#There are and have been elements ive seriously liked when ive snatched a book of hers off a library shelf
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I hate my hangup with reading Wonder Woman comics bc I spent my formative years as a Greek myth lover and I know I'm not going to enjoy the feminist revisionism that seems to be the Greek Pantheon of DC
I want to read her stuff, but dear god I don't want how they write the gods in any story I've heard of
#There are and have been elements ive seriously liked when ive snatched a book of hers off a library shelf#but the fun gets spoiled as it always does with mythological based modern stories#Like i wanted to watch the percy jackson show to get into the books in a reverse fashion but then learned more that turned me away#on top of other factors#like i dont enjoy the Hades treatment Ares got#Hes the shit parts of war but hes not that bad of a god#âAres iskeeping this conflict going to feed off the bloodshed! that fiendish god of war!â Hows Athena doing?#Those two should be a power duo of villainy if being a god of war makes you evil#i said it before that if Ares is the machine gun tearing through bodies then Athena is the atom and H bombs#That and the continued bastardization of every other god#I have a lot of thoughts but im smart enough to know that i dont know enough to comment further#Socratic wisdom and shit yk?#wonder woman comics#greek mythology#greek myth#wonder woman#dc#dc comics
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Retribution, a Kingdom Hearts fanfic, chapter 4
Newly a person again, Ienzo is weighed down by guilt and his humanity. He's prepared to do whatever it takes to atone... only to find unexpected solace in a familiar face. With more insight into the bonds between people than ever before, Ienzo reaches for a dangerous element from the past to help Kairi and Riku in their search for Sora. What is his life if it means saving another, brighter light?
Chapter summary:Â Ienzo's attempts to regain his power go awry, leading him to a confrontation with Even.
Read it on FF.net/on AO3
---
Ienzo turned back to his work, again, with a fervor. Only this time, after dealing with all of Ansem and Evenâs frippery, at night he tried to find places to train magic.
The greenhouse was out. Demyx was using that, and might see things he didnât need to see.
The castle was huge. Plenty of nooks and crannies to squirrel himself away in, but Ienzo did not want to spend hours climbing or walking somewhere just to train for yet more time. He spent several days trying to subtly coax the entirety of Aeleus and Dilanâs rounds out of them; it needed to be off their radar, too. At last, though, he found it. It was a domed courtyard, perhaps fifteen meters in diameter, with several pillars; these pillars had lighted sconces. The ground had once been inlaid parquet, only it had been damaged and torn away in places. It was quiet, here, and there was potential for moonlight.
He dressed comfortably. He brought with him a small store of water, nonperishable snacks. Ienzo wasnât quite brazen enough to try stealing ethers from Evenâs stores; the man would no doubt notice they were missing. Heâd have to make do for now until the next time he went to the market.
Ienzo sat cross legged on the ground. He tried to breathe and center himself, and once he felt he was sufficiently focused he summoned the lexicon.
It had once been named âBook of Retribution,â a name heâd not consciously chosen but had been inscribed in the front cover. He knew now that of course this was the very essence of his psyche; what else would a scholar, a researcher have other than a book ? He had no need for knives, swords, or instruments. Words could--and did--hurt just as much. They could break your heart.
Sticks and stones , he thought sourly.
But this volume? There was nothing written on the inner cover, just blankness, a generic paper print. There were some contents to this book now, from all his time spent reading in this life so far. So what was it? Was it nameless? Did it matter?
Friend, he thought towards it, help me.
Ienzo stood. His powers had been partially telekinetic, at least in regards to the lexicon. It might be easiest to start there. He held it out in his arms and tried to pull from within. He could feel the book trembling in his grip as he tried to lift it with his mind; instantly Ienzo felt a hot headache blooming, his heart rate increasing noticeably. Just fucking pick it up, he thought to himself. He let go with his hands, and it immediately fell to the floor.
He almost groaned out loud, but composed himself. He had to be calm. Try again.
He mustâve stood there for hours. It was unclear.
