#The Orielles BEAM/S

[senorboombastic]

This One Song… The Orielles on Transmission

This One Song… The Orielles on Transmission

Tell you what – we love hearing from artists when things go right. We equally love hearing from artists when things go dreadfully wrong. A song that was a piece of piss, written in 20 minutes? Or years in the making and a bastard to write? Whether it’s a song that came together through great duress or one that was smashed out in a short amount of time, we’re getting the lowdown from some of our…

[defjux]

100 of my favorite non hip hop releases from 2022. I made a seperate list for hip hop already which you can find here if you’re interested. 2022 will go down as a memorable year for me not just for the sheer quantity of great releases, but also because i feel that all my of my favorite genres had a chance to shine. I started returning to my hardcore/punk/metal roots within the last couple years and 2022 was the first time in recent memory where I really felt like I was fully tapped in. There were so many highly anticipated releases from a ton of different artists last year, and the majority lived up to the hype for me. Grindcore, Mathcore, and Post-Hardcore seems to have been making a huge comeback with some incredible new efforts from modern genre staples like Wormrot, Callous Daoboys, Brutus, Greyhaven, Birds in row, Knoll, and Cloud Rat. Not to mention the much welcome return of some legendary acts including Gospel, Sawtooth Grin, and City of Caterpillar. I’m sure there’s plenty of stuff I missed out on too, so feel free to hit me with any recommendations you might have or just let me know what projects you enjoyed the most last year. Oh and you can also click the titles of any of these albums and it’ll take you to the bandcamp or spotify page where you can check them out if you’d like. Peace. Chart with album titles 1. Wormrot - Hiss 2. Alvvays - Blue Rev 3. Brutus - Unison Life 4. Cloud Rat - Threshold 5. Weyes Blood - And In The Darkness, Hearts Aglow 6. Gospel - The Loser 7. Natalia Lafourcade - De todas las flores 8. Massa Nera - Derramar | Querer | Borrar 9. Messa - Close 10. Soul Glo - Diaspora Problems 11. King Gizzard & The Lizard Wizard - Omnium Gatherum 12. Cult of Luna - The Long Road North 13. tricot - Fudeki 14. White Ward - False Light 15. The Callous Daoboys - Celebrity Therapist 16. The Sawtooth Grin - Good. 17. Ultha - All That Has Never Been True 18. Joel Ross - The Parable Of The Poet 19. Autonoesis - Moon of Foul Magics 20. Knoll - Metempiric 21. Joyce Moreno - Natureza 22. Birds in Row - Gris Klein 23. Artificial Brain - Artificial Brain 24. Wake - Thought Form Descent 25. Tómarúm - Ash In Realms Of Stone Icons 26. Greyhaven - This Bright and Beautiful World 27. Sudan Archives - Natural Brown Prom Queen 28. Nilüfer Yanya - PAINLESS 29. Mary Halvorson - Amaryllis 30. Celeste - Assassine(s) 31. Naked Flames - Miracle in Transit 32. Elephant Gym - Dreams 33. Cave In - Heavy Pendulum 34. Silvana Estrada - Marchita 35. Tomas Fujiwara's Triple Double - March 36. Imperial Triumphant - Spirit Of Ecstasy 37. Blind Girls - The Weight of Everything 38. Chat Pile - God's Country 39. fleshwater - We're Not Here to Be Loved 40. Fievel Is Glauque - Flaming Swords

