys know folk metal? Like, when we say that, it's usually metal + medieval/European instruments (like Eluveitie, for example).
In 96, Angra did what I like to consider "Brazilian folk metal", metal with BR elements and influences, in their album "Holy Land"
The concept of the album was like, the great navigations but it was also kind of a commentary in colonization - Brasil is our "holy land", and a lot of the songs feature this epicness and bittersweetness, joy and sorrow of being BR. The songs are in ENG, which is kind of ironic, but still The songs being in ENG is due to a lot of factors tbh, all of them involving the fact that Brazil doesn't embrace metal a lot, and they wanted to to sell their songs outside BR bc of that. Which sucks, but i get it.
Here we have CAROLINA IV, an epic describing a ship at sea, and it also references the Portuguese who arrived in BR back in the 1500s.
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The song is all in ENG except the intro, which is a chant dedicated to Iemanjá / Janaína / Iemoja, the orisha of the seas and the most well-known orisha around here, if I'm not mistaken
"Hail, hail Yemoja, Hail Janaína And everything that was made in the waters They throw flowers at the sea God save the Queen And my journey on this sphere An orishas' caboclo Soon leaves the Earth Meeting his fate Where the sky meets the sea He will find his safe harbor And that's how it ends..."
Black culture and religions are strong here in BR, and this chant and the instruments used are a tribute to them <3 If you guys know of or remember Michael Jackson's "They Don't Really Care About Us", that's the same beat/Afro-Brazilian influence - in MJ's song, it was the famous group Olodum who did it, I don't know if they were involved in Angra's Holy Land though. "Carolina IV" is a very long with a lot of changes in pace and even genres (again, classical music interludeTM). It's very epic, very 80s metal, and very Brazilian as well, it has everything I love, ahhh <3
In the early 2000s, Andre left Angra and he and other, previous Angra members formed the band Shaman.
I think it's good for me to reiterate at this point that while we had bands like Angra and Sepultura, the metal genre WAS NOT and NEVER WAS mainstream here in BR.
So, the fact that Shaman became incredibly popular in the early 2000s because one of their songs "became to mainstream" was kind of an anomaly. THIS, MY FRIENDS, is where my story with Andre Matos' music starts. Because this was early 2000s, I was around 13 and the reason why I knew about the band, alongside hundreds of other teens at the time, was because a song by Shaman became soundtrack to a BR telenovela. The telenovela in question was O Beijo do Vampiro ("The Vampire's Kiss") and as the name suggests, it had vampires and 'edgy dark fantasy stuff' cause it was more targeted for a younger audience, as the protagonist was this middle schooler aged boy who was actually the son of a vampire.
The BANGER, THE ETERNAL, EVERLASTING ANTHEM from Shaman they chose as a soundtrack to that freaking telenovela was "Fairy Tale", from their first album "Ritual":
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I swear to god, this song is fucking everything to any Brazilian metal fan my age. It was a literal game changer to a lot of us, because this was how we discovered or started really appreciating metal, since we were too young to catch on Viper in the 80s or Angra in the 90's. Other bands like Evanecscence, Nightwish and Linkin Park were also starting to become popular, so a lot of metal styles were coming around around that period.
Including a Brazilian singer that also leaned more towards a heavier sound, Pitty! That song is from her first album.
ANWYAY, BACK TO ANDRE MATOS - I'll make an exception here, and share two versions of the same song. I've shared the official videoclip with the studio recording, and below, is a very beloved live performance from 2003:
youtube
I'm sharing both versions because they are slightly different - studio ver starts with a religious chant in latin, and the live version includes a violin, played by Marcus Viana (another conductor and a famous composer of soundtracks for Brazilian shows and movies). In the live ver you can also see Andre Matos SLAYING on the piano because dude was a literal master of his craft ksjdfhksjdf
The song starts all calm with the piano, very lullaby-like, and then BAM!, 80s METAL HAIRFLIP AND GUITARS AND EPICNESS. And then it ends how it started. It's such a beautiful track. I love it so much, such a true banger. Makes me nostalgic AF, and I love the "epic tale" nature it has.
