#The Epic Journey to Sustainable Fashion | Explore Tumblr posts and blogs

kicksaddictny · 3 months ago

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PUMA & AC Milan Unveil Elegant 24/25 Away Kit with Epic Yankee Stadium Debut

PUMA and AC Milan have officially revealed the Club’s Away kit for the 2024/25 season, blending timeless sophistication with modern design to capture the essence of Milanismo. This new Away kit was showcased for the first time last night at Yankee Stadium during AC Milan’s friendly match against Manchester City. In a unique move, the team wore their Home kit in the first half and then surprised fans by switching to the new Away kit for the second half, marking its debut in a memorable fashion.

The 24/25 AC Milan Away kit features meticulous details that set it apart. The classic white Away kit, combined with a red-and-black polo collar and a monochromatic crest, embodies the spirit of success and casual sophistication synonymous with AC Milan. A tonal pinstripe pattern adds a historic touch, paying homage to AC Milan’s origins as the Milan Football and Cricket Club.

Maikel Oettle, Chief Commercial Officer of AC Milan, remarked, “As we unveil our new Away kit for the 2024/25 season in such an innovative manner, showcasing it first on the pitch at Yankee Stadium, we continue to push the boundaries of how we connect with our fans and communities. This kit not only represents the elegance and innovation that define our Club, but also serves as a testament to our ongoing commitment to our fans and community. Our partnership with PUMA allows us to honour our rich legacy while actively giving back to the community through initiatives like the ‘City and Milan for Change’ project, reinforcing the values that define our Club.”

Marco Mueller, PUMA’s Senior Director of Product Line Management Teamsport Apparel, added, “This Away kit is a testament to AC Milan’s enduring legacy and the sophistication that the Club embodies. We wanted to create a jersey that not only pays tribute to the rich history of AC Milan and their origins, but also incorporates cutting-edge performance technology. We are proud to support AC Milan’s journey with a kit that combines elegance with innovation.”

The 24/25 Away kit is available in both Authentic and Replica versions. The Authentic jersey, worn by the players, is crafted with PUMA’s ULTRAWEAVE fabric, designed to reduce weight and friction, ensuring elite-level performance. The Replica jersey offers the same striking design with a more relaxed fit, perfect for both game days and everyday wear. Both versions incorporate PUMA’s dryCELL sweat-wicking technology to keep fans and players dry and comfortable.

Reflecting PUMA’s commitment to sustainability, the Replica jerseys are made using the REinitiative, which utilizes recycled textile waste to create new materials without compromising quality. Containing at least 95% recycled textile waste and other used polyester materials, this initiative represents a significant step towards a more circular and sustainable production process for football jerseys.

The launch of the Away kit is part of the broader “City and Milan for Change” initiative, a collaborative effort by AC Milan and Manchester City, supported by PUMA. The initiative focuses on giving back to the New York Community through various activities surrounding last night’s fixture. One highlight was a special joint community event in New Jersey on July 26th, which brought together over 60 boys and girls from the Success Academy Charter Schools Soccer Program, actively supported by Fondazione Milan since 2021, and children from the City in the Community (CITC) Soccerbloc program in Staten Island. The event featured participation from legends of both Clubs, making it a memorable occasion for all involved.

To mark the launch of the new Away kit, AC Milan and PUMA will host an exclusive “House of Milan” event on July 28th in Manhattan. The event will bring together stakeholders and VIP guests to celebrate the new kit in a fashion-forward manner.

The AC Milan Away kit is available on PUMA.com, the PUMA mobile app, the AC Milan Official Stores, store.milan.com, and select retailers worldwide from July 28th.

#emirates #kicksaddict #puma #acmilian

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linuxgamenews · 6 months ago

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Seablip Early Access: Embark on a Voyage of Exploration and Adventure

Seablip open world pirate RPG game release into Early Access on Linux, Mac, and Windows PC. All thanks to the amazing work of solo developer Jardar Solli. Now available via Steam Early Access with 89% Positive reviews. Solo developer Jardar Solli just released the amazing — Seablip, the open world pirate RPG. Now available in Early Access on Linux. Get ready to dive into this much-anticipated 8-bit pirate adventure where you can explore, build, loot, fish, and more. The goal is not to rush out of Early Access but to sustain constant and valuable updates over time. Due to reach the full release next year (if possible). Inspired by classics like Faster Than Light and Sid Meier’s Pirates!, Seablip offers you the open world freedom to sail the high seas, upgrade your ship, and defeat enemies. You can upgrade out your ship with extra cannons and more inventory space. You can also hire a new crew, and gather resources from various sources. Whether you’re chopping trees, mining minerals, or watering crops, you’ve got all the tools you need to thrive.

Open world Seablip Early Access Release Trailer

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And that's not all! The game features a swashbuckling soundtrack by the acclaimed musician and composer Christian Balvig. You can check out the tunes here. But what’s an open world pirate adventure like Seablip without some good old-fashioned looting and treasure hunting? Since this lets you find gold from hidden treasures or earn it by selling your goods. Take on bounties scattered around the world to boost your pirate reputation and get paid. Plus, there are tons of minigames and activities to keep you hooked. Build bases, fish with your trusty rod, and immerse yourself in the pirate life. Seablip’s open world journey to Early Access is already epic. Thanks to a successful Kickstarter campaign and a demo that made waves during Steam Next Fest, Jardar Solli is now bringing this ambitious RPG to the masses. While the game is in Early Access, Solli is working to perfect the mechanics and add even more features. So, what are you waiting for? Embark on your open world pirate adventure today and uncover the ominous mystery waiting for you in Seablip. Set sail, build your pirate empire, and live the life of a legendary swashbuckler. Which is out now in Steam Early Access, so grab your crew and start exploring. Available on Linux, Mac, and Windows PC. Priced at $13.49 USD / £11.51 / 13,31€ with the 10% discount.

#seablip #open world #pirate rpg #linux #gaming news #jardar solli #ubuntu #mac #windows #pc #unity #Youtube

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tripcabinet · 9 months ago

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5 Reasons Why Changi Experience Studio is a Must-Visit Attraction

Introduction to Changi Experience Studio

Take the journey of the tourist wonders and mysteries of Singapore by visiting Changi Experience Studios. Changi Experience Studio is a gem of Changi Airport. Through Trip Cabinet’s Singapore tour package from Lucknow, one will explore more than a place to just stay, but a trip, a revisiting of the past and discovering of future, through the legacy and the history of aviation. Participate in a dynamic tour that integrates education, amusement spirits, as well as advanced technology.

The Journey Begins: Immersive Zones and Exhibits

Visit the Changi Experience and be part of a wild trip between the past and the present reality. Enjoy the variety of Singapore tours that gate for the Gateway Garden, the old Smile of SG, and the historical Time Tunnel, which are included in the complete package of the Singapore tour organized by Trip Cabinet covering Lucknow.

Technological Marvels at Changi Experience Studio

The studio reveals technology creativity combination of new kinds of interactive experiences. The digital landscapes and interactive games that explain how Changi Airport transformed into a leading airport worldwide, create an enjoyable trip and are made easier by the Trip Cabinet Package.

A Deep Dive into the History of Changi Airport

Peel back the layers of the aviation history of Changi Airport from the era of its inception to its growing pages thereon. The education part of the tour package from Lucknow about Singapore’s aviation hero is flawlessly merged to achieve a deep comprehension of the aviation masterpiece.

Unique Attractions Within the Experience Studio

Feel the perfect balance between the peacefulness of the Garden and the enthusiasm of the Amazing Runway. Languages: All Of the mentioned novelties, these attractions form the major part of Changi Experience Studio that is now accessible through Trip Cabinet tours which are designed considering particular passengers’ requirements in Singapore tour packages from Lucknow.

The Sky Deck: A View Like No Other

Take a deep breath of the unique views from the Sky Deck at no extra cost, while taking Tripecabin’s package to visit Singapore. This epical experience on the level of airport elegance creates a new point of view on beauty and aviation’s grandeur.

Educational Insights and Learning Opportunities

The Changi Experience Studio with its informative knowledge could be imagined compared to a musical note to the aviation and airport sector This point being educational, indeed, is the main selling point of Trip Cabinet’s Singapore tour package from Lucknow. Hence, it is the right option both for families and for those who are interested.

Fun for Families and Kids

To include all age groups, the studio has a specific setup that is interesting and at the same time educational, so that families can have fun together. Famous for all represents part of the package from Lucknow to Singapore, corresponding to a cherished journey for everyone.

Cultural Immersion and Global Connectivity

Enjoy the cultural exhibition and stories of global unity at the Changi Experience Studio and Changi Experience Studio, a piece being outlined in the Trip Cabinet’s tour package. Personify the global setting in this one-of-a-kind setting of Singapore.

Personalized Experiences and Souvenirs

Fashion an exclusive souvenir from the studio and take away the same, something enticing to have back in Lucknow that is a part of the Singapore tour package you bought. Trip Cabinet is for each traveler to have an experience that is tailored and outstanding.