41. Melody's Echo Chamber - Emotional Eternal 42. NEPTUNIAN MAXIMALISM - Set Chaos To The Heart Of The Moon 43. King Gizzard & The Lizard Wizard - Ice, Death, Planets, Lungs, Mushrooms and Lava 44. An Abstract Illusion - Woe 45. Sigh - SHIKI 46. City of Caterpillar - Mystic Sisters 47. Big Thief - Dragon New Warm Mountain I Believe In You 48. Conjurer - Páthos 49. Kali Malone - Living Torch 50. Krallice - Crystalline Exhaustion 51. Aeviterne - The Ailing Facade 52. Scarcity - Aveilut 53. The Comet Is Coming - Hyper-Dimensional Expansion Beam 54. Makaya McCraven - In These Times 55. Misþyrming - Með hamri 56. Loraine James - Building Something Beautiful For Me 57. Knxwledge. - 家​.​V1 58. Hylda - Juniper Pyre 59. Gillian Carter - Salvation Through Misery 60. Beach House - Once Twice Melody 61. Angles - A Muted Reality 62. Hatchie - Giving The World Away 63. Daniel Rossen - You Belong There 64. Pyrithe - Monuments to Impermanence 65. Otoboke beaver - SUPER CHAMPON 66. The Orielles - Tableau 67. Sunrise Patriot Motion - Black Fellflower Stream 68. Blut aus Nord - Disharmonium - Undreamable Abysses 69. Helpless - Caged In Gold 70. Immanuel Wilkins - The 7th Hand 71. Mizmor & Thou - Myopia 72. The Wind in the Trees - Architects of Light 73. Daniel Avery - Ultra Truth 74. Rolo Tomassi - Where Myth Becomes Memory 75. Show Me The Body - Trouble The Water 76. Sault - 11 77. Bríi - Corpos Transparentes 78. Sweet Pill - Where the Heart Is 79. Vein.FM - This World is Going to Ruin You 80. Ravyn Lenae - Hypnos 81. Disheveled Cuss - Into the Couch 82. Aoife Nessa Frances - Protector 83. Niechęć - Unsubscribe 84. Elder - Innate Passage 85. Raum - Daughter 86. Viagra Boys - Cave World 87. Chalk Hands - Don't Think About Death 88. Boris - fade 89. Nouns - WHILE OF UNSOUND MIND 90. ANNA SAGE - Anna Sage 91. Nu Genea - Bar Mediterraneo 92. JYOCHO - Let's Promise to Be Happy 93. Black Country, New Road - Ants From Up There 94. Waajeed - Memoirs of Hi-Tech Jazz 95. Petrol Girls - Baby 96. DIM - Steeped Sky, Stained Light 97. lilien rosarian - every flower in my garden 98. Work Money Death - Thought, Action, Reaction, Interaction 99. A.A. Williams - As The Moon Rests 100. Vital Spirit - Still as the Night, Cold as the Wind

[postpunkindustrial]

KMRU – ‘Till Hurricane Bisect’ KMRU – ‘Slowed Cities’ The Orielles – ‘Beam/s (Space Africa Remix) KMRU – ‘Dissolution Grip’ KMRU – ‘Motley’ Aho Ssan & KMRU – ‘Till Hurricane Bisect’ KMRU – ‘Slowed Cities’ The Orielles – ‘Beam/s (Space Africa Remix) KMRU – ‘Dissolution Grip’ KMRU – ‘Motley’ Aho Ssan & Josèfa Ntjam – ‘Dislocations’ (Extract, 2022) Ego Death – ‘Ego Death (Excerpt)’, Live @ Unsound 2022 – ‘Dislocations’ (Extract, 2022) Ego Death – ‘Ego Death (Excerpt)’, Live @ Unsound 2022

[piasgermany]

[EP] The Orielles teilen drei neue Remixe!

The Orielles haben drei Remixe von Tracks ihres aktuellen Albums "Tableau" veröffentlicht, das am 7. Oktober auf Heavenly Recordings erschienen ist.

Das Manchester/Berliner Duo Space Afrika verwandelt "Beam/s" dabei in ein sphärisches Ambient-Stück. Der Londoner DJ/Produzent Shy One nimmt sich "The Room" an und spielt darin mit hüpfenden Basslines, Two-Step-Rhythmen und zischende Acid-Synthies, während der in Edinburgh ansässige Produzent Eyes of Others "Darkened Corners" mit Vocal-Samples und hypnotisierendem Lo-Fi-Techno verbindet. “We approached it as, if this was our song how would we write it. It’s in line with our energy and sound and makes sense as continuation : progression in style from honest labour”, erzählen Space Afrika über die Arbeitsweise an dem Remix.