Every time Ienzo tried to get the lexicon to do what he wanted, it simply flopped to the ground. He could get it to do no more than tremble in his hands. The pain grew worse, and he grew dizzier, until his breathing was quite labored. The water and snacks only partially helped. He felt drained, depleted, in more ways than one, and to his shock felt frustrated tears building in his eyes.
Weak. Weak. Weak.
He walked back to the apprenticesâ quarters and dropped into bed for a weary few hours of sleep before his alarm woke him.
---
These days took on a pattern. By day, he was Ienzo, a modest scholar of the heart, seeking to plumb the depths of Kairiâs. By night, he was closer to Zexion, struggling to reign in a power heâd once had like breath. He had no idea if he was making any progress or if he were simply hurting his body for no reason.
Because it was hurting. He was prone more than ever to headaches, to wooziness, and sometimes even in sedentary stillness his heart would race. He felt out of breath climbing stairs. The ethers he finally got his hands on did help, but only so much. It seemed like Even was right, about the entropy. Not to mention, magic burned ludicrously more calories for humans than Nobodies, and he struggled to keep up proper intake.
He couldnât do nothing. What were some aches and pains compared to Soraâs life?
The weeks--or months? He wasnât sure--seemed to drag on in this manner⌠Ienzo so slowly made progress, was able to lift and manipulate the book with relative ease, though it left him gasping for air. He would get used to it. Heâd be sure of it.
That morning, heâd again been feeling dizzy, but thought nothing of it. He saw Demyx in the hall, on his own way to work. âHey, Zo,â he said pleasantly. Ienzo had tried to be cordial, since his breakdown, had even responded to the other boyâs texts--but Ienzo had no time for friendship, and he thought Demyx knew that. âHowâs it going? Havenât seen hide or hair of you in forever.â
âIt certainly is going,â he said vaguely. His vision was blurry, and he felt again his heart starting to skip, to race. It would pass. âIâm afraid Iâve barely had a moment to myself.â
He rubbed the back of his neck. âBut are you⌠doing okay?â
âBetter than I was. Thank you for asking.â
ââ...Course.â He smiled a little.
âHowâs your work?â
âOh, same soup, just reheated, you know? But I honestly donât mind. Itâs just different enough every day. And so far⌠almost all the people Iâve met are nice. Itâs⌠refreshing.â A wry laugh.
âI know I havenât been--very warm--â A particularly sharp pain echoed through his head, and he touched it without meaning to.
âYouâve got a lot on your plate--Zo?â
He tried to breathe through the pain. His heart had leapt into his throat. He realized all this must be very visible because Demyx added,
âHey. Zo?â
Ienzo tried to find the words to console him, but his knees were weakening.
âZo? I⌠fuck.â
His consciousness cut rather abruptly, and from here there were only odd snatches of things. He was being carried, his face pressed against Demyxâs chest, the smell of laundry and something like salt and ginger. How odd⌠to be so vulnerableâŚ
âI got your call--what on earth happened?â
âWe were just talking and he collapsed like a sack of potatoes.â
More darkness, more lost time. Ienzo didnât regain awareness all at once. He felt blankets, the distinctive pull of an IV, the smell of bleached linen. An ache, dulled by painkillers, nothing quite having straight lines.
â...My boy? Can you hear me?â A warm, dry hand against his.
His eyelids felt like lead, and a scratchiness of sandpaper.
��Let him sleep, Ansem. Heâll need it for the hiding Iâm about to give--â
He either slept or was unconscious--it was hard to tell. But things were clearer once he opened his eyes.
He was not in his bedroom. He was in the med bay, where heâd tended to Even and Dilan as they recovered from their Nobodiesâ wounds. While not as cold or as sterile as the Organizationâs own ward, it was still quite jarring.
âAwake at last?â Even set aside the tablet heâd been holding and came over to the bed.
âTime for the hiding, then?â Ienzo asked dully.
