#The Bishop's Wife

[classicfilmsource]

THE BISHOP'S WIFE 1947 | Henry Koster

[filmgifs]

Loretta Young and Cary Grant in THE BISHOP'S WIFE 1947 | Henry Koster

[lindadarnell]

Loretta Young and David Niven in THE BISHOP'S WIFE 1947 | Henry Koster

[diana-andraste]

Cary Grant in The Bishop's Wife, 1947

[cinematicfinatic]

Merry Christmas

[hellostarrynightblr]

Cary Grant and Loretta Young in The Bishop’s Wife (1947) dir. Henry Koster

[eleanoreparker]

THE BISHOP'S WIFE 1947, dir. Henry Koster

[mormonbooks]

The Bishop's Wife Review

4/5 Stars!

This book was nothing like how I expected it to be and everything I needed and wanted it to be. I expected the kind of novel you could recommend to your mom for a bit of light reading on a Sunday afternoon. The Bishop's Wife. She's a mormon woman who is doing her best to take care of her ward.

I was pleasantly surprised at the moderately progressive tone the book took within the first few chapters (asking questions about the sexism in the church, the fear of judgement 'imperfect' families face, etc) but I soon realized that it there was much more. This novel is a deep commentary on Mormonism, digging into the deep and unpleasant parts, and asking difficult questions that most members like to avoid. It does it all through the eyes of a faithful middle-aged woman, who knows what she believes and uses her faith to bring justice to her community, even when she has to struggle against the church institution and her own husband to do it.

In my opinion, it's a great work of mormon feminism, that allows our culture to shine through in all it's glory and with all it's flaws. I would highly recommend this book to anyone, genuinely. The mystery is engaging, the community is loveable, the plot twists are gut wrenching. Truly a work of art. I'm excited to read more of Harrison's work

Breakdown under the cut

1. Well written - 5 Stars

Yes. The prose is beautiful. The plot is engaging. The mystery is complex and the new information always threw me. It was gut wrenching at times. It was comforting at others.

2. Fun level - 5 stars

It's a slow-paced story, with many moments that skip weeks or months where not much happens. But I enjoy stories like that. It gave breaks between the page-turning mystery solving moments.

3. Complex faith - 5 Stars

This is probably my favorite part of this book. The villains and the heroes are all mormons, and they all approach their faith and their religion in different ways. Linda obviously has more progressive views, and is enraged by the misogyny of many of the men in this story. Those men are not shown to be anamolys per se but they're also not shown to be the norm. Many women in the story have opportunities to voice their questions and doubts but it never makes them any less mormon. People exist all over the scale of mormonism and it feels like the most honest portrayal of our culture that I've read so far.

4. Homophobia scale - 3.5 Stars

It's not a major plot point, but it's mentioned that Linda's son Samuel joined the GSA at his school and she is proud of him for that. She also suspects that her other son might be gay, and worries about how that will affect his relationship with his father. I imagine this will be explored further in the series. It's refreshing that Linda is pro-LGBT but it also seems to treat the church's heteronormative stance quite naively and I'd love to see Harrison really dig into that topic in the future.

5. Mormon weird - 4 stars

Realistic Fiction, but definitely uniquely mormon. The characters in this book could not be swapped out with "generic christians." some of the problematic and dangerous beliefs are uniquely mormon, but so are the beautiful and comforting ones. There is a lot of discussion of the plan of salvation, that I appreciated. I also liked Linda's realistic approach to faith, and her honest moments of doubting, or referring to things as "legends" and "myths." Things don't have to be doctrine to be important in our culture

6. Diversity of characters - 2 stars

I don't think race is ever touched on in the novel, and they all live in Utah and have typical european-american names, so it's easy to assume they are all white. And despite being essentially a work of mormon feminism, a very small percentage of the speaking cast are women.

7. Other problematic stuff - 4.5 stars

I deeply enjoyed the novel as a snapshot of a mormon town, however that does mean that, despite her progressiveness, Linda has a realistic understanding of gender, as a middle-aged mormon woman. She has some beliefs and attitudes toward men that I found frustrating, although understandable.

Conclusion:

I gave this book 5 stars on goodreads but that was before I did my breakdown. I wish it had been more diverse, but I think Harrison explores race in the church in future novels. We'll see.

I LOVE Linda Wallheim. I LOVE the way Harrison talks about Mormon communities and Mormon faith and Mormon culture. I love how much this book made me feel. This is decidedly GOOD mormon rep, with all the determined faith mixed with struggles against flawed systems and truly terrible people. like. I cannot express how much I hate the villains in this book.

I can't wait to see Linda's next adventure.

[please-dont-pet-the-okapi]

Angels in The Bishop's Wife (American, 1947): Cheerful, snarky chaps in suits who look like they wandered out of a mid-20th century catalog Angels in Wings of Desire (West German, 1987): Sad men in overcoats who have clearly Seen Some Things but also love humans so, so very much

[starship21zedna9]

Watching Cary Grant movies to stave off the election anxiety. He'll make everything better.

[haveyouseenthisromcom]

Mod Note: The first poll for this one was accidentally set for one day. My apologies.

[classicfilmsource]

Loretta Young and Cary Grant in THE BISHOP'S WIFE 1947 | Henry Koster

[lindadarnell]

Elsa Lanchester and Cary Grant in THE BISHOP'S WIFE 1947 | Henry Koster

[screenshotingmonstercinema]

[live-and-die-in-la]

Christmas movie poster round-up!

[autumncottageattic]

‘The Bishop's Wife‘  is a 1947 American romantic comedy film starring Cary Grant, Loretta Young, and David Niven.