Another personal favorite of mine from that time comes from their second album, a track called Born to Be:
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I love how it mixes mellow piano lines with heavier metal arrangements, it was kind of their thing and they did it so well! And by the way, I am aware the name of the band / cover of first album might be considered problematic nowadays?? It was the 2000s, unfortunately those things happened a lot. It's looking back into our teen years and realizing things were not as pristine as we remembered fskjdfhksd oh man. But yeah. Aside from that, the songs slap so hard, specially if you like the 80s metal feel. And speaking of the 80s music, Andre covered some pretty badass, daring songs over the years, not only but including... ..."Separate Ways (Worlds Apart)" from Journey, which he recorded after he left Shaman and went solo in the late 2000s:
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I cannot affirm that for a fact, but I think this cover is sort of a "meme" because it was kind of a recurring joke that Andre Matos sang like Bruce Dickinson but looked like he was Steve Perry's "long lost son". Steve Perry was the most well-known vocalist from Journey. The "Dont Stop Believin" Journey:
(The picture above is Andre when he was like 15yo in Viper btw dfkjjsdf) And like, this is pretty fucking funny cause if you are here following my art for long enough - like REALLY, REALLY LONG ENOUGH, around 2009 deviantart -, you'll def remember me in my Journey/Steve Perry phase. And my Andre Matos phase too, it was around the same time lol
ANYWAY. BEST FOR LAST. CAUSE THE LAST IS "WUTHERING HEIGHTS" COVER. THE KATE BUSH "WUTHERING HEIGHTS". YEAH. THAT ONE.
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Madlad decided to make a metal cover of Kate Bush with this falsetto voice and he just. He just did it. DIDNT CHANGE / ADAPT THE LYRICS, EITHER. You'll hear 22 year old Andre Matos in 1993 fucking scream at the top of his lungs HEATHCLIFF IT'S ME CATHY, I'VE COME HOME, I'M SO COLD LET ME IN-A-YOUR WINDOW. And he's singing VERY VERY HIGH NOTES, this song is fucking hard to sing y'all, I'll let you know right now lol. Anyway.
Here was the Andre Matos / Angra / partial Brazilian Metal history for you, and I hope you like the song recs, and if not, I hope you enjoy the trivia at least!
Remembering his music earlier made me nostalgic, but also made me sad, bc a lot has happened ever since 2003 and the "Vampire Telenovela". I've created OCs inspired by him - it was a two-in-one sort of OC, and he's retired for over a decade now; and I didn't do much with him anyway, so no artworks to show.
And I'm seriously considering bringing his music and influence back to a more recent OC (if you read my post about me looking for a new voice to my transitioned OC, that's what I'm talking about). It's a funny way to go back to where some things started.
That (and a lot of other, unrelated stuff) made me super sad earlier.
Andre Matos left us way too soon, and like I said earlier, it's always weird remembering he's dead, because it doesnt feel like that, to me. Maybe the fact I always "forget" he's gone is because his music and influence on me as a person still lives on, which is sort of a comfort~
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commission info | patreon | kofi | twitter
#music posts#andre matos#i keep bringing dead musicians into this tag its kind of depressing#but on the other hand most of you non-BR dont know about them either#so let's keep them alive#Youtube
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Joey Valence & Brae - No Hands
I’ve talked a lot about the idea of music not needing to be “deep” to be good. I love a lot of music that’s just fun, and not needing to be deep, introspective, or thoughtful in any kind of way. One of my favorite albums from last year was in that vein, that being the debut album from hip-hop / alternative duo Joey Valence & Brae. Entitled Punk Tactics, the album was a small burst of 80s-influenced hip-hop, a la Beastie Boys, with a dash of 80s hardcore. It was a really fun, energetic, and tight album that also had some nice flows from both guys, clever and fun lyrics, and an overall upbeat atmosphere. It wasn’t anything special, but it did its job, let alone doing its job well. It’s an album whose sole purpose is to be fun, and in a year where I wanted albums that were fun, I got what I wanted and then some.
I was looking forward to their follow-up, which ended up being titled No Hands, but I didn’t know what to expect from it. They could have just as easily continued their brand of 80s-influenced hip-hop with some hardcore influences, but instead, they went into 90s hip-hop and EDM? The question mark is intentional there, because I’m confused why they would do that. In a sense, though, I’m glad that they wanted to do something different, even if it doesn’t work for me. I don’t know why they went into that direction, but yeah, this album doesn’t do much for me. I wouldn’t say that No Hands is a bad album, or one of the worst of the year for me, but it’s a disappointing listen.