The Future of Changi: Innovations and Developments

Explore the future of Changi and its commitment to innovation and sustainability, a key aspect of the studio’s exhibits and a highlight of the Singapore tour package from Lucknow.

Planning Your Visit with Trip Cabinet’s Singapore Tour Package from Lucknow

With the Trip Cabinet, you won’t have to worry about visiting the Changi Experience Studio as there is plenty of information about packages and pricing and also travel tips that will save you time and help you with the planning process. Their tour package is comprehensive and intends to create an unforgettable Singaporean experience. Use our AI to write for you about any topic! Enjoy

Conclusion: Why Changi Experience Studio is a Must-Visit

Now the Changi Experience Studio is the place to be whether you are with Trip Cabinet’s Singapore tour package from Lucknow or not to not only have an enjoyable time but learn about the exotic land. It’s the way of Singapore’s creativity and a must-see when you are making your trip schedule.

#tripcabinate #exploresingapore #singapore tour package #tripcabinetadventures #singaporetourpackage

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sqinsights · 9 months ago

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Beyond Plastic: Unveiling the Starch-Blended Biodegradable Revolution

Welcome to the not-so-secret lair of sustainable solutions, where starch-blended biodegradable polymers are the unsung heroes battling the plastic villainy. This isn’t your typical market report; it’s more like a backstage pass to the eco-friendly spectacle that’s changing the game. Get ready for a rollercoaster ride through numbers, trends, and a sprinkle of humor. Let’s dive in, sans the robotic vibes!

The Biodegradable Avengers:

In a world dominated by plastic, our eco-friendly Avengers emerge — Starch-Blended Biodegradable Polyethylene, Starch-Blended Biodegradable Polylactic Acid (PLA), and Starch-Blended Biodegradable Polypropylene. These aren’t just mouthfuls; they’re the caped crusaders fighting for a greener tomorrow. Versatility, biocompatibility, and a touch of superhero flair — these polymers are rewriting the script.

Market Carnival:

Step right up, ladies and gentlemen, to the market carnival! From a modest USD 1.84 billion in 2021, the starch-blended biodegradable polymer market is gearing up for the billion-dollar rollercoaster, predicted to hit USD 3.4 billion by 2030. It’s not a crystal ball; it’s just good old-fashioned growth at 8.2% CAGR. Move over, stock market; there’s a new show in town!

Globetrotting Adventures:

Our adventure takes us across the globe, with Asia-Pacific leading the starch-blended charge. China and India, the dynamic duo, steal the spotlight with their manufacturing prowess. Europe, with its eco-conscious policies, joins the journey, making sustainability a trend worth following. It’s a globetrotting extravaganza with starch-blended polymers as the headline act.

End-Use Extravaganza:

Packaging, the ultimate diva, takes center stage in this eco-friendly extravaganza. Starch-blended biodegradable polymers are the belle of the ball, stealing the show with their compostable charm. Agriculture, the dark horse, emerges as a fast-growing star, fighting plastic pollution in the fields. It’s an end-use party, and everyone’s invited!

The Dynamic Cast:

Behind the scenes, a dynamic cast of companies is crafting the script for a sustainable future. BASF SE, Corbion N.V., Danimer Scientific — the Avengers of the eco-friendly realm. These aren’t just companies; they’re the directors of a blockbuster reshaping the way we look at plastics. Strategic acquisitions, collaborations — these are the plot twists that keep us on the edge of our seats.

Challenges:

The Plot Thickens: Every hero needs a villain, and in our story, it’s the cost implications of production. The struggle is real, but what’s an epic journey without a few bumps in the road? It’s a challenge, but rest assured, our eco-friendly Avengers are up for the task. Saving the planet comes at a cost, but it’s a price worth paying.

For More Information: https://www.skyquestt.com/report/iot-security-market

R&D Renaissance:

In the heart of our narrative, research and development steal the spotlight. The starch-blended biodegradable polymer saga is one of constant innovation, with scientists working tirelessly to fine-tune properties and boost versatility. It’s not just about saving the day; it’s about ensuring our eco-friendly heroes are equipped for the long haul.

Conclusion:

As our whirlwind tour comes to an end, one thing is clear — it’s not just a market; it’s a movement. Starch-blended biodegradable polymers are more than materials; they’re the protagonists in a story of change. So, next time you encounter these polymers, give them a nod. They might just be the heroes our planet needs. Stay green, stay savvy, and let’s keep unraveling the eco-friendly revolution together!

About Us-

SkyQuest Technology Group is a Global Market Intelligence, Innovation Management & Commercialization organization that connects innovation to new markets, networks & collaborators for achieving Sustainable Development Goals.

SkyQuest Technology Consulting Pvt. Ltd.

1 Apache Way,

Westford,

Massachusetts 01886

USA (+1) 617–230–0741

Email- [email protected]

Website: https://www.skyquestt.com

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matukioadventures · 9 months ago

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Matukio Adventures: Unlocking Extraordinary Journeys

Embark on a Voyage of a Lifetime with Matukio Adventures Are you an ardent pursuer of exceptional encounters, yearning to delve into the unexplored corners of the globe? Look no further! Matukio Adventures serves as your gateway to indelible escapades, presenting a harmonious blend of exploration, exhilaration, and enchantment. Join us as we disclose the marvels that render Matukio Adventures the epitome of unparalleled travel experiences.

Exploring the Essence of Matukio Adventures Matukio Adventures transcends the conventional travel agency; it acts as a curator of once-in-a-lifetime experiences. Whether you're an enthusiastic trekker, wildlife aficionado, or culture savant, Matukio Adventures caters to the aspirations of every adventurer. From the towering peaks of Kilimanjaro to the untamed expanses of the Serengeti, each expedition is meticulously fashioned to guarantee an immersive and authentic interaction with nature and culture.

Why Opt for Matukio Adventures?

Expertise and Experience: Matukio Adventures, with years of seasoned professionals, not only features guides but storytellers, adding a layer of depth to your journey. Tailored Adventures: Acknowledging the uniqueness of every traveler, Matukio Adventures customizes each expedition to align with your preferences, ensuring a personalized and satisfying adventure. Commitment to Sustainability: Proudly promoting responsible tourism, Matukio Adventures incorporates eco-friendly practices, ensuring your exploration leaves a positive impact on the environment and local communities. Safety First: Your safety is our utmost priority. Matukio Adventures adheres to the highest safety standards, ensuring a secure and stress-free adventure for all our travelers.

Unraveling the Matukio Adventures Experience Imagine yourself standing atop the Roof of Africa, conquering the summit of Mount Kilimanjaro, or witnessing the breathtaking Great Migration in the Serengeti. These are mere glimpses of the exceptional experiences Matukio Adventures provides. The enchantment lies not just in the destinations but in the seamless integration of adventure, culture, and nature that characterizes each expedition.

Conclusion:

Elevate Your Adventure with Matukio Adventures In a world saturated with travel options, Matukio Adventures shines as a beacon of unparalleled adventure. As you plan your next escapade, select a partner that transcends the role of a mere travel agency – choose a companion that sculpts moments etched in your memory forever. Matukio Adventures isn't just a journey; it's an odyssey, a celebration of life's most extraordinary moments. Let your adventure commence with Matukio Adventures, where every step is a story, and every journey is an epic tale waiting to be told. Uncover the extraordinary – opt for Matukio Adventures, where adventures aren't just undergone; they are lived!

#Matukio Adventures

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primeevents · 9 months ago

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Celebrate Success: Your Journey to International Business Excellence

The global stage awaits! Are you ready to shine a spotlight on your exceptional business achievements and join the ranks of international leaders recognized by the prestigious Prime Awards? This article invites you to embark on a captivating journey toward international business excellence, culminating in the celebration of success at the Prime Awards ceremonies for businesses.

The Allure of the Prime Awards:

For companies striving to conquer the global marketplace, the Prime Awards represent a pinnacle of recognition. These coveted accolades go beyond mere trophies; they are testaments to innovation, resilience, and the unwavering pursuit of excellence. Winning a Prime Award not only garners prestige and industry respect, but also opens doors to new partnerships, talent acquisition, and a global brand elevation.

Celebrating Each Chapter of Your Business Epic:

The Prime Awards encompass a diverse range of categories, encompassing every facet of international business success. Whether you lead a technology startup disrupting the digital landscape, a sustainable fashion brand championing ethical practices, or a manufacturing giant redefining industry standards, there's a category tailor-made for your remarkable journey.

Here's a glimpse into the inspiring variety of awards:

Innovation Award: Unleashing groundbreaking solutions and reshaping industry norms.

Leadership Award: Pioneering visionaries paving the way for their teams and communities.

Sustainability Award: Environmental champions dedicated to responsible and ethical business practices.

Growth Award: Demonstrating exceptional resilience and scaling new heights with every step.

Customer Experience Award: Exceeding expectations and forging unwavering customer loyalty.

Best Employer Award: Creating a thriving workplace that fosters talent and empowers individuals.