âDo you have any idea what shape you were in when Demyx brought you to me?â
âI was simply unconscious.â
âSimply--â Even sputtered, his hands near his face, and Ienzo saw Vexen once again. âYou do realize healthy twenty-year-olds donât simply black out, yes?â
Ienzo sat up. He was still perilously dizzy, but less so. âPerhaps I was just ill.â
âNone of this perhaps nonsense. I know exactly what youâve been up to.â
His heart stuttered again, though this time from that familiar punch of caught. Â
Even scowled and turned away from him. âDo you know what the ideal weight for a person of your size is?â
Ienzo was confused; not the lecture heâd been expecting about entropy and danger . âWell--yes--â
âTell me.â
âWhat are you getting at?â
âWhat is a healthy body weight for a person of your height?â His lips were pursed.
âBetween fifty-nine and eighty-one kilograms.â
âDo you know how much you weigh?â
âEven, Iâve no idea where youâre going with this,â he said honestly.
âFifty-four. Fifty-four kilograms with a twenty-year-oldâs metabolism.â
It started to click. Even didnât know about Ienzoâs attempt to regain his power. He thought all these health issues were from-- He put a hand to his head. Ienzo knew the magic was causing him to lose weight. He didnât think it was drastic or noticeable. Â
Which angle to play, then? How did he get himself out of this? He did not want to confess to an issue he did not have, but confessing to use of power seemed infinitely worse. âEven,â he said tiredly. âYou neednât worry about my weight. At all.â
âOh, but that isnât all, Ienzo,â he said smoothly. âYou think nobodyâs noticed that your bed is rarely slept in? That your phone shows you active all hours of the day--and night? Not to mention you barely eat, barely drink water, that Iâve noticed, anyway, and Iâm not the only one paying attention. The dehydration, the sleep deprivation, thisâŚâ Again he trailed off. âYour blood pressure, the ambient amount of cortisol in your blood⌠Ienzo, if you keep living like this, you wonât see thirty.â
Ienzo dropped his eyes.
âI donât know how to impart the seriousness of your condition.â
âIâm not radically underweight.â
He groaned. âItâs not about your weight. Itâs that you clearly are neglecting your own needs--and itâs catching up to you. And it will keep catching up to you unless you learn to take care of yourself.â
âIâm an adult, Iâm perfectly capable--â
âPerfectly capable? Perfectly capable? You think losing consciousness for the better part of three days is a reflection of health ?â
Ienzo gritted his teeth. A rage began coiling in his stomach. âWhat does it matter?â he all but snarled.
âChild, I canât make you want to live. But how else can I convince you that your body canât, and wonât , react like a Nobodyâs? Itâs not a vessel, not a plaything. You canât expect to work if youâre deteriorating so rapidly.â He softened just a touch; bizarre to see it happen. âYou canât expect to live, either.â
Ienzo didnât know what to say. It felt like getting punched.
âI lost you once. I wonât lose you again.â
âLost?â The claws were well and truly out now. For the first time Ienzo fully understood what it meant when someone snapped , despite having seen it and forced it on people countless times. It did feel like breaking. âYou lost me?â
At his radical change in tone, Evenâs eyebrows shot up.
âYouâŚâ He couldnât find the words. âYou took my father and you dumped him out, and then you had the nerve--the gall -- to lie to me about it. For years .â He was trembling. âYou let Xehanort do to me what he would. You let me see and break those people. You.â
Even had turned very pale.
âAnd then--after all that--you let him take my heart. You think a kid could make that kind of decision? A fucking child?â Ienzo breathed hard. âI was just another one of your experiments, Even. Thatâs all I ever was. Admit it.â Heâd never heard his own voice like this, rough and on the verge of a scream. âYou, Aeleus, Dilan. You didnât lose me. You threw me away.â
Ienzo didnât know what to read into that expression--only knew that heâd never seen it before. âIenzoâŚâ He began tremulously.
âEverything Iâve doneâŚâ The guilt was almost stronger than the rage. âYou gave me the tools. Why?â
âWhat?â
âTell me why.â
âI never wanted him to hurt you. Never wanted you to have that life. But Xehanort⌠his hold on us⌠we were so convinced we could⌠change the world. He told me he wanted to make it better for people like you.â His eyes were pleading. âSeeing all your pain⌠I thought the darkness could heal. That it could help people. But it twisted me. Made it so much easier to put aside the human for the scientific⌠made my ends⌠worth their means. We were experiments too, Ienzo. Do you think any of us had a choice? It was give up our hearts⌠or become another subject in his plan.â He pressed one hand to his face, his eyes shut tight. âBy the time I tried to get us out, it was too late⌠and being a Nobody cut all my bonds with others, especially you.â
The rage was cooling, hardening, and becoming something far more painful.