Tracklist "Tableau Remixes" : 01. Beam/s (Space Afrika Remix) 02. The Room (Shy One Remix) 03. Darkened Corners (Eyes of Others Remix)

Website Instagram Facebook

[thejoyofviolentmovement]

New Video: JOVM Mainstays The Orielles Share Expansive and Mind-Bending "BEAM/S"

New Video: JOVM Mainstays The Orielles Share Expansive and Mind-Bending "BEAM/S"@itshenrycarlyle @theorielles @MJHsupertrooper @adamhalfford62 @Mango_Mgmt @sallyhedberg @motormouthpr

Since forming in Halifax, UK over a decade ago, while their members were still in their teens, JOVM mainstays The Orielles — siblings Sidonie B. Hand-Halford (drums), Esmé Dee Hand-Halford (vocals, bass) and their best friend Henry Carlyle (guitar, vocals) — have released three critically applauded albums, 2017’s Silver Dollar Moment, 2020’s Disco Volador and last year’s La Vita Olistica, which…

[phantombirds]

The Orielles announce new album 'Tableau' - a self-produced 16 tracker, new song 'BEAM/S' is a wonderful, enchanting seven minute (plus!) journey into sound...

Featuring an ambitious 16 tracks, the project is kicked off with new seven minute (plus!) opus ‘BEAM/S’. Swirling digitalism, the hazy layers of sound drift through the barriers placed in their way, the work of a group perpetually seeking excessive freedom. The Orielles will release ‘Tableau’ on October 7th. (via Clash Magazine)

[parkerhouseblog]

[This post owes a debt to a venerable but currently moribund blog belonging to a fellow Blue Hill-er. He relied for some of his material on comments I had previously posted on Wikimapia, so suggestions of plagiarism would be a somewhat circular argument. I’m correcting his chronology on a minor point or two as well].

My mother’s great aunt Effie Hinckley Ober was born in Sedgwick Maine, a few miles from Blue Hill, in 1844.  In an unusual path for a single young woman from the hinterlands in the 19th century, she found her way to the city, where she launched a career as a theatrical agent and lecture tour arranger. Anna Leonowens, author of the book used as source material for “The King and I”, was one of her clients.  In due course, she caught a performance of Gilbert & Sullivan at the D'Oyly Carte in London, and decided  to bring Pinafore to the United States.  Thus was started the Boston Ideal Opera company, specifically to stage an 'ideal' performance of the operetta in November,1878. The performances took place on a 'ship' in a lake in Boston's Oakland Park. Within weeks, 'Pinafore’ had captured the popular imagination, and Miss Ober and her top notch troupe of performers - a set of reprobates she took care to enroll in Bible School before departure, the better to pass them off as respectable artistes - took to the road, performing Gilbert & Sullivan and other light opera across the continent, sometimes in far outposts of the Wild West.

Having before age forty made one fortune in show business and a second through shrewd investment in Washington, D.C. real estate - including a sizeable chunk of what’s now the Kalorama neighborhood - Effie returned to Blue Hill, hired a childhood friend and transformed her childhood home into a vision of baronial splendor. This remodeled cottage was known, of course, as 'Ideal Lodge', after the opera company. Heavily inspired by recently published works by McKim, Mead and White (notably the Narragansett Casino and the Osborne house at Mamaroneck) the house, with its two story great hall with divided staircase and internal oriel window, provided a suitably theatrical backdrop.

In 1888 Effie married Virgil P. Kline, the Cleveland attorney who had helped her through the dissolution of her company - it later reconstituted itself under the name “The Bostonians” - and with the nucleus of themselves and the son of one of Kline’s Cleveland clients, set about expanding the nascent summer colony in Blue Hill. 

The summer before, she had again commissioned her architect friend, George Clough, this time to build a completely new cottage on Parker Point, which was finished the summer of her marriage. It was promptly occupied by her sister Elizabeth (Lizzie), who had met and married a Harvard-educated dental surgeon in Boston while working as Effie’s assistant in the theatrical agency. Their second child, Ruth, my mother’s mother, was born that same year.