Your Prime Moment Awaits: How to Nominate:

Embarking on your Prime Award nomination journey is both a rewarding and empowering process. Here's a quick guide to illuminate your path:

1. Explore Categories:

Visit the Prime Awards website and delve into the comprehensive list of categories. Identify the one that perfectly aligns with your company's accomplishments and resonates with your core values.

2. Gather Testimonials:

Collect compelling testimonials from satisfied clients, industry experts, and even your own employees. These voices of appreciation add invaluable weight to your nomination.

3. Prepare a Compelling Narrative:

Craft a captivating story that narrates your business journey. Highlight your challenges and triumphs, showcasing your innovative solutions, impactful strategies, and the unique value you bring to the global marketplace.

4. Showcase Measurable Results:

Complement your narrative with quantifiable data that demonstrates the tangible impact of your work. Highlight growth figures, customer satisfaction metrics, environmental benefits, or any other quantifiable evidence of your excellence.

5. Submit with Confidence:

Once you've meticulously crafted your nomination, take a deep breath and submit it! Remember, your application represents not just your company, but the dedication and spirit of your entire team.

The Grand Celebration of Prime Winners:

Earning a coveted Prime Award isn't just about the accolade itself; it's about joining a prestigious league of international business leaders. Being invited to the Prime Awards ceremony is a chance to celebrate not only your own success, but to connect with like-minded visionaries, network with potential collaborators, and share your inspiring story with the world.

The Prime Awards ceremonies are glittering affairs designed to honor the very best in international business. Imagine an atmosphere charged with accomplishment, where innovators, leaders, and changemakers gather to celebrate their collective victories. This is the platform where your company will shine under the spotlight and your achievements will be etched in the annals of international business excellence.

Beyond the Celebration:

Winning a Prime Award isn't simply an endpoint; it's a springboard for further growth and continuous improvement. It serves as a powerful motivator for your team, a validation of your vision, and a beacon of inspiration for aspiring entrepreneurs across the globe.

So, are you ready to embark on this breathtaking journey towards international business excellence? Take the first step today, navigate to the Prime Awards website, and let your nomination be a testament to your dedication, innovation, and unwavering commitment to success. Remember, the world awaits to celebrate your achievements, and the Prime Awards ceremonies for businesses stage is poised to amplify your company's remarkable story.

Embrace the challenge, share your journey, and claim your rightful place among the champions of international business excellence. The Prime Awards await!

#https://www.primeeventsllc.net/home/

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charuta567 · 1 year ago

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Embrace Timeless Elegance and Cultural Heritage with Pattachitra Sarees: Explore the Collection at Charuta Designs

Introduction:

The enduring charm of Indian textiles remains a fascination for fashion enthusiasts and art connoisseurs alike. Among the plethora of traditional textile arts, Pattachitra emerges as a masterpiece of skillful craftsmanship and narrative artistry. In this blog, we delve into the exquisite realm of Pattachitra sarees, shedding light on the opportunity to acquire these breathtaking creations from Charuta Designs.

Unveiling the Artistry of Pattachitra:

Pattachitra, translating to "cloth painting" in Sanskrit, is an ancient art form originating from the culturally rich state of Odisha, India. It is distinguished by intricate hand-painted designs on fabric, portraying mythological stories, folklore, and cultural motifs. Pattachitra artists employ natural dyes derived from minerals, plants, and other organic sources, resulting in a vibrant and harmonious color palette.

The Timeless Elegance of Pattachitra Sarees:

Pattachitra sarees bear witness to exquisite craftsmanship and meticulous attention to detail. Each saree is a work of art, featuring intricate brushwork and elaborate motifs. Designs often showcase deities, epic tales from Indian mythology, or nature-inspired elements. These hand-painted masterpieces are painstakingly created, with multiple layers of paint adding depth and richness to the artwork.

A Journey of Tradition and Culture:

Wearing a Pattachitra saree goes beyond adorning oneself in a beautiful garment; it is an embrace of the rich cultural heritage of Odisha and a celebration of the artistic legacy passed down through generations. Each Pattachitra saree tells a story, carrying the essence of Indian mythology and folklore. The motifs and patterns symbolize auspiciousness, spirituality, and the connection between humans and the divine.

Charuta Designs: A Gateway to Pattachitra Sarees:

For those seeking authentic and high-quality Pattachitra sarees, Charuta Designs stands out as a reputable choice. The brand takes pride in preserving and promoting traditional Indian art forms, including Pattachitra. Their collection of Pattachitra sarees showcases the skills of talented artisans who breathe life into these timeless creations.

Why Choose Charuta Designs:

Beyond the captivating aesthetics and cultural significance, Charuta Designs offers a seamless online shopping experience. Their user-friendly website presents a diverse array of Pattachitra sarees, allowing exploration of different designs, colors, and fabric options. Each saree is crafted with utmost care, ensuring exceptional quality and attention to detail.

By choosing to purchase Pattachitra sarees from Charuta Designs, you not only embrace the elegance of this traditional art form but also contribute to the sustainability of Indian craft traditions. Your purchase supports the livelihood of skilled artisans and aids in preserving a valuable cultural heritage for future generations.

Conclusion:

Pattachitra sarees represent a harmonious blend of art, culture, and tradition. These hand-painted masterpieces carry the legacy of centuries-old craftsmanship, continually enchanting admirers with their timeless elegance. Opting to buy Pattachitra sarees from Charuta Designs allows you to own a remarkable piece of wearable art while becoming a patron of Indian heritage. Step into the world of Pattachitra sarees and let Charuta Designs be your gateway to possessing a fragment of India's rich artistic heritage. For more details, kindly visit our website.

#pattachitrasaree #handpainteddupatta #ethnicfashion #beautifulsaree #pattachitradupatta #charutadesigns #sauraartsaree #sareelovers

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dvtsa · 2 years ago

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Matthijs Eijpe: Old Fashioned Banks Neednt Concern Mobile Money Needs Them

We Are Setting The PaceClickatell is a world-class Chat Commerce firm, formidable to remain forward of its rivals. We build our personal tradition during which we dream huge and keep busy doing the right ... We Are Setting The Pace Clickatell is a world-class Chat Commerce company, ambitious to remain forward of its competitors backbase for wealth management. IiDENTIFii know-how has been rigorously tested at scale and successfully deployed throughout a spread of industries together with Financial Services and Payment Solutions. Is it not maybe a goo time to lock them up and throw the keys away. The purpose that has not occurred but can only have something to do with money?

We help retail banks with a digital-first method that provides seamless digital banking options that your purchasers will respect. JustSolve just isn't a software program factory, however a small and dedicated group of artistic people. They value long-term sustainable partnerships with our purchasers, so they are really there with you every step of the greatest way. JIL allows their clients backbase for SME banking to shortly and simply integrate payment and assortment services with none hassle saving both time and money. The African banking world is already seeing strong competitors from easy-to-use and client-centric services like cell cash and neobanks. Banks would do properly to ask themselves what made these services so in style within the first place and attempt to adopt comparable tech options.

JustSolve offers payment and collections services, together with a white labelled eMandate service, through “JIL” which allows them to allow any Netcash service for any client, cross business. They can even assist you with Netcash enabled customized shopping carts and bespoke web & mobile improvement. Job Details Standard Bank is a firm believer in technical innovation, to assist backbase services us assure exceptional shopper service and leading edge financial options. 2011 – We companion with Backbase, an Amsterdam based mostly software program home specializing in net front-ends for the monetary business. We consult on the web implementations for a quantity of US banks and insurance firms.

The pandemic ought to supply African banks the perfect opportunity to step up their efforts in this regard, with demand for digital banking services at an all-time excessive. In Nigeria, the place banks had been faster to digitize than somewhere else on the continent, thevolumeof digital transactions jumped by 40% in the second quarter of 2020. Kenya, where the use of mobile cash was wide-spread earlier digital banking than the pandemic, similarly had an easier time adapting to digital banking services when the necessity arose. Mauritius Commercial Bank’s has introduced a Backbase-built SME banking platform and new mobile app, JuicePro. Using the platform, MCB utterly remodelled its offering to SME users and has put a foundation in place to advance digital innovation throughout all strains of enterprise.

With huge buyer growth in Africa, we're looking for you to be a half of this epic ride and guide our regional prospects on their journey. "Backbase delivers high-quality digital transformations with a global attain and native presence! With huge customer development in Africa, we are looking for you to be part of this epic experience and information our regional customers on their journey." Most banks battle with a patchwork of disconnected, point and channel solutions that have backbase for retail banking been by no means designed to service the shopper holistically, abandoning a raft of damaged journeys for his or her clients. This investment will permit Backbase to double down on its vision for Engagement Banking and accelerate its mission of re-architecting banking across the customer. Of digital transactions jumped by 40% in the second quarter of 2020. Kenya, where the usage of mobile money was wide-spread earlier than the pandemic, also had a better time adapting to digital banking.