âEvery time I see your face I think of it. What you couldâve done. Already, already youâre doing so much more good than I ever did.â He came closer to Ienzo. âI had hoped to raise you to be better. When Ansem asked me to help him care for you⌠you were already all but feral from his ragged childcare. I saw that you were⌠different, a brilliance I had hoped to nurture. But once the darkness came we exploited you. And I am so sorry. Iâm so sorry.â
The tears in his eyes were oddly cold.
âIt pains me more than I can describe to see you struggle now, as a direct result of my actions. All I can do is hope I can make this place good enough, safe enough, for you to have the life you deserved.â His voice was unsteady. Ienzo had never seen Even cry; part of him didnât think the man was capable. But the tears on his face were very real.
â...Even.â He felt his lip trembling in an attempt to hold it back.
âI do not expect to be forgiven. I hope that this guilt⌠will make me better .â
The apology rang dully in his ears. He feared he was breaking again, in a different way this time. Even sat on the bed next to him.
âLet me help you, Ienzo. You are no longer so alone. I wish to earn your trust again⌠should you so let me.â
It was this that did it, on top of his very exhaustion. Again the tears seemed to run from a deep, awful place in him; the abandonment and guilt and rage mixing into a slurry he couldnât fight anymore. They broke out of him. He curled up. Despite it all, Even was here. Heâd apologized, something Vexen never had done. He was⌠upset.
So gently, Even reached forward to embrace him. It had been years since heâd last been consoled like this, yet it was so eerily familiar. Even smelled the same, bleached cloth and powder. Ienzo found himself clinging to him. âJust cry,â Even said softly. âScream, if you need. It might help.â
All Ienzo could do was listen, paralyzed again by his own emotions, but it felt⌠cathartic? Like the dark things were bleeding out of him, bit by tiny bit. He knew on a literal level it was probably humiliating, to be a grown man sobbing in his old guardianâs arms, but he felt less mortified than when he had broken down in front of Demyx. Even stroked his hair, another familiar gesture. Eventually, eventually⌠the sobs quieted, calmed, and he could breathe normally. Even got up and handed him a cool, damp cloth for his raw eyes.
âIs that better?â Even asked.
âHow disgraceful this is,â he muttered.
âYour system is no doubt out of sorts--and so is your heart. Natural for it to need some kind of release.â He took off his lab coat; Ienzo noticed before he set it aside that the shoulder was quite damp, translucent, almost. âYou should spend some time recovering. Sleeping, eating, getting outside.â
âWhat about Kairi?â
âKairi and Sora would both agree that this isnât worth the price of your health. Physically or mentally.â
âBut with Aeleus and Dilan pulled away by rounds--â and Even and Ansem seething at one another, â--youâll be--â
âWeâre both grown men, Ienzo. I think we can set aside our differences for the time being.â
âWhat will I do if I donât work?â It was more a question to himself than anything; Ienzo truly didnât know. Heâd been working and working for years now.
âPerhaps focus on your own studies? OrâŚâ He considered. âWe could have you on in a heavily reduced capacity, say three hours a day?â
Ienzo felt odd. Stripped bare. âThis is so humiliating, for it to come to this.â
Even just sighed. âWhat else would have happened? Itâs all you know--working yourself into the ground for things you care about. We raised you this way. But now your cause should be learning to be human. No more, no less.â
It was clear Even was right. If he were to do good, he had to be healthy. Dealing with these emotions and memories should be a priority.