This album just feels lazy to me in a few ways, namely both Joey Valence and Brae’s voices and their lyrics. The instrumentation doesn’t do much for me, either, especially the generic EDM kinda stuff that I’ve never been a fan of, but I feel like the vocals and lyrics are very half-assed. There aren’t real clever bars this time around, it’s almost all super corny and cliched lyrics, and the vocals don’t really stick out, either, but that could be because they don’t have much to work with through the instrumentation and production. There are a couple of songs that I think are fine, but even then, the vocals and lyrics kind of kill them for me; and I have no reason to go back to anything.
I gave the album a few listens, but the more I listened to it, the more I just got bored of it. I don’t hate this album, and like I said, I don’t think No Hands is bad. It’s just okay, but I’ll admit that the atmosphere is still fun and upbeat, it’s just that the songs themselves do nothing for me. As much as I love fun music, I still want to have some of quality with it, and while this record isn’t horrible, it just feels lazy and uninspired. There aren’t any songs that stick out, or any lyrics that stick out, especially compared to their debut, but I’d still give it a listen if you want something fun, upbeat, and catchy enough, even if it’s ultimately forgettable at its core.
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Regarding Hozier - Oak Mountain Amphitheatre 5/5/24
(setlist, journal, commentary)
Allison Russell opened and I need to give her a listen she has a very beautiful, soulful voice. Funky band and very lovely backing harmonies. A powerful, sunny presence, if a little corny, talking about harm reduction and voting and power.
Had a great time, didn't have a religious experience, though I've found this has as much or more to do with my state of mind as it does with the performance. Made me appreciate a lot of Unreal, Unearth more, which has been my least favorite of his albums (I think the theming makes it a little structurally awkward, and there are some songs on it (butchered tongue, eat your young) that I don't like listening to most of the time because of subject matter.) I realize there are many songs on that album I would still like to hear live (All Things End would be amazing, I think) though I was very happy to hear Francesca [I'D TELL THEM PUT ME BACK IN IT] It threatened to rain the whole time but never did more than sprinkle until we were in the car leaving. Distant lightning started on Nina Cried Power. Doors were supposed to be at 6:00 and we were let in about 6:40. There was a guy who works at the amphitheater in line ahead of us, who, from talking to some other employees, said the fire marshall was there and they were patching some things up for inspection (?? !? ???). The facilities are nice, the food sucks. We were seated right behind the VIP boxes.
I typed the setlist on my phone as the concert went on, and while I can sing along to most of Hozier's songs I don't know the titles of all of them, especially on Unreal, Unearth. So here's my raw notes with commentary from my more lucid Monday morning self in brackets
-De Selby [backdrop landscape with timelapse photography style spinning starry sky, very beautiful, very beautiful song]
-? Unreal unearth track with first order guy [Hux, Domhnall Gleeson] in the video [this is De Selby pt. 2]
-Jackie and Wilson
-Too sweet [With this hitting #1 I thought perhaps I would be at this concert while it was still #1, a bit of serendipity since I bought these tickets months ago - alas, it's sunk down below most of the tracks on The Tortured Poets Department. Thanks, I hate it]
-Oh to be alone with h you (th God that heroin prays to) [Alone With You - I thought I didn't know the title of this one but I did]
-Dinner and Diatribes
-Francesca [I'D TELL THEM PUT ME BACK IN IT]
-It will come back [wasn't confident of the title of this one but I was correct]
-Cherry wine [Hozier solo - he looked up mid song to find that much of the amphitheatre had their phone lights out. He paused and put a hand to his heart and seemed to genuinely have a little moment]
-From Eden
-Wildflower and Barley (with Allison Russell)
-Like Real People Do
-Unknown nth (?) (see how it shines) [actually this was Abstract (Psychopomp) I told you I did not know the titles of these. Also, now knowing that this is (in part) about an animal hit by a car is well 1) this is obvious and I feel very stupid 2) holy fuck]
- I don't know the title of this one still living roots consumed by the flame oooooooo [this is Would That I - always thought of this one as a sequel to Arsonist's Lullaby]
-Almost (sweet music) (with highlights on the band) [notably, part of the backdrop for this is pictures of records of all the song references/title drops that are in this. In case you did not Get It. Hozier will not be at peace if you do not Get It. To be fair there are a couple of them I would miss]
-Eat your young
-Movement
-Take me to church
Encore:
nina cried power [with preceding commentary about the history of protest, about the American civil rights movement directly influencing civil rights movement in North Ireland, about boycotting apartheid south Africa, Free Palestine! about movements being seeing the truth as it is and saying that it should be better, etc. (extremely paraphrasing) This went over positively, which is always a nice thing to experience given location (ALABAMA) but the people queueing to buy Hozier tix (the show was sold out and IIRC was sold out in less than 24 hrs after it went on sale) are at least somewhat aware and approving of his politics. May not be gen. pop. but you'll never be alone.]