I really enjoyed how it backed up all the knowledge we acquired so when the worst did occur we did not lose much fo anything. Designed to assist monetary institutions coping with retail, corporate, SME, and wealth management with onboarding, loans, and so forth. Backbase platform supplies a significant ROI and a solid enterprise case, for single country and a quantity of countries deployment eventualities backbase banking. With Backbase Engagement Banking Platform we assist banks empower their staff, turn prospects into prospects, and improve your share of wallet by enhancing your processes to get rid of friction for each your prospects and employees. Verify your prospects in real-time with Bank account verification. Numbers That Matter The different day we met a little girl who amazed us at how she viewed the world.

#tech

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lastfrontierh · 2 years ago

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Small Teams & Unlimited Vertical B C

To take a look at dexterity, we skied within the gloves all day and tried to carry out each needed task with out removing them. We additionally carried out goal tests by doing a series of side-by-side duties to clarify distinctions between merchandise. Every skier has a price Heli skiing Canada range, and though we strive to check gear without regard for value, we also make a note of merchandise that rating above or below what we think is affordable, given their price.

When you book your British Columbia heli skiing adventure you can determine what quantity of days you’d prefer to experience, as we customized make our heli skiing journeys at Kingfisher for either private or semi-private teams. Although we've a minimum size of stay of three nights, we're happy to create a ski-trip that's excellent for your group. We’ll meet you at the Terrace Airport and if you’re booked on our Classic Package, we’ll switch you on to our Yellow Cedar Lodge with our shuttle bus in solely twenty minutes. For our Elite and Private Package guests, we’ll fly you to our distant Mountain Lodge by helicopter with a spectacular 15-minute flight through the Skeena Mountains.

The resort has a quantity of sustainability initiatives, emphasizing the use of green transportation with its resort shuttles and electrical vehicle charge station. Banff Sunshine Village provides an expansive 3,358-acre terrain stitched with one hundred fifteen runs of widely varying types; each novices and experts in search of wild backcountry runs will find something appropriate. But right here skiing is simply half the equation—the epic scenery of the Canadian Rockies is reason sufficient to go to this spot on the Continental Divide. Sunshine has additionally spent the previous 20 years working to improve its sustainability practices, implementing high-efficiency expertise in its on-mountain buildings to minimize back water use per skier go to by 29 p.c. The first day’s runs got here after a flight to the lodge, a fast lunch and more instruction on avalanche gear and helicopter security, which helped counteract the video-induced fear from the morning.

While the entry to terrain that we provide is unmatched, our extremely trained and professional information team is the secret ingredient that ties the whole expertise collectively. Custom itineraries in a small-group setting enable us to curate a bespoke heli skiing journey on the terrain that is the best suited in your crew. Many of our visitors come to Northern Escape because they’re tired of driving around in school-bus sized machines with 10 or eleven skiers. Our Agusta Koala helicopters are like Ferraris for the mountains. The efficiency, safety and landing capabilities of this machine exceed any other helicopter in the business. And that means more vertical and a better day on the slopes.

Meanwhile, snowcat operations like Mustang Powder have fine-tuned street designs, group management and snowcat fashions to routinely obtain 20,000-vertical-foot days— generally even 25,000. Gmoser's operation gave skiers entry to the ridges and runs of the Canadian Rockies, and the locale still boasts the overwhelming majority of heli ski guides and operators worldwide. Some of us are glad Heli skiing Canada skiing at massive resorts or native runs, the more daring of us on on black diamond trails. The rest of us are usually pleased to benefit from the skiing expertise from a perch near the log fire in the lodge.

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generallypo · 4 years ago

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in all sincerity, kim dokja makes me happy and he deserves to be so too :^(

incoherent yelling and sobbing under the cut. these fEELINGS will not be contained aaauuunnghhh.

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anyway i binge-read all 500+ chapters of ORV this week and i honest to god feel bad for this -- completely! fictional! aghhhh -- guy. in case you haven’t figured it out, the following is some spoilerly shit

i went in expecting a fun, brainless power trip fantasy for dudes with an isekai addiction. instead, it turns out ORV is actually a gigantic, self-deprecating prank on the entire genre itself. kdj plays more into the sad -- if high-functioning-- clown trope than the sexy, edgy, chuuni bastard type i was prepared to laugh at. there were -- gasp! -- female characters with personalities! parents (aka ADULTS who act like ADULTS) who actually survive and feature prominently! adorable children! a real sexy, edgy bastard! a power trio with amazing fashion! sexual tension and bickering! friendship! life and death bonding!

*breathes in deeply* fouND FAMILYYYYYYY.

like, yeah, the plot around the first few arcs seems a little aimless, but the buildup is worth. the world-building is pretty decent. there’s discernible effort put into the fight scenes, and i can appreciate that. but -- but! what i stayed for were the characters -- namely, the fantastic OT3 of KDJ, HSY, and YJH -- who come together despite their initial rivalries and end up saving each other’s asses, like, every other day. granted, the other characters don’t get as much focus, and they do fall into certain character tropes..

but a trope done well is nothing i would gripe about. every significant character in ORV has a coherent, and more importantly, respectful take on their respective trope. maybe it’s because sing-shong is actually a married couple, but all the interactions between even minor characters are a convincing blend of awkward rambling, suggestive humor, sharp remarks, and casual banter. in other words, this cast of mostly working adults (plus a teen and two kids) talks like working adults. the relationships built throughout the story are, frankly, some of most realistic of its genre. sing-shong has managed to craft a dynamic that undoubtedly brims with fluffy fondness all around, but also drips with sarcastic tension, with unspoken urgency, with a wariness that softens into sincerity over the course of many, many chapters. it’s the kind of progression that makes even stock characters read like more than just the 2-bit villain or comrade or love interest. here, we have relationships both straightforward and not, strained or otherwise, romantically-oriented as well as decidedly the opposite -- and then numerous others scattered along the spectrum with the freedom to shift either way.

it’s also an interesting point of note that our MC kdj actually does not end up with a stated romantic partner, much less a conventional heteroromantic harem. he gets teased about that fact from time to time, but it’s with less of the sleazy shonen locker room humor one would expect and more of the good-natured ribbing you’d find among friends or that one especially nosy auntie at the yearly family reunion. kdj is a grown ass man. in the background, i applaud his maturity, and he handles all the prodding like a champ.

so instead of finding and fulfilling his horny, he builds himself a wealth of loving family. yeah, there are beautiful men and women around him. yeah, they unequivocally adore him. but they’re also adults, and they have priorities, too -- which are not so much finding a way to bang kdj’s brains out and more so simply keeping the damn guy alive. this is truly not ‘oblivious mc with his thirsty, sex kitten harem’. it just so happens that a guy proves himself to be unflinchingly gentle and capable in an apocalyptic setting despite his broken self-esteem, and lots of people find that attractive, romantically and platonically.

it.. kinda makes sense? he’s a hard worker, thoughtful, and good with kids. kdj is the kind of guy you know would make a reliable partner, and anybody with eyes can plainly see and appreciate that.

and it’s not that our MC’s a total brick wall. in fact, it’s likely the opposite, and he’s just too darned repressed to admit it. from what has been implied, kdj does indeed recognize and accept love, or at least a primitive concept of it. i like to imagine that the kind of love that he ends up seeking out simply manifests itself more easily as acceptance and safety, as warmth and a home of people to return to every day. even better, the people who surround him know this, and they give him exactly that. it’s refreshing, and honestly, really sweet.

(as a side note, i really, really do appreciate the cosmic bi energy radiating off of kdj, who canonically earns the title of being loved by all and is all but in name married to yjh and hsy. he also respects women and small children and honestly anyone who isn’t total scum to him or his family. i respect that.)

but the happy stuff aside, you know it it just ain’t ORV without the generous screaming dollop of angst. admittedly, there’s self-sacrifice, injury, lonesome wandering, more sacrifice, some epic fighting, reunion and confrontation. all of it is a lot to digest, sure, but never does it feel entirely hopeless, or truly, truly heart-clenching. ORV, up until the final act, is a mostly light read. you relax in your chair, thinking that nothing beyond this point can disturb you.

yeah fucking right.

------

and then the beginning of the end arrives. when the squad finally break through to their ‘ending’, the scene that kind of breaks me is the reveal of the Most Ancient Dream. it ties so much thematically into the little tidbits that we get of kdj’s past, and it though it feels like almost a joke that the source of the goddamn apocalypse is a kid with bruises smeared across his skinny ass body -- it’s such a pathetic picture that it’s kinda poetic, actually. you’re left mystified but somewhat convinced, like a math problem explained halfway through. this.. child.. is a villain somehow, isn’t he?

and then 999th turn uriel speaks up, and she. just. hugs him.