âIâll give you some medication to help you sleep,â Even said. âAnd the anti-anxiety. Iâd like for you to try both, at least for a time. See how it treats you.â
â...Alright.â
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From 2009 through 2016, I took part in a series of great books seminars.  We met on Sundays. Here is how seminar works, mostly, in the sense that I mean it: there is an opening question, a reading list, a table and chairs, a great book, no food.  It meets regularly about once or twice a week. The opening question should be an honest question for whoever asks, as well as for the rest of the seminar and for the author of the text.  Often, a good opening question is one which the text seems to ask of itself.  For example, in Sophocles's play, Ajax asks "What joy can be in day that follows day, Bringing us close then snatching us from death?" In the seminar in which this question was asked, it developed that Odysseus moves side-to-side, while Ajax moves forward and backward.  This metaphor then formed the basis of our investigation.  The opening question is by no means the only question to be addressed, and many a great seminar veers immediately away from the opening question, never to return.  Yet, the seminar accepts the opening question as a a valid question, and it is understood that we rely on the space which this question creates.  Even a "bad" opening question still creates a space. A reading list is especially helpful when there is a large power disparity among the members, either institutional, intellectual, social, or what-have-you.  By removing the choice of what to read next, the reading list removes one of the primary active mechanisms of control.  A seminar with a lopsided power dynamic, willing members, and without a reading list may very likely turn into a guru-type situation.  In a setting in which not all of the participants are willing, as in school, without a reading list some of the people may try to use the choice of what to read next as a way to exert control and escape their imprisonment.  This is entirely to be expected; the student has made a wise choice.  If such a seminar is to persist, a reading list may be necessary. In the Sunday seminars we were largely unaware of such power disparities, so we often just decided each week what to read the next.  A seminar without a previously agreed reading list is sometimes called a "guerrilla seminar". The participants should try to finish the reading.  This is not always possible; sometimes, a seminar assigns itself something like 300 pages of Tacitus.  But what is it to read, and what is it to "finish" a reading?  A person who reads only "What joy can be in day that follows day, Bringing us close then snatching us from death?", or reads only "With the fundamental mood of anxiety we have arrived at that occurrence in human existence in which the nothing is revealed and from which it must be interrogated. How is it with the nothing?", or reads only "The valley spirit never dies; It is the woman, primal mother. Her gateway is the root of heaven and Earth.", and who really reads those tiny fragments, has read far more and better than one who wastes a lifetime staring at words without feeling. The table functions as a table, but also as a material object separating the participants, hiding their bodies and connecting them by means of a flat and empty space.  This is not strictly necessary but it can be a great source of comfort.  The table should not have a hole in the middle of it.  It should not be a ring of smaller tables.  Ideally it should be a nice table, but this is not always practical.  A few wooden tables pushed together does well. The chairs should be comfortable.  Many people habitually lean back or forward in their chairs during seminar, and this behavior should be accommodated as far as possible by the chairbler. A great book is a book on which a great seminar can be had (and a great seminar is one which can address a great book).  Such books are abundant, but some care is generally advisable in selecting a text.  A great book can accept any question, no matter how small, large, irrelevant, or just plain stupid.  This removes a lot of the pressure from the seminar participants.  A great book is resilient, fecund, and immaculately coherent.  In the ideal book, every element down to the etymology of each word is essential, irreplaceable, and interactive with every other element. Seminar is a serious study.  It is like being in a great library after hours.  We listen to each other and speak our best, while yet recognizing that the spirit which moves us to speak is not always under our control.  Eating at the table generally detracts from the study, as an ambiguous overlap develops with the much more common table-based social activity of meals. (Revelations 10:9, âAnd I went unto the angel, and said unto him, Give me the little book. And he said unto me, Take it, and eat it up; and it shall make thy belly bitter, but it shall be in thy mouth sweet as honey.â) A very hungry person could eat their lunch or dinner at the beginning of seminar, but they should apologize for their impropriety.  Some people think it's sometimes a good idea to have seminar while drunk, but I have generally been underwhelmed by the contributions of drunk or otherwise intoxicated people.  A seminar isn't a great place to have a party, but it can be loads of fun to have a party in which we have seminar, in the same way that people enjoy a party in which we play a sport. There are some schools which claim to have seminar 5 days a week, but I don't see how that is possible for a group which is taking the project seriously. The Sunday seminars met once a week, while at St. John's College they meet twice a week.  While the underlying behaviors were largely learned from St. John's College in Santa Fe, NM and Annapolis, MD, the practice and the formulation of these ideas was developed in the Sunday Seminar itself with Lea Brock and other collaborators.
