Kiss the Blood Off My Hands (Blood on My Hands, 1948)
"Listen to me. There's nobody else I wanna be with. Nobody else I wanna talk to. What's wrong with that?"
"I'll tell you what's wrong, you're wrong. You're a coward. There was one of him and one of you; he was a much older man, I suppose if you - if you hit a child, you'd say the same thing. What's the matter with you? Why can't you be decent? Why can't you be like everybody else? You're nothing but a cheap, vicious bully."
A scene from the film, The Bishop’s Wife, inspired a cut scene from Good Omens.
The basic premise of The Bishop's Wife (1947) is about an angel who helps a bishop with his problems.
The film was adapted by Leonardo Bercovici and Robert E. Sherwood from the 1928 novel of the same name by Robert Nathan.
Link to the post.
I compiled both scenes in this video so you can see the comparison. I do recommend watching the entire film though!
And some more interesting trivia:
Originally Cary Grant played the bishop and David Niven the angel. When original director William A. Seiter left the film, Henry Koster replaced him and viewed what had been shot so far. He realized that the two were in the wrong roles. It took some convincing because Grant wanted the title role of the Bishop. He eventually accepted the change and his role as the angel was one of the most widely praised of his career.
Does that remind you of anything related to the casting roles in Good Omens? 🤓 History repeats itself.
NOIR CITY 20 at Oakland's Grand Lake Theatre Day 9: Evening- SORRY, WRONG NUMBER (7:00) & KISS THE BLOOD OFF MY HANDS (9:00). Films introduced by Eddie Muller.
Full festival and tickets: www.NoirCity.com
Saturday Evening • January 28
DOUBLE FEATURE
7:00 PM
SORRY, WRONG NUMBER
Bedridden heiress Leona Stevenson (Barbara Stanwyck) hears through crossed telephone wires a murder being planned. She tries to alert the police, to no avail, and grows frantic as she gradually realizes she is the intended victim. Stanwyck gives an Oscar®-nominated performance in this engrossing and densely layered extension of the legendary 22-minute radio drama. Featuring Burt Lancaster in one of his earliest roles, mesmerizing direction by Anatole Litvak, and atmospheric camerawork by the great Sol Polito. Famous … yet still underrated.Originally released September 1, 1948. Paramount, 89 minutes. Screenplay by Lucille Fletcher, from her radio play. Produced by Hal Wallis and Anatole Litvak. Directed by Anatole Litvak.
9:00 PM
KISS THE BLOOD OFF MY HANDS
War profiteering, 1940s-style, is the backdrop of this London-set noir, in which a traumatized American GI (Burt Lancaster) goes on the run after killing a man in a pub. Joan Fontaine is his only hope for salvation, Robert Newton his nemesis. The first film produced by Lancaster's Norma Productions, which recreated twenty square blocks of London on the Universal backlot, brilliantly photographed by Russell Metty. Miklós Rózsa contributed the highly effective score.
Originally released October 29, 1948. Universal–International, 79 minutes. Screenplay by Leonardo Bercovici, Ben Maddow, and Walter Bernstein, Based on the novel by Gerald Butler. Produced by Harold Hecht and Burt Lancaster. Directed by Norman Foster.
Portrait of Jennie (1948) was written by Leonardo Bercovici, Paul Osborne and Peter Berneis with uncredited help from David O Selznick and Ben Hecht, based on a novella by Robert Nathan.
Leonardo had 19 screenwriting credits. Also notable was his original unfilmed screenplay that formed the basis of The Preacher's Wife (1996) with Denzel Washington and Whitney Houston.
Paul had 34 screenwriting credits, most notably for The Yearling and East of Eden.
Peter had 23 screenwriting credits, most notably for adapting Tennessee Williams' The Glass Menagerie, and for a 1957 remake of My Man Godfrey.
Title: Portrait of Jennie
Year: 1948
Country: USA
Language: English
Genre: Romance, Fantasy
Director: William Dieterle
Writers:
Leonardo Bercovici
Paul Osborn
Peter Berneis
Robert Nathan
Music: Dimitri Tiomkin
Cinematography: Joseph H. August
Cast:
Joseph Cotten
Jennifer Jones
Ethel Barrymore
Cecil Kellaway
David Wayne
Lillian Gish
Henry Hull
Florence Bates
Albert Sharpe
Anne Francis
Nancy Reagan
Nancy Olson
Rating:…