[[You are this universe’s most powerless existence, aren’t you.]]

that. that gets me. kdj’s reaction immediately upon this revelation? absolute murder. seeing him essentially self-destruct upon realizing that all these people he’s surrounded himself with -- some who continuously proclaim their loyalty and affection for him throughout their journey, some who suffered eons of war and loss and trauma because of his existence -- not only forgive his younger self but smother him with unconditional acceptance and love is stifling, is too vulnerable and exposed and he simply can’t cope -- it’s so telling of his true mentality, of his crippling insecurity and crumpled sense of self-worth. kim dokja is a liar, through and through, so much that he fails, or perhaps refuses, to comprehend the veracity of others’ kindness and love towards himself.

by some miracle, the events at the end of the world somehow resolve.. or so it seems. there is a departing train, a liberated team of ex-gods, and a child rousing from his slumber. in the aftermath, i am left shaking. somehow, despite the ending having been (happily?) reached, there’s still another chapter ahead. what is this witchcraft?

------

and then ah, yes -- the epilogue arc. i teetered on the edge of being critical for a little bit there -- is that display of deus ex machina, of sad, self-sacrificing nobility a bit too egregious to be acceptable? is this some wild last let-me-yank-this-outta-my-ass plot twist to drag out the chapter count? i sincerely thought that the arc before it would have been the finale. i was wrong. thank god.

anyways, as an answer to the above: no, and no. i stake my firm claim on the belief that the epilogue arc was meticulously planned out well in advance of its release, confusing and time-warpy as it is. i liked it. tremendously. even if it entirely invalidates all of kdj’s supposed development (”haha lol yeah sure i won’t sacrifice myself or anything anymore guys don’t worry about me” -- KDJ, at some point because he’s a lying rat bastard). actually, our beloved MC disappears for a large chunk of this arc, and i think it’s great. in his absence, the other characters not only go absolutely fucking nuts, but they have to figure out this new problem on their own, even if the lure of peaceful complacency in the newly saved Korea might convince them otherwise.

and then the whole time paradox thing comes around. yjh goes to space, hsy saves the only life she can, and kdj grows up. the crew waits, holding onto their hope even if it bleeds them dry. sing-shong does a damn good job of illustrating their fraying calm, their lurking madness, the unseen but pervasive depression that seeps in from kdj’s absence. the kids lose their father, lhs and jhw lose their reliable leader figure, ysa loses a best friend and confidant, lsk -- as distant as she pretends to be from her son -- loses her only child. and then there’s hsy and yjh , who are essentially bereft of the other half of their existences. their pain is palpable, is grounded in the hopeless, gnawing frustration of an utterly meaningless victory. emotionally, ORV hits all the right -- if agonizing -- beats.

however, a story can’t sustain itself just through its pathos. i’m happy to say that ORV doesn’t drop the ball after the first milestone, and after all the hurt, the characters do leap straight back into action. even better, the plot holes actually do get patches, and the poetic cycle of writer, protagonist, and reader comes full circle by making use of all those supposedly throwaway characters from the myriad world lines.

at the end of the road, there is a distinct sense of unity, of a delicate but undeniable cohesion to the world lines and their origins. sing-shong lets us guess a little here at the finish, but there’s just enough information to feel hopeful. maybe there never had been a definite start -- or finish -- to the story of kdj company, and... that’s okay. everybody ends up where they were meant to be, where they fought and struggled to reach. it’s.. almost like a happily ever after, if we’re allowed to dream of that.

------

now, i realize, this was all an orchestrated maneuver.

i’ll take it.

to me, all of this work sounds like someone put some serious thought into this behemoth of a plot. it cements the entire original premise of the story. it suggests -- but never explicitly confirms! -- the possibility that breaking free of the cycle is possible through the exact same system that sustains it. it’s terribly interesting -- and inspirational! with all the dramatic revelations and life-threatening scenarios and the cast’s resigned acceptance of them that essentially make up ORV’s entire mood, there’s still that last hint of rebellious and righteous anger that lights up the whole damn nebula. it’s like the kdj company blasting away at the heavens just to yell into the nether: we’re not looking for the happy end, but the free one. stay alive.

it’s subtle, and yet it’s such an emotional gut punch. i came away with the most ruinous, frustrating, bittersweet sense of longing in ages. i pined. for these fictional darlings. god, i am weak.

so. yeah. ORV is pretty good. flawed, but ambitious and impressively thought out. i’m stoked that the webtoon is making pretty good progress, even if it’ll take an eternity and a half to meet that monstrous chapter count. i’m still gonna follow it. hell yeah.

------

(by the way the idea that secretive plotter and co are literally gonna take care of and raise baby kdj and spoil him and be the best friggin family a kid could ever want does things to me. protect him. he’s suffered too much. let at least one worldline’s version of him know happiness. and actually, aLL OF THEM DESERVE DOMESTIC BLISS TOGETHER IN A BIG OL MANSION WITH SUN AND FRESH AIR AND TENDER FAMILY MOMENTS UGH)

------

and there you have it, folks. you made it to the end. in the far, far distance, i’m cheering you on and crying my eyes out in gratitude. thanks for tuning in!

#omniscient reader #orv #omniscient reader's viewpoint #kim dokja #fanart #kdj happiness rights!#protect him!#let! him! have his big house! with everyone! he loves!#please!#long ass emotional screeching #look i can't do him justice with drawing but hell can i yell out my love for him :'^DD

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fakeloveaskblog · 3 years ago

Note

Yay lasertag!!! Janus you should totally go visit Remus on the weekend and hang out! Also, maybe invite Remy too, if they wanna come. Then (specially if they don't show) you can plan with them both to maybe go on another hangout with Remus but to somewhere you like and let Remy tag along for the ride if they wanna while u're at it.

(Words: 3153 words)

Janus: "Ah yes! I will let you know that after hanging out with Remus I managed to use my incredible totally very good texting skills to ask the Rems if they wanted to go to an art museum and they both for some reaosn, maybe they are being blackmailed, said yes! I hope it will go g-"

He cut himself off as he saw the two Rems come towards him. He had been waiting outside the museum. (Honestly half the reason he had choosen it was because he knew Remus liked art)

Remus waved at him while grinning. He had on sweatpants, a way too large t-shirt and a necklace made out of animal bones. Remy had their arm swung around him. Even though they had sunglasses on their eyebags were still visible.

“Aight gamers! Are we ready to do an epic art heist!! I got my sunglasses ready!” Remus exclaimed. He didn’t, he was planning on stealing Remy’s sunglasses.

“Partner you’re forgetting that we must first observe the security measures of the museum before we can even start to plan the heist” Janus replied.

“Oh!!! That’s what we’re doing today isn’t it??”

“Correct partner!”

“Babes I dunno why you gotta steal art when I’m standing right here” Remy added while posing.

“Good point. Good point”

Janus had on a yellow bowtie he’d gotten from Logan, a loose purple shirt and black dress pants. People had to look fancy when they went to museums right? Remy had a skirt short enough to fool god and their boyfriend’s hoodie on (it looked oversized on them but with how skinny they were Everything looked oversized on them).

As soon as they got in Remus started to bounce up and down as he looked at the posters showing all the different exhibitions. There was a modern art one, classical and one smaller exhibition for specifically mosaic works.

“So whatcha you wanna look at Snakey?” Remus asked.

Janus was caught of guard “Why are you asking me?”

“Well you chose how we would hang out. C’mon you deserve to choose this too”

He looked over to Remy who shrugged “Uhm okay. Well. The classical paintings would proably give us the most money on the black market so lets look at those”

“Yay!”

Remus quickly took on his noise canceling headphones and a chew necklace before doing thumbs up. He firmly took Janus’ hand in his. He sent him a soft smile which made Jan’s heart spin before dashing of with him into the exhibition.

A few big paintings from the renaissance hung on the wall. Remy came a little later since with the cane they walked pretty slow. Remus eyed the paintings from a distance before squinting at them up close. He flapped the hand he was hoding Janus with around.

"Oh!!! This is so cool!!!! This is from the renaissance but it's not using the chiaro oscuro technique like everyone did 'cause Da Vinci would eat their newborn if they didnt!”

"Is that why it's looking flatter than me?" Remy asked.

“YEah!! Augh I love the renaissance!!! Mostly because they were dissecting bodies so much!! sometimes for the sole purpose of drawing anatomy better!! I wanna do that! Or watch someone do that! Getting to see one of those old classrooms where they dissected corpses would be so awesome!”

“Huh good way to get rid of bodies. Great time for serial killers” Janus commented.

He let out a dreamy sigh “It truly was. They’re doing serial killers dirty nowadays”

They went through some more rooms of renaissance paintings. Janus made sure to hold Remus back a bit so Remy could keep up with them. The duke kept rambling about different shading techniques.

They stepped into another room and the style changed. Remus continued to flap his hand nonetheless. Janus was definitely going to have pain in his wrist tomorrow. It was worth it if he could hold his hand though.

Remy leaned their elbow on top of Janus’ head “This is like the baroque time right?”

“YEah!” Remus’ eyes went huge “Bean you didn’t tell me you were into art history??! Do you know about Ruben too?? I like how he paints butts!”

“What? Nah. I just- I can like see it on the clothes in the paintings. Can’t you?”

