#Terry Winters

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Terry Winters (American, 1949), Untitled, 1981. Charcoal and watercolor on paper, 29 ⅞ x 22 ⅛ in.

[garadinervi]

Terry Winters, Morula II, (oil on linen), 1983 [© Terry Winters]

[antronaut]

Terry Winters - Cobalt (2017)

oil, wax, and resin on linen  80 × 60 inches

[oldsardens]

Terry Winters - Botanical Subject #5

[luckyacid]

Terry Winters Point Cloud (4), 2023 Oil, wax, and resin on linen 83 × 63 in

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Terry Winters

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Terry Winters' paintings for Point Cloud Pictures at Matthew Marks Gallery reference data collection methods and patterns from the natural world. The colorful and energetic works leave it up to the viewer to make their own associations.

From the gallery’s press release-

Winters’s work centers on abstraction as a catalyst for exploring the natural world. In his paintings, composition and color give new meaning to a wide range of technical references, which include advanced mathematical principles, musical notation, botany, and chemistry. In the artist’s own words: “I’m taking preexisting imagery and respecifying it through the painting process. Information is torqued with the objective of opening a fictive space or lyrical dimension.”

The title of the exhibition refers to the seven Point Cloud paintings on view, in which overlapping grids of ringed particles create complex, amorphous shapes. Borrowed from the field of three-dimensional modeling, a point cloud refers to a set of data points in space, often used to articulate objects or landscapes in digital models. “The forms can also suggest the collective behavior of animals, such as the murmuration of starlings and the schooling of fish,” Winters says. His paintings build an illusionistic sense of ever-expanding depth, as the varying size, shape, and angle of his painted data points lend a dynamism to his canvases. With the utmost attention to pigment, the paintings are built up in layers of oil, wax, and resin, further eliciting the energetic potential of their compositions.

Created through a parallel process, each painting on paper fills a large sheet from edge to edge. To make these works, Winters chose a paper size called a double elephant, which was first developed in 1826 to accommodate J.J. Audubon’s life-size depictions of birds. As Winters has described, “I’m interested in these givens, working within the parameters of that aspect ratio, and how that affects the building of the work.” Together, the works create a space that is both immediate and imaginary, what Winters has called a “vitalized geometry.”

This exhibition closes 6/29/24.

[socratean]

Terry Winters, Set of Ten Place, 2001. Mixed method etching on white wove paper.

[satelliteee-com]

Terry Winters Knotted Graphs ポスター

56 x 86.4 cm

Terry Winters: Knotted Graphs ポスター

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TERRY WINTERS Paintings and Drawings

[garadinervi]

Terry Winters, Solutré Set/9, (graphite and gouache on paper), 2006 [© Terry Winters]

[antronaut]

Terry Winters - Table of Contents (2020)

graphite, ink, and wax on paper, 26 sheets each 11 x 9 inches

[choes]

Terry Winters

Porcelain 2020 Oil on paper 40 × 30 inches; 102 × 76 cm

2. TESSELLATION FIGURES

oil on linen

80 by 76 in. 203.2 by 193 cm.

Executed in 2011.

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