The being unknown angel to me [THIS is Unknown/nth]
Work song [with Allison Russell, who is notably Not A Coward and did not change the pronouns. I don't know what Allison Russell's sexuality is but she's at least an ally what with the rainbow coalition stuff. Phone flashlights out again.]
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CARDIGAN
Title: Cardigan
Word Count: 1,610
Summary: Rapunzel reminisces of what once was.
Notes: a few of you suggested for cardigan so i'm putting all of that here in one ask. just cus i don't want a song to be repeated! enjoy!
listen to song here while reading
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It was raining outside when Rapunzel decided to clean up her room. There was so much to do, and so much to see, or rather, find again with how her room was full of chaos. ‘It’s like having your very own galaxy in here!’ His voice echoed in her head. That was the very first thing Jack said to her when she invited him over, which felt like a lifetime ago.
Vintage tee, brand new phone
High heels on cobblestones
When you are young, they assume you know nothing
Rapunzel sorted out her things by years. Her childhood toys that she made out of recycled materials go on one corner, the bizarre things she collected as a teenager went on the other, and her adult stuff— which were still as random as ever, according to Merida— on her bed. Though those weren’t as much as the others given how she moved out as soon as she hit college. And honestly? She wasn’t sure what she was doing back at home. Visiting her parents, despite that fact being true, felt like an excuse.
Sequin smile, black lipstick
Sensual politics
When you are young, they assume you know nothing
She paused when she found a picture frame buried beneath a pile of clothes in the closet. While only seeing one corner of it, she already knew what it was. Pushing her clothes aside, she then picked up the picture frame and stared at it. There, under its glass, were high schoolers her and Jack smiling at each other. And like magic, the memory behind it resurfaced and played before her eyes.
But I knew you
Dancin' in your Levi's
Drunk under a streetlight, I
I knew you
Hand under my sweatshirt
Baby, kiss it better, I
Jack was drunk, somewhat, after they stole beer from Hiccup’s stash, and he laughed from a corny joke Rapunzel excitedly shared. She’d be lying if she said she wasn’t tipsy too, and, perhaps from the influence of alcohol, found Jack’s wheezy laugh all so endearing.
And if they weren’t exchanging jokes, they were exchanging dance moves with Rapunzel egging him to do better. This prompted him to do a backflip, causing the two to squeal and jump around in his success. That was when Hiccup finally found them to get the stolen goodies back, though he was rather forced to take their picture if they were to return the rest of the beer from Jack’s backpack.
And when I felt like I was an old cardigan
Under someone's bed
You put me on and said I was your favorite
Rapunzel remembered how her heart did a somersault when Jack wrapped his arm around her shoulder for the picture. Though they didn’t bother to turn at the camera. Not when they were so engrossed with each other that Hiccup complained about it. If anything, she wanted that moment to freeze so she could stay in its magic forever. But that night went and passed, and there was nothing she could do to go back to it.
A friend to all is a friend to none
Chase two girls, lose the one
When you are young, they assume you know nothin'
Not wanting to drown in her emotions, Rapunzel placed the picture frame with her high school stuff. Though this still didn’t stop the tears forming in her eyes. It blurred her eyesight in a way that made her wonder if this will all her home will ever be. A reminder of what once was. A reminder of Jack. She then wiped her eyes and moved on, until she stumbled on another thing that sparked a precious memory.