“Do I look like a time traveling fashiong guru” Janus replied sarcastically “That is honestly impressive”

Remy sunk in on themself and a hint of red appeared on their cheeks “No. Nah. I’m like a total airhead! Completel idiot! hehe I’m like tots sure everyone knows this stuff. Y’all are just bad at fashion. I uh anyway Rem you were gonna rant?”

“I was?”

“Yeah!”

“Oh....Okay!!” He looked around the room before getting caught on a small painting in the corner. He dashed over to it “HANds!”

The painting depicted 2 bloody hands over a table. They were holding onto each other. the red stuck out against the dark background. It was hard to see if they were supposed to belong to two people who were fighting or in love.

Remus looked down at Janus’ hand while playing with his fingers “I think my favorite body part are hands” He mumbled “I mean they’re horseshit to draw but they can do so much”

Janus looked away from the painting as well. He let his crush do whatever he wanted with his hand as long as he kept holding it. the way he held him so lightly but kept rubbing his thumb up and down his skin made him melt.

“Yeah they can do a lot of fucked up shit” Remy butted in. Jan nearly jumped. He’d completely lost himself in adoring his crush.

“Well hands can also be used to give snakes small berries! And to make coffee!”

“Girl I wasn’t starting an argument. But you sure did won it!”

Remus was staring down into the floor as he said “When I become a cannibal I would wanna try eating human fingers first. I’m sure they would be tasty”

“Why was there a when in there?” Jan asked in a small amount of terror.

“Oh yeah babe totally. I will like actually eat a dick” Remy agreed.

“Why is there a will in there? What kind of time tenses are you people on?? Does english grammar mean nothing to you heathens!?”

Remy got a smug look on their face. They poked their finger right into Janus’ chest “C’mon say what you will eat when you become a cannibal”

“Yeah Snakey” Remus squished his cheeks “Say it! Say it! Say it!”

The two of them kept going on while Janus looked like a sour lemon until he finally caved in.

“Fine. I would either eat the stomach or....the buttocks since they would have the most fat and sustain me the longest”

The Rems looked at each other before bursting out into laughter. “He said butT!” Remus cackled out. The other Rem nodded along and pretended to wipe away a tear from laughter.

“Aight babe let’s put the guy out of his misery”

They motioned for Remus to go ahead. He happily skipped into the next room and grabbed Jan’s hand to take him with him. The snake couldn’t help but notice how Remy stayed behind for a monent.

“Oh cool!! We’re onto impressionism! The first real art style!” He sighed “From impressionism to cartoon furries. How magical the journey of art is”

(Jan who had a scaley phase in high school chose to not reply)

“I love the music as well. Crazy lads. My favorite lad?” Remus snickered “De bussy!!”

“That’s my porn name” Remy instantly replied, coming up behind them. “Hey that paint lady kinda like looks like Terra” They pointed at a painting.

“....Hey YEaH! I guess my art is timeless!”

Janus looked between them “who’s Terra?”

“Well girl” Remy playfully ruffled Remus’ hair “She’s just Rem’s tots cool like cartoon character. She’s like all over his sketchbook. Makes it look kinda straight if you ask me but she does have like a very cool design so I get it!”

“Oh......Yes...Sounds very....cool”

The group kept going around looking at art. While it felt like lead was filling Janus’ chest. He’d never heard about Terra. He’d never seen his sketchbook. Meaning they had spent time with each other without him.

He pierced his nails into his palms to stop the thoughts. He refused to be some jealous person who didn’t allow his friends to hang out without him.....Still he wish he could have seen the drawings as well....seen them smile together...heard their shared laughter....

Oh. Oh what if they thought he was annoying. What if they preferred being without him. What if he’d forced them to come here today. What if-

“Hey snakey wanna look at the modern art as well?” Remus interrupted.

“What?”

Without realizing they’d gone through all of the classic art. Now they were in the last room with not much more than a giant painting the size of one of the walls and a bench.

“That sounds horrid!”

“Yay!”

Remus quickly continued of into the next exhibition. Janus still had the taste of lead filling his throat as he went to follow. Until he realized Remy wasn’t there. He turned around and saw them sitting on the bench in front of the painting. They were leaning their arms on their cane.

“It would probably give us a lot on the black market” Jan said while sitting down beside them.

“Mhm. It’s pretty. I just like wanted to look at it some more” They lied.

“Understandable”

The painting was pretty much a big flower field with a summer sky shining down on it. Janus noticed how Remy forced deep breathes through their gritted teeth. Their brows were furrowed and their hands kept shaking.

“Are you alright?”

“Of course!”

“I have some painkillers with me. Would that help agains the pain you’re totally not in?”

They glanced over to him “Girl what you doing walking around with painkillers?”

He looked at them with the most deadpan expression “Remy I’m overweight. You can not phantom how often I get knee pain" He took out a pill and held it out to them "Here"

"There's really like no need! I can like handle it"

Even more deadpan "You shouldn’t have to ‘handle it’. It's 1 painkiller dear. I'm not exactly becoming a saint because of this"

They hesitantly took it "Thanks"

He did fingerguns "No problemo"

They stayed sitting for a bit so the pill could kick in. Jan shuly glanced over to admire them every now and then. Remy kept looking down into the floor while picking at their skin.

“I’m sorry” They said it in a much quieter voice than their usual high pitched one “I tried to do everything right so I wouldn’t ruin everything. I even went to bed early so I wouldn’t get tired....I...I really looked forward to getting to be with you two”

Janus heart beat faster. He pulled himself together to comfort them “You haven’t ruined a thing”

They hid their face in their hands “I’ve been tired and out of it all day. I keep like slowing you down. Don’t think I haven’t like noticed how much you have to hold Rem back from going faster! I’ve just been making this all much worse than it should have been”

“Well you’re here aren’t you? I for one appreciate you simply being here. You don’t have to do anything to make me appreciate you, don’t even have to talk. I hope you know that”

“....really?”

“Oh no darling I totally expect you to win the nobel prize while in a kind of pain I can’t even imagine being in on a daily basis”

Remy chuckled “Thanks”

“There’s really no need for that. I am at any and all times doing the absolute minimum to be counted as a decent human being”

“Sure snakey-babey” They had a soft smile on their face.

They moved to hug him. Their arms wrapped around his back and they muffled their head right between his man titties. Janus sat still for a few seconds, too flustered to think before moving his arms around them as well. A hand on the back of their head, another on their lower back. Their skin felt so cold against his.

Remy closed their eyes and let themself calm down. They could feel Janus’ breathing against their hair.

“I think my fav like human part is the chest” They mumbled out “‘Cause I can hear the heart beat. It reminds me I’m- we’re still like alive”

“Like a bloody biological seashell”

“Exactly” They pressed themself closer. “I like being with you” It was nothing more than a whisper, like it was a secret “When you’re here I feel a bit less like a rotting corpse”

Janus held onto them harder “Well I-I try my best”

“I know babe”

His heart was beating out of his chest. The people around them must think they were a couple. He closed his eyes and focused on Remy’s touch, on Picani’s words from their last session. He managed to push enough of the shame away and focus on the happy butterflies in his stomach instead.

Remy moved away. The moment broke.

“We should probs go find Rem before he starts like eating the art”

“haha yeah” Janus did thumbs up but kept sitting. He’d gone full idiot.

It wasn’t until he saw Remy straining to stand up even with the cane his brain kicked back in.

“Is there some way I could help?”

They didn’t answer. But they did lean their arm around his shoulder to let him carry some of their weight. They slowly but surely made their way to the modern art exhibition.

Remus was sitting crosslegged in front of a weird statue, he was doodling in his sketchbook but shone up into a smile when he saw them.

“There you are! I was starting to think that either the zombie apocalypse had started or you were making out somehwere”

“Oh yeah babe. Full tounge” Remy joked back. Jan let out an inhumane noise.

He closed his sketchbook “I think we’re done here. You’re looking tired beanie. We can come back some other day”

Remy held back the urge to lie that they were fine. Instead they weakly nodded.

The gang left the museum. Right beside it was an ice cream shop. Remus got 3 scoops of a worryingly weird mix of flavors. Janus got 1 scoop of lemon. Remy didn’t feel like eating.

They sat down on a couple of benches right outside. Remy laid down with their head leaned onto Remus’ thigh. He chewed his ice cream while calmly moving his hand up and down their back.

Soon enough they were deep asleep. Janus quickly laid his jacket over their legs. He didn’t want to accidentally see anything under their skirt without their consent.

Remus stared at him like a blood sucking eagle while smiling “Soooo now when beanie is in dream land.......Do” He stopped to giggle “Janny. Janny. Do. Do you like someooooonnneee??”

Janus just blinked at him for half a minute. This was too much. This whole day was too much. He was a wreck. His crush was asking him THis?! While his other crush was laying in his crush’s lap?!?

“Why- Why- What- Who are you working for?! The fucking FBI??? Are they after me?” He desperately tried to joke it away.

“No. No. But seriously JanJan!” He wiggled his shoulders around in a stimmy way “Do you happen to like anyone with a name that starts on R????”

Fuck. Fuck. Fuck. Fuck. Fuck. Fuck. Fuck.