In the fall of 2016 other participants in the seminar needed to begin meeting in a place which made me uncomfortable. I expect one day again to take part in such work. Here is a more-or-less complete list of books which we read: 2009 1/22 Rabelais - Gargantua and Pantagruel (Prologue-I5, I6-15,-28,-41,-58,II19) 2/26 Aristotle - Posterior Analytics (II19) 3/5 Kierkegaard - Fear and Trembling (Preface, Attune., Praise; Preamble; Problema I) 4/2 Nietzsche - Thus Spake Zarathustra (Prologue-6, -14, -22) 4/23 (this is when I joined the seminar) Wittgenstein - Philosophical Investigations (Preface-20, -39, -60, -85, -120) Summer 2009: ? Dostoevsky - Notes from Underground Baudelaire - "To the Reader", "The Enemy", "The Albatross" 10/4 Joyce - Portrait of the Artist as a Young Man (-2,-5) 11/1 Buber - I and Thou (I, II, III&PS) 11/22 Heidegger - What Is Metaphysics? Heidegger - On the Essence of Truth 2010 1/10 Husserl - The Origin of Geometry 1/24 Wittgenstein - Philosophical Investigations (I -231,-463,-693,II) 2/28 Borges - Labyrinths (The Fictions, The Essays and The Parables) 3/7 Marquez - 100 Years of Solitude (-105,-207,-297,-422) 4/18 Trivers - On the Evolution of Reciprocal Altruism 4/25 Hearne - Adam's Task (-3,-6,-11) Summer of 2010: Shakespeare's Henries and Richards, Dogen, ? Aeschylus - Agamemnon 9/19 Aeschylus - Libation Bearers?, Eumenides Kafka - The Penal Colony Plutarch - Alcibiades Plato - Phaedrus 10/31 Kierkegaard - Fear & Trembling (same divisions as in 2008) 12/5 Rig Veda - selections 2011 1/16 Upanishads - Brihad-Aranyaka and Katha, 4th Brahmana 1-17, and Valli 1-6 (one class) Hemingway - The Old Man and the Sea Kafka - A Hunger Artist 2/6 O'Connor - The Lame Shall Enter First Chaucer - Nun's Priest's Tale 2/20 Dante - Inferno (4 seminars) 4/3 Euripides - Alcestis (SJC alumni seminar with Mr. Lecuyer) Fukuoka - One Straw Revolution part 1&5 Trivers - On the Evolution of Reciprocal Altruism 5/1 Wordsworth - Tintern Abbey Plato - Ion 5/15 Kafka - Before the Law Summer of 2011: Tolstoy - War and Peace 8/7 O'Connor - Wise Blood (-6, -end) 8/21 Montaigne - On Repenting Chesterton - Ethics of Elfland 9/11 Nagarjuna - Fundamental Wisdom of the Middle Way Heidegger - What is Metaphysics? 9/25 Shakespeare - Othello (I&II, III-V) Plato - Lysis 10/30 Sophocles - Philoctetes Matthew 1-7 11/20 Euripides - Bacchae 12/4 Hesiod - Works and Days Ecclesiastes 2012 Straus - Persecution and the Art of Writing Klein - The Problem and the Art of Writing 1/29 Klein - History and the Liberal Arts Melville - Benito Cereno (2 seminars half and half) Tolstoy - Kreutzer Sonata 3/4 Kepler - excerpt (2 seminars) Newton - (Definitions, Axioms, Corollary II, Book I & Lemma I&II) 4/22 Trivers - On the Evolution of Reciprocal Altruism Hemingway - A Clean Well-Lighted Place, Fifty Grand Baudelaire - The Abyss, A Carrion, The Mask 5/13 Pascal - Pensees (self-selections) Summer 2012: Cervantes - Don Quixote 8/12 Euclid - Elements (I thru P24, -P48, II thru P6, II) Kierkegaard - Philosophical Fragments I&II 9/16 Euclid - Elements (III -P20, III -end, IV) Kierkegaard - Philosophical Fragments (all) 10/28 Euclid - Elements (V, VI -P16, VI -end) Shakespeare - Midsummer Night's Dream Dostoevsky - Bobok 12/2 Euclid - Elements VII 3 Poems - Millay's "Euclid Alone", Keats's "Ode", Hopkins's "Pied Beauty" 2013 Tolstoy - Hadji Murat (didn't happen) 2/3 Hopkins - 7 Poems (Lantern, Pied Beauty, Shocks of Wheat, Windhover, etc) 3/24 Nietzsche - Beyond Good & Evil (Preface and 1; 2; 3, 4; 5; 6; 7; 8; 9) Summer 2013: Tolstoy - Anna Karenina 8/18 The Secret Book of John Plato - Gorgias (-486e, -end) 9/8 Plutarch - Caesar Plutarch - Brutus Sophocles - Ajax 9/29 Hearne - How to Say Fetch 10/20 Faulkner - Go Down Moses, "The Bear" Plato - Cratylus Plato - Timaeus 11/10 Wilde - Picture of Dorian Grey (1st half, 2nd half) Faulkner - "Pantaloon in Black" 2014 1/12 O'Connor - The Life you Save could be Your Own O'Connor - Good Country People Heidegger - Building Dwelling Thinking 2/2 Plato - Theaetetus (2 seminars) Plato - Protagoras Plato - Parmenides 3/9 Tolstoy - Father Sergius Beckett - Waiting for Godot Pascal - Generation of Conic Sections 4/6 Borges - The Quixote of Pierre Menard Nietzsche - The Birth of Tragedy 5/4 Erwin Straus - The Upright Posture Goethe - On the Metamorphosis of Plants Summer 2014: Joyce - Ulysses 8/3 Kant - What is Enlightenment? Kipling - Kim (3 seminars) 8/26 Beowulf (2 seminars) 9/22 Dostoevsky - Notes From Underground (2 seminars) 10/19 Salinger - The Catcher in the Rye 10/26 Mann - Little Herr Friedemann 11/2 Achebe - Things Fall Apart (3 seminars) 11/23 Nietzsche - On Truth and Lies in an Extra-Moral Sense 12/7 Plato - Symposium (2 seminars) 2015 1/11 Silko - Ceremony (2) 2/8 Schiller - "Letters on the Aesthetic Education of Man" 2/22 Shakespeare - Julius Caesar (2) 3/1 Jonas - "To Move and to Feel" 3/22 Shakespeare - Antony and Cleopatra (2) 4/12 Plato - The Sophist (2) 4/26 Woolf - To the Lighthouse (4)Summer 2015: Melville - Moby Dick8/9 Aristotle - Nicomachean Ethics (book VIII) (w/ SJC alumni chapter) 8/23 Ibsen - The Lady from the Sea 8/30 Melville - Bartleby 9/13 Chaucer - Canterbury Tales (Prologue; Knight's Tale 1&2; K's Tale 3&4) 10/4 Melville - Bartleby (w/ SJC alumni chapter) 10/25 Chaucer - Canterbury Tales (Miller's, Reeve's, and Cook's Tales) 11/1 Canterbury Tales (Man of Law's Tale) 11/8 Canterbury Tales (Shipman's, Prioerss's, and Chaucer's of Sir Topaz Tales) 11/15 Canterbury Tales (Chaucer's Tale of Melibee; Monk's Tale) 11/23 Plutarch - The Life of Dion (w/ SJC alumni chapter)2016 1/10 Chaucer - Canterbury Tales (Nun's Priest's Tale; Physician's & Pardoner's Tales) 1/24 Canterbury Tales (Wife of Bath's Tale; Friar's and Summoner's Tales; Merchant's Tale) 2/21 Canterbury Tales (Squire's and Franklin's Tales; 2nd Nun's and Canon's Yeoman's Tales) 3/6 Canterbury Tales (Manciple's and Parson's tales and Chaucer's Retraction) 3/27 Nietzsche - The Genealogy of Morals (Preface and Essay 1; Essay 2; Essay 3 (2)) 4/24 Heidegger - "The Origin of a Work of Art" (3) 5/15 Woolf - "The Mark on the Wall"
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