But I knew you
Playing hide-and-seek and
Giving me your weekends, I
I knew you
Your heartbeat on the High Line
Once in 20 lifetimes, I
From her pile of clothes that she finally got to sort was a worn out cardigan that she and Jack used to share once upon a time. She carefully picked it up, hesitated for a second, before bringing the cloth to her nose. It smelled like her closet, but also faintly of Jack’s woodsy smell. That boy did, after all, enjoy venturing through the windows nearby their neighborhood, saying it was full of secrets and whatnot.
And when I felt like I was an old cardigan
Under someone's bed
You put me on and said I was your favorite
They had this thing, you see, of sharing the cardigan and taking turns on who gets to keep it or wear it for the day. Or a week, if one forgets to ask for it. Rapunzel still remembers the day they found out in their local thrift store, and how their argument of who gets to buy it was eventually solved by Merida when she jokingly said “Well, why don’t you take turns wearing it instead and be done with it!” The cardigan, in short, held so many memories in it with how it basically grew up with them throughout high school.
To kiss in cars and downtown bars
Was all we needed
You drew stars around my scars
But now I'm bleedin'
But now all it reminded Rapunzel was how things could never go back to what it once was. Not after how she ruined everything. Their friendship, their memories, their everything. All it took was for her lips to say three simple words, and the magic ended right then and there.
“I love you.” Rapunzel confessed with all her heart, but it wasn’t enough.
Or maybe it was too much.
Because Jack stood there before her, speechless. His eyes almost asked ‘Why?’ like what she did was so irreversible and permanent. And each second that passed by with silence stretching on made Rapunzel choke in her overflowing emotions. Something Jack wasn’t ready to catch.
'Cause I knew you
Steppin' on the last train
Marked me like a bloodstain, I
The days that followed after were painful, with Rapunzel dealing with Jack's rejection. Which was followed by this abrupt distance that cut in between them. And no matter how many times they tried, they couldn’t go back to what their friendship once was. Not with both of their hearts broken for different reasons.
I knew you
Tried to change the ending
Peter losing Wendy, I
The night before Rapunzel was to leave for college, Jack visited her through the bedroom window. It was late, and it was sudden, but at that moment they both had this feeling that this might be the last time they’ll ever see each other. Rapunzel wasted no time in pulling him close for a hug, breathing him in before her heart struck. She pushed him away knowing it would do better for her.
I knew you
Leavin' like a father
Running like water, I
And when you are young, they assume you know nothing
She snapped at him to stop giving her mixed signals. Not after she laid her heart out to him, only for him to drop it the very next second. And tried as Jack might to explain to her that he didn’t want to lose her, Rapunzel had already shut her heart from him to protect it. There was nothing Jack could ever say or do that would make her change her mind.
But I knew you'd linger like a tattoo kiss
I knew you'd haunt all of my what-ifs
The smell of smoke would hang around this long
'Cause I knew everything when I was young
I knew I'd curse you for the longest time
Rapunzel would be lying if she said she got over him. Not when he haunted her wherever she went. She could hear his voice whenever she took notes in class, saying how much fun it would be to disrupt class with a sudden lightsaber duel. She could hear his laughter whenever she found herself losing it over a badly executed joke. She could see the way his eyes would shine whenever she was up to no good.
Which didn’t seem fair at all. She then wondered if it was the same for Jack. If her confession ever haunted him too. Stirred up his life even to at least call things even. She wanted to know so badly, but she never once hit the call button whenever she tapped his number on her cellphone.
Chasin' shadows in the grocery line
I knew you'd miss me once the thrill expired
And you'd be standin' in my front porch light
And I knew you'd come back to me
You'd come back to me
And you'd come back to me
And you'd come back
Days turned into months, and months turned into a year, and now here Rapunzel was. Back in her room where she was determined to get rid of everything that was holding her back to the past. She had a funny feeling then that Jack would come back. He always did after all. Though this time, she was determined to let him go. It was the least she could do for what remained of her heart.