Janus kept glancing between his two crushes while his blushing could be seen out into space. He wanted to lie but his mouth wouldn’t move.

Remus leaned closer and whispered “You’re into Remy right?”

He nodded. A breathe of relief went through him. At least Remus didn’t know he liked him.

“OH I KNEW IT!” Remus yelled out in excitement while flapping his hands.

“Shh! Shh!” Janus scrambled to cover his mouth as Remy stirred for a moment. “Shhhh!” They cuddled closer to their friend and fell back asleep.

“I knew it!” He giggled “Or I mean Remy knew. They told me they thought you were into them”

“WHAT?!”

Now it was Remus that covered his mouth. He was full on cackling “Yeah! They said it was really obvious! But good for you snakey! I’m sure if you murder their boyfriend you can get them in no time! Or you can become a fab homewrecker!! I can help you buy a nice sexy dress and all!!”

Janus paled in terror “How- In- What- In what way did they say it was obvious?”

“Oh y’know-”

The notif on his phone went off. He checked and his eyes went wide. He carefully moved Remy’s head onto the bench before standing up.

“Sorry snakey! Ro needs super duper emergency help! Gotta go!! See you later! Don’t die!”

Remus left him just like that. Right after dropping THAT bomb on him. Janus sat unmoving. His mouth was slightly agape in shock. His thoughts were runnig around screaming nonstop.

He sat like that for over 20 minutes until Remy let out a yawn and slowly woke up. They took off their sunglasses to rub their eyes. Just seeing their vibrantly green eyes made Janus panic even more.

“Did Rem disintegrate?” Their voice was hoarse from sleepyness. Janus pinched himself to hold back the uhm feelings.

“He- he uh he went he went he sure did went yeah”

“....Cool!”

They stretched their joints, they all cracked. They looked to Janus and moved closer. He couldn’t breathe. They knew. They knew. They knew.

“Girl are you feeling okay?” They pressed their palm to his forehead “You’re like super hot. In both ways! Maybe you should like go home and rest. I gotta get home before my boyf gets home anyway”

“Y-yeah” Was all Janus could get out.

“Cool. OH! By the way! Girl!!! We haven’t like hung out just the two of us right?? We should tots do that! Just like tell me whatever you wanna do and we can do it!”

“Yeah”

“Awesome! Well I’ll see you on that hang out then”

They hugged him for just a few seconds but for those seconds Janus felt like he was in heaven.

They got up and left. Janus slumped over on the bench. His heart was going crazy. They knew. They knew and now they wanted to hang out alone with him. He turned to you. His eyes were wide and panicked.

Janus: “W-what am I supposed to do? I don’t know any good hang out plans! Do you know any??? I’m- this is all- how did they even know I like them! Oh I’m sounding like an overdramatic 13 year old.....This totally isn’t really overwhelming. I would hate getting Logan cuddles right now!”

#thanks for the ask!!#im sorry these keep getting longer #i really do try to cut them down #dukeceit #demus #janus sanders #remus sanders #remy sanders #mini fic #sanders sides #desleep #desleepmus #dukeceitsleep

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happymetalgirl · 7 years ago

Text

Mournful Congregation - The Incubus of Karma

The fourth full-length from Australian quartet Mournful Congregation finds them polishing the compositional aspects of their brand of black/funeral doom metal, but exchanging no mercy into its sprawling, gargantuan songs to do so. With six tracks just barely plateauing beneath the 80-minute mark, Incubus of Karma takes a somber, cosmic, and spiritual journey via long-sustained guitar sections, echoed percussion, and emotive vocal performances.

Much like Pallbearer’s Heartless and Elder’s Reflections of a Floating World did last year, Incubus of Karma gradually erodes the stone walls of the heart away to penetrate it with a deeply meditative catharsis in a manner more patient than most metal like it. With the four cornerstone tracks of the album all around fifteen minutes or longer, the band take their time with each to not only build tension but maintain the self-control to not release it all in one short post-rock-crescendo-esque burst. Each song starts minimally and ascends slowly through a series of doomy strata spanning a variety of moods from mournful to somber triumph, all with simple dirge-y guitar passages, not overloaded with distortion, and drums that focus on maintaining the pace of the march rather than exploding into every metal drummer’s favorite speedy techniques. This isn’t to say that the album is all hum-drum boredom, as the song “Scripture of Exaltation and Punishment” indulges more fully in the blacker depths of doom metal (especially in the vocal department), while still creating and climbing a magnificent tower of emotion across its quarter-hour length.

The unwavering meditative pacing on the album is not without its detriments, however; the song “The Rubaiyat” is an example of the band’s funeral doom formula executed more fruitlessly than the rest of the songs surrounding it.

The album’s enormous 22-minute closer, “A Picture of the Devouring Gloom Devouring the Spheres of Being”, certainly ends it in cathartic fashion, leading with soaring background vocals and a soul-crushing guitar lead, the song disguises in no way its intent to wrench at the heart; and the emotive guitar harmonies at the end could not have ended the album in a more fitting manner.

Incubus of Karma is certainly a record with a great capacity to cultivate a contemplative atmosphere and speak through the tear-dripping guitar passages it strings throughout its epic length, but it’s also an album that makes no effort to hook one into its enlightening experience; it requires a perseverance of sorts on the part of its listeners, to not let themselves be distracted, across its massive run-time to fully immerse them in its dark, but uplifting, spacey, but tangibly spiritual catharsis.

#the incubus of karma #mournful congregation #doom metal #sludge metal #black metal #funeral doom #bandcamp #heavy metal #metal #the indwelling ascent #whispering spiritscapes

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CRITICAL CONSENSUS HOLDS that Wes Anderson movies are about loss. For some artists, aestheticism acts as a kind of spider’s silk: a complexly structured beauty proves best for binding and healing whatever wound. As with a play by the unloved Wilde or a mazurka by the exiled Chopin, the sheer symmetrical precision of an Anderson film knits up and covers over trauma the way that Richie Tenenbaum’s bandages knit up his slashed wrists.

But Isle of Dogs, the director’s most recent stop-motion effort, is not a movie about loss. It’s not even about losing, nor about the ethical and aesthetic miracle of sustaining a marvelously well-ordered fantasy in the face of devastation — you know, that whole Anderson thing.

By contrast, Isle of Dogs is a movie about finding: finding a dog, finding your friends and family, finding your purpose and your identity. So it is slightly difficult to integrate it into the Anderson oeuvre: its primary affect is not sorrow or melancholy but anger, its aesthetic a kind of closely controlled, roiling ickiness: packs of grimy dogs explode into fights, samurai heads fall off, planes burst into immaculate balls of cotton-fluff smoke, sushi fish are hacked up squirmingly alive. At every point in the film (and the film is surprisingly unpleasant to watch for precisely this reason), Anderson seems to ask what forms, what styles, are commensurate to rage — and not just to rage but to a double-pronged, rage-driven teen quest to defeat the patent unfairness of the world.

A first answer would appear to be taiko drumming: in a well of light, surrounded by darkness, three well-fleshed, bare-chested adolescents hammer out a theme by Oscar-winner Alexandre Desplat. We are then drawn into an epic expository sequence about a centuries-old conflict between the dogs of Japan and the cat-loving Kobayashi dynasty, which still controls the fictional Uni Prefecture, which in turns contains the fictional city of Megasaki. Cut to the issuing of a municipal decree by the mayor of Megasaki, who is also the current head of the Kobayashi dynasty, 20 years in the future, as measured from our heterodiegetic present: infected with something called “Dog Flu,” all of the city’s dogs are to be quarantined on Trash Island, now known as the Isle of Dogs. The mayor’s ward, Atari Kobayashi (Koyu Rankin), aged 12 — granted, not quite a teen, but pissed as hell, a classic Anderson pubescent — watches from the shadows as his beloved guard dog, Spots (Liev Schreiber), is sent off in a crate as proof that his guardian means business.

Revealed mostly in flashbacks, Spots’s fate furnishes one of the film’s intricate, Andersonian subplots; just as crammed with reversals, the A story details Atari’s quest to find Spots on Trash Island. He’s helped by a pack of alpha dogs voiced by regular Anderson collaborators: former house pets Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldblum), plus Chief (Bryan Cranston), a former stray. If this sounds cute, well, it isn’t. The film’s violence is remarkably violent. Chief’s a scrapper: in his first scene he chews off another dog’s ear. It sits like a hot-sauced chicharron in the center of the screen, vaguely horrid and blood-spotted, until it’s dragged away by a rat. As they journey, the dogs pass through a series of gorgeously bleak landscapes, arguing among themselves all the while. The group’s conflicts usually center on Rex, head of the pets — who wants to help Atari — and Chief, sole gutter spawn, who’s keeping an open mind on the question of whether the dogs should just eat him. Cranston-as-Chief sometimes sounds so threateningly grumpy his performance sometimes loses its comic touch.