Effie at 44 probably had no expectations of having children of her own, but her experience as the oldest of her siblings and having been for a time ‘farmed out’ after her father’s death fully prepared her to take on the responsibilities of running the household of a widower with three young children. The two young women on the porch in the photograph are most probably her stepdaughters Mary and Minerva Kline, both of whom deserve posts of their own, for their personal accomplishments as well as the interesting families into which they married. Their brother too: a beau of Marion Davies, Virgil ‘Tad’ Kline, Jr., was ‘put out of the way’ by Hearst, dying in suspicious circumstances in 1929 while driving his Stutz Bearcat along Sunset Boulevard.

Their father (Williams, Class of 1866) had published an Abolitionist newspaper in his youth, was a friend and colleague of Charles W. Chestnutt, advisor to James A. Garfield and an early and vocal opponent of Trusts. Kline had come to prominence successfully defending Teagle & Schurmer, the last independent oil refiner in Cleveland, from being gobbled up by John D. Rockefeller's Standard Oil. After a bruising court battle John D. famously said, “Young man, you’ve given us a good licking. Now I want you to come and work for me.” He was hired, prevented further actions by Standard that would expose it to expensive litigation, and remained in the company’s employ until his death in 1917, grooming his old client’s son Walter (Teagle & Schurmer eventually did merge with Standard Oil), to become John D.’s successor: after the breakup he became chairman of Standard of New Jersey, which under him became Esso, later Exxon.

It was while recovering from an exhausting round of court appearances that Mr. and Mrs. Teagle, guests of the Klines at Ideal Lodge, fell in love with Blue Hill and decided to build their own cottage nearby. Many people in their orbit did the same and the colony eventually attracted others from beyond Cleveland, including, by the early 1900's, the granddaughters of John Ellingwood Donnell, who traveled up to East Blue Hill, Maine, to visit a defunct granite quarry that he had purchased years before.

Delighted by the rocky oceanfront meadows they encountered, one of the granddaughters pursuaded her surgeon husband, textile heir Seth Milliken, to build a large summer bungalow on the property.  In due course, other structures were added, and the property, known as Ellingwood after Mrs. Milliken's grandfather, became a considerable estate. The Millikens and their five children would arrive each summer, with a bevy of maids, chauffeurs, governesses and tennis coaches in their wake.

In the summer of 1924, despairing of the pernicious influence of the roaring twenties on their five children, Alida, Martha, Minot, Seth and John, Dr. & Mrs. Milliken added a music coach to the summer staff, hoping to provide an alternative to movies and fast parties.  The idea was hatched to stage a performance of 'HMS Pinafore'. Children from other social families on nearby Mt. Desert were recruited for starring roles and chorus. The Milliken's 103-foot Herreshoff yacht, 'Shawna' would stand in for the Pinafore, classical music students, studying with their instructors for the summer at Blue Hill’s Kneisel Hall, would provide musical accompaniment, and car headlights would provide illumination. The commodious stone porches of the boathouse would house the audience. The advice of Effie Kline, by then 80 and still the grande dame of Blue Hill’s summer colony (she lived until 1927) would have been invaluable, staging ‘Pinafore’ afloat having been how she burst upon the scene 45 years earlier. There is, alas, no definitive evidence among her papers to confirm this. Alida, who was a friend of my mother’s and of mine (a winter resident of 740 Park Avenue, she once had me along as in-flight distraction when she chartered a plane to attend a funeral) would have been the one to ask, but she died in 1998.

By the next summer, the performances had become a tradition and a production of 'The Mikado' was mounted. Another rousing success, the group decided to become an official entity and perform in New York for the benefit of charity.  And thus was born the Blue Hill Troupe, possibly the most respected, and social, amateur Gilbert & Sullivan troupe in the country.

[defjux]

I was tagged by @lostintheunicornland (thanks by the way, i hope you're doing well) to put a playlist on shuffle and post the first 10 tracks. I'm going with a playlist of music released in 2022, also doing 25 tracks instead of 10 because it's more fun that way.