And when I felt like I was an old cardigan
Under someone's bed
You put me on and said I was your favorite
And yet, when she found herself face to face with Jack, who was breathless and looking as beautiful as ever by her front door, the speech she had for him went down the drain. There was something in the way Jack looked at her that sparked this small hope in her heart. Not trusting what she might say, Rapunzel followed her guts as she and Jack made their next move.
#jackunzel#jack frost and rapunzel#rise of the brave tangled dragon#rise of the brave tangled dragons#the big four#jack frost#rapunzel corona#my writing#answered#moxnlightae
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My thoughts on Eurovision 2023 entries
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On this post (which will be updated for 37 days), I will give my ranking, my ratings and my comments on the songs of Eurovision 2023.
Ukraine: TVORCHI - Heart Of Steel
Rank: #25
Rating: 7,5 / 10
Even though I much prefer "Bonfire" (the song from Vidbir 2020), it's a good song and production. It's cool to see this kind of entries in the competition, it's very modern. Ukraine can be proud to have sent this song to Liverpool.
Albania: ALBINA & FAMILJA KELMENDI - Duje
Rank: #23
Rating: 8 / 10
I like how the song starts, it's dramatic without overdoing it, it sounds very Albanian. Too bad the revamp removed the power of the song that we found at FiK 2022. Albina and her family will have no problem qualifying for the final, the Europeans will appreciate the family show.
Belgium: GUSTAPH - Because Of You
Rank: #30
Rating: 6 / 10
Well, I admit "Because Of You" grew a little in me BUT I remain convinced that there were better choices for Belgium. It still sounds corny but it's danceable and listenable and frankly there's worse this year. Belgium's qualification for the final will depend on its running order in the 2nd semi-final.
Ireland: WILD YOUTH - We Are One
Rank: #28
Rating: 7 / 10
The song itself is fine and Wild Youth knows how to perform, however the revamp took away the soul that was in the original version. It sounds more like a World Cup song than a Eurovision song and given the band's discography, they could have done better. I hope they don't bring those masks from the official clip back to Liverpool otherwise it's guaranteed Ireland will finish dead last in its semi-final.
Slovenia: JOKER OUT - Carpe Diem
Rank: #3
Rating: 9,5 / 10
Slovenia made the right choice by selecting Joker Out internally. "Carpe Diem" is a diamond in the rough, a superb entry that reflects the group's universe well. The live performance is better than the studio version, the band members are very charismatic. Slovenia can achieve its best result in the contest with them.
Norway: ALESSANDRA - Queen Of Kings
Rank: #18
Rating: 8 / 10
What a bop ! Norway made an excellent choice by choosing "Queen of Kings". It's very catchy and impactful, I like the idea of adding an Italian intro at the start of her performance and I hope it stays in the Eurovision version of the title. Norway can aim for the top 10.
Spain: BLANCA PALOMA - Eaea
Rank: #2
Rating: 10 / 10
Modern and experimental flamenco ! I love this entry ! "Eaea" is perfect to represent Spain at Eurovision. Blanca Paloma is spellbinding with this dramatic and original song. She deserves the top 5 at least.
Czechia: VESNA - My Sister's Crown
Rank: #19
Rating: 8 / 10
It's a great and well-produced song, but I still don't have any winner vibes to this day. It's sure that Czechia will be noticed this year, but be careful with the staging and the performance should not be messed up. I wish the final to Czechia but of all the favorite countries of the first semi-final, it is the one that has the best chance of not qualifying to everyone's surprise in my opinion.
Estonia: ALIKA - Bridges
Rank: #12
Rating: 9 / 10
"Bridges" is simple but very effective, creative and original as a song. The live performance adds the necessary power for this song. Alika is an excellent performer, in Liverpool she will shine with her determination. Estonia will easily be in the final, it's the best Baltic song for me.
To be continued in the next post.