The B plot follows Tracy Walker (Greta Gerwig), a foreign exchange student from Ohio and the second prong of Anderson’s preteen anger force. Tracy is a cub reporter on the Megasaki Senior High newspaper; she is also very noticeably pissed. She declares she’s angry at several points. She hates the mayor, hates that he’s corrupt, hates that no one in Megasaki can see how corrupt and unfair the treatment of its dog population might be. She chews her gum so hard you can hear it — that’s how pissed she is. As she discovers that a massive conspiracy lies behind the dogs’ expulsion, she only gets madder. On the hunt for a serum to cure the dogs of Trash Island, she bursts into a bar and screams down a bereaved scientist voiced by Yoko Ono. The scene is almost unwatchably unpleasant: anger is, based on the scantiness of its representation, more unsettling than fear or grief. On the other hand, there’s a certain bravery in showing us a character’s outrage, even at the cost of showing — or trying to show us — things atrocious enough to outrage both the character and the audience.

Unlike cats, who conspire with the corrupt Kobayashis, the dogs of Megasaki are fundamentally innocent — and so, of course, people would send them to hell, misdirection of our own pain or culpability onto the nearest possible Other being the single great talent of humankind. Thus scapegoated, the dogs form their own raggedy community. And again, an ugliness, an ickiness, holds the day despite the ingenuity, the sheer (and familiar) beauty of certain of Anderson’s shots. The emaciated, dirty, insomniac creatures we see in an early montage flirt with the Burton-esque. The atrocities perpetrated on another subcommunity of Trash Island dogs — the survivors of a medical facility where they were experimented on — leaves many of them with glass eyes, tubes sticking out of their necks, or, in the case of the old, much-bereaved dog Gondo (Harvey Keitel), a face that’s half-bald and decorated with medical tattoos. (Keitel’s monologue about the loss of his own fellow canine best friend — riven by instinctive howling — is the film’s best performance.)

Anderson has never shied from medical horror, torture, arterial blood, knives, arrows, severed heads, severed fingers, small arms, pepper spray, flamethrowers, sabers, shoves out of windows and down stairs, punches to the nose, and bigtime scuffles of the squad-of-baddies-on-squad-of-hapless-heroes or bro-on-bro or even the kid-on-kid kind. In Moonrise Kingdom, Social Services threatens 12-year-old Sam Shakusky with electric shock for refusing to betray his true love, Suzy Bishop; Anderson’s previous stop-motion film, Fantastic Mr. Fox, also sports with amputations and gory gallows humor. But Isle throbs with a much darker and more disturbing intensity than any of Anderson’s other films. It flirts with the thin representational line between slapstick and cruelty. In two different instances, we are left to think that our favorite characters — sweet innocent dogs — have either starved to death or been incinerated. Audible gasps of adult discomfort accompanied both scenes both times I saw the film. Not for nothing is its PG-13 rating for “violent images.”

But that makes the film a challenge — its nearest animal-tale analogue, so far as I can tell, is Art Spiegelman’s Maus. At the very least, it helps furnish some internal answer as to what to do about movies that, like this one, seem to make people very mad.

Upon the film’s release, some heralded Isle of Dogs as prescient; they celebrated it, for example, for its celebration of student protest. But the idealism of the pro-dog movement as headed by the gum-snapping, conspiracy-busting Tracy doesn’t much resemble anything that young people might find to protest. In a certain sense — although no one in the film can know this, since the humans and the dogs in Megasaki don’t speak the same language — Chief and co. are quirky but loyal old-fashioned, white-sounding dudes who want nothing more than to find masters. Counterpoised against this wholesome if utterly outdated modus vivendi is a vision of fascist evil decidedly incomplete — a vision of camps and complete dog extermination that conjures up the Holocaust but that leaves aside other ways that fascism has expressed itself in any moment closer to Tracy’s and Atari’s or our own.

Whether it is appropriate to aestheticize the Holocaust is one question (shades of Maus again — but the film has none of the comic book’s claim to history); strong views on both sides would make for a real conversation. But the film has attracted even stronger takes. Though the critical dust has mostly settled, the film’s reception was hampered by charges of cultural appropriation: Justin Chang of the Los Angeles Times wrote a scathing review of what he saw as Anderson’s failures. But as a recent piece at The New Yorker rightly points out, Anderson did not invent the commodification or appropriation of Japanese culture, and Japonism was often aided and abetted by the Japanese. Indeed, the mayor of Megasaki is a thundering Asian dictator — very close to racist stereotype — but then again, he looks not a little like the thundering dictator-to-be who runs our country. And if Anderson’s fictional Megasaki is no more than a Japanese-ish place outside of history, that’s for better and for worse, too. We learn that Trash Island was repeatedly destroyed by the natural disasters to which the Japanese archipelago is in fact susceptible — volcanoes, tidal waves — but the film’s Japan does not seem to have known the unnatural disaster that killed twice as many people as the nearest natural contender. There is something moderately disturbing about a Japan that has never known the American atomic bomb — and then again, there’s something beautiful about it, too.

To me, there is nothing (or maybe only one thing) about Isle of Dogs that seems finally vehemently unjust. In many of its aspects — perhaps especially in its complex idealization of a universal emotion — the film is a reminder that our representations can adopt a playful, inter-cultural permeability. One hopes that at the same time, though, we are still pursuing, honing, and revising a better understanding of what kinds of representations by what kinds of people are just. This knowledge — which is made and assembled and broken down and reassembled collectively, like all other forms of knowledge — involves an awareness not only of race or ethnicity or nationality but of the intersections of those constructs with gender and class and then, too, with history and with the way that historiography is shaped by power relations. And at the same time, a person has to grapple with the idea that elite internationalist culture of the kind Anderson now incarnates exploits anyone who has no access to the free movement of capital between countries.

Which is to say that that process is long and complex as hell. No one artist can be expected to manage all of these relations; no one artist ever has. Ideally, too, no critic should fly off the handle without understanding what the purpose of their flying off the handle might be.

So here I go flying right off the handle. Watch me.

Wes Anderson might or might not want to know that his film’s vision of gender struck me as frankly awful. We have Tracy and Yoko in Isle of Dogs’s human population, but there are only three “bitches” in the film. And yes, “bitch” is the word the dogs use. It’s a joke that never lands anything but awkwardly, the kind of obsolete and embarrassing joke my dad would make to utter silence at the dinner table. One, the pug, Oracle (Tilda Swinton), is sexless; the other two, Nutmeg (Scarlett Johansson) and Peppermint (Kara Hayward), function purely as love interests for alphas — or rather, and more grimly, as prospective mates. Nutmeg’s character arc consists solely of reversing her original objection that no one should bring puppies into the world of Trash Island and becoming a mother. (The change? The dogs escape from Trash Island.)

Nutmeg is a fancy show dog, and she sometimes does amazing tricks for Chief — balancing on her front paws while juggling invisible bowling balls or bowling pins — but this finally incomplete attempt to make her seem interesting only makes it too easy to imagine that with slightest story tweaks she could, er, actually do something. As it is, she exists solely to suggest to Chief that he should help Atari find Spots — that is, to use her sexual magnetism to help an emotionally stunted alpha male remember what’s important about life. And yes, Chief does eventually find a job and become a family man, a bizarrely schlocky outcome for any Anderson protagonist. Worst is that the proposition and subsequent worship of these sorts of faux-interesting female characters is an easily solvable problem, one that could have been fixed in any number of ways without altering the film’s vision.

Unless that vision is finally and most importantly the sad, worn-out vision of indomitable American masculinity. Chief can’t make a good house pet because, as he reminds us frequently, he bites. And why does he bite? He doesn’t know. He’s aggressive, he’s never known love — and even when he does, at film’s end, become a “good boy” and agree to serve as Atari’s new guard dog, he still struggles not to bite the shit out of visiting dignitaries. His ultimate virility is verified at the end of the film by Nutmeg, who assures him that she isn’t attracted to tame animals. Fine: Wildness is a virtue. But the film’s characterological structure suggests that Nutmeg only understands Chief because she is the tamest possible animal (that is, a show dog). The story of Chief and Nutmeg feels like a warmed-over Lady and the Tramp — when so much more might have been possible in terms of either character and in terms of their relationship.

Then again, their love could be read as an incarnation of the two central columns of Andersonian filmmaking and of Isle of Dogs itself: the unpredictable and chaotic in Chief, his rage and sorrow, is elaborated out into the exquisite comical expertise of Nutmeg’s tricks. And that is neither objectionable nor regrettable but rather the mark of a mature film, one that figures its own making inside itself.

The point, I think, is that any film is only ever the film that it is. But it also lives differently in each historical moment and persists or dies differently in the way that, not just each culture, but each one of us remembers or forgets it — how much we choose to argue and about what. For now, Isle of Dogs is, for me, memorable as one of the few testaments to how important it is to be pissed, how it is surprisingly possible to make and explore within a state of outrage, of conviction usually considered too much, too large, and too loud for complex and careful thought, much less for beautiful form.

Marc Dragon lives and works in Los Angeles.

The post The Madness to Wes Anderson’s Method appeared first on Los Angeles Review of Books.

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