Vic Spencer & August Fanon - Only Ignorance Wins Nilüfer Yanya - Midnight Sun MIKE - nuthin i can do is wrong Sudan Archives - Yellow Brick Road KILLVONGARD - Small Steps Mavi - My Good Ghosts Ghost Funk Orchestra - Rooted Bloodmoney Perez - Well Wishes Moor Mother - WOODY SHAW Waajeed - The Ballad of Robert O​’​Bryant Theravada - With All Grace HYLDA - Red Dreams The Orielles - Beam/s Ivan Ave - Orbit (feat. MoRuf, Zee & Jay Prince) Teddy Faley - Paper Plates And Sodas Boldy James & Futurewave - Jam Master J SolarFive & Iceberg Theory - Fly Far Wormrot - Desolate Landscapes Lukah - RAWDERVES YUNGMORPHEUS - Distant Place Show Me The Body - Trouble The Water AKAI SOLO - Musashi Natalia Lafourcade - Pajarito colibrí DoomCannon - Amalgamation Jimetta Rose - Still Here (prod. Denmark Vessey)

I never know who to tag in these anymore so i'll just @ the same people I did last time and a couple others- If you want me to keep tagging you for these in the future, or to stop doing it because you find it annoying just let me know. Anyone else who sees this feel free to post your own though, i'd like to see what you get. Hope this holiday season is a great one for you all. Peace. @moorrockin @newkindofcozy @hidden-forbidden-holy-ground @freshwoner @suitthehellhounds @nonsensejunkie @mingusdewofficial @satins-finest @oddiology @maldoror-est-mort @brownyuio @komplikacije @kimmyvondoom @flyloseed @oddtonehenri @lexvillain @theforestofuncertainty @stylesthatfadeaway @outmymind--justintime @unkanny @newplaces2drown @quenchx @rhymewithme @thebonesofhoudini @ominoushuman @soulknowledge

[piasgermany]

[Album + Video] The Orielles mit neuem Album "Tableau"!

The Orielles veröffentlichen am 7. Oktober 2022 das neue Album "Tableau" (via Heavenly)!

Mit "Tableau" haben The Orielles ein experimentelles Doppelalbum geschaffen, das sie in Zusammenarbeit mit Produzent Joel Anthony Patchett (King Krule, Tim Burgess) selbst produziert haben. Dafür hat sich die Band von einer Vielfalt an Einflüssen inspirieren lassen: u.a. von schrägen Elektro-Sounds des 21. Jahrhunderts, experimentellen Tape-Loop-Methoden der 1960er Jahre, dem düsteren Dub von Burial, Sonic Youths Fokus auf Improvisation, sowie Brian Enos legendären Oblique Strategies-Karten.

Das Album wurde hauptsächlich im Sommer 2021 in der Küstenstadt Eastbourne aufgenommen. Mit einem expansiveren Sound ist das Werk dabei eine große Veränderung gegenüber dem Vorgänger "Disco Volador" von 2019. Die Aufnahmen sind eine Geschichte von Experimenten, Improvisationen und einer Band, die entdeckt, wie man eine ganz neue Klangpalette schaffen kann. Um auch den letzten Tropfen Kreativität abzapfen zu können, verband Produzent Patchett dem Trio während der Aufnahmen auch zum Teil die Augen und bat sie, ein Instrument in die Hand zu nehmen, das sie normalerweise nicht benutzen würden.

Der erste Auszug "Beam/s" ist ein achtminütiges, wunderschönes Stück mit sich ständig veränderndem, himmlischem Dream-Pop. “This is a song that has travelled, grown and adapted with us through all of the seasons”, erzählt Sängerin und Bassistin Esmé Hand-Halford über den Track. “This is why the lyrics kind of reflect that, the song reflects the changing of conditions. The warping of time, memories and relationships that you foster along the way.”

Zuletzt hatte die Band bei ihrem eigenen Experimentalfilm (La Vita Olistica, 2021) Regie geführt und die Musik dazu geschrieben.

Tracklist "Tableau": 01. Airtight 02. Beam/s 03. By Its Light 04. Chromo I 05. Chromo II 06. Darkened Corners 07. Drawn And Defined 08. Improvisation 001 09. Room 10. Some Day Later 11. Stones 12. Television 13. The Instrument 14. The Offer To Erase 15. Transmission 16. Water

Website Instagram Facebook