#eurovision#eurovision 2023#esc 2023#esc#united by music#liverpool 2023#ukraine#albania#belgium#ireland#slovenia#norway#spain#czechia#estonia
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Hello, welcome to snail mail where I will be giving you ordinary blogs whenever I feel like doing so. Today I’ll enlighten you on Ru Paul’s Drag Race, a phenomenon. An absolute pinochle of what queer excellence is. The most authentic LGBTQIA+ representation comes from this television show. Airing for the first time on LogoTV in the year of 2009 & being shot in the basements of the World of Wonder production lot. I enjoy this show, not just because of its bad coloring & corny jokes. Exhibit A: https://www.dragofficial.com/uploads/1/9/3/9/19395567/6119636_orig.png
Despite the horrible coloring which gets fixed by season 2, because they had a budget, this show was set up to be a success within the niche LGBTQIA+ audiences at the time. Given that not many TV shows at the time were highlighting authentic queer experiences and validating them in a way that wasn’t seen as a joke or a stereotype. The early seasons were peak, not just due to authenticity but also for its comedic value alongside the dramatics of it all. I came across a YouTube video about two years ago by drag race YouTube creator JackFed defining the eras of Drag Race (https://youtu.be/8oI0IQSwdy8?si=y02nBRQ1Na1vHws9) and Jack does an amazing job highlighting the growth the show has had & how adaptable it has had to be since its humble beginnings. He separates the eras into 6 eras.
1. Filter? I hardly even know her! (regarding solely to season 1)
2. Don’t Be Jealous of My Budget (about a Ru Paul song titled “Don’t Be Jealous of My Boogie” & referring to seasons 2-3)
3. The Golden Age (seasons 4-6)
4. Social Media A Double-Edged Sword (seasons 7-8)
5. Very High Budget (seasons 9-11 setting the bar way too high)
6. Overload (12-14)
Now being said, the golden era is the highest-regarded season by the fans. Some of the most successful queens came from those seasons, Jinxx Monsoon, Adore Delano & Chad Michaels just to name a few. My point here though is, that regardless of seasons 4, 5, & 6 being the most memorable dan favorite seasons that does not mean there aren’t good seasons or that there are not good + iconic moments here & there from seasons after those. For example, in the high-budget era of season 9, we had one of if not the most memorable moments in TV history whenever Valentina chose not to take off her mask for a Lip Sync for her life. She would like to keep it on, please. Before I get carried away I wanted to emphasize how big the show has gotten. Recently it has received several Emmy nominations and even won some of them! Guest appearances on the judges panel are more iconic than ever before like Janelle Monae & Charlize Theron just to name a few from the most recent season.
It has opened an avenue for queer representation and creatives to showcase their work and talked, whether that be through the runways, the lip sync songs, or acting skills and such. Propelling these queer artists into huge starts that get to work on Broadway, in television, in film & even in the fashion industry. It was an avenue that was never explored to its fullest potential until the likes of Ru Paul’s Drag Race. Thank you & keep snailing it!
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Barding
Defining Work
Every bard worth their salt has at least one song that's a perennial crowd favorite, one that consistently earns coin. Alaara has a couple that are fairly reliable when played. One of them is an exaggeration of her and her sister's childhood in which she goes on about how even straight out of the egg, they squabbled. And they did so in the most petty and ridiculous ways imaginable, one-upping each other until an outside force made them band together. Thus ended their war... at least until the evil was defeated. She titled it 'Dragons' Warfare'. Another is a tune all about her first true love. It's an argubaly corny as all get-out tune that's equivalent to something like a 50s doo-wop song. Alaara wrote it when she was very young and just starting out. 'Toril's Angel' is now a veritable classic, and one she still performs upon request. Her first love is very much over with, but she remembers it fondly.
The Cormyr Incident
Alaara is hard-pressed even to this day to go into gritty specifics when it comes to her infamous, disastrous performance in Cormyr. She's even harder-pressed to say the title of the song she'd performed lest it trigger someone's memory that was present during that unfortunately bloody day. Formally speaking, the title of the offending song that earned her the title of 'The Ravager' was 'Hijinks, Hellspawn, and Harlots'. A crude ballad, its lyrics were about anything and everything controversial one could do in life. Well and good enough on its own, but Alaara made the mistake of assigning the lyrics to persons in the audience. Given the drunken state of most of the crowd, this did not play well, and a fight broke out. Alaara ended up in the largest tavern brawl Suzail had seen in a century. Plenty of people left injured. A few left the plane of existence. Regardless of the fact those who died did so only after pulling weapons upon her or upon others, she felt guilty for a very long time about having blood on her hands over a song. What an embarrassing thing to slay someone over.
