#The fact that soga isn't a tag

[gingermintpepper]

This is such a wild departure from what I usually post but due to the cyclical nature of my interests, I can't stop thinking about Higekiri and Hizamaru's Kemono performance in the 2020 SOGA musical because like?? LIKE??

Nevermind that I'm just very interested in the twins in general, nevermind that I've always held SOGA up as the gold standard when it comes to outfit design in the myus (which has only very recently started being genuinely surpassed with productions like Hanakage's concert outfits or Goumyu's gorgeous, gorgeous tailoring) but there's also something about the whole presentation of SOGA that gets to me. Like a lot of things concerning the Genji twins, the presentation of the play (staging, choreography, costume design) is based around the Higekiri and Hizamaru being two halves of a greater whole, meaning that they parallel each other throughout the whole two hour jaunt. Kemono is such a perfect microcosm of the mirroring they've been doing for the whole production, including them doing the same choreo at specific times, as-above-so-below imagery with Higekiri on the balcony vs Hizamaru on the center floor

But there's also the way that their crest placements have been mirroring each other's on all of their outfits and now, for this performance, they both wear it on their left breast, right sleeves in their respecting black and white.

Just UGH - Toumyu is generally very impeccable with it's sense of staging and organisation of visual themes but they really knocked it out of the park for SOGA and I just needed to talk about it a little.