Alaara's Muses
As if in irony, one of Alaara's muses just so happens to be conflict. She's penned several works regarding varying types of strife. Petty but interesting squabbles from the history books have proven to be a gold mine for her. Stories about pompous nobles warring over land and getting their hubrises shattered. A well-disguised diss track about her former Waterdhavian lover, Rishaal who broke up with her in utter exasperation after his shop was decimated by Alaara on accident... She of course pens ballads aplenty about her adventure to Baldur's Gate. Every companion she traveled with gets a feature tune about themselves and their struggles, and everyone is featured in a work all about fighting the Netherbrain and saving the city. Every tune ends on a good note; Alaara finds no sense in making purely melancholic tunes that leave an audience depressed. Besides, all of her friends' stories came to a happy conclusion, or they're well on their way to them!
Her other, lesser used muse is love. Alaara reserves this muse for special occasions. Hallmarking her first love was one. She wrote a tune or two about Rishaal that held the golden dragonborn in good esteem, and one, of course, in bad. And of course, she'll pen a song (or a hundred) about the love of her life when they come along. Good luck perusing the works as they're in progress, however. These ballads are the only ones she'll get defensive over showcasing as they're being written. No eyes may gaze upon them as they're being completed because they have to be perfect. No sense in being anything less than that for whom she treasures after all.
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Week ending: 27 May 1954
A single song week, but it's an odd song, which is cool, and it seems to fit with the nostalgic vibe of Billy Cotton's song last week. Because this song is nothing if not a throwback - are we having a bit of a 1920s nostalgia moment, here?
The Gang That Sang Heart of My Heart - Max Bygraves (peaked at No. 7)
Max Bygraves has already graced us with Cowpuncher's Cantata. He was a comedian, and that song was lightly comedic, and so is this one, but it's a strange, 1950s sort of comedy that isn't actively offensive, but doesn't read quite like comedy today. It just feels corny, in a slightly charming way.
It's got a very weird title, to my eyes. A quick check tells me that it's a reference to a famous 1899 barbershop quartet standard called The Story of the Rose, which is often referred to by its chorus' first line which is - you guessed it - "Heart of my heart". The song itself was often used in singing Valentines. The more you know.
We don't hear it straight away, but instead get a slightly jazzy intro straight out of the 1920s, harking back to an age of barbershop singing. It actually feels a lot like something Randy Newman might come up with today, a sort of campy, vintage cabaret feel. I really hope that was the spirit this was done in - it makes it so much better, if you assume that nobody involved was taking the throwback style too seriously.
Lyrically, it's simple, and as nostalgic as its tune is. Max thinks back to his youth, in what sounds like a very odd kind of street gang who stood around on street cornners. Excelt, "we were rough and ready guys / But oh how we could harmonise". It's the weirdest, least expected rhyme we've had yet, and I love it!
The whole song's about how this song they used to sing "brings back a memory" and how everything in the past was better, including the spurious claim that "friends were dearer then". He's sure that if he heard the song again, he'd get all emotional - and then the spoken word section begins, with an arch "Let me hear that barbershop quartet. Ready, fellas?"
Amazingly, an actual barbershop quartet then comes in to sing the chorus, except it's peppered with inane observations from Max, none of them delivered particularly convincing, from "It's my favourite" and "Wonderful, isn't it?", to the more impenetrable "Keep it humble boys". They're all just very lame, and amusing and irritating to me in equal measure. I can't decide if they're the worst of the funniest thing ever, they're that bad.
We break only for a dad joke, as Max suggests that "I'll just sing this part solo - so low you can't hear me". Groanworthy, truly, though he does then at least go for a solo, so it's not completely gratuitous.
Still, I can't exactly be sad when he cuts himself off with a spoken "Everybody sing!", which brings the backing singers back for a rousing final chorus. It's a nice moment, though again, it feels like it could be from a Randy Newman song. I'm imagining Mike from Monsters Inc singing this song, and it does improve it quite a bit.
Well, that was a trip. Not necessarily a good one, but it certainly wasn't boring. I'm not sure if people bought this and took it seriously, but it's a lot more fun if you don't. And with that, I think I have to name it as my favourite. So...
Favourite song of the bunch - all together now! - The Gang That Sang Heart of My Heart
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